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Part 1 of evil ilya
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2026-01-08
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2026-05-10
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lightweight canadian

Summary:

He stared at the screen. His body was thrumming, vibrating with a desperate, pent-up energy that made his skin feel too tight. It had been two days. Two days of Ilya saying start. Two days of Ilya saying stop. Two days of being edged until his brain felt like it was melting out of his ears. The ache in his balls was a dull, constant throb, a pressure that bordered on agony.

But it felt so good.

Two men, one secret, a decade of choosing each other in every wrong way possible.

Shane Hollander is careful, controlled, and very good at performing both. Ilya Rozanov is the one person who has ever seen through it, and the one person Shane has never been able to perform for.

What started in Vegas in 2011 has followed them through six years of rivalry, obsession, and something else neither of them has been willing to name. When Shane falls apart, will Ilya be able to put the pieces back together again? Whether what he builds from the pieces is something Shane can survive is another question entirely...

Notes:

unseemly's heated rivalry rewrite

as requested, this fic has a playlist now. it includes all my song recs and some additional songs too. in order of chapters.

content warnings: racial trauma, ptsd breakdowns, sexual assault, emotional abuse and manipulation, disordered eating and self-harm, past child abuse, toxic codependency, graphic sexual content and numerous other disturbing topics. please read the tags. HEAVY on the unreliable narrator tag.

ilya, when we first meet him in canon, is at a very dark point in his life. his depression and repressed anger, childhood trauma that barely gets addressed, constantly projecting his feelings outwardly. running away through drugs, sex, hockey, shane, shane, shane, shane. and shane, well, his own repressed anger, feeling displaced, his neurodivergence never really being addressed, the pressure to be a model minority, never addressed. the pressure from his parents, from the public, from his own impossible standards. both of them so deeply unhappy. and communicating so badly, so consistently, for so long.

lightweight canadian is my darkest timeline exploration of what happens when you take all of that and follow it to its logical extreme.

sooo it is a hollanov fic. it is a romance (kind of, in the way like, a rock could be a pillow lol). but it's also a character study, a love letter to two people i think deserved better, written in the full knowledge that they are not going to get it.

please mind my hockey and russian mistakes. i am not into hockey and never will be, and i didn't have a translator while writing this.

thank you to zebi and shanec3l for beta reading :)

this work uses work skins for text messages and fonts, you can turn them off by pressing "hide creator's style" but the formatting will be weird.

Chapter 1: Prologue

Notes:

content warning for depictions of sexual assault in this chapter.

Chapter Text

The hallway smelled like stale carpet and was filled with the dull quiet of a hotel at 2 am, the kind of quiet that had absorbed too many other people's nights and was dense with them. Inside the penthouse, it was different, cold leather, alcohol, and the city coming through the floor-to-ceiling windows in long strips of neon that made everything look like it was underwater.

Shane was heavy against his side.

Heavier than he seemed, which was always the way with him— he presented as slight, as careful, as contained, and then you put your arm around his waist and found he was as heavy as he looked, the muscle under it, the density of him, the inconvenient physical reality of Shane Hollander up close. Ilya adjusted his grip and kicked the door shut with his heel and listened to the lock engage, that sharp final click that the dark foyer threw back at him.

"Ilya—"

His name in Shane's mouth, stretched out, the consonants going soft and the vowel lasting longer than it should. Ilya's jaw tightened. He kept moving.

"Yes," he said. "I am here."

"Mm." Shane's head dropped against his shoulder, the full dead weight of it, no attempt to hold it up. His breath came warm and uneven through Ilya's shirt, soaking into the fabric at the collar. He smelled like champagne and his own sweat, and underneath both of those, underneath the event and the evening and the performance of Shane Hollander at an awards ceremony, something that was just him. Ilya had not meant to know that smell as well as he did now.

He got him to the couch.

He didn't so much set him down as stop holding him up, Shane's weight redistributing toward the leather cushions, Ilya stepping back, watching him go. The slow, uncontrolled collapse of him, limbs finding their own arrangement. His legs slid apart. His head tipped back against the cushion. In the neon coming through the glass, his face was half blue, half dark, and his eyes, when they cracked open, were very wide and very black, the pupils blown so large the irises had almost disappeared.

His mouth was slack. Lifted at one corner into something that was trying to be a smile and mostly succeeded.

Ilya looked at him.

He looked for what was probably too long, standing over the couch with his jacket still on and his hands at his sides. Shane with nobody watching. Shane with the mask completely off, not taken off, just gone, dissolved, and what was underneath it was this. Open, unguarded, the face he never showed anyone on purpose.

Then Shane's hand moved.

A clumsy, uncoordinated drift downward, fingers curling against the ridge in his trousers, adjusting, the motion dreamlike and entirely automatic, the body tending to itself with the brain no longer supervising. 

Fuck.

Ilya raised both eyebrows slowly. A low whistle left him, barely sound at all, more breath than anything.

Hello, he thought. Someone is awake.

Shane didn't register it. His eyes had fallen shut again, lashes dark against his flushed cheeks, lips parted, breath evening out toward sleep. Then his body lurched forward, gravity and alcohol conspiring, and his forehead dropped and landed squarely against Ilya's stomach, just above his belt buckle.

Ilya went completely still.

Shane's breath soaked through the dress shirt, hot and damp against his skin. His hands came up blind, pawing at Ilya's thighs, anchoring himself. His lips moved against the fabric, the approximate shape of words. "Tired," he said. "Training soon. Don't—"

"I know," Ilya said, very quietly.

He reached down and pressed Shane back by the shoulders, pushing him into the cushions, and straightened. He stood there for a moment. Then he turned and walked to the kitchen.

The linoleum was cool under his shoes. The city light didn't reach here, the kitchen was dark except for the green glow of the microwave clock. He stood at the sink and turned the cold tap on and held both hands under it and kept them there, feeling the water run over his knuckles, down into his cuffs, soaking the fabric.

He was drunk. Not incapacitated— his thoughts were arriving in the right order, the room was staying where it was supposed to be. But the edges of things had gone soft. The part of him that ran a tight quality check on what he was about to do was running slower than usual. Coming up with different answers.

Shane was floating somewhere far above the stratosphere. His brain had been chemically scrubbed clean.

Give him water, Ilya told himself. Put him in the spare room. Go to bed.

He filled the glass. He held it.

He thought about Shane's face during the ceremony. The composure arranged into something public and gracious and completely correct, every muscle doing its assigned job, and underneath it, Ilya had been watching from across the room, drink in hand, underneath the performance, someone who had gone somewhere private and sent the surface of themselves out to receive the award. Like the real one wasn't available. Like he had packed the real one away somewhere and locked it.

He had wanted, watching that, to grab him by the face. 

Water, he thought again. Spare room.

He crossed back to the living room.

Shane had moved.

He had gotten his dress shirt half off somehow, it hung from one shoulder, buttons scattered across the carpet, the fabric gaping at the chest. His skin was flushed in the neon light, an uneven red that moved up his throat. His head had dropped back against the cushion. And his hand was still moving, that same slow automatic rhythm, his hips tilting up fractionally into it, lips parted on a breath that was almost a sound.

"Ilya," Shane mumbled, from somewhere that had nothing to do with the room. The name arriving loose and unguarded, not directed at anyone or aimed with total devastating precision at Ilya specifically, impossible to tell. "Ow— don't bite me there—"

The glass was still in Ilya's hand.

He stood in the doorway and felt the alcohol running its slow, unhelpful current through him, and looked at Shane Hollander half-undressed on his couch, and felt guilt, maybe hesitation. No, it was simpler than any of those. It was want, and it was more than physical, and it was old, and it had been waiting a long time in the dark of him.

He won't remember. But you will. 

He set the glass on the side table.

He reached for his belt. The leather pulled through the loops with a sound that was very loud in the quiet room, and Shane didn't stir, and Ilya walked to the couch.

He took Shane's chin between his fingers, not roughly, not gently either, and tipped his head back. Shane's face turned into the touch the way it always did, seeking warmth in the dark without knowing what the warmth was attached to.

"Hollander," Ilya said. "Open your mouth."

Shane opened his mouth. Without pause, without question, his tongue sliding out pink and wet in the neon light, completely trusting the voice giving the order. The corners of his lips were still trying to smile. He still didn't know whose hands were on him.

Look at you. Look at what you do, even like this. Even here.

He stepped between Shane's spread knees and guided himself forward to that waiting mouth, resting against the flat of his tongue. A drop of precome smeared across the surface. Shane's brows pulled together faintly, confused, the taste arriving somewhere below where his consciousness was, and Ilya withdrew just an inch and brought the flat of his cock against Shane's cheek twice.

"Not a homeless shelter, mm." he said quietly, to the dark, to Shane's unseeing face. "You pay for your stay."

Shane leaned forward. Chased the heat, blind and unthinking, his lips parting further, his breath coming hot and ragged against the skin. His body wanted it. Ilya watched it want, watched the wanting move through Shane's face and throat and hips, and pushed back in, past the lips, past the teeth, to the back of his throat.

Shane made a small surprised sound around him, the vibration traveling straight up Ilya's spine. His hands came up and gripped Ilya's thighs, not pushing, holding on. Anchoring himself to the only solid thing in a spinning world, which happened to be Ilya.

That's it. There you are.

He started to move. Slow at first, a rhythmic drag, the heat of it extraordinary, the sounds in the quiet room obscene and private— wet, rhythmic, Shane's choked breathing through his nose. Shane's throat bobbed on each press. He coughed, once, tears tracking from the sealed corners of his eyes in silver lines down his flushed cheeks. His hips kept rolling upward against the cushion, his body going through its own autonomous calculations, responding to Ilya's hands in his hair, to the voice praising him, da, good, so good, not knowing why he was saying it, only that it was being said.

Ilya watched him. Kept his eyes open through all of it and watched Shane's face, the wet lashes and the parted lips and the blind trust in his expression, and felt the possessiveness move through him like something tectonic, something that he didn't need to justify.

Mine, he thought, hips snapping forward. You have been mine for a long time, and you don't know it yet.

Shane tried to say something, a sound forming around him, a plea or a name or a protest lost before it reached language, and the vibration broke whatever control remained. Ilya's hand pressed Shane's head back against the cushions and he came, pulsing, and held him there through the whole of it, watching.

Shane gagged. Swallowed reflexively. Coughed violently as Ilya withdrew, his body folding forward, head dropping, a string of fluid and saliva at his lip. He looked wrecked. Half-asleep and completely broken and entirely unaware of what he looked like, which was the thing Ilya found he could not stop looking at.

He reached down and rubbed the back of his neck. "Spit," he said quietly.

Shane couldn't. He turned his head, gasping.

Ilya cleaned him up. He stripped the ruined shirt, worked Shane's unresisting arms into one of his own t-shirts, and carried him down the hallway to the secondary bedroom. Shane's head knocked gently against his collarbone with each step, and Ilya walked carefully, not rushing. He lowered him onto the bed, pulled the duvet over him, and stood in the doorway.

He watched the rise and fall of Shane's chest, slow, steady. Like nothing had interrupted it.

Tomorrow, Ilya thought, I will hate myself. Maybe.

He reached for the light switch. His expression in the dark doorway was completely still, looking in at Shane's sleeping face, and what was in it was not guilt exactly. It was closer to ownership. The cold, settled weight of a thing claimed.

Tonight, he thought, we had fun.

He turned off the light.

 


 

The light came through the gap in the curtains like it had it out for him specifically.

Shane flinched before he was fully awake, the brightness finding his eyes through closed lids, and he curled inward, knees to his chest, pulling the duvet over his face. His head throbbed in a slow rhythmic pound directly behind his eyes, pressure building until it felt like his skull might split, and his throat felt sandpapered raw, and his mouth—

He swallowed.

The taste sat at the back of it. Thick and biological, layered underneath the sour of the hangover like it had been there longer, settled in, coating the soft tissue in a way that was distinct from the alcohol and distinct from anything else he could account for. His tongue moved against the roof of his mouth without him telling it to, and his jaw protested the movement— a dull, deep ache at both hinges, radiating up into his temples when he pressed his teeth together.

He lay still and thought about that. Or started to, and then stopped.

Don't.

He opened his eyes.

Not his room. He knew his room, he'd requested blackout curtains at check-in, he always requested blackout curtains, he had requested them at every hotel because he needed the dark to sleep, and he was not embarrassed about it. This room had a two-inch gap in the middle that was currently taking a scalpel to his left eye, and the walls were beige, and the art was gold-framed and generic, and through the floor-to-ceiling windows, the Vegas Strip blazed at full volume.

He looked down at himself.

Black cotton, not his. Worn soft from too many washes, the shoulders sitting wide, the hem brushing his mid-thigh. He didn't follow the smell through to its destination. He swung his legs over the edge of the bed and sat there with both hands gripping the mattress edge, breathing, and looking at the floor.

His dress shirt was by the bathroom door.

Destroyed. The shoulder seam gaped open, threads trailing from the torn edge. Buttons scattered across the beige carpet, small and white and very far from the shirt.

Shane stood up. Sat back down. Stood up again.

Took three steps to the window, the glass cold under his fingertips, the city going about its morning thirty floors below, three steps back. His bare feet sank into the carpet and muted his steps, and his face had gone slack, jaw slightly open, eyes fixed on nothing in particular. He was still in the room but not quite in it.

Ilya's shirt, his brain offered. That's— okay, that's explainable, maybe we had- I just forgot. Fuck that's—

He closed his eyes, strained, and tried to remember the details of last night.

There was rain beating down against the car window. Neon bleeding into smears through the wet glass. A hand at his back, large and warm, rubbing slow firm circles between his shoulder blades while his forehead pressed into something cold and his stomach lurched.

What is your room number, Hollander.

He'd shaken his head. The motion had sloshed everything sideways. Not tonight, he'd managed, his hand pressing uselessly against wool. Feeling too sick.

Not for— Ilya's voice, dry, a short huff against his temple. To put you in bed. Would you prefer the bathtub?

The rest slipped past him.

Shane stopped pacing, instead. stared at his bare feet in the carpet.

Okay. So, Ilya had brought him here because he was a mess. Because he didn't know his room number. Because he would have vomited on the paparazzi and made them both a headline. They were both drunk, they didn't have sex. That was it, that was the complete explanation, it accounted for everything, Ilya was an asshole and Shane's least favourite person on earth on a good day, but he—

Shane pressed two fingers into his jaw.

The pain flared immediately, deep, radiating upward into his temples. Both hinges. The particular soreness of extended fatigue, of muscle held at an unnatural angle for too long, something he knew all too well. He pressed harder, feeling the exact location of it, and his tongue moved across the roof of his mouth before he could stop it, and the taste came back up to meet him, and his mind went to the bar, to a bathroom floor somewhere, to cameras—

No. No, he would remember that. He was paranoid about cameras, he had been paranoid about cameras since the draft, he would not. Not in public. So whatever happened, whatever he did or tried to do, it was here. Shane sloppy and handsy and chasing something he wanted and couldn't have. Shane making it weird. 

Two knocks.

"You are alive in there?" Ilya's voice through the door was rough at the edges from sleep. Completely, infuriatingly normal. "Or did the hangover kill you."

Shane's whole body jerked tight.

He looked at the floor. The buttons were still there. The shirt was still there, the seam still hanging open. He had to know, no more circling it, no more half-guesses, just...

His shaking fingers hooked under the hem of the t-shirt, lifting it. His thumb slid under the waistband of the boxers and pulled them away from his skin. He looked at his hips and stomach. He didn't know what he was looking for. He wasn't sure if he was hoping to find something or not find it.

"God, Hollander. You really don't waste time."

He dropped the shirt and spun on his heel.

Ilya stood in the doorway— arms crossed loosely, joggers slung low on his hips, in a grey t-shirt, barefoot. He looked like he'd slept eight hours and woken up without any evidence of last night on him whatsoever. His eyes were clear and sharp, and moving over Shane like he was pathetic.

His gaze dropped to the waistband Shane had just released, then came back up.

"Do they not fucking knock in Russia," Shane said. His heart was slamming against his ribs.

"I knocked." Ilya held up two fingers. "Twice." A beat, the corner of his mouth moving. "You were busy. Playing with your dick. Or your asshole. Maybe both."

The heat flooded up Shane's neck to his ears instantly. And underneath the humiliation, underneath the nausea churning steadily at the base of his throat, his body registered the crudeness of it, and sent warmth pooling between his legs. He stood there burning with both things at once and thought: look at him in those joggers. Drinking coffee. Chirping about me fingering myself like it's any other morning. Just Ilya being Ilya, stuck babysitting his messy rival through a hangover. If something happened— if it did— it was Shane. It was me. I was the one who was sloppy and handsy.

"Uh? Hello, Hollander?"

Ilya crossed the room in two long strides. His thumb pressed into Shane's cheekbone, and Shane flinched. His whole body pulled back a fraction before he caught it, and Ilya's thumb moved, pressing into the jaw hinge, finding the exact point of the ache with no particular effort, and Shane's breath went thin.

"Hey. Are you on earth, Hollander?" Ilya said.

"Earth to Hollander," Shane managed. "I think that's— that's the phrase."

"Stupid phrase English phrase," Ilya's palm cupped his face fully, fingers splaying into his hairline. He tilted Shane's head up, and his eyes moved over him. the dilated pupils, the sweat at his temples, the pulse going too fast in the hollow of his throat. . "So what is this," he said quietly. "This shivering. Like a scared cat. Ty menya napryagáyesh, you are stressing me out.

Then he let go.

Both hands dropped away. The cold of it was immediate, Shane's face still holding the shape of the grip. He swallowed. His throat clicked dry, the film still there at the back of it, and Ilya had already turned away, was already carrying both mugs through to the living room, the conversation apparently concluded.

"Sorry—fuck, I’m fine." Shane stepped back. His tongue darted to wet cracked lips. "I'm just... trying to figure out what the hell is going on."

"Figure out what?" 

Shane followed him. He didn't decide to, his legs just did it.

"You got drunk after the award." Ilya dropped onto the sofa, one arm over the back, completely at home. "You were sloppy. I brought you here so you didn't vomit on the paparazzi." He took a slow sip of coffee. His eyes creased faintly at the corners. "You're welcome."

The explanation sat in front of Shane, tidy, complete, the right shape. He stood in the doorway and looked at it and knew it was the right shape and felt it snag anyway, drag against the ache in his jaw, against the taste that three swallows hadn't dissolved, against the shirt scattered across the bedroom floor.

"And the rest?" Shane said. "The other stuff."

Ilya held his gaze for a long moment. Then he patted the cushion beside him, his palm flat on the leather.

"Coffee is good," he said. "I put your soy stuff in it."

Shane crossed the room and sat. He left six inches of space between them, his bare knees pale and exposed under the hem of the t-shirt. He stared at the carpet. "I'm serious," he said. "The other stuff."

Ilya turned toward him. His knee closed the gap between them, not quite accidentally. His eyes sharpened.

"What other stuff." The voice dropped. "You mean when you tried to suck my dick?"

The cold flooded Shane from the inside, filling his limbs. "So I—" The words came out barely there. "Where. In the bar? Ilya, the cameras—" He pressed his palms into his eyes, trying to push the memories forward, trying to find the moment he'd dropped to the floor somewhere public, the moment he'd wrecked everything. Where, when, how many people —

Ilya let him spiral for three full seconds. Then he made a short, dismissive sound and thumped Shane once between the shoulder blades.

"Relax."

Shane went still.

"It's not a big deal," Ilya said flatly.

"What?"

"You tried. When we got out of the Uber." He rolled his wrist in a vague gesture. "Tried to take the shirt off, failed. Buttons went everywhere." He settled deeper into the cushions, entirely unbothered. "But I fought you."

The relief hit first, and it hit hard— a hot dizzy wave of it, Shane's gut unclenching so fast it sent nausea rolling through him. Then the humiliation came crashing in behind it, thick and choking, because he'd lunged at Ilya apparently, he'd begged without memory or coordination or any dignity whatsoever, and that was his fault, that was Shane drunk and sloppy and wanting something he had no business wanting and making it everyone's problem—

"So nothing happened," Shane said slowly. Testing the shape of it. "Nothing happened."

"Sure," Ilya murmured.

He stood. Crossed to the dining table, picked up a slice of toast and waved it. Crumbs scattered across the carpet. "I got room service. Eggs. Fruit." He glanced back at Shane. "I know. Not green enough for you."

Shane moved to the table on autopilot, sat in the adjacent chair, looked at the plate. Scrambled egg, fruit, glossy under the light. His stomach clenched. His hands found his own knees under the table, nails pressing crescents into skin.

"Is like you're having panic attack. Jesus. What does it matter?" Ilya said, from the counter. He was looking at the ceiling. "We were both drunk."

"I need to know what happened." The words came out cracked straight down the middle, splitting on the last syllable, and Shane hated the sound of it, the nakedness. "I just— I need to know what I actually did, okay? So stop, stop, playing around."

Ilya looked at him. Something moved briefly behind his eyes and then didn't. He pushed off the counter and came back to the table and stopped close, closer than he needed to, and his scent arrived first, coffee and soap and underneath both of them something Shane's tongue recognised before his brain did, something that made both jaw hinges ache.

"You were handsy." Ilya's finger came up and tapped Shane's chin, once, twice, tilting his jaw up. "Thought I was a stripper pole. Kept saying my name. Over and over." His thumb pressed into the hinge point, right over the deep-set ache, and his eyes glinted faintly. "Was annoying." The thumb moved, tracing the jawline. "But you have a nice mouth, Hollander. Even when it's talking nonsense."

He leaned in. His lips grazed the curve of Shane's ear, breath feathering slow and warm against the skin.

"Next time," he said quietly, "you should be awake for it. More fun when you beg in proper English. Da?"

He straightened. Clapped his hands once, sharply, and turned back toward the kitchen. "Go shower. You look like a homeless person, and your dick is leaking on the nice hotel floor."

Shane sat there.

The kitchen sounds started up, water running, plates stacking, the low hum of the fridge cycling, all of it performing normalcy, all of it sounding like a regular morning. His body was doing what his body had been doing since he woke up, his bulge tenting the grey cotton. The nausea ran alongside it. The taste was still in his mouth. He looked down at the table and thought about the shirt on the floor, and thought about the jaw, and thought about the taste, and thought: okay. Okay. You tried to kiss him, and he put you to bed, and in the morning, you woke up wanting him. 

He looked down at his hips.

The boxers were Ilya's.

Of course, he knew this; the waistband was sitting wrong, too loose, the elastic a different weight, the cut not his. He had known it since he woke up. Some part of him had known it continuously, quietly, the whole time, and he had been very carefully trying not to know it. 

The shirt, fine— he had ripped it, Ilya wanted him comfortable, easy enough. But the boxers. His boxers had been fine. There was no reason to change his boxers unless—

"You're lying."

The words came out without volume. Just air, barely shaped into sound.

The water cut off.

Ilya didn't turn around immediately. 

"What?" he said.

"In the car." Shane's spine locked rigid, his whole body shaking finely now, the tremors running from his shoulders down through his hands. "In the lobby, too, I said no. I told you I couldn't, I told you to take me to my hotel." A breath. "These aren't my boxers."

Ilya turned around.

He leaned back against the counter and looked at Shane across the kitchen. There was no confusion crossing his brow. Just a mild, slightly bored furrow to his brow.

"Okay," he said, with a small shrug.

Shane flinched like he'd been hit. "Okay?" His voice broke into a register he didn't recognise. "You— you did it anyway. And then you lied, you told me nothing happened, you said—"

"I brought you here because you didn't know your room number." Ilya's voice was flat. 

"I said no." The word fractured in the middle, all its weight splitting through the single syllable. "I said no, you said you wouldn't touch me, I said don't want, I said take me home, you said—" The memory came in blunt, wet pieces.

The car door opening onto garage-cold air. Ilya's arm iron-locked around his shoulders. Can't tonight, don't want it. Ilya's laugh, low and warm at his temple. I know, I won't touch you. Maybe just to change clothes, mm. He had believed it. He had believed it and gone boneless into it and surrendered entirely because he was drunk and he trusted him like an idiot.

"You said you wouldn't."

Ilya pushed off the counter.

He crossed the kitchen slowly, until he was standing directly in front of Shane, close enough that Shane had to tilt his head back— and lifted one hand and hovered his palm over Shane's hip without touching, the heat of it radiating through the thin cotton.

"You said a lot of things, Hollander." His voice had dropped. "You said too drunk. You said don't want. You said take me home." His pale eyes moved over Shane's face without hurry. "But you opened your mouth when I asked you to."

Shane's eyes stung. He pressed his teeth together and felt the ache run deep through both hinges and didn't look away.

"You even swallowed." Ilya's hand made contact, fingers spreading wide across Shane's hip, hooking into the jut of bone, a grip that was ownership without apology. His thumb pressed once, deliberate. "I didn't fucking touch you. You sucked my dick, you came in your boxers. No hands." The thumb moved. "Good trick."

He leaned in. His lips found the curve of Shane's ear, his breath arriving slow and warm.

"And look at you now," Ilya murmured. "Remembering it. Wanting it."

His thumb moved again, a single slow drag across the hipbone.

"Hard as a rock."

Chapter 2: You called, I answered

Notes:

i am trying to become a better writer. i am used to writing essays and have not written a lot of fiction, especially in regards to fandom stuff. i hope you're noticing improvements in my writing. feedback is appreciated, thank you all of you, for reading my work.

also, can you tell i'm obsessed with this fic now? haha.

edit: almost finished writing chapter 4 and realised that there is some important context missing. i have continued the chapter and added ilya's pov.

(See the end of the chapter for more notes.)

Chapter Text

The hotel room is suffocating, air conditioning humming a dead note that seems to vibrate right in the center of Shane’s skull.

It’s been twenty-four hours, maybe twenty-six, since Shane had spoken to another person, hard to tell with the blackout curtains drawn so tight, turning the suite into a cave. He’s been rotting here on the bed, knees pulled to his chest, gnawing on his fingernails until they bleed. They’re ragged, chewed down to the quick, the sharp sting of raw skin the only thing grounding him, the only thing that feels realer than the phantom weight of hands on his jaw.

He shouldn't be looking at the screen. He knows he shouldn't.

But the laptop is open, propped on the duvet, and he can’t look away. It is a plain and simple distraction that Shane loved, twisted into a digital form of self-harm. YouTube autoplaying clip after clip, feeding the sickness in his gut.

“Rozanov Hat Trick comp”
“Ilya Rozanov: The Villain We Love.”

He watches Ilya smile at a reporter, crooked, arrogant, with that ferocious desire to conquer. It was always the same smile he threw at Shane from the bench, and the same one he wore in the kitchen when he leaned over the counter, domestic and cruel, and said Next time you will be awake for it. Shane gags, a violent, dry heave that folds him in half. His stomach is empty, hollowed out because he hasn’t eaten since Hayden had forced some salmon onto a fork, then into his mouth. Somehow, he felt that the champagne from two days ago was swirling around in his gut, causing the world to tilt on its axis, nausea relentless.

Close it. Just close it.

He slams the laptop shut, the plastic crack loud in the silence.

He needs to leave. He can’t be here, can’t be in Vegas because the air reeks of dry heat and all the mistakes he had made that weekend. If anything, he needed the freezing cold— numbness that will freeze his body and freeze his thoughts. Or the next best thing: cold water, the chirping of birds, and the soft whistling the wind makes as it cuts through trees. He needs Ottawa. His parents' cottage. The lake. He needs to be somewhere where the only noise is the water and the wind, where nobody is looking at him, and nobody knows.

This thought drags Shane off the bed, legs feeling heavy and distant, like they belong to someone else.

He yanks his suitcase out of the closet, because before he leaves, he needs to pack— obviously. This should be easy. He’s packed a thousand suitcases.

Shane gets to folding. Grabs a grey hoodie, folds it, and places it tenderly in the corner. Grabs sweatpants, folds them, places them ontop. And so on and so on.

But his hands are shaking.

He spots a pair of dress socks on the floor near the nightstand and freezes.

His brain short-circuits, flashing back to the penthouse bedroom. The expensive grey carpet. The scattered buttons. The socks were left behind like trash. He remembers now, seeing them tucked under the couch.

Shane kicks the socks under the bed. He leaves them there. He can't touch them. He'll leave the cleaners an extra tip for the mess.

He stands over the open suitcase, staring at the pile of grey and black clothes, and something about the pattern of them causes the loop to start again. The logic trap that’s been grinding him down for hours.

I didn’t fight.

He didn’t punch him. He didn’t kick. He didn’t scream.

The memory is slippery, distorted by alcohol and panic. He remembers the car, remembers saying no, remembers the feeling of wrongness, heavy and suffocating. But after hours of straining, he also now remembers the couch. He remembers sticking out his tongue. He remembers the way his body reacted, treacherous and traitorous, betraying him even as his mind screamed.

If I didn’t fight, I must have wanted it.

That’s the rule, isn’t it? That’s how it works. If you don’t fight, you consent. He may have said no, but that was an hour before, right?

And if he consented, then he’s disgusting. He’s a whore who begged his rival to use him, just like Ilya said. And if he didn’t consent...

He grips the edge of the suitcase, knuckles turning white.

Assault.

If it was assault, he has to tell someone. He has to tell his Mom. He has to tell the police.

But he can’t.

He imagines the conversation, playing it out in his head like a nightmare. “Why were you in his room, Mr. Hollander?” “Because we’ve been sleeping together in secret.” “So you’re gay?” “I don't know.” “So you wanted it before?” “Yes.”

The house of cards collapses. The career he built, the endorsements, the carefully constructed image, his parents—god, his Dad’s face. Not only did he let this happen, he didn't even fight for it to stop. 

And of course, he can’t tell the truth about the violence of it without telling the truth about the desire, the fact that he had gotten on his knees for Ilya before without being drunk. How he had wanted it, just not then. And that is the part that kills him, the desire is the part that makes him guilty.

It has to be my fault, Shane decides, slamming the suitcase shut, zipping it with a savage, jerky motion. It has to be my fault. Because if it’s his fault, then I'd have to ruin my life to prove it is. 

He sits on the closed suitcase, head in his hands, waiting for the courage to stand up and walk out the door.

He’s going to the lake. He’s going to sit on the dock. He’s going to stare at the water until he freezes or until he forgets.

Whichever comes first.


Shane doesn't know how long he was staring at the zipper, head burrowed into his hands, when the first knock comes.

He’s sitting on the edge of the suitcase, head buried in his hands, breathing in the smell of his own unwashed hair and stale hotel air. The silence in the room is heavy, pressurized. Three sharp raps, nothing like the polite tap of housekeeping, or the hesitant knock of Hayden and his other teammates checking in on him. It was like the knuckles already knew they would be let in, all confident, heavy, and entitled.

Shane freezes. His heart actually stops—a hollow, terrifying pause in his chest, before kick-starting with a violent thud that rattles his ribs.

Don’t answer it. Why the hell would he open the door? Why would he let in the man actively ruining his life?

Despite this, Shane couldn't help but stare up at the wood. The peephole was a dark little eye, judging him.

"Hollander," a voice mumbles. It’s muffled by the heavy fire door, but it cuts through Shane like a knife through water. 

Shane stands up. He backs away, retreating until his calves hit the edge of the bed and he almost trips over his own feet.

No.

Ilya is in a completely different hotel. He’s in the penthouse, seventeen floors up, laughing at Shane while eating oily fast food, probably surrounded by beautiful women who don’t look like they’ve been crying for twenty-four hours. There is no reason for him to be here, especially at— Shane grabs his phone from the desk, it reads 9:00 PM.

"I know you are in there," Ilya says. He sounds calm. He sounds like he’s discussing the weather. "I hear you walking. Please open the door."

Shane stops breathing. He holds the air in until his lungs burn, until spots dance in his vision. Please, he says the word like it’s a foreign object in his mouth.

Go away. Go away. Go away.

"Open door, Hollander."

A pause.

"I have your socks," Ilya says.

Shane makes a noise, a choked, wet sound in the back of his throat. He claps a hand over his mouth to stifle it.

"And," Ilya continues, and Shane can practically hear the shrug, can visualize the casual lean against the doorframe, "you have my boxers. I think."

The room starts to spin, wildly around him. Shane looks down at his waist.

Why?  Why would he still be wearing them when he had multiple opportunities to take them off? He could have cut them into pieces. He could have burned them in the sink. He packed his bag, he scrubbed his skin raw in the shower until it hurt, he planned a perfect escape—and yet he is still wearing Ilya’s underwear against his skin.

"I will not go until you open up," Ilya whispers. The lightness drops out of his voice, replaced by something harder. Something darker. "Or I start knocking louder. Maybe yell. 'Shane! Open up! Why are you wearing my underwear?'"

Shane’s eyes widen.

He imagines it. The hallway. Guests walking by with their luggage. Hayden, two doors down, opening his door to see what the noise is. He’ll do it. He’s crazy.

Shane flies toward the door.

He grabs the deadbolt. His hands are shaking so hard he fumbles the latch twice; click, click. It’s funny, in a sick way. He had checked this lock three times last night before he went to sleep. And now here he is, unlocking it for the monster himself.

Shane pulls the handle, and the door cracks open. Ilya doesn't wait. He slips through the gap like a shadow, pressing his back against the door to click it shut behind him.

He looks infuriatingly normal. Wearing black jeans, a tank top that shows too much skin, that fit him infuriatingly well, and his cross swung idly against his chest. Hands shoved deep in his pockets. His eyes drag over Shane’s frame—taking in the red, swollen eyes, the bitten, bloody nails, the suitcase sitting in the middle of the room like a tombstone.

Ilya is not smiling.

He looks at Shane. And the room suddenly feels very, very small.

Ilya stares at the suitcase again. His eyes are swimming with something Shane can’t quite put his finger on—he’s never been good at noticing these things, and Ilya’s practiced detachment from the world makes it even harder—but they are sparkling. Wet, almost. His lip curls up into what looks like a grimace, a flinch of pain, before his gaze swings back to Shane’s body. Harsh. Cold.

Ilya pulls the socks out of his pocket and tosses them onto the closed suitcase. They land with a soft, accusing thud.

"Why are you here," Shane asks. He tries so hard for his voice to come out clear and strong, confident, like how he sounds on the ice when he’s barking orders at the defense. But it fails him. It comes out as a croaky, broken whisper.

Ilya shrugs, a loose motion of his shoulders. "I brought your socks. You left them."

He refuses to look him in the eyes. He’s staring at the wall, at the floor, anywhere but Shane.

"And," Ilya adds, voice flat, "I want my boxers back. Now."

"I can't—" Shane starts, then catches himself, hands twitching at his sides. "They need to be washed. So, I'll just..." He bites his lip, looking up at Ilya, and for a second he notices Ilya’s brow soften slightly, his body tilting toward him like a magnet finding North. "I'll ship them to you."

Ilya scoffs, his furrowed brow relaxing as his arms cross his chest. "Right. You will ship them to Russia, yes? International shipping for underwear."

Shane opens his mouth to protest, to say I can afford the postage, and just like that, it seems like they are falling back into their relationship before the past weekend. The quips, the back and forth, that raised eyebrow that always brought a flush to Shane’s cheek. It's too soft and airy for what this is, but it's a welcome feeling; maybe this is okay. Maybe this is a peek into the future, Shane moving on from what happened.

"Wait."

Ilya interrupts him. His eyes widen, dark and sudden. A laugh erupts from his throat like a sharp bark. "You are still wearing them?"

Shane’s face falls. The air vanishes. He furrows his eyebrows, retreating deeper into the room, putting distance between his skin and Ilya’s realization. "No," he whispers. It’s a terrible lie.

"Yes," Ilya responds, stepping closer.

Shane shakes his head, gripping the edge of the desk as he tumbles into it. He feels like he is melting into the carpet, dissolving into a puddle of absolute shame.

"Please leave."

"No. Those boxers..." Ilya makes a tch sound and tilts his head slightly, making a joke of Shane, like he always did. "Expensive. Not all of us are rich and famous like you, Mr. Rookie of the Year."

Ilya lazily motions to Shane’s pants with one hand. A casual, devastating command.

"Take them off."

Shane lets out a whimper. He can’t help it; it escapes his lips like a terrified cat. He feels his eyes starting to swim with tears, the room blurring around the edges.

"Rozanov, please," Shane begs, his voice trembling. "Not here. I can't."

"Now, Hollander," Ilya says, his dripping in something dark, something so similar to desire. "I am waiting."

Shane glances at the door, still closed, still blocked by Ilya, who is looming there like a dark shape carved out of the wood itself, and his brain does that frantic, jagged math it always does when he’s cornered. If I’m quick enough. If he lunges—actually throws his body weight—he could make the handle, sprint down the hallway to Hayden’s room, bang on the door, scream for help, maybe hit the elevator and dissolve into the lobby.

But then what?

His passport is in the suitcase, his shoes are not on his feet, and his phone is—Christ, where is his phone? Tossed on the bed? On the desk? He can’t show up at the airport barefoot and hysterical, looking like he just escaped a crime scene, which, arguably, he has. He can’t run.

He is, in every sense that matters, trapped.

His fingers find his belt buckle, shaking, useless things that can barely work the metal prong. He fumbles, metal clicking against metal—Clink—and the sound is deafening in the quiet room, echoing like a gavel dropping on a sentence he didn't know he was serving.

Don’t cry. Don’t cry. Don’t cry. A useless command, really, because the tears are already there, burning behind his eyes like acid.

He unbuttons his pants—the zipper hisses down, a serpentine sound that reminds him of the quiet zzzzzt of a zipper in a penthouse bedroom, of hands that didn't wait for permission, of the way the air felt when it touched his skin that night. Shane’s breath hitches, turning into a shallow, pathetic pant. He has to kick to get the denim free; stumbling a little, ungracefully, stepping out of them in a messy pile on the floor.

And there he is.

Standing in the middle of a generic hotel room under buzzing fluorescent lights, shivering in an oversized hoodie and Ilya’s grey boxers. He feels naked, he feels skinned.

Ilya’s gaze drops.

It’s a physical weight. Shane can feel it sliding down his body like oil. Ilya looks at the grey cotton stretched across Shane’s hips, looks at the way Shane’s thighs are trembling—knocking together like a fawn learning to walk, looks at the soft bulge wrapped in his own name. The air in the room changes, thickens, becomes something heavy and unbreathable.

Shane isn't looking, but he knows. He knows that look; he felt it in the car, felt it in the dark, and it’s the look of a predator who has realized the prey isn't running anymore.

"Off," Ilya whispers.

The word is a command, sure, but there’s a roughness to it now, a drag of friction that scrapes against Shane's nerves.

Shane hooks his thumbs into the waistband and squeezes his eyes shut, cutting off the world, cutting off Ilya. Tears finally spill over, hot and humiliating, tracking down his cheeks.

I am back there. I am back on the couch. I am doing what he says.

The thought makes him sick—physically, violently ill, but it also makes him hard, which is the worst part, the part that makes him want to tear his own skin off.

He pushes the fabric down, the cool air of the hotel room hits his skin, turning his shame into goosebumps that race up his legs, and steps out of them, one foot, then the other.

He stands there. Exposed. Wrecked. Holding the warm grey fabric in a hand that won't stop shaking. He holds them out—keeps his head down, chin touching his chest—because he can't look up. He can't see the smirk he knows is there, and he definitely can't see the hunger he’s terrified is there.

"Here," Shane chokes out, the word fracturing. "Take them." 

Ilya snatches the boxers.

His arm wraps around Shane’s wrist, yanking the fabric free from shaking fingers. Shane flinches, a full-body recoil—bracing for a hit, for a laugh, for Ilya to shove him backward onto the bed.

But nothing happens.

There is only a thick, heavy silence that pulses in time with the throbbing in Shane’s temples.

He doesn't look up, he can’t, he physically can’t, but he hears it.

A sharp inhale.

Shane’s eyes fly open, horror overriding the shame for a split second.

Ilya is holding the grey cotton to his face. He’s not just holding them; he’s buried his nose in the fabric—right in the center, right where Shane’s heat and scent are trapped in the fibers. He inhales deep, slow, and deliberate, eyes sliding shut like he’s savoring a fine wine, like he’s trying to drag Shane’s very soul out of the cotton.

Oh god.

The sound that rips out of Shane is involuntary—a strangled, wet gasp that sounds too much like a sob.

It’s disgusting. It’s animalistic. Shane hates him; he hates him so much it burns his throat. But it’s also the hottest thing, no, the most intimate thing he has ever seen. He is standing there half-naked, pulling his hoodie down to hide the traitorous blood rushing to his dick, while his tormentor gets high on his fear-sweat.

Ilya lowers the boxers.

His eyes are lidded now, soft and blinking, pupils swallowed in blue. Dark and glassy with a look that makes Shane’s knees buckle.

"You wore these?" Ilya whispers, his voice rough with gravel and smoke. "Since then? You smell like me."

A shiver skitters down Shane’s spine that has nothing to do with the cold air.

"You ran away like bunny," Ilya continues, stepping closer, invading the small bubble of space Shane has left. He stuffs the boxers into his back pocket like it was the best trophy he had ever earned—better than the award Shane won a few nights ago. "And you packed your suitcase. Put on this hoodie that you are swimming in. But you still want me."

Shane shakes his head—a frantic, jerky motion. "I forgot. I just forgot."

"You are liar."

Ilya reaches out.

Shane flinches back, stumbling, his calves hitting the edge of the bed frame. He shakes his head wildly.

Ilya’s hand—warm, calloused, heavy, lands on Shane’s bare hip. His thumb digs into the hip bone, pressing into the soft skin just above where his own boxers used to be.

"All this shaking," Ilya murmurs, his voice full of a confusing, terrifying softness. "Is like you are scared of me. Come. You are okay here."

His other hand comes up. He grabs Shane’s wrist, lifting his hand. He inspects the fingers—the bitten, bloody nails, the raw cuticles. He mouths a Russian swear word, turning Shane’s hand over to kiss the pulse jumping in his wrist.

"Stop," Shane whispers.

But he doesn't pull away. He can't pull away. He’s paralyzed by the whiplash, the monster who sniffs his underwear is now kissing his wrist like a lover.

No. This is not right. Whatever Ilya is doing, whatever he is trying to pull out of Shane, is not right. And he won't let this happen.

"Rozanov, stop it." He repeats it, his voice louder, clearer.

"Ok."

Ilya lets go of his hand. Instead, he pulls Shane closer until their bodies brush—denim against bare thighs, heat against cold.

"I am not hurting you," he says, holding his hands up in mock surrender. "You are looking terrible. Did you eat today? Of course not. You just sit here on computer and rot."

Shane scowls up at him. He sits down heavily on the edge of the bed, pulling his hoodie over his knees, trying to disappear inside the fabric.

"So." Ilya sits next to him.

Shane side-eyes him with disgust, his face morphing into frustration at the audacity of Ilya gingerly lazing next to him, as though everything was fine, suddenly. As if Shane wasn't using all his strength not to burst into tears or punch him in the face.

"I don't want to talk to you," Shane hisses. He brushes a tear from his eye with his thumb, angry at the wetness.

"Yes."

"Because you hurt me."

"Mm."

"You—" Shane chokes.

He can't even wrap his head around the words, those two little words. Yet somehow, he knows Ilya is the only person he could say this to. Somehow, he knows crying in his arms about this would be better than anyone else’s.

"You hurt me, ass-" Shane whispers, the confession tearing out of him. "Hurt me. When I was drunk. And then after, the next day, when you lied."

"And now you are here..." Shane’s voice trembles, thin and reedy in the quiet room. He gestures vaguely at Ilya, at the bed, at the space between them. "And you are acting all—I don't even fucking know how. And I don't know what to do. I think I was going to tell Hayden, or call my Mom when I got to Ottawa, but um, the police and I-"

He drops his head into his hands, the fight draining out of him, leaving only exhaustion.

"I don't know what to do."

Ilya shifts on the mattress. The springs creak under his weight, the sound agonizingly loud in the small room. He doesn't pull away; he leans in, his shoulder pressing warm and solid against Shane’s trembling arm.

"You don't know what to do," Ilya repeats. He says it not as a question, but as a statement of fact. A diagnosis.

He reaches out and slides his hand to the back of Shane’s neck. Shane's eyes close slightly, and he nods against Ilya's hand, breath releasing in a shaky exhale. His fingers tangle in the hair at the nape, his thumb resting heavily on the pulse point that flutters like a trapped bird. He squeezes, just enough to be felt, just enough to remind Shane who is holding him.

"Is good," Ilya murmurs. "You don't need to know. Thinking makes you sick. Look at you, you think too much."

He uses the grip on Shane’s neck to guide him, pulling Shane’s head down until it rests on his shoulder. It’s a violation of boundaries, forced comfort, but Shane is too tired to fight the gravity of it. He suddenly feels so soft and aimless, like putty in the other man's hands. 

"So tired," Ilya says, his voice a low rumble in his chest that vibrates against Shane’s cheek. "You are fighting you, always. Fighting me, fighting what happened... it is waste of energy."

His other hand comes up to stroke Shane’s arm, rubbing the hoodie fabric in slow, soothing circles.

"I hurt you, sorry." Ilya acknowledges the words finally, tasting them. He doesn't sound sorry, he brushes off the word like it's meaningless. "And now I am here. This is how it works, nesmyshlyonysh. Is like on the ice. I break, I fix. I take, I give." He turns his head, pressing a kiss to the top of Shane's hair, inhaling the scent of hotel shampoo on Shane. "You don't know what to do because you are waiting for me to tell you."

He pauses, his fingers tightening on Shane’s neck, tipping Shane’s face up so he has to look at him. Ilya’s eyes are clear, terrifyingly calm.

"So I tell you. You stop thinking. You let me take care of you. Yes?"

 


 

The past three hours have been a blur.

Ilya shifts on the edge of the mattress, the springs groaning softly under his weight. He reaches out, hand hovering for a second before landing—light as a ghost—on Shane’s shoulder. He rubs his thumb back and forth over the cotton of the hoodie. Back and forth, back and forth. A soothing rhythm for a frantic heart.

Shane looks small.

It is a stupid thought—Shane Hollander is almost six feet of muscle, built to slam bodies into boards—but curled up like this, knees to chest, face half-buried in the pillow, he looks tiny. Beautiful, in a wrecked sort of way. His lashes, long and dark, brush against the scattering of freckles on his cheekbones. His lips are pink, swollen slightly from biting, and pulled into a slight grimace even in sleep. His nose wrinkles, like he smells something bad in his dreams.

Ilya stares at that face. He drinks it in.

The image twists in his mind, overlaying with another face, another time.

He remembers the bathroom tile. Cold against his own knees. He remembers the smell—acrid and sour, and the way his mother’s hair, usually a halo of bright curls, was matted to the floor, vomit scattered around her head like a halo of sickness. She looked peaceful. That was the thing that had haunted him. She didn't look like she was in pain; she looked well-rested, as if she was finally sleeping for the first time in her life.

She had drifted into a dream and never woken up. She hadn't taken Ilya with her, no matter how hard he had squeezed her limp body, no matter how loudly he had screamed into her neck.

Ilya wonders, watching Shane’s chest hitch in his sleep, if this is how she felt. If the heaviness that sat on Ilya’s own chest, the perpetual exhaustion of existing, the need to fill the howling hole in his ribs with something, anything—hockey, adrenaline, violence, Shane—was exactly what she had felt before she decided to stop feeling anything at all.

Ilya lets out a small, dry laugh. He leans his forehead against his knee, closing his eyes as he tries to match his breathing to Shane’s ragged rhythm.

She was probably the only person on earth who knew exactly how he felt. And she had left him.

He lifts his head. He brushes a sweaty lock of bangs away from Shane’s forehead, his fingers lingering on the hot skin.

Except for you, Ilya thinks. And now you want to leave me, too.

The hotel room is dead quiet. No footsteps in the hallway. No elevator dings. It is as if the whole city of Las Vegas, the city of noise and light, has fallen asleep just for Shane. Perfect Shane. With his picket-fence family and his beautiful, symmetrical face. With his sponsors and his fame and his fortune. Perfect Shane, who is now curled into a trembling ball of misery and exhaustion next to him.

The knowledge that Ilya did this settles in his gut like swallowed lead. Heavy, toxic; kind of like him.

But beneath the guilt, swirling dark and viscous, there is a twisting root of satisfaction. A green, ugly thing blooming in the dark.

Because Shane is broken, sure. But he is broken here.

He is not in Ottawa. He is not answering his mother's ten missed calls. He is not joking with Hayden in the hallway, flashing that golden-boy smile. He is here. In a dark room. With Ilya. Smelling like Ilya’s skin, breathing Ilya’s air, the taste of Ilya still on his tongue.

Suddenly, the silence breaks. Shane gasps—a sharp, tearing sound, and scrambles upright.

His dark eyes are wide, unseeing, blown black with panic. He thrashes against the sheets, pulling them up to his chest like a shield, kicking his legs out as if he is drowning in deep water.

"No!" Shane shouts. His voice cracks, sounding like he is choking.

His eyes scan the room frantically, wild and searching, until they land on Ilya. He jumps, a full-body flinch of terror, and scrambles backward, pressing his spine against the bedside table, knocking the lamp.

"What the fuck are you doing—get out! Get the fuck away from me!" Shane screams, his voice raw. "I hate you, I told you to leave- get.. get out."

Ilya doesn't move.

The curses hit him like physical blows, but he doesn't flinch. His brow doesn't furrow in surprise. Why would it? Shane woke up screaming an hour ago, too. This is the routine now.

Ilya stays perfectly still, resting on his knee, letting Shane’s scream wash over him, pretending the words don't feel like bullets. He is honestly surprised someone hasn't made a noise complaint yet.

"I am just here," Ilya says. His voice is low, steady, like a flatline. "I did not touch you."

"I don't want you here!" Shane is shaking so hard his teeth are chattering, a frantic clacking sound. He looks wild, dark strands of hair sticking up in sweaty spikes, his face flushed bright red like he’s been drinking all night. "Get out, Rozanov. I said fucking go."

"No."

Ilya denies him simply.

He knows Shane doesn't mean it. Or rather, he knows Shane means it right now, with every fiber of his being. But he also knows that if Ilya walked out that door, Shane would be left alone in this suffocating room with his own thoughts. To deal with whatever Ilya had triggered by touching him that night. And the silence would kill him.

"You need to shower," Ilya says, standing up slowly. He broadcasts every movement—hands visible, slow tempo—so as not to trigger another fit. "You sweat, uh—how you say—many buckets in your sleep. You look like swimmer, not hockey player."

Shane stares at him. Ilya can see the gears churning in his head; his eyebrows are crumpled, lips pulled tight in disdain, chest heaving. He looks ready to bite. Okay, it was a bad joke; maybe now is not the time. 

But then, just like that, the fight drains out of him. He slumps against the headboard, the adrenaline crash hitting him all at once, leaving him looking deeply, profoundly weary.

"I can't," Shane whispers. He looks down at his shaking hands. "I'm sca—" He pauses, swallowing hard. "It's too quiet. And I'll have to close my eyes and stuff. I don't know, it's stupid. It was easier to shower in Hayden's room, and he talked to me through the door."

Ilya feels a spike of jealousy so hot it burns his throat. Hayden. So Pike is okay, but not me. Fine.

"Okay," Ilya shrugs, forcing his shoulders to look loose, unbothered. "I will go in with you, sit on the toilet with hands over eyes and do nothing— as if I haven't seen you naked ten thousand times."

Shane blinks. And instantly, without missing a beat, he snaps:

"Why would I ever want that?"

The rejection stings. Sharp. Precise. It cuts through the armor Ilya has layered on and causes him to rock back on his heels. His mouth twitches. He can feel Shane starting to retreat, pulling the covers back up, hiding. Ilya nods, quickly. He swallows the hurt.

He walks to the bathroom, turns the shower handle until the water is steaming, sliding the temperature to toasty. Picks the softest towel, folds it all nicely, and hangs it on the radiator. Then he steps back out, a shirt and sweatpants still hooked around his forearm, leaving the door slightly ajar.

"I will sit here. I will turn on TV. I will not look," Ilya promises, voice flat, but his eyes were wide and pleading. "I will not come in unless I hear you fall... or you ask, yes?"

Shane hesitates. He watches Ilya with mistrustful, narrowed eyes for a long minute. Weighing the cost of the shower against the cost of the audience.

Then, slowly, he crawls out of bed. He snatches the fresh clothes from Ilya’s arms—quick, jerky, like pulling a hand out of a fire to avoid skin contact—and darts into the bathroom. The lock slides home with a click. Loud and final, there is no way he is being let into that room. 

Ilya lets out a breath he didn't know he was holding, the air hissing out of him like a punctured tire. He collapses onto the mattress, his hand instinctively finding the warm dip Shane left behind in the sheets. It is still hot with his body heat. A ghost of him.

Ilya closes his eyes.

He listens to the pipes groan. He cranes his ears, straining to hear the specific, intimate sounds of Shane existing: the squeak of the tub, the heavy thud of a shampoo bottle, the soft splash of water against skin. He imagines it—water sliding down the valley of that broad back, steam curling around his ankles, the way his head would tip back, vulnerable and wet.

His mind drifts, lulled by the running water.

But then, the sound changes. The hiss of the shower twists into something else. The steam in his mind turns cold, and the warm hotel carpet under his feet turns into freezing tile. Suddenly, he isn't imagining Shane. He is looking at his mother’s face on the bathroom floor again.

 

Notes:

nesmyshlyonysh: little silly one, an informal, diminutive noun used to describe someone who does not yet understand how the world works.

i'm on twitter ilyassoull and i'm usually pretty active, i take requests and talk about filthy things.
i also have a tumblr unseemlyndisturbed where you can send asks, i post teasers about my wips, write one shots and do lots of detailed character analysis.

Chapter 3: Kotenok

Notes:

oh this is a long one

i am really enjoying writing this fic, particularly this dynamic. i am trying to grasp it myself, working loosely based upon character studies of the two i have created in my head. rewriting canon timelines and all that. this chapter is an exploration of both their mindsets between the two years before they spoke (in person) again.

shane's perspective (and feelings, in general) is expressed primarily through action, expression, the like, whilst ilya's perspective is much more like a running internal monologue.

also, if anyone knows about hockey, i would really appreciate if you helped me beta read. thank you.
:)

(See the end of the chapter for more notes.)

Chapter Text

August 2011, Ottawa

The ice at the private training facility in Ontario smelled different than the ice in Vegas. Vegas ice smelled artificial—new, expensive, and subtle, like it had been scrubbed clean of anything organic. But this ice, his ice, Ottawa ice, smelled like rust and cold damp. It was sharper here; the air bit the inside of his nose with a metallic tang as he sliced across it.

Shane liked it better.

He drove his weight into the ice for another lap, his skates carving a perfect, violent crescent into the corner before crossing over, picking up speed until the wind was burning against his cheeks. He felt a soft smile play at his lips—a rare, childlike thing that felt foreign on his face, as his eyes watered from the sheer velocity, crinkling at the corners. His lungs burned, his quads burned, but that was okay. It was good to burn like this. This was a simple burn. Shane had never been good at math, but this equation he understood perfectly: exertion equals pain, and pain always equals progress.

This wasn't like the other pain. That confusing, sticky pain that had lived in his gut since June, dormant and easy to ignore until it spilled out all around him like black tar, and Shane had to scramble to clean it up again. That pain didn't follow rules.

He stopped at the blue line, chest heaving, steam rising from his jersey like a ghost leaving a body. He checked his watch: 6:04 AM.

Four minutes behind his usual schedule.

Panic, cold and sudden, spiked in his chest, and Shane’s smile twisted instantly back into its usual flat line. Four minutes meant that his post-skate stretch would be cut short, which meant his shower would be rushed, and possibly his smoothie would be consumed too quickly, which meant breakfast wouldn't sit right and his digestion would be off for the entire morning.

Fuck.

He let out a shaky gasp, throwing his glove onto the ice and pressing a hand against his chest to feel the frantic, rabbit-kick rhythm of his pounding heart.

God, breathe, he told himself, the command harsh in his own head. Just fucking fix it.

He skated to the bench, his movements jerky and uncoordinated, the grace of the last hour evaporating under the weight of the schedule. He needed to be better. He needed to be faster. If he wanted to run from his memories, he might as well do it efficiently.

 


 

Shane stripped off his gear, left skate, right skate, shin guards, pants.

He moved on autopilot, but his hands were clumsy, fingers fumbling over laces that should have been easy. He sat on the bench, naked, and stared at the grout lines between the floor tiles. One, two, three, four. He counted them; it was a nice distraction; it seemed as though his life was full of distractions now. The more distracted he was during the day, the less time he had to think about his recurring dreams.

He didn't remember the dreams, not really. He just remembers the sensation of waking up: the way his sheets become tangled around his legs like a trap, the way his lungs seize for air that wasn't there. This morning, had woken up with the taste of saltwater in his mouth and a phantom pressure on his chest so heavy he had almost bruised his own ribs trying to claw it off.

Shane gripped onto the bench and used the momentum to push himself up from where he was frozen. The room tilted, turning into a wash of grey static fuzzed out his peripheral vision. He gripped the top of the stall, waiting for the world to stop spinning.

Drink water, his rational interrupted. You're dehydrated.

It wasn't dehydration. It was the fact that dinner last night had ended up in the toilet bowl ten minutes after he ate it. Not because he wanted to, he wasn't doing that—but because his stomach had simply closed for business. He had taken one bite of the chicken, and the texture, so, warm, soft, yielding, so like his flesh, bruised and sticky to the touch, had made his throat close up. His body had rejected it with a violence that left him shaking on the bathroom floor.

It was fine. He just had to be more specific, more serious about his diet. All he needed was clean fuel and control. Plants were easier, but liquid was easiest. It didn't have texture or require chewing. Protein shakes supplemented most of his meals now.

He grabbed his towel and walked to the showers. Being clean would help.

 


 

By the time he got back, his mother was already awake.

Yuna was standing at the stove, scrambling egg whites with spinach, and the smell of cooking oil hit Shane as he walked through the door, making his stomach grumble with a treacherous, physical hunger he resented.

"Oh, good morning, Shane. I wondered when you'd come back." She tilted her head at him, smiling softly and sliding half of the eggs onto a plate for him.

Shane sniffed and slipped off his shoes, rounding the table to sit uncomfortably on a barstool, his body feeling too large and awkward. "Huh? Yeah—uh, I was on the ice for a while. Working on my endurance."

Yuna's eyebrows raised slightly, and she stared at Shane for a second, just a fraction too long, humming under her breath. Shane's own breath hitched in his throat, and he averted his gaze to the countertop. He felt so guilty. She could tell he was lying about something; everyone could always tell, like there was a smudge of dirt on his forehead that he couldn't wipe off.

"Shane."

Her voice brought him back, and he blinked, snapping his head up. Yuna was leaning against the counter in front of him, her brow now furrowed, face plastered with that suffocating maternal concern.

"Huh?"

"I said, we're leaving tonight? Remember? Your Father and I are heading back to Ottawa. I was asking if you were still leaving on Wednesday." She shook her head softly, studying him.

"Oh, yeah," Shane mumbled, picking at a loose thread on his joggers. "I know, I know. Sorry."

"Right... okay. You must be exhausted; you should eat more before training in the morning." She looked at him inquisitively before sliding over his breakfast.

It was a plate of scrambled egg whites with spinach, oatmeal with soy milk sprinkled with fresh berries, and a smoothie made with vegetarian protein powder. It was perfect. His Mom knew his diet well—she respected it, how it made him play better. Yet he still couldn't help but run through each ingredient in his mind, cataloging the calories and the macros, checking for contaminants, just in case.

"Thanks, Mom." He looked up at her, meeting her eyes for the first time that morning, and she flashed a relieved smile.

"Have a nice day, honey. I'm going to run some errands."

When the door closed, Shane let out a long sigh of relief that deflated his entire posture. It was good having his parents here, much better than being alone with the silence—but it was exhausting to wear the human suit, to pretend all the time. But what was there to fake? He was fine. He was playing well. Practice was good. The season would be good.

contact name: Lily

received:

Did you eat?

status: read

 

Shane's fork paused halfway to his mouth. The text was innocuous. It was caring, even, if it had come from anyone else. But Shane knew Ilya better than that.

It had been three months since the hotel room. Three months since Shane had cowered in that dark room against Ilya's shoulder for days. The room where he was broken down into component parts, fear, lust, shame, and reassembled into something new. He shouldn't answer. He had promised himself, standing in the shower regarding his own bruised chin the morning he had left Vegas, that he was done. No more.

He had been good at ignoring, at least, for the first month or two. But by week eight of no contact, Ilya had managed to slither his way back into Shane’s life: one text here, a joke about a trade rumor there, until they were texting weekly, sometimes daily.

He frowned at the screen, then typed out: Yes, why?

Then he deleted it. He knew that wasn't enough for Ilya.

sent:

Yes, scrambled eggs, spinach, oatmeal. Why?

received:

Wow!! So boring!! It is almost like you enjoy eating that shit

received:

But you are getting protein, is good for brain. Good for idiot like you. Good boy

status: read

Shane dropped the phone back down onto the marble. It clattered loudly, the sound echoing like a gunshot. He shoved the plate of eggs away, his appetite suddenly gone, replaced by a phantom sensation—a heavy, warm weight settling over his chest, pinning him down to the chair.

Good boy.

The words made his skin crawl, like little insects were dancing along his nerves, repulsive and wrong. But, simultaneously, they made his toes curl in his socks. A hot flush of shame, and something stickier, darker, crawled up his neck. He shoved his chair away from the counter and stood up, walking quickly toward the window.

Ottawa was bright outside; it was sunny, aggressive. The world was sharp and distinct, every edge clearly defined. He missed the dark room.

The thought terrified him. The fact that he missed the silence of those days, how the world had been blurry and indistinct, how reality had shrunk down to just the four walls and the glow of the TV and Ilya. Ilya, who had fed him every bite of food he ate, and who had pressed glasses of water to his lips like Shane was a baby bird. Ilya, who had changed the channel for him when the news got too loud. Ilya, who had rebooked his flight without asking. Ilya, who had hidden in the closet when Hayden came to say goodbye, preserving Shane’s dignity while stripping him of his autonomy.

And Ilya, who had touched him with that terrifying, clinical precision on the last night, mapping every freckle on his body like he owned the deed to it.

The best orgasm of my life, his brain supplied, unhelpfully.

Shane squeezed his eyes shut and pressed his forehead against the cold glass of the window. "Fucking Christ," he hissed. "Stop it," he whispered to the empty room. "Stop it."

But his body didn't listen to him. All his body remembered was how safe it felt to let someone else drive, defining the world through his words. He sat back at the table and picked up his phone.

sent:

Fuck you

sent:

Don't call me that. I'm not stupid. You're stupid.

received:

Maybe you rub off on me 😫

received:

With you I am the most stupid man in the world

status: read

Shane stared at the screen until the backlight timed out, leaving him looking at his own hollow reflection in the black glass.

 

November 2011, Montreal

It was the first time Shane had seen Ilya since Vegas.

He wasn't thinking about him. He wasn't supposed to. He was focused on warming up, and the game tonight, and the game next week, and the stats, and the standings.

He circled the defensive zone, his skates cutting familiar grooves into the ice, but his eyes were traitorous. They kept flicking across the red line, searching, as if it was instinct. 

The Boston Bears were a swarm of black and gold. And there, at center ice, was number 81. Shane’s breath hitched, a sharp, ragged intake of cold arena air that stung his lungs. He looked away, head snapping to face the stands, and braced himself. He tightened his grip on his stick until his knuckles screamed inside his glove, preparing for the weight of Ilya’s gaze—anticipating that heavy, dissecting stare that usually stripped Shane down to his bones.

But there was nothing.

Shane glanced across the ice once. Then twice.

Ilya was stretching his hamstrings, chatting with his winger. He laughed, a crooked, white flash of teeth—and skated a lazy circle. It would have been different if he had looked through Shane, as if he were made of glass, at least. But he didn't. Not once. His eyes were transfixed on the game ahead, his teammates, the plays they had prepared; all things Shane should be thinking about. Instead, Shane had his eyes locked on Ilya, watching him slide across the ice, graceful and terrifying as ever.

Why?

Shane stumbled. His toe pick caught the ice, and he had to jerk his body violently to stay upright.

Why isn't he looking?

The panic started in his stomach, cold and acidic. His lip quivered, and he nipped at it to keep it still. He hadn't done anything different. Nothing wrong. Their last messages had been... fine. Was this some test that he had failed? And then, an even worse thought bloomed in his racing mind: Am I not worth looking at anymore?

Shane skated over to the dasher boards, flopping against them to catch his breath. Suddenly, it felt like he was unanchored on the ice. Like the rink had melted, and he was left drifting in the middle of a dark ocean. Alone. The shame was so overwhelming Shane had to grip his forearms tightly against the boards to stop himself from doubling over, falling onto the ice, and merging with it.

