(cache)Home: Bruce Beyer — Creating a Home Filled with Music

Eye on Art: Women of the 9th St. Show

In the November 24, 1975 issue of New York magazine, the art critic Thomas B. ... 7 Nov 2019 by

Eye on Art: Looking Into Glass Houses

A few weeks ago, literally at the crack of dawn, an intrepid group assembled at ... 11 Oct 2019 by

On Art: Krasner in London

In 1965, the Whitechapel Art Gallery in London presented Lee Krasner’s first retrospective exhibition. It ... 20 Jun 2019 by

Climate Corner: Planet Full Of Leftovers

By Jenny Noble My favorite moment returning home to Sag Harbor after renting our house ... 21 Nov 2020 by

Climate Corner: Does The Planet Have Your Vote This November?

By Jenny Noble In 2012, a thirsty dog named Rosie stopped to lap up a ... 14 Oct 2020 by

The Climate Corner: Vineyards Explore Organic Methods

By Jenny Noble “Someday, we may not even have the wines that we now know, ... 17 Sep 2020 by

“Locally Sourced” at the Heckscher

The Heckscher Museum of Art in Huntington, overlooking the lake in a public park off ... 4 Mar 2020 by

Nada Barry: The Feeling of Belonging 'Home'

"The greatness of a community is most accurately measured by the compassionate actions of its ... 15 Jan 2020 by

Eye on Art: Lichtenstein at the Whitney

In June 2018, the Whitney Museum of American Art announced the establishment of the Roy Lichtenstein Study Collection, created by the Roy Lichtenstein Foundation’s gift of more than 400 of his works in all media spanning his entire career. Among the themes represented in depth is architectural ornamentation, specifically the motifs the artist observed on building façades in downtown Manhattan and adapted in numerous paintings and prints, primarily in the 1970s. Beyond their implicit commentary on cultural appropriation and ironic take on the symbolism of what Lichtenstein called “imperial power,” on an aesthetic level they were his response to Minimalism, ... 4 Dec 2019 by

Michael A. Butler: “Preserving The History of Home”

“If we don’t care about our past, we cannot hope for the future” - Jacqueline Kennedy ... 13 Nov 2019 by

Eye on Art: Women of the 9th St. Show

In the November 24, 1975 issue of New York magazine, the art critic Thomas B. ... 7 Nov 2019 by

Eye on Art: Looking Into Glass Houses

A few weeks ago, literally at the crack of dawn, an intrepid group assembled at ... 11 Oct 2019 by

On Art: Krasner in London

In 1965, the Whitechapel Art Gallery in London presented Lee Krasner’s first retrospective exhibition. It ... 20 Jun 2019 by

Climate Corner: Planet Full Of Leftovers

By Jenny Noble My favorite moment returning home to Sag Harbor after renting our house ... 21 Nov 2020 by

Climate Corner: Does The Planet Have Your Vote This November?

By Jenny Noble In 2012, a thirsty dog named Rosie stopped to lap up a ... 14 Oct 2020 by

The Climate Corner: Vineyards Explore Organic Methods

By Jenny Noble “Someday, we may not even have the wines that we now know, ... 17 Sep 2020 by

“Locally Sourced” at the Heckscher

The Heckscher Museum of Art in Huntington, overlooking the lake in a public park off ... 4 Mar 2020 by

Nada Barry: The Feeling of Belonging 'Home'

"The greatness of a community is most accurately measured by the compassionate actions of its ... 15 Jan 2020 by

Eye on Art: Lichtenstein at the Whitney

In June 2018, the Whitney Museum of American Art announced the establishment of the Roy Lichtenstein Study Collection, created by the Roy Lichtenstein Foundation’s gift of more than 400 of his works in all media spanning his entire career. Among the themes represented in depth is architectural ornamentation, specifically the motifs the artist observed on building façades in downtown Manhattan and adapted in numerous paintings and prints, primarily in the 1970s. Beyond their implicit commentary on cultural appropriation and ironic take on the symbolism of what Lichtenstein called “imperial power,” on an aesthetic level they were his response to Minimalism, ... 4 Dec 2019 by

Welcome

Home: Bruce Beyer — Creating a Home Filled with Music

You May Also Like:

Eye on Art: Women of the 9th St. Show

Eye on Art: Looking Into Glass Houses

On Art: Krasner in London

Climate Corner: Planet Full Of Leftovers

Climate Corner: Does The Planet Have Your Vote This November?

The Climate Corner: Vineyards Explore Organic Methods

“Locally Sourced” at the Heckscher

Nada Barry: The Feeling of Belonging 'Home'

Eye on Art: Lichtenstein at the Whitney

Michael A. Butler: “Preserving The History of Home”

Eye on Art: Women of the 9th St. Show

Eye on Art: Looking Into Glass Houses

On Art: Krasner in London

Climate Corner: Planet Full Of Leftovers

Climate Corner: Does The Planet Have Your Vote This November?

The Climate Corner: Vineyards Explore Organic Methods

“Locally Sourced” at the Heckscher

Nada Barry: The Feeling of Belonging 'Home'

Eye on Art: Lichtenstein at the Whitney

Michael A. Butler: “Preserving The History of Home”

Eye on Art: Women of the 9th St. Show

Eye on Art: Looking Into Glass Houses

On Art: Krasner in London

Welcome

Home: Bruce Beyer — Creating a Home Filled with Music

You May Also Like:

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