They told us the cameras never stop rolling. Even when the mic packs die at 2 a.m., something is watching. You can't hide on this island, the producer said at orientation. That's the point.
She was wrong.
I wasn't supposed to be a bombshell — I'd auditioned as a Day 1 islander. In every tape I told the same story: a thin white scar through my left eyebrow, from a bike accident at nine. Two days before filming, a call came about a "format change": held back, dropped in on Day 9. You'll test better as a twist, she said, like I was a product line.
Twist islanders don't walk through the front gate — we're driven the back way, past the crew trailers. The runner glanced at my eyebrow, then caught himself. "Sorry. Wrong season. You look like someone." He wouldn't say who, and didn't offer anything else the rest of the ride.
His name was Dallin, coupled with a girl named Wren since Day 1.
Three days after I arrived, Wren was gone. "Chose to leave for personal reasons." Her suitcase vanished overnight; the recap graphics never used her name again.
I asked Dallin about it, by the fire pit. "She wanted more from me than I had," he said. "So I gave her what she wanted." I laughed — islanders talk like that, and editors turn it romantic no matter what they meant.
A boy named Corey started sleeping with a kitchen knife under his pillow, joking it was for protein-bar thieves. His hands shook when Dallin walked past. One night under the pool floodlights I noticed Dallin had no shadow. A girl just shrugged: "He's always been like that."
Corey left on Day 19, in a recoupling that didn't match what I'd seen with my own eyes.
Fourteen of us on Day 1. Nine now.
The runner had been sneaking us rough-cut clips off the shared drive. I'd saved one from Day 6 — Wren laughing so hard she fell in the pool. On Day 22 I watched it again. Her laugh wasn't finishing anymore; it just held, frozen, like a scrub bar had snagged. And in the same frame, small enough I almost missed it: my own eyebrow, in the background. Unbroken. No scar.
I touched my face. Still there. I told myself the compression had smudged it.
That night another girl told me I'd never mentioned a scar in my confessional — my whole intro had been about growing up near the ocean. I have never lived near the ocean in my life.
The same runner handed me a drive one night, then snatched it back mid-open, deleting something off it with his thumb still shaking. "Wrong file," he muttered. But I'd seen the folder name for half a second — a season number eleven years before this one — and a thumbnail with Dallin's face in it, younger, or maybe just filmed at a different angle. He wouldn't meet my eyes again that night.
I confronted Dallin on Day 24, in the hour the compound goes quiet. Just the pool, the bugs against the floodlights, and him on the diving board, no shadow beneath him.
"Where does everyone go," I said. Not a question. A demand.
"You've seen the show," he said. "People leave. That's the format."
"Not like this."
"You noticed. Good." He smiled — the smile that made America fall for him in week one, and I wondered how many weeks-one he'd had. "Everyone thinks the hard part is getting picked," he said. "It isn't."
I asked if that meant he chose who left. He looked almost hurt, like I'd misunderstood something obvious.
"I don't choose," he said. "I just don't argue."
I ran for the gate. Locked — to keep the paparazzi out.
I don't know who else it was keeping in.
I'm writing from the medical tent, after I "had a breakdown" on camera. Yesterday the network leaked the finale trailer, and I watched with the others, crowding one phone: the beach at night, string lights, a ceremony none of us have filmed. Dallin in the white finale shirt. Me beside him, laughing, in a dress I don't own, hair longer than it's been since nineteen. My eyebrow smooth. No scar.
I have never filmed that scene. It's timestamped eleven days from now.
Sleepless, I went looking for my own audition tape, needing to see myself as I actually was. I found it — a girl with my voice, my scar, telling the bike story, filed under a name that isn't mine, dated three years ago. Beneath it, a folder of tapes under that same name across different years and faces, the scar migrating eyebrow to eyebrow, always finishing the same sentence about a bike she never rode.
Somewhere in that folder is the tape where I first appear. I haven't opened it. I'm afraid it won't have my face on it at all — a name I've never heard, auditioning for a life I only think I'm living.
I don't think Dallin decides anything. I think he found out, some season none of us will see, that the show already had a favorite version of every person in it — and he stopped being the version it didn't pick. Survivor or collaborator, I'm not sure there's a difference once you're the one still standing at the diving board with no shadow.
There are no mirrors in the medical tent. I touched my eyebrow anyway, in the dark, finger on where the scar should be.
Smooth. The worst part wasn't that it was gone. It was standing there, unable to remember if I was ever supposed to miss it.
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