 


 

"Earth to Hollander."

Shane flinched, dropping his elbow pad; it clattered loudly on the rubber floor.

He was sitting at his stall, staring at the tape on his stick. He had been staring at it for five minutes.

"Jesus, man." J.J. laughed, leaning against the neighboring stall. He was half undressed, hoodie hanging lazily off a shoulder. He looked down at Shane, eyebrows raised and smile all friendly. "The fuck, Hollander? You look like you've seen a ghost."

J.J. nudged Shane’s skate with his foot.

"You skated like Boston's gonna eat you alive, you have nothing to be scared of. Rozanov's a bitch."

The air left the room.

Shane’s head snapped up. His eyes went wide and shiny, flooded with a sudden, humiliating moisture. His jaw went slightly slack, lips hanging open as his brain stalled out on the accusation.

Scared. Eat you. The words hit too close to home.

"What?" Shane choked out, his eyes glancing to Hayden's, then to everyone else's in the locker room. His voice was too high, and he scrambled to pull his defenses up, but they were flimsy. "No. No, I'm not. I'm not scared."

"He's just locked in, mentally preparing for the game, like you should be doing, J.J." Hayden interrupted, coming to Shane’s rescue.

Fucking superhero.

J.J. laughed again and held up his hands. "Of course. What has this guy got to be scared of? You're the best in the league."

Shane nodded and slipped on a little side smile to seal the deal. "Yeah. I'm focusing." He turned to his stall, hiding his face, hands shaking as he shoved his foot into his skate. "I'm just focusing."

 


 

Of course, they won. 3-2.

Shane had two assists, and he had played perfectly, almost. At least he had been successful in shutting off the part of his brain that felt fear and let the rest of himself take over. It felt good, being on the ice, winning.

But now, the after. This, too, should have felt good. It used to feel good. Shane sat in his car in the underground garage of his apartment building. The engine was off, and his car was dark. But he couldn't bring himself to yank open the door and step out.

He glanced down at his phone, aimlessly thumbing the power button. The screen lit up; no notifications.

He turned it over. Why isn't he saying anything?

Shane felt a phantom itch under his skin, like there was some parasite in him that survived off of Ilya's validation. He turned on his phone again before realizing what he was doing and shoving it deep into his pocket. This pathetic, whining need that curled in his gut—he hated it.

Shane forced himself out of the car, across the garage, and up into his apartment. He went through the motions, keys in the bowl, shoes in the rack, heating up his meal prep, shower.

He was brushing his teeth when the phone finally buzzed against the granite counter. He spat out his toothpaste, not bothering to rinse, and grabbed the device with wet hands. Shane let out a breath he didn't know he was holding. His knees hit the bathmat. He sat down on the cold tile, back against the cabinet, and typed. Of course, he noticed. Ilya saw everything.Ilya was sprawled across the couch.

His legs splayed wide, one arm thrown over his eyes to block the sliver of grey Boston night bleeding through the blinds. The other hand rested heavily on his stomach, rising and falling with breaths that were too shallow to do anything useful. The fabric of his jeans pulled tight across his thighs. The couch upholstery stuck to the backs of his arms.

The TV flickered in the corner—a manic strobe of sports highlights, reality trash, infomercials about knives that could cut through cans or shoes or whatever Americans needed to cut through this week.

The sound was low but omnipresent, a drone that filled the apartment without being listened to. Nothing mattered. The silence beneath it was worse. It pressed against his eardrums. It made him think about Svetlana, her laugh, her noise, the way she filled a room just by breathing in it, the way she would have grabbed his wrist right now and hauled him off this couch and made him eat something, anything, made him be a person instead of this.

She wasn't here.

He shouldn't call her. He shouldn't call his brother back either.

Ilya let his arm slide off his face. His head lolled sideways. He stared at the screen through half-lidded eyes, blinked slowly, a lizard freezing in cold light.

These days, his life had one shape: when he wasn't skating until his lungs tasted like copper and his thighs burned rubber-hot, or drowning his brain in vodka, coke and ket until it all smoothed out, or finding some beautiful girl at a club and fucking her in the back of a car until the adrenaline crashed, he was here. Sinking into the couch, or his mattress, blinds drawn tight against daylight, he didn't want to see.

The exhaustion was bone-deep. A lead vest strapped across his chest, pulling him down through the floorboards into whatever was underneath. The only time it lifted was the violence of a good game, the blur of a good fuck, the sharp bite of good vodka burning down his throat. But those were temporary. The weight always came back heavier.

There was nothing he wanted. Not really.

Freedom, maybe. To live, probably, what he was doing was not living.

Shane.

The name hit him like a cross-check to the solar plexus. Ilya swore under his breath, a harsh Russian curse that scraped his throat raw. He pulled one knee up to his chest, denim rough against his palm.

Shane was so warm.

Specifically, that patch of soft pale skin between his thighs and his dick, the place that flushed pink when blood rushed there. The curve of his lower back where the spine dipped into the swell of his ass. His ears, burning that violent embarrassed pink when Ilya teased him, the colour spreading down his neck in blotches.

Ilya's hand drifted down his own thigh. Fingers dug into muscle. He closed his eyes.

He imagined the weight of Shane's thick quads under his palms, heavy, solid, the fine dark hairs catching slightly. He imagined the sound, that little broken mumble of protest if Ilya teased the sensitive inner flesh too long. "Stop, Rozanov." But he wouldn't move. He'd tense first, muscles locking, and then melt, going liquid under the touch because he had no choice.

When Ilya was with him, he took the choice away.

The thought should have revolted him. Instead, heat coiled low and tight in his groin.

Shane was the only thing that made him feel. Shane was a dead rabbit on the forest floor, and Ilya was a scalpel. Prying him open, seeing him laid bare, body and mind completely exposed. That was proof of life, proof that Ilya still existed, that despite everything, he could still move something, someone.

Ilya reached for his phone. Fingers twitched toward it. Stopped. Dropped back to his lap, the metal casing was cold against his skin.

The memory played. That night. The balcony. Shane frantic, vibrating with that neurotic energy that made Ilya want to either strangle him or soothe him. Ilya had just wanted quiet. So he'd offered him a drink.

And then offered half a pill.

The vodka hadn't made that decision. The vodka hadn't forced him to take Shane back to his hotel room. That was all Ilya. And the morning after—the way Shane had looked at him, crumpled and confused, big brown eyes brimming, lips pulled tight in shame. Thank God he didn't remember the xan. He only remembered the act, and barely that. He thought he'd wanted it. He thought he was the pervert.

Ilya had let him believe it.

He would have let him continue to believe it if Shane wasn't so fucking smart—

Fuck.

He shouldn't have come to the hotel.

He had known that standing in the corridor outside Shane's door, listening to the pacing—the specific rhythm of it, the way the footsteps were too short and too quick, the way they came to the door and hesitated and went back to the centre of the room, the way they sped up and slowed down in a pattern that was not random but was not controlled either. He had stood there with his hand raised to knock and listened to it and known that he should walk away and come anyway, because the alternative was Shane alone with whatever was happening inside his skull, and Ilya had decided, between the penthouse elevator and the corridor, that he didn't want that.

Not because Shane deserved better, Shane needed it, in the moment, needed to be built up again, to lean on him. But because Ilya needed it too.

The wanting was the problem. The need was the problem. Not the sex, not the morning after, not the particulars of how it had happened—the wanting itself, the way it had arrived without warning sometime in the last year and settled into his body like scar tissue, tender and permanent. He was circling the wound he had made. He was returning to the place where he had done damage and finding that it made him feel things, alive, human, in a way that nothing else did. He could see it clearly, he could name it, and still his hand was reaching for his phone. Even though he should probably throw it out the window.

Whatever. He's not texting anyone, let alone Shane Hollander.

He sighed and dragged his eyes back up to the screen.

Ilya saw him. He recognized that body like the back of his hand. So strong and muscular, lean, but plump in the places that mattered—the places Ilya liked. Shane turned around on screen, and the little tiger-like patterns that crawled along his ass and thighs peeked through the waistband of the boxers. The camera lingered on the curve of his back, the swell of his glutes, the way the fabric clung to him.

Ilya blinked. Shane was still there, half-naked and glowing, surrounded by weird blue lights and bad techno music. And then he was gone, replaced by a brand logo flashing across the screen.

Ilya let out this bark of a laugh, sudden, sharp, and uncontrollable. He fell back sideways against the couch, clutching his side as the giggles spilled out of him, shaking his entire frame.

"Chyortov Sheyn Hollander," he gasped between laughs, grabbing the remote to rewind the ad. "Vsegda kakuyu-to tupuyu khren' vytvoryayet."

He watched it again. Shane's bulge flashed across the large flat screen, the boxers hugging him obscenely. Ilya's laughter softened into a grin, and the heavy weight in his chest lifted, just for a moment.

contact name: Jane

sent:

Oh so you are shooting pornos now?

status: delivered

He hit send. Then he waited, staring at the screen, his heart beating a little faster than it should.

The grey arrows turned blue. Ilya watched the ellipsis bubble appear, pulse, and disappear. Shane typed, then deleted. Typed, then deleted. He did this three times over the course of twenty minutes.

Ilya nibbled his thumbnail, smiling around it as he imagined Shane all confused in his apartment, pacing around his kitchen island, scrambling for some sort of response that wouldn't give away how flustered he was.

received:

?

status: read

Ilya snorted. Just a question mark, coward. He raised his phone to the TV screen and paused the ad at a very specific timestamp—0:14. Shane was facing the camera head-on, hip cocked to the side just a little, the studio lighting hitting him perfectly. The pose stretched the fabric of the boxers tight, revealing the full print of his dick in high definition.
Ilya snapped the photo.

He saved it immediately to the hidden album in his camera roll, then he sent it to Shane.

received:

Um, that is not a porno.

received:

Hugo Boss is a very well-known brand.

received:

Did you not wear underwear growing up in Soviet Russia? Were times that bad in the USSR?

status: read


Ilya scoffed, the sound echoing in the empty apartment.

sent:

We have. We just do not usually show it to millions of people on TV. I am not complaining, though.

received:

It sounds like you are.

received:

And I'm not sure you should be talking, with the rumors and photos I've seen of you on the internet.

sent:

So not only is our golden boy now Mr. Underwear Model, he's looking for my nudes on internet.

sent:

This is scandal, you cannot be Captain.

received:

Oh fuck off, you are literally one of the most controversial players in the league.

status: read

Ilya’s hand went straight to his keyboard to fire back a witty response, his thumbs hovering eagerly over the glass. He sat up on the couch. The heaviness in his limbs was gone, evaporated by the banter. The room didn't feel so oppressive anymore.

Maybe I should order dinner, he thought. No. I could make something.

Yes, that was a good idea. He should cook. Some pelmeni, maybe. And he should do his laundry—the pile of clothes in the corner was getting ridiculous. And he should keep talking to Shane. As long as Shane was answering, Ilya had a reason to get off the couch.

sent:

Boring people like you do not know difference between controversial and interesting.

received:

At least I'm competent enough to know the difference between an underwear ad and porn.

status: read

sent:

typing indicator...

 

July 2012, Moscow

The bass in the club was vibrating through the floorboards, shaking the ice in Ilya’s glass until it chattered like teeth.

Svetlana was leaning against his shoulder, whispering something he had to crane his neck and squint his eyes to hear. His hand rested idly at the curve of her waist—warm, familiar. She leaned close, her lips pressing wet and hot against his ear.

"I see a really beautiful girl over there, with her boyfriend," she yelled above the thumping music, raising her sculpted eyebrows. Her full lips twisted into a pouty, knowing smile.

Ilya raised his eyebrows back and took a sip from his vodka, the burn settling comfortably in his stomach. He glanced over the rim of the glass to the pair she had indicated. They were attractive. More than that—they were beautiful. Ilya could imagine both of them naked, crawling over him. He could imagine Svetlana, all caramel skin and glowing in the dark light of his bedroom, strutting across the room to meet the three of them in the bed.

He shrugged. "Mm. Is true, they are sexy."

Svetlana's brow furrowed slightly, and her lip curled as she looked Ilya up and down. Her eyes twinkled with something knowing, almost pitiful, and she leaned forward to kiss him on the cheek, a lingering press of lipstick.

"Okay, mishka, going to go work my magic." She wiped the side of her lip, fixing her liner with a practiced finger. "Text me if you're leaving?"

Ilya nodded, looking back down at his glass. He watched the whirlwind he created as he swirled it—watched the condensation slide down the side, slow, wet, and heavy. He sniffed and checked his watch. 3:14 AM.

Then his pocket started vibrating.

Ilya didn't even glance down at it. He just leaned further against the bar, letting the wood dig into his spine, his eyes searching across the crowd for a warm body to take with him—someone to fill the silence of his apartment.

But then it buzzed again. Long and urgent, pressing too deeply against his thigh. Ilya slipped his hand into his pocket and glanced at it, barely. The screen was hardly visible through the strobe lights flashing red and blue.

<

contact name: Jane

received:

i can't breathe

received:

help

received:

Please

status: read

Ilya felt his stomach drop—a sudden, sharp freefall that had nothing to do with the alcohol. He felt his mouth go dry as ash, and an overwhelming feeling of dread crept up his body like a cold sweat. The noise of the club instantly receded, turned down to a dull roar. The world narrowed to the glowing rectangle in his hand.

Shane.

Ilya shoved off the bar. He started to plow through the crowds, pressing past models and puck bunnies and friends of friends who wanted to be seen with an NHL star. They were laughing, shouting over the music, draped over the velvet booths like expensive decorations. And in between them, Ilya was storming through the crowd, moving with a singular, violent focus on the only thing he cared about.

He shouldered the fire exit door open and stepped out into the alley, gasping at the sudden rush of fresh, humid air.

Ilya glanced around wildly, adrenaline spiking his blood, but the alleyway was completely empty. It was quiet here, except for the distant hum of traffic and the idle noises streaming in from the street.

Ilya stared at the texts again.

Please. Shane never said please. He was too proud, too stubborn. If Shane was saying please, he was on his knees, begging Ilya for air, or release, or friction.

A warmth that wasn't caused by the alcohol started blooming in Ilya's chest. He was worried, yes, his heart was hammering a frantic rhythm against his ribs, but underneath the fear was something else. Something dark and possessive.

He came to me.

sent:

Hollander, what is happening?

received:

something at

received:

I dn''t know

received:

Feel like m dying

sent:

Call me now

status: read

He waited. One second. Two seconds.

Then the phone lit up. Jane Calling...

Ilya answered before the first ring finished. He pressed the phone hard to his ear, shielding the microphone from the wind with his cupped hand, and headed deeper into the shadows of the alleyway.

"Hollander?"

"Ilya."

The voice was a wreck. It was a wet, gasping sound—shattered, high-pitched, hyperventilating. It sounded like Shane was drowning around his words, gulping for air that refused to enter his lungs. He said Ilya's name like he was an angel—his savior—and the sound caused Ilya to hum a low, satisfied note under his breath.

"'Lya, I can't—I don't know why—'so fucking loud."

"Shh," Ilya cut in. He allowed his voice to lower, dropping automatically into that commanding, soothing register he had used in the hotel room whenever Shane was triggered into a fit. "No, stop talking. Listen to me."

"I think... I'm dying," Shane sobbed. The sound was raw. His cheek must have been pressed hard against the phone because Ilya could hear every wet gasp; he felt like he could hear the tears brushing from Shane's lashes onto the screen. "Can't even feel my hands."

"This is not dying," Ilya said slowly, enunciating every syllable. He leaned his head back against the rough brick wall of the alley, closing his eyes. He could picture Shane perfectly: pacing somewhere frantic, shaking, tears snotty on his face, probably leaning over a sink and hiding out in a bathroom stall. "You are having panic attack. Where are you?"

"At some stupid fucking brand gala, stupid, dumb—someone uh—they wanted to, I don't know, but they touched my back and I just—I couldn't,"

Ilya froze.

He knew Shane wasn't one for physical affection. He had noticed the way he shrank away from hugs and smacks on the back from his teammates—face wincing a little, nose twitching like a little rabbit scenting a predator. But the guilt still hit him like a physical blow to the gut. Of course. Even if Shane's mind had tried to forget, his body still remembered. His skin remembered the touch Ilya had forced on him.

He gripped the phone so hard the plastic creaked in his hand.

"Did you push them away?" Ilya asked, his voice sharp.

"What? No. No, I just froze and my eyes started watering. Everyone was asking me if I was okay, like allergies—something, I think. I just ran. I ran. I'm in toilet." Shane was wheezing now, whimpering out each word like it hurt physically to speak. "Il—Roz, tell me what to do. Please. Just tell me."

The surrender was absolute. It was intoxicating.

"Okay," Ilya murmured. "Okay, moya lyubov. I have you."

He took a breath.

"First. Put the phone on speaker. Put it on the floor next to you. Do it."

A fumble. A clatter against tile.

"Okay," Shane whispered. He sounded smaller now, closer to the floor.

"Good boy," Ilya said, the praise rolling off his tongue thick and syrupy. He felt his own pulse slow down, syncing with the rhythm of the slow pace of his voice. "Now. Close your eyes."

"Th-they're closed."

"Good. Now stop thinking. You are thinking too loud, I can hear it from here. Empty your head." Ilya lowered his voice, dropping it into a hushed, intimate rasp. "Remember the hotel room? Remember how quiet it was?"

A hitch of breath on the other end. "Rozanov..."

"Shh. Just listen. Remember the dark? Remember how heavy the blanket was on you?" Ilya pressed the phone closer, as if he could physically push his presence through the speaker. "You didn't have to do anything there, all this smiling and talking. You just lay there and let me take care of you. Remember this?"

"Yes," Shane whimpered. It was a broken sound, half-sob, half-relief.

"Go back there," Ilya commanded softly. "You are no longer at party, you are in that room. And I am right there. I am sitting on the edge of the bed, and my hand is on your chest. Can you feel it?"

Silence. Then, a shaky exhale.

"Yeah."

"Is it heavy?"

"Yeah."

"Good, focus on the weight. I am holding you down, so you cannot move. You do not need to, I have you pinned."

Ilya closed his eyes, leaning his head back against the brick wall. He could feel it too—the phantom sensation of Shane’s heart beating under his palm, the heat of his skin.

"Breathe against my hand, Shane. Push my hand up."

He heard Shane inhale—shaky, but deeper this time.

"Now let it fall. Let me crush the air out."

Shane exhaled, a long, shuddering release that sounded like a surrender.

"Again. Push against me."

For ten minutes, Ilya stood in a dirty alleyway in Moscow, guiding Shane through a visualization that bordered on hypnosis. He didn't check the time; instead, just stood there, head tipped back against the brick, holding the phone like it was a lifeline, anchoring Shane to the floor four thousand miles away.

"Better?" Ilya asked softly, when the breathing had finally evened out into a rhythmic, exhausted cadence.

"Yeah," Shane croaked. The terror was gone, replaced by a slurred, sleepy haze. "Yeah. I'm... I'm okay. Thanks."

"Good." Ilya didn't hang up. He didn't want to let him go. "Stay there. Do not go back out until I say so."

"Okay," Shane whispered. "Rozanov?"

"What?"

"Don't hang up yet."

Ilya closed his eyes.

"I'm not going anywhere."

 


 

April 2013, Montreal

The alarm cut through the dark—a harsh, rhythmic pulsing.

Shane’s hand shot out. He slapped the snooze button before his eyes even opened.

He pushed himself upright and gasped.

A sharp, stretching pain shot straight up his spine, radiating from his core. His breath hitched, and he bit down on his own lip to stifle the whimper that tried to crawl out of his throat. He froze, hips hovering off the mattress, trembling, waiting for the shockwave to settle.

Fuck.

He squeezed his eyes shut. He brought a hand beneath the duvet, fingers brushing against his inner thigh. He felt the sticky, cooling residue of lube. And deeper. The flared metal base pressing against him. The weight of it dragging heavy inside him.

He had slept with it in.

He blinked, the memory of last night swimming through the fog of sleep. Ilya had urged him to keep it in. Overnight. Okay, not urged. He had told Shane. And Shane had followed the command instantly, despite the terror that he wouldn't be able to sleep, that it would hurt too much.

But he had slept. Like the dead. As if Ilya had simply powered him down for the night.

Shane let out a shaky breath. He carefully, slowly, shifted his weight to the edge of the bed. Every movement was a negotiation with the metal inside him. He grabbed his phone from the nightstand.

His thumbs moved automatically. It was muscle memory now, before water, before stretching. Before he was even allowed to be Shane Hollander.

sent:

I'm awake

status: delivered

Two days of being edged until his brain felt like it was melting out of his ears. The ache in his balls was a dull, constant throb, a pressure that bordered on agony.

But it felt so good.

Shane stared down at his socks as he waited, pressing the cotton into the fuzz of his rug. He imagined slipping on his skates, how good the ice would feel during his morning skate, after this.

He looked out of his window, watching the sun peek over the horizon—so bright and aggressive, blasting into the room without permission. It was all so overstimulating. The light, the noise, the contracts, the expectations—it felt like the whole world was screaming at him. Ilya was the only thing that made it quiet. He was like a pair of heavy, blackout sunglasses. When Shane let him cover his eyes, when he followed the rules, it all stopped hurting. The world became dim and manageable. But the tradeoff was that Shane would end up stumbling through the dark, blind to everything except what Ilya allowed him to see.

Hockey. Obviously.

The phone buzzed.

received:

Good morning

received:

Is it hurting?

status: read

Shane flushed. Heat prickled up his neck, staining his skin. He sat up and adjusted himself, thumb slipping between his skin and boxers in anticipation.

sent:

What do you think??

sent:

Yes, obviously.

received:

Good

received:

Oh so feisty котенок. Take it out.

sent:

Don't call me that

status: delivered

Shane scrambled to the bathroom, bumping into his laundry basket and sending clothes scattering along his floor. He paused, bent to pick them up, then bit his lip softly and stared longingly into the bathroom. He let out a soft, grumbling noise under his breath and slipped in through the door, purposefully passing the switch without flicking the lights on.

Shane practically fell against the counter, gripping it so tight his knuckles turned white as he reached back. The friction was blinding. He let out a low, ragged moan as the metal slid out, his body convulsing around the sudden, gaping emptiness. It felt like losing an organ.

He leaned over the sink, panting, staring at his shadowed reflection in the mirror. His fringe had matted in the night, drenched in sweat, flying up at wild angles, framing his face like a jester's hat.

He grabbed the phone again.

sent:

Please Ilya

sent:

Please let me finish.

status: delivered

Shane pressed forward against the drawers, rubbing himself softly against the wood, eyes squeezing tight beneath his eyebrows.

"Please, fuck—Rozanov," he gasped out into the empty room, eyes darting from his phone to the mirror.

sent:

Please Ilya

sent:

Please let me finish.

received:

Mm, but you have to leave for practice in one hour

received:

Is it not true? If you come now, you will be so lazy on the ice.

status: read

Shane let out a whine, a pathetic, high-pitched sound that bounced off the tile. No. He couldn't do another day. It would be impossible to skate with all this pressure. He would explode. Collapse on the ice.

sent:

Fuck you.

received:

Ok

sent:

No

sent:

Sorry

sent:

I won't be lazy. I promise. I'll skate harder. I swear

received:

So wat you are giving orders now?

received:

Haha that is funny

received:

You have 60 seconds. If you are not done, you stop.

received:

Send me a video for proof, not joking.

status: read

Shane's eyes widened. He fumbled with his phone, propping it up against the faucet, and dropped to his knees on the bathmat.

He yanked down his boxers, almost ripping them with the force, and grabbed at himself with a frantic, bruising grip. He watched the timer on the screen—59, 58—and the pressure of it all went straight to his dick. He let his thumb hover over his slit, and he whined at the relief.

57.

"Fuckkk—fuck, fuck, Rozanov." Shane moaned and moved his hand faster, head thrown back, mouth open in a silent scream.

56.

It felt so good to beat the clock. To be good. To be the best.

He came at 42.

It hit him like a physical blow, a white-hot release that curled his toes and left him slumping forward, forehead resting against the cold porcelain of the tub. He panted, drool pooling on the mat, his heart hammering against his ribs like a trapped bird.

So clean. So empty. So fucking quiet and clean and empty.

Shane slumped forward, grabbed a tissue to wipe his hand, before stopping the video and sending it to Ilya.

A minute later, the phone buzzed.

received:

Such a good boy, so good.

received:

You're so sexy.

received:

Need to fuck you, sexy 😘

received:

Now go make your weird smoothie, with spinach, and no fruit.

sent:

I want you to feed me the smoothie so bad.

received:

Yeah?

received:

Fuck

sent:

Yeah, pour it down my throat.

sent:

Gonna play so well today.

received:

Жаждущий котёнок, не можешь дождаться, когда я накормлю тебя своей спермой.

status: read

Shane shakily stood up, using the bathtub to support himself. He glanced at where the plug was resting on his counter, and his cheeks immediately went bright red, flushed with his freckles spread across them. He looked like a little strawberry.

He washed the plug, then set it on a towel in the drawer to dry. His morning skate was in 57 minutes, so he should make his smoothie in 15. With spinach. No fruit.

Notes:

Chyortov Sheyn Hollander, Vsegda kakuyu-to tupuyu khren' vytvoryayet: Shane fucking Hollander, just always pulling some dumb shit like this.

mishka: little bear
moy lyubov: my love

i'm on twitter ilyassoull and i'm usually pretty active, i take requests and talk about filthy things.
i also have a tumblr unseemlyndisturbed where you can send asks, i post teasers about my wips, write one shots and do lots of detailed character analysis.
 

format for this fic was very bizzare for me to write, but i didn't know how else to capture a montage in writing. hopefully, the next chapter will be done soon, this was just so long, and i've been busy, and also obsessed with the other fic. thank you for reading, any feedback is appreciated.

Chapter 4: Know Better

Notes:

Should I by Sir Chloe kept me sane whilst writing this chapter for the second time.

hellllo. it's been a long time coming. if you have been keeping up with my other fics you know that i have been rethinking how i want this fic to go for a little while :). made some changes to the prologue, if you want to reread. it's going to be quite a long one, i estimate maybe 15 or more chapters?

missed these two a lot. will be updating 1-2 a week. (i lied when i wrote this)

(See the end of the chapter for more notes.)

Chapter Text

December 2013

Shane pulled the roll of black friction tape taut, overlapping the edges exactly halfway down the blade of his stick. The coarse fabric rasped against the composite carbon in a sharp, rhythmic scrape that cut through the heavy, suffocating noise of the Voyageurs’ locker room. The air was thick with pre-game adrenaline and the sour, damp tang of gear that never fully dried.

A bass line thumped in a steady, aggressive vibration from a portable speaker two stalls down. J.J. was shouting something across the room in an accented drawl, too loud and too confident, like every word deserved to be heard. Shane didn’t hear him approaching.

“If Rozanov fucks you tonight? I’m gunna fuck him back.” J.J. pointed at himself for extra emphasis.

Jesus Christ—what the hell? How does he know?

Something rose in Shane’s throat, sharp and immediate. Panic. No. No, he doesn’t. Of course, he doesn’t. It was a joke, Shane. Do you remember what a joke is?

Shane’s eyes flicked rapidly between J.J.’s, searching for clarity, for any sign that this was more than it sounded like. He jolted when Hayden spoke from behind him.

“I think you mean ‘fucks with,’ buddy.” Pike scoffed with a smile, then raised his eyebrows quickly at Shane in a knowing apology. Hayden Pike, being his savior again. Shane wasn’t sure how many times it had happened by now. J.J. was great. Everyone loved J.J. But sometimes his bravado was the last thing Shane wanted, especially right before seeing—

“They’re burning a fake Rozanov outside right now.”

Shane shook his head and turned back into his stall, forcing his attention onto what mattered. The game. Changing into his gear for the game. Taping up his stick for the game. He could not afford to give his brain anything else to chew on. The only thing messing up his routine was that damn music. Fuck the music.

“Whoever’s playing that shit, turn it off,” Shane mumbled, not bothering to look up.

“You heard capitain,” someone called back. “Keep that SHIT in your headphones.”

Shane kept his eyes fixed strictly on the toe of his stick, his thumb smoothing down a ridge in the tape until the friction burned his skin. Rip. Stretch. Press.

The repeated motion smoothed out the tension in his hands. The tape was perfectly even, which meant his shot would be perfect. A perfect shot—a clean one, a good one—was waiting for him right outside those doors. Still, his stomach felt hollowed out, scraped clean and filled with cold air. His phone, buried deep in the pocket of his trousers hanging in his stall, was mocking him. It was like it was possessed by the spirit of Ilya Rozanov itself, considering that, on and off, for the past three months, it had told Shane when to eat, what to eat, when to sleep, and whether he could cum with two fingers or none. At least it was a safe distance; pixels didn't have a pulse, a text message couldn't physically pin his hips to a mattress. It compressed the overwhelming gravity of him into black text on a glowing screen. 

But tonight, Ilya wasn’t trapped in the phone. He was in Montreal. He was in Shane’s building. He was breathing the same recirculated arena air and walking the same rubber-matted tunnels on the other side of the ice. The physical reality of it made the skin on the back of Shane’s neck prickle, hot and hypersensitive, like he was already being watched.

“Hey, Hollander.”

Toby, the team’s PR manager, was leaning into the locker room, holding a clipboard against his side. He pointed a pen at Shane.

“Need you in the hall for, like, two minutes for NBC and some other news outlets. Don’t bother with the gear; it’ll only take a second.”

Shane’s grip tightened on his stick, the carbon fiber digging hard into his palms. “Now? I’m not—I’m not done with my tape.”

“It’ll take sixty seconds, Shane. Just a quick soundbite.” Toby waved him over, impatient.

Hayden slumped down on the bench next to Shane, cleared his throat, and pushed an invisible microphone into Shane’s face. “Now, Mr. Hollander, what does Montreal have to do to win tonight?” he drawled.

Shane set the stick down carefully between his knees. His fingers were trembling so finely it was almost a vibration. He scoffed, shaking his head. “Well, hockey is a very complicated and nuanced game.” He turned around, walking backward so he could face the whole team. “But it would be helpful if we scored more fucking goals than the other team.”

The room erupted in cheers and laughter, and probably the beginning of some badly worded chirps.

“And how about that other team—” Pike continued.

“Yeah,” Shane muttered.

He forced himself to straighten and walk toward the door. “Not sweating it.”

Shane followed Toby past a couple of interns with lanyards and clipboards, past a rolling rack of spare sticks, and past a security guy who didn’t look at him like a fan or a person, but a body that belonged in a certain place at a certain time. The further they got from the locker room, the quieter it became, not silent; an arena was never silent. But the noise was different here: less laughter, less music, more distant HVAC roar, and the soft squeak of shoes on concrete.

It should have been a relief. It wasn't. His fingers still smelled like tape adhesive, sticky and chemical and stubborn. He kept rubbing his thumb across the pad of his index finger as if he could erase it. As if he could rub his body back into a version that didn’t react this way to certain names or certain voices.

Toby slowed and gestured at a strip of gaffer tape on the floor. A neat little mark. A camera swung toward him, a light snapped on, and Shane was suddenly aware of every pore on his face, every tiny bead of sweat collecting at his hairline.

A woman with a headset and a tight smile leaned in. “Sound in three, two—”

A reporter stepped into frame, blazer crisp, hair too perfect for a rink.

“Shane Hollander, thanks for taking a minute,” the reporter said, his voice polished. “Big one tonight at home. The crowd is already going crazy out there. How are you feeling?”

Shane pulled his face into the right shape, letting the smile sit on his mouth without letting it touch his eyes.

"Good, thanks," Shane said. "We're ready."

The reporter nodded, as if that meant something. He leaned a fraction closer, the microphone hovering just under Shane’s chin.

“Now, you’re having an incredible season,” he continued. “But Ilya Rozanov has been on a tear lately. He had a hat trick last week and he’s almost caught up to you in the scoring race. Want to hear what he had to say about it?”

Shane’s stomach dipped. His brain immediately tried to run the numbers, like it could solve this if he did it fast enough. If I say no, I look petty. If I say yes, I let him into my space. If I look surprised, they’ll replay it. If I look amused, they’ll replay it. If I—

“Sure,” Shane heard himself say, and immediately regretted it.

The reporter’s smile widened like he’d won something.

“Roll it,” the producer called.

They angled a small monitor toward Shane. The clip started with a different hallway, different lights. Ilya was in his uniform, straight after a game, his helmet held under one arm. His hair was sweaty, combed back by his fingers, damp at the roots like he’d just showered. His face was neutral in that practiced way Shane knew too well: handsome, bored, unimpressed by the idea of being impressed. The interviewer in the clip asked something Shane couldn’t hear. Ilya answered, and the audio came through tinny on the monitor’s speakers.

“I am not chasing him,” Ilya said. His voice was smooth, accompanied by a little shrug. “Hollander is… always very serious. Very perfect.” A flicker at the corner of his mouth, like a smile pretending not to be one. “But that means when I beat him, I will be more than perfect. So I guess I should thank him.”

He glanced off-camera for a second, like someone had moved nearby.

“Also,” Ilya added, leaning down to the microphone conspiratorially. “He knows how I feel about second place.”

The clip ended.

What the fuck.

The hallway around Shane snapped back into focus. The lights felt hotter. The air felt thinner. His tongue pressed against the back of his teeth, tasting faint mint, faint tape adhesive, faint panic. Shane could feel it under his skin like a thumb pressing on a bruise. Because Ilya didn’t mean the scoring race, at least, not only. 

The reporter’s voice cut in before Shane could swallow properly.

“Pretty intense,” the reporter said, chuckling like this was fun. “What do you make of that? Does it motivate you? Or does it add pressure?”

Shane’s hands were still. He forced them to move, just enough. He rolled his shoulders once, like he was loosening up. Like he wasn’t standing under a heat lamp with a camera pointed at his face and Ilya’s voice still vibrating in his ears.

Shane shook his head and forced his smile wider. "Nah." He paused, raising his eyebrows a little before dropping them down. "I'll feel pressure if he actually catches up to me. Thanks guys."

Shane turned and walked away before the reporter could even lower the microphone.

He ignored Toby's quiet word of approval behind him. He just needed to get back to the locker room. The hallway stretched long and grey, the air cooling the sweat on his neck into an uncomfortable, icy prickle. He felt entirely hollowed out, as if the camera lights had burned away whatever thin layer of insulation he’d managed to build up this morning.

Shane pushed through the heavy double doors of the locker room. His team was buzzing, the air still thick with anticipation, but Shane moved through it like a ghost. He sat down heavily on the wooden bench of his stall, his knees spreading wide, and dropped his face into his hands. He dragged his palms down his skin, pressing hard into his eye sockets until bursts of static color flared in the darkness.

His pants hung behind him. In the pocket, the phone vibrated. Shane’s breath hitched. He froze, his hands still covering his face.

It was just a notification. It could be his mom, his agent. It could be a calendar reminder. He didn't have to look. He could just put his gear on, go out for warmups, and pretend the phone didn't exist. His hand was already reaching into the pocket before the thought even finished forming.

He pulled the phone out, keeping it close to his chest, pressing his head against the cubby to shield the screen between the angles of his body.

<

received:

How many times can you cum in one hour?

Shane's heart stopped. A cold, heavy stone dropped straight into his gut. He looked around, as if the whole of Montreal was standing behind him, looking over his shoulder.

sent:

Are you trying to fuck with me before the game? What's wrong with you?

received:

You are awful at sexting today, you are usually pretty good.

received:

Maybe the interview throw you off 🤫

status: read

Shane stared at the words, his thumb hovering paralyzed over the glass. Ilya had watched him. He was probably standing in the visitors' tunnel right now, looking at his own phone, perfectly calm, while Shane felt like he was suffocating in a room full of thirty people.

sent:

threw*

sent:

Who taught you that word?

received:

Your mother.

sent:

Not funny, fuck you

sent:

Ok. Blocking your number, I need to focus.

received:

Focusing maybe on carrying deadweight tonight

status: read

Shane frowned, a genuine ripple of confusion cutting through the panic.

sent:

They are my line mates. Shut up.

received:

You are too good for them

received:

You deserve better.

status: read

Shane squeezed his eyes shut. Some trap had opened its jaws, sweet and inviting, and a part of Shane's brain was willingly crawling inside it. The praise of it all—Ilya elevating him, as if he were the only one who really saw Shane on the ice, who understood the terrible, exhausting burden of being who he was. It felt sickeningly good, it always did, despite-

received:

Where are we meeting

sent:

We're not. Fuck you!

received:

😭

status: read

note:

Lily has notifications silenced.

Shane stared at the emoji for a long moment.

The last few times they'd played each other, he hadn't been able to do this. He hadn't been ready. He'd still been trying to piece himself back together, still trying, and failing, repeatedly, humiliatingly, to claw back some version of himself that felt solid. And he had. Slowly, painfully, he had done it. Maybe.

With Ilya's help—

No. Fuck. No.

Shane pressed the heel of his palm hard against his chest, like he could physically push the thought back down. The texts were different. The texts were a clean, contained set of rules that had nothing to do with standing in the same bed as the man, nothing to do with smelling him or hearing the specific, low gravel of his voice in person. That was a completely different thing, that was not something he was doing.

But he wanted it so badly. Every bone in his body wanted this, wanted whatever tonight was going to be, and that fact terrified him far more than Ilya ever had.

sent:

Maybe I'll think about it after the game.

note:

Lily has notifications silenced.

The ellipsis bubble didn’t even appear. Ilya just left him on read.

Shane locked the screen, the sudden blackness reflecting his own pale, tight face back at him. He shoved the phone deep into the pocket of his trousers and grabbed his chest protector. He needed the weight of the Voyageurs crest over his heart to anchor him to something solid, because right now he felt like he was floating untethered, drifting toward something he both craved and dreaded. What is wrong with him? He had spent years running away from the memory of that hotel room, and now, willingly, he was running full force back into it. 

Stepping out of the tunnel and onto the ice was usually a baptism. The cold air slapped his face, the blinding halogen lights turned the world sharp and clean, and the deafening roar of twenty thousand Montreal fans elevated him into something almost godly.

It washed away the guilt and the weight he carried off the rink, leaving it behind for him to pick up again only if he lost. But tonight, the weight came with him. It dragged at his legs, made his edges dull, left his body heavy and confused. He moved across the ice like he had two left feet, his timing off, his passes telegraphed.

The puck dropped, and the game dissolved into a chaotic, violent blur. Shane skated fast—too fast, out of sync with everyone else. His legs burned with lactic fire, his lungs seized in the bone-dry arena air, but his brain wasn’t on the ice. It buzzed with this high-frequency static that made the arena lights strobe and smear at the edges of his vision.

He was hyper-aware of the black-and-gold jerseys cutting through his peripheral. He was tracking number 81.

Midway through the second period, the whistle blew for an icing call. Shane skated to the face-off circle in the Boston zone, chest heaving, sweat dripping down the bridge of his nose and stinging his eyes. He needed to focus, to fucking dig through the feelings that were rising up and grab hold of some damn rational. He bent over, resting his gloved hands on his knees to catch his breath, staring at the scuffed, snowy surface of the ice beneath him.

A shadow fell over him. A heavy spray of ice chips hit his skates as someone stopped sharply right in front of him. Lucky Shane.

Shane didn’t have to look up. He could smell him. Beneath the sharp bite of the ice and the wet-dog stink of hockey gear, there it was—that terrifyingly familiar undertone that lived in Shane’s nightmares and his browser history.

Shane straightened up slowly, his stick gripped tight in both hands, knuckles aching under the pressure.

Ilya was standing right there.

He looked massive in full gear, the black visor of his helmet casting a deep shadow over the sharp, angular planes of his face. Like some sort of beautiful, bisexual, terminator. His chest rose and fell evenly, controlled. He didn’t look tired. He looked completely, utterly in his element—predatory and calm, like the chaos of the game fed him instead of draining him. Like he was feeding off of Shane's fear.

Ilya didn’t look at Shane’s eyes. He looked down at Shane’s mouth first, deliberate. Then he leaned forward, resting his forearms casually on his stick, closing the distance between them until they were practically helmet-to-helmet, breaths fogging the narrow space between their cages.

“You look stressed, Hollander,” Ilya murmured. His voice was low, pitched perfectly to bury itself under the crowd noise, meant only for Shane. The Russian accent was thick, rough, dragging over the syllables like sandpaper across bare skin.

Shane’s jaw clenched hard enough to ache. He stared straight at the cage of Ilya’s helmet, refusing to meet his eyes, his heart hammering a frantic, pathetic rhythm against his ribs. “Shut the fuck up, Rozanov.”

Ilya’s mouth curved into a slow, sharp smirk that didn’t reach his eyes. “You are skating like a chicken with a lost head."

The linesman skated over with a puck in his hand, yelling for them to line up. Players shuffled into position around them.

Ilya didn’t move right away. He tilted his head a fraction of an inch, just enough for Shane to feel the weight of his pale eyes finally locking onto his.

“Send me your address, kotenok,” Ilya whispered, his voice dropping into that dark, command register that made Shane’s spine shiver violently from tailbone to skull. “If you win, I have surprise for you.”

It felt like a threat. A threat that went straight to his dick.

Ilya turned smoothly then, slotting into perfect face-off position like he hadn’t just sucked all the oxygen out of the arena. Like he hadn’t just dropped a live grenade between Shane’s skates.

Shane stood frozen for a split second, his stick hovering above the ice, hands shaking inside his gloves. The noise of the crowd suddenly sounded like rushing water closing over his head. He couldn’t breathe. He couldn’t think. The walls of the rink pressed inward, the lights burned too bright, the expectation crushed down too heavy.

The puck dropped. Shane won the draw clean.

The game ended 3-2, Montreal. Shane scored once, a filthy deflection off a point shot that beat the Boston goalie clean, but he didn’t register an assist.

He unlaced his skates in the locker room with numb, robotic fingers, the post-game excitement of his teammates washing over him like meaningless static. He didn’t shower. He'd rather eat a puck than talk to the press. He waited until Toby was distracted, grabbed his phone, and slipped out the back exit into the freezing Montreal night.

Sitting in the driver’s seat of his car, engine off, parking garage silent and dark around him, Shane stared at the glowing screen. His thumbs hovered over the keyboard, traitors already knowing what they wanted to type.

His brain screamed at him otherwise. Start the car. Drive home. Drive to Hayden’s. Drive to fucking Nigeria. Drive anywhere else.

His thumbs moved anyway.

sent:

350 Victoria Ave

sent:

Use the back entrance.

received:

😈

received:

is my favourite

status: read

Fuck.

 


 

His phone buzzed against his palm. From Lily: Here?

Shane's breath fogged in the cold air of the back stairwell. He shoved the heavy fire door open with his shoulder, the metal grinding loud against the concrete threshold, and chill rushed in.

Ilya was standing in the empty car park, hands in his jacket pockets, hair still shower-damp from the post-game. He looked up at the dark, narrow entrance Shane was framed in—exposed brick, a single flickering overhead bulb,—and his expression shifted into something that looked like theatrical alarm.

"You will murder me," he said. He looked around the car park with raised eyebrows. "This is very serial killer entrance."

"Maybe," Shane hissed. "Get in." He jerked his head toward the interior, stepping back to make room.

Ilya stepped inside, ducking slightly under the low frame. Shane let the door swing shut behind him, the heavy click of the latch echoing up the stairwell. Then he grabbed a fistful of Ilya's jacket and slammed him back against the wall.

The impact was solid. Ilya's shoulders hit the brick, his hands flying up to press flat against the surface on either side of him, his chin lifting as his eyes went wide. It lasted exactly one second, that flash of genuine surprise, before the expression settled into something slower and far more dangerous.

"Why the fuck," Shane said, his voice low and tight, his knuckles white in the fabric of Ilya's jacket, "did you think it was okay to sext me before the game."

It wasn't a question. His jaw was set hard, his face close enough to Ilya's that he could see the exact moment the bewilderment curdled into amusement, the way it started in his eyes first, a small light igniting deep behind the pale blue before it reached his mouth.

"You were hard, weren't you," Ilya said. Not a question either. His voice was soft, almost thoughtful, like he was working through a mildly interesting problem. A pause, deliberate and unhurried. "For how long." His eyes dropped, briefly. "The whole game?"

Shane was already regretting this. He released Ilya's jacket, shoving him back into the wall one more time for good measure, and stepped away. "Such a fucking asshole," he muttered, turning toward the stairs.

"Aw." Ilya's voice followed him, warm with amusement. "You missed me, didn't you." Shane heard him push off the wall behind him. "It is why you played like baby deer walking for first time."

Fingers caught the back of Shane's hoodie, tugging lightly. Shane shook him off without turning around.

"I fucking didn't," Shane said, flat and firm, shaking his head as he hit the first step. "And I still beat your ass."

There was a pause. Then Ilya's voice drifted up from behind him, entirely unbothered.

"Barely." Another pause. "And only because I told you to. Good boy."

Shane's foot hit the second step. Then Ilya's hit the first, and something shifted in the rhythm of his footfalls, faster, closing the gap, and before Shane fully registered what was happening he was taking the stairs two at a time, shoulder checking Ilya into the railing as he tried to pass, Ilya laughing low in his chest as he shoved back, both of them thundering up the stairwell like idiots, elbows out, blocking each other on every landing until Shane burst through the apartment door first and pulled it shut behind him, chest heaving.

He stood in the dark entry hall for a moment, catching his breath.

"Wow." Ilya's voice came from behind him as Shane unlocked the door again and pushed it open. "Nice place."

Ilya stepped past him into the kitchen, hands still in his pockets, head tilting as he took in the clean lines of the space, the open shelving, the marble counter, the city lights cutting through the floor-to-ceiling windows. Shane followed, letting the door click shut.

It was strange. Deeply, specifically strange, having Ilya Rozanov standing in his kitchen under normal light, not a phone screen between them. He was a physical fact. He was warm and solid and he smelled exactly the way Shane remembered, exactly the way his body had catalogued without his permission, and it made Shane's throat feel tight.

He was grateful, at least, that he'd had the sense not to bring him to his actual apartment.

"Thanks," Shane said, and then cleared his throat because the silence was already pressing in. He drifted to the counter opposite Ilya, leaning back against it, keeping his eyes at a neutral point somewhere beside Ilya's left shoulder. "I bought it, uh—" He paused, crossed his arms. "Couple years ago. But this year I got another one. Right next door."

He could see, in his peripheral vision, the small smile beginning to settle at the edge of Ilya's mouth as he watched Shane fumble through the words like he was filling out a form.

"Eventually I might turn it into one place," Shane continued, because stopping felt worse, "but for now I'm renting next door out."

Ilya took a slow breath. He pulled out a dining chair and leaned back against it, arms folded. His eyes ran over Shane's like they were dissecting him, stripping him of his clothes and his skin, peeling him apart and revealing something Shane had done his best to keep hidden. But Ilya saw anyways. Of course he did. He's the one that birthed it.

Shane will never forgive him for it.

"Mr. Real Estate," Ilya said, slowly.

"Shut up."

"Mr. ah—" He did a vague gesture with both hands, a mocking, shifting motion that somehow communicated nothing and everything. "Landlord."

"You asked," Shane said.

Ilya hummed. "Mm." His mouth curved slightly. "No I didn't."

Shane let himself look at him then. Actually look, fully, without the mediation of a screen. The way Ilya's forearms flexed where they crossed over his chest, the tendons visible, the knuckles large and blunt against his own bicep. Those same forearms, Shane's brain supplied, unhelpfully and immediately, could be wrapped around his throat in approximately forty seconds.

The blood moved south in a hot, heavy rush. Shane forced his face to stay neutral.

And the surprise. What could it possibly be. He should be terrified of that. He was terrified. This was a bad idea, fuck, he needed to kick him out. He was—

Ilya pushed off the chair and kissed him.

It wasn't tentative or exploratory. It was the way a man ate after going hungry for a long time—immediate and consuming, like the distance between them had been a physical insult Ilya was correcting. Shane's brain went briefly, completely white.

He leaned in. His hand found the back of Ilya's neck, fingers pressing into the damp hair at his nape, pulling him deeper, and a small sound escaped from somewhere low in his chest that he immediately wanted to take back.

Ilya pulled back just enough.

"So," he murmured, his lips dropping to the line of Shane's throat, mouth open and warm, "where do you want me?"

Shane's head tipped back involuntarily, a breath punching out of him.

"In the kitchen," Ilya continued, pressing his mouth against Shane's pulse point, voice low and amused and doing absolutely catastrophic things to Shane's nervous system, "on the floor."

He started to drag his teeth lightly against the skin, hair brushing ticklish and warm against Shane's jaw.

"Fuck—" Shane's hand tightened in his hair. "Fuck you." He groaned, letting his head fall back further, giving him more room. "Fuck you, Rozanov."

 "Soon, have patience."

Shane rolled his eyes and slid off the counter, feeling Ilya's presence follow close behind him like gravity he couldn't shake. He led them down the short hallway to one of the bedrooms, the floor cool under his socks, the silence between their footsteps too loud.

"So." Shane cleared his throat, the sound sticking awkwardly in the still air. He turned halfway, one shoulder against the doorframe. "What's the—what's the surprise."

Ilya stepped forward into the room, his gaze sweeping the space. His mouth pulled into a sort of pout in thought, head tilting as he considered. "Mm." He hummed low in his throat, turning around slowly to face Shane fully. "You have been a good boy, yes?"

Shane felt his breath vanish, punched clean out of his lungs. Suddenly, the room was suffocating over the sound of his heart pounding in his chest, a frantic, hammering rhythm, and the painful awareness of his hard dick straining tight against the front of his jeans.

"I'm not your—"

Ilya stepped forward and grabbed Shane by the back of his head, fingers fisting deep into his hair, yanking him forward until he stumbled half a step. Then Ilya's mouth crashed against his—punishing, consuming, like he wanted to devour him whole, teeth catching Shane's lower lip hard enough to sting.

"You are not my what?" Ilya mumbled right against Shane's mouth, the words hot and wet, his free hand slipping down between their bodies to grip Shane through his jeans, firm, unyielding pressure that wrenched a choked "ngh" from Shane's throat. "You are not my what. Say it."

"I'm not your—" Shane groaned, the word fracturing as he tried to tilt his head back for air, but Ilya's grip on his head was strong, unrelenting, holding him pinned in place.

Ilya bit his own lip, eyes darkening as they dropped to Shane's mouth. "Then why are you so hard for me." Not a question. "Hm?"

He slipped his knee between Shane's legs, pressing up deliberate and slow, right against the aching line of his cock. Shane let out a shuddering gasp, full-body, knees buckling slightly. It felt so good—overwhelmingly good, the friction perfect and devastating. If Ilya kept this up, grinding just like that, Shane was sure he could come untouched, right here, jeans still on.

Ilya pulled away just enough to look at him, hands still gripping the back of Shane's head, knee still pressed firm and unmoving against his cock. "Tell me."

Shane looked into Ilya's gaze, gone so cold, so hazy with hunger, and wanted to fall into it, dissolve completely. He felt his knees going weak, a small whimper slipping past his lips unbidden. "Need..." he gasped, the word punched out as Ilya rocked his knee against a specific spot, precise and cruel. "Need you."

Shane heard Ilya groan low in his chest, then swear something in Russian—dark and guttural, "blyat," maybe, or worse—before his fingers tightened bruisingly in Shane's hair and he shoved him backward. Shane's calves hit the bed, and he went down hard, bouncing once on the mattress.

He scrambled upward immediately, hands shaking as he peeled off his hoodie, his shirt, folding them automatically, precise creases, placed neat on the floor beside the bed. Half-naked now, skin prickling in the cool air, cock hard and flushed in his jeans, he stared up at Ilya expectantly. His eyes went big and round, blinking slow, chest rising fast as Ilya loomed over him, filling the room.

Ilya cocked his head to the side, one hand rubbing himself idly through the front of his pants, the slow drag of his palm deliberate as he stared down at Shane sprawled bare and waiting on the bed. Like he was thinking—considering—whether to leave him here like this, hard and desperate and untouched, or finally give him what he so obviously wanted.

Shane went bright red, heat crawling from his chest to his ears. He wanted this so badly it hurt. "Lube is—I have lube and— in the drawer."

"Ok," Ilya said with a shrug, and reached into the inside pocket of his jacket. "I have your treat."

The handcuffs glinted dully in the low light when he pulled them out—small, black, the chain links thin but solid.

"Jesus Christ," Shane breathed.

Ilya just tilted his head. "Turn around."

Shane's mouth opened, then closed. He turned around slowly, palms going damp where they pressed against his own thighs. The metal was cold when it snapped around one wrist, colder when Ilya tugged the other behind his back and clicked it shut. Shane tested them automatically—the chain pulled taut with a soft clink, no give at all. His shoulders locked tight, a sudden, visceral awareness of how completely his arms were trapped.

"Good," Ilya murmured behind him, close enough that Shane felt the warmth of his chest hovering inches from his back. "See? Easy."

Large hands settled on Shane's hips, steadying, then slid forward to work his jeans open. The zipper rasped loud in the quiet room. Ilya didn't rush. He peeled the denim down Shane's thighs inch by inch, letting it pool at his knees, then hooked his thumbs in Shane's briefs and dragged those down too. The air hit Shane's bare skin all at once—cool against the fever-heat of his cock, already straining half-hard against his stomach.

Shane's breath went shallow. He couldn't see, couldn't use his hands, could only feel Ilya's gaze raking over him, clinical and heavy. The mattress creaked as Ilya knelt behind him.

"Your legs, spread them for me," Ilya said softly.

Shane shuffled his knees apart on the bare mattress, thighs trembling. Vulnerable. The first touch was slick—lube, cold from the bottle—and Ilya's fingers circled him once, lazy, before pressing in.

Shane's whole body locked. "Fuck—"

One finger. Just one, thick and unyielding, sliding past resistance with humiliating ease. Shane's breath punched out of him, a ragged "ah" that echoed off the bare walls. It burned, stretched, then turned liquid as Ilya crooked it just right, finding that spot inside him and rubbing slow, firm circles until Shane's hips twitched forward against nothing.

"Khoroshiy," Ilya murmured, almost to himself. Good. He added a second finger without warning, the stretch sharp enough to wrench another sound from Shane's throat—half-whine, half-moan, needy and broken. His head dropped forward, forehead pressing into the mattress, wrists straining uselessly against the cuffs as Ilya started a rhythm: in deep, then out shallow, scissoring just enough to make Shane's thighs quake.

"Rozanov—" It came out desperate, Shane's voice cracking on the second syllable. His cock throbbed, untouched, leaking steadily onto the sheets below. Too much. Too good. Ilya's fingers dragged slow over that spot again, deliberate, and Shane's hips bucked back involuntarily, chasing it. "Please—"

Ilya hummed, low and pleased. "Please what." Not a question. He pressed in a third finger—Shane yelped, high and startled, the burn flaring white-hot before it melted into something devastating. Ilya's free hand clamped down on Shane's hip, holding him still, fingers fucking in deep and steady now, the wet schick-schick of lube obscene in the quiet room.

Shane was shaking. So full of him. Overwhelmed. Every thrust of Ilya's fingers punched a new sound out of him—gasps, whimpers, broken little "oh God"s that he couldn't hold back. His cock jerked against his stomach, so close, right there—

Ilya stopped.

Shane's whine was immediate, raw, hips grinding back into empty air. "No—don't—please—"

Ilya didn't move. His fingers stayed buried deep, utterly still, letting Shane clench around nothing, strung out and desperate. "Tell me what you want," Ilya said, voice calm as ever, thumb brushing idly over Shane's rim like he was petting him. "Chto ty khochesh', solnyshko. Say it."

"You know—" Shane gasped, tears pricking hot at the corners of his eyes. "Fuck you—"

The smack landed clean across one asscheek—sharp, stinging, the sound cracking loud through the room. Shane yelped, body jolting forward.

"Try that again," Ilya said patiently. 

Shane's face burned. His cock twitched. He swallowed hard, throat clicking. "Please," he whispered. "May you—" He choked on it, humiliated, but Ilya's fingers flexed inside him once, encouraging. "May you fuck me. Please."

There was a beat of silence, then Ilya's hand smoothed slow and warm over the stinging place he'd hit, and Shane felt the bastard smile against the back of his thigh.

"Vot tak," Ilya murmured. There we go.

He withdrew his fingers, Shane whimpered at the loss, empty and aching, and flipped him efficiently onto hands and knees. Wrists cuffed behind his back meant Shane's chest dropped low to the mattress, ass up, completely exposed. He couldn't steady himself properly, shoulders straining, forehead pressed to the sheets as he panted.

He heard Ilya shuffle back, the rustle of fabric, and then—

snap

The camera shutter.

Shane's whole body went rigid, face flooding scarlet from hairline to chest, heat crawling molten under his skin. He couldn't see. Couldn't turn. Couldn't do anything but let out a low, pathetic "nooo"—not even a real refusal, just a broken sound his body made while his brain short-circuited from shame.

"Tikhо," Ilya cooed behind him, soft and indulgent. "Shh, kotenok. I've got you."

The mattress dipped. Hands were on his hips again, steadying. Positioning. And then Ilya stopped being gentle entirely.

The first thrust took Shane's breath away completely. There was no warning, just Ilya lining up, gripping Shane's cuffed wrists like a handle and snapping his hips forward. The stretched burned white and hot, Shane's body yielding unwillingly around the thick intrusion, and he choked on a raw, broken "Fuck—" that scraped his throat bloody.

His face ground into the mattress, teeth catching on the sheets, every muscle seizing as Ilya bottomed out, hips flush against Shane's ass, balls heavy and slapping skin.

"Bozhe moi," Ilya hissed through gritted teeth, voice cracking on the edges—his control fraying already. He didn't move. Just held there, buried to the hilt, one hand fisting Shane's hair to arch his head back, the other clamping Shane's hipbone hard enough to bruise. Shane could feel him throb inside, hot and insistent.

"Ty tak tight, solnyshko. Fuck. Like you were made for this."

Shane couldn't answer. Couldn't think. His cock trapped beneath him, leaking steadily into the sheets, every tiny shift of Ilya's hips grinding him down into the mattress—

He whimpered, high and needy, body betraying him with a clench that pulled a ragged groan from Ilya's chest.

Then he moved.

Pulled out halfway, letting Shane feel every inch dragging against his walls, and slammed back in. The force shoved Shane forward, face mashing into the mattress.

"Ah!" Shane gasped, it was practically ripped from his lungs.

 Ilya didn't pause. He  Found a rhythm immediately, hard, punishing, hips snapping forward with the same relentless power he skated with, each thrust jolting Shane's whole body up the bed. Skin on skin, wet and obscene, Ilya's grunts mixing with Shane's gasps, the metal cuffs rattling with every brutal drive.

"Tak," Ilya growled, Russian spilling out fractured and desperate now, his composure splintering. "Tak, da, vot tak—take it, zaika, fuck—" One hand released Shane's hip to wrap around his throat from behind, yanking him up slightly, arching his spine until his bound arms strained and his chest lifted off the sheets. 

The new angle punched straight into that spot inside him, and Shane screamed, tears spilling hot down his cheeks as his vision whited out.

"Rozanov—oh God, Roz—" Shane babbled, incoherent, drool slicking his chin, cock trapped and throbbing untouched against his stomach.  Every thrust punched the air from his lungs, Ilya's weight pinning him, owning him, the world narrowing to heat and stretch and the filthy slick of lube and precum. He was crying openly now, snot-nosed and wrecked, body clenching helpless around Ilya's cock like it never wanted to let go.

Ilya's hand tightened on Shane's throat, not choking, just holding, possessive, while the other gripped a hip hard enough to leave fingerprints tomorrow. "Hollander-" he gasped, voice wrecked, forehead dropping to press against Shane's shoulder blade. "Ty—fuck—my kotenok—"

 The orgasm hit with no warning, just his body seizing, cock pulsing untouched against his stomach, come spilling hot and useless in weak spurts as he sobbed Ilya's name into the mattress.

Ilya's hips stuttered, then he buried himself deep with a guttural groan and came, cock throbbing, flooding Shane with heat that leaked out around him. His whole body shuddered and he collasped forward to blanket Shane completely, mouth open against his neck in broken Russian prayers.

They stayed like that, panting, wrecked, Ilya's weight crushing and perfect, until Shane's trembling eased into shivers, cuffs biting into his wrists, Ilya's softening cock still twitching inside him. Ilya groaned low, kissed his shoulder sloppily, then pulled out slowly—Shane whimpered at the drag, empty and oversensitive.

 


 

They were back in the hallway, at the bottom of the stairs. The air still hung heavy with the smell of them—sweat and sex, and this couldn't happen again.

Shane had pulled his hood up, the soft cotton lining damp against his temples, arms crossed tight over his chest as he watched Ilya crouch down to tie his laces. Shane's thighs ached, a deep, bone-heavy throb that radiated up his spine with every shift of his weight on the cold concrete step.

"We aren't going to see each other during the Olympics," Shane stated, voice flat, eyes squinting against the little flash of something raw that crossed Ilya's face, hurt, maybe, or just the light catching wrong.

"Right," Ilya shrugged, his fingers deft on the laces, casual as if they hadn't just fucked each other raw upstairs.

"And I'm not going to text you anymore." Shane's squint deepened, his jaw tight. "It was just a one-time thing."

Ilya stood to his full height in a slow, fluid motion, brows raising quick and sharp, tongue sliding deliberately over his teeth behind closed lips. He crouched again for the other shoe. "Just one time thing," he echoed, the words hanging mocking and soft.

"Yeah," Shane mumbled, the sound sticking thick in his throat.

Ilya stretched fully then, and relaxed back against the wall—one arm draped lazy along the banister. His brow furrowed just slightly, cheeks hollowing like he'd bitten into Shane's words. They were bitter, sour, and caused muscles in his jaw to subtly flex under the skin.

"Hey, ah." A pause. "Remember when I made you cum hands-free?"

Shane rolled his eyes, heat crawling instantly up his neck. Fuck.

"Go fuck yourself, Rozanov."

Ilya unfolded from the wall with predatory slowness, bending down until he slotted perfectly between Shane's knees where he sat on the step, their faces inches apart, Ilya's breath warm on Shane's mouth.

"Such a good trick..." he murmured, leaning in closer, noses almost brushing, eyes heavy-lidded and knowing.

Good trick.

 Shane's eyes widened sharply, and his pulse started slamming frantic in his throat. And like that, the spell was instantly broken. His hand shot up between them, palm flattening firm over Ilya's mouth, fingers splayed wide over warm skin and stubble.

"Your cab is here," Shane whispered, urgent, thumb pressing into the hinge of Ilya's jaw.

He felt the smile curve slow against his hand, lazy and triumphant. Ilya pulled back unhurried, reaching over to lift his jacket from Shane's knee with two deliberate fingers. "Bye." A single wink, sharp as a blade, and the door swung shut behind him with a heavy, final thud.

The sound echoed up the stairwell like a gunshot.

Shane sat frozen at the bottom of the stairs, hood still up, heart hammering violent against his ribs—a trapped, frantic thing battering against his bones like a bird in a cage. The whole stairwell seemed to swing around him, walls tilting lazy like the deck of a ship in storm, concrete steps blurring at the edges. He gripped the edge of the step with both hands, nails digging into his palms, and told himself to move. Get up. Go upstairs. Drink water. Shower the smell of him off your skin. Be a person again.

One step. His knee buckled, thigh muscle twitching phantom under the skin. Two steps. The banister was cool under his palm, gritty with fingerprints he could still feel ghosting his hips. Three. Four. Infinite stairs stretching up into a vertigo haze, each forward motion dragging him backward twice over, like quicksand, like the dark mouth of something patient and hungry pulling at his ankles.

He had been building himself back. That was the knife-twist truth of it. Inch by bloodied inch he'd dragged himself along that pitch-black road after Vegas, clawing toward light, toward something that felt like his own life again. Back to Shane Hollander—Shane fucking Hollander. Normal captain. A control freak in the best ways: line matchups, pregame tape rituals, the clean geometry of a perfect wrister finding twine. Not this. Not thrusting the reins of his own body into hands that had already cracked him open once.

What the fuck was wrong with him.

He slumped against the kitchen counter, palms splaying wide over cool marble, veined black like fault lines. The stone bit cold into his hipbones, grounding him just enough to drag his eyes up to the city beyond the glass—Montreal glittering indifferent below, a million lights winking like they knew. Well done, captain, you easy piece of shit.

Why did it feel so good. That was the poison question, festering under his sternum, refusing to dissolve. Why, for those fifteen endless minutes curled in Ilya's arms upstairs, cuffs still digging red crescents into his wrists, come cooling sticky on his stomach, Ilya's heartbeat thudding steady against his cheek, had the world gone so perfectly, shatteringly quiet. No voice screamed in his skull. No looping dread. Just calm flooding his veins, his body finally, blessedly his again because he'd given it away completely. Weightless. Anchored. Himself, at last.

He pressed his forehead to the marble, breath fogging faint on the stone.

This can never happen again.

He was so completely, utterly fucked.

Notes:

kotenok: kitten
Chto ty khochesh: What do you want
solnyshko: sunshine
tikhо: quiet
Bozhe moi: My God
Ty tak tight: You’re so tight
ak, da, vot tak—take it, zaika: Yes, that’s it, like that — take it, bunny.

i'm on twitter ilyassoull and i'm usually pretty active, i take requests and talk about filthy things.
i also have a tumblr unseemlyndisturbed where you can send asks, i post teasers about my wips, write one shots and do lots of detailed character analysis.

Chapter 5: Sochi

Notes:

this chapter is ilya's own winter (shove it) that is to say, this chapter is inspired by My Own Summer by Deftones

assume that most of the dialogue in this chapter is russian, except for ilya's interactions with shane. i still use specific russian phrasing once or twice for sexy effect. forgive me.

this chapter exhausted me to write. ilya's emotional logic is genuinely tiring to live inside because it's so airtight. so internally consistent. so completely, catastrophically wrong in ways he cannot see and you can.

in the show we never got this moment, sochi, we saw the gala, we saw grigori, we saw the hints of it through shane's perspective knowing something was wrong but not knowing what, watching ilya from the outside and seeing only the surface of him. which is all anyone ever gets, at first, which i liked but i wanted to go inside haha.

i don't know if you'll empathise with him by the end of this. i hope you at least understand him. i hope you get so caught up in his logic that you forget, briefly, that it's wrong. because that's what it's like, that's exactly what it's like.

at this point i'm basically rewriting the whole book pft, which is fine.

vegas is coming.

(See the end of the chapter for more notes.)

Chapter Text

February 2014 

The elevator still didn't work. It hadn't worked when Ilya left at seventeen, and apparently, the building had decided that was fine, that this was simply how things were and would continue to be. He took the stairs with his suitcase in hand, his footsteps landing loud on the concrete, each one announcing him a little further ahead of himself.

He didn't knock. Knocking would imply a distance that his father would find insulting, would transform into an accusation before the door was even open—you knock now, like a stranger? He pressed the handle and let himself in.

The door opened, and the smell hit him so fast it felt physical.

Not bad, exactly, and not one thing; it had layers. Damp wool, dust caught in the radiator heat, the faint medicinal sting of old detergent. And under all of it, deep as a bruise, the sweet rotten ghost of spilled vodka living in the couch cushions where no sobriety could ever reach. His father had supposedly been sober for five years. The apartment had not.

Ilya stood in the entryway with his bag hanging from one hand and let the air settle on his skin. It was too warm inside, stuffy; he didn’t miss it. The buildings he frequented were not warm like this in America. This was the kind of heat that sat on the walls and made the windows sweat in winter. He could feel it gathering under the collar of his coat already, thick and stale against the back of his neck.

His eyes caught on the hallway wall before he could stop them.

The wallpaper was more yellow than he remembered, or maybe everything else had just faded harder around it. A rectangle sat on the wall like exposed bone. Slightly cleaner, slightly less dead, maybe. There was a nail hole above it and the faint shape of old adhesive underneath, like something taken down carefully and never replaced.

His mother had been there.

No, it wasn’t her. It was paper and glass. Four people arranged into a family because someone had barked at them to stand close together and smile. Still, his chest pulled tight anyway, that stupid old reflex, quick and mean. He saw the curls first, always, the bright shape of them, then melting into the cold bathroom tile under his knees. The vomit seeping through his fingers, the wet drag of her hair against his wrist, peace on her face so complete.

He looked away too hard, like the wall had burned him.

From the kitchen came the sound of water running, and beneath it, low and tuneless, a woman humming something he didn't recognize. The new wife moved around in there quietly, with the confidence that only came with being young and stupid and quite happy about it. Polina. He knew almost nothing about her except the little humiliations of repetition: her short dresses, her weak tea, her dish towels folded into thirds. She had placed a ceramic cow in the sitting room windowsill, and every time he looked at it, he wanted to crush it in his fist.

The apartment smelled exactly the same as when he was fifteen and coming home from the rink, all sweat and bruises and hunger, praying his father was in a good mood. The same trapped air, same stupid fucking damp carpet. The same feeling that the walls had been breathing the same breath for thirty years, and now wanted to push it into him.

You came straight from Boston, he reminded himself. Fourteen hours of airports and recycled airplane air and a taxi from Sheremetyevo with a driver who talked too much. Your bag is still in your hand. You are twenty-two years old. You do not live here.

His body did not care.

A chair scraped in the next room.

His spine lengthened, his jaw set, his shoulders drew back into a posture he had not consciously chosen, some ancient choreography of boyhood: be still, be agreeable, do not come in hot, do not let him smell resistance on you. That sound could still do it to him; it was humiliating. He was being humiliated.

"You are finally here."

Grigori Rozanov appeared in the doorway to the sitting room and, as always, was smaller than the version memory made of him. Short. Thick through the middle now. Bald scalp shining under the overhead light. His knees bothered him; Ilya could see it in the careful way he planted his feet, though his father would rather bite off his own tongue than admit weakness. Age had rounded the shoulders slightly, had thinned the hair to nothing across the crown. But the eyes were unchanged. Pale and flat and measuring, moving over Ilya’s face.

He looked at Ilya once, from boots to face, and managed to make it feel like an indictment.

"Papa," Ilya said.

“You have been in Russia for a week,” Grigori said. “And you do not come see your father.”

The words slid under Ilya’s skin exactly where they were meant to.

He almost said I came as fast as I could. Almost said I had press, training, federation obligations, flights, fucking protocols, Papa, Jesus Christ. I didn’t have to come at all; I could have gone straight to Sochi. The defense rose hot and quick and childish in his throat. He swallowed it before it could disgrace him.

“No, sir,” he said, keeping his voice level. “I came here straight from Boston.”

Grigori made a low sound in his throat.

Behind him, in the kitchen doorway, the wife hovered for half a second with a dish towel in her hands. She gave Ilya a small polite smile, uncertain around the edges. He nodded back because he was not an animal; it was not her fault she married an idiot. Or maybe it was, and Ilya couldn’t blame her for it, because his mama had also chosen that idiot once.

Then she disappeared again, and it was just the two of them, which was somehow always lonelier than being alone.

Grigori turned and went back into the sitting room without inviting him in, because he never had to. Ilya followed, leaving his suitcase in the hallway, heat collecting between his shoulder blades.

The room had not changed. It almost offended him how little it had changed. It was kind of insinuating he didn’t matter at all. His presence didn’t make this place better or worse. Fuck this.

The same dark red carpet. The same cabinet with the crystal glasses that no one used. The same television stand with the veneer lifting in one corner. His father’s chair was by the window, because of course it was by the window. The whole room was preserved under amber, every object exactly where it had been when Ilya was young enough to sit on that couch and have his feet miss the floor.

He sat there now because there was nowhere else to sit.

The cushions gave under his weight at once, too soft in the middle, the tired springs shifting under him with a groan that went straight into his teeth. His body remembered that, too.

He needed to get out of here fast.

Not because anything had happened yet. Because it would. It always did, even when nobody raised a hand. This apartment could do it without help. Ten minutes here and he was already back in the old weather of himself; he wanted to drink, he wanted a line or two, he wanted sex, he wanted to wait for tone, for pressure, for the small atmospheric shift before a storm.

Outside, Moscow had already gone dark in that winter way, sudden and complete, the window reflecting the room back at them. A streetlight glowed through the glass, dirty gold.

"How are you?" Ilya asked.

"I am fine." His father waved his hand absently. "We are not here to discuss me. The minister is watching the tournament carefully."

Ilya said nothing. He knew better; this wasn’t the end of his ramblings. The whole of Russia was watching, everybody was watching, the whole world, obviously, and it was on him not to be an embarrassment.

“The whole of Russia is watching, in fact, everybody is watching,” his father continued. “Not only him.”

Bingo, there it was. Not pride, or at least, not for Russia. Not only have you made it this far, but your mother would have wanted to see this, or even the country is proud of you. Just the tribunal, always the tribunal. Always the invisible room full of men in dark wool coats still sitting somewhere just offstage, observing, taking notes, deciding what a son’s body was worth if properly used.

Grigori folded his hands over one knee. Ilya hated that too, the resemblance there. The broad knuckles. The thick wrists. His own hands lying at the ends of his arms, carrying his father’s dying legacy.

"Vetrov will be at the opening ceremony." His father's pale eyes held his, assessing the appropriate degree of comprehension registering behind them. "He has spoken about this team personally. About you, specifically." A pause. "He has expectations."

Sergei Vetrov, Minister of Interior, former Soviet goaltender, Svetlana's father, King of all Kings, everything his father wasn’t, and his fucking prison warden, seemingly.

“And Vetrov’s daughter, when was the last time you spoke to her?” Grigori interrupted his thoughts, rudely. “Is she not in Boston?”

“Yes, Papa. We have spoken recently, of course.”

“She is her father’s eyes and ears, whether she means to be or not.”

That almost made him smile. Svetlana is her own eyes and ears, he wanted to say. And her own mouth, unfortunately for everyone. But his father was not entirely wrong.

Grigori kept talking, fumbling over his words, repeating himself. Scheduling, appearances, which outlets mattered, which interviews could not be slighted. The significance of home ice, home cameras, home humiliation if they failed. For great Russia, for beautiful Russia, for his empty wallet, but not for his mother, no. His voice went on and on, steady as dripping water, and Ilya let it cover him.

He nodded where needed. He said, “Da.” He said, “Of course.”

Under the table, out of his father's line of sight, Ilya slipped his hand into his pocket to thumb at his phone.

It was a useless gesture; the screen was black, and there was no new message. The last thing sitting in that thread was 62 days old and was short and flat, with no room in it for softness to crawl inside and twist: “Don’t text me again.”

He ran his thumb over the hard edge of the case anyway. It burned like a live coal against his thigh; no, it haunted him.

He hated that it had followed him here. Hated even more that this apartment made him want it worse.

Shane, Shane, Shane.

The name didn’t even feel like language anymore. It was a heavy, frantic rhythm rattling against his own ribs, demanding blood. The apartment was so dead, the air trapped and sediment-thick, but Shane was so warm. Ilya’s jaw clenched. He thought of that frantic heat. Prying Shane open—breaking through that rigid, terrified shell to get to the desperate, yielding center of him—it felt like a proof of life.

Somehow, it was proof that Ilya wasn’t dead here. Not yet.

It was proof that the suffocating machinery of Russia hadn’t dragged him all the way down into the dirt yet. As long as Shane was bleeding for him, as long as Shane was ruined for anyone else, as long as he could tower over him and shove him on the ice and spit on him and be in him.

His father was still speaking. Russia needs this. Russia expects this. A captain carries this. A man does not embarrass—

Yes, yes. Fine, alright.

Ilya dug his thumb into the phone so hard the plastic creaked. If he could just get his hands on him. Just for a minute. If he could drag him into a dark room and press his mouth to the frantic, hammering pulse at Shane's neck. Pin him down until the thrashing stopped and the surrender started. He needed to breathe in that clean, annoying, painfully basic cologne mixed with the sharp, honest tang of his sweat. He needed to press his teeth into the soft flesh there, rip open his jugular; he needed the clean red dripping from his lips. Needed it, needed it to run over his gold medal. 

"Are you listening?" Grigori’s voice cracked across the room like a stick breaking.

Ilya blinked, the white-hot vision of Shane's throat vanishing back into the dark red carpet. He slowly pulled his hand out of his pocket and placed it flat on his knee.

"Yes, Papa," Ilya said, his voice perfectly smooth. "I am listening."

 


 

The taxi smelled like pine air freshener and someone else's cigarettes, the cardboard tree swinging from the rearview in slow arcs as the driver took the coastal road too fast. Outside, the Black Sea slid past, flat and pewter-grey under February cloud, the Caucasus rising dark behind it. Palm trees. Ilya hated the palm trees. Sochi had them, absurdly, lining the road in from Adler like a joke someone had forgotten to finish. The Olympics in the subtropics. Great Russia, beautiful Russia. He watched one lean in the salt wind and looked away.

His bag was wedged between his feet, the cab too small for his legs, knees angled awkward into the back of the seat. The driver had tried conversation twice. He had not tried a third time.

Ilya's phone buzzed against his thigh.

Svetlana Vetrova calling…

He let it ring once. Then pressed accept, because the alternative was silence, and the cycling of the voices in his head. 

“Sveta.”

“You’re alive, I wasn’t sure.” Her voice hummed through the earpiece– warm, sarcastic, and laced with this sultry energy she had at all hours of the day, which was somehow always the energy of someone after one glass of wine. He could hear Moscow in the background, the low hum of it. “I’ve been calling since yesterday. How are you? How is he? Did you walk out with all your limbs still intact?”

“So many questions.” The corner of his mouth pulled, involuntarily. “Papa is fine. The wife is fine. She hummed something stupid in the kitchen,” he said. “For forty minutes.”

Svetlana's laugh was quick and delighted. God, she was such an asshole. She was perfect. “Beautiful. Perfect. God, she's hopeless. You should have called me, I would have talked you through it. Did Grigori do the whole—" she dropped her voice into a bass register that wasn't even close to accurate, "—'Russia is watching, the minister is watching, the ghost of the Soviet Union is watching'—"

“He was drooling over your handsome Papa, yes.”

“Of course he was. Papa sends his regards, which you know means: don't embarrass him in front of the cameras and try to smile like a human person and not a taxidermied wolf."

“Great,” Ilya said. “Tell him thank you. Tell him I want a 20ft statue erected in the Red Square of me fucking his wife whilst biting my gold medal.” 

“Yes, yes, I'll tell him you're focused and professional and not a disaster waiting to happen." A beat. "Are you in Sochi yet? What's it like? The biathlon girls are saying the village food is—"

"Still in taxi," he said. "Twenty minutes maybe."

The driver took a curve, palm trees flicking past in the periphery, the sea grey and wide. Ilya shifted his knee against the seat and let his hand drift to his pocket. The thread was still there. 62 days. 62, very funny. It seemed like he was always 62 seconds away from smashing the damn thing. 

He opened it.

The number of days had stopped meaning anything— it was past the threshold of meaning, had become purely physical, a weight in his chest like swallowed lead that he'd gotten so used to he only noticed it when he breathed. 

Wow, you are boring, so boring.

Delete.

Svetlana was saying something about the opening ceremony, logistics, where she'd be sitting, and whether Ilya could get her into the athletes' lounge. He probably could, and it would probably be nice, having Svetlana on his arm, catching even more attention than he usually did. Which was a lot, of course.

I know you miss me. 

Delete. He pressed his thumb into the phone case hard enough to whiten the pad.

"—and Lena's asking about you, by the way, she’s how I know the rest of the  biathlon—"

I know you need me. Delete.

"I don't know a Lena, what kind of name is that anyway?" Ilya said, not listening.

“You’d like her. She has these big brown eyes. A little feral.”

Aw, are you still throwing tantrum?

He stared at it. Deleted it. Outside, the road tightened, the mountains shouldering in closer on the left, the sea opening wider on the right.

“Ilyashu.”

“Da.”

How many times have you thought about me? Delete.

"You've gone somewhere, what are you doing on your phone?"

How many times have you thought about me holding you down?

“I’m not on my phone, I don’t know what you’re talking about.” His eyes dashed across the screen, his jaw tightened.

"Are you texting your Jane?" Her voice had shifted, not sharp, just quieter, the teasing edge sanded down to something more like attention. He knew that tone. Svetlana had approximately four voices: performing, laughing, furious, and this one. This one meant she was actually looking at him, even from eight hundred kilometers away.

His thumb went still on the screen. Kotenok, where are you? Half-formed, already dead.

"What Jane? I don’t know Jane. You keep bringing up these random women. I don’t know any of them. Maybe I have fucked a Jane once, who cares?" he said.

"Don't," she said pleasantly. "You have a Jane. You've had a Jane for—I don't know, two years? More? You think I don’t notice when you huff and puff like this, when you don’t get your way, versus when you do— anyway. Is she in Sochi?"

“Sveta, stop with your conspir–” 

"You're such a bad liar." Fond. Exasperated. Filled with the affection of someone who has decided to find his lying more amusing than exhausting, at least today. "I'm not even upset, I just want to know. What's her name? What does she play? Is she Russian? I doubt that, because you were texting her in Boston too—"

"She's not—" he stopped himself. Jaw shut. "Who even cares about Jane."

Who even cares about Jane. 

Silence on her end. Then: "Okay."

The taxi rounded a bend, and the Olympic complex came into view, a cluster of shining blocks on the hillside, flags whipping stiff in the coastal wind. Russia's was enormous, naturally. He stared at it.

Are you ready to go home with bronze?

He hit send before he could think about it. It was safe territory. The one language that had never cost him anything, that could carry want and rage and the desperate howl of missing someone (he didn’t miss him) and make it look like competitive trash. He watched the blue ticks appear immediately. Read. No reply.

"I'm going to find out who she is eventually," Svetlana said conversationally.

“Yes, maybe. But first, you are going to find out how Russia wins gold, and how I managed to use up all the condoms in the Olympic village,” Ilya scoffed, running his tongue along his bottom teeth. On read, really? “That’s what you’re going to find out.”

"Very smooth, very deflecting. Are you—"

“Svetlana.” His voice came out sharper than he intended. The no-reply sat on the screen like a crack. He locked the phone and shoved it back in his pocket and stared out the window at the flags snapping in the wind, the palm trees leaning, the sea. "I have to go. Taxi is arriving."

He could feel her recalibrating on the other end, she'd noticed the snap and was deciding whether to call him on it or let it go. She let it go. Because, although she was Svetlana, he was her favourite, so she was occasionally merciful.

"Fine, fine. Call me tonight. Don't let Papa's people put you next to the hockey federation guy at the gala; he breathes through his mouth."

"Yes, yes, get out," he said, and ended the call.

The taxi slowed at the checkpoint. A volunteer in a too-large puffer jacket bent to the window, checked his credentials, waved them through. Ilya picked up his bag. He did not pick up his phone. He stared out at the complex, the flags, the mountains going white in the distance.

No reply.

No reply, but an instant read, because Shane was stupid and very bad at pretending not to care. So Shane wasn’t fine, whatever, he was fine. He was twenty-two years old, and he was captain, and Russia was watching, and the gold was fourteen days away, and he was completely absolutely fine.

He got out of the car.

 


 

The team lounge was in the basement of the Russian block, a long, aggressively lit room that smelled of new carpet glue and whatever meat the cafeteria had boiled for lunch. It was supposed to be a place for cohesion, a sanctuary; instead, it felt like a waiting room for strangers.

Ilya walked in, his heavy winter coat swapped for the federation track jacket, the 'C' stitched thick over his heart. 

There were twenty-four men in the room, and none of them were looking at each other. The KHL guys were clustered by the televisions, talking in low, rapid bursts. The NHL guys were scattered on the couches, mostly looking at their phones. A few of the younger kids, the ones who had barely scraped the roster, were hovering near the snack table, trying to take up as little space as possible.

In Boston, a room like this would have a center of gravity. Ilya would walk in, and the room would instantly tilt toward him. He would chirp, slap a shoulder, read the temperature of the room in three seconds flat, and dial it exactly where it needed to be. He was a fucking anchor. He commanded the weather. 

But when he walked in, the room didn’t even ripple. 

He moved toward the large circular table in the center of the room. He didn’t hesitate. He pulled out the middle chair—the one facing the door, the one that meant attention—and dropped into it. The scrape of the metal legs against the tile was loud.

A few heads turned. Most didn’t.

"Alright," Ilya said. His voice was pitched perfectly. Not a yell, but heavy enough to carry. "Everyone. Over here."

It wasn't instant. In Boston, it would have been instant. There was a drag of three, four, five seconds while the KHL guys finished their sentence, while the NHL guys locked their phones and slid them into their pockets with deliberate slowness. The younger guys moved first, practically sprinting to the table, which only made the older guys look even slower by comparison.

Eventually, they gathered. Some sat. Some leaned against the walls. The air in the room was fractured, sharp with fifty different anxieties, egos, and jet lags grinding against each other.

And then there was Vadim.

Vadim Vadilevich was thirty-four years old. He had been the starting goaltender for the national team since Ilya was a teenager. He was built like a brick wall and had the emotional affect of one, too. He had played in two Olympics before this. 

Vadim didn't come to the table. He stayed seated on the leather couch, one ankle resting on the opposite knee, idly picking at a loose thread on his federation sweatpants.

Ilya watched him for a second. The silence in the room stretched, thin and brittle.

Don't snap, Ilya told himself, his jaw locking. Don't show them you care.

“I heard the ice is soft, like skating on wet napkin,” one of the KHL guys said, interrupting the silence.

“They said that yesterday.”

“So they’ll fix it before the second game.”

A few people laughed, and Ilya scoffed and cleared his throat. 

"First practice is at four," Ilya started, looking around the table, projecting the easy, unshakable authority he was supposed to have. “And yes, the ice is soft like a wet napkin in the corners at the Bolshoy, so we need to—"

"Coach said four-thirty," a voice interrupted. Ilya stopped, and he looked over. It was Vadim.

The goalie hadn't looked up. He was still picking at his sweatpants, his voice casual. Bored. The kind of tone you use to correct a waiter who brought you the wrong drink.

"Schedule says four," Ilya said, keeping his voice dangerously level.

“Coach told me four-thirty," Vadim repeated, finally flicking his eyes up. They were dark, flat, entirely unbothered. "Maybe they didn't copy you on the email, Rozanov."

Rozanov. Not captain. Just the surname, tossed across the room like a scrap of trash. The room went entirely still. The younger guys stared at the table. The older guys watched Vadim, then watched Ilya, waiting to see how the kid with the 'C' would handle the veteran.

It wasn't an open challenge. If Vadim had yelled, Ilya could have yelled back. If Vadim had insulted him, Ilya could have crushed him. But this? This was like a thousand tiny cuts. It was Vadim letting the entire room know that the 'C' was a political stunt, that Ilya was a kid playing dress-up, and that the real authority in the room hadn't shifted an inch. 

The heat rushed to Ilya’s face, a sudden, violent spike of adrenaline. He wanted to stand up. He wanted to cross the room, grab Vadim by the collar of his stupid track jacket, and slam him against the drywall until his teeth rattled. He wanted to make him bleed. He wanted to dig into his brain and find the respect inside. He wanted to pull his dick out and piss all over Vadim’s bloated corpse.

He needs to be fucked, you need to stick your dick in his mouth and fuck it, a dark, familiar voice whispered in his head, entirely unbidden, the wires crossing violently. He would respect you then, would also knock him out. Real good. 

Ilya swallowed hard, his throat dry as chalk. His hand, resting on the table, twitched. He curled it into a fist, pressing the knuckles hard into the laminate to hide the tremor.

"Four," Ilya said, his voice dropping into a register that was quiet, cold, and entirely dead. "We are on the ice at four. If you want to stretch by yourself for thirty minutes, Vadilevich, you can do it in the hallway."

Vadim stared at him for a long moment. Then, very slowly, he let out a short, breathy chuckle. "Sure," Vadim said, looking back down at his sweatpants. "Whatever you say."

Ilya’s stomach turned over. He looked around the table. The fractured room had not coalesced. They weren't looking at him with respect or fear or even anger. It was like he was nothing, like he was just another piece of old furniture in the room. Like he was being ignored.

No reply, but an instant read.

He was twenty-two. He was the captain of the Russian Olympic team. And he had absolutely nothing under his control.

 


 

The Latvian bench exploded. Players crushed together in hugs, sticks banged against the glass, their captain hoisted the goalie onto his shoulders like a conquering hero. On the Russian side, there was only silence. Vadim ripped off his mask, his face flushed red, eyes flat and empty. No one looked at Ilya.

Latvia.

Latvia.

The word kept arriving and kept not making sense, like a number that wouldn't divide cleanly no matter how many times he ran it. Latvia. He turned it over. He turned it over again. The ice was a white scream under the arena lights, the final buzzer a guillotine blade severing Russia's throat.  The puck had slithered past Vadim's glove like wet soap, a nothing shot from the slot, the kind Ilya would have blocked blindfolded in Boston. The kind that wouldn't have happened if the passes had connected, if the team had been a team. Latvia. Ilya repeated it until it was just air moving through his teeth, just nothing. 

Ilya skated off last, his legs burning concrete-heavy, the rubber mats of the tunnel sucking at his skates like tar. The corridor stretched infinitely— fluorescents buzzing viciously overhead.  Ilya was walking through it, and his skates were still on, and the sound of the crowd above was a pressure rather than a noise now, a low structural hum that he could feel in his back teeth and his sternum and the base of his skull. 

The walls were scuffed grey-blue, lockers lining one side like silent witnesses. His breath came in short, ragged pulls, fogging his visor until he could barely see. Sweat trickled cold down his spine, pads chafing raw at his shoulders and groin, but he couldn't feel it. The world funneled narrow, edges greying, sounds muffling like he was underwater.

Someone said his name.

He kept walking.

Someone said it again, closer, a hand finding his shoulder, and Ilya looked down at the hand as it appeared on his skin without explanation, curious, briefly, before looking away. The hand dropped. He kept walking.

The locker room door. Not the locker room. He didn't want the locker room, didn't want the faces, didn't want to perform whatever expression was expected of a captain who had just lost to Latvia on home soil in front of the entire watching world, in front of Vetrov, in front of his father somewhere in that building, in front of Russia, great beautiful Russia, so proud, so watching, so utterly and completely—

Players Only - Bathrooms. The steel door loomed ahead. The handle was ice-cold under his glove. He shoved it open, hinges groaning low and heavy. 

The air inside hit him—sharp bleach undercut with old urine and rubber.

He lurched to the right. His skates on the tile were enormously loud, each step a flat metallic crack that came back at him from the walls. The stall doors blurred past, and he took the farthest one, number 7, paint chipped at knee height. He shouldered the door open. It banged against the frame, and he turned the lock.

The lock clicked, and something in his chest clicked with it, some last tether pulling free, and Ilya put his back against the cold metal door and let himself slide down it until he hit the floor.

The tile was freezing through his uniform. He could feel it through his pads, through the layers, this deep cold coming up through the floor and into his tailbone, and he focused on it, tried to stay inside it, tried to let it be the only thing. The fluorescent light buzzed. Someone had written something on the inside of the stall door in black marker, but he couldn't make out what. The letters kept sliding sideways when he tried to read them.

Latvia. Ha! Latvia. The puck had gone in, and the sound had been—

He pressed the heels of his palms into his eye sockets. Static bloomed, red and orange and violent behind his eyelids, the pressure almost good, almost enough. His breathing was wrong. He could hear it from a distance, too fast, too shallow, the sound of a man running in place, going nowhere, burning everything.

Grigori was in that building. Somewhere above him right now, in the stands or in some federation box with good seats, and had been watching, watching, watching, watching.

Ilya's jaw locked. He dragged his glove across the visor, smearing streaks in the fog. He ripped it off, tossing it aside next to the stained porcelain. 

Shane was sixty-two days gone.

The thought arrived without him inviting it, the way it always arrived, sideways, through a door he kept thinking he'd locked. Sixty-two days since the condo, since the stairs, since Shane had sat with his hood up and said this can never happen again, like he was already doing the math. Sixty-two days of nothing. The thread sitting open and read, and the last thing in it his own message— Are you ready to go home with bronze— sitting there unanswered for a week now, a chirp thrown into a void, bouncing back at him off the walls of the absence.

No reply, but an instant read. 

His phone was in his hand. He didn't remember going to get it. He looked at it the way he'd looked at the hand on his shoulder— briefly, from a distance. His thumb was already moving, already navigating somewhere, the muscle memory of sixty-two days of opening and closing the same thread without sending anything, except his thumb wasn't stopping this time. It was going somewhere else. His photos. The hidden album. The folder he had never named, had never needed to name.

He watched himself open it.

The first one Shane had sent himself, not from Ilya asking, not from Ilya pushing. Shane, alone in his bathroom at 2:47 AM on a Tuesday, arranging his own phone against the cabinet and getting on his knees and taking it for him. Face tipped up toward the lens, mouth soft and open, eyes wet at the corners. Cracked open and present in a way Ilya had never once managed to get from him in public, in daylight, in any room with another person in it. Delete that, Shane had said, immediately, the message arriving before Ilya had even finished looking. Already gone, Ilya had said.

Sent.

The white sheets one. Montreal, Shane's own bed, the lamp throwing everything gold. His hand wrapped around himself, grip tight enough to show knuckle, his cock flushed and leaking against his stomach, his face carefully out of frame because Shane had thought that made it safe, had thought that not showing his face meant it wasn't really him, wasn't really this, wasn't really something that could be used. 

Sent.

A video. Forty-three seconds of Shane from the nose down, freckles, soft mouth, the working of his jaw, fucking his own throat with the purple dildo, the sound of his breathing filling the whole forty-three seconds, and at 0:31 that small, helpless noise from the back of his throat that Shane definitely hadn't meant to make and definitely hadn't meant to send and had immediately followed with okay you need to delete that one RIGHT NOW in all caps, which Ilya had found very funny.

Sent.

The bathroom at the condo. Shane on his knees, the timer on his phone screen counting down behind him, his face a mess of concentration and want and that color, that crawling flush that started somewhere below his collarbone and climbed all the way to the tips of his ears, and he'd been so focused on beating the clock that he left it in the chat long enough for Ilya to download it. 

Sent.

Sent, sent, sent, sent. Fifteen files. The gallery scrolled endlessly: the October phone sex audio with Shane's unmistakable gasp, the one mid-arch, eyes rolled back. 

The last one.

Ilya's thumb stopped.

He'd taken this one himself. One-handed, in the dark. Shane face-down on the bed with his wrists locked behind his back, the cuffs catching what little light came through from the hall, his face turned sideways into the sheets with his lips parted, and his cheek flushed and his eyes already somewhere soft and distant and gone. The long pale line of his spine. The back of his neck, exposed, defenceless, the fine dark hair curling slightly at the nape with the heat of the room. Shane had heard the shutter; his displeasure was muffled into the mattress, that soft wrecked sound, and Ilya had pressed his mouth to the back of his neck and said tikhо, kotenok, and Shane had gone still and melted and had probably, afterward, decided it was deleted. Had needed it to be deleted. Had built something on the assumption that it was deleted.

Ilya looked at it. The fluorescent light buzzed, the tile bit cold through his uniform. He sent it. He put the phone face down on his thigh.

The silence in the stall was absolute. He could hear his own breathing, still too fast, still wrong, but slowing now, incrementally, the way a spinning top slowed— not stopping, just finding a new, lower register of chaos. He stared at the marker writing on the stall door, the letters still sliding but slower now.

His phone buzzed. Once. Twice. Then a longer vibration — a call, two rings, cutting off. Shane picking up the phone and putting it back down. Shane's brain doing that thing it did, that frantic, looping recalculation, running the numbers, finding no safe exit.

Then the screen lit up against his thigh.

contact name: Jane

received:

What the fuck is wrong with you.

status: read

He sat on the floor of a Sochi bathroom stall with his skates still on and Latvia still fresh and his father still somewhere in the building, and he read Shane Hollander's message and felt something in his chest go very, very quiet. It wasn’t better; he wasn’t fixed, not even close to either of those things. It was like a small light at the end of his tunnel, like a signal cutting through static. His hand fumbled and found a wall in the dark.

A laugh hacked out of him—short and jagged, bouncing off the porcelain. His helmet clattered to the tile. The pads thudded as his knees folded, curling chest-to-knees in the filth. His forehead pressed to the cold tile. The world narrowed to his pulse, his phone on the floor, and Shane.

He could work with what the fuck is wrong with you.

He could work with anything, as long as Shane was there to give it. 

 




The treadmill had been at maximum incline for forty minutes.

Ilya knew this because the display said so, the red numbers ticking upward in the corner of the screen, and because his quads were on fire in that clean way that meant he had gone past the point of comfort and through it and out the other side into something that felt almost religious. His lungs were burning. His shins were still bruised from the ice– no. From the check– From the– 

He ran faster. 

The gym was empty at this hour. 3 AM, 5 AM, whatever the clock said when his eyes opened, and the ceiling of his room became unbearable. He had lived here since his loss to Latvia. He had slept for 30 minutes, but it felt less like sleep and more like his body staging a brief, ungrateful revolt before he dragged it back upright. He had not gone out, he had not called Svetlana back. He had not found a girl or a boy or a line that would have taken the edge off for forty minutes before depositing him back exactly where he started, emptier and colder and further from himself than before.

He used to do that. After a bad loss, after a bad game, after one of Grigori's phone calls that left him feeling like something scraped off the bottom of a boot— he would find the nearest exit from his own skull and take it. Fast. Efficient. No pride in the method, just the result: thirty minutes of not being Ilya Rozanov, of being nobody, of the noise going flat and the weight lifting and merciful blankness in his mind. 

He hadn't done that this time.

He ran harder, the belt screaming under his feet, the incline tilting the world forward until his body was at an angle that felt like argument, like insistence, like I am still here, I am still here, I am still— His phone was in his left hand.

He had been holding it for forty minutes. His grip had gone white at the knuckles somewhere around the thirty-minute mark, and he hadn't loosened it. The screen kept lighting up. He kept reading.

contact name: Jane

note:

23:40

received:

Are you actually threatening me right now

status: delivered

note:

1:12

received:

Ilya, delete them.

status: delivered

note:

02:19

received:

Do you think this is funny?

status: delivered

note:

02:31

received:

Delete them.

status: delivered

received:

I swear to fucking god Rozanov if you don't respond to me right now I will

status: delivered

received:

typing indicator...

The ellipsis had appeared and disappeared four times on that last one before Shane had apparently decided he didn't know how to finish the sentence. Because there was nothing to finish it with. Because they both knew there was nothing Shane could do, no lever he could pull, no threat he could make that had any teeth, and Shane knew that Ilya knew that, and the knowledge of it was eating him alive somewhere in whatever room he was sitting in right now, Canada's golden boy with his phone in both hands and his Olympics still pending and his whole carefully constructed life sitting one leaked photo away from a very different kind of headline.

Ilya read it again.

Then the silence. Two hours and fourteen minutes of it, the thread going dark, Shane presumably putting the phone face-down and staring at the ceiling and trying to talk himself back from the edge. Ilya had watched the silence in real time, running, the absence of the ellipsis somehow louder than the messages had been.

And then:

A wall of text. Ilya had read it six times now, maybe seven, the words blurring slightly at the edges from the sweat dripping off his forehead onto the screen, and every time he read it he found something new in it, some new layer of Shane Hollander trying to be reasonable, trying to be measured, trying to appeal to the part of Ilya that was rational.

note:

04:58

received:

I’m sorry I went quiet the last month. I know that wasn’t fair. And now I know you lost, and I cannot imagine what that feels like losing there  in front of everyone. And I should have texted you right after and I didn’t. I am sorry.

Ilya's pace didn't change. His face didn't change. He read it.

received:

But Ilya, you have to understand what’s at stake here. Not just for me, my parents, my team. We’re in the quarter finals do you understand that so we are 4 days away from a medal game and if any of this. My parents my teammates have families Ilya and none of them did anything and they would all

The incline ticked up another degree. Ilya hadn't touched the controls.

received:

I know you wuodun’t. I know ur not I know this isn’t actually a threat i know you i know you wouldn’t do that. I just need to hear you say ti. I justy need you to pickm upt the phone so i can hear your voice and understand what’s happenrign because i don’t understand what’s happening and im scared asnd i hate that im tellgin you thasbt buyt i dont know who else 

Pls just pick upmpls

Ilya read it an eighth time.

The burning in his legs had gone somewhere else, somewhere deeper, had become less pain and more a vibration that ran from the soles of his feet up through his spine and into the base of his skull. His breathing had found a rhythm that had nothing to do with the treadmill pace and everything to do with the clean clarity that arrived sometimes in the middle of a very hard skate, when the body had burned through every available complaint and what was left was just motion. Just forward. Just the next stride and the one after that.

He thought about the bathroom floor in Sochi. The tile cold through his uniform, the fluorescent buzz, the letters sliding on the stall door. He thought about Chesnokov's flat eyes, saying Rozanov like it was a weather report. He thought about the pale rectangle on his father's wall, the nail hole filled with wrong-colored putty, and Grigori in his armchair saying gold with no inflection, no warmth, as if Ilya's body and talent were a resource to be managed and a ledger to be settled and nothing more, had never been more, would never—

He ran.

He ran because his mother– No, he ran because he had spent the next ten years learning to be hard enough to survive in the space she'd vacated, and his father had looked at that hardness and seen something useful and started grinding it into a shape that fit the holes in Grigori's own life, and Russia had taken that shape and put a 'C' on it and pointed it at a scoreboard and said perform.

And he had performed. He had been performing for years, in rinks and locker rooms and federation banquet halls and his father's living room, had been performing Ilya Rozanov— loud, magnetic, unassailable, the best in every room— had been performing it so long and so completely that sometimes he couldn't find the seam between the performance and the person underneath. But Shane found it.

The treadmill screamed under his feet.

Ilya ran.

He ran up the mountain that Grigori had been trying to push him down since he was old enough to disappoint him. He ran out of the bathroom floor, out of the stall, out of the tunnel, out of Latvia. He ran through the grinding machinery of Russia's expectations and Vetrov's eyes and Chesnokov's flat, dismissive Rozanov like a man plowing through a wall he'd been told was load-bearing and finding out it was plaster. He ran because his legs remembered how to do this even when the rest of him forgot. He ran because Shane had texted back.

He was going to win the Cup.

He was going to win it, and he was going to do it for Boston, not Russia, with his team, in front of every camera pointed at him, and it was going to have nothing to do with Latvia or Grigori or Vetrov or the ghost of– He was going to win it because he was Ilya Rozanov and he was twenty-two years old and he had never once in his life met a locked door he couldn't open.

His reflection materialized in the dark glass of the gym window.

He looked terrible. Soaked through, chest heaving, hair plastered flat, the purple bruising still faint on his shins from the— from the check. He was smiling despite that.

Not a performance smile, not the one he gave cameras and reporters and pretty girls at galas. Something else. Something that had come up from somewhere without his permission, wide and a little unhinged and entirely genuine, shaking at the corners. He looked at it for a long moment.

Then he looked back down at his phone, at Shane's essay still glowing on the screen, at please just pick up sitting there, patient, sweet, and desperate. 

He kept running.

 




The upper tier was a shadowed aerie, one of those dead zones that existed in every large venue, the section too high and too peripheral to be worth filling, left dark and echoing while the actual crowd clustered below around the light and the ice. 

The arena bowl plunged dark below him, where figure skaters carved silk arcs under spotlights that bled gold onto the ice. The distant roar of the crowd hummed up through the concrete under his boots. 

His phone buzzed in his thigh pocket. He looked at it. 

Alexei: Where the hell are you? Dad is furious.

Ilya read it, his thumb hovered over delete, then he pocketed it. Below, a figure in blue was building into a combination spin, the rotation accelerating until the shape of the person dissolved into pure motion. The crowd noise swelled and faded. He leaned his elbows on the railing and fixed his gaze rinkward. 

"Rozanov. Hey."

He knew the voice before the first word was finished. He had been reading that voice off a screen for sixty-two days, and he would have known it in a burning building, in a blizzard, at the bottom of the ocean. He probably recognised the footsteps scraping against the aisle concrete, too.

Ilya glanced, and Shane stood there in a fuzzy Canadian team teddy, his hands jammed into his pockets. Ilya looked back to the ice. "Not here."

Shane shifted; his sneakers squeaked on the metal bleacher strip. "No, I'm not— Ilya." Exasperation cracked the word. Shane swallowed as if fighting off nausea; his Adam’s apple bobbed sharply along his neck. His pupils were blown wide in the low light,  concern flickered desperately underneath them. “I saw you up here. I wanted to see how you're doing."

Yes, surely, this had nothing to do with the photos; it was just concern. Right. Ilya said nothing. His hands were loose on the railing. Below, the skater landed something clean, and the crowd responded, a warm swell of sound that rose and dissipated. He stole another glance. Shane's brows were knitted in a deep furrow, his mouth twisted down like he had swallowed acid. Good, deserved

"Fine," Ilya said, his voice came out arctic and flat. "Go sit down."

Another pause. Longer. Shane was processing, deciding, running whatever math he was running. Ilya could feel him standing there, six feet back, close enough that his presence was registering in Ilya's peripheral nervous system, whether he wanted it to or not. 

Shane, who had written him an essay at five in the morning with his fingers shaking so badly that the autocorrect had given up. Shane, standing six feet away, being oh so diplomatic. Bless. 

Shane faltered; his step forward aborted halfway. His eyes darted from railing to ice to audience to sea of empty seats. The dark brown in his eyes fractured desperately till their irises were ringed with black. His straight lashes were clumped with sweat, maybe unshed tears. His cheeks flushed unevenly, freckles stood stark against the pallor."I wanted to know if we are ok—"

"We are not anything." He paused, let the pressurized air fill between the words. "Go away, Hollander."

Shane’s gaze dropped to the floor, then out onto the eyes, then back at Ilya, as if he were pleading with him, the ice and the rest of the world too. So it was tears, they prickled in the corners of his eyes now. Frustration carved lines around his mouth. He was beautiful. Ilya’s pulse steadied on it.

 “Are you okay?” Shane bit out sharply. 

"Please," Ilya said. "Go."

"You didn't answer my texts. Not the—the other ones don't matter, but the long one."

"No. I did not answer your boring text. Now will you go.” 

Shane’s brows dipped in a deep furrow; he stepped forward; six feet of electric space separated them now. It felt like the whole stadium went silent, amplifying it. The cameras lurked below, but Shane’s eyes locked on Ilya’s anyway. "Please, I just want to—"

"Go." A pause. "Hollander."

Each word was its own sentence. Each word was placed deliberately, to press against Shane’s anxiety like a bruise. 

Shane scoffed, his voice broken raw. He shook his head. "Fine. Fuck."

 


 

The room announced itself before Ilya fully entered it.

High ceilings, heavy drapes pooling on the parquet, furniture that had been expensive in another century and had spent the intervening decades making sure you knew it. The wallpaper was dark burgundy, a repeating pattern that seemed to absorb the chandelier light rather than reflect it, turning the whole room yellow and close. 

Grigori was standing at the dresser in full dress uniform.

The medals sat in their arranged rows across his chest, each one catching the light at a slightly different angle, a curated argument pinned to fabric. His father had always been a compact man, shorter than Ilya by several centimetres, broad through the chest, built low to the ground like something that didn't need height to be immovable — and the uniform compressed him further. He met Ilya's reflection in the mirror and looked at him for a long, flat moment before turning.

"You need a haircut," his father said.

Ilya's jaw tightened as he crossed the room to meet him. "Yes, sir."

Grigori turned to the decanter on the side table, unhurried, and poured two glasses; the amber liquid caught the chandelier light. He held one out without looking. "The minister still wants to meet you tonight," Grigori said. "Despite everything."

Ilya took the glass; he needed it, and frankly, the liquor was good, smooth, expensive. "It will be my honour."

It would not be his honour.

His father scoffed — not a laugh, something shorter and colder, expelled through the nose. He looked at Ilya over the rim of his own glass with that expression he had been decoding since childhood, the one that meant the assessment was already complete, and the verdict was already in. What followed was simply his sentencing.

"You should be honoured," his father said. "After yesterday. You lose to—" The word stopped. His eyes moved slightly left, sliding off the present moment toward something that wasn't in the room with them. A small crease appeared between his brows. He looked to the side, his glass held still halfway to his mouth, his sentence hanging open.

The silence stretched four seconds. Five.

"Latvia," Ilya said, looking down at his drink.

His father's eyes snapped back. He looked at Ilya as if he had been interrupted mid-thought, and not saved. "And yet he drinks." His voice had energy in it now, a high, tight pressing quality that stopped just short of raised and was worse for the restraint, his head moving in that small forward-back motion that had been appearing more frequently in the last year. "How could you let this happen. How are you not ashamed?"

Ilya met his father's gaze. "I am ashamed, Papa."

"Not nearly enough. They teach you no discipline in the American League. Your play is sloppy." He paused, letting the word sit. "The real shame is squandering the promise you showed when you were young."

Something flickered behind Ilya's brow. He shook his head, a small fractional motion, and tilted it slightly to the side. "I am a better player now than I have ever been." Factual. A thing he was prepared to stand behind. "Our goalie was struggling. The team didn't click."

"Click." His father's chin lifted. "What is this American nonsense, what is clicking." One thick finger pressed to the center of Ilya's chest. "You are the captain. You make them click." The finger dropped. His father's eyes moved down, finding something wrong, and landed on the bow tie. "Always looking for someone to blame." A beat. "Since you were a boy."

He stepped forward, closing the distance between them, and Ilya went still. Not stepped back, still. He wanted to, but his body had learned young that movement read as flinching and flinching read as weakness and weakness was the one thing in this room he could not afford. Ilya took the glass from him before it fell, and Grigori’s thick fingers found the bow tie to work at. 

Ilya looked at his father's eyes.

Up close, this close, with the chandelier throwing everything gold and the room pressing in warm and close around them, there was something in them he had been watching accumulate for months. A lag. A slight imprecision in the focus, a quality of the gaze that moved a half-second behind the moment. It came and went. His father would not acknowledge it. Alexei would not acknowledge it. Polina, in Moscow, was presumably humming something tuneless in a kitchen and not acknowledging it either.

"Who tied this for you?" Grigori muttered, his fingers still moving against the silk, pulling the knot apart and rebuilding it with small, precise tugs. "Your mama. She doesn’t know how to do this properly."

"No, father." He kept his voice even, kept his eyes on his father's face. He nodded once, barely. "Mama is dead. Do you remember this."

His father's hands went still against the bow tie. Just for a moment— a single held breath of stillness— and then continued.

"I meant your stepmother," Grigori said, his brow lifting slightly, the confusion smoothing itself over with the reflexive dignity of a man who had spent a lifetime refusing to be caught wrong-footed. 

"Where is Polina Papa. Moscow?"

“Yes, of course.” His father's fingers gave the bow tie a final precise tug and then withdrew, and he stepped back to assess his completed work. 

Ilya looked at his father's face. At the slight residue of confusion still sitting in the eyes, not yet cleared, not quite back. He thought about Alexei's text arriving while he watched the skating, furious, it had said, dad is furious— and thought about Alexei in Moscow deciding what his father's decline was worth in practical terms, thought about Polina's pleasant face and her ceramic cow on the windowsill, thought about the rectangle on the hallway wall where four people had once stood close enough together to look like a family.

Nobody was going to say it. Nobody was going to say any of it. The room would stay close and the medals would keep catching the light and they would go to the gala and meet the minister and perform the required performances and come back and go to sleep and wake up and do it again, and the rot moving through his father's mind would keep moving, quiet and steady and unacknowledged, until it couldn't be anymore.

Ilya exhaled, almost softly.

"We should go," he said. “To the gala."

His father blinked. Came back to the surface of the room. "Yes."

 "So that I can meet the minister."

 


 

The gala hall was a cathedral of excess,  crystal, and marble where the air shimmered with unrestrained wealth. The central chandelier commanded the ceiling, a magnificent cascade of faceted prisms that fractured the light into a thousand dancing shards. Those shards reflected endlessly across polished floors veined with gold, across the delicate rims of crystal flutes brimming with vodka, across the tailored shoulders of dignitaries and the exposed collarbones of women in gowns worth fortunes.

Sergei Vetrov stood at Ilya's left flank. Grigori occupied the right. Together they formed a perfect vise around him, positioning him squarely beneath the chandelier's unrelenting blaze. Ilya had been staring at the shadow it reflected on the wall for four minutes or possibly forty, time having lost its normal properties somewhere around the point where Vetrov had begun his third analysis of the Latvian defensive structure. 

"It always comes down to goaltending," Vetrov said, swirling his glass. "And Vadilevich, well—" he lifted a brow. 

Grigori inclined his head in solemn agreement. His eyes remained as flat and unyielding as weathered concrete. "Not sharp enough. But that is only part of the equation."

"And Kitchov stays home to rest for his American prizes," Sergei continued. He swirled the clear liquid idly in his glass. He watched it coat the sides before settling once more.

Ilya stood utterly still between them, a statue hewn from pale granite. He nodded at measured intervals, the motion mechanical and devoid of inflection. Their words flowed over him like rain across an indifferent pane of glass. Present, maybe, yet utterly impenetrable, present, yes, but invisible. He was not truly listening. He was not truly there. 

One more second. He drew breath in. He released it. One more minute. He tallied the moments in silence, a private countdown to the moment he could extricate himself from this gilded inferno and return to Boston's relative sanctuary. 

He counted because if he stopped counting, he would kill them both. He would clamp his hands around Vetrov's throat right here between the champagne flutes and the chandelier light, thumbs finding the soft give of the cartilage, pressing until he silenced the mouth that had been dissecting his failure. Until his dark eyes bulged out of his skull, his face going the shade of the burgundy wallpaper upstairs. Until urine pooled, warm and spreading across the marble. 

His father made a sound of agreement. His father, in his medals. Would they cling to his jacket, Ilya wondered, when he dashed his skull against the vein in the floor. Would the pins pull free from the fabric as the crack resonated through the hall, sharp and final, blood blooming in a symmetrical dark pool beneath the chandelier’s blaze? 

"Terrible, yes. Terrible. But there was no leadership.” His father turned. 

He nodded once.

The turn landed on Ilya's skin like a change in air pressure. The full redirected weight of Grigori Rozanov's attention, finding its target. "That is always the problem—" the pause, the word dropping through the gilded air like a stone finding the bottom of something, "—leadership."

Terrible, yes, it was terrible, and it was Ilya’s fault, all of it; it was always his fault. Maybe he would choke Grigori instead, until his legs thrashed in feeble, undignified spasms, until the medals Ilya had spent his entire childhood being measured against scattered across the marble in the spreading warmth of his father's final humiliation.

He nodded twice. 

"Ilya." Vetrov's voice, pivoting toward him, expectant. "Too much confidence, maybe? Or too much pressure?"

Latvia had split him open. The rage lived raw in the wound, dressed now in silk and cufflinks and the bow tie his father had straightened with those same thick hands, a blade wearing the costume of a man. One more second. 

Ilya let his mind totally evacuate the premise, seek refuge elsewhere. Like a flare burning, sudden and total, there was darkness before it made the light more violent. Shane’s essay materialized, the desperate words he typed with trembling fingers, please pick up. Shane in the upper tier of the skating palace, his lashes clumped, his freckles standing stark, the fracture in his voice when the diplomacy finally gave way. 

Shane was standing here now, against the marble pillar six feet to his left, and Ilya could feel the heat of him through the dress shirt. Ilya was taking him apart here, in front of everyone. His hand secured Shane’s wrists overhead, fingers digging crescents into the pale flesh. The other hand fisted his dark hair, yanking at it with scalp-searing force. Shane gasped a fractured plea, "Ilya—fuck— please, no, not in front of everyone, please don’t force me to–" His hips bucked frantically against the pressure of Ilya's thigh between his. His pretty cock wept, leaking damp through the fabric of his expensive pants. “No, please, please stop, please don’t, Ilya—”

"Too much talking, Mr. Minister, probably." 

Ilya blinked hard. Svetlana had materialized at her father's elbow in a black dress with a halter neck of thin gold chains that caught the light with every breath, her red curls swept up with effortless precision. Shame pooled hot in Ilya’s gut. 

She had a fresh glass lifted from a passing tray before she had fully stopped moving, her other hand still closed around Ilya's fingers, and she looked at her father with the fond, faintly exhausted expression. Like she loved him, but also found him professionally trying. 

Vetrov's whole bearing softened. "But you love talking about hockey, my angel."

"Only when we're winning, Papa." She leaned briefly against his arm, a daughter's gesture, and then straightened and looked at Ilya. Her eyes moved across his face with a swift, comprehensive assessment. Whatever she found there, she did not comment on. "I'm taking him to the bar. He clearly needs another drink."

Oh, his sweetheart. His dearest love. Svetlana, who had been pulling him out of rooms like this since they were nine years old. Svetlana, who knew the dark, wanting, needing part of him. Who understood him, but not quite like Shane. A different kind of angel. A different kind of love, quieter and older and without the terror that came with the other kind.

She squeezed his hand once.

He let her lead him away.

Their footsteps crossed the marble together, her heels clicking clean and even, his falling quiet beside them. The gala noise receded behind them, the murmur of important people being important at each other softening as they moved toward the double staircase, the hall spreading out below in all its chandelier light and good suits and careful performances.

"Thank you," Ilya said. His voice came out low, scraped a little at the edges.

"I'm an angel," Svetlana said, without looking at him. "It would be wonderful if you could remember that the next time I call you and you send me to voicemail."

He exhaled. Long. The last of the tension leaving his chest in a slow, controlled release. "I want a drink."

"Mm." She glanced at him sideways, her mouth curving into something that knew more than it was saying. "I have something more fun in mind."

They reached the bottom of the staircase. Above them, gala continued its gilded machinery, unbothered, unaware.

Svetlana pushed open a set of heavy double doors, and the bathroom was enormous— marble floors, gold fixtures, a freestanding bath in the center. The chandelier in here was smaller but no less serious about itself.

Sasha stood by the sprawling vanity, all long, languid limbs and strong jawline, draped in a half-unbottuned silk shirt patterned with dark roses, the sleeves rolled up past his elbows. He was taller than Ilya, had always been. He was hunched over the marble countertop, elegantly snorting a line of coke, before he lifted his head and caught Ilya’s reflection in the mirror. Honestly, he was as beautiful as ever.

"Long time no see, Ilya."

He straightened with a fluid, unhurried grace and leaned back against the sink to look at Ilya with a slow, winding smile, the tip of his tongue running once over his bottom lip. People said Ilya smiled like a snake. Those people had obviously never met Sasha. 

Ilya stepped fully into the room, the heavy doors closing behind them, sealing out the gala's hum. He settled against the sink on the opposite wall, arms folding, looking back at him. "Long time, Sasha."

Sasha scoffed softly through his nose—fond, almost and unfolded himself from the sink and flopped into the freestanding bath with boneless ease. His long legs draped over the edge, ankles crossing, his head tipping back against the rim. Svetlana moved to the vanity, claiming a crystal glass and an open bottle of vodka someone had abandoned there. She perched gracefully on the rim of the tub. Sasha obligingly took the bottle from her and poured her a generous measure.

"I don't think you played that badly," Sasha started, his voice a languid drawl.

"I'd say thank you," Ilya replied, his tone flat, "but I know you didn't watch a single fucking game."

Sasha tilted his head, the smile not moving. "For someone whose father has been a hockey coach your whole life," Svetlana cooed, crossing her legs on the tub's edge, "you have managed to avoid it remarkably well."

Sasha tilted his head, letting out a soft laugh as he sank deeper in the tub. "I pay attention sometimes." He glanced at his gold watch, the motion unhurried, almost theatrical. "When there's something worth paying attention to."

Svetlana rolled her eyes, returning to her perch at the edge of the vanity. “Anyways. Ultimately, it doesn’t matter.” 

“It doesn’t?” Ilya asked, he hadn’t moved from the sink. “And how did you come to that conclusion. My father—”

“Your father is an asshole who would have punished you either way,” Svetlana interrupted with a heavy sigh. She shrugged her shoulders, the gold chains of her halter shifting against her collarbones. “You need to stop giving a fuck what he thinks. And fuck these stupid national games, you have a real shot at the cup this year.”

“I never said I disagreed with you.”

“Good, sweetie. Listen, Hunter and the Admirals won’t get past New Jersey.”

“And New Jersey won’t get past Hollander and Montreal,” Ilya continued, tipping his head back slightly, his eyes finding the ceiling. In the tub, Sasha leaned over the side and took another bump of powder off a small mirror he'd dragged down with him.

“I think this year you can take Montreal,” Svetlana declared. Smart girl, at least someone was on the same page as him.

“Of course I can, every year, but why this year specifically?” 

"This year, because I think Miitka is hurt." She hummed, taking a slow sip.

“Wow," Sasha cooed from the bath, his voice warm with admiration. "She's psychic." 

"And with a shitty, hurt goalie, you can only go so far," Svetlana said, her smile sharpening. "As you and your team proved rather well here." She laughed into her glass, the sound bright and cruel.

"Touché." Ilya raised his brows, accepting the hit. He reached for the bottle and drank straight from the neck.

"And that's the East," Svetlana continued, waving her free hand. "Then you can take anyone in the West. Chicago ain't what they used to be. It'll probably end up being San Francisco, but they are too young. That's how you end up winning the Cup one year earlier than I bet my father you would."

Ilya looked at her for a moment. He clapped, slowly, three times.

Sasha sat up, lifting a small, celebratory plastic baggie between two fingers and shaking it at Svetlana. She made a face, wrinkling her nose. "No thanks. It's bedtime for me. I have to look perfect tomorrow."

"You always look perfect," Sasha murmured, flashing her another winding smile.

"True." She uncrossed her legs and stood, smoothing her dress in one practiced motion. She walked behind the bath and bent to ruffle Sasha's hair gently, briefly, her fingers dragging through the dark curls before she withdrew and moved toward Ilya. Her heels clicked across the marble. She stopped in front of him and pressed a kiss to his cheek, her lips warm and certain, her perfume catching in the air between them.

"See you in Boston, Ilyashu."

"Bye bye," Ilya said.

She clattered off in her heels, the double doors swinging shut behind her with a soft, definitive click. The bathroom went quiet.

Sasha did not move from the bathtub immediately. He reclined there with his long legs dangling carelessly over the edge, his head tipped back to stare at the ornate ceiling as if waiting for the room itself to rearrange itself to his satisfaction. Then, with the unhurried efficiency of long practice, he sat up, reached over the porcelain rim for his small hand mirror, and snorted another line of powder. The motion was graceful, almost delicate, the powder disappearing in a single fluid inhale.

Ilya leaned against the sink on the opposite wall. He watched in silence, arms crossed loosely, the wine bottle dangling from one hand.

Sasha sniffed once, tipped his head back to let the substance settle, and fixed Ilya with eyes suddenly brightened to feverish clarity. Then he looked away—first to the ceiling, then to his own long hands, then to the gleaming gold fixtures of the vanity. He cleared his throat with a small, affected sound

"So," he said conversationally, addressing the air as much as Ilya. "How's Paris, Sasha?" He tilted his head, answering himself, "Oh, it's great, thanks. I fucking love it there. The clubs are insane." He paused, letting the words hang. "The girls are hot." The pause lengthened, grew loaded with implication. "And the boys." He turned his head then and met Ilya's gaze directly. His smile unfolded slowly and sinuously, winding like smoke. "Well. You've seen French boys, haven't you, Ilya?"

Ilya took a long swig from the bottle. He swallowed without expression; there was no world where he was blessing Sasha with an answer to that.

Sasha watched him for a measured moment, waiting for the response that did not come. Then he laughed, the sound soft and low and edged with genuine amusement. He flopped back against the tub rim with theatrical despair. "God. You don't do coke. You don't make jokes." His hands spread wide in a gesture of mock exasperation. "You don't even flirt back anymore."

Again, nothing. Sasha could embarrass himself if he wanted. Ilya didn’t care, not now, anyway. 

Sasha sighed, theatrical once more, and unfolded his long limbs from the tub with that fluid, boneless grace that had always been his signature. He crossed the cool marble floor in three lazy strides. He stopped close—too close—using his height the way Ilya used his presence, leaning one hand against the counter behind Ilya's shoulder so he had to bend slightly, bringing his face down to Ilya's level.

His dark eyes were warm and amused and very certain of themselves.

"You used to be so fun, Ilya," he murmured, his mouth close to Ilya's ear. His other hand dropped, finding Ilya through the expensive fabric of his trousers, fingers curling with a familiar, unhurried confidence. "Remember?"

He pulled back just enough to hold eye contact. Then he bit Ilya's lower lip—not hard, not soft, just pulling. He held it for one lingering second before releasing. He pressed Ilya back against the sink edge with his body.

"Here? Really?" Ilya's voice came out flat, devoid of inflection.

"Danger used to get you going," Sasha murmured low. "If memory serves."

Ilya leaned forward; their lips nearly brushed. "We're not kids anymore, Sasha."

"No," Sasha agreed, his smile curving. "We're not."

Ilya moved first. 

His hands clamped Sasha's hips with sudden, bruising force. Ilya spun him roughly, until his back was against Ilya's chest and they were both facing the mirror— Sasha's hands catching the counter's edge. It was kind of cute how he hesitated there, unsure what to do with himself. 

Ilya kissed the side of Sasha's neck. His teeth grazed the skin with calculated lightness. "Has anyone," he murmured against the pulse point, the throb quickening under his lips, "ever told you," he pressed his mouth lower, tracing the tendon, "how boring you are, Sasha?" He bit gently, not enough to mark, just enough to sting. "How completely," his lips dragged slowly across the heated skin, "fucking dull."

He lifted his eyes to the mirror. His own reflection stared back at him over Sasha's shoulder. The man in the glass was composed, his bright eyes shadowed beneath his brow, steady and unreadable, his jaw set in a line of controlled power, the faint sheen of gala perspiration catching the light at his temples.

 There was no hunger in that face. No real interest. Just the calm assessment of a surgeon regarding a body that no longer had value to him. Sasha had become scenery, a prop in his frame, his reflection pale and incidental beside the central figure. Ilya saw himself clearly then—not the fractured captain from the stall floor, not the man still running on the treadmill—but he really was, who he was becoming. 

"Look at the bigger picture," he continued, voice even against Sasha's ear. "You're snorting coke in a federation bathroom. You're telling me about French boys." A deliberate pause. His hands remained loose on Sasha's hips, holding without claiming. "It's not 2009 anymore, durachok."

Sasha's reflection flinched, the eyes tightening fractionally, the smile flickering at the edges. "Excuse me?"

“Mm.” Ilya held his own gaze in the mirror. His phone lit up in his pocket. The glow flared against Sasha's hip. He pulled back, Sasha evaporated from consideration, Ilya’s eyes stayed locked on his reflection as he reached into his pocket.

Sasha turned, confusion creasing his brow. "Are you—"

received:

Hey, are you doing okay? Are we okay? Please call me

After the essay. After sixty-two days. After the photos sent from a bathroom floor in the dark. After what the fuck is wrong with you, and then the silence, and then this — Shane Hollander, who could not help himself, who would never be able to help himself, sending the most Shane Hollander message it was possible to send.

Hey. Are you doing okay.

Something moved through Ilya's chest, slow and warm and enormous, the feeling of a locked door opening from the inside.

"Okay, fine." Sasha said, behind him, lightly. "I'm going to find a party."

"Okay," Ilya said.

He was already dialing.

 

Notes:

kotenok: kitten
teddy: i have been informed that a lot of people esp in the us/canada do not refer to teddy jackets as teddy jackets. it's basically a fleece jacket haha.
durachok: little fool

i'm on twitter ilyassoull and i'm usually pretty active, i take requests and talk about filthy things.
i also have a tumblr unseemlyndisturbed where you can send asks, i post teasers about my wips, write one shots and do lots of detailed character analysis.

ilya rozanov, at twenty-two, has never taken responsibility for anything in his life. not fully. not really. and fair enough, honestly, most of his suffering has been thrust onto him by adults that were supposed to protect him. anyways, he gets close sometimes, close enough to feel the edge of it, to look over into the despair, and then he steps back and finds someone else to hand it to before he dies.

this chapter, he hands it to shane. ilya is furious at shane for abandoning him. a part of him genuinely believes that if shane had just been there, in his sick and twisted way, he wouldn't have flopped. it's all shane's fault.

it makes a kind of sense, if you follow the logic all the way down. he has spent his whole life feeling listless. helpless. unable to act. grigori, irina, russia. just following instructions and breaking out of them in the only ways available to him. drugs, sex, risk behaviour that looked like self destruction from the outside but felt, from the inside, like finally thrusting himself onto life. taking control of his own body. and sometimes, other people's too.

and then shane. shane hollander, perfect and furious and brilliant and breakable, highest hockey IQ in the league shane hollande. and ilya could be 1 to 1 with him. could grab something that good and bend it and watch it come back. could feel, PROPERLY for the first time, like he was thrusting himself onto life rather than being dragged through it. he could grab it and bend it over his knee and it would come crawling back to him anyway. and deeper than that, though he doesn't know it yet, not even close, he loves him.

but shane vanished. and ilya fell. and now he is correlating the two events with his very bad very good iron logic haha. what extents will he go to, to keep control???

so much i could say about shane in this chapter but i don't even know where to start with him lmfao. his pov is coming, soon.

Chapter 6: It's Fine

Notes:

this chapter took longer than i thought it would. it's also longer than i thought it would be. i always underestimate how much plot i can fit into so few words, especially because i do too damn much.

i know we were all expecting vegas. but breadcrumbs need to be spread first, foreshadowing needs to be laid. i promise it's coming and i promise it's worth it.

i'm really into this alternating POV thing. shane's perspective is extremely draining to write, genuinely, it took something out of me, and you'll understand why when you read it. ilya's brain is a horrible place to live but at least it's linear. shane's is something else entirely, maybe it's difficult because i do not resonate with him as much, so the words do not really flow out of me, i have to be intentional about letting myself settle into his mindset.

i found a playlist inspired by shane's music taste that is a good accompaniment to this chapter, i will never ever stop with the music reccomendations.

anyway. enjoy. thank you for reading, have a great night.

(See the end of the chapter for more notes.)

Chapter Text

The Montreal streets were doing what they always did in late February, which was to say they were ugly and grey and unrepentant about it. The snowbanks had compacted to ice-grey slush along the curbs. The bare maple trees lining Rue Sherbrooke stood skeletal against an overcast sky the color of old dishwater. Shane ran anyway.

He had been running for forty-two minutes. His calves burned pleasantly. His breath came in controlled clouds that dissipated in the damp air. He knew this route the way he knew his own apartment, instinctively, without consulting it consciously, every crack in the pavement, every dog-walker who appeared at predictable intervals, the smell of the bakery on the corner of Mackay that wafted warm and yeasty even in winter.

Shane kept looking at his phone.

He was holding it in his left hand while he ran, which he never did, which was bad form, which threw off his gait fractionally, and he knew it and kept doing it anyway. The screen was open to the thread. He had sent eleven messages in the six days since Sochi. He had counted them. He was not going to count them again.

He scrolled up. The read receipt sat on his message from four days ago like a thumbtack through the chest — Ilya. seriously. Just let me know you're okay — read, acknowledged, declined. He scrolled further. More delivered. One read from six days ago, the one where he'd asked about the photos again, which Ilya had apparently opened and then set down like a piece of mail that didn't require a response.

Delivered. Delivered. Read. Delivered. Delivered. Read. Delivered. Read. Read. Read. Delivered.

Okay, okay. Cool. Fine

Shane shoved the phone back in his pocket and ran faster.

The thing was, he told himself, breathing out through his nose the way his trainer had taught him, the thing was that he understood what was happening here.

He was not an idiot. He had a silver medal; he was an Olympian; he had the highest points-per-game average in the Eastern Conference, and he had achieved all of it while managing the ongoing chaos of whatever this was. 

He ran faster.

He understood manipulation when he saw it. He was looking directly at the manipulation. Ilya came home with nothing. He had flopped spectacularly on home ice while Shane had stood on a podium and had a medal lowered around his neck, was doing what Ilya Rozanov did when he lost control of a situation: he was reaching for the nearest lever and yanking it.

Shane had come home an olympian, and Ilya had come home with a loss to fucking Latvia, ha, Latvia. 

The mean, private satisfaction of this sat in Shane's chest like a warm coal.

He knew it was childish. He knew it was the kind of satisfaction that, if Hayden could see it, would earn him a pair of raised eyebrows and an expression that he deployed when Shane was being competitive in a way that had gone slightly feral. He knew that taking pleasure in someone else's public humiliation was not the behavior of a well-adjusted adult human being.

He took enormous pleasure in it anyway.

That was all this was. That was all the photos had been. Not a genuine threat—Ilya wasn't stupid enough to actually leak them, wasn't that self-destructive, knew perfectly well that Shane could point a finger in his direction, and Ilya's career would absorb the impact too. It was Ilya, sitting alone somewhere in Sochi with Latvia still raw in his mouth, sending those files the same way a child knocked over a glass, not because it accomplished anything, but because he was a sore fucking loser. 

It is going to feel so good, he thought, turning onto Rue de la Montagne with the slight downhill incline carrying him forward, to beat him this season. To beat him in the playoffs and look him directly in the face when I do it.

He was already thinking about Ilya's face. He was already cataloguing it, the jaw, the cold eyes, the moment that cold slipped just barely when Shane did something that caught him off guard.

Shane pulled out his phone.

He typed it before he had finished deciding to: Hey, are you doing okay? Are we okay? Please call me. Sent.

"Jesus Christ," he whispered, to the empty street, to himself, to nobody.

He shoved the phone deep into his pocket and pushed through the lobby door. The concierge looked up and smiled, the warmth of someone who had been paid to be pleasant, and Shane smiled back with the warmth of someone who had been performing pleasantness for so long it had become neurological. Too wide, because he'd been caught off guard, the smile arriving before he'd calibrated the wattage. It was too late to correct it, so he dipped his head and crossed the lobby. He pressed the elevator button.

His phone buzzed against his thigh.

Lily.

His hand was already in his pocket. Already pulling it out. Already— 

He pressed accept and got the phone to his ear in one motion, which he would have found embarrassing if he'd had the processing capacity to observe himself from the outside, which he did not, because Ilya was calling and his brain had vacated the premises.

"—llo?" he said, stepping into the elevator.

The doors slid shut.The call cut. Shane pulled the phone away from his ear and looked at the screen. Zero bars. He blinked.

Oh, he thought. Right. The elevator. Shit. 

The elevator humming around him, the numbers above the door ticking upward with a patience he did not share, and he stood there with his phone useless in his hand and his heart doing something deeply unprofessional against his ribs, and he thought, very clearly: of course. of course.

He pressed the button for his floor. Then he pressed it again. Then once more, with feeling, because he was aware on some level that pressing it multiple times did nothing and could not stop himself.

When the doors opened he was already moving, phone up and calling back before he'd fully cleared the threshold, walking fast down the hall, key out, door open, and he was inside and the call was ringing and he was not taking his shoes off or setting down his keys, just standing in the entry hall of his own apartment still in his running clothes pressing the phone to his ear and—

"What," Ilya said, on the second ring.

The word landed in Shane's chest like something dropping into still water. What, like he'd been sitting somewhere comfortable and had decided to answer on his own timeline and was mildly curious what the occasion was.

"What do you mean, what?" Shane hissed. He was trying to bend down to manage his remaining shoe and keep the phone wedged between his ear and shoulder simultaneously, and it was not going well. "You called me."

"No," Ilya said, and Shane could hear it, the shape of his mouth moving around the smile he wasn't admitting to, "technically you called me."

"You called me first." The lace had somehow tightened on the run into a knot that required actual attention, and Shane's fingers were not giving it actual attention because his attention was entirely elsewhere. He tugged. The knot tightened. He tugged harder.

"Ahh," Ilya said, the syllable long and warm and insufferable. "Well. I only called because you begged so nicely."

The phone slipped from between his ear and shoulder and hit the hardwood floor with a sound that stopped Shane's heart entirely. He grabbed it, and it wasn't cracked, thank God it wasn't cracked, and he swore— loud, the word bouncing off the entry hall wall — and switched to speaker and set it on the entry table because clearly his body could not be trusted with fine motor tasks right now.

"Fucking—" he said to the shoe. Then, to the phone: "Sorry. I dropped it."

"It is sounding like a bad time for you," Ilya said from the table. "You are so distracted. I can hang up."

Shane's hand shot out toward the phone before he'd finished the sentence. "No." He caught himself. Straightened. Picked the phone up and carried it into the living room because standing in the entry hall in his running shoes felt too exposed, too much like he'd run straight here from wherever Ilya's voice lived and arrived breathless at the door. 

He set it on the couch cushion beside him when he sat, leaving a foot of fabric between himself and the speaker, like the distance would do anything, like his nervous system hadn't already closed the gap. "I mean— now is a good time. We need to talk."

"I don't need to do anything," Ilya said. A pause. "And I don't think we have anything to talk about."

Okay. Shane pressed his chin to his knee. Okay, think. He has those photos. He has those videos. He has three years of your worst moments saved to a hidden album on his phone and he is currently on the other end of this call being so unbothered about it and you need to be strategic, you need to be calm, you need to not say anything stupid.

"Photos," Shane said, blinking. 

Wow, beautiful, that was perfect, Shane.

"Photos?" Ilya repeated.

"The fucking—" Shane pressed two fingers to his forehead, hard enough to feel. "Rozanov, don't. The videos, the photos, the ones you sent me. That I explicitly asked you to delete."

"Ahh," Ilya said, drawing it out the way he drew everything out, the way he slowed time down when he wanted to make Shane feel the length of it. "The photos. The ones you sent me. The ones of you jerking off, and fingering yourself, and—"

"Stop." Shane's jaw locked. "Stop acting like that. This is serious." He shifted on the couch, pulling his other knee up. "I don't know what you were trying to gain from sending them back like some kind of power move, but it's not okay to have them on your phone. You could get hacked."

Ilya laughed.

A real one, sudden and genuine, the kind that didn't ask permission, and Shane's eyes went wide before the indignation caught up.

"Fuck, Hollander." Ilya sniffed, the laughter settling. "You are thinking of internet safety now?" A pause. "You were not thinking this when you were begging to cum on my cock."

He was right. They were boring. They were boring because Shane didn't know what he was actually trying to say, because what he wanted to say was I need to know you're not going to destroy me and what he had was a vocabulary built for post-game interviews and drills. How do you even negotiate with someone who held all the cards and knew it and found the situation mildly interesting at best?

Okay. Shane exhaled. Try something else.

"Fine." He pressed his chin to his knee. "Fine. Are we good?"

The silence that followed was its own texture—dense, pressurized, the kind that arrived right before something important or something terrible, or both.

"What we." Ilya said, finally. Quiet. Almost gentle, which was worse. "You are always saying we as if we are something. There is nothing between us."

Something squeezed in Shane's chest. Quick and mean, the feeling arriving before he could intercept it. "I didn't fucking say there was." It came out sharper than he'd intended, the defensiveness spiking before he could moderate it. He hated that. Hated that Ilya could still do that, could still find the tender spot without seeming to try. "Don't put words in my mouth. I just—" He exhaled. "There's no bad blood. Right? Since we stopped. Since we—you know."

"You think I give a shit," Ilya said, "that Shane Hollander has decided to be a holy virgin again?"

"No." Shane swallowed. "But maybe— whatever. Fuck. Why did you threaten me then?"

Ilya scoffed. The Russian came first, low and dismissive—da ladno, blyad'—followed by the rustle of fabric, the small sounds of a body adjusting, crossing its arms. "I did not threaten you. You sent them to me first, I sent them back. Doing you a favour." A pause. The smile returned to his voice. "I thought you would need something to jerk off to. Alone. In your sad, boring little room."

Shane stared at the ceiling. His apartment, which was not small nor boring, looked back at him. "Why would I jerk off to that."

"Because it's sexy." Ilya's voice dropped— barely, just a degree, just enough to change the temperature of the room. "Those photos. You touching yourself because I asked you to, whining my name. Getting yourself all soft and ready for me." A pause that lasted exactly as long as it needed to. "Fuck. Remember when you called me and got off to just the sound of my voice?"

Shane's thumbnail found his lower lip. He nodded, and then remembered that nodding was meaningless, and pulled the phone onto his knee. "Uh," he said. "Yeah."

"You used to be so good," Ilya murmured.

Shane blinked. Used to be?

Two words. Sitting there in the air of his apartment, like they were waiting to be examined. Shane turned them over. Used to be. Past tense. As if there was a version of Shane that had existed, that had been good at something, the best, even. 

"Yes," Ilya continued, as if hearing the thought. "Used to be. Such a good boy. So good at hockey. So good at being a captain. So good at following instructions." He sighed, the sound almost fond. "And now look at you."

The sound Shane made was soft and involuntary, dragged out of him without permission, something between a breath and a whine. He felt himself slump backwards against the armrest, the tension in his spine surrendering one vertebra at a time.

"What?" Ilya said. "You are whining." A soft laugh. "You don't agree?"

"I can," Shane whispered.

"Hm? Kotenok. I can't hear you."

"Fuck you."

"And you say you are a good boy." A pause that pressed like a thumb into a bruise. "Kakaya shlyukha. I'm hanging up.”

"No." Shane's voice came out fractured, too quick, scraping past every rational instinct he had. "Wait. Please. Fuck. I can be." He swallowed. "I can be good."

The silence on the other end lasted exactly long enough to make him feel it.

"Yeah?" The word was soft and warm and bottomless. "And how will you do that?"

The moan that came out of Shane's throat was quiet and wretched and entirely his own. He felt himself go warm all over, the blood moving south, and he registered, distantly and without surprise, that he was already hard. Had probably been hard for most of the conversation. His hand dropped between his legs without him directing it there, palm pressing against the heat of his own want through the damp fabric of his running shorts, and he let out a long, slow breath that shook at the edges.

"Um," Shane said. His voice had changed registers. "I'll do whatever you want."

"Whatever I want," Ilya repeated slowly. "Da?"

"Yeah."

"If I asked you to send me a video of you jerking off in the mirror, you would send it?"

"Yes."

"What about fucking yourself on the balcony?"

The thought of it—Montreal spread out below, the cold march air, his own voice bouncing off the glass—sent a spike of heat through him that he felt in his teeth. "Fuck— yes. Please."

"Okay," Ilya said. A beat of silence. Then: "And if I told you not to come at all this season. Not unless I said you could."

Shane was rocking against his own palm now, slow and helpless, the friction of the damp fabric both too much and nowhere near enough. The rational part of his brain, the part that had been running affirmations about silver medals and playoffs and being in control of his own life, had gone very quiet. Not gone. Just. Quiet. Eclipsed by the overwhelming relief of having been given something to do, something clear and direct and requiring nothing from him except compliance.

"Please," he breathed. "Yes. Anything you want."

A hum of approval moved through the speaker, low and warm, and Shane's eyes fell shut. The silence that followed was the longest one yet. Shane lay with his knees falling open, his hand moving slow against the front of his shorts, his hips lifting fractionally to meet the pressure. He waited. The waiting was its own sensation, warm and intolerable and addictive. He could feel his heartbeat in his throat. Ilya's silence was enormous, filling the apartment, filling Shane's whole chest.

He was fully rocking up into his hand, chasing the friction, his hips moving in small, desperate arcs against the couch cushion, his breath coming in shallow pulls. He thought about the weight of Ilya's eyes— of being the sole object of attention, of being owned,  and the sounds coming out of Shane's mouth were embarrassing and real, and he couldn't locate the will to stop them.

"Fuck," he gasped. "Please— please, Rozanov—"

He came with a broken sound that he muffled against his own forearm, hips stuttering forward, free hand gripping the couch cushion hard enough to whiten the knuckles. The warmth spread. The room went white at the edges. His breath scraped and shuddered and slowly, incrementally, found its way back to something resembling rhythm.

There was silence, the kind of silence that didn’t hurt. Shane lay on his back on the couch with his hand still between his legs and his running clothes damp in two places now.

He grabbed his phone.

Ilya had hung up six minutes ago.

He stared at the screen. Six minutes. He had been lying here talking to nobody, working himself up against his own hand in an empty apartment at five in the afternoon while Ilya had already ended the call and was probably fucking someone else. Six minutes of the silence that wasn't silence at all, just the absence of a voice he'd been listening for so hard he'd manufactured its presence.

Shane set the phone face down on his chest.

Outside, Montreal continued. The thaw, the grey rivers of snowmelt, the trees beginning to think about spring. The city watching and disgusted at what had happened on the third floor of a glass-fronted building on a perfectly ordinary street, where a silver medalist had just come in his running shorts alone on his couch while his rival laughed at him several thousand miles away.

He didn't move for a long time.

When he did, it was to get up and go to the fridge, where his meal prep sat in its labeled containers, and look at it for a while, and close the fridge, and go to bed without eating.

 


 

The alarm went off at 6:00 AM, and Shane's hand found it before his eyes opened.

Shane was already half-awake. He had been cycling in and out of sleep since around four, which was normal on game days, and he had accepted it as such; he did not stress about it because stressing about sleep quality affected it more than anything. His quads: sore, the good kind, yesterday's skating still in the muscle. Shoulders: tight on the left side, which meant he'd slept wrong again, which meant the yoga needed to be longer this morning, which meant he needed to adjust the schedule. 

That’s fine. He breathed in. He breathed out. 

He had this habit where one variable cascaded into seventeen problems before he'd even sat up, and he was not doing that today. Today was a game day. Today required a focus that did not have room for cascading.

He padded to the kitchen in his socks. The apartment was cold in that specific March way that felt personal, like the season had decided to make a point. The city outside his windows was still dark, just beginning to give up the night at the edges, the horizon going from black to a deep, bruised charcoal. 

He filled a glass with warm water from the tap, and added the elemental magnesium and electrolyte powder in the precise quantities the nutritionist had specified. He drank it standing at the counter, watching the city through the floor-to-ceiling glass, and thought about nothing, or tried to.

The balcony was cold enough that his breath came in small, visible clouds when he unrolled the mat. He had been doing this since October, rain or snow or shine, because the cold air during morning mobility work had measurable effects on alertness and thermoregulation. The city spread out below him in its grey, pre-dawn quiet—the rooftops, the church spires, the distant orange threads of the first commuter traffic on the highway interchange. 

He liked Montreal best like this, before it had woken up properly and started demanding things from him.

He sank into pigeon pose on the right side and held it, the stretch pulling through his glute and hip flexor, and focused on the sensation, the way his body communicated with him in this language of tension and release. 

In for four counts. Hold for four. Out for eight.

I am Shane Hollander, he thought, moving into warrior two, eyes on the horizon. Captain of the Montreal Voyageurs. Highest hockey IQ in the league.

He held it. He felt the burn in his front quad, the stretch across his chest, the full-body commitment of the pose. He was here. He was present. He is good.

Shane moved into warrior three.

I am in control of my life, he thought, harder this time, pressing the words into the space behind his sternum like he was trying to get them to stick. I am in control of my body.

He was in control. He had a plan for today— written out the night before in the small notebook he kept on his nightstand, the one Hayden had once made the mistake of picking up once. In for four. Hold for four. Out for eight. 

Every block of game day was already planned. Every meal is weighed and portioned. Every variable reduced to something manageable, something knowable, something that could be predicted and therefore survived. There was no room for panic here. 

Out for eight.

The bathroom mirror was fully lit, the way he kept it on game days. He stood in front of it in his t-shirt and sweats and met his own eyes without flinching. This was important. The meeting of his own eyes without flinching. He had read about this too—the neurological basis of self-directed attention, the way the brain processed affirmations differently when delivered in direct eye contact with one's own reflection, the mirror neurons firing in a pattern indistinguishable from receiving validation from an external source.

He looked fine. He looked like Shane Hollander, the jaw, the freckles, the dark eyes that the Montreal Gazette had once described as beautifully focused to the point of unsettling. 

"I am Shane Hollander," he said to his reflection. "Captain of the Montreal Voyageurs. Highest hockey IQ in the league."

His reflection agreed, neutrally.

"I am in control of my life. I am in control of my body. I am in control of my training. I am in control of my diet. I am in control."

He held his own gaze. His reflection held it back. There was a moment, brief, quickly suppressed, where he had the vertiginous sensation of looking at someone he didn’t recognise, and then it passed, and he was just Shane Hollander in a bathroom mirror at 6:45 in the morning, which was normal, which was exactly as it should be.

He believed what he was saying. He was working, with genuine commitment and considerable effort, on believing what he was saying.

"Tonight," he said, "I will beat Buffalo on home ice."

He believed that one without any effort at all.

Breakfast was 430 calories, prepared the night before and refrigerated in a glass container that he reheated. Fermented beets, still faintly purple-bleeding at their edges. Cooked carrots and butternut squash, cut to identical sizes because inconsistent sizing meant uneven cooking and uneven cooking meant some pieces were better than others, and he found the inconsistency distracting. Kale wilted with a minimal amount of garlic. Two boiled eggs, peeled cleanly, nestled in the corner of the bowl.

He ate standing at the counter with his phone face down beside him. No passive media consumption during meals. The body deserved to know it was being fed. This was not a rule he'd made arbitrarily; it was a rule with a rationale, which was the only kind of rule that survived long enough to become a habit.

He thought about the nutritional density of the bowl while he ate. Beta carotene from the carrots and squash, laying the groundwork for immune function under the stress load of tonight's game. Folate from the beets and kale, supporting methylation. The potassium from the beets cross-referencing with the morning electrolytes, very good stuff.

He ate every bite. He washed the bowl and dried it and put it away. He stood in the kitchen for a moment with his hands flat on the counter.

He was going to beat Buffalo.

He rinsed the bowl, dried it, put it away. He stood at the counter for a moment with his hands flat on the marble, feeling the cold of it under his palms. The morning was already mapped out— the jog, back to shower, the nap, the drive to the rink. All he had to do was follow it. One thing, then the next thing, then the next. That was all a game day ever was. That was the whole design of it. He didn't have to decide anything. He just had to execute.

He slid off the barstool, laced up his shoes in the hallway, the familiar double-knot, left then right. Grabbed his keys out of habit even though he wasn't driving anywhere. Put them back. Pulled his hood up, checked his watch, and stepped out into the cold.

The March air hit him immediately, sharp and clean across his face, and he exhaled a long, slow breath that misted white in front of him, and started down the street at an easy pace.

The jog started well.

He left the building at 8:17 AM—two minutes late, the kale rinsing—with his headphones in and his hood up. He had a route: thirty minutes, easy pace, RPE four or five at most. He knew the route. He had run it hundreds of times. It was mapped to his spotify playlist with a lower BPM, nothing with a driving beat, nothing that made his legs want to go faster than they were supposed to. The plan was maintenance. Circulation, light nervous system activation, nothing taxing, nothing that would require caloric compensation he hadn't budgeted for. 

He was running at a seven-minute mile pace by the fifteen-minute mark. He knew he was doing it. He kept doing it anyway.

The city moved past him—grey pavement, bare trees, the dull light of a Montreal morning in late March that was trying and failing to become spring. His breath came hard in the cold air. Bahamas mused about Montreal in his headphones. His legs felt good; they always felt good when he pushed them, the body rewarding the bad decision in real time, the dopamine arriving before the consequences.

Shane knew math, running versus jogging, thirty minutes versus forty, the caloric difference between the two, the way that difference would sit against his meal plan. He knew what the answer was going to be before he finished calculating it, which meant he had approximately twenty minutes of running left during which he could choose not to think about it.

He ran along Rue Sherbrooke with the bare trees beginning to think about spring overhead and the grey-brown rivers of snowmelt in the gutters and the city going about its morning indifferent to him, and he felt, for forty minutes, like he was successfully running away from something. 

The city slid past him at a pace that felt, for the first time this week, like something he could control. In motion like this, nothing else mattered; there was only the next stride, and the one after, and the one after that. 

He knew, coming home, that he'd made a mistake.

He stood in the elevator with his hands on his knees, doing the math that he had known he would have to do before he'd started running. He had burned approximately 300 more calories than his morning jog protocol accounted for. His meal plan for today was adjusted to his morning jog. The 300-calorie gap sat in the balance of the day like a small accusation.

He opened the fridge. The glass containers were stacked in their correct order—lunch in its column, afternoon snack in its column, pre-nap snack in its column, post-nap snack, game snack. Everything portioned and labeled and planned. He stood in the cold air the fridge exhaled and looked at it.

He closed the fridge.

He sat on the couch and opened his laptop to the game tape, his own footage from the last three games, looking for the half second he kept losing somewhere— in his reads, in his positioning, in the gap between what he intended and what his body executed. He watched himself move across the ice, efficient and precise and completely in control, and thought: there, no, maybe there. He watched himself win a faceoff in the offensive zone and thought about the defensive coverage Buffalo was going to run tonight and thought about his left winger's tendency to cheat toward the boards and thought about—

He got up, walked to the kitchen, opened the fridge. Took out the small container of blueberries that lived in the door shelf, which was not part of the day's planned intake, and counted out a careful handful—twenty-eight berries, he counted them without deciding to count them—and ate them one by one, standing at the counter, each one cold and faintly tart on his tongue.

He closed the container. He put it back. He closed the fridge.

"Shit," he said, quietly, to the kitchen.

His mother called at twelve-forty, three minutes into his lunch.

The zucchini soup was good. He knew it was good, the chicken baked to the right temperature, the quinoa rinsed properly, the soy milk stirred in at the end for the fat content.  The quinoa measured on the side. The brown rice in its container, three servings, which was a lot of brown rice, which was also by design. He answered the call and tucked the phone against his shoulder and kept eating.

"Hi honey." Her voice was warm and slightly angled, the way it got when the warmth was load-bearing. "How are you feeling?”

"Good," Shane said. He moved a piece of chicken through the soup. "Feeling good. Ready."

"Pefect. Your father and I watched the tape from the Ottawa game, great power play hun." A slight pause, the gear-shift he had been expecting. "Listen. I spoke to Greg about the Adidas situation."

Shane said "Mm" and took another bite of rice.

"He said the shoot window is looking like July, which obviously gives you a lot of room to work with, and Shane, the figures are strong. This is worth a conversation before the off-season starts, because if we wait until June to decide—"

July. He tried to locate July in his mental landscape and found nothing there. Not blankness exactly, more like fog, the way the city looked from his balcony sometimes in early morning, before the light arrived, when the buildings dissolved at the edges and there was no reliable horizon. He could not see July from here. He could not see the end of April from here. He was managing approximately one period at a time, one day at a time, on a good day one week at a time, and July might as well have been a country he'd never visited.

"—and the exclusivity clauses are something Greg has been vague about, which concerns me, because the Under Armour thing technically runs through—"

"Yeah," Shane said.

He was looking at the brown rice. He had eaten maybe a third of it. He was supposed to eat all three servings. The chicken was good—he'd made it Sunday and the flavors had deepened by today—but the appetite had done the thing it sometimes did mid-meal, the way a signal could lose its frequency, the hunger information simply ceasing to transmit.

"—so I think at minimum a call with Greg and their team, just to align on the timeline, before you disappear into playoffs mode—"

"Yes," Shane said. "That sounds good Mom. Let's do that."

"You think? Because I wanted to make sure you were comfortable with the format, because last time with the Under Armour thing you felt like they—"

"No, it's fine." He pushed a piece of chicken to the side of the bowl. "July works."

"Have you eaten today? You sound distracted, sweetheart."

He looked at the bowl. "I'm eating right now."

"What did you have this morning? Are you still doing the beets? I read something about oxalates in beets that was a little—"

"Mom." He set his spoon down. The soup was still mostly in the bowl. "I need to get into my nap. Game day."

A beat. "Of course." Her voice softened slightly. "You'll be great tonight. You always are.”

"Thanks, Mom."

"Call me after if it's not too late."

"I will."

He set the phone face-down on the table. He sat with the bowl in front of him for a moment, looking at what remained—most of the rice, half the quinoa, most of the soup. He thought about the macro targets for the day, the number he was supposed to hit, the distance between where he currently was and where the plan said he should be. He thought about the blueberries this morning. He thought about the run.

He put the bowl in the fridge.

He stood in the kitchen for a moment afterward, the refrigerator door already closed, his hand still resting on the handle. The numbers ran themselves without his permission, the way they always did, the gap between what he'd eaten and what the plan required, but then he did have the additional blueberries this morning. He pressed his thumb into the handle once, then let go.

It was fine. The plan was still intact, just slightly rearranged, and a slightly rearranged plan was still a plan. He had the nap to get through, and the pre-game snack, and then the drive, and then the game, and all he had to do was follow the sequence. One block into the next.

He pushed off the counter and went to the bedroom to set up for the nap.

He had a system for the pre-game nap. Blackout sleep mask, white noise machine set to the brown noise frequency at forty-five decibels, five minutes of progressive muscle relaxation beginning at the feet and moving upward in a sequence his sports psychologist had taught him. Ninety minutes of sleep, finishing at the tail end of a complete cycle so he woke in light sleep, alert, ready, the body landing on the right side of the consciousness threshold. He had done this before every home game for two seasons. It worked every time, no more pre-game panic. 

He lay face-down on the bed and started with his feet.

Toes, relax. Arches, relax. The sequence moved upward methodically, each muscle group tensing on the inhale and releasing on the exhale, and he followed it with his attention the way you followed a path through familiar woods—without thinking, from memory, trusting the route.

He thought about the way Ilya had said whatever I want, da?

He turned onto his side. He pulled the sleep mask down. He thought about Buffalo's right defensive gap. 

He thought about the shift structure he'd drawn up in the taxi to the rink last Tuesday, the play he wanted to run in the opening three minutes before Buffalo's penalty killers had settled. 

He thought about nothing. 

He thought about Ilya's silences, the way being on the wrong end of one felt like standing in a room where the air pressure had changed without explanation. 

You used to be so good. The register drop in his voice when he said it. The way the praise operated retroactively, recontextualizing everything—not you are good, not you were good, but used to be, which implied a before and an after, which implied that Shane had been something and had become less of it, which implied that Ilya had noticed the difference that Shane had been hiding, and was reporting it back to him.

He turned face down again. He pressed his forehead into the pillow. He tucked one hand under the weight of his own body, the pressure grounding, a thing he'd been doing since childhood.

 


 

The alarm was beeping.

Shane came up through sleep in pieces, limb by limb, consciousness arriving late and disoriented. The room was too bright around the edges of the blackout mask. He pulled it off. The clock on the nightstand said 3:14 PM.

He stared at it for a full four seconds.

He had slept fifteen minutes past his alarm. He was already behind. He had a pre-game routine that accounted for exactly zero minutes of being behind.

He sat up.

His stomach was warm and wet.

He looked down.

He did not remember this happening. He had no memory of a dream, no residual sense of arousal, nothing except the evidence of it cooling against his skin and smeared across the sheets below him. His body had simply, without his knowledge or consent or participation, handled something that apparently needed handling, six days after the phone call, while he was trying to nap before a Buffalo game.

He dragged the sheets off the bed in one motion and balled them in the corner. He had three sets. He would deal with it when he got home tonight. He stepped into the shower and stood under the water as hot as he could tolerate for exactly four minutes.

He dressed in the pre-game outfit that had been hanging on the back of the bathroom door since last night because he always laid it out the night before. He grabbed his pre-prepared bag. He went to the kitchen, picked up the container he had packed at nine o'clock this morning: three medium sweet potatoes wrapped in foil, still faintly warm from this morning, and a whole ripe avocado.

He was downstairs in the car in eleven minutes. 

He was downstairs in eleven minutes. He reversed out of the parking space and ate the avocado with his thumbnail over the center console, both halves, without ceremony or particular enjoyment, the flesh dense and faintly grassy. He unwrapped the first sweet potato—three medium ones, foiled and sweet from the honey packet he kept in the console—as he pulled out of the garage and onto the street.

The city moved past the windows in its grey, unhurried way, entirely indifferent to his schedule. He ate the first sweet potato. He thought about Buffalo's defensive gap. He ate the second. He did not think about the sheets in the corner of his bedroom, or the lunch he had not finished, or the phone call with his mother, or Ilya's voice through a phone speaker in an empty apartment six days ago, while the city went dark outside the windows. He ate the third sweet potato as he pulled into the Voyagers facility lot.

He was eleven minutes behind schedule. He was fine. He was going to beat Buffalo.

Fuck.

 


 

The place Comeau had found was called something in French that Shane had immediately forgotten. It occupied the ground floor of a narrow building on Rue Saint-Denis, all dark wood and low lighting, and a bartender who moved like someone who had never once been in a hurry. There was a hockey game on the screen above the bar with the sound off. The booths along the wall were deep enough to swallow a conversation whole. It was, by the standards of a post-win night out, almost aggressively civilized.

"Capitaine's an old soul," J.J had announced in the car. "Practically fifty. I'm surprised he doesn't want to go to a library."

"I heard that," Shane said from the driver's seat.

"You were supposed to." J.J leaned forward between the seats and patted Shane's shoulder with genuine affection. "We love you anyway, old man."

They pushed in through the door in a loose, loud cluster—Comeau first, because Comeau was always first. Drapeau and Mitty were behind him, still in the middle of an argument about the third-period power play that had been ongoing since the locker room and showed no signs of resolution. J.J and two of the younger wingers are following behind.

They took over the cluster of barstools and the booth behind them. The bartender materialized with a patience that suggested he had seen hockey teams before and made his peace with it.

"Whiskey sour," Comeau said immediately, leaning his elbows on the bar. He looked sideways at Shane. "Cap? Let me guess. Sparkling water? Kale juice?"

"Ginger ale," Shane said.

Comeau turned back to the bartender with an expression of exaggerated sorrow. "He'll have a ginger ale," he confirmed, as if reporting a small tragedy. "And see if you can make it look like something fun."

"Nothing fun, please," Shane said.

The orders went down the line, beer for Drapeau and Hayden, a round of whatever was on draft for the younger guys who had stopped reading menus three bars ago. Mitty ordered water with the solemn self-discipline of a man who had let in one goal tonight and had complicated feelings about it, and Comeau clapped him on the back with excessive sympathy.

"You're fine, Mitty. One goal. Against Buffalo. They got lucky."

"They got a rebound off a point shot that I should have covered," Mitty said, with the misery of someone who had been replaying it for four hours.

"You should have," Comeau agreed cheerfully. "But you didn't, and we still won by two, so."

"Thank you," Mitty said flatly. "That's incredibly helpful."

J.J leaned around Drapeau to address the group at large. "We're buying Mitty a beer."

"I said water," Mitty said.

"We're buying Mitty a water," J.J revised, without missing a beat.

The bartender slid Shane's ginger ale across the bar. Shane caught it and took a sip, leaning forward onto one elbow, and let the low current of team conversation move around him. This was the part he wasn’t very good at, the after, the low-stakes social unwinding, but he was better at this than people assumed. He was not, despite what the media occasionally implied, someone who functioned poorly in all groups; he functioned very well in groups when the group was his team and the expectations were uncomplicated.

Comeau had swiveled on his barstool. "Two goals tonight, cap," he said.

"I know," Shane said.

"I'm just saying." Comeau waved his hand; the wave was too casual. "You’re usually tightly strung, man. But did anyone else think he was a little—" He glanced around the bar for support and found everyone pointedly examining the reruns of their game on the TV. "Robotic? On the ice. Not bad, two goals, clearly. But soo…”

Shane set down his ginger ale. "What."

Comeau raised his eyebrows. "You tell me."

Something moved through Shane's chest. Not quite anger, something more like pressure, something that wanted to be examined and which he was not going to examine here, not in this pub, not in front of his team. He sat up straighter. 

"What does that even mean?" Shane said. "I scored two goals. I had four shot attempts."

"Whoa." Comeau put his hands up. "I never said you weren't playing well."

"Then what did you mean?" Shane said. "Specifically. What does robotic mean."

The bar had gone slightly quieter in the immediate vicinity. Mitty was studying his water with intense focus. Drapeau had found something very interesting on the far side of the room.

"Cap, I was literally just—"

“Whoa, woah, woahh.”

J.J appeared from nowhere as if he had been monitoring the situation for exactly this moment. He smacked Comeau across the shoulder with the flat of his hand, loud enough to punctuate. "Capitaine," J.J. announced, to the table, to the pub, to anyone within earshot, "is a robot. D’accord? He is a beautiful, scary robot, sent from the future to save us from national shame of losing gold to the U S of A.” 

J.J tugged on his ear with affectionate firmness, Comeau whined.  "Tabarnak. He’s going to win us the playoffs, don't make him malfunction." He dragged Comeau sideways by the ear, Comeau half-laughing and half-genuinely wincing, and steered him away toward the far end of the table where Mitty and Drapeau were now arguing.

Shane picked up the glass and took a long pull from it, waiting for the thing in his chest to settle.

It mostly did.

The barstool to his left scraped. Hayden settled onto it, and Shane did his best to avoid his gaze for as long as possible. 

"What was that?" He gestured with his chin toward where Comeau and J.J had arrived at the booth and were now apparently chatting about something else entirely, Comeau gesturing largely and J.J responding with a series of expressions that required no translation.

"Nothing." Shane glanced over. "Comeau was being an idiot."

"Yeah, that tracks." Hayden lifted his beer. "But you baring your teeth at him like a stray dog doesn't. I swear he pissed his pants a little. I was watching."

"Oh, fuck off." Shane laughed despite himself, looking down at the bar.

Hayden let the laugh run its course. Then he set his glass down and said, without changing his tone: "He did have one thing right, though. You've been tense."

Shane felt his brow furrow, and he opened his mouth. 

Hayden raised his hand. "I know," he said. "I know you're going to tell me you're fine, so I'm just asking you to hold that for a second while I finish." He kept his voice low, "Sochi was a lot. The playoffs are coming up, you're working incredibly hard, you're carrying this whole team on your back, you've been doing it all season. I know." He dropped the hand. "I'm not saying there's anything wrong with you." He nudged Shane's side with his elbow, his eyes softening. "But you need to blow off some steam. I know you've been doing better, but maybe the anxiety is still—" 

Shane pinched the bridge of his nose.

"When was the last time," Hayden continued, "you got your dick wet?"

Shane rolled his eyes, but the smile that came with it was genuine, widening before he could stop it. He looked down at his ginger ale. "Don't say it like that."

"Why? That's what it is, that's the clinical term, dude."

"That is absolutely not the clinical term."

"I'm just saying, a little blowjob, a little release of tension, maybe you stop chewing Comeau's head off in a pub—"

"I didn't chew his—"

"—and maybe you sleep better, and maybe the bags under your eyes aren't quite so—" Hayden made a gesture in the general direction of Shane's face.

Shane looked down at his drink. He could feel the tips of his ears going warm, which was annoying. He has been releasing steam, maybe less than he did before. The past three years, where he was getting off once a week, once a day, multiple times a day, under instruction– shit

It wasn’t an issue; he was not backed up. Sex was the least of his concerns. 

"I'm fine," he said.

"No, your balls are bright blue," Hayden said pleasantly. "Unless the Boston Lily sitch’ is ongoing, but we haven’t been to Bos-” 

"Jesus, Hayden." Shane looked up. "Why are you so obsessed with who I'm sleeping with?"

Hayden's smile widened incrementally.

"Or who I’m not sleeping with." He tilted his head. "Should Jackie be worried? I feel like there's something you want to tell me."

"The only thing Jackie should be worried about is the third trimester. Thanks for asking, it’s going well, by the way.” He turned his glass. "Speaking of Jackie, she has this friend,"

"Hayden."

"She's fucking hot—"

"Hayden."

"—smart, funny, not—she's not into hockey, but I could get you guys together, we could do couple stuff.”

"I'm not—" Shane stopped. He pressed his palm flat against the smooth wood of the bar and felt the grain of it under his skin, a texture to hold onto. He made himself look back at Hayden's face, at the worry there, the kind that had been present since a hotel room in 2011, when Shane had stumbled in with a ripped shirt and shaking hands and eyes that couldn't track properly, and Hayden had not asked a single question that Shane wasn't ready to answer. 

He did not want to put that look on Hayden's face again. He was not going to put that look on Hayden's face again. There was nothing to put it there for, things were fine.

He plastered a sideways smile and shook his head. "I'll let you know," he said, "if I need to blow off steam." He paused. "Weirdo."

Hayden's eyes went wide with theatrical offense. "Hey. Don't be an asshole. I'm offering you a service."

"I'm deeply grateful."

"You should be. Jackie's very selective about who her friends are."

Shane looked down at his phone. It was 10:04 PM.

He needed to get home. He had an 8 AM session with the trainers tomorrow and his sheets were balled up in the corner of his bedroom and he hadn't finished lunch and he needed to hit his before-bed protein target and Hayden had said blow off some steam and now he was thinking about Ilya, which was Hayden's fault, which was Comeau's fault for starting the whole thing.

Fuck, Ilya's voice through his phone speaker had landed in his chest like a key turning in a lock he hadn't known was there, and he wanted to go home. He needed to go home right now. He needed to go home, slip his hand into his boxers, and watch the videos that he promised himself he would delete.

He opened the text thread.

He looked at it for a moment. The last delivered message sat at the bottom of the screen, patient and unanswered. Below it, nothing. The white space where a response would have been.

He pocketed the phone. He stood up, dropping some cash on the bar. "I'm heading out," he said.

"Already?" J.J. called from down the table.

"Yes."

"We just got here, man."

"I've been here two hours," Shane said, which was true and which nobody successfully argued with. He looked at Hayden.

Hayden looked back at him carefully, "Text me when you're home."

"Yeah." Shane pulled his collar up. "Night."

 


 

Today had been bad. 

He had gone to the gym at nine. He had completed the recovery session with grim thoroughness: light resistance, the mobility sequence, twenty minutes on the foam roller that he hated. But hating something had never once been a valid reason to stop.

He had come home and spent two hours on meal prep, working through the week's containers. It was genuinely grounding, the snap of each lid sealing something into place. He had tried to read. He held the book open and moved his eyes across the pages at a plausible pace for forty minutes while his brain was elsewhere. Eventually, he closed it, set it face-down on the coffee table, and sat in the silence of a Sunday afternoon with nowhere left to be.

No, today had been fine. He was fine. He had the evidence for this catalogued and cross-referenced and available for immediate review: two seasons of measurably improved performance metrics, a therapist he saw once a month, a silver medal sitting in a velvet box in his closet that he took out occasionally just to hold.

He had jerked off twice.

The first time was in the shower that morning. He felt better for approximately four minutes and then felt worse. The second time was in the afternoon, with the blackout curtains drawn against the middle of the day and his face pressed sideways into the pillow. When it was over, he lay there and felt the city sitting on his chest. All of Montreal was pressing down through the ceiling and through the floor of his apartment to find him there, his hand still loosely wrapped around himself. He felt watched in a way that made his skin prickle.

He had been fine for years. He had clawed out of a very deep hole with his bare fingernails. He had done it himself, and his body was supposed to know that. His body was supposed to listen. Instead, it had been doing this—this adolescent, humiliating, uncontrollable this—for the better part of a month. Each time left him with the same residue: a shame that was less about the act itself and more about who his brain had been visiting while it happened. Whose voice had narrated it.

Deep breaths. He was good. He was healed. The crawling out had happened and was real and he was okay.

No. He was fine, but he used to be good.

Oh, fuck off.

Shane bit down on the carrot stick with too much force. 

He had wanted cheesecake. The want had arrived mid-afternoon, strong and unwavering. He had stood in front of his open fridge for long enough that the cold air raised the hair on his arms, turning the want over, examining it, before he remembered that he wanted to win the playoffs more than he wanted cheesecake. He had closed the fridge. He had made chia seed pudding, eaten half of it, and waited for it to help, and it had not helped.

Now he was halfway through half a pound of carrots and cucumber cut into precise, even sticks, and three konjac jelly pouches he'd bought from the Asian grocery store that were twelve calories each and gave his hands something to do.

He sighed, sank deeper into the couch, and reached for the remote. Shane really wasn’t in the mood for hockey, but anything else sounded too taxing. TSN it was.

Ilya Rozanov's face filled the screen.

He was post-game, shirtless, a towel slung low around his neck, the kind of careless that was also entirely deliberate. The overhead interview lights caught the sweat still on his chest, the gleam of it across his collarbones, the hollow of his throat, the broad plane of his shoulders still carrying two hours of play in the set of the muscles there. His brows were pulled together in that deep habitual furrow–two pronounced lines between them that lived there permanently whether he was concentrating or displeased or simply being asked something he found beneath him, which was most things

The interviewer said something. The left corner of his mouth moved, a sinuous curl pulled at his lips, a large hand coming up to sweep across his jaw in a slow drag.

"—I think tonight we played very well." Ilya said. His voice through the speakers was flat, the accent sitting on every syllable with immovable weight. “I mean, yes, they have strong defence, but we find the gaps. This is what we practise for, you know? Find the gaps." The curl deepened a fraction. "Boston is a good team. We know this."

Shane sat up straight. He pointed at the television with the carrot.

"Oh, you know this," he mocked, in a voice three registers higher. "We know this." He dropped the accent halfway through and it didn't matter. He ate the carrot stick aggressively. "Incredible, revolutionary analysis. Thank you so much for sharing that with us. God, just kill yourself."

He kept watching.

Ilya turned his head to address a follow-up, the movement drawing the line of his jaw, the tendon running down the side of his neck. Shane noticed his palms going warm. The awareness spread downward and he was half hard on his own couch with a konjac jelly in one hand and a carrot stick in the other.

He grabbed his phone.

The thread opened the way it always did, with that lurch in his chest, the door swinging wide into the room he was always trying not to enter. His own messages at the bottom. Delivered. Read. Delivered. The last message—Hey, are you doing okay? Are we okay? Please call me.— sitting at the bottom with its read receipt

A month of nothing after that. He looked between the screen and the television, Ilya talking to the interviewer, those pale eyes and that jaw and the infuriating ease of him occupying every space he was in like he owned the deed to it.

What the fuck even was that?

The phone call. What did it mean?

What did any of it mean? Shane had been shoving the questions as deep as he could fit them for a month, filling every available space with practice and tape and meal prep and recovery sessions, and now it was pressing against the seams of him.

Maybe Shane had it wrong. Maybe Ilya didn't care at all. Maybe this whole thing—the photos, the call, the sex—it was a game. A way to pass the time. A way to torture someone who had been stupid enough to let himself be torturable.

He looked at the television and Ilya looked back at him through the pixels—not at the interviewer, not at the camera, but directly at Shane. Those pale eyes were steady and dissecting and utterly without mercy, peeling him back layer by layer. His positioning. His tells. The gap in his defensive structure that he'd been correcting for weeks. Not enough, never enough.

But he used to be so good.

The room got loud without making any sound. The air thickened, became something with texture, something that required effort to pull in, his lungs working harder for less, his chest tightening by increments he couldn't track until it was already too tight.

His pulse had stopped being a single thing in his chest, now in his throat and his wrists and behind his eyes, percussive and accelerating, each beat a small detonation. The television was too bright. The couch cushion was the wrong texture under his palms. The city outside was too loud through glass that wasn't thick enough, had never been thick enough, every siren and horn and distant shout finding the cracks and getting in.

He threw himself off the couch.

His legs didn't feel entirely like his legs. He crossed the room on them anyway, three lurching strides, and grabbed the curtains and yanked them shut—both windows, all of it, the city vanishing behind heavy linen, the light dying. He stood with his fists twisted in the fabric and his forehead nearly against the wall and breathed through his nose, in, in, in, until the tilting slowed. His knuckles ached, he hadn't noticed how hard he was gripping until he let go.

Shanee went back to the couch. He pulled the laptop from the coffee table and opened it and his fingers were moving before he had consciously decided anything, the way his body had been making decisions without him all day, all week, all month.

Shane Hollander. Enter. 

His own face stared back at him from seventeen different angles.

Shane Hollander leaked.

Nothing useful, his Wikipedia page, a press release from 2022.

Shane Hollander leaked videos. Shane Hollander revenge porn.

His glasses had slid down his nose. He pushed them up without looking away, his lower lip caught between his teeth, scrolling and looking for nothing. The absence of results was its own horror. Either Ilya had deleted them, which felt unlikely, or they were buried so deep in some private, encrypted corner of his life that no surface search was ever going to reach them, held there patient and potential, a card not yet played.

Asian male hockey player porn.

He scrolled. None of them looked like him. None of them were anywhere close.

Asian male freckles.

Freckles jerking off

He shoved the laptop away from him.

It skidded across the coffee table and stopped at the edge. The screen sat open, the half-typed query still in the search bar, the pale light of it falling upward into the dim room.

Shane sat with his hands on his thighs and looked at it. His breathing was too fast and too loud in the silence. His chest felt cracked open, the cold air of the room getting into places it shouldn't reach. The frantic bird-wing thudding in it had not slowed—if anything it had quickened, the walls pressing fractionally closer with each breath he failed to get deep enough, the room rearranging itself around him.

He slid off the couch onto the floor.

The carpet was cool under his palms. He sat with his back against the front of the couch, brought his knees up to his chest, and pressed his forehead down between them. His hands came up to grip the back of his skull. He held himself like that—the way he'd been holding himself since he was a child. He focused on the carpet. Its texture. It was solid. Not moving. Present.

Fuck, he thought. What the fuck am I even doing.

Ilya Rozanov did not care about him. Ilya Rozanov was giving a post-game interview, thinking about the playoffs, and was not, at any point in the last month, thinking about Shane.

Ilya had sent those photos because it was funny to him. Because everything was a game. Because Shane had been stupid enough to react and so he poked again. That was it. That was all of it. There was no surveillance. There were no leaked videos. There was just Shane Hollander, twenty-two years old, silver medalist, captain of the Montreal Voyageurs, sitting on his own floor on an off day with his laptop upside down on the couch and a bowl of carrot sticks going soft on the table.

He needed to eat.

That was it. He'd skipped breakfast and gone to the gym, which he knew was wrong, which he'd told himself he'd fix at lunch, and then lunch had been light too.

And he hadn't been sleeping. The sleep deprivation and the under-eating were compounding each other, driving his brain into a feedback loop that looked like paranoia but was actually just chemistry, just biology. Just his body running low on resources and driving him crazy.

He needed to eat. He needed to sleep. He needed to hit 2,700 calories tomorrow, at minimum, and get eight hours, and then he would feel like himself again.

He would be fine.

He pressed his forehead harder into his knees.

Fuck, he thought, one more time, very quietly, into the space between his body and the floor. 

Shane picked up his phone, he looked at Hayden's contact. He looked at the ceiling. He looked at Hayden's contact again.

contact name: Hayden Pike

 

note:

22:15

sent:

You were right. I think I need to get laid, or something.

status: read

 

The response came back in under thirty seconds.

 

received:

FUCK YES!! WE'RE SO FUCKING BACK 😄

status: read

 

And maybe it would be nice, maybe he just needed sex, or some sort of simple low-steaks relationship. 

 

sent:

Ok... don't be weird pls.

received:

I'm not being weird, I'm being excited for my favourite prude.

sent:

Weird lol. And I'm not a prude.

sent:

I don't want to just meet this random girl, the double date thing could be nice

received:

You got it, buddy

sent:

Yeah whatever, weirdo.

sent:

Thank you Hayden

received:

Love you 😉

status: read

 


 

The restaurant was trying to be cozy and ended up feeling like a cave. Low lights, dark wood, candles on every table, bleeding little circles of soft yellow onto white plates. The air was warm and heavy with roasted garlic and red wine, all of it sitting on his skin like an extra layer.

He had the outside seat at the booth, back to the room, eyes on the door. His shoulders felt wrong against the leather, too squared, too stiff, like he’d forgotten how to sit like a normal person.

Jackie’s friend was called Maya. She really was pretty, Hayden had been right—smooth caramel skin, dark eyes that tracked conversations easily, braids hanging over one shoulder in thick, neat ropes. He could see all of that, admire the pattern of the braids where the candlelight caught the curve, but it didn’t land anywhere in his body.

“Thanks for doing tonight,” Maya said, fingers circling the stem of her wine glass. “Even though it’s after a game. My schedule’s been so fucking packed lately.”

Hayden’s knee knocked into his under the table. Not hard. Just enough to find him.

Shane blinked like someone had turned a light on in his face. He uncrossed and re-crossed his ankles under the table, and forced the muscles in his face into something resembling charm. “Yeah, it’s no problem. You’re a personal trainer, right?”

“Yeah.” She tilted her head slightly, watching him. “Yeah, I am.”

Across from them, Jackie raised her eyebrows at Hayden over her straw, then looked at Shane with bright, nosy interest. “So,” she said, “the game. How was it? Boston’s been coming down hard this season.”

Hayden groaned and dropped his slice of pizza back onto the plate like it had personally offended him. “Don’t even get me started. They’re fucking demons, and Rozanov is the devil. He’s gotta be indoctrinating them with sin in the locker room or something.”

Shane’s jaw tightened. The muscle jumped once, sharp, under his skin. He pushed a piece of cucumber around his plate with his fork until it left a little wet track in the dressing.

“He’s insane,” Hayden went on. “It’s like he was trying to paralyze Shane tonight. Right, buddy?”

“Yeah,” Shane said. The word barely had any tone to it. “He’s a fucking asshole.”

Jackie laughed, leaning her chin into her hand, elbow on the table. “I wonder what he does with all that aggression off the ice,” she said. “He seems like the type to get into bar fights for fun.”

“Serial killer,” Hayden said. “One of those butcher guys in thriller movies. Apron, knives on a wall. Definitely keeps trophies.”

Maya tore a piece of sourdough in half. The crust split with a quiet crackle, soft crumb stretching before it gave. “Or,” she said, “he’s just a weird sex freak.”

Shane's face did something complicated that he hoped read as a smile. The cucumber slid off his fork and flopped back into the salad.

Weird sex freak, huh?

He prodded his salad. That was one way to put it. That was the most conservative possible framing of it. Ilya’s voice could drop to a register that would have a person’s whole body responding before their brain had finished the sentence. 

When they’d had sex, Ilya had brought out handcuffs like it was nothing, like that was standard equipment. Shane hadn’t asked what else he had. He hadn’t wanted to know. Now his brain started filling in the blanks without asking permission.

What else would Ilya do, given the chance? Use rope? Something tighter. Something that left marks you could still see in the mirror three days later. Would he want to tie Shane up so completely he couldn’t move at all, just lie there and take whatever came next, all that control stripped off him the way you strip gear after a game. Would he hit him? Put a hand around his throat and squeeze until his eyes went soft and pleased and—

His breath snagged. He fixed his eyes on a cherry tomato and kept going.

Maybe he’d push Shane down onto his knees on the hotel carpet, hands tied behind his back so he couldn’t even steady himself, just kneel there between Ilya’s legs with his mouth open. Maybe he’d keep his foot pressed between Shane’s thighs, the hard arch grinding up against him while he talked in that slow, bored voice, telling him exactly what to do, what to take, when to swallow. Russian slurs like little knives, every word a cut, and Shane saying yes to each one just by staying there.

Heat pulsed low in his stomach, ugly and bright. He shifted in his seat. The denim dragged against him in a way that was not helpful.

“Okay, okay, I’m literally going to puke,” Hayden said loudly, cutting across the girls’ giggles. “Can we not dissect Rozanov’s sex life at dinner? I’m traumatized enough.”

Shane exhaled a breath he hadn’t realised he was holding. His lungs burned a little on the way out. “Yes,” he said. “Please. Change the topic.”

“Fine,” Maya said, tapping a fingertip against the table as if scrolling for a new idea. “What do you like to do when you’re not being a famous hockey player, Shane?”

He let out a small laugh that sounded normal enough to his own ears, even though it scraped his chest on the way up. “Uh. I’m really into health and wellness.” His voice slotted into the familiar script automatically. “I do yoga.”

Her face brightened immediately. “Shut up, really? I'm a certified instructor.”

Yeah?"

"Five years. I trained in Bali originally, then did a second certification in Mysore." She leaned forward slightly, her braids falling over one shoulder. "What kind of practice do you do?"

"Mostly vinyasa. Some yin before games." He picked up his water glass. "My sports psychologist got me into it, actually. About three years ago."

"It changes everything, right? The breath work especially." She tilted her head. "Do you meditate?"

"Yeah. Morning, usually. On the balcony."

"In March?"

"In March."

She laughed, surprised. It was a good laugh, open and unguarded. "Okay, that's dedicated."

Shane smiled back at her. She was easy to talk to. She was warm and genuinely interested and her braids were pretty and she was looking at him like he was someone worth looking at, and he was aware of all of this from a clean, airless distance, the way you were aware of a rainbow through a window.

His brain was not in this restaurant.

His brain was still on its knees. 

Specifically, his brain was on its knees on the floor of Ilya's hotel room. Ilya is huge. How would it feel to be completely held down? His whole nervous system would go quiet, and the only available option would be to stop fighting. Fuck, and Ilya's thumb would pull on his jaw, keeping his mouth open. 

"—so I've been thinking about opening my own studio," Maya was saying. "Probably next year, if the financing works out. Jackie says I've been talking about it for five years so I should probably just do it."

"You should," Shane said. "If you want it."

"Do you always just do things you want?"

He thought about the thread sitting open on his phone. "No," he said. "I'm pretty bad at it, actually."

She smiled at him like that was an honest answer and she appreciated it. Across the table Hayden was telling Jackie something that was making her laugh, her hand on his forearm. Shane watched them for a second. An easy, unguarded shorthand of two people who belonged to each other. 

He looked back at Maya. 

She was pretty. She was smart. She had trained in Bali and Mysore and she wanted to open a studio. They had things in common, maybe. Under almost any other circumstances… 

The front door opened.

Shane didn’t even mean to look. His eyes jerked up anyway, like someone had tugged a string in the back of his neck.

Ilya stepped in.

The rest of the room went out of focus. The candle between them, Maya’s hand moving as she talked, the condensation sliding down Hayden’s beer glass—it all blurred at the edges like the camera had picked the wrong subject. The only thing in hard focus was black wool and broad shoulders and the familiar angle of a jaw he knew better than his own.

There was a girl with him. Asian, with long black curls falling past her shoulders and the tiniest waist Shane had probably ever seen, his hand resting easily at the small of her back.

Something in Shane’s chest hiccuped and then started hitting the inside of his ribs too fast, too hard, like it had skipped the step where it was supposed to ask his permission. His fork slipped in his fingers; the tines scraped the plate with a high, thin sound. Maya flinched. Shane didn’t even look at her.

The hostess led them to a booth in his direct line of sight. Of course she did. Shane watched Ilya sit—next to her, not across—and spread his arm along the back of the seat like a bracket around her body. When she laughed at something he said, she folded in toward him automatically, muscle memory from a life where men like him were safe.

Ilya lifted his hand and touched her face with one knuckle, a soft little stroke along her cheekbone as she shyly dropped her head. 

What is he saying to her. What is he calling her. Does he say good girl. Does he say baby. Does he touch her face like that and tell her she’s being so good for him, the same way he tells me I’m a good boy when he has his hand around my throat—

Heat crawled up the back of Shane’s neck so sharply it felt like a sunburn coming on in real time. His fingers went numb around his fork. For a second, he wasn’t sure if he was going to throw up or come in his jeans.

“—right, Shane?” Hayden said.

Shane realized there was silence at the table. Three people were looking at him. His mouth was open. Nothing was coming out.

He pushed his chair back too hard. The legs caught on the floor and the glasses jumped, water slapping the sides.

“Sorry,” he said. His voice came out wrong—thin and breathless, like someone else had used it first. “Sorry, I—uh. Bathroom.”

“Ah, shit, okay,” Hayden said, already leaning back to give him space. Then his gaze flicked past Shane’s shoulder toward the booth across the room, and his whole face changed. “Wait. Is that fucking Ilya Rozanov?”

Shane didn’t look to check. He was already moving, squeezing out of the booth, his shoulders knocking the hanging lamp overhead. The heat of the room hit his face, then the cooler air of the hallway as he turned down it, the noise of the restaurant dropping off like someone had closed a door behind his ears.

The corridor to the bathrooms was narrow, walls close, the wallpaper dark and busy. It smelled like citrus hand soap over old plumbing. He pressed his back against the wall halfway down, palms flat on his thighs, and pulled air into his lungs in short, shallow bursts that didn’t feel like they were going anywhere useful.

He stared at the floor, at the thin line where tile met baseboard, and tried to pin his eyes there. His hands were buzzing. The tips of his fingers had gone that numb-tingly way they did when he’d gripped his stick too hard all game.

Footsteps came down the hall, unhurried. The sound bounced off the walls and got bigger in the tight space.

Ilya turned the corner.

Up close, the details snapped back in: the open collar of his shirt, the line of his throat, the faint shadow of stubble. The smell hit a second later, clean cologne, salt, a trace of rink in the fabric.

Shane moved before his brain formed anything like a plan. He stepped off the wall and grabbed the front of Ilya’s shirt in both hands, knuckles colliding with buttons, and yanked him sideways into the strip of shadow between the bathroom doors.

“What the fuck are you doing here,” he hissed. The words shook in his mouth.

The pull barely rocked Ilya. He let the momentum take him the half-step, shoulder hitting the wallpaper with a soft thud, then just…looked down. At Shane’s hands in his shirt, pale fingers crushed into the black cotton, tendons standing out along the back of them. His gaze climbed up, slow, like it was boring, but he was willing to indulge it.

“I am on a date,” he said. His voice stayed level, almost flat. The vowels slid lazily.

“Yeah, well, I’m on a fucking date,” Shane snapped. His heart was everywhere, throat and temples and wrists, battering so hard he could feel it in his gums. He was too close; he could see the texture of Ilya’s skin, every pore. “Did you really follow me here?”

Ilya blinked once.

“What the fuck is wrong with you?” Shane’s grip tightened. He could feel the heat of Ilya’s body under the shirt, the solid thickness of his chest. His head flooded with images faster than he could sort them: being shoved into the bathroom, shoved face-first against the cold tile, the lock clicking, a hand between his shoulder blades, his cheek scraped by cheap metal. 

The ridiculous, humiliating weight of the want hit him so hard he almost swayed with it. He took the tiniest step closer without meaning to, lining his body up with Ilya’s, their shoes almost touching.

He waited for Ilya to move. To grab him back, to push, to hurt, to do anything.

Ilya’s gaze dropped briefly to Shane’s mouth, then to the frantic stutter of his pulse in his throat. Something unreadable flickered across his face and was gone.

He exhaled slowly through his nose and pinched his nose, like he had a headache. “Ah, you are insane, Hollander,” he said quietly. The words came out almost fond, ruined by the tired edge in them. His eyes lifted again, looking at Shane from under his lashes. “Focus on your date,” he murmured. “Instead of asking me to fuck you from across the restaurant.”

Heat flared under Shane’s skin, not arousal this time but a sharp, brittle humiliation that made his eyes sting. He opened his mouth, some denial already scrambling to the front, but Ilya was already moving.

He took Shane’s wrist in his hand. Just firm enough to feel the shape of the bone under the skin. He peeled Shane’s fingers off his shirt one by one, thumb pressing into each tense joint until they let go.

Then he let go of him completely, stepped sideways, and pushed the bathroom door open with his shoulder.

He didn’t look back as it swung shut behind him.

Shane stayed there in the narrow hall, hand hanging stupidly in the air for a second before he dropped it to his side. The blood that had been roaring in his ears left so fast the silence rang. The place where Ilya’s palm had circled his wrist burned; the rest of him felt weirdly hollow, like someone had scooped something important out of his chest and forgotten to put anything back.

He blinked hard until his vision cleared, swallowed down whatever was gathering in his throat, and walked back toward the restaurant.

The booth looked too bright when he reached it. He didn’t sit. He readjusted his coat on his shoulders like maybe that would keep his insides from spilling out.

“Hey.” His voice wasn’t steady. He cleared his throat. “I’m…sorry. I’m feeling really bad. I think I need to go.”

Maya’s expression folded into instant concern. “Oh no. Migraine?”

“Yeah,” he lied. It was easier than explaining that his nervous system had just taken a bat to the knees. “Something like that.”

“Aww,” Jackie said. “Go home, sleep. Text us if you need anything, okay?”

“Yeah, bud,” Hayden added, eyes flicking pointedly past Shane toward the other booth for a beat and then back. “Feel better.”

“I hope you feel better soon,” Maya said softly. “Jackie’ll send you my number.”

“Okay.” Shane nodded, once, too fast. “Thanks.”

He didn’t look across the room. He could feel that booth like a second gravity pull on his skin, but he kept his eyes on the door and walked straight out into the cold.

 

Notes:

Kakaya shlyukha: What a slut
da ladno, blyad: oh fuck, come on
d'accord: ok
Tabarnak: very strong Quebec French swear word equivalent to fuck

i'm on twitter ilyassoull and i'm usually pretty active, i take requests and talk about filthy things.
i also have a tumblr unseemlyndisturbed where you can send asks, i post teasers about my wips, write one shots and do lots of detailed character analysis.

 
a bit of a filler chapter. also not a filler chapter at all. pftt.

what this chapter is actually about: shane hollander did the work. that's the thing i need you to understand before you decide he's weak or stupid or pathetic. he crawled out of a very deep hole, inch by inch, by himself, and he built something solid on the other side of it. the problem is that he built it, accidentally, around ilya rozanov. around submission and control and the silence that arrived when someone else was driving. which is, arguably, the basis of what kink is supposed to be (when it's done right, when it's done safely, not with the person who caused the trauma in the first place).

so when shane became aware of how the semantics of his "relationship" and yanked ilya out from under himself, the whole structure came down. honestly shane, you cannot remove a load-bearing wall and be surprised when the ceiling follows.

he is scrambling. the food restriction (very prominent this chapter, yes?) , the over-training, the masturbating twice on a tuesday afternoon and feeling the whole city watching. the double date. all of it is shane trying to find something that works, something that fills the specific shape of what ilya used to fill, and coming up empty every time. shane is smart. he's just not quite ready to follow through with what he needs to. yet.

is ilya there by coincidence? that's a good question, lol, what do you think? finished this note a little tipsy, as well as the chapter, i didn't want the final scene to happen, i didn't want ilya to show up at first, but my body was possessed by the writing spirits, and i couldn't stop myself, shout out to zebi for beta reading as always. i couldn't do it without you.

chapter 7 is coming, and vegas is coming with it

Chapter 7: New Person, Same Old Mistakes

Notes:

i've rewritten some important aspects of chapter 3, particularly, one of ilya's pov scenes and the texts. i really recommend going back and rereading that scene, it's the 3rd to last one.

it's vegas! thank you and hello to all our new readers. i didn't know i would get so much traction from posting my work on twitter, i assumed i would just get lashings and whackings. so thank you all for being kind.

i hope you are satisfied. i am. chp 8 will be posted sometime mid week, next week, and chp 9 will be hopefully posted on friday/saturday.

song reccomendation for this chapter is New Person, Same Old Mistakes by Tame Impala

(See the end of the chapter for more notes.)

Chapter Text

June 2014 

The bathroom in the venue was the size of his first Moscow apartment.

Old floors, old walls, the lighting recessed and warm so that everything had the look of piss poured over stone. It smelled like dust and something synthetic beneath that, the aggressive cleanliness of a place where every surface had been wiped down to erase the evidence of whoever came before. Ilya stood at the sink with both hands braced on the edge of the counter and looked at himself.

The suit was black with velvet trim along the lapels. He had let the stylist talk him into the bow tie because Shane was wearing one too; it sat at the base of his throat, perfectly centered, the silk lying flat. His hair was longer than he usually kept it—long enough that it had required product, that it had required a comb and a side part, the curls pressed into a shape that was not their natural one. He looked expensive. He looked the part. Maybe he was the part.

His jaw twitched. The muscle just below his right cheekbone, a small involuntary knocking, like something behind the bone that had been pressing its case for hours and had not yet been heard.

He had barely noticed it until now, the way the tendon pulled tight for a half second and released, pulled tight and released, keeping its own quiet time. He lifted one hand from the counter and pressed his knuckles against the hinge of his jaw, felt it push back against him, insistent, his own body in quiet argument with itself. He held the pressure there, knuckle to bone, until the knocking slowed. He took his hand away. It started again.

He breathed through his nose.

The Cup. He had his hands on it, actual flesh touching metal, his name already at the engravers. He had done every single thing that had been asked of him on a sheet of ice since he was four years old, and then he had done more, and then he had done more than that. 

Grigori could take all of that and do whatever he liked with it. Preferably choke on it, die with it being the last thought he had. And the federation officials, and the men who had told him at seventeen with their eyes that his English was too rough, his attitude too difficult, that he was not a good candidate for the North American game. All of them. Every single one of them. They could all go fuck themselves. 

He had done it,  it was done, and the Cup was real, and it had happened, and no one could reach back in time and take it away.

He moved his hand from his jaw up his neck, slowly. Watched himself do it in the mirror. His palm was warm against his own skin, the stubble catching slightly on the heel of his hand, the pulse there jumping once against his fingers before he settled his grip. His own fingers around his own throat. He watched his eyes in the mirror and tightened, incrementally, until he could feel the curves of his own airway.

In the mirror, his forearm tensed, the tendons rising to the surface in clean parallel lines, and above his own hand, his eyes looked back at him.

Blue.

His Mama's blue. It had looked like life in her face, in her wide copper-curled brightness, like the colour was part of how she moved through the world, openly, warmly. Pale, speckled, the sort of colour that in different light looked like different things— but in the warm amber of this bathroom, they looked grey. Flat. Like water you wouldn't wade into because you couldn't see the bottom. Maybe his Mama’s eyes were not warm. Maybe they also looked like a painter-over-wall, a window with the shutters nailed shut from the inside. 

Probably, somewhere in his lineage, someone had stood in front of a mirror with these same cold coins for eyes and thought the same useless thoughts. Chronically cold, these eyes. He had been told this his whole life in different configurations—by coaches, by journalists, by women who initially found it attractive and later found it alarming. Your eyes, they said, give nothing away. As though that were an accident.

He squeezed.

His pulse pushed back against his fingers, steady and indifferent, going about its business regardless of what his hands were doing, and in the mirror, his face did not change. The jaw stayed tight, the mouth stayed flat, the eyes stayed exactly as they were—nothing moving behind them.

He wanted to see it happen. Whatever it was, warmth, some photochemical reaction in the iris, the thing that happened to other people's eyes when they were present in their own bodies. He had watched Shane's eyes fill at their corners with almost nothing. A piece of music coming through a speaker he hadn't prepared himself for. A bad call in the third period. 

Two dark moons in his face. 

He had watched Shane try to shut it off and fail. He had watched the tears gather at the inner corners, diamond-bright, involuntary, the body insisting on its own evidence.

He wondered what it would take to make his own eyes do that.

He let go.

His fingers trailed upward, dragging slowly across his cheekbone, the bridge of his nose. He ran one fingertip along it—the ridge of cartilage and calcified bone, the slight deviation where it had been broken and reset. Broken and reset. The first time it broke was not on the ice. His finger pressed into the slight imperfection at the bridge where the bone had knitted back imperfectly. He pinched it.

The body standing in this dark bathroom was not the same bundle of cells that had been conceived in Moscow twenty-two years ago. His body had rebuilt itself. Not just the muscle mass, not just the scar tissue layered over old damage in practiced rings—shoulder, knee, ribs—but deeper. Under the skin, under the fat, under the dense fibres of muscle that had been broken down and rebuilt and broken down again through ten thousand practice sessions, the bone itself had reorganised. Every cell had replaced itself. He had read somewhere that the human body replaced all of its cells over seven years. He had been in Boston for five. Soon, there would not be a single original particle of the boy who had left.

His thumb moved before he was aware of it. Went to swipe across the left corner of his own mouth to catch the foam there, white and faintly iridescent, catching the bad fluorescent light.  He could taste the bitterness of it on his tongue, could feel the burn of bile rising in his throat.

What foam. There is no foam there. 

His fingers hung in the air beside his cheek, arrested mid-motion. The heat of his own palm against his skin without touching it, a centimeter of air between them.

He lifted his hand and slapped himself across the cheek.

“Blyat.” 

His palms came down on the counter hard, the crack of it shooting up through his wrists, the chrome fixtures rattling with the impact. The sound bounced off every tiled surface and came back at him from all directions at once, filling the room, and he stood in it with his teeth together and his breath coming fast and ragged through his nose.  He had everything he'd ever wanted within his grasp, and his body was still begging for more, letting demons of his past crawl out from the mirror and sink their claws into him.

Ilya dragged both hands up over his face. Palms scraping up over his jaw, his cheeks, the bridge of his broken nose, his temples, fingers raking back through the gelled curls they had spent twenty minutes on, not caring, pulling the skin of his face upward and back until his features stretched into something almost unrecognisable and then letting go, letting everything fall back into place, and standing there with his hands still pressed against his temples and his breath still ragged and the sting still fading from his cheek.

Yes, what was he doing? What was he doing standing in a bathroom in Las Vegas, dissociating over— over what

He shook his head once, let out a deep breath, and reassembled his face, smoothed the stray curls back into place.

Whatever it was didn’t matter, anyway. He had won the cup. He will win MVP. And somewhere in this building, right now, his was existing. Breathing. Adjusting his bow tie with hands that probably weren't entirely steady. Soon he would see him, and the whole 200 days of waiting would collapse into nothing, the months of distance folding up as they had never been.

Shane. The name was like a prayer on his lips, a talisman against the darkness that threatened to consume him. Shane, who had ignored him for 62 agonizing days, who had left him hanging in a void of silence and uncertainty. Shane, who Ilya had punished with a 124 days of his own coldness.

He had been patient. He had been, by any reasonable measure of the word, extraordinarily patient. He had felt the thread between them pulled taut and had held it without cutting it and without closing it, simply held it, taut, two hundred days of tension stored in a single thread.

But that was all in the past now. The waiting, the watching, the endless reserves of patience that Ilya had never known he possessed - it had all led to this moment. 

Shane had come to him.

And Shane would come to him again tonight, in one form or another, because Shane did not have a choice about this, and they both knew it, and the knowing of it was the only thing that had made the 124 days survivable.

He reached for his watch on the edge of the sink, slid it over his wrist, and clicked the clasp into place. He checked the face of it. He was, as he had intended to be, running seven minutes late.

Three minutes till he sees his favourite person. 

His jaw had stopped twitching. His cheek still held the heat of the slap, a fading warmth pressed into the bone that would be gone in another thirty seconds. He adjusted his bow tie in the mirror, and his expression was exactly what it always was—guarded, still, the pale eyes giving away nothing.

Shane was his favourite person in the entire world.

Ilya turned on his heel, the soles of his dress shoes clicking against the tile floor as he strode towards the door. He paused with his hand on the knob, taking one final deep breath to center himself.

 


 

The backstage was all exposed pipes and black cable runs and the sensory hell of a venue from the wrong side, the music from the main stage bleeding through the walls as a vibration rather than a sound, felt in the sternum rather than heard, and the lighting back here was the harsh fluorescent kind that left no softness anywhere.

The kind of space that existed purely to be moved through quickly and wasn't designed for standing in for fifteen minutes while your heart tried to exit your body through your sternum.

Shane was standing in it. He had been standing in it for fifteen minutes.

He checked his watch. Seven minutes past their call time. Then checked it again thirty seconds later because checking it the first time had not made time move any differently

Seven minutes. Ilya was seven minutes late, which was technically within the realm of things that happened to people who were not trying to make a point, except that everything Ilya did was trying to make a point, and the point right now was unmistakable: you are not worth being on time for. You are something to arrive at casually, incidentally, whenever it suited. You are a pitstop, not a destination.

He pressed a palm flat against one of the overhead pipes and held it there. The metal was scalding, some ventilation system running hot somewhere above him, and the burn spread immediately across his palm, red and immediate and entirely grounding. He held it. Breathed through it.

Okay. What if Ilya didn't show? What if he had to walk out there and present the Lord Talon Award alone, standing at a podium in front of every person in professional hockey, and explain the conspicuous gap beside him? Hi, yes, Rozanov isn't here, probably because he has correctly identified me as a pathetic, cock-drunk fool who grabbed him by the collar in a restaurant hallway and shook him like a—

He pulled his hand off the pipe.

The skin of his palm throbbed. He pressed his fingers into it and breathed out through his nose.

What if Ilya did show?

That was arguably worse. Because then he would have to stand next to him. In front of cameras. With a microphone. And he would have to look normal doing it—relaxed, easy, the good-natured rivals bit—while standing two feet from the person he had been jerking off to for the better part of four months. Not even to anything real. To the memory of a text. To the angle of a jaw in a post-game interview. To the weight of a hand closing around his wrist in a narrow hallway and peeling his fingers off a shirt, one by one, like that was nothing.

Would Ilya be able to tell?

No, he told himself firmly. No. Obviously not. He was a professional. He had been performing for cameras since he was seventeen years old. He could stand next to Ilya Rozanov for four minutes and present an award without broadcasting the entire interior of his skull to the TSN broadcast team.

He was fine.

He was fine, he was safe, and this? Well, nothing was happening. He shook his head once, sharp, and straightened up, and rolled his shoulders back inside the suit jacket and checked his watch again.

"Wow, nice watch." The drawl came from directly behind him. "They give this to you for free, or what?"

The strings pulled. His spine went straight before he had consciously decided anything, his chin lifting, his whole body snapping into alignment. He felt it happening and hated it, the involuntary, humiliating betrayal of his body, like he was coded for it, and forced his jaw to clench down hard over whatever his face had been about to do.

He exhaled slowly. Shoved his hands into his pockets. Smooth.

"Where the fuck were you?" he said to the air in front of him, to the dark curtain six feet away, to literally anything that was not Ilya. His voice came out flat and clipped, and he could not tell from the inside whether it read as indignation or barely-managed terror. He hoped it was indignation. "We're on in five seconds."

"More like twenty-five seconds." He could hear the eyebrows in it,  the shrug audible in every syllable. The bravado landed in Shane's ribs like a blade slipped neatly between them. Still doing this. Still doing the whole effortless, unbothered thing, still existing inside that impenetrable climate of nothing-touches-me, still making Shane feel like he was the only person in any room who was visibly affected by anything.

"What were you even doing?" Shane said, his throat tightening around the end of it.

A step. Ilya moved up beside him, and their shoulders connected—a brief, glancing pressure through layers of expensive fabric, there and then gone as Ilya settled into the space—and Shane's nervous system registered it the way it registered a hard check into the boards: total, instantaneous, all-consuming. His palm was still throbbing. The intro music started somewhere beyond the curtain, muffled and bass-heavy, and he could hear a presenter's voice rising over it, the cadence of someone building to an introduction, their names forming somewhere in the middle distance.

He didn't care. It felt very far away.

"I was busy," Ilya said.

Shane turned his head. He didn't mean to; it was the same involuntary physics as the spine-straightening, the same puppet strings, and for a second, he just looked.

The suit fit him like a second skin, lying flat across the broad shelf of his shoulders without pulling, the lapels lying clean, the velvet trim catching the blue-purple backstage lights in a thin, dark line. The mole on the side of his face stood out starkly in that light, the angle of his jaw below it tight and still. His curls were pressed into a slightly imperfect side part—a single curl had escaped somewhere above his right ear. He looked nonchalant. He looked fucking hot.

Shane did not know why he said it. He did not decide to say it. It came up out of him without permission, bypassing whatever mechanism was supposed to screen these things before they reached his mouth.

"With who?"

Ilya's jaw twitched. Just once, a small knock beneath the skin, there and gone. His eyes moved to Shane's face, a half-second of something that Shane couldn't read because he wasn't given enough time to read it, and then Ilya turned away.

He stepped forward and pushed through the curtain.

The music swelled. The light on the other side was blinding white, the crowd noise crashing in through the gap before the fabric swung shut again.

Shane stood in the dark and felt the question hanging in the air where Ilya had been, unanswered, already irretrievable.

He pressed his throbbing palm flat against his thigh.

Then he followed him through.

 


 

The light hit Ilya the moment he cleared the curtain, eight thousand watts of it, white and total, the kind of light that turned the audience into a single breathing darkness and left you standing alone in the center of everything with nowhere to hide. Ilya walked into it and felt, immediately, and despite himself, the smile began.

He bit his lip to hold it. It didn't work.

He could feel Shane two steps to his left, reading from the teleprompter with the careful precision of a man who had rehearsed this, who had stood in front of a mirror this morning and practiced the cadence of it, who had shown up twelve minutes early and was now going to get through this with every muscle in his body locked down if it killed him.

The faintest crease between his brows as he tracked the scrolling text. The shake in the breath between sentences, so small it was barely a shake at all, more like the ghost of one. Ilya watched him in his peripheral vision and felt the laugh building in his chest and pressed his clasped hands harder together in front of him to keep it from coming out.

With who.

He dragged his tongue slowly along the back of his top teeth and looked at Shane over the podium. Shane's eyes caught his for a half-second, then went back to the teleprompter. Ilya let his gaze stay.

With who indeed, solnyshko.

The question had come out of him without preparation, without the usual armour, stripped completely bare by whatever was happening in Shane's chest that he couldn't close back up. His heart on his sleeve, people would say. But that wasn't right—it wasn't anywhere near the surface voluntarily. Shane kept his heart behind four inches of reinforced bone and every professional habit he had ever cultivated and even then, it wasn't enough, even then it leaked through the seams when Ilya was looking. Because Ilya had been the one looking for long enough to learn the seams. He had gone through the ribcage, through all of it, the cage Shane had built over years of being told his reactions were too large, his feelings too much, the cage that kept the soft muscle of his heart so perfectly hidden that most people never knew it was there at all—

He had gone through all of it. Had brought that thing out into the light, that red and beating and bloodied thing, and held it carefully in both hands and shown it back to him. This is what you are. This is who you are.

And it only beat for Ilya. Surely Shane knew that by now.

He turned back to the teleprompter, and the smile was still there, and he let it stay.

Maybe this was what his eyes looked like when they were alive. He had stood in a bathroom fifteen minutes ago and wondered what it would take—what force would be required to make those dead fish eyes do something, feel something, register the fact of being inside a living body. And now here, under a thousand watts of stage lighting with Shane Hollander's shoulder three inches from his own, he could feel every capillary beneath his skin lit up and pounding, his blood moving with a clarity and urgency that the last four months had not contained. His heart was hitting his sternum with something that felt almost like enthusiasm. His lungs were working with actual investment in the outcome.

Maybe this was it, maybe this was what living feels like. 

Maybe this was just what Shane did to him, and maybe that was fine. Maybe he didn't need to understand it beyond the fact of it, that he was only alive in proximity to him.

He leaned forward toward the microphone. "Is the friends we made along the way." He clasped his hands in front of him. Raised his eyebrows at the room.

The laughter came back at him from the dark in a warm wave, rolling across the floor and washing over the stage, and Ilya stood in it with his face straight and thought about how much funnier it would be if he leaned back toward the mic right now and said, completely conversationally: You know this guy likes to be choked during sex? Just to see what Shane's face did. Just to watch the careful composure disintegrate in real time in front of four hundred hockey professionals and the TSN broadcast team.

He decided against it. Marginally.

"Hey." He glanced sideways at Shane, then back at the teleprompter, keeping his voice in that register—the one where he pushed the accent a little thicker, let the English go a little choppier, worked slightly harder than necessary to find the words. "Before we give out next award—" he slipped his phone from his jacket pocket— "can I get selfie with you?"

He watched it happen. The almost-imperceptible release of tension in Shane's jaw, the corner of his mouth lifting a fraction, the slight softening around his eyes. For the cameras? Maybe. For Ilya? Also maybe. Probably both, and the fact that Shane couldn't always tell the difference anymore was one of Ilya's quieter achievements.

Shane looked at the phone, then back at him, the soft scoff moving through his nose. "Okay, fine." He nodded toward the screen. "But hurry up."

The audience laughed again. The crowd loved them. Of course, they did—the Russian and the Canadian, the rivals who could barely stand each other, doing a bit together at the most-watched awards ceremony in the league. If they only knew.

Ilya brought his arm around Shane's back. He let his hand settle at the nape of his neck, fingers curling into the short hair there, the heel of his palm pressing into the knob of the top vertebra, and he gripped with more force than the moment required—more than a casual arm around a colleague's shoulders, more than the cameras needed, more than anyone observing them would consciously clock but enough that Shane would feel it, that Shane would feel Ilya's hand owning the back of his neck in front of four hundred people who had no idea what they were seeing.

 


 

Five photos.

Shane counted them. The shutter sound went off once, twice, the pause where a normal person would check the screen and pocket the phone, and then three, four, five.

The grip at the back of his neck was not a casual thing. It was not the loose, performative arm-around-the-shoulder of two colleagues doing a bit for the cameras. It was fingers, and pressure, and a large hand that knew what it was doing—the heel of his palm settled into the top of Shane's spine with an almost medicinal weight, the kind of pressure that went straight down through the nervous system and said stay, stay, stay. Shane could feel every individual point of contact. He could feel the warmth of it radiating through his collar. Little goosebumps chased each other up the back of his neck and down between his shoulder blades, and he leaned fractionally forward—toward the camera, ostensibly, plausibly, toward the camera—and his skin pulled toward Ilya's hand the way a compass needle pulls north, the orientation not chosen, just true.

He thought about what it would feel like if the hand moved. If Ilya slid it around to the front, to the hollow of his throat, to where his pulse was going completely haywire beneath the tie, and squeezed the way he had in the hotel room last year. The thought sent a wave of heat rolling down his body all the way to his crotch.

He was going to die. He was going to die on stage at the League Awards in front of four hundred people and the entire hockey-watching public and the cause of death was going to be listed as Ilya Rozanov's hand.

Then the hand moved.

Not away—mercy did not care for Shane Hollander—but down, drifting with a slowness that could not have been accidental, from the back of his neck, across the plane of his shoulder, and then along the line of his spine, tracing the curve of his back through expensive fabric until it reached the top of his ass and rested there. Shane's fingers tightened around the envelope in his hands. He could feel the paper crumpling at the edges where he was gripping it.

"Great." Ilya smiled out into the blinding yellow dark of the audience, white teeth catching the stage lights, every inch of him the picture of relaxed amusement. Then he squeezed.

Shane jolted. It moved through him like a current, a full-body flinch he managed to compress into something that probably just looked like a shift of his weight, a slight adjustment of his stance, nothing anyone in the audience would clock, nothing the cameras would catch. The envelope crinkled audibly in his fists.

"Give me your number," Ilya said, sliding his phone into his pocket with his free hand, gaze fixed serenely forward. "I'll text them to you."

Shane stared at the side of his face. The mole. The jaw. The impassive blankness that said he found what he was doing to Shane in front of every important person in North American professional hockey slightly funny. 

"No chance," he heard himself say. The audience went up—a warm, rolling burst of laughter, genuine, delighted, exactly what the moment called for. 

Shane looked down at the envelope in his hands. His palms had gone hot and damp inside the paper. He couldn't feel his legs with any particular reliability. Somewhere behind the wall of stage lights, hockey professionals were laughing at the charming spectacle of two men who apparently couldn't stand each other, and Shane was standing here, shrivelling quietly inside his own skin, watching the whole thing happen through two holes in his skull, a body going through correct motions while the person inside observed from a great and airless distance.

His voice, when it came out, was steady, professional.  He did not know how that was possible. He saved it under things to examine later, in private, when he had the resources.

He worked his thumb under the seal of the envelope and started to open it. "And the Lord Talon Award for the most sportsmanlike player goes to—"

 


 

He got through the curtain and the air changed.

Not because it was different, not really, but because his body had crossed some invisible line and the whole world went with it. The applause was still behind him, the lights still hot on the stage, but here in the backstage corridor, everything thinned out and sharpened at the same time. The black tape on the floor. The matte metal of the pipes. The stale breath of the ventilation system pushing warm air down the back of his neck. He took one step, and the floor seemed to tilt under him, not enough to make him fall, just enough to make him aware of every muscle in his calves trying to keep him upright.

The corridor swallowed him. Dark and narrow, the ribcage of the building, all exposed pipe and black cable and the distant muffled sound of the ceremony continuing without them, some other presenter's voice rising and falling behind the curtain like something heard through water. 

His pulse had become a separate animal. It beat in the hollow under his sternum, then his throat, then behind his eyes, each thud arriving hard enough to make him feel it in his teeth. The grip from the stage was still on him. Not literally—he knew that. But his skin hadn’t caught up yet. The back of his neck still burned where Ilya’s fingers had been, and the warmth had spread, somehow, to his shoulders and down the ridge of his spine, like the touch had left a stain he couldn’t scrub off.

He kept moving because stopping would mean standing still with all that blood in his head, and he didn’t want to know what would happen if he did.

The corridor narrowed, then narrowed again, the kind of backstage passage that always smelled like dust and hot wiring and old carpet that had absorbed too many spills to ever smell clean again. Shane could hear the ceremony through the curtain behind him, a wave of applause rising and falling in a room that had become impossibly far away. The sound pressed from the inside of his skull, a low white roar. Each breath scraped. The air had weight. It took effort to pull in, and then it seemed to stop halfway down, like there wasn’t enough room left in him for it to go.

He wanted to be angry. That would have been easier. Anger had somewhere to go. But what kept leaking through was something softer and worse, something that made his stomach twist and his skin go loose and cold at the same time. 

He reached the bathroom and shoved through the door.

The room was small and bright in the worst possible way, fluorescent light flattening everything into cheap colour. The soap dispenser was half empty. There was a smell under the bleach, old plumbing, and something sour trapped in the grout. Shane put both hands on the sink hard enough that the porcelain bit back into his palms and bent over it, head hanging, shoulders rigid.

His fingers shook against the edge. Not enough that someone standing behind him would have seen it, maybe, but enough that he saw it. He saw every tiny vibration. He saw the tendons in the backs of his hands jump under the skin. He saw the muscles in his forearms stand hard and white where he was gripping too tightly. He felt the whole of his body trying to decide whether to bolt or vomit or fold in half.

His breathing was too fast. Too shallow. Each inhale came in thin and sharp, as if his chest had forgotten how to widen all the way. He forced one in through his nose and it came out again before it had settled anywhere useful. Another. Another. His throat tightened around the next one and he swallowed air instead of taking it in, which made the pressure in his head worse, made the buzzing behind his eyes sharpen to a bright, miserable line.

He could still feel Ilya’s hand. The skin still warm in the exact shape of each finger, the impression of the grip still there, the way a handprint stays in cold clay. And the trail of it, the drag down the curve of his spine, the weight settling at the small of his back, and then lower. He was probably imagining the finger between the crease. He was probably constructing that from the raw material of anticipation, his body filling in what it had been braced to receive.

His eyes stung.

He bent lower, almost touching his forehead to the sink, and for one horrible second, he thought he might actually slide down it and end up on the floor with his cheek against the tile and his knees tucked tight to his chest, some broken thing folded under a sink where the crew would have to step around him. Like a doormat, because that’s what he was. His arms shook harder at the thought. His heart hammered against the inside of his ribs so hard it seemed to move his whole torso with it. He could feel heat blooming under his collar, then a rush of cold across his scalp, then the prickling flood of sweat at the base of his spine.

The door opened behind him.

He straightened too fast. The movement caught in his chest, painful and abrupt, and his hands tightened on the sink as if that could keep him from tipping over. 

Ilya’s body.  The room seemed to shift it, around the indecent ease of him crossing the tile and settling against the wall beside the hand dryer. His body looked composed in a way that made Shane’s feel twice as loud by comparison. Shoulder to the wall. One arm hooked over the machine. Head tipped just slightly. He let out a breath, a soft sigh. 

Then he raised his eyes.

They came up slowly, pale and careful, and found Shane's face, and stayed there.

Shane didn't look in the mirror. He couldn't. He didn't have the courage right now to see whatever was happening in his own expression. He could feel it, though. And it felt pathetic.

Shane tilted his head up.

 


 

Brown. The word was useless for what was actually there. Brown the way a forest floor in October was brown, not a colour but a whole system of colour, built up in layers over a long time, everything underneath still present and contributing. The iris was dark at its outer rim, a clean border like the tree line at dusk, where the sky ended, and the wood began, and then inward it fractured. Warm amber threading through deeper walnut, and within that, flecks of something almost green—not green, but the suggestion of green, the light filtered through canopy, that gold-green that happened in the Losiny Ostrov in the first week of May when the leaves had just opened and weren't quite opaque yet and the sun came through them sideways in the late afternoon and turned everything it touched briefly precious.

Ilya had been in that forest once, when he was seven. The birch trunks were white and close, the ground soft with old leaves going back to earth, the light doing exactly that—fractured, warm, unreliable, falling through the branches in broken columns and catching the disturbed air wherever something had moved through it.

Within the warmth, if you were close enough—and Ilya was close enough now, four feet across a small, dim bathroom, nothing between them—there were darker flecks, deep brown going almost black at their centres, like the shadows under the oak roots where the frost stayed longest, where the light never quite reached. And at the very inner rim, circling the pupil, a ring of something richer, almost copper, the colour of the leaf litter in late autumn when it was still wet from the night before and hadn't yet dried into something dull.

A snowflake had fallen once in that forest, in his memory, a single one, and he had held out his palm, and it had landed there, and he had looked at it before it went to water, the wet brightness of held tears thickening the light at the inner corners, turning it glassy and sharp. The oak trees bending in wind they hadn't predicted. The birds going quiet all at once before a storm.

A sound escaped him.

 


 

Ilya laughed.

Not the real one, but that smaller version, the one that lived in the back of his throat and came out quiet and a little mean. He lifted the hand resting on the dryer with a small shrug, his mouth pulling into that crooked half-smile, and shook his head once, gently, like Shane was something he found both predictable and privately delightful.

"Well?" he said.

The panic in Shane's chest coiled and converted, fast and clean, the way gas ignited. Something yanked him up out of that soft, broken place and deposited him here, in a fluorescent-lit bathroom, with his blood running hot and his hands wanting to break Rozanov’s jaw.

"What?" The word came out with a scoff attached to it, his eyebrows going wide, his voice already too loud for the room. "What do you want, Rozanov?" The words were flooding now, unstoppable, falling out of him in the desperate, graceless way of things that had been held too long. "You haven't answered a text from me in like five months." He gestured with both hands, the movement sharp and helpless at once. Ilya stayed still against the wall, his mouth tight now, the half-smile still there but hesitating, something underneath it going quiet. "You'll barely even acknowledge I exist unless there's a fucking camera pointed at us, and then it's for a—" Shane stopped, his jaw worked. "For a fucking clown show."

The smile disappeared completely.

Shane watched it go and didn't stop. "So yeah." His voice climbed. "What the fuck do you actually want from me?" He stared at him. "Well?"

Ilya let his head fall back against the wall, fully, the long column of his throat exposed to the fluorescent light, and stayed there for a moment, head back, eyes on the ceiling, and then came forward again, slow, dipping his chin and unbuttoning his blazer with one hand.

"I want you to suck my dick," he said. His voice was completely flat.

Shane turned away. Both hands went to the front of his own head, fingers pressing into his skull. "Oh, fuck you," he gasped, the sound torn out of him, and turned back. His eyebrows pulled tight. "You are unbelievable." The last word shook at the end, making him sound younger than he was, and he knew it, and couldn't stop it. "You suck my dick."

He shook his head. The anger was still there, but underneath it, something else was moving, something that had no name he was willing to use right now, something that had been building since a backstage corridor and a selfie and a hand at the back of his neck in front of four hundred people.

He turned to the mirror.

His own face looked back at him. The flush climbing his neck, the brightness in his eyes, the bow tie still straight because the night had been designed to humiliate him in every possible detail. His chest was heaving slightly. He looked completely unhinged and completely alive and absolutely, catastrophically done for.

 


 

Shane's reflection arrived in the mirror before Ilya looked for it. He hadn't meant to look. But there it was—the mirror above the sink catching Shane's face and holding it, and Ilya standing behind him with the wall at his back, watching.

A shudder moved through Shane's mouth. Not a sound exactly, not quite, more the shape of one, the ghost of something that wanted to be a word and didn't make it that far, just left his lips as a low, soft decimal, barely a breath, barely anything. Shane himself probably hadn't heard it.

His brows had collapsed inward, the two lines between them deeper than usual, pulled down by something that wasn't anger, the opposite of anger, a feeling that came when you'd been carrying something too long and too alone, and your body had finally run out of the resources required to keep it upright. His hands hung at his sides, drifting slightly, shifting, as if they kept reaching for something to hold onto and finding nothing. 

Every cell of his was making the same sound. Ilya could hear it—please, I don't know what to do, tell me, please.

Ilya pushed off the wall.

He crossed the tile slowly, his shoes quiet on it, head tilted, looking for Shane's eyes in the mirror. They weren't available. They were somewhere else, sliding inward, turned toward a dark interior that wasn't this room, wasn't this moment—Shane falling into himself the way he did when the ground went soft under him, retreating to whatever small, dim place he went when things got too large and too close.

That was fine. Ilya could be patient for another few seconds.

He reached him. He stood close enough that he could feel the warmth coming off the back of Shane's neck, the strip of skin above the collar still hot where his hand had been on stage, still holding the heat of it. He reached out and took Shane's chin between his thumb and fingers, the grip firm and deliberate, and turned his face.

Shane's eyes stayed down. Eyelashes against his cheek, dark and still.

Ilya tilted his chin up.

The eyes stayed down.

He applied the smallest additional pressure, and Shane's lashes fluttered, and his throat moved on a swallow, and his eyes came up, finally, reluctantly, like something surfacing. They were devastating.

Red at the rims, the skin there bruised-looking, tender. The irises so full of light and liquid that Ilya could see his own reflection in them—the shadow of his own face, reduced and dark, floating in all that brown. The tears hadn't fallen. They were simply there, brimming, sitting at the inner corners and making everything brighter and more unbearable by proximity, the way frost made things vivid before it destroyed them.

Ilya leaned in, not all the way, just enough. "Maybe," he said quietly, "ask nicely."

Shane shook his head, a tiny, helpless motion, and tried to drop his chin, tried to find the floor again, tried to disappear back into himself. Ilya kept his face exactly where it was. Held him there in his hand. 

"Hm?"

Shane blinked.

The tear at his left inner corner let go. Just the one, it tracked down the side of his nose in a clean, thin line, and Ilya watched it go. Shane's mouth had been pushed into a slight pout by Ilya's grip on his jaw, lips parted, his breath coming in shallow pulls that moved his chest visibly. "Please," Shane said.

It came out small. Pressed soft against his lower lip by the way Ilya was holding his face, the word barely more than an exhalation, but it was there, it was whole, it was entirely meant.

Something moved through Ilya from the crown of his head to the soles of his feet,  the way good vodka moved, the way sunlight moved through a window you'd forgotten was there. He felt himself smile. Not on his face, or not only there, in his chest, in the backs of his hands, in the place behind his sternum that usually held nothing but pressure.

He leaned forward until their foreheads almost touched. A centimetre of charged air between them.

"If you want me to get on my knees," Ilya said, low, close enough that the words landed against Shane's mouth, "on this filthy bathroom floor—" he paused, watching Shane's eyes flutter, watching the slight catch in his breathing— "and suck your dick." Another pause, long enough to feel. "You will have to ask nicer than that."

Shane's throat worked. His eyes dropped to somewhere around Ilya's mouth, then came back up. Ilya felt his thumb move along the line of Shane's jaw almost before he'd decided to move it, dragging slowly, the stubble catching on the pad of his thumb, and then he released the grip.

Shane's head dipped. The shyness of it was extraordinary—a man who had captained a professional hockey team since he was twenty years old, a man who had been interviewed by a thousand cameras, dropping his head like he didn't know what to do with his own face. His voice came from somewhere lower than his usual register, the vibration gone out of it, thin and quiet and terribly sincere.

"Please get on your knees." A soft exhale, almost a sigh, "On this filthy bathroom floor." He swallowed. "And suck my dick. Please.”

Shane leaned forward. His forehead found the curve of Ilya's neck and pressed there, settling into the hollow between his collar and his jaw, and the exhale that followed was the longest exhale Ilya had ever heard from him—something that had been held since Montreal, since the hallway, since the restaurant, since 124 days ago, finally and completely released into the warm space between Ilya's throat and his shoulder. His nose pressed into the collar of Ilya's jacket. He breathed in. Then again. The way something deprived breathed when it finally reached what it needed—carefully, like he was trying to make it last.

Ilya stood very still and felt Shane breathe him in and wanted to give him everything.

He could do it right now. Press him gently back against the wall, sink down onto this disgusting floor without caring about the floor, give Shane his mouth and his hands, and watch those eyes go liquid and dark and finally, finally stop carrying whatever it was they'd been carrying.

He wanted to.

He was not going to.

"No," Ilya said.

"What?" The word was muffled against his jacket.

"No," Ilya said it again the same way, flat and certain, and felt Shane's breath change against his collar, felt the small sound he made, somewhere between a whimper and a sigh. Ilya brought one hand up and rested it briefly at the back of Shane's head, and then stepped back. 

"We will go back to our seats," Ilya said. "Watch the rest of this boring show." He watched Shane's face. "And then go to boring party after."

Shane made a soft, ruined sound.

"And then," Ilya continued, tilting his head slightly, "when you have been waiting all night—" he paused long enough to let that settle— "you will come to my hotel room. And then I will maybe—" he closed one eye— "maybe do more than just suck your dick."

For a moment, nothing.

Then the corner of Shane's mouth moved. A smile, but smaller than a smile, softer. His eyes creased at the outer corners, damp and bright. He looked, in this terrible fluorescent light, in this bathroom that smelled of bleach and old pipes, like the most beautiful thing in the world.

"When did your English get so good?" Shane said.

Ilya leaned back against the counter and crossed his arms. "I, uh." He considered. "I read the New Yorker now."

Shane's head came up properly for the first time. "Really?"

Ilya watched him. That grin, cautious and warm and beginning to arrive despite everything, Ilya felt his heart lurch, like a skate catching an edge. He kept his face composed. "No," he said. "The New Yorker is boring."

Shane nodded, the grin still there, soft at its edges, his eyes still wet. He looked down. "My dad loves it."

"Ah." Ilya tilted his head. "So the being boring is—is genetic."

"Wow," Shane said quietly. "Genetic."

Ilya looked at him for a moment. Then: "Let's make a deal." He straightened slightly. "If you win MVP tonight, I will blow you, choke you, kiss you. Whatever you want."

Shane's eyes went glassy again immediately, the brief warmth of the last thirty seconds pulling at the seams of him. "And if you win?"

Ilya's hands went still against his sides. He felt them. He felt the slight tremor moving through his fingers, felt the want pushing up against the inside of his chest, felt every instinct he possessed straining forward toward the four inches of bathroom air between Shane's mouth and his own. If he were less patient. If he let himself collapse forward into the brown of those eyes, the oak and the amber and the wet bright edge of the unshed tears. If he were any other version of himself—

He leaned forward.

Shane's eyes closed. His chin tipped up, the line of his throat going long, expectant. He went completely still, lips just parted, waiting with his whole body.

Ilya felt the warmth of his breath.

He stepped back.

"Good luck tonight," he said.

He turned, and crossed the tile, and pushed through the bathroom door, and let it swing shut behind him without looking back.

 


 

The elevator was mirrored on three sides.

Shane stood in the centre of it and looked at himself once, the undone bow tie hanging loose against his chest, the top button open, the jacket folded over his arm, and then looked at the floor instead, at the dark carpet with its repeating geometric pattern, and counted the seconds.

Ilya had won MVP.

Of course he had. Shane had sat in the dark of the party with a drink in his hand, one drink, then somehow a second, the glass appearing in his hand at some point during the awards without him fully accounting for how it had gotten there, and watched Ilya be congratulated with a strange look on his face, the one that looked like indifference from a distance, but also, if you were watching from across a dark room with two drinks in you, like something else entirely. 

Shane had drunk the second drink. He knew that this was a mistake. He set aside the thought, because earlier he already decided he didn’t need the complication of second thoughts tonight. But still, the last time he had been drinking with Ilya—

He gritted his teeth.

He pressed the heel of his palm against his sternum where the anxiety lived, where it had been living all evening, and breathed through his nose. The elevator climbed. The floor numbers changed above the door.

His phone was in his jacket pocket. In it, a text that had arrived forty minutes ago, Lily: Penthouse 1, door code 3709.

That was all. No preamble. The assumption sitting in the blankness of the unsaid: you're coming. Not are you coming. Not if you want. Just the number and the code and the certainty, and Shane had stood at the edge of the party with the phone in his hand and felt the pull of it move through him like gravity, like something tilting at its axis, and had known—the same way he knew when a play was already decided, when the outcome was already written and the next thirty seconds were just the body catching up to the fact—that he was going.

He had thought about going to his own room first. Had stood at the elevator bank in the lobby for a full minute, jacket over his arm, weighing it. If he went to his room he could take off the suit and wash his face and sit on the edge of the bed and think it through properly, run the actual numbers on what he was about to do and whether it was something a person with any self-preservation instinct would do. He could talk himself out of it. He would talk himself out of it, methodically, thoroughly, the same way he talked himself through every other thing that was bad for him. He would be proud of himself tomorrow. He would be safe.

So he had come straight here instead. And who was he kidding. He would have taken the stairs if he had to, he would have climbed the outside of the building if the doors had been locked, all to reach Ilya Rozanov. 

He gritted his teeth.

He shook his head. The elevator climbed.

His thumb found the button for his own floor. He went to press it, felt the cool resistance of it under the pad of his thumb, felt himself meaning it—

The doors to the top floor opened. He stood there. The hallway stretched ahead of him, long and warm and quiet. He stood in the open elevator for one second, two, the doors trying to close and bumping gently against his shoulder.

The carpet absorbed his footsteps. The lighting was low and amber along the walls, and Shane walked. One step, then another, and the thought arrived between one foot and the next.

This is the anniversary.

He stopped.

Two years ago. This city. A hotel not entirely unlike this one. He took another step and felt the thought move through him the way cold water moved, finding every gap, getting into every place that wasn't sealed. And on the anniversary of his—of what—

He couldn't finish it. He shook his head, pressing his hand flat against his mouth.

Fuck. He was really doing this. He was walking down a hallway in Las Vegas toward Ilya Rozanov's penthouse on the anniversary of— He was really throwing himself into his arms? Again? Had he not learned his lesson once, had the lesson not been thorough enough, did some part of his brain require a second demonstration before it understood?

He stopped again. Leaned his shoulder into the wall, the plaster cool through his shirt.

Was this self-harm? Some drawn-out, complicated, finely crafted mechanism of self-punishment for the playoffs. For playing fine. For playing okay. For playing not-good-enough, which was fine dressed up in acceptable language, which was his failure regardless of what anyone else's metrics said. Was this the consequence of that—walking himself toward Ilya's hands, arranging to be hurt so he could set down the responsibility for the pain. I did not cause this. This was done to me.

Shane wiped the back of his hand slowly across his mouth.

The relief of that sentence. He couldn't pretend he didn't know that relief. The luxury of giving someone else the controls, of letting someone else make the mistakes, of being able to sit with the damage afterward and knowing its cause was outside himself. It was the same relief as the kneeling, as the following of instructions.

And also…

He nibbled at the edge of his thumbnail.

Ilya was so good. He was catastrophically, unreasonably, almost offensively good. Shane turned to liquid in his hands, every time, without exception. Like his body had been waiting since birth to be touched like that and had no defence against it whatsoever.

He stared at the carpet.

Who cares, he thought. Who cares, genuinely, at this point. He was already in this hallway. He was already slightly drunk and already looking like exactly what he was, which was a pathetic mess. He was already exactly as damaged as he was going to be. One night wouldn't make anything better. It wouldn't make anything worse. He had come this far, had crossed this much distance, had already made this decision in the elevator.

He sighed.

He walked to the door.

The keypad was small and silver. He put the code in—3-7-0-9, each digit already memorised, already permanent, and felt the lock release. That soft, heavy click. The door swinging inward.

He pushed it open. He stepped through.

The penthouse opened up like a held breath finally released. One entire wall was windows.

Shane stopped just inside the door and looked at them—floor to ceiling, wall to wall, Las Vegas spread out beyond the glass in every direction, blazing and enormous and entirely indifferent to what was happening in this room. The Strip below was a river of light, neon bleeding upward into the dark sky, oranges and pinks and the hard white pulse of marquee signs, the whole city burning at maximum capacity the way it always did, the way it had been built to do, so that no one standing in it ever had to be alone with the dark. From up here it looked almost beautiful. From up here you couldn't smell the exhaust or hear the slot machines or feel the texture of pavement that had absorbed ten thousand spilled drinks. From up here it was just light.

Shane let the door fall shut behind him.

The rest of the room was dark and expensive and sleek in a way that reminded him, immediately and uncomfortably, of the man standing at the far end of it. Modern art on the walls, gold, bronze, a large black and white photograph of something architectural, clean geometric shapes in frames that probably cost more than Shane's first car. The furniture was dark leather and clean lines, nothing soft about it, nothing that invited you to sink in and get comfortable. The kind of room that looked like it had been designed by someone who understood that comfort was not the point, the point was to look like you didn't need to be comfortable.

Ilya was standing at the windows.

His dress shirt was open. Fully unbuttoned, hanging loose from his shoulders, the fabric falling away from the centre of his chest in a clean V that the light from the city caught at its edges. The trail of dark hair ran from the base of his sternum down his stomach, narrowing, disappearing into his waistband. Shane's eyes followed it before he told them to. He pulled them back up.

Ilya had a glass in his hand. He took a sip from it and then let his arm drop to his side, the glass hanging loosely from two fingers.

He looked at Shane for a moment across the dark length of the room. Then he raised both arms, wide, a gesture of open, lazy magnanimity. His face was still, unreadable. But the arms said everything: here I am. Look at what I've done. Look at what I am.

Praise me, Shane. I'm the MVP. I'm practically a God compared to you.

Shane stood at the edge of the couch with his jacket over his arm and his bow tie hanging loose against his chest. He dipped his head. Gestured toward him with one hand, a small, conceding motion. "Congratulations."

Ilya dropped his arms. He raised the glass to his mouth, took another sip, and said, around the rim of it: "Thank you." A pause, barely a breath. "Now take off your clothes."

Shane let out a short sound, not quite a laugh, not quite a scoff, maybe surprise. He felt the heat move up his throat and into his face. He shook his head slightly. "You're such an asshole."

Ilya said nothing. He turned back to the window, glass at his side.

Shane stood there for a moment with the heat in his cheeks and the bow tie hanging loose and the city blazing behind sixty feet of glass. Then he stepped forward and laid his jacket carefully over the back of the couch. He glanced at Ilya. Ilya's eyes found him in the glass's reflection and he gave a single, small nod.

Shane bit the inside of his lip. His fingers went to his shirt buttons. He worked them from the top down, his eyes moving around the room, at the art on the walls, at the floor, at the enormous burning panorama of Las Vegas beyond the glass, anywhere that wasn't Ilya's reflection, because if he looked at Ilya's reflection he would lose the thread of what his fingers were doing entirely.

He wondered what Ilya had planned. The thought arrived in fragments, overlapping, none of them completing before the next one started. Would he—the buttons gave way one by one beneath his hands—would he be pressed against something, face against a surface, hips pulled back—would Ilya use his hands first or not use his hands at all—would he be held down or tied or—Shane's brain skipped ahead, helplessly, to a dozen different configurations, each one sending heat through his body before dissolving into the next. Maybe used as a footstool. Maybe made to kneel for an hour with no payoff whatsoever while Ilya talked at him in that measured, patient voice. Maybe—

He slid the shirt off his shoulders. Folded it, set it on top of the jacket. The air in the room touched his chest and stomach and he resisted the urge to cross his arms over himself.

He could feel Ilya's eyes on him now. Not see them, Ilya hadn't moved, was still standing at the window, but feel them. The feeling moved across Shane's skin in patches, his neck, his collarbone, the centre of his chest, the soft skin of his stomach. Patches of heat, each one burning.

He reached for his belt. His fingers were slightly unsteady on the buckle, he pressed them flat against the leather and made them still, slid the tongue free and unclasped it and let the belt drop through the loops. His trousers followed, pooling at his feet, and he stepped out of them and straightened. Stood in his boxers in the dark expensive room with Las Vegas blazing behind the glass.

The windows were enormous.

From this height, from this angle, the whole city could see him. He knew this wasn't true, he was thirty floors up and the glass would be reflective from outside, the room too dark, but the feeling of it didn't care about the physics. All of Las Vegas in all its blazing light, watching him strip here, in Ilya's penthouse, in Ilya's room, for Ilya. Soon they would watch—his mind supplied the image before he could stop it, his face pressed to the cold glass, Ilya behind him, the city below—

He adjusted his boxers. Pulled the legs down, tugged the waistband up. Smoothed the fabric flat with both palms.

"What?"

Ilya's voice arrived across the room without inflection. 

Shane shrugged. One shoulder, minimal. "Just a lot of windows."

Ilya looked at them. A brief, cursory glance, then he nodded, once, toward the archway at the far end of the room.

He reached down and picked up a chair from the table beside him. A clean motion, the chair lifted and carried without effort, and he walked it through the archway into the bedroom.

Shane followed.

 


 

The bedroom window was smaller than the one in the living room.

It was still huge. Still there. Still the city, still blazing, a wide rectangle of light set into the dark wall, and the bed was enormous in front of it, white duvet, four pillows stacked at the head, and the chair—Ilya had set it at the foot of the bed, angled, and now he stood behind it with one hand resting on its back, his open shirt hanging from his shoulders, the city glowing at the edges of him.

Shane's stomach went sideways. He pressed his hands flat against his thighs.

"Good." Ilya patted the back of the chair once. "Now get on the bed."

Shane's body moved before his brain had finished processing the instruction. He was aware of this happening, the delay between the command and the compliance, the fraction of a second in which he observed himself already moving, and then he was gone. Climbing onto the mattress, the duvet soft and deep beneath his knees, and settling in the middle of it, against the pillows, his legs stretched out in front of him.

The duvet was very white. Very clean. He almost felt bad in advance, almost. It smelled faintly of expensive laundry, something crisp and neutral, beneath which was the fainter smell of Ilya– his recycled air, the ghost of cologne, the particular living-in smell of a space that had held a person for several hours.

Ilya settled into the chair. The weight distributed with an ease that suggested his body had never been uncomfortable anywhere. Which was likely. His thighs fell open. He rested the vodka glass on his knee, fingers loose around it. The city burned behind him through the window.

"This is a good hotel," he said, conversationally, his eyes on Shane's face. "Very nice vodka." He tilted the glass slightly, considering its contents. "Hard to find in America." He sighed, as though this were a mild but genuine grievance.

Shane stared at him. "Er. Okay."

"Touch yourself."

"What?"

"Show off for me." Ilya settled deeper into the chair. "I want to watch you."

"You what?" Shane heard the scoff in his own voice, felt his eyebrows pull together.

Ilya looked at him with disappointment, and Shane felt himself go red with embarrassment, shame, even. "I will not say it again."

Shane opened his mouth.

"I've—" He stopped. Swallowed. His tongue pressed against the back of his teeth. "I've never—" He could feel the heat spreading up from his collarbones, across his chest, up his neck, the blush moving through him like something poured.

"No shit," Ilya said.

"Fuck you." The laugh that came out wasn't really a laugh—it was the nervous cousin of one, too thin, too airless. Shane shook his head. "Give me some vodka at least."

Ilya lifted his glass. Took a long, slow, pointed sip, his eyes on Shane over the rim.

"Mmm." He lowered it. "No, no, no." He resettled the glass on his knee. "Vodka is for good boys."

He looked at Shane. He drank again, slowly. His eyes dark and fixed and patient, the blue of them swallowed almost entirely by shadow and blown pupil, what remained the colour of deep water in low light. An ocean in a small room.

Shane inhaled through his nose.

Okay. Okay.

He let his legs fall open, the mattress shifting under the redistribution of weight, the duvet bunching slightly at his hips. He brought one hand up from his side and laid it flat against his stomach, felt the warmth of his own skin against his palm, his own pulse jumping under the surface. He dragged it upward slowly—across the ridges of his stomach, the centre of his chest, his sternum, his throat—and let it rest there, fingers spread against the side of his neck.

He thought about what it would feel like if it were Ilya's hand. Wide, calloused, the weight of it, warm in a way that his own hand wasn't, Ilya's hands ran hot, he knew this, had felt it in the back of his neck and at the hinge of his jaw and against his wrist in a restaurant hallway, always a few degrees warmer than expected. He thought about those hands at his throat. Tracing down his chest, the callus catching on the skin, finding his nipples without hesitating, without being tentative about it.

He curved up into his own palm.

A groan came out of him. Low, ragged, slightly embarrassing in the quiet of the room. He dragged the hand slowly down his sternum, his stomach, and let it rest against the front of his boxers, the heel of his palm pressing against the shape of his erection through the cotton.

He rubbed, once, slow.

His head fell back into the pillows.

The wetness at the tip of him had already spread through the fabric—he could feel the specific coolness of it, the damp against his palm as he pressed. He kept his eyes on Ilya through the dark. Waited.

"Do you want to know how it feels?" Ilya said, his accent was thicker at the edges.

Shane's breath caught. His hand pressed harder through the fabric. "How what feels?"

Ilya paused. Then, with great deliberateness, enunciating each word: "Holding. The Cup."

He hit the p hard. Stopped at the end of it. Shane stared at him. The heat that went through him was disproportionate and infuriating, directly to his dick, and he could feel himself hardening fully under his own palm, the cotton stretched thin. "You fucking asshole."

Ilya threw his head back. "Oh," he said to the ceiling, with the theatrical despair like a man deeply moved, "I can barely describe it—oh my God, Hollander—"

Shane grabbed the waistband of his boxers and yanked them down his legs. He balled them up in one fist and launched them across the room.

They landed directly in Ilya's glass.

Ilya looked down at the glass. At the boxers, half-submerged in vodka, the fabric already darkening. He looked at them for a long moment with no particular expression. Then he picked the glass up carefully, took the boxers between his thumb and finger, and submerged the rest of them—slowly, completely—until the fabric was entirely saturated, the vodka soaking through in a spreading dark stain.

Shane watched him.

His hand had found his cock while he wasn't paying attention, was already wrapped around the base of it, the skin warm under his fingers, the weight of himself familiar and strange simultaneously in this room, in this context. He stroked once, upward, his thumb catching the wet at his tip and dragging it back down.

Ilya lifted the soaking boxers from the glass. He held them up briefly, examining them, the vodka dripping from the fabric in a thin, clear stream. Then he opened his mouth and wrapped his teeth around the fabric and sucked.

Shane made a sound he hadn't planned on making, because what the fuck. 

His hand squeezed at the base of his cock, too tight, the pressure catching the sound before it could become something worse. He could see Ilya's throat working as he sucked the vodka from the cotton, his eyes half-closed, his jaw moving. The wet sound of it in the quiet room. Then Ilya's nostrils flared. He pressed the fabric against his face and inhaled—deep, slow, his eyes falling fully closed for a moment, his chest expanding with it.

Shane's hand began to move. Slow strokes, base to tip, the precome already slicking his palm, his cock flushed and aching, the head dark with blood. He dragged his thumb over the slit and had to press his free hand flat against the mattress to keep his hips from rutting upward. The room smelled, now, of vodka and of him, the heat of his own arousal filling the space between his ears along with the sound of his own breathing, which was already too loud, already too honest.

Ilya dropped the boxers onto the floor beside him.

"Are you going to fuck me?" Shane whispered.

He heard it come out of his own mouth. The words arrived barely above breath, his thumb tracing a vein from base to tip, dragging the wetness back through the length of him.

Ilya considered this. "Hm." A shrug, almost imperceptible.

Shane's head fell sideways on the pillows. He stroked again, wrist rolling slightly at the top, the way he'd learned, the way his body had worked out on its own over years of late nights and locked doors. "I need—"

"What."

"You know."

"Tell me."

The corner of his mouth lifted. Just the left side, barely a millimetre, the reluctant arrival of truth. "You." His voice had dropped to somewhere soft and raw. "I need you."

Ilya hummed.

He reached down and set the glass on the floor beside the boxers. Shane heard the quiet clink of it settling on the marble.

"How much?" Ilya said.

Shane whimpered. The sound came out before he could catch it—his hand had sped up without his permission, his hips tipping upward, precome dropping in thick, slow beads onto his stomach, onto the white duvet in small translucent stains. "Please," he said. Then again, softer: "please." And then the third time, even more pathetic: "please."

"Other hand," Ilya said quietly. "Both. How you do it when you're thinking of me."

Shane brought his other hand down and cupped the weight of his balls, his breath shattering at the contact, his legs shifting wider on the mattress, his toes curling against the duvet. He let out a low, groaning sound through his nose, his head turning from side to side against the pillow in small, helpless movements, overstimulated and trembling, his cock weeping onto his stomach.

He had been doing this every day. Multiple times. In his bed in Montreal at three in the morning, in the shower, once in the locker room with his forehead against the tile and the water running cold, his hand moving in a rhythm, the one that worked fastest and worked best. He knew exactly how his own body worked. He knew exactly what was coming, how close he was, what that tightening at the base of his spine meant—

It felt different. Ilya sitting in that chair with the open shirt and the city burning behind him, watching Shane's hand move on his cock, taking in every detail and storing all of it—Shane could feel the weight of that gaze like a hand that wasn't touching him, everywhere and nowhere. He looked up through his lashes and found Ilya's eyes and kept them.

The blush had spread from his cock to his chest to his ears, he could feel it, the heat of it across his freckles. His breathing was ragged and audible. His mouth was open, lips wet from where he'd been pressing his tongue against them.

"Bozhe moi," Ilya whispered.

His hand had come up. He pressed it against his own jaw, fingers spread, covering the lower half of his face, but Shane could see his eyes above the hand, the pupils enormous, the blue around them barely a rim, his gaze fixed on the wet, flushed head of Shane's cock, the slick of precome on his palm, the tremble in his thighs.

Shane's hips were rocking now. Small, movements, his whole body pulling toward release, the heat coiling at the base of him pulling tight—

"Stop."

His hands fell away. He almost yelped at the sharp, total absence that ripped through him from the inside, his cock dropping against his stomach and twitching there, trailing a thin thread of precome that connected the tip to his navel before it broke. His hips rose off the mattress into air that gave him nothing. He made a sound, something between a whine and a sob, and grabbed the headboard with both hands because his hands needed somewhere to go, somewhere that wasn't his own cock.

"Please." His voice was wrecked. "Rozanov, please, why—why—why—"

He was kicking his heels against the mattress, the duvet twisting under him, his whole body in rebellion. His cock was so hard it hurt, the weight of it where it rested against his stomach almost unbearable, each small movement sending another pulse of need through him.

"Fuck." He slammed one palm against the headboard. "Fuck you, FUCK—"

"You do not sound," Ilya said, from the chair, unruffled, "like someone who wants to cum.”

"Please." Shane turned his face into the pillow, breathing hard against the cotton. "I'm sorry. Please. I need it." He lifted his head back up, his eyes wet, his chest heaving. "I need you. I need your fucking—I'll do it so good. I'll be so good, just please—"

"Come," Ilya said, "and prove it."

His hand moved to his thigh. He rubbed it there. 

Shane moaned. The sound went straight from his throat to the room and his whole body shuddered with it. He released the headboard. His legs were shaking as he pushed himself upright, as he moved toward the edge of the bed, his cock flushed dark and twitching where it jutted between his thighs, leaving a smear of precome on the duvet as he shifted.

He went to stand.

Ilya shook his head; his gaze dropped from Shane's face to the floor. To Shane's feet.

Shane stared at him. His brows pulled together.

Ilya shrugged. One shoulder, lazy, final. "Okay. Is fine." He reached for the glass he'd set on the floor, closing his fingers around it. "If you don't want to come, then—"

"No, no, please—"

He slid off the bed. His knees hit the marble and the impact cracked through both his kneecaps at once, sharp and hard, a pain that went up through his thighs and into his hips, and he barely registered it—he was already moving, already going forward. Crawling. He was crawling across the marble floor on his hands and knees toward Ilya's chair, and he could feel how he must look, naked, shaking, his cock heavy between his thighs, his knees cold against the floor—

Ilya's eyes were on him.

They were so dark. The blue had gone almost entirely; what remained of it pooled at the very edge, and his hand had dropped from his jaw, and both hands now rested on his thighs, and he was watching Shane crawl to him.

"Chyort," he said softly, against the back of his hand. "Ty takaya malen'kaya shlyushka."

The Russian moved through Shane's chest and settled low and hot in his gut. He reached Ilya's legs and let himself come to rest between his knees, his head dropping forward until his cheek pressed against the inside of Ilya's thigh, the fabric of his trousers warm against Shane's skin, and he turned his face into the heat of him.

He pressed his nose against Ilya's crotch.

He inhaled.

The smell of him, warm and dark and overwhelmingly Ilya, sweat and skin and beneath that the clean base of his expensive cologne, all of it intensified by the heat of the evening and the warmth radiating from his thighs—hit Shane somewhere behind his sternum and spread outward immediately. He could feel Ilya hard through the fabric. He pressed closer. He inhaled again, deeper, his fingers going to the waistband.

Ilya's hands closed around his wrists. Lifting his hands away from the waistband and holding them. Then his other hand came to the back of Shane's head, fingers threading into his hair, and pulled, drawing Shane's face back from his crotch until there were a few inches of air between them.

"No touching," he said. "I think."

"Fuck," Shane breathed, "why, please—"

"You haven't earned it." His thumb moved at the back of Shane's skull, a small, slow stroke. "Solnyshko."

 "How," Shane said, "tell me how—I'll do anything, please, just tell me—"

Ilya hummed. He released Shane's wrists. He placed one hand on Shane's shoulder and guided him until Shane's thighs bracketed Ilya's left foot. The chair shifted slightly with the rearrangement. Ilya's other hand rested on his own thigh, fingers loose, watching Shane figure it out.

"What?" Shane said. He looked down at the foot between his legs, then up at Ilya's face.

Ilya lifted his foot and dropped it. He reached out and took Shane's head between both hands, shaking him.

"Don't 'what' me." His voice had dropped to something lower, the patience at the edges of it thinning. He shook him once more, slightly harder. "Are you blind, deaf, or maybe just stupid ?" He tilted his head, fixed Shane with the full weight of those almost-black eyes. "You want to come, yes?"

Shane nodded. His throat had closed around any words that might have been there.

"So come like a slut, mm?" His teeth shone in the light as he smiled. Ilya patted the back of Shane's head, a flat palm, the sound of it sharp in the quiet room. "Hump my leg, shchenochek."

 


 

The humiliation was insane. 

Shane knew this. After all, he was naked, and kneeling, and about to grind against this man's ankle. His cock throbbed between his thighs. The precome was cooling against his stomach. He was shaking. 

He settled himself against Ilya's ankle and began to move.

The friction was, well, not enough. Barely anything, the fabric of Ilya's trouser leg against the underside of his cock, not nearly enough pressure, not nearly the right angle, he had to work for every fragment of sensation—and this was clearly on purpose, because Ilya watched him do it from above with those half-lidded eyes. 

He buried his face against Ilya's knee. He moved his hips in small, shallow rolls, his cock dragging against the fabric, his thighs trembling with the effort of holding himself up, of keeping his rhythm steady. The cold of the marble against his knees had spread upward through his shins. His arms were braced against Ilya's leg for balance. 

"You know," Ilya said, from somewhere above him, conversationally, "I always thought you would end up like this."

Shane's rhythm stuttered.

"Da, begging like this." Ilya shifted in the chair, his leg moving slightly under Shane's grip, just enough to change the angle. "I thought about it many times. You, on your knees." He considered. "As always, I am correct."

"Fuck you," Shane managed, against his knee. His hips didn't stop.

"You are embarrassing yourself," Ilya said. Pleasantly. "You know this, yes?"

Shane pressed his face harder into Ilya's knee and kept moving because the alternative was stopping, and he couldn’t stop. Not when he was so close. He could feel it building, the friction barely enough but accumulating, the heat pooling at the base of his spine, his balls drawing up for the second time.

"Stop."

He stopped.

He sat there with his hips arrested mid-motion, his cock aching, his chest heaving, his face pressed into the fabric of Ilya's trousers. The whine that came out of him was so desperate, and he squeezed his eyes shut against the back of Ilya's knee.

"Look at me."

He looked up. His eyes were wet at the corners. His lips were parted.

Ilya looked down at him.

"You're a shlyukha, a whore," he said. "Say it."

Shane's mouth went dry. His cock pulsed between his thighs. He felt the tear that had been sitting at the inner corner of his left eye let go and track down his face, and he didn't lift a hand to it.

"I'm—" His voice was almost nothing. "I'm a shalookah."

Ilya's expression didn't change. "All you want," he said, "more than anything, is to wrap your little lips around my cock." He tilted his head. "Tell me."

Shane swallowed. His hands gripped Ilya's leg harder. "All I want," he said, "more than anything, is to—" his voice broke slightly at the seam of it, "wrap my lips around your cock."

"Good," Ilya said softly. He reached down and ran his thumb under Shane's eye, collecting the tear there, and examined it briefly before dropping his hand. "Again. You need my dick. You'll die without it."

The words landed somewhere specific in Shane's chest. A place that was already bruised. He pressed his teeth together for a moment before: "I need you." The words came out shaking slightly. "I'll die without your dick."

"Yes." Ilya settled back. "Now show me."

Shane buried his face and started moving again.

Ilya made him stop four more times.

Each time the orgasm built, higher, closer, more inevitable, the sensation sharpening from insufficient to almost-enough as Shane's body adapted its demands to what it was being given, and each time Ilya's quiet word cut through the room and Shane's hands went to Ilya's thighs and gripped and did not move and the arousal crested and crashed without breaking and the tears came faster and more freely.

By the fifth time, Ilya had to grip both of Shane's wrists and pin them against his own thighs to stop him. Shane had reached for himself without meaning to, and Ilya caught them both and held them flat, and Shane sobbed into his knee.

"Please," he said. His voice was barely there. "Please, Rozanov, please—"

"You do not sound," Ilya said, still holding his wrists, "like someone who has learned anything yet."

"I have," Shane said, the desperation coming out rough and wet, his face tracking tears he couldn't account for, the marble cold under his knees, his cock flushed so dark it was almost painful. "I have, I'm sorry, I'm so sorry, please—"

Ilya looked down at him for a long moment.

Then he reached down and took Shane's face between both hands, tilted it up, and unzipped himself.

He was already hard. Fully, completely, the length of him heavy in his own hand when he drew himself out, and Shane watched from below with his mouth open and his eyes wet and something in him that was beyond want, that was on the other side of want in a territory that didn't have a name.

Ilya stroked himself once, slowly. His jaw had gone tight. His eyes stayed on Shane's face.

He brought the head of his cock forward and pressed it against Shane's cheek.

Shane's breath stuttered to a stop.

The heat of him as it dragged against Shane's skin caused Shane's eyes to fall half closed. His mouth fell further open. Ilya dragged himself forward, across Shane's cheekbone, along the bridge of his nose, leaving a thin, wet smear of precome across his face. His lips. The corner of his mouth.

Ilya groaned, his hips moved, a small forward thrust, his cock sliding against Shane's lips, and Shane opened his mouth further—could taste him, the salt and the heat of him—and Ilya's hand fisted in Shane's hair and held his head still.

He groaned again, his head dropping back for a moment, his throat exposed, the tendons in his neck standing. He was holding himself at the base with one hand, and Shane's hair with the other, and his hips moved in small rolls, his cock dragging against Shane's nose, his lips, the wet smear spreading, the precome mixing with Shane's own tears on his flushed and ruined face.

"Fuck," Ilya said, roughly, in a voice that had lost some of its architecture. "You are making such a mess." He looked down, his pupils enormous, taking in Shane's face—the tears, the spit, the precome glistening on his freckles. He reached down with his thumb and pressed it against Shane's lower lip. "Look at your face." He pressed his thumb against Shane's cheek and dragged it downward. "Leaking all over my floors too." He looked down at Shane's cock where it jutted hard between his thighs, a thin thread of precome dropping from the tip to the marble below. "Such a pretty little mess."

Shane felt his cock pulse and had to slam both hands flat against the marble floor to keep from touching himself.

"Say it," Ilya said softly, watching him. "Tell me what you are. Say it again."

"I'm a whore," Shane breathed. His voice was wrecked, barely consonants anymore, just warm air shaped roughly like words. "I'm your whore."

"Fuck. Fuck." Ilya was stroking himself faster now, his composure fraying at the edges in ways Shane had never seen before—his jaw working, his chest heaving, the open shirt sliding off one shoulder. "You'd do anything for me."

"Anything," Shane said, without hesitation. "Anything. Please. Please."

"Say you'd do anything."

"I'd do anything. Please let me—please let me come—please just touch me, please—"

He pressed his foot against Shane's cock.

Shane yelped like a hurt animal.

Not loudly—or loudly, he couldn't tell, his hands scrabbling against the marble, his hips trying to rock forward into the pressure and then away from it simultaneously, his whole body caught between more and stop, between yes and too much, tears streaming freely, his breath coming in helpless staggered bursts.

"Please," he sobbed. "Please, please, please—"

"Fuck you're beautiful," Ilya said, through his teeth.

Then he bent down and hauled Shane up.

 


 

The mattress hit Shane's knees, and then his palms, and he was on the bed, face down, barely able to hold himself up on his forearms, his legs shaking too hard to fully cooperate. He could hear Ilya behind him—the sound of a drawer, the click of a cap—and then both of Ilya's hands on his hips, and finally, finally, actually there, actually on him.

He made a sound into the duvet.

One finger first. Ilya worked slowly, and Shane pressed his face sideways into the pillow and felt the stretch of it and groaned through his nose, his fingers clawing into the duvet. The lube was cold and then warm, and Ilya moved in small circles scissoring him open, and Shane's hips rolled back against him instinctively.

Two fingers.

"Ah—"  Shane gasped. And Ilya laughed softly behind him.

"Look at you," Ilya said, still laughing. His other hand came down on Shane's ass, a flat crack of sound that spread. Shane's hips jerked forward. "Desperate. Greedy."

"Please," Shane said into the pillow. "Please, please, just—"

Three fingers, and his back arched entirely off the mattress.

Then Ilya's hands settled on his hips and held, the grip absolute, no room for movement, Shane's pelvis pinned exactly where Ilya wanted it, and Shane tilted back in need.

And then.

There were no words for the first thrust. There was only the total fullness of it, Ilya burying himself completely in one long, hard push that drove Shane forward into the pillows and stole the air from his lungs entirely. He opened his mouth, and nothing came out, just silence, just his hands fisting in the duvet, his toes curling against the bed.

Then Ilya moved.

Ilya fucked him the way he'd promised, the rhythm immediate and relentless, each thrust driving Shane forward so that he had to brace his palms flat against the headboard to keep himself from being pushed into it. 

The slap of Ilya's hips against him filled the room, obscenely loud, the wet sound of it, the squeak of the mattress, the headboard knocking once against the wall. Ilya seated completely inside him and then almost entirely gone and then back, and Shane's breath knocked out of him over and over.

"Blyat," Ilya hissed above him. His grip on Shane's hips would bruise. He was speaking Russian, fragments of it, through his teeth, through each punishing thrust—Shane couldn't parse words from it anymore, just growling "Moya malen'kaya shlyukha—"

Shane pressed his forehead to the headboard.

He was crying properly now. The tears soaked into the pillow beneath him. His cock dragged against the duvet with each thrust, the friction building something inevitable.

"Gonna—" he managed. His voice was gone, just breath shaped into syllables. "Gonna come, I need to—need to come, please—"

Ilya's hand snaked around his hip.

Closed around his cock.

And squeezed.

Shane's whole body seized.

He thrashed. He couldn't help it; his hips drove forward into the fist and backward onto Ilya simultaneously, finding no relief in either direction, the orgasm cresting and cresting and cresting and going nowhere, dammed behind Ilya's grip. 

He sobbed into the pillow. Full, wrecked, open-throated sobs, his hands scrabbling at the headboard, his knees sliding on the sweat-damp duvet, his own precome and his own tears and the sounds he was making filling the room.

"Please," he begged, "please, please, I'm sorry, I'm so sorry, please, Ilya, I need your cum, I need to cum, please—"

The thrusts slowed. Ilya pushed to the hilt and stopped there and moved in slow, grinding circles, deep in Shane's body, and the sensation was enormous and relentless and went nowhere because his hand was still there, still closed, still holding.

"Yeah?" Ilya's voice was rough, the composure entirely gone from it, raw at every edge. His chest was against Shane's back, the heat of him along Shane's spine. "You want to cum?"

"Yes—yes please—I'll do anything—"

"Say you're sorry."

Shane pressed his face into the sheets. "I'm sorry. I'm so sorry."

Ilya's hips moved once, hard. Shane choked on a sob. "For what."

"For—" Shane's breath stuttered. "For—"

"Say you're sorry," Ilya said, low and precise against the back of his neck, "for ghosting me."

The room went quiet under all the noise of Shane's breathing. He felt it, the words, felt the shape of them pressing against the inside of his teeth. His whole body went still in the way it sometimes went during a crisis, when the nervous system ran out of responses and simply halted everything and waited.

Ilya's hand tightened.

Then his other hand found the back of Shane's neck."Use your words," he said.

Shane pressed his face into the soaked sheets. Into the smell of himself, his own precome, the mess he'd made—and his mouth opened.

"I'm sorry," he said. "I'm sorry for ghosting you."

"If you want to come," Ilya said, his voice close against Shane's ear, "you'll have to do better than that."

Shane's fingers dug into the headboard.

"I'm sorry—" his voice broke open on the word, cracked clean through the middle— "sorry for ghosting, I'm stupid, I'm fucking stupid, I don't—I don't know what I want, I'm a mess without you, I need you, I need you—" his hips were rolling backward now, seeking, despite the grip, despite everything— "I'm nothing without you, useless, fucking—useless—I'm not good, I'm not—please, please—"

Ilya groaned.

It came from deep in his chest, and his thrusts slowed further, deeper. His grip on Shane's neck loosened fractionally. His voice arrived as a whisper against Shane’s ear.

"Tell me," he said. "You wanted it. You always wanted it." A breath. "You wanted me to take you. You wanted me to use you." A pause. "Your throat. You begged for it."

Shane's face was against the sheets. His own spit was mixing with the precome that had soaked into the duvet from earlier. "Fine. I wanted it," he said. His voice was barely there. "You're right. I wanted it." He swallowed. "Please don't stop. Please let me cum."

Ilya groaned.  The pace built again. Fast this time, the rabbit urgency returning, his hips snapping in short hard strokes.

"Good boy," Ilya said, rough and low. "My good boy. You did so good."

He released his hand.

The orgasm detonated, a total collapse, his back arching clean off the mattress, his mouth open wide around a sound that was too large for the room, his cock jerking in the fist Ilya had wrapped around him, the release coming in long, hard, wracking waves. 

Ilya fucked him through it, each thrust extending the wave before it could crest fully, and Shane heard Ilya's breath go ragged and then the deep, shuddering groan above him—felt the heat of him spilling inside, felt the whole body behind him shaking with it.

Ilya kept fucking him. Kept his hand on Shane's cock, working him through the final pulses. His forehead dropped to the back of Shane's shoulder. 

They stayed like that for a moment, both of them still, both of them breathing. Then Ilya lifted his hand and pressed it gently to the back of Shane's hair.

Shane shoved it away, his shoulder jerking backward, his whole body pulling away from the touch as if it had burned him. Ilya's hand stopped in the air.

"Get off of me," Shane said. His voice was quiet, harsh. Something else entirely from anything that had been in it a moment ago. "Get your fucking dick out of me."

 Ilya's hand was still in the air, hesitating. 

"Shane—" he started.

Shane pushed himself up.

The motion threw Ilya backward, and Shane scrambled off the bed, his legs not entirely cooperating, his knees hitting the floor, and then his feet finding purchase, and then he was standing—barely, trembling, Ilya's cum leaking out of him and tracking warm down the inside of his thigh.

His face was something Ilya had not seen before.

Tears. Still. His eyes were red and swollen and streaming, the same tears from before, but the expression underneath had changed entirely. His lips were shaking. His jaw was set in something hard and white-edged and terrible.

"What the fuck," Shane said.

"Is that what this whole thing was?" He wiped the back of his hand across his face, a rough, graceless motion. "You fucking—you spent months. You spent months torturing me for this?" His voice climbed slightly on the last word and then came back down. "You fucked me so you can get me to say that shit?" He stared at him. "Are you fucking insane?"

He shoved him. Both hands, flat against Ilya's chest. Ilya stepped back.

"No." His voice broke on it. His hands came up between them, keeping the distance, shaking slightly. "Don't. Don't say my fucking name. Don't touch me. Just—" he shook his head, hard, and turned away.

Ilya watched him.

Watched him pick up the boxers from the floor, still damp, and pull them on, his movements jerky. Watched him find his trousers and step into them, his hands fumbling with the button. The shirt. The jacket, grabbed from the couch. Ilya's cum still on him, still inside him, and Shane was putting clothes on over it. 

Ilya thought,  I planned this correctly. I was patient. I waited. This is not—this cannot be—

He crossed the room.

His hands closed around Shane's arms from behind.

Shane turned first.

The punch landed square on the bridge and the world went white.

A total bleaching of everything, sound and sight and thought all flattened simultaneously into a single bright nothing that lasted less than a second and felt much longer. Then it came back—the room, the light from the city, Shane's face—and with it the pain, blooming outward from the centre of his face.

"Blyat."

His eyes filled with water. He could taste the blood before he felt it, the copper arriving at the back of his throat first, and then the wet warmth of it against his upper lip, his fingers coming up automatically, pressing against the damage before he had decided to press them there.

"What the fuck," Ilya said, muffled behind his hand.

"What the fuck?" Shane repeated. 

His voice cracked straight down the middle of it. He had his shoes in one hand, not on his feet. He was already at the door, back hitting the wall beside the doorframe, and he flinched at the contact, his shoulders coming up around his ears. His eyes were wide, his whites showing at the edges, tracking every small movement with short, shallow inhalations. His lips were shaking. He pressed them together, and they shook anyway.

"Don't—" His voice broke again, fully this time, a sob pushing up through the word and splitting it apart. He shook his head. "Don't text me. Don't come near me. Don't—just—fuck—"

 His hand found the knob behind him without looking, fumbling, the metal cold against his palm. He turned it. He pulled it open. The hallway light fell across him for a single second—his untucked shirt, his bare feet, the tear tracks dried to salt on his face—

He looked at Ilya once more. Ilya stood in the middle of the room with blood beginning to track from his nose over the back of his hand, his open shirt hanging off one shoulder, and looked back.

Shane slammed the door.

The sound of it filled the penthouse and then was gone, and the room was completely silent. The city burned on through the windows, indifferent, blazing at maximum capacity the way it always did, the way it had been built to do. The white duvet was twisted and wrinkled at the centre of the bed. The chair sat at its angle at the foot of it, the empty vodka glass on the floor beside it. On the marble, one wet footprint where Shane's knee had been.

Ilya stood, pressed his fingers to his nose, and listened to the silence.

He had waited one hundred and twenty-four days to hold his favourite person. He had watched and waited and held the thread without cutting it and without crossing it, and tonight he had drawn it taut the way he had planned to.

He looked at his fingers, the blood there.

 

Notes:

blyat: fuck
Bozhe moi: my God
Chyort: directly translates to demon but it's a colloquial term for "damn" "shoot" "what the hell"
Ty takaya malen'kaya shlyushka: You're such a little slut.
Solnyshko: sunshine
shchenochek: very diminutive way of saying puppy
shlyukha: whore
Moya malen'kaya shlyukha: My little slut.

i'm on twitter ilyassoull and i'm usually pretty active, i take requests and talk about filthy things.
i also have a tumblr unseemlyndisturbed where you can send asks, i post teasers about my wips, write one shots and do lots of detailed character analysis.

 
shane hollander gets his get back, ish, ijbol.

okay. haha, kind of speechless that the smut takes up more than half the chapter. i always said this would be a dark romance but it's been, what, 3 chapters since they had sex? i needed to make up for it. i had to edge shane, i had to edge you, etc, etc. what do we think of the dual pov? i really enjoyed writing it. don't even ask me whose pov the sex scene is in, i think it's just third person, uh, i wasn't really thinking about it. so super long speech this chapter, but i will reply to all comments as per usual.

 

(uh, please mind my bad coding, i used https://ilya-rozanov.github.io/ao3-workskin-generator/ but i had to do some manual troubleshooting).

Chapter 8: Canada's Sweetheart

Notes:

oh look at me, posting regular updates to lwc like i promised. prep for mean dom ilya week beat the fuck out of my ass, never writing a smut one shot ever ever ever ever again. i don't know why i do these things to myself, i like a challenge, i guess. lwc was a calm respite (i've wanted to write these oneshots for weeks, but writing them over the course of 5 days genuinely resulted in me feeling like my brain was leaking out of my anus.)

i listened to Your Best American Girl by Mitski on repeat for this chapter.

you'll be prompted to play I Think I'm Paranoid by Garbage at a point in this fic. honestly, it's not a requirement, but it's fun, a great song, and it's kind of the My Moon and My Man to this montage.

anways, yes, yes, chapter 8, some notes.
- cw for depictions of restriction, eating disorders and self harm
- the restaurant is called Djon-Djon, like in the book, instead of Le Tambour in the show, because it sounds better, like the Voyagers instead of the Metros
- rose landry's character in the x-squad is named Allure because she's supposed to be Jennifer Lawrance, yes? Mystique in the x-men, harhar.

(See the end of the chapter for more notes.)

Chapter Text

 

received:

Congratulations, Hollander.

status: read 6/17/15

 

 

He didn't know what time it was.

He'd stopped checking around the second day. The clock on his phone required unlocking the screen, which meant looking at the notifications stacked there, God forbid that. He knew roughly what they contained; his mother, at least four times. His Dad, twice. Hayden. JJ. Jackie, probably, forwarded from Hayden. The Voyagers group chat, which had been going off since the final buzzer, which he wanted to leave, but muted instead. His agent. His publicist. Three separate people from the league office. And sitting at the very top of all of it, pinned there by timestamp, the one message he'd actually read.

Shane had saved Ilya's contact under different names every time, cycling through variations as if renaming the contact would change what happened when the number appeared on his screen. It didn't. He could block it—had done it before, four times—and without fail, the following week, sometimes the week after, a message would arrive from a new unknown number. There was no wall you could build that Ilya wouldn't simply route around, patient as water finding the lowest point.

He should block him again. He reached for the phone, and paused, his hand dying in the air halfway between the mattress and his hip, and then flicked his eyes back to the screen.

The laptop was propped against his knees, the duvet bunched up around it, creating a small warm tent of light in the dark room. The sound was low, just audible over the AC unit running in the wall, and he had the closed captions on out of habit from late nights with the volume down—they kept auto-correcting at the wrong moments, turning breathless groans and smacks into nonsensical text that scrolled across the bottom of the screen. He wasn't paying attention to the text. He wasn't entirely paying attention to the video either. He was watching the light of the screen and letting the sounds fill the inside of his skull like white noise.

The sub on the screen whined against his partner’s knee. 

The mallet came down again, and Shane bit through the Kitkat.

The chocolate layer gave, and then the wafer layer gave, and his tooth hit the edge of his thumbnail through the bar. Pain shot up straight through the nail bed and into the knuckle, and he let out a short, startled yelp that embarrassed him, even alone. 

His lip trembled. The corner went soft before he could stop it, the sting of it still pulsing in the pad of his thumb, radiating upward.

Ow. It hurt. It hurt, it really hurt, a single bead forming at the deepest point of the cut, building surface tension until the weight of it won and it spilled over, tracking sideways down the edge of his thumb in a thin warm line.

Pain had been doing this lately. Grounding him. Not in a—he wasn't—it wasn't like that. He just. When there was pain, there was something kind of real to locate himself inside of, something that had a cause and a site, a thing his body could point to and say there, that is why you feel something. Everything else was so diffuse, everything else spread through him aimlessly.

He dragged his thumb across his index finger and watched the blood smear pink.

The edge of his fingernail slipped into the little fold of skin at the side of the nick, where the cut had peeled the skin back slightly, and he peeled it further. The sting sharpened. He looked at it, the layers of it, the thin outer membrane going white at the edge where it had separated from the wet pink tissue below. You could see the edges of each cell of it if you looked. Skin was such a convincing surface. Such an efficient performance, smooth, intact, presenting an unbroken exterior to everyone who looked. He had gotten very good at that. He'd been good at it since he was small, since the first rinks and dressing rooms and hotel hallways where he learned what it meant to be the only person that looked like him, was naked like him. Being watched before he even opened his mouth, being read for something before he had a chance to explain himself. 

Always too much or not enough, not made for the room he was in—looking left and right at faces that processed the world without visible effort and understanding, at some cellular level, that he did not work the same way.

He had tried his best to make the surface convincing.

Shane Hollander. Hockey player. Captain of the Montreal Voyageurs. Good son. Smile for the camera, lean into the boards, here is the charm, here it is—

The blood was dripping now. A slow, thin track running down the side of his thumb and dropping onto the sheet, a small dark spot spreading into the grey cotton.

He pressed his thumb hard into the cut.

The pain went white for a second.

He held it there.

Before he could—before this could become something else, some new form of coping he wasn’t ready for, he pressed his thumb flat against his palm and closed his fingers over it and looked at the laptop screen instead, where the sub was still whining, still loud, the closed captions still scrolling their nonsense, and he reached with his other hand for the pile of wrappers beside him.

His bed was a landfill. Kitkat wrappers by the handful, the foil catching the light, at least five of them, seven, the individual ones and one of the family-sized bars he'd broken into pieces and eaten faster than he'd meant to. An empty sleeve of instant oatmeal packets, the inside foil licked clean. Two granola bars, both half-eaten, the other halves somewhere in the duvet. The orange packaging of a Reese's two-pack, the two cups long gone. A sleeve of those peanut butter cracker sandwiches with the orange filling, six missing from the middle where he'd pulled them out in the night and eaten them without sitting up.

God what was he doing. 

There was no question about it, he knew full well what he was doing. He wasn’t that stupid. 

He was failing himself, failing everyone else, failing every single day for a full year. 

The bad days were getting worse and longer, the gaps between starting one of these binges and realising what he was doing getting wider. He used to control it. An hour. An evening. This is the allotted window for falling apart, after this we resume normal function, an hour of binging and hardcore porn and then we’re back to regular scheduled programming! But the window kept expanding, sprawling, taking up more and more space in his life, and the periods of normal function were getting thinner and thinner and held in place by flimsier and flimsier rules.

I’ll pretend during the weekdays. Then, I’ll pretend during game days. And his recent one, I’ll pretend during game nights.

He didn't even remember Game Six.

His first Cup. He couldn't close his eyes and see the final buzzer, couldn't replay the moment, couldn't locate himself in the memory with any specificity. He knew he'd been there because of the bruise on his shin, the torn muscle in his rotator cuff that he was supposed to be resting. But the game itself had been piloted by whoever lived in the outer shell of him. Shane Hollander had won the Cup. The thing inside him that watched Shane Hollander move through the world had watched him hoist it with everyone else and had wanted to go home and jerk off. 

He grabbed the last Kitkat from the pile. Unwrapped it. Ate it in two bites, tasting nothing. Reached into the granola bar half buried in the duvet. Ate it. Reached for the peanut butter crackers and worked through three more.

His stomach felt like a hard, hot ball just below his sternum.

The nausea hit the back of his throat without warning, a rush of saliva flooding his mouth all at once. The feeling that he came to understand (from too much trial and error) meant seconds, not minutes—and his body was already moving before he'd made a decision, the duvet falling away, his feet hitting the floor, the cold of it registering briefly against his soles as he crossed the room.

He dropped to his knees in front of the toilet and gripped the rim, and his stomach contracted, a full-body clench that started below his ribs and drove upward with a force that had nothing voluntary in it, his back bowing with the effort of it, his knuckles going white on the porcelain. Everything came up in a single violent heave—the Kitkat, the crackers, the granola, all of it stripped of any form it had arrived in, his throat burning with the acid of it, his eyes streaming from the reflex, his nose running. He gagged through the second contraction, smaller but complete, his whole torso shaking with it, and then a third that brought up nothing but bile, thin and sour, coating the back of his teeth.

He hung over the bowl. His breathing was ragged and loud in the small marble room, his own breath coming back at him off the water in the bowl, warm and sour. The muscles between his ribs ached. His throat felt stripped.

Shane thought he would be used to this by now. He was not.

His phone rang from the bedroom.

He didn't move for a second. The ringing continued, not a single call, someone who had been going to voicemail and had called back immediately, who would call back again the moment the voicemail cut in. Ah fuck, his Mom.

He pushed himself up from the floor, stepped over the duvet that had landed half off the bed, and picked up the phone.

"Hello?" His voice came out rougher than expected, compressed and raw.

"Shane." His mother's voice arrived with a worried undertone audible underneath it to anyone who had spent twenty-three years learning her moods. "Honey. We've been calling for two days. Are you okay?"

He cleared his throat. Twice. "Sorry." He ran his tongue across his back teeth. "The playoffs were a lot. I've just been—I needed some alone time. To decompress."

He crossed to the window and pressed the button for the blinds.

They opened.

The afternoon light came in like a wall, white, June-bright, the Montreal skyline hard-edged through the floor-to-ceiling glass, the city going about its business thirty floors below normal and unaffected as Shane’s life fell apart. He blinked against it, his eyes adjusting painfully, the room revealing itself around him.

"Oh, sweetheart. It's not good to be cooped up inside too long,"

He looked at the bed.

He moved quickly, tucking the phone between his ear and shoulder and grabbing wrappers with both hands, bunching them together, turning toward the trash can beside the bed and stuffing them in. There were more than he'd estimated from inside the cocoon of the duvet. He kept grabbing, the Kitkat foils, the granola bar wrappers, the Reese's packaging, the empty oatmeal sleeves, the scrunched up tissues, compressing them down to make room, crumbs flying everywhere, the trash can overfilling and him pressing them flat anyway.

His eyes found the grey sheet, the brown-red stain at the centre, small but visible.

He pulled the duvet over it.

"Shane?" Yuna repeated.

"Huh? Sorry. Cleaning, doing a deep clean, distracted.” He straightened. Looked around the room. The cracker sleeve was still on the mattress. He grabbed it. "I know. It’s just been a day, or two, like I said, to decompress."

He could hear Yuna raise an eyebrow, and his dad’s voice in the background, indistinct. "Your dad and I just got into the city. Are you—are you still okay for linner?"

"Linner? Really, Mom?" 

"Late lunch. What? I thought that was millennial slang." she said, dry. "Like we planned."

He looked at the time on his phone.

12:04pm.

He stared at it. Jesus, he hadn’t even slept. He didn’t even remember two days passing. He did remember the Reese's two-pack existing and then not existing, and approximately nothing in between.

"Yeah," he said. "I'm fine, I just need to—I was meditating."

He glanced at the bin bag. At the overstuffed trash can, the wrapper of one Kitkat still sticking out from the top, catching the light.

"Meditating." His mother repeated, he could hear the raise to her brow.

"Yeah."

"Okay." A pause. "Three o'clock, then?"

"Three o'clock," he said. "I'll see you there."

He had two hours and fifty-six minutes to become Shane Hollander again.

 


 

The blazer was a mistake and he'd known it the moment he'd put it on.

Not because it didn't fit—it fit fine, which kind of shocked him, fitted charcoal wool, that cost him something obscene—but because he'd worn it trying to communicate something. I'm fine. I'm put-together. I didn't spend the last three days inhaling sodium and eating handfuls of trail mix over the sink at two in the morning. The hoodie underneath was supposed to do some kind of damage control for the bloat, but that was also a mistake, because now he was sitting in a booth at a restaurant that was too warm, and his body, already running hot from the cortisol and the humiliation of still being alive and having to attend lunch, was slowly cooking inside wool-and-cotton. He could feel the sweat starting at the base of his spine.

He pulled out his chair.

The legs scraped against the floor and it was too loud, somehow. He winced inward. Sat down. His arms came up without asking, wrapping around his own torso, hands gripping his opposite elbows, and he settled into the booth the way you'd lower yourself into water you weren't sure about.

His parents were already watching him.

Not watching watching, his mother was looking at him with the three-second assessment she'd been doing since he was twelve and she first started noticing things. Eyes at his forehead, slide down to the bags, another half-second on his face. His father was looking at the menu with a kind of manufactured interest that said I've already done the same assessment and I'm giving you a moment to collect yourself before harassing you.

Shane opened his menu.

The chandeliers in this place were warm-toned, gold, flattering, and the restaurant was quiet, only the low-grade murmur of other conversations, the soft clatter of cutlery, someone laughing two tables over. Comfortable sounds. Normal sounds. His skin didn't agree. His skin was registering all of it as a faint, buzzing layer of more over everything.

"So," his mother started.

He could feel the compliment coming. He locked his eyes on grilled salmon, 8oz, lemon beurre blanc—

"Congratulations." She paused, a warm pause. "I feel like I've said it ten times already, but it's different in person."

She hummed. Leaned back against the booth cushion. Shane turned a page.

"We're so proud of you." His dad, now, not looking up from the menu either, like they'd choreographed this tag-team, you go, I'll go, we'll make him feel surrounded. "Your first Cup. Definitely not your last."

The Cup.

Right.

Shane's thumb found the edge of the menu and rubbed it, the laminated corner, slightly sharp, something he could press his thumbnail against without it looking weird. He kept his eyes moving over the page. Baked cod. Market fish. Their salad section was offensive. Iceberg with croutons, like it was 2003, like a man couldn't just have arugula without wanting croutons on it.

The Cup.

He was going to be talking about the Cup until— when? Until next season started, until he either won again or lost again, at which point there would be a new thing to talk about. His whole life had been segmented this way for so long he'd stopped noticing it until just now, staring at the laminated description of a Dover sole, the cold weight of realisation: there was nothing in him to offer this conversation. He had no feelings about the Cup that were available for public consumption. He'd felt something, he thought, in the locker room when they'd won, a release, like a fist unclenching in his sternum, but that feeling had already dissolved and been replaced by the grinding exhaustion of knowing everything that came after it.

How are you? not congratulations. That was what he wanted. A question that was about him rather than about the thing he'd done with his body for six months.

Not that he had an answer.

"Yeah, well," he said. The words came out mumbled, quieter than he intended. He cleared his throat slightly but didn't try again. "It was pretty close."

He didn't know why he said that. He actually didn't know if it was close. He genuinely could not remember the final score, couldn't remember if he'd scored, couldn't remember the last two minutes of play with any clarity beyond the crowd, which had been so loud it had felt like a physical pressure on the top of his skull, and the way his vision had gone strange at the edges. He'd have to watch the game tape. He'd been meaning to watch the game tape.

"What? No, it wasn't." His mother pulled her glasses off the top of her head and down onto her nose, lifting her phone from the table at arm's length, because she'd turned fifty-three and refused to acknowledge it required better reading glasses, required any adjustment. "Don't give Tampa that much credit."

She was squinting at the screen. Scrolling something. Looking for a stat to deploy.

Shane looked back down at the menu.

Salmon. Probably farm-raised. Full of omega-6, regardless, they never specified. Chicken. Fine. Guaranteed to be underflavored and overcooked in this kind of place, with rosemary and a sugary wine reduction that cost them eleven cents to produce and tasted like it. He wasn't hungry. He'd been not-hungry for two days, which was a relief, because in truth he'd consumed approximately the caloric equivalent of a famine relief package in oatmeal and dark chocolate and a gas station peanut butter cup addiction that had escalated beyond the point where he could look at it without feeling shame.

He probably didn't need to eat. Probably stored enough in the bloating alone to coast for —

Stop it.

He refocused on the menu. The words swam a little. He blinked once, slow.

"Honey, have you decided about Wimbledon?" His mother's voice again. She was still holding the phone at arm's length, glancing down at it, the glasses slightly tilted on her face. "Rolex really wants you there. I think they're worried their box is too tennis-y." A brief pause. "I think."

Shane squinted at the appetisers. Pressed his thumbnail harder into the laminated corner of the menu.

"Does that mean too white?"

A short silence.

He didn't need to look up to know what was happening. His parents were exchanging the glance. He knew this by the sound alone, the slight shift of fabric as one of them turned to the other, the held breath of it.

"I thought you liked your deal with Rolex," his mother said.

"I do."

"Well, you certainly love the money, and they have great seats. You're sitting next to a prince, or—" she paused to look down at her phone, "—no, actually, a Swedish princess—"

Her voice went up a pitch.

Just a fraction. Barely anything. She didn't even know she did it, probably, and that was the thing that made it worse, the good intention sitting right inside the inference, layered, like she was trying to hand him something wrapped very carefully so he wouldn't notice what it was.

Because why would she assume he'd be more interested in a prince. His proclivities were not that obvious. They'd better not be that obvious. And regardless, prince, princess, pauper, it didn't matter, the idea of sitting next to anyone and being looked at and smiled at and expected to return the smile for an entire afternoon—

Yes, his body wanted to be touched so badly it was a constant, low-grade noise in his nervous system, like tinnitus. But simultaneously, the idea of another human being close enough to do that made his skin crawl.

He shut that down before it could go anywhere.

"I don't have time for that right now, Mom. All my time is—"

"I know, I just—"

"—scheduled." He finished over her. "I get like two weeks off a year. I don't want to spend them next to someone I don't know, trying to make conversation about—"

He needed to stop. He could hear it happening in his own voice, the compression, the way his cadence had gone clipped and hard-edged, and he could not stop it, which was horrific, feeling himself go too sharp while having zero ability to correct course in real time.

"—Swedish politics?" He finished anyway. Because he'd started the sentence and his brain did not know how to leave things unfinished.

"Okay," his mother said. She took her glasses off, set her phone down. Both hands flat on the table, the universal signal for I'm surrendering this particular hill.

The waiter materialised, young, dark-haired, handsome, maybe, probably moving efficiently through a Saturday lunch service. "Can I get anyone started with a drink?"

His father reached for the drinks menu. He'd been coming to restaurants like this his entire life, Shane's father, and the mechanics of it came easy to him. Why didn’t Shane inherit that? "We'll take this Chablis, please."

"Three glasses?"

His father nodded.

"Uh—" Shane said, "—I'll have a ginger ale, please."

The waiter's expression did something almost apologetic. A soft exhale through the nose. "Oh, we don't actually carry that. Sparkling water?"

Shane furrowed his brows. Exhaled through his own nose at the same low frequency. "Yeah. Sure. Thanks."

The waiter left.

His mother unclasped her hands on the table. Tilted her head the way she does when she was deciding whether to say something. "I'm sure you could have a glass of wine, if that's—"

"No." Shane interrupted with emphasis. "I can't." Then, because the word had come out with more weight than was necessary, "Not right now."

He looked down at the water glass in front of him. Half-empty. The ice had started to melt at the edges, turning the water slightly cold and slightly not, the temperature of neglect.

Beautiful, Shane. Won't have a single glass of wine with your parents, very dignified. Won't have a glass of wine, but you'll have four peanut butter cups at eleven at night, in bed over BDSM porn. What a picture of restraint. What a great captain.

He swallowed. Kept his face still. He'd been doing that his whole life, keeping his face still while his brain did this, how did he never notice that, acknowledge that? It was his voice that always gave him away, the pitch, the pace, the way it went clipped when he was three seconds from the edge, and he knew it and couldn't fix it.

"Shane."

His dad's voice, all gentle. 

He made himself look up. Met his dad's eyes for a second and then let his gaze drop to the same line of the menu he'd been staring at for the last several minutes.

"Yeah?"

"Is everything alright?"

Shane's jaw tightened. He produced a small, flat smile. "'Cause I don't want wine? You guys want me to win another Cup, right?"

His father shook his head, lips pressed together. "Well, you just seem—" he searched for the word "—tense."

"I'm fine." Shane looked at his mother. Her eyes dipped at the corners in a way that was worse than anything she could have said. A familiar silence. The sort that meant we both know that's not true and we're deciding whether to press it.

"I think," his father started, leaning forward slightly, his hands moved in small, circular gestures while he talked, like he was laying out a plan on a whiteboard, "a trip to London this summer for Wimbledon would be fun. Just the three of us." His mother hummed. Agreement, encouragement, the two of them moving in the same direction like they always did. "And I think you should think about it. We could make a week of it. Go to a play—"

His life was already a tragedy.

"—see Big Ben. You loved it when you were a kid."

Shane nodded once. "Then you guys should go." He let the air out through his nose. "You'd have a great time. You're the tennis fan, Dad."

His mother's mouth opened, like she had just witnessed mild blasphemy and couldn't decide between laughter and concern. She landed on laughter, a short, startled burst of it. "They're not going to send us the tickets. It's you they want. We're just the parents." She shook her head. "You're the main attraction."

The main attraction.

Shane Hollander.

His eyes fell to the butter knife resting against the folded napkin by his right hand. Flat silver, rounded tip, no serration. The handle was warm from the ambient heat of the room, the blade catching the chandelier's glow in a dull, oblong smear that made it look almost soft.

He looked at his wrist. The inside of it, the pale skin stretched thin over the faint blue ladder of veins, the tendon standing out like a bowstring when he flexed his fingers.

What if he picked it up. Right here. Right now. Dragged it across, slow enough to feel the drag, the give. Would blood come? Would it well up neat, like in movies, or spray? Would it soak the tablecloth, this clean, starched white, bloom dark and ruin it completely?

And then—

Would they finally see him?

Not the idol. Not the smiling captain lifting the Cup for the cameras, the one who'd diversified the league, the good Canadian boy with the perfect face and the perfect stats. Not the main attraction, hollow inside, plastic, and posed.

Just Shane.

Their son.

Bleeding out on the tablecloth because he'd finally cracked open and there was nothing real inside, nothing worth the fanfare, nothing but shame and want and a body that wouldn't obey the simplest fucking command: be normal.

Comeau had called him a robot once, very accurate, and robots didn't bleed. But if he did this, if he pressed hard enough, sawed if he had to, would circuits spill out? Wires? Or just more nothing? Proof that he'd been a fraud his entire life, snuck into this position nobody had earned, holding the shape with both hands until his arms gave out.

They'd look at me then. Finally. See the imposter. Would they cry? Scream? Grab him? Or just sit there, staring at the mess I’ve made, realising they'd built their pride on nothing?

His thumb twitched toward it. Just a fraction, the air between his hand and the handle felt thick.

Do it. End it. Be seen.

He blinked.

The knife stayed where it was. His hand didn't move.

"Yeah, well." he said instead, setting the menu down harder than necessary, the laminated edge slapping the wood. "If you want your main attraction to be good enough to win another Cup—" he swallowed, jaw flexing, "—I'll have to actually work. I don't just—" he shook his head, a slight jerk of it, "—I don't just wake up like this, you know? I have to work." He tilted his head, let out a sound that was trying to be a laugh and wasn't quite. "Pretty fucking hard, actually."

Both of them went still.

His mother's hand, which had been relaxed on the table, curled slightly inward. His father's face twisted, shock landing first, faster than the concern, concern settling in a second behind it, and then outlasting it.

"Shane," Yuna said softly, half a gasp, her hands folding in her lap. "We know how hard you work. We know how stressed you've been lately. Why do you think we're being so adamant about the trip?"

Shane felt his jaw go wrong, a small tremor, there and gone in less than a second. His vision blurred at the very outer edges, not tears.

"Stressed?" He looked between them. He could not meet their eyes directly, kept landing somewhere in the vicinity of their faces, a few inches off. "What are you talking about. I'm fine. I'm no different from how I've always—"

He stopped.

He finished the sentence in his head instead.

No different to how I've always been. That's what you don't know. I've always been like this and you didn't notice, so either I was doing a very good job or you weren't looking.

I'm not stressed. I'm a fraud. I snuck into this life and nobody noticed and I have been holding the shape of a person together with both hands for years and all it took to break the whole thing open was being assaulted. And of course, you don’t know about that either, because I-

He blinked.

The restaurant reassembled itself around him. His father's face, his mother's face , they were both watching him with the same expression, just displayed differently, his father quieter, his mother's eyes darker and more pointed. They looked like people who had been doing this watch-and-worry thing for a while and had gotten good at concealing how much they were doing it. Which meant they'd been watching him for a while. Probably since 2011. Jesus, fuck.

"Sorry." He ran a hand over his face, pressing his fingers into his eyes briefly, then back through his hair, gripping the short ends at the front. "Sorry. I'm in a weird mood or something." He let out a breath. "I think I'm sick, probably. I've been—yeah. I think I'm sick."

He pushed his chair back from the table. The legs caught on the floor again, that too-loud scrape.

"Shane, please—" his mother started, "sit down, it's okay, honey, we just—"

"No, I—" he stood, hands both going to his hair, gripping it, "—I need to—I've got to go. I feel like I'm going to be sick. I feel—"

He was pressing his chair back in before she'd finished the sentence. Already moving, already calculating the exit, the most direct line to the door that would take him past the fewest tables, the fewest people to notice how his vision went soft at the edges and his body made it absolutely clear that it was not going to hold this position much longer.

He didn't look back.

The heat hit him before the door had fully opened, Montreal in the shoulder of summer, a warm gust that went straight through the wool of the blazer and found the damp at the base of his spine. He pushed through and stopped two steps out, back against the brick facade of the building, and closed his eyes.

He took three breaths against the brick, counted them, lost count at two, started again.

Then he peeled himself off the wall and moved, fast, head down, rounding the back of the restaurant where the kitchen exhaust vents pumped hot grease-smell into the alley, past the dumpsters, across the service entrance, into the parking lot. His car was where he'd left it. Of course it was. He yanked the door open and dropped into the seat and the door swung shut behind him and he sat there and put his head between his knees.

What the fuck had he just done.

His hands gripped the back of his skull, fingers pressing in, feeling his own pulse in his palms. The leather of the seat was warm from sitting in the afternoon sun. The car smelled like him, his gym bag somewhere in the back, the cedarwood thing he clipped to the vent because he'd read somewhere that scent affected mood and he'd wanted every possible advantage, and for a second it was okay. 

Then the thought came back, what the fuck had he just done.

He'd walked out of a restaurant. In the middle of a meal. On his parents. He'd sworn at them, at his mother, who'd clasped her hands in her lap and called him honey, and he'd said pretty fucking hard actually, like they were opponents, like they'd done something wrong, like they weren't just two people who'd flown out to spend time with their son because they were proud of him.

Trying to be normal. Just trying to hold himself together through a single lunch and he'd lasted— what. Twenty minutes? Thirty?

He rocked, forward and back, the back of his head moving against the headrest in short increments. He used to do it when he was a kid, eight or nine, sitting on the floor of his bedroom with his knees pulled up, when the noise got too big or the day had gone wrong in a way he couldn't fix, and he didn't know what to do with himself. His mother had asked about it once, and he'd stopped doing it in front of people. The habit itself had never stopped.

He let it go. Let it keep going. Nobody was watching him.

His hands tightened around the back of his head, and he pressed hard, feeling the pressure of his own fingers against his skull, the resistance of bone, until he could feel his pulse beating in his palms. Something about it grounded him. Made the boundary of himself legible. He groaned, low and private, and knocked his fist once against the back of his head.

He needed— he needed something. He didn't know what. He needed someone, maybe, but he had no idea who. Hayden, maybe, but not like that, and anyway, Shane would have to perform enough coherence to receive the comfort, and he couldn't, not right now. His parents were twenty metres away, presumably still sitting in that booth, and the thought of going back in made his throat close up entirely.

Rozanov.

He shoved it back. No. That was not a solution, that was a symptom, that was exactly the kind of broken-compass thinking that had gotten him here in the first place.

He sat up. Breathed. Looked at his hands on his thighs.

 How could he be expected to do this by himself, to just hold it together? Just hold the shape? Be Shane Hollander, or some sort of amalgamation of Shane Hollander— the strong one, the quiet one, the one who made it look effortless, the one who didn't need accommodating. Be the good representation for Asian kids everywhere, the right kind of visible, the kind that doesn't make people uncomfortable. Be Canadian before anything else, be bilingual, be accessible, be diverse without making an issue of it, as someone had actually said to him once in a meeting about his public image. Smile at the camera. Thank the fans. Go on dates with girls, be photographed with girls, let the tabloids run the pictures, just let the inference sit there and do its work. Be straight. Be simple. Be comprehensible. Hold the Cup up with both hands so the cameras get a clean shot.

And now also, apparently: don't have a breakdown at a restaurant. Don't swear at your parents. Don't look at the butter knife.

He looked at his hands again. The thumbnail had left a red crescent on his palm from where he'd been pressing it in, from where he had peeled at it earlier.

He was not going to be able to do this by himself.

The thought circled, looped, wouldn't land. Wouldn't let him say it fully out loud inside his own head because admitting it meant admitting what had already happened, that he'd already needed help, already gone looking for it, already let someone—

No.

He couldn't let this bleed into his life. Couldn't let it actually touch the edges of the shape he'd spent a decade holding together. Because it wasn't sustainable, was it? Walking out on his parents. Swearing at them. This was not sustainable, and he could not do it by himself; he was not equipped to do it by himself, but he had to, because there was no one else. No one to call. No one who could fix this without requiring him to explain it first, and he couldn't explain it because there were no words for it that don’t include and it all started four years ago.

He groaned, low and private, and knocked his fist once against the back of his head. Rocked forward once, back once. The leather seat creaked under him.

He started the engine.

The dashboard clicked from 3:47 to 3:58 while he sat there with the engine running and no direction.

He took a left out of the parking lot because left was easier. Less traffic. Fewer decisions. And then he was on Sherbrooke and the city spread out in front of him and he kept going, thirty kilometres an hour, no destination, just the city passing the windows like scenery from a production he wasn't in.

He needed to do something normal.

A thing. The kind of thing a normal person did on a free afternoon, the kind of person who went outside for reasons other than training, who had a city they lived in rather than a city they stayed in. He had a vague and shapeless blueprint of what this looked like; he'd observed it. People doing it. The whole city full of people who knew how to be themselves without a manual, who didn't have to calculate the correct response to how are you? before delivering it, who could sit in a restaurant with their parents and just be present, not perform being there. Just actually be there.

He drove past a dog park. A golden retriever was sprinting across the grass in a wide, joyful, completely purposeless arc, ears flat, tongue sideways, running just to run. Someone was throwing a ball underhand and laughing, and the dog wasn't even looking at the ball anymore, just running the curve of the arc because it felt good.

Something in his chest pulled sideways. He kept driving.

The park at the end of Parc Avenue had a fountain.

He parked, fed the meter, and walked in.

The afternoon light had gone golden and long-shadowed, everything looked like it was in soft focus, like the world was being depicted rather than inhabited. There were families with strollers moving along the path, and a man on a bench with his shoes off, reading, legs extended, existing without apology. Two teenage girls in front of the fountain, phones up, adjusting angles, tilting their heads, laughing at results, adjusting again. Completely absorbed in themselves, in each other, in the project of the photo, not aware of him at all.

Normal. Normal. Normal.

Shane walked the path, the gravel loud under his shoes. His hands had nowhere to go so he put them in the blazer pockets and kept them there despite the heat and walked and looked at the fountain and didn't think about the knife, mostly.

He walked the path again.

On the third circuit he became aware that he was walking in circles, which was not what normal people did in parks on free afternoons, or maybe it was, he actually didn't know, he had no reliable data on what normal people did. Maybe everyone was secretly walking in small desperate circles. Maybe the whole city was. Maybe the man with his shoes off wasn't reading at all, just holding the book and performing reading for the same reason Shane was walking, which was that you needed to look like you were doing something or the emptiness became too visible.

He left at twelve minutes, the meter had three hours left on it, he pulled out anyway and got back on the road.

So the park is a no-go, okay, there were other things to do. Like the café on Bernard, he’d been meaning to go to. It was a recommendation, but he couldn't remember who it was from, one of those passing things that stuck because it came attached to a specific detail. The croissants, someone had said. They do this thing with the croissants, butter, and sea salt, you have to try them. He had stuffed it in the internal box he rarely opened, the one marked things he'd like to do at some point.

He opened the door. The smell hit him first: butter, dark roast, something sweet and yeasty from deep in the back. The space was small and warm, walls lined in mismatched tile, a chalkboard menu in two languages, three small tables, and a long window bar that caught the afternoon light in a wide, warm stripe across the counter.

He got in line. The woman ahead of him ordered in rapid, comfortable French. He looked at the pastry case while he waited. The croissants were there, plain and almond. Beside them, a kouign-amann gleamed under the case light, its caramelised crust catching the angle, deep amber at the edges where the butter and sugar had burned together. He hadn't eaten since he threw up this morning.

And bloat be damned, he was getting that kouign-amann, just the one thing. One last treat before he really locked-in. 

"Bonjour."

The barista smiled at him. Young, dark-haired, a small tattoo at the inside of her wrist. “Bonjour,” Shane said. "Puis-je en avoir un, s'il vous plaît?" He pointed at the kouign-amann. "Et un café noir."

She reached for the tongs. He paid. Found the stool at the end of the window bar, set the plate down, and looked at it. The crust gave slightly when he pressed his fork against it, the resistance before it yielded, flaking caramel at the edges, the inside soft and layered and butter-soaked through every fold. He cut a piece. Lifted it.

"Oh my god— excuse me—"

He set the fork down.

The woman at the table behind him was already holding her phone. Late thirties, coat folded over her chair, her companion leaning in at the same angle. The camera orientation was facing him, facing him and his kouign-amann. Oh God.

"I'm so sorry, I know this is so rude—" She pressed her free hand to her chest. "Are you Shane Hollander? The Voyageurs' Shane Hollander?"

He turned.

He plastered a smile on his face, the good one, the real-looking one, the one he'd practised until it came from the outside in. "Yeah, that's me."

"Oh mon Dieu." Both hands now. "I'm so sorry, I know you're just trying to eat, but my son is going to lose his mind — he's twelve and he's obsessed, he keeps talking about you and the Cup, how you did the—" she glanced at her companion, "—qu'est-ce qu'il y a avec le chapeau—"

"A hat trick?" Shane said.

"Yes. Three goals in one game, he showed me the video—"

"That's great." He was already moving, standing, pushing the stool back. He took the phone when she offered it, checked the angle, gave it back. Crouched slightly between the two of them. Smiled. Flash.

"One more?"

"Of course." Flash.

He said something warm, said he hoped her son kept playing, that the sport needed it, that twelve was a great age to really commit to it. He heard himself say these things from a short distance, from the passenger seat of his own body, watching his hands shake hers, watching his mouth produce the sounds. The woman's face was lit up with reflected happiness; her son was going to lose his mind.

The main attraction.

Shane Hollander.

Smiling at strangers in a café, the plate behind him was getting cool.

He went back to the stool. Stood in front of the kouign-amann. The piece he'd cut was still on the fork, the caramelised edge slightly less glossy than it had been, cooling where the crust had cracked. He looked at it. Felt the math start up behind his sternum, the grinding arithmetic of what he'd already consumed versus what he was owed versus what he deserved versus what would happen if he— and underneath all of it the voice that had been running since the Kitkats, since the peanut butter cups, since the game, long before any of that: you don't get to just eat things. 

You don't get to just want things and take them. You're already disgusting. You're already too much. You are Shane Hollander, and Shane Hollander does not sit in a café and eat a disgustingly sweet, caramelised pastry alone because it wandered in off the street after walking out on its parents.

He put his blazer on properly. Picked up his coffee. Left the kouign-amann on the plate, fork balanced against the edge, the piece still cut and waiting.

He pushed the door open.

The afternoon swallowed him again, warm, bright, indifferent. Families with strollers. Someone's dog on a lead. The city moving around him the way it always did, continuous and unaware, full of people who knew exactly who they were and how to feed themselves without it meaning anything.

He walked back to his car, and sat there with the coffee he no longer wanted going cold in his hand. 

He was going to sort this out. He just needed to find something he could control and hold onto it, as tight as possible, until everything else stopped moving. That was the plan. 

 


 

He'd gone home and ordered pho from his favourite Vietnamese place, the one he'd been going to since his first season with Montreal, the one that knew his order without asking. Large, beef broth, extra tendon, bean sprouts on the side because he liked to add them himself so they didn't go soft. He balanced the bowl on his knee, cross-legged on the couch, remote in one hand and the film queued up on X Squad on his TV for the sixth time. 

The sunset came through the floor-to-ceiling windows in long orange strips, moving across the floor as the hour changed, and Shane watched the film and ate his soup and did not think about his parents or hockey or Ilya Rozanov, which was, genuinely, the best he had felt all day.

The film was an hour and fifty-three minutes long.

It took him approximately four hours to watch it.

He kept going somewhere else. Not anywhere specific, drifting, no destination, just losing contact. He'd be watching, actually watching, following the plot, and then he'd surface twenty minutes later with the bowl cooling on his knee and no memory of the last scene and have to rewind. He rewound the same sequence three times. He reheated the soup twice, and then a third time because he'd let it go cold again sitting in the microwave, and the third time he ate half of it standing at the counter just in case.

When the credits finally rolled, he stood with a quiet hum, carried the bowl to the sink, rinsed it, loaded it into the dishwasher. Wiped the counter. Stood in the kitchen in the hoodie in the dark and looked out at Montreal going electric in the last of the evening light, all of it blazing at maximum capacity the way it always did.

His phone went off.

A call, the screen lighting up and vibrating against the counter.

He picked it up, J.J

Nope. That wasn’t happening. Not now.

He sighed, set it back down, but it just kept ringing. He sighed again, longer this time, into the collar of his hoodie, and picked it up.

"Hey man," he said.

"HOLLANDER." JJ's voice arrived at a volume that suggested he was standing inside the noise rather than next to it, the clatter and murmur of a restaurant in full evening swing audible behind him. "What the fuck are you doing right now.

"I was about to—"

"Bullshit. Get your ass to the Mile End, baby." The baby landed like it was the most natural thing in the world, like everyone said it like that. "My buddy François— you remember François, the chef, yeah? He's having an after-hours thing at the restaurant. Djon-Djon, you remember it?"

Shane's mouth curved slightly, despite itself. He dipped his head. "Oh yeah?"

"And listen—listen, get this—"

"J.J.” Shane warned.

"The cast of the X Squad film. The one they're shooting in town. They're here."

Shane's eyes went to the TV, the credits still scrolling across the dimmed screen. "All of them?"

"I don't fucking know! Some of them! Get down here!"

"I don't know man, I'm feeling kind of—"

"I think Rose Landry is here."

Shane closed his mouth, opened it, closed it again. "Alright." He pushed off the counter. "Alright, stop hounding me. I'll think about it. Bye."

He hung up and set the phone down and stood there in the kitchen in the dark with the Montreal skyline going orange and pink through the glass.

Rose Landry.

He had been, well. He'd had a very sustained appreciation for Rose Landry since she took the role of Allure in the fifth X Squad film and proceeded to make every single scene she was in better by approximately eighty percent. She was a great actress. She was objectively, unambiguously pretty. She seemed decent in interviews, grounded, funny, not performing it. He'd watched her press tour for the sixth film three times, which he had not admitted to anyone.

He pushed off the counter and went toward the bedroom, picked up the white t-shirt and the black hoodie from where he'd left them on the chair.

It would be— practically speaking, it would look good, they would look good. He pulled the t-shirt on, then the hoodie. Something like that, a relationship, a normal one, with someone he genuinely liked, someone who moved through the world with ease and warmth without the intention of mischief and trickery, who didn’t lie, who might—who could—remind him what normal felt like, what normal intimacy felt like. A full system reset. Something that pulled him back into the correct shape of himself.

Shane liked her. Shane thought she was pretty. Shane could date her.

Obviously he could date her, just look at her. He grabbed his keys, walked to the door, and slipped his feet into his reeboks. 

Obviously this was a good idea; obviously, it had nothing to do with needing something to hold onto while everything else kept moving, obviously it wasn't the same impulse as everything else he'd tried, the routine and the training and the restriction, just a newer and more human-shaped version of the same frantic search for something solid.

He paused with his hand on the door.

There it is, he thought, this is his thing to hold onto. 

 

received:

How many times do I have to say it, Hollander. I didn’t try to upset you.  I’m excited to see you tomorrow. Are you excited to see me?

status: read 8/10/15

 

The Bell Centre was overwhelmingly loud, eighteen thousand people compressed into one vibrating pressure system, the air thick with body heat and the smell of ice and rubber. The score was 2-1, third period, four minutes left on the clock.

Shane skated into the face-off circle at centre ice. His edges carved a short arc as he slowed, shoulders dropping into the familiar pre-draw crouch, stick angled across the dot.

Rozanov materialized opposite him.

He was already looking at Shane when Shane looked up, not at the puck, not at the linesman, at Shane. The visor threw a stripe of shadow across his eyes but didn't hide them. The bags beneath them were deep, the lines around his mouth cut sharper than usual. He leaned forward over his stick. Studied Shane with an unhurried glance.

"You are looking different." His voice came low, undercut by the crowd noise, meant only for the distance between them. His brows pulled together, in something clinical. "Small, maybe."

Shane glanced up at him once. Then fixed his gaze on the bridge of Rozanov's nose.

Rozanov straightened slightly, rolled one shoulder in a shrug. "I think there is still time for a hat trick." His tone hadn't changed, flat, conversational, as if they were standing in a hallway somewhere. "Should I do it now or wait till last second?" A small pause. His head tilted a degree. "Last second is more fun, but."

Shane said nothing. His grip tightened on the shaft of his stick.

"Ok. Mr. Model."

Both sticks came up. Came down to the dot, blades parallel, two inches apart, the linesman's hand already falling.

The puck dropped.

 

received:

When are you going to introduce me to your girlfriend? She’s pretty but I don’t think she is feeding you at home. 

received:

Does she know about us?

received:

Does she know you can cum untouched?

status: delivered

 

The studio lights ran at about a thousand degrees and smelled faintly of scorched dust.

Two hours in, Shane had stopped counting outfit changes. The stylist moved around him with briskly—  his collar adjusted, cuffs straightened, tie knotted once, then again tighter. The matching set was these blue-striped dress shirts, brown slacks, stiff at the seams, expensive.

Rose had already figured out how to move in hers.

She came around his side, one arm looping behind his neck, her cheek finding his, her body turned into him with casual confidence. Her hand was warm against the back of his collar. Shane's palm settled at her waist.

“Chin down, shift left, give me something warmer, you two love each other.”

The shutter ran off a burst. Rose adjusted her grip on his lapel, tilted her head so her temple rested against his jaw, and the director stepped out from behind the monitor.

"Shane, lose the tie, please, give it to Rose. We’re going to do something kind of sexy, kind of fun, wrap it around his hands."

Shane's fingers went still at her waist, his brow twitched, then he reached up, worked the knot loose, slid it free. Held it out. Rose took it without a word, looped the silk twice around his wrists in a figure that wasn't tight, and her eyes moved up to his face while she worked, calm, assessing.

The shutter went again.

She adjusted her grip on his lapel and her hand came around to his back, slow, a wide flat circle between his shoulder blades, and she dropped her mouth close to his ear.

"Hey." A pause. "Hey, Shane."

He turned his head a fraction.

"You're doing good." Her thumb pressed once into his spine. "We're doing so good." The laugh that followed was almost nothing, warm air, mostly. "We look fucking hot."

His eyebrow went up. "Yeah?"

She held his gaze. Bit the inside of her bottom lip, teeth catching the skin, holding it a second, then releasing. Her eyes stayed steady on his.

"I don't know about me—" He locked his arms around her back and tipped his weight backward, pulling her clean off her feet so her back fell across his lap in one long arc. “But you look very pretty.”

Her laugh came out cracked open and totally unplanned, head going back, eyes screwing shut, one hand scrabbling at his sleeve. The stylist let out a soft "aww." The director clapped once, sharp. The photographer's shutter ran nonstop. 

"Yes, that's the one. Playful. Keep going—"

 

received:

I slept for 10 hours last night, I think for 6 of the hours I dreamt of you moaning around my dick

received:

Do you even sleep anymore, I think no

status: read 9/1/15

 

The music had been loud for so long it had stopped being sound and become just a constant, vibrating heaviness behind his eyes, the bass of I Think I'm Paranoid by Garbage drilling into the base of his skull like it was trying to find the soft part.

If I should fail, if I should fall.

His legs drove down. The resistance was set three clicks past where it should have been, and every downstroke required the full drop of his bodyweight through his heel, the tendons in his ankles screaming under the load. His quads had stopped burning an hour ago. Now they just existed, a thick, dull heat, something like the muscle had been running on its own emergency reserves for so long it had forgotten how to signal distress.

I nailed my faith to the sticking pole.

Sweat dropped off his jaw in a steady, metronomic drip. His shirt had long since stopped being a shirt and become a second skin, soaked flat across his chest, clinging to the knobs of his spine, peeling away with each forward lean and re-adhering with a wet slap. His hair was plastered across his forehead in dark, flat strips. His boner was long gone now, and when he exhaled, the air that came out was hot and sour.

Down. Up. Down.

Montreal outside the window was nothing. Completely quiet, to the extent of being absent. The streetlights threw shallow orange pools onto the empty intersection below and then gave up. No cars. No movement. The traffic light at the corner cycled through green, yellow, red, green, yellow, red, for nobody.

Bend me, break me anyway you need me.

His hands had gone numb around the handles thirty minutes ago. The rubber grip pattern had embossed itself into his palms like a brand and then stopped registering as anything. He was aware of his fingers only because he could see them.

All I want is you–

The nausea arrived all at once, a violent uprising from somewhere low and central. His stomach clenched in one hard contraction, and his mouth flooded instantly with hot saliva, his throat sealing shut around it.

His foot missed the downstroke.

He threw himself off the bike.

Both knees hit the floor and the impact detonated up through his kneecaps, jarring his teeth. His right hand came down hard on one knee, fingers curling over the cap, gripping it. The other hand slammed flat over his mouth, palm pressed so hard against his lips that his teeth cut into the soft inner skin. His shoulders heaved forward. He stayed there, bent double over himself, forehead nearly touching the floor, everything in his body suspended in the single, consuming question of whether he was about to vomit.

I think I’m paranoid. And complicated. 

His vision had gone dark and patchy at the edges, thick, black blooms crowding in from the periphery and slowly receding, crowding in and receding. He stayed there. Thirty seconds. A minute. Two.

He dropped his hand from his mouth. A thin string of saliva stretched from his lower lip and he dragged the back of his wrist across it, the cotton leaving a wet smear across his jaw.

He looked down at his watch.

2:15:43.

4:02 AM.

The traffic light outside turned green.

 

received:

Everywhere I go I see your face

status: read 11/23/15

 

The boardroom was on the fourteenth floor and had floor-to-ceiling windows on two sides. Yuna had her notebook open and her pen uncapped and had not looked up from it since they sat down.

"You do understand," she said, cutting cleanly across whatever the exec had been building toward, "that hockey is his priority. Always. This arrangement would be exclusively off-season. Any shoots, any campaigns, any public appearances tied to the agency, off-season only. That's non-negotiable, and it needs to be written explicitly into the contract, not just,” She paused, waved a hand around, “Implied."

The exec, mid-forties, in a loosely fitted suit, nodded with his whole upper body. "Absolutely. We can build in as many protective clauses as you need. Scheduling approval, right of refusal, blackout windows around training camp and playoffs—"

"He also has existing contractual obligations," Yuna continued, flipping a page. "Branding agreements already in place. There are exclusivity considerations that will affect what categories you can even approach him for. Apparel, grooming, lifestyle— some of those lanes are already occupied. Before we get anywhere near a number, we need a full breakdown of what you're actually pitching him for, category by category."

"Of course. And for what it's worth, we're not looking to compete with anything he has. We want to build around what's already there. Frankly, the existing profile is—" the exec paused, choosing the word carefully "—well. We've had a lot of interest, a lot. We just need him."

"You need him," Yuna repeated, and wrote something down.

"Genuinely. The response to the Hugo Boss campaign alone—"

"He has other offers."

"I'm sure he does."

"Several. Some of them from agencies considerably larger than yours."

The exec absorbed this without visible damage. "Then I'd like the opportunity to explain why we think we're the right fit regardless. And when it comes to payment—"

Shane turned his head.

One of the assistants sat two seats down from the exec, an iPad propped flat against the table in front of her, a stylus idle in one hand. She was looking at him. Not the way people looked at someone in a meeting, she was practically oggling, openly, her mouth soft and slightly parted, the stylus tapping a slow, absent rhythm against the corner of the screen. When his eyes met hers, she dropped her gaze immediately, the tips of her ears going pink, suddenly very focused on the iPad.

Shane reached up and scratched the back of his head. His hair had grown out over the past few months, from Rose’s suggestion, the bangs falling forward past where they used to sit, hovering at the edge of his glasses frames. He pushed them back with two fingers, and they fell forward again. He left them.

He ran his thumb along his cheekbone. Down into the hollow beneath it, the pad of his thumb tracing the line of bone. He leaned forward over the table, both hands clasped in front of him, the black cashmere of the sweater pulling softly across his shoulders, and looked back down at the notes spread in front of him. His eyes moved across the page, tracking something, his brow pulled in by a fraction.

He tapped one finger against a line near the bottom.

"Ok." His starts, "I just had a question about—"

 

received:

Fuckkkkl, need ur pussy bad tonight bby

received:

Sorry wrong number

received:

Did you like it though? Want 2 give me your little pussy 2? Want 2 be my my good little cockwhore? 

received:

no, u r 2 boring for this nm.

status: read 1/1/16

 

The kitchen smelled like sautéed garlic and rice. Shane had been home from his evening cardio session for forty minutes, an hour on the bike, resistance at level eighteen, 1,200 calories burned according to the display, which he had photographed on his phone before stepping off.

He laid everything out on the counter first. Three avocados. Wild rice, already rinsed and simmering. Four purple sweet potatoes in the oven, purple specifically for their anthocyanin content, anti-inflammatory, higher in antioxidants than standard sweet potato, baked rather than roasted to keep the glycemic load lower. Sauerkraut and pickled beets from Rose, fermented, for gut flora support. Kale, which he massaged with exactly one tablespoon of cold-pressed olive oil, the massage breaking down the cellular structure to improve digestibility, the oil providing monounsaturated fat for hormonal function and fat-soluble vitamin absorption. Sautéed spinach and broccoli, the broccoli a source of sulforaphane, a compound that supported liver detoxification and reduced systemic inflammation after high training loads. Mashed kabocha squash, prepared in a batch on Sunday. Wakame salad from his Mother for iodine and thyroid support. Sprouts. Cucumber. Baked tofu for complete plant protein to supplement the animal sources.

And the egg whites. 600 grams, poured from the carton. The load-bearing column. 72 grams of protein in one ingredient, zero fat, zero carbohydrate, complete amino acid profile, fast-absorbing in the post-exercise window. The egg whites went into a dry wide pan, folded until they set. The kale went onto the plate first, the beets beside it, the sauerkraut in its own small section so it didn't bleed into the rice. The squash, the tofu, the wakame, the sprouts, the cucumber fanned on the diagonal. The broccoli and spinach. The rice, measured, portioned, placed.

Then the avocados.

He halved them, removed the pits, laid them on the plate. Stood back. Looked at the plate.

His brow pulled together, barely. One avocado, 230 calories, 21 grams of fat, monounsaturated primarily. Three avocados.

He picked up two of them. Found a container in the drawer, pressed the lid on, slid them into the refrigerator.

 

received:

Боже мой Hollander

received:

Are you only eating green leaves and bird food?

received:

You know they are calling your waist slutty on twitter

received:

Is okkkkk I like to wrap my hands around your slutty waist 😈

status: read 2/17/16

 

The front door clicked shut behind him and he stood in the entryway for a moment, chest still working, sweat tracking down the column of his throat and pooling at his collarbone. Seven miles. His calves were tight, the familiar deep pull at the achilles that meant he'd pushed the last kilometer.

He pulled his shirt off with one hand, the fabric peeling away from his skin in a single damp strip. Folded it in thirds—force of habit—and set it over the back of the chair by the hall table.

Rose came down the stairs with her coffee mug held in both hands, barefoot, her light hair loose and still half-undone from sleep. The t-shirt she was wearing was his, the grey one, three sizes too big, hem grazing the tops of her thighs with every step. She looked at him.

She let out a long, low wolf whistle.

Her hands were warm when they landed on his stomach, fingers tracing the harsh ridges of his abs like she was reading something in braille. She slid them up, slow, and settled them over his biceps, squeezing once.

Shane's mouth moved into a small, crooked smile. He looked somewhere over her shoulder, a flush crawling up from the base of his neck and spreading across his cheekbones, into the freckles.

"Sexy boy," Rose sang, the words lilting and delighted. She rose onto her tiptoes and pressed her lips to his cheek ."Your body is insane, you know? Like every time I come back from shooting, it's like." She exhaled, set her mug down on the counter. "It's like you somehow get ten times more attractive." She spun on her heel, leaning back against the edge of the counter, mug abandoned, and pulled her mouth into a pout. "Maybe I should go on your bird food diet."

Shane huffed through his nose. Shook his head once.

"Yeah?" He reached for a dish towel and wiped his hands with it. "I've just switched up my training a bit. I thought it would be good to—" A pause. He folded the towel in half. "Uh, make more of an effort, I guess. If I want to continue with the whole public figure thing."

Rose's mouth dropped open. "More of an effort."

"Well." He set the towel down. "I have to keep up with you." He raised his eyebrows. "You're perfect already. You don't need to go on a diet."

She stared at him for a second. Then she pushed off the counter and rounded it, sliding her mug into the sink. "Whatever." She waved one hand behind her. "Did you try the new serum I got you? The niacinamide one. Oh, and we’re going out tonight instead of tomorrow, to the premiere thing. You can wear the suit Saint Laurent gifted to you, looks so cutie."

Shane nodded, a low hum in his throat, and reached back for his shirt.

"Wait—" Rose's hand shot out. "Wait, don't go yet." 

Shane instantly stilled mid movement.

She grabbed her phone off the counter, already unlocking it, already flipping to the camera. "I need to get some pictures of you." She pointed the lens at him with the focused energy of someone who had done this professionally. "The whole world needs to see that their perfect Ken doll, Shane Hollander, is my Shanebug, and he's in my kitchen—" She tilted her head. "Well. I guess I'm in your kitchen." A beat. "And you're probably in their kitchens too, on the cover of a magazine."

The corner of Shane's mouth pulled up. He exhaled through his nose, the sound landing somewhere between a laugh and a sigh.

"Really."

"Yes, really, your fans are gonna love this." She raised the phone higher. "Go. Pose."

 

received:

Fuck you 😂

received:

You’re worthless don’t even know why I try you look like shit btw

received:

Like anorexic piece of shit 😂😂😂

received:

I’m drunk don’t mean that.

received:

Fuck you I meant it y ou’re nothing. 

status: read 3/7/16

 

The gym was dark except for the row of lights over the mirrors and the single bulb above the rower.

It was 5:07 AM.

He'd been on the machine for twenty-eight minutes. Stroke rate 32. The monitor read 4,200 meters, split 1:52 per 500, calories climbing past 450. His grip on the handle was slick, sweat had pooled in the creases of his palms and turned the rubber tacky. Each pull dragged his shoulder blades together, the chain rattling in a steady, mechanical clack.

His legs extended full, heels locked into the footbeds, calves knotted tight on the drive. Back straight until the catch, then the lean, then the finish, arms in first, elbows scraping past his ribs. Exhale on the recovery. Inhale on the drive.

The fan blades hummed overhead, pushing cool air across his skin, but it didn't reach. His tank top was soaked through, clinging to the serrations of his obliques, the fabric dark and heavy. Sweat beaded at his temples, traced the line of his jaw, dropped off his chin in a rhythm synced to the strokes.

Everything narrowed. The glow of the monitor, the sound of the chain clacking, the burn in his lats had gone past fire into something white-hot, like the muscle was fusing to the bone.

Stroke 612. 4,450 meters.

His vision tunneled. The edges went soft, then black, then nothing.

He opened his eyes.

The handle was still coming toward him. Arms bending at the elbows, his back straight, legs compressing against the footbeds.

Stroke 623. 4,520 meters.

He blinked. The monitor numbers swam back into focus. His chest heaved once, deep and ragged, but his body didn't stop. Drive. Finish. Recovery. Drive.

 

received:

Ok 👍

status: read 3/20/16

 

The scale read 185.2 lbs.

He stepped back. The body analysis display cycled through its sequence, impedance measurement, hydration percentage, visceral fat rating, muscle mass distribution, the numbers ticking through their calculations. He waited. The display settled.

8.0% body fat.

Thirteen percent, this time last year. He ran both hands over his face, top to bottom, the heels of his palms dragging across his eyes. He dropped them. Exhaled. Looked up.

The man in the mirror had big brown eyes.

Dark enough that in low light the irises disappeared entirely and left only the pupil. Eyes that sat a fraction deeper in their socket than they had in December, not in any way that would read on camera. Just enough that the shadow under each brow bone had become more prominent, more a feature of the face than an incidental. The eye serum Rose had ordered him, the one that arrived in a matte black box with a dropper applicator and instructions in four languages, had managed the bags. The skin under his eyes was smooth now, no longer the purple-grey bruise it had been in January.

His freckles were still there. Scattered across the bridge of his nose and both cheeks in a haphazard, uneven pattern. They sat against his skin differently now, though, the skin around them lighter, somehow thinner, pulled closer to what was underneath it, so that the faint tracery of his veins showed through at his temples and at the soft inner skin of his forearms, a blue-green suggestion, like rivers on a map through pale terrain. He looked, in bad light, like someone you could see through. 

His shoulders read wider. 

They had always been broad enough, but the trap development from six months of weighted pull-ups and barbell shrugs had added a new layer to the base of his neck, muscle stacking against muscle, so that the line from his ear to his shoulder now dropped in a more aggressive slope. Or maybe they only seemed wider because everything else had contracted. His torso. His abdomen, specifically.

He had always had a belly, even at his leanest; there had been a softness to it. A rounding at the lower abdomen that sat just below his navel, a gentle convexity that persisted regardless of how many miles or how many core circuits or how little he let himself eat. 

It was gone now.

He turned sideways.

Really gone. The line from his ribcage to his hip ran straight. Then it caved inward, a shallow but definite concavity, the obliques cutting in hard diagonally across the plane of his stomach, the whole length of the torso narrowing toward the hip in a way that it hadn't before. He could see the iliac crest, the jut of the hip bone pressing through the skin when he shifted his weight to one side, the ridge of it visible, an edge where before there had been softness. Two shirt sizes down. One pant size. He'd had to buy new training gear in March, standing in the SportChek on Sainte-Catherine with three pairs of shorts that no longer fit.

It had taken half of his ass with it.

He turned back. Faced himself.

His jaw had sharpened, or the muscle had receded enough from his face to let the structure show more clearly, the cheekbones higher-seeming, the hollow below them so there now. He ran his thumb along the line of the left cheekbone and down into that hollow, pressing the pad of his thumb into the soft depression there, feeling the bone beneath it. It pressed back. Everything was closer to the surface than it used to be. 

He looked at his eyes again. 

The irises were very dark. Brown that went black at the outer rim, a clean tonal border, and then inward, it fractured, warm amber threaded through deeper walnut. He went in further. There were darker flecks near the center, brown going almost black. A ring at the inner rim, close to the pupil, richer, almost copper.

He kept looking.

It was dark in there, the dark of deep water, of going under and losing track of which direction the surface was. Something was sinking at the bottom of it, or someone, going down through cold and black with both arms reaching upward, ten fingers spread and grasping at the boundary between what they were and what the water was, what they'd been and what they were becoming, the self and the image of the self and the space between the two which was supposed to be nothing, was supposed to be zero distance, but wasn't. Hands at the threshold. Fingers scrabbling at the glass. Shane— who he'd been, who he knew himself to be, who'd learned himself over twenty-three years, who'd made a body and a career and a name and a face— reaching up through the pupils toward the surface and finding the surface moving upward faster than he was rising, the gap between his hands and the light growing rather than closing, the warmth of everything recognizable receding, the silt of what he was becoming rising up around him as he sank—

Where had he been the past year? When was the last time he saw himself? When was the last time he actually heard himself think? Where was his internal voice? Who the fuck was this man?

Shane blinked.

The mirror held a man. Brown eyes, straight nose, freckles across both cheeks. Almost six feet of muscle in a white bathroom at 10:00 AM. The display on the scale had gone dark behind him; the session timed out. The ventilation unit hummed in the wall.

He reached for his shirt.

 

received:

Are u ok? You don’t look okay to me. 

status: ead read 4/30/16

 

Shane sat in the chair they'd positioned. Blue linen button-down, untucked, the collar open at the throat. Dark jeans. No shoes. His hair was the longest it had been in years, not long by any normal measure, but long for him, the dark waves falling across his forehead in a way that required nothing, no product, no effort.

The interviewer was in the chair opposite him, mid-thirties, recorder on the table between them, a production assistant with a ring light crouched to her left.

"So." She smiled, leaning forward, pen uncapped and resting against her notepad for form. "Shane Hollander. One Stanley Cup. Calder Memorial Winner. And now— Cosmopolitan's Hottest Man in the NHL." A pause, slightly amused. "How are you taking that?"

Shane's mouth moved into a small, restrained smile. He looked briefly at the middle distance, the eucalyptus on the shelf, and then back at her. He shook his head, a slight, contained motion.

"I appreciate it. Genuinely, I do." He laced his hands together over his knee. "It's — yeah. It's very kind." He paused. "I don't think I'm the right person to weigh in on that particular question."

"You're being modest."

"I'm being honest." The smile stayed, held at one corner. "The people who actually deserve credit for any of this, the modeling stuff, the press, all of it, is my mom, first of all. She handles everything on that side; she's been doing it since I was sixteen, and she's exceptional at her job. She deserves everything." He unclasped his hands, resettled them. "And Rose, obviously. Rose has, uh, she's introduced me to a world I didn't know very much about. She's taught me a lot. I think she probably saw something I wasn't seeing in myself and pushed me toward it." He raised his eyebrows once. "So. Credit where it's due."

"That's very sweet." The interviewer tilted her head, her pen tapping once against the notepad. "But Shane, you're in the running for People magazine's Sexiest Man Alive. For 2016." She let that sit a moment. "At some point, you must know, on some level, how handsome you are." She turned her palms up. "Our readers want to know. Any tips? What are you doing?"

Shane looked at her. Then he shrugged.

"Take care of your body." He said it simply, no framing, no preamble. "Stay active. Build some kind of wellness routine that's actually sustainable, not just something you do for two weeks in January." A beat. "And eat well. That's probably— honestly, that's the biggest one. Eating well. Eating enough." He said the last word with a slight emphasis, leaned back in the chair. "I think a lot of people get that part wrong. They cut everything and wonder why they feel terrible." He shook his head. "Your body needs fuel. That's not complicated."

 

received:

Hollander, моя черника.

received:

I watch your interview, it make me think about the last time we talk. Make me think about your lips, so many people talk about your lips.

received:

I didn’t mean to, okay? 

received:

Don’t know how many times i need to say it.

received:

Don’t know what I did to make you so mad. 

received:

K I know what I done.

received:

U look so sad.

received:

I never meant to hurt you sorry about what I said bout your body 2 so drunk and pissed off sorry. Your beautiful. 

received:

What can I say to make you talk to me again? Not gunna blackmail u with pics this time

received:

 Sorry? how many sorry do you want?

status: delivered

 

The heavy fire doors of the Voyageurs locker room swung shut behind Shane, sealing out the damp arena hallway. He dropped onto the wooden bench of his stall, his knees spreading wide as he reached for the hem of his sweaty practice jersey. He pulled it over his head, the fabric clinging to his skin before snapping free.

He didn’t immediately reach for his new compression gear. He just sat there, breathing in the smell of sweat and tape adhesive.

"Captain, oh Captain," Comeau whistled from two stalls down, already slipping his own shirt over his head.

Shane froze. He furrowed his eyebrows, the line between them deepening, and tilted his head up. He grabbed his water bottle from the shelf above his cubby and took a deliberate swig. He swallowed, his throat working visibly, before he spoke.

"What." He said it flatly, bluntly, no upward inflection.

Comeau paused, his arms half-tangled in his sleeves. He looked taken aback, his eyes darting quickly to Drapeau across the room. He raised his eyebrows. Drapeau, peeling tape off his shin guards, raised his eyebrows back in a silent, shared communication that Shane hated.

Shane’s bottom lip twitched. The plastic of the water bottle crinkled slightly under his grip. "What the fuck is that supposed to mean?"

Comeau sighed, dragging a hand through his hair and scratching at his scalp. He looked away, muttering toward his own locker. "Man, I didn't even say anything."

Down the bench, Hayden was already unlacing his skates, his head swiveling toward the rising tension. But Shane was already moving. He stood up abruptly, the bench groaning slightly under the shift in weight. He folded his arms tightly across his bare chest, his face pulling into a hard, serious line.

"No, what's it supposed to mean. Stop being so vague about everything." Shane demanded, his voice dropping into that quiet, dangerous register. "You can look over at him and say it, but not me? What, are you a—" Shane paused. His dark eyes flicked rapidly across the room, tracking the sudden stillness of his teammates. "Um– a pussy?"

A chorus of low whistles and groans rippled through the locker room. Someone—probably J.J.—let out a sharp, amused hiss.

"Jesus." Comeau smacked his kit down hard into his cubby, the plastic cracking against the wood. "This is what I'm talking about. You're such a buzzkill these days. It's like you want to fight everybody. I don't know what kind of bitches you're surrounding yourself with lately that are making you act up like this, but we're your—"

Shane gasped. The sound was sharp and visceral, cutting Comeau off entirely.

"Bitches? What the fuck—" Shane took a hard, aggressive step forward, the rubber mat squeaking under his bare feet. The muscles in his neck jumped. "Did you just fucking call my girlfriend a bitch?"

Comeau’s eyes went wide. He threw his hands up, palms out in sudden surrender, leaning back against the wood of his stall. "Whoa! Calm down, fuck, Hollander. I didn't say—why would I ever?"

The heel of Shane’s hand caught Comeau high on the shoulder, knocking him back so his spine hit the lockers with a loud thud. The room exploded. Groans and swears echoed off the tile walls. Someone in the back shouted for Comeau to "take it like a pussy," and the comment ignited whatever restraint Comeau had left.

Comeau lunged, his hand twisting into the collar of Shane’s fresh compression shirt before Shane could even put it on. He yanked Shane forward, turning his head to shout over his shoulder at J.J. "Viens chercher ton putain de garçon, mec."

Come get your fucking boy, man.

He turned back, his face inches from Shane’s, hissing through his teeth. "Captain, I don't want to put my hands on you." Comeau tilted his head, pulling Shane in tighter, the fabric digging into Shane’s skin. "But you've got to get in line. The hairspray is getting to your fucking head."

Shane lurched forward, abandoning any pretense of control. He grabbed Comeau by the shoulders, shoving him back against the cubby, and suddenly they were grappling, screaming over each other in a messy, furious tangle of limbs and bruised egos.

"Fuck you! Fuck you! You’re an asshole." Shane yelled, his voice cracking, tearing out of his throat. "Fucking talk about my girlfriend again and I'll beat the shit out of you!"

Hands were suddenly on him. Hayden and J.J. grabbed Shane by the shoulders, their grips bruising as they yanked him backward with a violent pull. Across from them, Berkes and Drapeau hauled Comeau away, pinning him against the opposite wall.

"Hey! Hey!" Hayden roared, dragging Shane backward by the armpits, out of the locker room and into the concrete hallway. He slammed Shane back against the cinderblock wall. The impact knocked the breath out of Shane’s lungs in a hard huff. Hayden gripped both of Shane’s shoulders, pinning him there.

Shane was panting, his chest heaving unevenly. His eyes darted around the empty corridor, blinking rapidly against the harsh fluorescent lights.

Hayden shook him once, hard enough to rattle Shane’s teeth.

"Jesus fucking Christ," Hayden hissed, his face pulled into a tight, furious mask. "What is wrong with you? Hey. Hey, buddy." Hayden let go with one hand to snap his fingers directly in front of Shane’s face. "Look at me."

Shane groaned, squeezing his eyes shut. He dragged both hands up, burying his fingers into his own hair and pulling at the roots. "God, stop yelling at me," he gritted out, shaking his head side to side against the wall.

Hayden scoffed. He actually gasped, a short, disbelieving sound. "Me? Stop yelling? You were about to get in a fistfight in the locker room! You, Shane."

Shane’s eyes snapped open. His bottom lip jutted out defensively, his breathing still erratic. "What the fuck do you mean me? You think I'm incapable of fighting or something? That I'm weak?"

"No, buddy, what?" Hayden’s anger fractured into genuine confusion. He stared at Shane, searching his face. He paused, his expression shifting as he tracked the erratic movement of Shane’s eyes and the pale, sweaty sheen on his forehead. Something flickered in Hayden's gaze. "Did you eat today?"

Shane froze. The question hit him like a physical blow. His hands slowly lowered from his head, his fingers trembling slightly as he dropped them to his sides. He dragged his dark, fractured gaze up to meet Hayden's steady one.

"Why are you asking me that." He whispered. 

"Because your pupils are dilated, you're grabbing at your head, and you make no damn sense."

"Yeah, well," Shane snapped, lifting his chin, "if J.J. got in a fight, would you be asking him whether he ate today?"

"The fact that you aren't answering kinda proves my point," Hayden sighed. He reached out, his hand moving slowly, and gripped Shane’s chin. His thumb pressed lightly against the bone, steadying Shane’s erratic movements, and he scanned his eyes of Shane’s face. “You’re drenched in sweat, you've got to go to the medic, buddy. The final is tonight.” His eyes widened, the frustration melting entirely into deep, uncomfortable concern.

Shane batted the hand away and rolled his eyes, the motion aggressive and dismissive. He pushed off the wall, turning on his heel, and started marching down the corridor back toward the locker room.

"Shane," Hayden called after him, his voice echoing off the concrete. "Where are you going?"

"To fix it, and then to practice," Shane barked, not breaking his stride, not looking back. "Because I'm captain. That's what I do."

 

received:

Hollander, guess where I am?

status: delivered

 

Comeau caught him at the tunnel mouth.

He'd been waiting there, Shane realized, standing just inside the rubber matting where it met the ice, his helmet already on, his stick held loose in both hands. Not blocking the way. Just there. The rest of the team had already filed through, the sound of blades already filling the arena above the low thrum of the overhead rigs, and Comeau had stayed back, which for Comeau was the equivalent of writing a formal letter of apology on embossed stationery.

"Hey," Comeau said.

Shane stopped. He looked at him.

"I wasn't talking about your girl." Comeau's jaw worked once, like the sentence had cost him something. "I want you to know that. I would never. I was talking about—" He made a vague, frustrated gesture with his stick that seemed to encompass the general shape of whatever is happening with you lately. "I was talking about whoever's got your head fucked up. That's all I was saying."

Shane looked at him for a long moment. The tunnel was cold, the arena colder beyond it, the clean bite of fresh ice coming in off the rink and settling against his face.

"Okay," Shane said.

Comeau nodded. "Okay."

They stepped onto the ice.

Morning skate was supposed to be easy.

Twenty minutes, maybe thirty. Loosen up, run through some basic zone entries, let the legs remember what they were for before tonight. Coach had been explicit about it in the morning meeting, his voice carrying that measured cadence he reserved for things he really needed them to hear: light. No contact. Nobody does anything heroic at morning skate the day of a Cup final. You show up, you move around, you go home and sleep.

Simple. Shane could do simple.

He took a lap.

The ice was fresh— the Zamboni had been on maybe forty minutes before they'd taken the ice, and the surface had that silence underfoot, tight and fast and cooperative. The arena was empty except for the team, the thirty thousand seats all hollow and dark above them, and the sound that bounced off all that vacancy was clean and sharp. Blades cutting. The rhythmic slap of pucks. The occasional bark of a coach's instruction, then the silence swallowing it back up. Shane skated the perimeter at half-pace, stick loose in his gloves, and the cold air came off the surface in a low, even wave that hit the tops of his cheekbones first, the way it always did.

He noticed, in a distant way, that something was slightly wrong with the light.

Not wrong wrong. Just slightly off, the overhead rigs, which were normally harsh and white and flat, seemed to have a lag to them. Like the photons were taking a fraction longer to arrive than physics strictly required. He blinked, and the rink returned to its normal state, and it made sense, after all, he'd slept four hours. 

He shook it off and took another lap.

And that one was much harder than the first. His legs felt fine, or felt like they usually felt. His legs sent signals, he received the signals, the signals said fine, so he read them as fine and kept going. 

It was more that the ice seemed further away than usual. A slight, inexplicable increase in the gap between his skate blades and the surface. He watched them cut from somewhere approximately twelve inches above his own skull. He took the turn at the near end, digging the outside edge in, the cold spray catching his shin.

Shane.

He blinked.

He was already turning to check that, and nobody was looking at him. Comeau was running a figure eight at the far blue line, his head down. Two of the younger guys were alternating shots on the backup goalie, the crack of each one landing a clean beat in the arena's quiet. Hayden was talking to one of the defensive coaches near the bench, his head bent.

Nobody had said anything.

That was your thought, something clarified, from a distant place somewhere in the middle region of his own skull. That was you.

He coasted, slowing slightly. His stick dragged against the ice.

He hadn't— the voice in his head. His actual voice, the one that usually ran the play-by-play of his own internal experience, had been so quiet for so long, had dropped so far below audible frequency that hearing it arrive with that urgency felt startling. Like running into someone in a grocery store that you used to know very well, and for a second you almost don't recognize them out of context, and then you do, and there's this whole strange thing of oh, hi, it's been a while, and you don't know what to do with the fact that they look slightly different now.

Oh, he thought back at it, distantly. Hi.

You need to get off the ice, it said.

I'm fine, he told it.

You're not, it said, and then it said the rest of the sentence, rapid-fire, the words tripping over each other, you're going to fall and crack your head open on this ice and it's going to happen in front of everyone and you'll miss the game and the Cup and your dad's going to be in the stands and the camera will be on your face when you go down and everyone will see, everyone will know something is wrong with you, the whole world will know—

His vision went sideways, the arena tilting approximately fifteen degrees on an axis that had no physical basis, the overhead lights smearing slightly at their edges, their clean white going soft and yellow and uncertain. The sound of blades on ice arrived suddenly muffled and slow, like it was coming through several feet of water instead of air. His peripheral vision did something strange, contracted slightly, the seats pulling toward the center of his field of vision in a way that seats weren't supposed to do.

He understood, with a sudden remote clarity, that he was about to fall. Interesting. His legs had begun a conversation with the ice about the logistics of sitting down, a negotiation that was clearly well underway and from which he had been pointedly excluded. He reached for the boards.

They weren't there yet, oops.

"Whoa—"

Hayden was there instead.

He didn't know how. He'd been at the bench, he was fifty feet away, Shane had looked, except that was apparently not true because Hayden's arm was across his chest and his shoulder was under Shane's arm and the ice was still where it was supposed to be, when it would have been at his head in another half second. He could feel that, could feel the half-second of grace that had just expired, his legs the weight of concrete below his hips.

"I got you." Hayden's voice landed close, low, not for anyone skating nearby who might look over. "I got you, hey. Look at me."

Shane looked at him.

Hayden was managing, the thing flickering behind his eyes, fear, and Shane thought that he should probably say something reassuring. Something to bring Hayden's face back to normal. He was good at that. He had always been good at producing the correct response to smooth over other people's alarm.

He opened his mouth.

"Huh," he said.

"Yeah," Hayden said, and his jaw was very tight. "Okay. We're going to the bench."

Shane's skates moved. He wasn't entirely sure who was piloting them, probably who had been piloting his body the past year. The bench came toward him in increments, the boards solid under his glove when he finally reached them, the rubber of the gate cold through his glove, and he sat because Hayden's hand came down on his shoulder and he sat, and the ice was below him and above him was the dead fluorescent overhead, and his lungs were moving air in and out in a ragged pattern.

Somebody had already turned away down the bench. Playing it off. Hayden had shifted his body, communicated nothing to see here to everyone in the vicinity. Bless. Hayden crouched in front of him. The movement was casual. Just two guys at the bench, one of them checking his laces. 

"Don't talk yet," Hayden said, very quietly, his hand still on Shane's knee. He was looking at Shane's face with that expression again. "Just breathe."

Shane breathed.

The arena resolved itself. The lights returned to normal. The sounds un-muffled. The ice went back to being nine-sixteenths of an inch thick and twelve inches below his feet, the reliable distance it had always been.

He needed to tell Hayden he was fine. That it was just the lights, the fatigue, the two nights of four hours. That he'd eaten this morning—except that wasn't—well, he'd had the protein shake, he'd made it, the blender had run, he remembered the sound of it. He'd stood over the counter and watched it run, and then he'd poured it and put the glass in the sink.

Then he’d poured that glass down the sink, too. On game day. Seriously, Shane? Have you lost your fucking mind?

"Shane," Hayden said.

"I'm fine," Shane said.

Hayden's hand pressed slightly harder against his knee. "I know you think that," he said, and his voice was careful and even and devastating, "but I need you to think about what you just ate today before you tell me that again."

Shane's mouth went dry.

"Because tonight matters," Hayden continued, his voice staying quiet and level, the whole thing still performing as a casual conversation about laces. "I know it matters to you. I know what it means." He paused. "Which is exactly why you need to eat something. Right now, before we go back out, and then you’re going to talk to coach."

Shane opened his mouth.

Closed it. His heart was beating irregularly in his chest, a slightly syncopated beat, nothing dramatic, just off, the way the lights had been off, the way the ice had been off, the way his own voice had arrived in his head like a stranger he used to know.

Hi, he thought at it again. I'm not sure I've been taking great care of you.

It didn't answer. That was, probably, an answer.

 

received:

I’m in Montreal.

status: delivered

 

Shane stood outside Coach Thériault's office for forty-three seconds.

The protein bar was in his right hand. A trainer had thrust it at him in the corridor the moment his skates hit the rubber matting, eat this before you talk to Coach. The wrapper was orange and white, very bright under the fluorescent lights, and Shane had been reading the ingredient list for approximately half the walk from the bench.

Canola oil. There it was, third from the bottom, sitting between the cane sugar and the soy lecithin like it wasn't a known inflammatory agent, like his body wasn't already running on fumes and whatever residual cortisol the morning skate had squeezed out of him. Canola oil is a seed oil. Seed oils drove up omega-6 fatty acids, drove up systemic inflammation, and inflammation drove every chronic disease marker his nutritionist had shown him on a chart eighteen months ago.

His fingers tightened on the wrapper.

Eat the canola oil, Shane. The voice in his head, his own voice, which had been making these unwelcome editorial appearances all morning, sounded tired of him. Eat the seed oils. There is a Cup game in eight and a half hours, and you nearly collapsed on the ice in front of your entire team because your blood sugar crashed through the floor. Eat the protein bar.

He glanced at the door, then back at the bar.

You are going to miss the game, the voice continued, shifting registers. You are going to miss the Cup final because you won't eat a protein bar with canola oil in it. You are going to let down twenty-two people, your parents, your city, the entire country, because of linoleic acid, Shane. That is what is happening right now.

He knew that, he knew that, and he wished it would stop fucking yelling at him.

Eat it.

He stared at the wrapper.

He thought about his mom's voice from this morning. Five-fifty AM, still dark outside, her number on his screen while he stood over the sink with the protein shake draining down the sink. She'd called to wish him luck, which she did before every important game, which she had done his entire career, and he'd stood there and listened to her talk about how proud she was, how his dad had barely slept, how half of Ottawa was wearing number twenty-four today, and his dad had gotten on the line at the end to say son, that single syllable that carried about forty years of everything he didn't know how to say out loud, and Shane had said I know, Dad and I love you and I'll call you after, and when he'd hung up, and his hand gripping the counter was shaking.

You should have eaten then.

He knows.

But you didn't.

He knows.

So eat the bar.

Shane looked at the ingredient list one more time. Then he crumpled the wrapper, bar still inside it, and dropped it in the recycling bin beside the office door.

That was a waste.

I'll eat when I get home.

The voice didn't answer. It had the decency, at least, to know when it had lost. He knocked twice and pushed the door open.

Coach Thériault's office was narrow and functional, a desk covered in zone coverage printouts and a whiteboard he'd wiped halfway through from the morning meeting, the ghost of red marker still visible in the ghost of a forecheck trap. He was leaning forward in his chair when Shane came in, elbow on the desk, one hand idly clicking a pen against the wood. His other arm lay across his lower stomach, relaxed. He was looking at something on his laptop. He looked up when Shane stepped through the door. His nose twitched like a rodent, and he straightened in his chair. He gestured at the chair across from his desk without saying anything. Shane sat down in it. His spine went straight, automatic, his hands settled on his knees. He looked approximately two inches above Thériault's left shoulder, which was close enough to eye contact to pass as it.

Thériault set the pen down.

"How are you doing?" he said. Not how are you feeling after this morning, or Pike told me what happened. Just: how are you doing? And thank God for it.

"Good," Shane said. "I'm okay."

Thériault squinted at him. "Right," he said. He exhaled through his nose, a slow, measured sound, and pressed two fingers flat against the desk.

"I understand you've been busy," he said. "The charity work, the media, the sponsorships, modeling. The whole machine." He flicked two fingers, once. "Fine. You handle it. You've always handled it."

Shane nodded. His thumbnail found the seam of his compression pants and pressed into it.

​​"The press loves you," Thériault continued. "Your jerseys outsell everyone else on the roster by three to one. Half the country wants to kiss you, the other half wants to be you." He paused. "Great. That's great for us. Good press is good for the whole organization. I'm not here to tell you to stop."

His finger pressed harder against the desk.

"But Shane." The use of his first name caused Shane to flinch. Thériault didn't use first names when he was in a good mood about something. "You are our most valuable player. You are the captain of this team." He looked at him directly now, and Shane felt the weight of it. "You understand what that means tonight? What tonight is?"

A stupid question, he understands the significance of tonight more than anyone else in the building.

"Yes," Shane said.

"You understand every man in that room is relying on you."

What’s new?

"Yes." Shane's thumbnail pressed harder into the seam. He was going to leave a mark.

"Because what's good press," Thériault said, his voice dropping slightly, "if we're losing? What is Canada's sweetheart worth if we don't win the Cup? What is any of it worth if you're not performing at the level I know you can perform at?"

Shane nodded once. His gaze had slid somewhere past Thériault's shoulder, past the half-erased whiteboard. His head was repeating his dad's voice on the phone this morning. Son. Is that what he was, someone’s Son?

Hockey has and always will be your priority, he heard himself say. His own voice, delivered correctly, through the right mouth. He blinked.

Had he said that out loud?

Thériault was looking at him. "I know it is," he said, but his voice had shifted. "Which is why I need more than that from you tonight. I need more than hockey is my priority. I need—" He paused, and pressed his lips together briefly. "I need you to be where you were in game five. On the ice. Not somewhere else."

Shane's thumbnail had found skin. He felt the small, sharp sting of it.

Somewhere else.  

"I need you sharp," Thériault said. "I need you present. The whole team needs that from you today." He sat back. His expression leveled out into something final, the subject officially closed, the message officially delivered. "Whatever else is going on in your life— deal with it on your own time. Tonight, you're a hockey player. That's what you're here to be."

Somewhere else. 

"I know," Shane said.

Somewhere else. 

"Good," Thériault said.

Shane stood. His spine was still straight. His face was still correct.

He was most of the way to the door when Thériault said, quietly, to his back, "Eat something before warmups."

Shane's hand found the door handle. His grip tightened on the cold metal.

"Yeah," he said. "I will."

He pulled the door shut behind him. The corridor offered him nothing. Just the hum of the HVAC and the flat, indifferent fluorescent light that these hallways always ran on, the kind that didn't flatter anything, that showed every room for exactly what it was, a utilitarian passage between one place and another. He stood in it.

Somewhere else, Thériault had said.

Shane pressed the back of his head against the wall.

Not a place. No, not a decision he'd made on any particular morning, hadn't been one bad week or one wrong turn. It was more like the way you find something you've been looking at without seeing it— it was like the ice on the morning skate. The slow, incremental increase in distance between his blades and the surface. The gap that widened so gradually you didn't feel yourself leaving. You just looked down one day, and the ground was further than it used to be.

He'd been leaving for months.

The food first, that was always the first thing to go, the canary in the coalmine of his own psychology, and he'd watched it happen and didn’t stop it. Didn’t care that the protein shakes were getting easier to skip. The meal prep containers in the freezer— weighed, measured, identical— multiplying because he kept making them and not eating them, kept standing over the counter in the morning with the blender running and then setting the glass down and walking away. His body getting quieter about it, the hunger signals going faint and then going further, until checking in with his own stomach felt like trying to pick up a signal from a station that had gone off-air. He'd step on the scale before practice and feel nothing, and he'd step off it and feel nothing, and somewhere in there the number had started to matter, and he'd known it was wrong the way you know a load-bearing wall is wrong to take out, while also already reaching for the sledgehammer.

And the mirror too. The mirror had started doing something strange, had started showing him something that didn't quite line up with what he'd expected to find there. Like looking at a photograph of yourself from someone else's camera angle. The person in it was recognisably him, wore his face, had his body, but the relationship between that person and the one looking at it had vanished. He'd stand in his bathroom before morning skate, dressed, hair done, completely prepared to be Shane Hollander in public for another eleven hours, and he'd look at the mirror and think: right, okay. You. Yes. That's the one.

And he'd go be that one. For however long it was required. And then he'd come home and sit on his kitchen floor sometimes, and he'd sit there in the dark with his back against the cabinets and try to feel the cold of the tile through his sweatpants, try to use the sensation to locate himself, and sometimes it worked and sometimes it didn't.

Do more, work harder, whatever it takes.

Shane pushed off the wall.

You're a hockey player above all else.

He walked.

We're all relying on you.

Rookie of the year, 2015 Stanley Cup winner, Cosmopolitan's Hottest Man in the NHL, Smartest Hockey IQ in the NHL, Model, Ambassador, Philanthropist, Role Model, Son, Boyfriend, Hockey Player, Captain, Ken Doll, Robot, God, God, God. 

The corridor bent left past the training room, past the equipment bay with its smell of rubber and old sweat, and he walked until the hallway widened into the small alcove near the players' exit, where the vending machines sat, two of them, humming against the concrete, their lit-up faces stacked with things his nutritionist had opinions about. He stopped in front of the one on the left. He looked at his own reflection in the glass— the distorted, bluish version of himself that the front panel threw back, his face stretched slightly wrong, his eyes too dark in the overhead lighting, a version of him that looked like a bad copy of the original.

Which was the original? Shane couldn’t say.

He leaned forward and pressed his forehead against the glass.

Then he lifted his head and knocked it back twice. Two dull impacts, forehead against glass, the vibration of it going through his skull and down into his teeth and into the back of his neck.

Come back, he thought. Wherever you went, come back, please.

He gripped the edge of the machine with both hands.

He squeezed.

The metal corners pressed into the meat of his palms first, and then into the pads of his fingers, and then into the place just below the knuckles where the tendons ran close to the surface. He squeezed harder. The burn started at the pressure points and radiated outward, climbing his fingers, his palms going hot and then numb and then hot again, the specific, insistent language of a body saying I am here, you are here, this is the location of us, you, right now, in this exact moment. He held it until his hands shook slightly with the effort.

He breathed; the other machines hummed back.

You are the captain, he thought, and it arrived without the usual hollow echo it had been carrying for months, arrived with a little more weight to it, a little more actual ground underneath. You are Canada's hockey player. You have been Canada's hockey player since you were two years old, and your parents took you to your first game, and you watched the ice and thought— there. That's where I live.

His grip loosened, fractionally.

You are a son.

He was made of both of them. He had his father's jaw and his mother's stubbornness and both of their specific, exhausting conviction that the right thing was worth doing even when it cost you something. He was a son. He was a fucking son. Someone had made him, deliberately, on purpose, had stood in arenas and driven to practices in the dark and believed in something that didn't exist yet, and he was the proof that it had existed all along. That wasn't nothing. That wasn't the kind of thing you got to be absent for, so come back.

Shane uncurled his hands from the machine. He looked at his palms, red at the pressure points, the lines of his grip flushed and raw, sensation coming back in the prickling wave of a limb returning to itself.

 

received:

Good luck tonight, котенок.

status: read 17:40

 

The puck dropped.

Shane won it clean, his stick moving before his brain had finished forming the instruction, the black disc snapping back to Hayden’s skates with a sound like a whipcrack swallowed by the crowd. Twenty thousand people were already so loud the noise had become a single atmospheric buzz, a wall of sound that sat on your chest and pushed. He didn't hear it anymore. He hadn't heard it since the second period. At some point, the noise had become the baseline hum of everything, and the only sounds that got through now were the ones close enough— the scrape of an edge changing direction, the heavy knock of a body check absorbed by the boards, the referee's whistle cutting through everything else like a blade.

He took the puck up the right wing.

His legs were on fire from the thighs down. His lungs pulled at the cold arena air, and it arrived thin, not enough of it. He could feel his own heartbeat in his jaw. In his fingertips inside the gloves. In the bridge of his nose, for reasons he couldn't explain and didn't have time to consider.

He crossed the blue line.

The defenseman came at him from the left—big, fast— and Shane shifted his weight onto his outside edge a fraction of a second before contact, the puck going to his backhand, his shoulder taking the blow and dispersing it through his body in a shockwave he felt in his teeth. He didn't go down. He kept his feet, which was the only thing that mattered, and the puck was still on his stick, which was the only other thing.

He drove to the net.

The crease was chaos, three bodies minimum, sticks everywhere, the goalie dropping into his butterfly and cutting the angle, the ice in front of the crease carved down to the raw, rutted surface of a game that had been going this long. Shane's skate caught a groove in the ice, his balance shifting by a centimetre, and he adjusted without thinking, the adjustment coming from somewhere below conscious thought, from the part of his body that had been doing this since he was nine years old and didn't need to be told anymore.

He shot.

The sound the arena made was not a cheer. It was not a roar, something that started in the chest and bypassed the throat, that came out of twenty thousand people at the same pitch at the same moment and became a crashing wave, a physical thing, something that hit Shane in the face and the chest and the stomach simultaneously.

He raised his arms.

His legs gave out and he didn't care, his knees hitting the ice, the impact barely registering against everything else, and then J.J. was on him and Comeau was on him and the pile was building and someone's elbow was in his ear and he couldn't breathe and he didn't need to, he could survive without breathing for this specific amount of time.

Above them, the arena was a single, sustained, enormous note.

And somewhere in the building—an absolutely unprecedented performance from Montreal's captain, Shane Hollander, who finishes tonight with four goals, one assist, and a plus-four rating, as the Voyageurs take the Stanley Cup in game seven by a final score of six to one

 

received:

Fuck

status: delivered

 

Shane yanked himself out of the pile.

It took effort, J.J. had both arms locked around his chest and Comeau was somewhere on his back and somebody's cage was pressing into his cheek, somebody's knee was in his thigh, and he had to pull against the collective weight of it, wriggling until he got one arm free and then the other, and then he was out, stumbling two steps forward on the ice as the pile reformed behind him without him.

He stood there.

His chest was heaving. The red light was still on above the net, and the horn had sounded, and the clock on the scoreboard read 00:00, and the ice beneath his skates had the torn, rutted quality of ice that had been fought over for sixty-three minutes and had the evidence of it carved into every inch.

He smiled.

He felt it happen. The way something in his face that had been held very tightly for a very long time simply released, all at once, the muscles around his mouth and eyes doing something they apparently hadn't done properly in months. His eyes went hot. The rims of them, then the whole surface, a sudden wet sting that he didn't have time to be embarrassed about because it was already happening and he couldn't stop it and there was no one reason for it— not the game specifically, not the goal specifically, not the four goals or the Cup final or the six to one— but the relief. That was the word. Relief. Not joy exactly, though there was joy in it. Relief, like the release of a pressure that had been building for so long, he'd forgotten what his chest felt like without it. His whole ribcage felt light and expanded.

Then the smile dropped.

Not because the feeling left—the feeling was still there, huge and disorienting, still filling his chest up past the point of capacity, but because performing it was suddenly, immediately, entirely beyond him. The face that knew how to show things correctly, the face that had been working at full capacity in press corridors and locker rooms and charity events and pre-game interviews for the past eight months, had quietly shut down. There was nothing left to run it on. He just couldn't put it on his face anymore.

His eyes were still wet. His chest was still full.

He stood in the middle of the ice, and he breathed.

He should go back, he knew that. He could see his team— the pile still moving, still chaotic, someone had hoisted Mitty off the ice entirely and was carrying him, J.J. was flat on his back making a snow angel in the crease, and he should go back and he should be there, and he should say something, be the captain, give the speech

He wiped his hand over his mouth.

He skated to the other end of the ice.

Hunter Scott was bent over at the far blue line. His stick rested across his knees, both hands gripping it, his head dropped, breathing in long and audible pulls. His jersey was soaked through at the back and the sides. His helmet was slightly askew where it had taken a hit in the second period, and he hadn't straightened it.

Shane coasted to a stop three feet away from him.

He could hear his own breathing. He could feel the sweat cooling on the back of his neck, beneath his helmet, at the collar of his jersey. His left side was a sustained noise, that bruise that had been developing since the second shift of the third period fully committed now, a deep pulsing heat that ran from his ribcage to his hip.

He watched Hunter breathe. He felt something quiet and almost warm, in a strange way. An uncomplicated feeling of shared extremity, two men at the same physical end, on opposite sides of the same game, both of them having spent everything they had on the same sixty-three minutes of ice.

Shane smiled. It was smaller this time, more private. "Hope next time we play," he said, "you decide to show up." 

Hunter lifted his head slowly. His face, what Shane could see of it through the cage, was flushed and expressionless with exhaustion. He looked at Shane for a moment.

Then he turned his head and spat onto the ice beside Shane's skate. "Cheap," he said.

Shane looked at the spot, he looked back up at Hunter, and he turned his head and spat at the same spot. "True," he said.

Hunter's expression shifted. He ran his tongue over his bottom teeth, turned his head slightly, looking out at the ice, at the far end where the ceremony was beginning, the Cup being carried to the boards, the officials moving toward the gate, the crowd noise changing shape into something ceremonial.

"You're starting to sound like him," Hunter said.

What?

He stepped forward. "I'm sorry," he said. "What?"

Hunter straightened. All the way up, spine going long, the bent-over exhaustion dropping away. He looked at Shane directly, no smile, no hedge. He tilted his head back slightly, the cage throwing a bar of shadow across the bridge of his nose.

"You fucking heard me, Hollander."

Shane's jaw tightened. The heat in his left side flickered and spread. "What the fuck is that supposed to mean?"

Hunter tilted his head the other way, a fractional movement; his shoulders went slightly back. "Has he been giving you chirping tips?"

Shane lurched.

He saw it. He was somewhere approximately eight feet above and behind his own body, watching his hands come up and watching them find the front of Hunter's jersey, and Hunter's hands were coming up too, grabbing back, but Shane's momentum was already committed, full-body and violent, and Hunter's skates went out from under him on the ice.

Hunter went down hard. The back of his helmet hit the ice with a sound like a bag dropped on concrete, the impact resonating up through the surface, and Shane was already on top of him, his knees coming down on either side of Hunter's chest, the ice cold through his pants, the cold not registering, his right fist already moving.

The first punch landed on the cage and rattled through his knuckles up into his wrist. The second one found the gap between the cage and the helmet and connected with the cheekbone, a solid, dense impact that he felt all the way to his shoulder. Hunter's head snapped sideways and snapped back. His hands came up, gripping Shane's jersey at the chest, the fingers twisting into the fabric.

"You fucking pussy," Shane heard himself say, and his voice came from, very far away, from the bird's-eye version of himself that was watching this happen, and the voice was not his— not the one he used for anything, not the captain's voice or the press voice or the voice on the phone with his parents at five-fifty this morning— it was something underneath those voices, something that had been under all of them, raw and ragged and humiliatingly afraid.

He kept punching.

The visor on Hunter's helmet cracked on the fourth hit, a white fracture line running diagonally from the lower right corner, the plastic going opaque where the split ran, and Shane saw it and kept going. The ice around them was red. He could see it in his peripheral vision, the bright arterial colour spreading in the ruts and grooves of the ice surface.

His hands were bloody. He could feel how wet they were, warm against the cold air, his knuckles split and stinging.

Hunter's hands, which had been gripping and twisting at his jersey, began to shake.

The grip loosened.

Shane—

He was being pulled. Both shoulders, simultaneously, two separate sets of hands grabbing with full-body force, and his weight went backward so suddenly the ice came up fast, and he scrambled to keep his skates under him, his legs cycling, one skate catching nothing before finding the surface. Someone was in front of him, coming in fast, both arms up, bracing, and Hayden was behind him, one arm going across his chest, the other hand pressing flat against the small of his back with a pressure that was firm and unmistakably him.

"Hey," Hayden said, directly into his ear. "Hey, hey, hey—"

Shane was still screaming.

He didn't know when he'd started. His throat was raw with it. He could hear himself, could hear the sound coming out of his own mouth at high volume with no specific content, not words, not even the approximate shape of words, just the sound itself,, and his legs were still kicking forward, skates scrabbling against the ice for purchase he wasn't going to get, the referee taking his weight and leaning into it, Hayden leaning back.

The arena. Twenty-three minutes ago it had been a wave; now it was something else. He could hear it layering, could hear the confusion in it, the excitement turned wrong, the undertone of something collective and horrified.

He was still kicking. Hayden's arm tightened across his chest.

And through everything, through the hands on him and the noise and the red on the ice and the rawness of his own throat and the referee's weight and Hayden's voice still going in his ear, a steady, urgent plea of hey, hey, I've got you, look at me, look at me

Through all of it.

He saw the Cup.

It was at the far end of the ice. They'd carried it out through the gate and it was standing there under the arena lights, and the lights hit the silver of it and the silver threw the light back in every direction, and it was standing on a white-skirted table with the ceremony officials arranged around it, and it was enormous, it was always more enormous in person than any photograph prepared you for, the size of it, the physical reality of a thing you had been chasing for your entire conscious life suddenly occupying actual space in actual air in front of you.

His legs stopped kicking.

His eyes moved from the silver to the red ice and back to the silver, and the two images sat next to each other behind his eyes without integrating.

The Cup. His Cup. The one. The singular thing he had been every version of himself in service of, the nine-year-old at the arena with his father, the junior player, the rookie, the captain, the person on the phone at five-fifty this morning, the person on the vending machine floor, every iteration of Shane Hollander had been pointed at this moment on this ice and the moment was here and he was standing in it with blood on his hands and a man down behind him and the referee's weight against his chest and Hayden's arm across his body and twenty thousand people watching the wrong thing.

I think I regret this.

 

Notes:

Puis-je en avoir un, s'il vous plaît, et un café noir: Could I have one of those please, and a black coffee
Oh mon Dieu: Oh my God
qu'est-ce qu'il y a avec le chapeau: what's up with the hat
Боже мой: my God
моя черника: my blueberry
котенок: kitten

i'm on twitter ilyassoull
send asks on tumblr unseemlyndisturbed

 

okay, wow. this chapter. very intense. i have so many thoughts and i'll try to keep it short, send me asks on tumblr for anything you want me to ramble about specifically.

i've been softlaunching shane's eating disorder throughout the entire fic, but this chapter is pretty much dedicated to it. the classic escalation. not noticing it until it's too late. the weird logic trap of not eating for the sake of performance, and then your performance being affected by the not eating, and not caring, and not eating anyway. delusion. the grapple for control.

and rose! i wonder what you guys think of their relationship. i've left a few breadcrumbs, but shane's interpersonal relationships will be explored to their full extent soon, we can already kind of see how his behaviour is affecting those around him, specifically his team.

it's complicated, because in canon shane doesn't seem to have much care for PR and collabs outside of the practicality of things, like it's just something he has to do. but in reality i think external validation is so important to him. and how that would start to translate to his appearance, having rose, a beautiful, famous actress, by his side would definitely add pressure. additional motivation. something to drive toward. become more perfect, look more perfect, be more perfect. not just in hockey but in every possible facet. so his orthorexia became more than just control, it started to have a physical, appearance-based dimension too. and in regards to his race as well, just generally feeling displaced, feeling that he has to do better and try harder to exist than other people need to. it would be crazy for me to brush past that when it's so important to shane's fractured sense of identity.

another thing. shane's pov is usually full of these scrambled, circling thoughts, constantly cutting through the description, this internal dialogue that never stops, because that's how i think his mind works. just circling and circling, rationalising, fighting against instinct. but here we lose that voice for a good chunk of the chapter. shane completely tunes it out. he's so busy, so successful, that he's able to silence himself almost entirely. the reader gets thrown into the same darkness, having to piece together what shane is feeling through fragments of other people's dialogue and pure physicality. this chapter is truly all about the body.

except for ilya's texts, haha. ow. that's all i can say about that right now. tune in for chapter nine. harhar, realised i haven't even talked about the ending. whatever. i didn't mean to emotionally whip you, maybe i did, booboos will be kissed next chapter trust.

also, i just started reading wolfbird by OpalApparition, and though i had already drafted the cafe scene before i read chapter 3, i can see the similarites especially in context. just wanted to point it out. please read it if you haven't already.

anyway. devastating. can you guess what canon events are coming next chapter?

Chapter 9: High On You

Notes:

assume that when ilya's speaks to svetlana it's in russian. i still use specific russian phrasing once or twice in their conversations regardless because i think it's sexy. forgive me.

the prologue has been rewritten for the second time (lol), changes a few tiny details, and recontextualises ilya. read if you want!

song reccomendation for this chapter High on Heaven by Nessa Barrett

content warning for depictions of self-harm

(See the end of the chapter for more notes.)

Chapter Text

June 2014 

The key missed the lock the first time.

Ilya pulled it back, steadied his hand against the doorframe, and tried again. It scraped across the plate, finding nothing. His hand was shaking. Not violently, not the full-body shaking of fever or fear, nothing so legible as that. Just a fine, involuntary tremor at the terminal end of his fingers, a millimetre of deviation, maybe two, enough to send the key scraping across the faceplate and catching nothing.

He pulled it back. Looked at his hand.

The tremor was still there. He could see it if he held his fingers still, the small, rapid oscillation, like a compass needle near a magnet, his body trying to orient toward something and not finding it. He pressed his thumb and forefinger together until his knuckles went white, felt the bones compress against each other, held the pressure until the shaking either stopped or became too small to see. The third attempt he just jammed it in, felt the resistance, forced it through, the tumblers turning with a heavy, reluctant click. He shoved the door open with his shoulder and it swung wide into the dark, the Boston skyline throwing a long, grey rectangle of ambient light across his hallway floor.

The apartment was dark. But he knew the shape of it well enough, the hallway, the kitchen beyond, the wall to ceiling windows at the far end throwing the Boston skyline in through the glass in long grey-orange strips, but he reached for the light switch anyway, found only wall, more wall, the corner of a frame that had been slightly crooked since he moved in and that he had never straightened because there were certain things you let stay wrong on purpose, as a reminder that the world was not obligated to be level. His fingers moved along the plaster and found nothing useful and he gave up, let his hand drop, and walked into the dark using the harbour light through the window to navigate by.

He stood in the doorway for a moment. His duffel bag hung from his right hand, the strap biting into his palm. He had meant to go to the house—the one in the suburbs with the sexy kitchen, the one that took thirty minutes by cab—but thirty minutes in the back of that taxi with his own skull had been an impossibility. Eleven minutes had been enough. He had counted them. He had counted everything.

His duffel bag knocked against the doorframe as he dragged it inside. And God for some reason, his legs were not doing what he was telling them to do. They were taking weight incorrectly, distributing it wrong, his knees buckled as if they threatened to simply opt out of his decisions. He pulled a breath in through his nose and it came out ragged and wet.

He pressed his hand against his chest, just to check. 

Ilya had been doing this since he left. The heel of his hand was digging into bone, feeling for the beat of it, and it was there, it was beating, the instinctive confirming pressure, like checking for a wallet, a phone, some vital organ that might have gone missing. The heartbeat was there, it was beating, the mechanical thump of it, transmitted faithfully through the bone. Like a pendulum that had been cut loose, still swinging, still marking time, but no longer connected to anything that required knowing the hour. He pressed harder. The beating continued, indifferent to the fact that his heart was no longer there.

When you lose your heart, you do not feel the absence immediately. The body was good at improvisation. It could run on the residual pressure in the arteries for a while, on the stubbornness of muscle memory. It was only when you stopped, when you stood alone in the dark of your own apartment, palm grinding against your own ribcage, that you noticed the shape of what was gone.

His heart had left him. 

Like how blood left a wound through a small cut, continuously, until the colour drained out of the skin.The whole apparatus, the capillaries, the freckles, the smooth muscle, the smile, the electrical charge it had been generating, specifically and exclusively, for the last three years. It was in Montreal now, of all places, pumping for someone who would be horrified by the imposition, who would hand it back with apologies if he knew he had it. Ilya was standing here running on the ghost of circulation, the faint echo of what his body had been doing before the thing that made it worth doing left.

His legs gave out.

He went to his knees hard, the hardwood slamming up against his kneecaps with a crack that rang through the floorboards. He stayed there. His hands went flat to the wood, palms down, fingers splayed. The grain pressed into his skin. The cold seeped upward, through his fingertips first, then his wrists, then the inside of his forearms to the soft hollow of his elbows. He looked at his hands on the floor. He had been around these knuckles once, in the dark of a hotel room whose city he couldn't now recall. Had looked up at him afterward with those enormous, ruined eyes and said nothing, had just looked. As though the scars required a witness, as though the damage deserved to be seen. And Ilya saw, how couldn’t he? 

How does a person live without their heart.

He asked the floor, because the floor had been here longer than he had, had borne the weight of whatever had happened in this apartment before him, and presumably knew something about survival. No response, instead, the harbour light shifted slightly across the boards as something passed a streetlamp outside.

“Blyat.”

He came up fast, wrong, one knee then the other, his balance making abrupt, unauthorised corrections. He grabbed his own curls, both fists, drove his fingers into the roots until the pull registered against his scalp like a line drawn in fire. He let go. Shook his head. Grabbed them again, tighter, the pain a small anchor in the storm that was happening behind his eyes.

How the fuck could he do this to him.

The kitchen was eleven feet end to end. He covered it in four strides, too short, insufficient, the walls coming too soon, turned at the counter, covered it back. Four strides. Turn. Four strides. His sock caught a seam in the floor on the second pass, and he compensated without breaking stride because stopping was not an option, because stopping meant standing still with this feeling, and this feeling right now was a thing with teeth, a thing that would chew through bone if he let it.

How could he drop to his knees like that. Let Ilya through every door, every seam. Let himself be taken apart piece by piece, stick out his tongue like that, look at him like that, be so soft, slip into the  form Ilya had spent months learning to make him— and then stand up. Walk away. Reassemble himself, piece by piece, into something sealed again. Step out into the hallway like the tide had turned over everything on the shore and gone back out, leaving the rocks unmoved.

His hand shot out and caught the drawer handle. 

The contents shifted. Forks, spoons, a spatula. His eyes moved across them without focus. His hand found the knife handle, his Santoku, eight inches, the one he used for onions because the edge held so good, and closed around it. The weight in his hands was perfect. Cool and honest. A thing that did exactly what it was asked.

He hated him.

He turned the knife in his palm and looked at his left wrist. The skin there was pale under the skyline light, the veins tracing their familiar paths toward his fingers, pushing blood without being asked, without thanks. He pressed the flat of the blade against it. Felt the cold of the steel against the thin skin, felt the false pulse knock up against it from underneath.

He hated him with every capillary that was still working. He hated him with the marrow of his bones, the ones his father had said at sixteen were too light, too fragile for a real centreman. He hated him with the hollow in his chest where the heartbeat was still going through the motions. He hated him the way you hated something that had sneaked its way inside you and made itself necessary, that had fitted itself into a gap so perfectly there was no longer a gap, just the shape of it, the negative space.

He drew the blade across.

The pain was immediate and brilliant, a clean line of fire, the skin parting with the neatness of something that had been waiting to be asked, and he hated him. Blood welled up along the seam, dark red in the dim light, following gravity with the slow, deliberate patience of water finding its level, and he fucking hated him. He watched it. He hated him. Noted the volume of it. Noted how much he hated him. Noted the way it beaded at the edges before merging. Noted that he wanted to die, that he needed to die, that he was dying.

He raised the knife.

The arms came from behind.

Mama?

Both of them, locking across his chest in one total motion, and then her weight was against his back, her small, disproportionate strength, the thing about Svetlana that had always been slightly alarming, and she was screaming. He could not parse the content immediately, only the register of it, the pitch. His name in her mouth, the diminutive of it, the shape his mother used to make. Ilyashu. Mama?  The knife was being pried from his fingers with a determination that had no interest in negotiating. Her hand wrapped over his hand, working each finger back individually, and his grip gave way not because he chose it but because she simply would not stop until it did.

He heard it hit the floor somewhere to his left, heard it skid across the boards, heard it come to rest against something. Then there was kitchen roll against his forearm— she had grabbed it from the counter in the same motion, one seamless reach, she had always been fast in ways that you forgot until you needed to remember, and she was pressing it down against the cut with the flat of her palm, her weight behind it.

Her hands were shaking. Just like his had before. She was his brother in arms, even here, with the fine tremor in her palms where they pressed the paper to his skin, he knew that she was not judging him. 

Still, he tried to shove her off, his elbow went back, finding her ribs.

"Come here," she said, and the crack in her voice on those two words was the first real thing he had heard since Vegas.

She pulled him around bodily, her arms going around his front, and hauled him into her. He went, usually he did not go easily, he was six feet and built for resistance, his whole body a practised argument against yielding— and he yet went, because this was Sveta, and his face went into the crook of her neck, and that was that.

Her perfume hit him first. The same one, always the same one, ordered from the same shop in Saint Petersburg since she was seventeen, and they were both pretending to be adults in rooms that required it. He had told her once that it smelled like a rose had vomited. She had told him that he was too musty for his opinions on fragrance to be solicited and had never worn anything else, not once, in eight years. The scent of it now was simply the scent of her— of the safety she had always represented, not the absence of danger but the presence of someone who would stand in the danger of him and not require him to explain it.

The tears came out of him like rain, as a condition that had already been in effect, that the clouds had already decided to leak, and you had just simply not registered it until this moment. The front of her shirt was wet against his cheek. His ribcage was shaking, the shaking of something that had been holding too long under too much load, failing now not violently but completely, each breath arriving and leaving in pieces, the exhale breaking in the middle.

Svetlana did not speak. She pressed her hand flat against the back of his neck, her palm warm against his hairline, and her thumb moved in one slow arc. Back and forth. She hummed, and it travelled through skin and bone directly into whatever was breaking. Did not fix it. Did not try because Ilyashu cannot be fixed, does not need to be fixed.

He kept his face in the crook of her neck and breathed her perfume and shook.

After a while, he could not have said how long, time having made itself irrelevant some minutes ago, the shaking slowed. Only because the body had a finite reserve for this kind of thing, a capacity it reached the bottom of and then stopped, not healed but empty. He lifted his head. His face felt tight and strange, the salt of it drying on his cheeks.

Svetlana pulled back. She took his face in both hands.

In the dark, he could barely see her. The Boston skyline lit the back of her head, the copper of her curls catching the orange of the streetlamps and holding it, so that she appeared faintly illuminated, faintly on fire, St Catherine of Siena, the glow of the city sitting in her hair like something she'd caught and was carrying. He could see the whites of her eyes. The furrow between her brows, deep, carved, the groove that appeared only when she was a little frightened and refusing to perform it.

Her thumbs pressed against his cheekbones.

"Wait," she said, the scaffolding of her voice rebuilt in real time. She closed her eyes, opened them."Your first aid kit, I got you one." She glanced past him, over his shoulder, toward the floor where the knife had come to rest. "I'll be right back, Ilya." Her eyes returned to his. "Don't."

Her hands left his face.

The absence of them was felt instantly, the loss of that support against his cheekbones. He heard her moving down the hallway— her footsteps quick and certain.

He dipped his head.

He wiped his face with the back of his wrist—the clean one, the right one, instinct or luck—and then turned his left arm over and looked at it in the skyline light. The cut sat clean and dark against his inner forearm, the line of it straight, the blood already going tacky at the edges, the body having begun to close what he had opened. He studied it the way he studied an injury after a game, no drama. Not deep. It really wasn’t that deep. 

His jaw tightened. The muscle jumped once in his cheek.

He’s acting like a child. This is a childish thing to do.

It was accurate, as far as it went; only children did this, only people who had not yet built the walls to the required height, only people who still let the feelings get their hands on the wheel. He had built those walls. He had been building them since before he knew what he was building them for, had laid the first stones at age twelve in his childhood bedroom and had added to them, year by year, until they were by any reasonable assessment impenetrable.

And then Shane Hollander had told him to stop smoking.

Ilya crossed the kitchen and sat down at the dining table. He pulled out the chair, sat heavily, legs wide, one elbow finding the table, his head settling into his hand. He looked at the window. The harbour. The flat black water and the orange lights strung above it and the sky beginning, somewhere at its lowest edge, to consider the eventual possibility of dawn.

Since when did he allow this.

He pressed his thumb against his nose, felt at the bandage there, taut, the sore skin running tight from bone to bone. He thought about Shane in the doorway. He thought about the expression on Shane's face just before he punched him, the raw openness of it, the fraction of a second where every wall came down simultaneously, and something real and undefended looked out. He had spent three years engineering moments that would produce exactly that expression. He had saved it, memorised it, returned to it in the private hours of early morning when the apartment was dark.

He thought about Shane walking away. 

If I see him again, Ilya thought, I am quite certain that I will kill him.

It seemed realistic. Sure, there were several possible outcomes, ranging from strangling to confession, but he was not currently in a position to predict which end of that range the encounter would resolve itself at.

Svetlana returned.

She came through from the hallway with a first aid kit Ilya has never seen under one arm and a towel draped over her wrist and the bottle of Beluga from the bar cart in her hand, and she set all of it on the table with a soft bang.

Ilya looked at the vodka. Then at her. "You are trying to kill me," he said, into his hand. The words came out worn at the edges, scraped thin.

Svetlana looked at him with the full exhaustion of twenty years of friendship with him, every single one of them accounted for in her expression. Okay, now she does want to kill him. "You are trying to kill yourself," she said, pleasantly.

She sat beside him, her knee found his. She poured vodka onto the towel without ceremony, the liquid darkening the fabric in a spreading circle, and when she pressed it to his forearm, the burn arrived beautifully— the honest fire of antiseptic, arriving from outside him, nothing to do with feeling. He closed his eyes. Let it.

She worked quietly. The small sounds of it filled the kitchen, the soft press of cotton, the clinical tear of gauze, the cool edge of tape against skin. Outside, something moved on the harbour. A boat, maybe, a nuke, could be either; Ilya didn’t care. To him, it was just a light crossing the water and disappearing.

"So, Ilya." Her voice was doing a weird attempt at conversational, the register she used when she had decided that practical was more useful than emotional, when she had assessed the room and concluded that softness would not serve him right now. "America has been so good for you, I thought—" She stopped. Her hand stilled briefly on his arm. She shook her head once and did not finish the sentence. "Never mind that. What happened to you, what happened to your nose?"

Ilya looked at the living room. The empty sofa, the unlit lamp, the window with the skyline doing its indifferent business behind it.

He said nothing.

Svetlana nodded, like that was a complete answer. She smoothed a bandage along the cut, pressed the edges flat with her thumb, and held them down until they adhered. "Okay," she said. "I think I understand." A pause, the length of a breath. "What did they say to you?"

"Who."

She looked up at him. Her blue eyes moved across his face, like reading a text she had already memorized and was checking for new annotations.

"I don't know who." She reached across the table and took his hand from his lap. Simply took it, turned it over in both of hers. Her finger moved along one knuckle, tracing the ridge of the bone, following it from one end to the other and back. "I can guess, if you like. You know I'm good at it." She shuffled her chair fractionally closer, closing the last few inches between them.

"But I know my Ilyashu, mm? I know how sensitive his heart is. How much things hurt him, even the things he has decided should not hurt him anymore, even the things he has tried very hard to protect himself from." Her finger stilled in the valley between two knuckles. She did not look up. "How gentle people need to be with him. How rarely they are. How much you care." She tilted her head, rose one brow. "Want me to guess?"

Ilya shook his head. He turned it into his hand and pressed his mouth against his own palm and breathed there, in the small warm cave of it.

"Are you going to tell me who, at least?” 

A light moved across the water.

"Hm?"

"A special person," Ilya said.

He said it quietly, without inflection, into his palm. The words left his mouth and took on a weight he had not placed there, gathered it from the table, from the first aid kit, from the bandage on his arm and the knife on the floor by the door, and the wet patch on Svetlana's collar where he had pressed his face.

No other word was enough. His own name was not enough. Special was perfect. 

Svetlana's mouth moved. He watched her catch something, a laugh, a sound, something that rose and was contained, press her lips together, hold it. She furrowed her brows instead, the furrow deepening until it was the only expression on her face.

"A special person, of course, my dear," she said, slowly. Letting it settle, then, "Tell me about them, who they are, and the fight. And—" She stopped. She wrinkled her nose, the expression cutting directly through everything else in her face. "Jesus, Ilya. You stink."

Ilya looked at her.

She was already standing, already reaching for his good arm, because she had carried him through rooms worse than this and was not accepting any argument about it. "You can tell me," she said, pulling him up, "when you get in the bath."

 


 

June 2016

The bathroom mirror was fogged at the edges.

Ilya had run the shower hot enough to steam the glass, the condensation gathering in beads that traced slow, erratic paths down the surface. He stood naked in front of it, water still dripping from his skin, pooling on the tile beneath his feet. The room smelled of cedar and mint, the expensive gel he bought because it didn't irritate his skin, because it left no residue— and the air was thick with heat, pressing against his chest like a hand.

He looked at himself.

His reflection was not entirely sharp. The centre of his face was clear, but the periphery blurred into the fog, so that he appeared to be emerging from it, his shoulders dissolving into the mist behind him. He tightened his grip around his cock, his erection heavy and insistent between his legs, the skin flushed darker than the rest of him. 

His eyes moved up, as they often did, to the place he had taped the photograph.

It was not inherently sexual, but it was sexy. That was the point of it, or part of the point. Shane Hollander sat on the bench, mid-game, his helmet off, his mouthguard dangling from between his teeth. The expression on his face was inward, just thinking, the faint crease between his brows, the mouthguard working against his bottom lip like he was chewing on a thought he couldn't quite place. It was a moment no one else had been paying attention to. A moment between shifts, between plays. A moment where Shane Hollander was alone inside his own head.

Ilya tightened his grip. Stroked once, slow.

Whoever took it had done a good job; the camera had caught it perfectly, the way Shane's jersey hung open at the collar, the freckles visible on his collarbone. The way his hands rested on his knees, loose, the tape on his stick glinting under the arena lights.

“Fuck, fuck, yes.”

His thumb pressed into the head of his cock on the upstroke, spreading the bead of precome there. He watched himself do it in the mirror, watched the flex of his forearm, the veins standing against his skin, the way his bicep shifted with the motion. He watched his own face. His eyes stayed on the photograph.

Shane chewing his mouthguard. Shane thinking. Shane alone.

The spit would be gathering at the corner of his mouth by now, it always did, when he was deep in something, when his brain had pulled away from his body and gone wherever it went during the intermission. The mouthguard was probably filled with it, translucent, the plastic slick with saliva. Shane's tongue would be wet and pink behind it. Ilya had seen it, had bitten down on the memory for months, the soft pink of it, the way it moved against the inside of his cheek when he was thinking. Like a rabbit, Ilya thought. Something small and living and completely unaware of being watched.

His fist tightened.

He thought about slipping his fingers into Shane's mouth. Not his cock— not yet, not first, just his fingers, two of them, pressing against that tongue, feeling the resistance of it. The way Shane would make a sound, muffled, startled, and then, fuck, and then would chew. Would bite down, hard, with the full force of his jaw, in the half-deliberate way of someone who could not quite help themselves, the habit translating to skin and bone, his teeth pressing slowly into the meat of Ilya's fingers the way they pressed into the plastic. The grind of it. The give of Ilya's flesh under his teeth. Shane looking up at him through his lashes while he did it, with the faint quirk at the inner corner of his brow, totally concentrated, like Ilya was a problem he was working through.

Would he even know he was doing it? How sexy he was? How fucking sexy he was, chewing that mouth guard like a little bunny? Rubbing it against his little five o’clock shadow, brow all furrowed and–

His hips rocked forward into his fist, and he groaned. His breath came out ragged against the glass.

He wanted to; he needed to come on that face. On the photograph, on the real thing, on the crease between those brows and the dark of his lashes and the freckles scattered across his nose like someone had been careless with paint. Drag his bloody, chewed-up, bunny-nibbled fingers across it afterward. Watch the red smear into the freckles, into the soft skin below his eye. Write something there. Press his thumb against Shane's forehead and write something delicately, the way you signed a thing you owned.

What would he write?

Rozanov's. Simple, speaks for itself. The possessive standing alone, because the noun was implied, was obvious, was everything— Rozanov's and let Shane figure out the rest of it, let him read it in the mirror if he could bear to look. Rozanov's heart. Rozanov's heart, pressed against Shane's forehead in red. Ilya's heart, which had been walking around in someone else's chest for three years, written in blood on the face of the person carrying it.

He stroked faster.

Or maybe, his thumb pressed hard into the head of his cock, and he bit down on the sound that came out, maybe something Shane would hate. Something that would make his face twitch, cause the blush that ran up through his neck when he was outraged and embarrassed in equal measure. Roz's cum sock, dragged across his forehead in Ilya's come. Rozanov's baby boy, and then watch Shane try to formulate a coherent objection while Ilya was still holding his face.

“Oh fuck, da, Hollander– look so perfect like that, with my come all over your face– blyat.

The release went through him in a long, contracting wave, his whole body tightening from the base of his spine outward, his knuckles white against the glass, his eyes still on the photograph— Shane on the bench, Shane chewing, Shane completely unaware that Ilya Rozanov was in a steamed bathroom jerking off to his bunny teeth. 

Rozanov’s heart.

Out of all of them, that was the only one that was true.

His phone buzzed.

Ilya grabbed a piece of toilet paper and dragged it over his palm, thumbing at his phone with the other one. 

contact name: Marleau

 

received:

R u jerking off in the shower or something.

received:

Where u at? 😂😂

sent:

Srry xx

sent:

You know ur mom likes it soooooo slow

received:

Fuck u bitch

sent:

You know u want it 🍆

received:

🤑Bring them racks with yu daddy

status: read

Ha.

Ilya glanced down at his phone and scoffed softly through his nose. He shook his head once—a small, reflexive motion, fond almost— and swiped off the messages and into the VoIP app. He had bought new SIM cards originally. Six of them, across three different carriers, cycling through them. After the sixth block, he had reassessed and downloaded the app instead. Cheaper, more elegant, even, it does the same job with much less work needed. Shane could block the number, but the number would simply change, and Shane would know the number had changed and open the message anyway because Shane always opened the messages.

He walked out of the bathroom with the towel loose at his waist and set the phone face down on the bed.

Boston was dark through the large windows. The city sat out there, nocturnal as ever, the lights of it, the harbour a flat black plane below the navy smear of the sky— and he crossed the room without turning on any lamps, navigating by the ambient glow of it the way he navigated life, by whatever light was closest and most available. The half-smoked cigarette on the bedside ashtray had been burning quietly to nothing while he was in the bathroom, the ash extending in a long, perfect cylinder that had not yet collapsed. He slipped it between his lips.

He pulled the black tank from the chair where he'd left it. Shook it out once, pulled it over his head. It fit close, unforgiving, the cotton stretching tight across his chest and shoulders, the hem hitting just above the waistband of whatever he was putting on next. He had bought it one size too small deliberately, because there was no point in owning shoulders like this and putting a tent over them. He took the cigarette between two fingers and looked down at his phone on the bed.

He picked it up. Swiped up the conversation history while he worked his black jeans up his legs with his free hand, one-handed, a manoeuvre he had perfected through years of texting while dressing.

The wall of text was there, as he had left it three weeks ago.  The timestamps a damning vertical record of two in the morning, three in the morning, three-seventeen, four. 

I never meant to hurt you sorry about what I said bout your body 2 so drunk and pissed off sorry. Your beautiful.

He raised his eyebrows. Wow, very good English.

Your beautiful. Not you're. The autocorrect had either failed him or he had been in no condition to notice it, which tracked— what had that night been? He took a slow drag of the cigarette and thought back. Half a pill. No— he had started with half and reconsidered somewhere around midnight, taken the other half anyway. MDMA and alcohol, the combination designed to make you feel profoundly and completely in love with whatever your brain had decided to fixate on, to strip out every filter between the feeling and the expression of it and leave you texting your baby at four in the morning about how beautiful he was, with incorrect grammar.

He exhaled smoke at the ceiling.

The message sat there unread. Shane hadn't opened it— or he had read the notification, that pale rectangle of preview text appearing on his lock screen, and had made the very Shane Hollander decision to not open the message itself, to let it sit there unread, a small dignified protest. Ilya could picture it with complete accuracy. Shane sat on whatever couch he sat on, in whatever room he retreated to, his phone face-up on the cushion beside him. The notification arriving. Shane's eyes going to it. The pause, like he was conducting an internal negotiation with himself, his thumb hovering over the screen with the rigid self-restraint of someone who had decided, probably out loud, probably in the mirror that morning, that he was not going to do this. That he had made a decision, and the decision was final.

And then not opening it, just barely, using everything he had to not open it.

Bless, Ilya thought.

What a sweetheart. Sitting there with his jaw set and his big brown eyes fixed on the unread notification, pouting at his own willpower, cataloguing the days by the messages. Ilya was sure of it— sure that Shane felt each message arrive the way you felt a storm coming, with your whole body before you knew what it was. That the messages were the closest thing Shane had to a clock right now, some regular ticking in the fuzz of his life.

He had to keep them coming. Regular, reliable, it was, if nothing else, a kindness. He took a final drag, pinched the cigarette out against the ashtray, and grabbed his phone from the bed as he started toward the hallway.

 


 

The club hit him the moment the door opened.

The heat first, that humid heat of two hundred bodies occupying the same space, the air thick with it, with perfume and sweat and alcohol, and the charged heat of too many people that decided to be too close to each other. Then the music, the bass arriving through the soles of his shoes before it reached his ears, a low and insistent thrum that settled into his sternum and stayed there.

He felt it move through the room like a current, the moment people registered him, the information passing from one body to the next in a ripple, heads swiveling by degrees. He felt it on his skin like the sun coming out from behind a cloud— a warmth, sudden and total, the room reorienting toward him the way plants reoriented toward light. He stood in the doorway and let it happen, because it always happened, and because the warmth of it, shallow and borrowed as it was, felt like something.

His team was arranged along the bar at various angles of relaxation, the tall stools colonised, the space around them claimed by proximity and noise. All of them already scanning the room with bright-eyed desire. Even the married ones. Especially the married ones, because marriage, in Ilya's experience, did not diminish appetite so much as redirect it into something furtive and therefore more urgent.

He exhaled through his nose, and it drew out into a hum.

Marleau materialised from his left, approaching all loose, with a briskness to his step that meant he already had three drinks, at least two. His face was arranged into theatrical outrage, brows furrowed, dark eyes narrowed, and he came to a stop directly in front of Ilya and raised one finger and pressed it to the centre of his chest.

"What the fuck," Marleau said, "did I say would happen if you showed up here?"

Ilya side-eyed him. "You miss me this much?" He let one corner of his mouth lift, just slightly. "Is been what. Two weeks?"

Marleau shoved him.

Ilya's face broke open into a full smile, and he grabbed Marleau by the shoulder and steered him toward the bar. "Where can I get a drink?"

"Rozzy." Marleau turned to look at him with magnificent contempt. "Are you fucking blind? The uppers are fucking with your memory, baby." He turned back to the bar and brought both palms down flat on it with a crack that cut briefly through the music, his head going back.

 "Vodka shots, all round!" he shouted, to the room, to no one, to everyone. "Our Russian prince is here!"

There was a loud whooping from the crowd, and the team started drumming their hands on the bar, the rhythm building, the sound of it carrying. Connors wolf-whistled from across the group, cupping his hands around his mouth, "Our fucking princess!"

Ilya raised his hand, the drumming subsided.

"Okay," he said. He let his eyes move across them slowly, taking each face in. "I understand times are tough." He paused. "Two years. No Cup. Very sad." Another pause, his gaze arriving at Carmichael, moving down his body, arriving at his shirt. "I mean." He gestured. "Look at Carmichael. He is even wearing his daughter's shirt."

The laughter came in a wave. Carmichael looked down at himself, baffled.

Ilya raised his hand again. "So. Put away your empty wallets." He unfolded his arms from across his chest and turned to the bar, leaning forward, folding his forearms against the edge. "Papa Rozanov will pay."

The bartender was watching him from across the bar with narrowed eyes. Handsome, yes, but not anything spectacular, not enough. Ilya ran his tongue along the back of his top teeth.

"Sorry for them," he said.

The bartender's eyes didn't shift. "You mean sorry for you."

Ilya hummed. He leaned forward further, his elbows crossing the invisible line between customer and bar, the boundary moving because he had decided it was moving. His forearms came to rest alongside where the man's hands were braced on the wood.  

"We are loud, yes," he said. Not a question. "I'll make it up to you."

"Okay." The bartender's expression didn't change, but his eyes did something. The flicker that happened when people decided they were going to let Rozanov do what he was going to do anyway. "How?"

Ilya fully grinned. He slipped his hand into his back pocket, pulled out his wallet, counted out nine hundred dollars in clean bills, and set them on the bar. He slid them across in one motion and straightened.

"Two rounds for the team. For the girls, please." He tilted his head. "Sorry, again."

He turned to leave. The bartender called after him, his voice carrying a note of genuine bafflement. "That's like six-fifty, sir. There's almost a band here, you've got— you've got a lot of change."

Ilya turned over his shoulder. He shrugged, loose and easy. "Is your tip." He let the grin go fractionally wider. "I said I would make it up to you, hm?"

He didn't give himself time to see the man's expression. But he felt it.

Felt it always, that burning, crawling up his sternum, settling in the hollow of his chest, and trying so hard to fill the space. He walked through the crowd and tried not to notice how it failed to slot into the empty ribcage in his chest. He found the VIP section and folded himself into the low couch, his legs settling open, and looked out at the room. He noticed anyway, of course.

Blyat.

He had been asked to pay. He had paid, had thrown the money across the bar with ease. Everyone in this room was a mouth, was an appetite, was something that needed filling from somewhere outside itself. His team at the bar, the women orbiting them, the bartender with his tilted head and his pleased eyes. If Ilya had come with nothing, if he'd walked through this door with the shirt off his back and not a dollar to his name, they'd have taken the shirt too. Would have sucked the last of whatever he had left directly from his skin and gone looking for more.

Little vampires. Little beautiful bloodless vampires, moving through the fog of the club, rubbing themselves against each other like they were trying to generate heat from the friction. Like they were cold. Like they had always been cold, always been wanting, and had simply learned to call it dancing.

Ilya pressed his tongue against the back of his teeth and looked at the ceiling.

What are you doing here. What are you doing here, Ilya.

His smile was gone; he had not decided to drop it. It had simply departed, taken itself elsewhere, left his face arranged in its resting configuration— the flatness of it, the brow, the set of his mouth. He leaned his head back against the couch and looked at the lights moving across the ceiling, felt the nothingness arrive on its usual schedule.

Not announcing itself,  but seeped through the gaps as cold coming through a window that had been left open by a crack. The music was loud enough. The crowd was dense enough. By all metrics, he was surrounded, he was here, he was among people. And yet the glass had come down between him and all of it, clear, clean, impeccable, and he was watching the club move through it like something in a tank.

Connor materialised. He dropped two shots onto the table and slid them across, as he had decided that shots were the solution to whatever was happening with Rozanov and was not entertaining alternatives, like talking, for example. "I've got a gift for you." He flopped down on the couch beside Ilya.

Ilya leaned forward, folded his hands between his knees, and glanced at him sideways. He picked up both shots in sequence. Drank the first, set it down. Drank the second without pause, without flinching, set that down too.

Connor flinched on his behalf, running a hand through his hair. "What's up with you?"

Ilya's eye twitched.

"What the fuck," he said, and his voice came out flat, quiet over the music, which was worse than if it had been loud, "are you doing on my dick."

He looked back out at the crowd. At the people moving against each other. At the sluggish, boneless, continuous rubbing of bodies against bodies, mouths against ears, hands against hips. Corpses. A room full of beautifully dressed corpses going through the motions, never really living, but this was the closest available approximation.

"Sorry—" Connor started.

"Fuck." The word came out through his teeth, soft. "I need to get laid."

A pause. He felt Connor adjust his technique beside him— felt the moment of assessment, the hand that lifted toward his shoulder and then stopped a few inches short, thinking better of it. "You'll get some, Rozy. Look at that crowd, beautiful ladies all over."

Ilya's leg was bouncing. He hadn't noticed until now, the rapid up-down of his knee, the heel tapping the floor in a rhythm that had nothing to do with the music. He put his hand on it, flat, and pressed down until it stopped.

"Jesus fucking Christ." He hissed, "Get off my fucking dick."

Connors stood, fully, both hands raised, eyebrows climbing toward his hairline. "I'm off, I'm off." He pointed toward the bar with one finger, walking backwards. "I'll be by the bar."

He disappeared into the crowd.

Ilya let the breath out through his nose. He put his hand into his jacket pocket, pulled it out again, and set it on his knee. He looked at his phone, opened the location app.

The green dot blinked on the map. Still. Settled. The coordinates of it, he had memorised them months ago, could have placed them without the app, could have told you exactly where that dot sat relative to everything else in Montreal with his eyes closed. It was not moving. It was, in all likelihood, in bed. It was, in all likelihood, on his side, the left side, Ilya was certain, though he had never been told this— with the lights off, and the phone on the nightstand either face-up or face-down.

Ilya tapped the side of the phone with his thumb, once, twice.

He swiped to the texting app, opened the conversation. 

I fucking hate you.

He looked at it, deleted it.

I need you.

Deleted.

You don’t deserve me.

Deleted.

10 minutes can’t go past without me thinking of you.

Deleted.

I

He stopped. His thumb rested against the keyboard, the cursor blinked after the single character, patient and empty. He didn't finish it. He didn't know how. Didn’t know what the rest of the sentence meant to him.

The darkness in his chest had gone from a seep to a flood now, and he was aware that he was sinking. That the couch had risen imperceptibly around him, that the room had tilted some fraction of a degree, that the glass between him and everything else had thickened by a millimetre.

He scanned the crowd.

He did not know why he was scanning it. He knew what he was looking for was not here; he was certain of this. And yet his eyes moved through the bodies, systematic, like reading a penalty kill— looking for the opening, the gap in the pattern, the thing that didn't fit.

He found it.

The dark hair first. Short, black, the bangs cut straight across her forehead and then disrupted—slightly, just slightly—into small points that fell forward over her brow. And beneath them, looking down at her straw, eyes that were bored and shiny and very brown. The freckles gathered across the bridge of her nose, two, maybe three, clustered there.

She dragged her tongue out and swept it slowly across her bottom lip as she bit down on her straw.

Ilya stood up.

He felt his whole body surge before he'd processed the decision, hands going slightly unsteady at his sides, eyes widening a fraction, and he registered this and forced himself to sit back down. He breathed once through his nose, tapped his finger against his thigh, and reached into his back pocket, pulled out the small, clear bag, and tapped a line onto the back of his phone. Bent his head. Inhaled.

He sat back.

The coke moved through his skull in a cold wave, sharpening the edges of things, returning the room to definition. His heartbeat quickened and then settled into a new, higher-frequency rhythm, the nothingness cutting back like fog burning off in morning heat. He blinked. Breathed. Felt himself slowly reconstitute into the shape of a living, breathing person.

He stood up again.

The crowd parted for him without being asked, like the Red Sea. It always did. He moved through it, and it rearranged itself around his trajectory, the bodies shifting without looking, operating on some collective instinct that allocated space according to gravity, and Ilya had always had more gravity than he required.

She was at the bar, her shoulders almost at her ears, in a fitted grey t-shirt, dark jeans, sucking at the empty glass in front of her. Small. Like a mouse. He slotted himself next to her at the bar and raised his hand at the bartender.

"Hey." He pointed toward her empty glass. "Can I get one more of those?"

She looked at him. The look moved up and then down, assessing, not rude exactly, but not yet anything else either. Then her brows furrowed. A small, confused flinch. She turned back to the bar, leaned forward, not quite acknowledging him. 

"No, that's okay, thanks."

Ilya paused. He turned to face her, his knee extended forward until it hovered just in front of hers, not quite touching. "Do I know you?" he asked, tilting his head. The corner of his mouth moved.

She side-eyed him. The straw was still in her mouth, resting against her bottom lip. "Uh, no. And I don't know you." A brief pause. "So I don't want a drink from you."

Ilya's face broke into a smile. Not a full one, settling instead on the quiet one, the one that lived just below the surface of the full one.

"And who says is for you?"

She stopped, blinked, flush moved up her face, fast and complete, from the collar of her shirt to the roots of her hair. "Ohoh, sorry, I thought—"

Ilya waved her off. He turned back to the bar, settled both arms against the edge, and tapped once. "Make it two, please." He turned back to her and gave her his full attention because she was deserving of it. "No, no. I'm sorry."

"For what?" She pulled her mouth off the straw, her lips parted, and Ilya watched them.

"For interrupting your alone time." He swallowed, watched her nibble her bottom lip. "You look like you are thinking very hard."

"I guess."

He nodded slowly. "In places like this, where the noise is so loud it suppresses all the thoughts you don't want to have — it makes thinking easier. Things outside are so loud that inside it becomes clear. Yes?"

 She dipped her head. A small smile appeared, soft, slightly surprised, a smile that hadn't expected to happen. Aha, bingo. "How did you know."

He gestured toward himself. "I am the same."

The bartender set down two mojitos. Ilya slid cash across without looking at it. She glanced at the amount, caught herself glancing, looked away, and wrapped her lips around the straw again. 

Oh, fuck. 

"You're here alone?" He leaned into his fist.

She shrugged. "No. I mean— yes? I came with my friends." She raised her eyes, scanning, and gestured with them toward a group across the room— three women, three men, a constellation that had clearly rearranged itself into pairs and was no longer a group in any meaningful sense. It was odd because she was much more beautiful than all of them combined. Ilya is sure she doesn’t know this. "But they met these guys." Her face shifted. He could read the planes of her face clearly— could see through the hardened mask to what was underneath it. "I don't want to third wheel or anything."

"That's not very nice," Ilya said, he leaned closer. "They shouldn't leave you alone like that."

"I don't mind being alone." She opened her mouth, closed it, opened it. "I don't know. Sometimes it's less lonely than being with other people."

Her eyes closed for a moment. The lashes lay flat against her cheek. Ilya wanted to press his thumb against the soft skin of her upper eyelid. Too soon. He kept his hands on the bar.

"I can keep you company," he said. Easy, casually, offering without a stake in the answer. "If you want."

She nodded. "I'd like that." She turned to face him fully, setting her hands in her lap, and from here he could see her more clearly, the straight line of her collarbone, the soft curve of her waist, the way her tummy pushed the tiniest bit above the waistband of her jeans. He thought it was adorable. Oh, she was trouble.

She held out her hand. "I'm Yea-ji."

He slipped his hand into hers.

"Rozanov," he said.

 


 

Yea-ji was doing well, truly.

Her arm kept flying back, her hand scrabbling blindly behind her, reaching for him, unable to close the distance. Ilya had his foot pressed flat against the back of her neck, keeping her cheek down against the pillow, his knee wedged between her spread thighs, one hand locked on her hip, holding her ass half-lifted off the mattress. He pistoned into her, and she let out another continuous, climbing whine that she couldn't do anything about. Three times already. Still taking it, bless.

Her whines pitched higher as his tip pushed against her cervix, the sound going thin and desperate at the edges, almost a scream, and Ilya brought his palm down hard against the side of her ass. 

"Fuck." He groaned through his teeth, rocking his hips forward into the tight, wet clench of her. "Being a good girl for Papa, da?" He smacked her again, slower this time, letting his palm linger against the sting of it. "Mm?"

"Mhm, mhm—" Her voice was wrecked, muffled against the pillow, barely coherent. "Yes, please, close, so close—" She tightened around him. 

He grunted, pressed his foot harder against the back of her neck, felt her sob into the sheets, her whole torso shaking with it. Then she went still. The shudder moved through her from her hips upward and dissolved.

Ilya laughed softly. God, so sweet. He lifted his foot from her neck and settled back onto his knees, both hands finding her hips. He had done too much coke tonight to come—not impossible, just a matter of time, a longer road to the same destination— but the warmth was extraordinary. The kind of warmth that started in the soles of his feet and moved all the way up through his chest and settled behind his cheekbones. The sweat running down the side of his face was cooling in the air conditioning, and his heart was going at a steady, elevated clip, and he felt genuinely good.

Her ass was bright red from his palm, the skin flushed in the pattern of his hand. He tilted his head. Moved her back and forth along his cock, slow, a long drag. He looked at her hips in his hands, the width of them. He pressed his thumbs into the groove of them. Too small. He squeezed gently, comparing. and concluded: Shane had more fat on his. Not much, he was an athlete, they were both athletes, but enough. Enough that Ilya's grip had never quite closed the same way. 

He dragged his hands down the curve of Yea-ji's thighs.

Too small. He wrapped his hand around one, fingers curling all the way around until they touched his thumb on the other side, and he held it there for a moment. It was sweet. She was small and warm and responsive, and he had nothing against any of this.

But Shane's thighs, he always grabbed them with both hands, the muscle packed into them from twenty-six years of driving off ice, the thickness of the adductor running up the inner surface. His fingers had never once met his thumb on Shane's thigh. He had tried, had made a project of it.

He pulled Yea-ji up, bent over her fully, and pressed his lips to the back of her neck. Ran his tongue slowly along the hairline there, where the short dark hairs were damp with sweat. She had no freckles on her back. It was smooth and unmarked and entirely itself, and he stared at the blank canvas of her shoulder blade and thought about a cluster of marks on a left shoulder blade that didn't correspond to any constellation, that he had pressed his thumb into once while Shane groaned into the pillow. 

He exhaled through his nose.

He slid out of her with a low groan, the loss of warmth immediate. He pulled the condom off, tied it, tossed it toward the bin. He reached down and pulled the covers up over her, tucking them to her shoulder, and then stood there for a moment looking at her face against the pillow. Her lips were pressed into a soft pout. Her lashes made small shadows on her cheeks, fluttering once in her sleep. Her hair was a mess across the pillow, the bangs she'd spent time on earlier gone completely. She looked entirely peaceful, entirely lovely, probably, entirely complicated, too.

He bent down and pressed a kiss to the side of her nose. He should get her number in the morning. Take her to dinner, maybe. She was an interesting person, with a pretty face, and she had been a treat to fuck, she deserved dinner at the very least.

He straightened. Reached for the cigarettes on the nightstand, shook one out, lit it, set it between his lips in one continuous motion. 

The sun was coming up.

Just the suggestion of it, the sky outside the window going from black to a deep, bruised blue at the horizon, the city below still mostly dark, still running on its nighttime logic. His cock was still hard in his hand. The coke made this predictable — made everything protracted, stretched the whole business out past the point of urgency into something more methodical, more about the sensation than the destination. He didn't mind; he slipped into the bathroom. 

The bathroom was dark except for the city light coming in, the blue-grey of pre-dawn turning everything the colour of old photographs. He could see himself partially in the mirror to his left, the line of his shoulder, the cigarette between his lips, the slow movement of his forearm. 

The warmth was still there. That good, low, all-over warmth— the coke and the sex and the three hours of human contact spreading through him from his toes to the back of his jaw, every capillary lit gently from within. Yea-ji had been really good. She had been more than good, sexy, yes. Her body was responsive, and her sounds honest, none of the performance some women defaulted to when they understood who they were in bed with. She'd come four times and enjoyed each one. He had enjoyed that. He had enjoyed her better than the other girls he had fucked recently. 

He took a drag. Exhaled through his nose.

His hand moved. The smoke curled up and flattened against the ceiling, and the city went incrementally lighter outside the window.

Her little hips in his hands.

Yes, they'd fit in his palms, perfectly. Small, light, the bones are close to the surface. He had squeezed and felt the wholeness of it immediately, no give, just the thin padding of her, and then the bone underneath. He had moved her where he wanted her with very little effort. No, Shane's hips were a different proposition entirely, but not much wider, probably,

His grip tightened.

Her back had been smooth; girls would kill for that. And it looked tasty, so he had run his tongue along the hairline at the nape of her neck and found nothing but skin — no freckles. He wanted to lick Shane too, to press his thumb into the centre of the cluster, and make him groan against the pillow. 

He tightened his grip and worked faster, his eyes closing.

He could feel it building now, fuck, the insistent gathering of it, the base of his spine warming, his thighs tightening. He pressed his free hand flat against the window glass, the cold of it against his palm, the city lights blurring through the condensation his breath was making.

Shane on his knees.

Shane, with the Captain armature coming offline, and something else replacing it. The sharp angle of his neck. His hands coming to Ilya's hips, not to direct but to hold on, like something he needed to anchor himself to.

Those enormous dark eyes looking up.

Ilya's breath came out ragged. His hips rocked forward into his own fist.

Shane.

He said it out loud, barely voiced, more breath than sound, pushed out against the glass of the window where it fogged briefly and disappeared. But out loud. With his hand on himself in his bathroom at five in the morning with another woman asleep in his bed, with the sky going blue outside and the city still and quiet below.

Shane.

He came.

It moved through him in long, deep contractions, his fist working through it, his forehead dropping forward to rest against the cold glass. Right there, and yet the city below didn't notice. The sky continued its slow process of becoming morning.

He stood there for a moment with his forehead against the window, breathing. His own breath fogging the glass and clearing, fogging and clearing. Then he straightened. He cleaned his hand, he looked at the window for another moment, at the city, at the light accumulating at the horizon, at his own ghost-reflection in the glass, see-through, the buildings showing through his own chest.

Went back to the bedroom for another cigarette. He lit it standing at the door, looking at Yea-ji's sleeping form in the grey light, the pink of her lips against the pillow, her lashes making small shadows on her cheek, the slow rise and fall of the covers. Pretty. He felt something uncomplicated toward her, something almost gentle.

He padded back to the window. Stood in the blue pre-dawn light, put the cigarette in his mouth, and pulled out his phone.

He opened the location app.

The green dot blinked. Still, settled, no change. Shane's dot, Shane's still and sleeping location, the small green pulse of him existing somewhere he wasn't.  Ilya stood at the window with his cigarette burning down and watched the dot blink. Watched it not move, counted the pulses of it without meaning to.

He tapped the dot once with his thumb, gently, to see if it would blink back.

It did.

 


 

The TV was too loud.

Ilya had turned it up incrementally over the last twenty minutes without noticing, the remote sitting in his lap, his thumb making small unconscious adjustments to the volume until the room was vibrating faintly with it, the documentary filling his dark apartment with the sound of birdsong and running water and a narrator's voice so smooth it felt like being sedated.

The lake dissolved, and the screen settled on Shane.

He was sitting in a chair outside a large glass cabin, faux modesty, all clean lines and forest. He was in a hoodie and shorts, ankles crossed, both hands wrapped around a mug. He said something, it's my favourite place on earth, so casually that Ilya felt it like a finger pressed on a bruise.

He looked at Shane's jaw.

The sharpness of it. That was new, or newly visible, the fat in the soft curve of his cheeks hollowed out enough that the jawline was doing more work than it used to, clenching as he wrapped his lips around the words. Those lips. Puffy and pink in the violet and yellow of the sunrise, the colour of them almost unfair, almost gratuitous. Shane tilted his head, and the straight slope of his nose tilted with it, and the scatter of freckles across the bridge caught the light, and Ilya felt it—the freckles, specifically —stab him cleanly in the hollow of his chest. 

Shane squinted against the sun. The small humps of fat beneath his eyes crinkled, that squishy, particular softness of the skin there, the place Ilya had pressed his thumb once and felt give. It looked slightly grey now, under whatever makeup they'd put on his pretty face. 

The clip cut. Shane was on a yoga mat in the grass now.

Shirtless.

Ilya's eyes went flat.

Why was he shirtless? You didn’t need to be fucking shirtless to do yoga.. He stared at the screen and watched a camera operator who did not deserve their job pan slowly across Shane Hollander's bare torso in the early morning light, Shane's skin catching it and holding it, and reflecting it.

Shane curved into a cobra pose, his upper back arching, his spine a long, clean line from his tailbone to the base of his skull— and Ilya's eyes moved over it, trailed it down to the hump of his ass visible in the shorts. 

Shane’s ass, well packaged and perky for millions of people to view.

He squinted. 

It was smaller. Not dramatically, not in a way the camera was acknowledging, not in a way the production had apparently noticed or cared about, and his waist had narrowed proportionally so that on screen it presented as simply Shane Hollander, God among men, sexiest man to walk the earth— but Ilya noticed. Of course, he noticed. He had put both hands on that curve, seen it enough times to know its exact weight and give and temperature, and what was on the screen was a revised edition, leaner than the original in a way that no one who hadn't held the original would clock.

Shane started to lower into child's pose, driving his hips back and up—

"Should I start getting ready?"

Svetlana stepped in front of the TV.

She was wearing his jersey, dark, hanging off one shoulder, the hem hitting her mid-thigh, her copper hair loose around it. It was much too large for her. It had always been much too large on her, and she wore it anyway, specifically because it was too large, and Ilya had to watch the mid of her thigh as it brushed against it. She stood directly in front of the screen with one hand on her hip and looked at Shane in downward dog, and then looked at Ilya with an expression of composed, loving contempt.

She paused, raised one eyebrow, even grimaced slightly. "Or have you decided we're staying in to watch..." She tilted her head at the screen. "Your malysh.”

Ilya raised his eyebrows, dropped them, his face was completely flat. "Sorry." He shrugged. "It's so fucking boring I almost fell into a coma."

"Mm." Svetlana bit her lip. She turned around, considered the couch, and flopped her head onto his shoulder. He lifted his arm and let it settle around her, his hand finding the small curve of her neck, his thumb resting against the tendon there.

On the screen, Shane stretched his hands out to either side. The sunlight moved across his back.

"What would you rather they had him do?" Svetlana tilted her head, her hair tickling his jaw. Her voice had taken on the teasing lilt she deployed when she had decided to enjoy something at his expense. "More underwear modelling?"

Ilya's jaw went tight; he dropped the remote into his lap. "No." He turned his face toward her, their noses almost brushing. "Never."

"Ugh, Ilyashu." She sighed because Ilya had made her have some version of this exact conversation for longer than she cared to calculate. She settled deeper into his neck and looked at the screen. "Are you still letting him leave you on read? Stop with the desperate drunk texting." A pause. "I can't believe he's still not speaking to you."

"He's too busy." Ilya waved his hand, frowning at the ceiling. "With his new shiny friends." He sat up slightly, his voice climbing, the gestures becoming more emphatic. "And what is Landry even doing, look at him." He pointed at the screen. "Look at him. He is wasting away, like— I don’t even know what. What is the point of all this, the yoga, the cottage, the—" his hand described something vague and frustrated in the air— "what is any of it doing for him. "

Svetlana reached up, took the back of his head gently in her hand, and pulled him down into her lap. He went, his head settled against her thigh, her fingers moving into his curls, and he looked up at the ceiling and breathed.

"I think he looks pretty hot, actually," she said.

Ilya closed his eyes. Ran his hand slowly over his face, dragging the skin of it. "And that's the issue, yes?" His voice came out lower now, the heat going out of it. "Everyone thinks he looks nice. Wow, wow, wow, Shane's the hottest man in the NHL, Shane's taken Montreal to the playoffs twice. Nice." He let his hand drop. "And they don't care."

Not like I do.

"Oh, Ilyashu." Her voice had gone soft, the teasing dissolving into something warmer. She bent over him, her curls falling forward and tickling his face, and started performing a theatrical reading of him. "He's your heart beating out of your chest. You like him so much you can't breathe." She clutched the jersey at her chest with one fist. "Shanya, oh Shanya—"

Ilya grabbed her.

They went sideways along the couch, a brief, graceless tangle of arms, her laughter high and bright, his hands finding her waist— and then he had her pinned, his weight bracketing her shoulders, his arms on either side of her. He was breathing hard. Mostly from the wrestling.

He looked down at her.

Her face, upturned. Her eyes, the blue of them catching the light from the screen. Her curls spread out around her on the cushions. Her mouth still open from the laughing, the brightness of it, the aliveness of it.

God. What would he do without her. The one person, the only one who was allowed inside the room where this lived, who could walk through it, touch the walls of it. One person in the world who understood him well enough to mock it and hold it in the same breath. He bent down and pressed his mouth to hers. It was brief, soft, and not desire-driven, or not only that.

Svetlana wrapped both arms around the back of his neck and pulled him down against her chest. Her hand found his head and pressed him there, against the soft of her, and he let her, his whole body going heavy and still. Her fingers moved through his curls, slow.

He burrowed against her like he wanted to crawl inside.

"It's hard," he said, into the jersey. 

Svetlana nodded. "I know." Her hand continued its slow movement through his hair. "You and your big stupid heart."

The TV murmured. Shane said something about the lake, it wasn’t scripted; it was the most relaxed Ilya had heard him sound in months.

"I'm going to watch him play at the final tomorrow," Ilya said.

"Yeah." Svetlana's voice was easy. "Duh, I’d hope so. Should we make it a party? I can call—"

"I'm going to Montreal."

The hand in his hair stopped. Svetlana gripped him by both shoulders and hauled him up. She held him there, at arm's length, and looked at him with her big eyes, completely unblinking.

"Are you fucking stupid?"

Her hands moved from his shoulders to his curls, and she gripped them, both fists, and shook his head once. He made a small whine in protest.

"No," he said, when she released him. He settled his hands in his lap, folded them. "I'm not. I have to go."

"And what?" She spread her hands, her voice climbing. "Sit in the stadium and watch? You'll make him lose. You'll— oh my God, Ilya." She brought two fingers to his temple and flicked, hard. "No. Absolutely not. You're not doing that."

She was right. He would last approximately six minutes in the stands before Shane came at him with his gloves flying, and they would be on every sports broadcast in North America by morning. 

"Fine." He closed his eyes. "I'll go to Montreal and watch it from a hotel room."

"Then what's the point?" Her voice had gone incredulous, genuinely baffled. "He's not going to see you. He won't even know you're there."

Ilya turned his face back into the crook of her neck.

"He'll know," Ilya said.

 


 

The taxi from Trudeau pulled up to Shane's building at 10:30.

Ilya got out, paid in cash, stood on the pavement outside the building with his carry-on beside him and his cap pulled low over his forehead, the peak of it cutting off his eyeline at the first floor windows, and he looked at the building's entrance— the revolving glass door, the doorman visible through it at his station to the right, the afternoon foot traffic moving in and out.

He had made a copy of the key two Octobers ago.

A Tuesday, a home game against Montreal at the Garden, the kind of game where Shane arrived early and left late, and the gear bag sat unattended in the visitors' corridor for exactly the window Ilya needed. The original was back in the bag before warmups. The copy had lived on Ilya's keychain since then, on a separate ring, no label, sitting quietly between his car key and the key to his Boston apartment.

He had used it twelve times before today.

The building's side entrance was the easy part; he had learned the code that February, standing close enough behind a resident in the stairwell to read the keypad over their shoulder. The elevator he avoided on principle. The stairs brought him to the twentieth floor in under fifteen minutes.

The corridor was carpeted in the neutral grey that these buildings always used, the lighting warm and indirect, three apartment doors visible from the stairwell exit. He let the door close behind him and stood for a moment, listening. Nothing. The floor was quiet, the afternoon settling into it, someone's television audible through a wall somewhere down the hall.

He knew which door.

He put his carry-on against the wall, reached into his jacket pocket and took out the keys. 

Every time, he worried that this was the one time it wouldn’t work, that Shane would notice, that he would’ve changed the lock because of Ilya or some other nondescript thing.

Of course, it wasn’t; he was too good. 

The door swung inward, and the smell of the apartment came out to meet him immediately, warm and clean, like fresh laundry. Ilya stood in the doorway for one second and breathed it in, then stepped inside and pulled the door shut behind him.

The morning light was everywhere.

That was different from his previous visits, which had been evening, or night, or the grey early morning of a game day, this was full Montreal morning sun coming through the floor-to-ceiling windows at the far end of the living room and laying itself across everything, the floor, the furniture, the bookshelves along the east wall, the throw blanket folded in thirds on the arm of the couch. Everything lit up and legible and slightly merciless, showing things as exactly what they were with no atmospheric assistance.

The stairs were glass. He took them slowly, one hand on the rail, not because he needed it but because the pressure of it was grounding, something solid under his palm.

The bedroom door was open.

He stood in the doorway for a moment, looking at the room. The bed was made, military corners, the grey duvet pulled taut and smooth, four pillows arranged with a precision that was somehow both depressing and completely unsurprising. The curtains were open, and the room was like a photograph of itself, everything exactly where it was supposed to be, everything in its assigned place.

Performing.

Ilya crossed to the bedside table.

He opened the drawer. He looked at the contents for a moment without touching anything— chapstick, a blister pack of melatonin, a phone charger coiled with aggressive neatness, a pen, a notepad. He moved the notepad aside with one finger. Underneath it, the silicone was matte black and modest in size, not what he would have chosen, boring, annoying. That’s nothing new. Whatever.

He set the notepad back, closed the drawer, and padded back downstairs.

 


 

He moved through the living room, past the clean counters, the dish rack empty and upended beside the sink, and stood in front of the refrigerator. 

The interior light came on and he blinked against it.

The contents were organised with the same logic as everything else in the apartment — produce drawer at the bottom, protein sources on the middle shelf, condiments in the door rack, everything labelled where labelling was possible. Meal prep containers stacked in a column on the right, identical, black lids, each one with a strip of masking tape and a date written in Shane's handwriting. The rows of them had a quality almost monastic, identical and precisely arranged, and Ilya had seen them before, on every previous visit. Watched as the fridge became emptier and emptier each time.

His eyes moved to the door rack.

The bottles were lined up there, the usual things— a jar of sauerkraut, a dark bottle of something fermented, soy milk— and then, at the end, standing slightly taller than the rest, a carton of whole milk.

Cow’s milk? 

Shane did not drink cow's milk; he hadn’t drunk it in ten years. Shane's protein shakes consisted of soy milk and a specific pea-and-hemp blend that he received monthly. 

He reached in and took the carton out.

He turned it on its side, reading the label from habit, and there, along the upper edge of the back panel, in handwriting that was not Shane's, looping and slightly tilted, written in what appeared to be blue felt-tip pen:

Cow titty milk for ur meal supplement protein shakes :)

Ilya stared at it.

He read it again. He turned the carton back to face forward and looked at it, the red lid, the cartoon of pastoral farmland on the front, the cheerful typography. He set it on the counter and looked at it some more. The feeling that moved through him began somewhere low and hot and climbed steadily, taking its time, filling the available space in his chest and throat and behind his eyes.

Landry.

He opened the carton.

He brought it to his mouth, took a slow mouthful. Swirled it against his teeth, tasting the sweetness of it, the fat of it coating his tongue. He held it there for a moment. Then, he leaned over the sink and spat it back into the carton in a thin stream. 

He wiped his mouth with the back of his wrist.

He looked at the carton. He looked at the sink. He looked at the carton again.

Ah, fuck it.

Ilya undid his belt with one hand, the buckle coming loose, his trousers dropping an inch.

There was a click.

An unmistakable click of the deadbolt disengaging.

Shane’s morning skate ended around 11:30; it takes him 30 minutes to drive home, so Ilya should have had at least an hour and a half. 

It was barely 11.

The carton went back on the shelf, the refrigerator door swung shut, and his belt was buckled in the same motion as he crossed the kitchen and made it to the living room doorway in three silent strides. He went flat on his stomach and rolled under the couch in one movement, the carpet coming up to meet his face, dusty and close, the underside of the frame a few inches above his head. He pulled his arms in. He went still.

The front door opened.

Shane's feet appeared in the entryway. White socks, the thick athletic ones, slightly compressed at the heel from being inside shoes all day. He stood in the entryway for a moment doing whatever he did when he came home, the decompression ritual, the pause at the threshold. He let out a shaky sigh and moved toward the living room.

Ilya’s heart was hammering catastrophically loud. The organ suddenly appeared there and was knocking against the inside of his ribs with unbridled enthusiasm. It was as if it had been demoted to maintenance mode for three months, had been going through the motions in the hollow of his chest like a clock that had lost its hands, and had now detected the only thing it had been born to respond to.

It was not stopping.

He pressed his hand flat against his sternum and felt the full force of it— the deep, uneven thump of it, each beat arriving like a fist against the bone, radiating outward through his chest and into his shoulders and the back of his jaw. A heart that had been waiting, that had been dormant, that had been running on the ghost of circulation until this exact moment, this exact proximity, and was now announcing itself, finally clawing its way back to the surface.

Ilya was genuinely astonished that Shane couldn't hear it.

The sound of it was enormous—it filled his own ears, it vibrated in his teeth, it was the loudest thing in the apartment by a significant margin—and Shane was ten feet away in the kitchen, moving through the space whilst Ilya lay here under his couch, suddenly resurrected.

Ilya tracked the socks across the floor, and then tracked Shane’s feet when he slipped them off, the morning light falling across them in long bars from the windows, and Shane stopped two feet from the couch.

“Ugh– fuck.”

Something dropped from his hand, the balled-up pair of socks, landing directly in front of the frame, touching it, close enough that Ilya could have reached out through the gap and put his hand on them.

His heart screamed.

Shane crouched.

His weight shifted forward, knees bending, one hand coming out for balance, descending toward the carpet, toward the socks, the fingers getting close, and Ilya lay six inches away and watched them come down. Ah, well. 

Shane made a sound, a low compressed groan, a sudden sharp inhale, his hand going to his left side instead of the socks, pressing flat against his ribs through his shirt. He straightened back up without picking them up. He's hurt. Shane stood there with his hand against his ribs, his breathing slightly audible in the quiet of the apartment.

He's hurt, and he's home alone, and there is no one here who knows about it. 

You can’t let him play tonight, if he’s hurt.

Ilya took in a deep, shaky inhale. 

The refrigerator opened. Ilya heard the door rack shift, the soft knock of bottles rearranging. He heard Shane moving at the counter, the canister opening, the measuring and–

The noise of it detonated through the apartment, and Ilya exhaled against the carpet in one long, silent stream. The blender ran. It ran for forty seconds, the aggressive mechanical grind of it filling every room.

Is he drinking it.

Is he drinking my spit? 

Ilya pressed his palm flat against his mouth and held it there, and his shoulders started shaking from the laughter running through him, silent and helpless and completely inappropriate. Fuck, my spit, he thought, at the ceiling above the couch. He has no idea. He’s probably enjoying it too, dirty slut. 

He stared at the underside of the couch cushions, trying to settle his heartbeat. He thinks about Shane's face. The way Shane would look if he knew— the initial blankness, then the processing, then the colour climbing his neck in that particular way, then the expression that lived between horror and wanting. He was losing his mind. The green dot on the map was no longer just a green dot. No, it was a pair of pretty white socks, it was the sound of a blender, it was Shane’s throat shifting as he gulped down Ilya’s spit. How long had it been? Since they had been like this? So close, outside of the rink.

Shane's feet came back across the floor. They paused at the foot of the stairs, weight shifting, and then moved upward, one step at a time, until there was nothing left but the faint compression of the floor overhead and then silence.

Ilya counted to sixty.

At forty-one, the bathroom tap came on. He waited for it to stop and counted another thirty after that and then moved, coming out from under the couch in one long controlled motion. 

The socks were still on the carpet in front of the couch. He reached down and picked them up, the balled cotton warm in his palm, barely any weight to them at all. Smell them, fucking smell them, stuff them in your mouth. Now. He held them for a moment and then put them in his jacket pocket.

 


 

The game had been on for forty minutes before Ilya actually started watching it.

He had turned it on when he got back to the room, the remote still in his hand when he sat down on the edge of the bed, and then he had stayed there, on the edge of it, jacket still on, not watching. The television ran the pre-game coverage and then the warmups, and then the anthem, and he had been looking at the screen but not at it, looking through it at the distance where nothing was, where the wall was, where the city was beyond the wall, Montreal going about its evening outside the floor-to-ceiling windows.

The air conditioner hummed at a low, relentless pitch, pumping chilled air across his skin through the thin fabric of his shirt. It raised gooseflesh along his forearms. He could smell the faint chemical tang of the cleaning products clinging to the carpet and the sheets, overlaid with the stale sharpness of his own unwashed body after the flight and the stairs and the couch. His carry-on sat unzipped on the floor beside the bed, spilling clean socks and a spare charger onto the beige carpet. He had not unpacked.

He ordered room service at some point. The tray was on the desk behind him. He hadn't eaten from it. The covered plate sat heavy and congealing under its metal dome. Steam had long since escaped, leaving a ring of condensation on the wood surface. Beside it, a glass of water had gone warm and flat, untouched. The fork lay parallel to the knife, aligned with mechanical precision. He had ordered the steak because it was the most expensive option on the menu. It had arrived too quickly.

He watched the first period.

He watched only Shane.

He was watching the game the way he always watched games that Shane was in, which was to say he was watching one player with occasional awareness of the others, tracking number 24 at a level below conscious thought, below choice, below anything he could have modified even if he'd wanted to. Shane took the puck up the right wing in the second minute, and Ilya leaned forward fractionally without noticing, his elbows pressing into his knees, the mattress dipping under the shift of his weight. Shane won a faceoff at centre, and Ilya's jaw unclenched by a degree, the tension bleeding out through his shoulders in a slow release. Shane took a hit at the boards in the third minute of the second period, a big defenseman catching him on the left side, and Ilya's hand closed around the remote hard enough that the plastic creaked under his grip, the edges biting into his palm.

He was fine. He stayed on his feet. He kept the puck.

Ilya's hand loosened. His fingers uncurled one by one, leaving faint red imprints on his skin.

By the third period, he was fully on the bed, jacket off, back against the headboard, legs stretched out in front of him. The minibar had contributed something to this— two small bottles of vodka, a third open in his hand, the room warm and close with the heating running despite the air conditioner’s protest. The vodka burned sharp and clean going down, pooling hot in his stomach. The score was 4-1 Montreal, and the result was already decided, and Ilya watched Shane move across the ice with the remote balanced on his knee.

Shane scored.

The sixth goal, his fourth of the night, driving to the net and putting it through the crease in a single decisive movement, and the arena became a single sustained note, a deafening wall of sound that punched through the television speakers, and Shane's knees went out and he hit the ice and J.J. Dagenais landed on him and the pile built and Ilya sat in his hotel room with the vodka bottle balanced on his knee and watched the broadcast cut to Shane's face emerging from the pile, and the face was—

He looked away, reached for his phone without thinking, then tossed it back into his bag.

He looked at the desk. The room service tray, the cover still on the plate, a glass of water gone warm and flat beside it. The window, Montreal blazing through it at maximum capacity, the way it always did. He looked at these things and breathed, chest rising and falling in heavy pulls, and then looked back at the screen.

Something is wrong.

The ceremony was beginning. The Cup being carried to the boards. Officials moving through the gate. The broadcast cutting between players and crowd and the silver of the trophy under the arena lights, and Ilya tracked the camera across the ice, looking for number 24, finding him at the far end of the rink standing apart from his team, and—

The camera caught it late.

It had already started by the time the broadcast cut to it, the angle coming in from the side, and Ilya saw Shane moving toward another player, saw the grab, saw the momentum already committed, and his body went rigid on the bed before his brain had finished processing what was happening. His hand tightened on the remote. Hunter went down hard, the back of his helmet hitting the ice with a dull, reverberating thud that traveled through the broadcast microphones— and Shane was already on top of him, and the broadcast cut to the wide angle and then back to the close one and in the close one Ilya could see Shane's face.

He knew that face.

He knew that face. The one underneath all the others, underneath the captain's face and the press face and the good-son face, the one that lived below all the performances and only came out when Shane had run out of everything else to put in front of it. Raw. Afraid. Humiliatingly, completely afraid, and disguising it as fury because fury was the only thing available.

He knew that face because Shane had shown it to him once, in a hotel room in Vegas, five years ago, the morning after.

Hunter's fist connected once. The camera caught it, the angle from the right side, a single punch finding the gap between cage and helmet, landing on Shane's cheekbone, the head snapping sideways. Ilya watched it happen in real time and watched the replay and watched it again when the broadcast cut back to it, the same three seconds, Shane's head snapping sideways and back, the skin splitting open under the impact, a thin line of red blooming vivid against the flush of his cheek. The broadcast commentators' voices overlaid the footage in rapid, urgent bursts, "That's a big shot from Hunter!" "Hollander's faltering, no, he's up, he's swinging again!" "Linesmen all over this one!"

The pressure built without outlet, a vise clamping inward from all directions, compressing his ribs until each breath scraped raw against the back of his throat. His pulse hammered heavy and erratic in his temples, drowning the television audio into a muffled roar.

He put the vodka bottle on the nightstand. The glass clinked hard against the wood, vodka sloshing over the rim in a cold spill that soaked into his thumb.

The officials were pulling Shane off. The broadcast was cutting between angles — Shane still screaming, his legs still kicking, Pike's arm across his chest like a restraint strap, the red on the ice smeared in dark streaks under skates, Hunter still down, helmet askew, blood pooling beneath his ear, and Ilya sat the hotel bed with his legs stretched out in front of him and his hands open in his lap and watched it, and the thing in his chest kept going, kept building, a pressure without a site, without a cause he could point to and say there, that is why.

His eyes were hot. The heat gathered at the corners first, a stinging prickle that spread inward.

He pressed the heels of his palms against them. The pressure was firm, unyielding, grinding the heels into the sockets until white sparks burst behind his eyelids.

Solnyshko.

The tears continued to run, at the rims of his eyes, hot, and then the surface of them, tracking sideways into his hairline, warm and viscous against his skin. He kept his palms pressed hard against his face and felt them slide, heavy trails marking paths down his cheeks, pooling at the edges of his nostrils where the salt stung sharp and immediate. He did not move. Did not wipe them. Did not do anything with them except sit with them in the sealed pressure of the hotel room while Montreal hummed through the windows behind him, the city lights fracturing into smeared halos through the unwashed glass.

He thought about her hands.

Her hands, when he was small. The way she held his face when she looked at him, both palms cupping his jaw, her thumbs at his cheekbones, making him stay still and look at her. She had done it when he was upset, when the feelings got too big and he couldn't manage them, and the pressure of her palms had been– And the faint calluses on her thumbs from scrubbing dishes, the dry patches on her knuckles from winter cold, the steady heat of her skin seeping into his. 

He tried to pinpoint, tried to see her, and it came out only as a collection of textures, of light, of the smell of that apartment, cigarette smoke and boiled cabbage and the metallic bite of snow tracked in on boots, until, until.

He had come out of his room, and she was in the hallway, and she was not herself. Her eyes were wrong, pupils blown wide and unfocused. She was talking, but the words weren't connecting to anything, weren't landing in any order that made sense, fragments tumbling out in wet, slurred bursts, and she had looked at him standing in the hallway in his socks, and she too had started to cry.

He had been eleven years old, and he had stood in the hallway of their Moscow apartment in his socks and watched his mother cry and the feeling that had moved through him, he recognised it now, sitting in a hotel room in Montreal with his palms pressed against his own face, he recognised it in his body before he recognised it in his mind. The helplessness of it all. The watching and not being able to touch. The wanting to hold her face the way she held his, wanting to press his palms to her cheeks and make her stay still and look at him, wanting to say I am here, I am here, look at me, I am right here— and not being able to. Not knowing how. Being eleven years old and not knowing how. Her sobs had come in ragged hitches, shoulders heaving under the thin housecoat, snot bubbling at her nostrils, and he had stood frozen, fists clenched at his sides, the hallway carpet rough under his socks, the overhead bulb buzzing faintly overhead.

He had not known how.

He pressed his palms harder against his face. The skin beneath his thumbs grew tender, abraded raw.

I would hold your face, he thought, and did not know if he was thinking it at him or at her or at both of them, the two of them superimposed, the two people in his life whose pain had ever done this to him, opened this room in his chest without asking. I would hold your face. I would find the place where Hunter hit you, the cheekbone, the left side, I could see from the angle it was the left side, and I would put my mouth there. I would kiss it. I would keep my mouth there until you stopped moving. Until the split skin closed under my tongue. Until you let me press you down and cover you completely.

The broadcast was still running.

The post-game coverage, the ceremony, the Cup being lifted, the crowd. Ilya could hear it through his palms, the noise of it, of twenty thousand people at the same pitch, a crushing wave of cheers and chants and synthetic arena music, of not caring anymore, unflinching to the violence now. And he sat on the hotel bed and did not move and let the tears go where they went, into his palms, into his hairline, drying sticky on his face in the hotel air thick with the scent of vodka and uneaten steak. His breath came in slow, controlled drags, nostrils flaring against the salt crusting his upper lip.

 


 

When he woke, the room was the same. The television still running, quieter now, the replays upon replays, post-game analysis, two commentators talking over footage in measured tones, their voices muffled through the barrier of his hands. The minibar door still open, bottles glinting dully in the screen's reflected glow. The room service tray on the desk, untouched, the metal dome fogged faintly from residual heat. The window, Montreal outside it had completely dimmed to nothing, skyscrapers winking out floor by floor.

He was still sitting in the same position. Legs stretched out. Palms pressed to his face. Nothing had moved. He had just been here, in this room, while something moved through him, like a man possessed, and now it had passed, and he was still here, and his face was dry, and his hands, when he lowered them from his face and looked at them open in his lap, were completely steady. The tear tracks had cooled against his skin, leaving tight, invisible films.

His phone went off and his thumb pressed heavily against the screen, he pulled it up to his ear. 

"Ilya. Blyat. I have been calling since nine, for like—" the voice on the other end checked something, "—three hours, man. You are in Montreal, right?"

His brain snagged on the Russian. It took a second, the syllables arriving in the wrong order before they assembled into sense, and he pressed his palm flat against his forehead and held it there.

"Dimitri." He swallowed. "I was sleeping. You woke me up."

A pause on the other end, then, "Sleeping." Like it was a language he didn't speak. "Oh, fuck— who is this, give Ilya back his phone."

Ilya didn't say anything. He pulled his palm down from his forehead and looked at it in the dark of the room, the lines of it, the crease across the centre. 

"Yeah, so—" Dimitri, moving on, the sounds of a club audible behind him, bass and crowd noise bleeding through, "—Svetlana told me you were in Montreal, sick coincidence, I didn't see you at the stadium but a bunch of us are at this place right now, it's been forever, man, seriously—" he burped on the other end, loud and completely unself-conscious, "—come out."

Ilya stared at his palm.

"Ok," he said.

He didn't wait for a response before he disconnected.

He sat on the edge of the bed for a moment with the phone in his hand and looked at the window. Montreal outside it, the city at nearly 2 am still going, in it’s own way. He wanted to check, check the dot on the map, check if it was stationary on the twentieth floor of a building twelve minutes from this hotel– not moving. 

He didn’t need to check to know this.

Shane was sleeping, probably.

Ilya closed his phone instead.

Then he got up, went to the bathroom, ran the cold tap, and put his face under it until he felt the temperature of it in his back teeth, the water running into his eyes and across his forehead and down his neck into the collar of his shirt. He straightened. He looked at himself in the mirror, the water dripping from his jaw, his eyes red at the rims, his face still carrying the slight puffiness of having cried himself unconscious on a hotel bed.

He dried his face with the hand towel. He put his jacket on.

He went out.

 


 

It was not a good idea to come out.

Ilya leaned against the bar with his shoulder blades flat against the padded edge, head pounding in time with the bass that moved through the floor and up his legs and into his teeth. He wasn't drunk—though he had lost count of the drinks, had stopped counting somewhere around the third when counting stopped mattering—but the alcohol sat wrong in his gut, heavy and sour on top of nothing. Someone jostled his arm. A friend, maybe Dimitri, mumbling something indistinct under the music. Ilya didn't bother to register it. He looked at the clean, cold transparency of the liquid in his glass instead, the ice cubes sweating, a ring of condensation spreading dark on the bar surface beneath it.

He lifted his eyes from the drink slowly. They were furrowed so deeply he saw the world through two narrow slits, the strobing lights dissolving into smeared red and blue streaks across the dark. But what was there to see, even? Why was he here. He let his gaze drag along the bar from left to right, over the bottles on display—Belvedere, Grey Goose, a row of unlabeled locals catching the neon in amber—until he caught it.

Not in the corner of his eye. Right in front of him.

He was sure he recognised the man from somewhere. Dark brown skin gleaming under the lights, a snake-like quality to the glint of his eye, his smile widening at Ilya, slowly, like something being unrolled. He was hot, sure, whatever. And that was when it registered. He had seen that smile before, on Shane's Instagram, in photos with Rose.

Surely not.

He told himself the things he knew. Shane, of all people, would not go out after the stress of that game. He wouldn't be celebrating with his team. He would be curled somewhere small and dark, rocking back and forth through a loop of every possible way his career, his reputation, his entire life would collapse from what happened on that ice tonight. And even if he had gone out, why would he bring Rose? Why would he come here, of all the clubs in Montreal, on this of all nights?

Ilya knew all these things, and yet his head was already turning.

His eyes scanned the room, slow and scrutinising. He was flexing his jaw so hard he felt his back molars grinding, grit against grit. 

There, lit up strobing red and blue: Shane sandwiched between Rose and the man, all three of them pressed together in the shifting crush of the dance floor.

Shane had his lips against Rose's. Those soft pink lips parted over hers, and Rose had her arms draped around his neck, her hands sliding down his back, tracing the flex of his shoulder blades through his shirt. Behind Shane, the man had his mouth pressed against his neck—against the thick cord of his trapezius—planting open-mouthed kisses upward in a slow, unhurried chain, his tongue dragging between each one. He kissed the hinge of Shane's jaw. Shane's throat. The curve of his ear, lips closing around the lobe, teeth scraping gently at the soft flesh until Shane's shoulders drew up toward his ears in a full-body shiver. Rose trailed her mouth sideways along Shane's jaw, pulling him back into her, and he went, kissing her deeper, his tongue pressing slowly past her lips, one hand curling into the hair at the back of her head.

And he was looking at Ilya.

Over Rose's shoulder, with those big brown eyes gone black in this light, lidded pupils, swallowing the iris whole. Looking directly at him, knowing exactly what it's doing and deciding to do it anyway, like the little piece of shit he is. Rose's lips found his pulse point and sucked, hollowing her cheeks, and Shane's eyes stayed on Ilya. The man behind him pressed his open mouth against the crook of Shane's neck, and Shane's eyes finally shut, slowly, reluctantly, like a concession, and he let his neck fall back into it. He groaned, audible even under the music.

Ilya felt the glass crack before he registered his own grip on it. He looked down at his hand, where a thin split had opened in the glass and blood was tracking in clean rivulets across his palm, dripping onto the bar. He stared at it for a moment.

"Blyat."

He shoved himself away from the bar and pushed through the crowd, shoulder-first, bodies parting and protesting around him until he reached the VIP men's bathroom and the door swung shut behind him, cutting the music down to a muffled throb.

Empty. He crossed the marble in a few long strides, the room dim, the lighting recessed. He didn't bother with the main switch. He ripped paper towels from the dispenser with his uninjured hand, pressing them hard against the cut, watching the white paper bloom red. He folded another layer over it and pressed harder, his reflection appearing across the mirror above the sinks in pieces— jaw set, brow furrowed so deep it cast shadows, eyes two dark points under it.

He already knew who had stepped into the bathroom when the door slammed.

The lock clicked heavily in the frame.

Ilya leaned against the mirror, both arms out straight, palms flat on the cold marble ledge. Shane came fast, his shirt slightly disheveled, his face flushed and furious. He grabbed Ilya's shirt with both hands and spun him around, slamming him hard against the sink, the marble edge cutting into Ilya's lower back.

"What are you doing here?" Shane hissed, his voice stripped of everything but the raw top layer of rage. He shoved Ilya again, fists twisting in the fabric. "What the fuck are you doing here?"

Ilya tilted his head back, his mouth stayed sealed. He looked past Shane, toward the far wall, when Shane grabbed him by the collar and shook him.

"Look at me." Shane grabbed his jaw with one hand, fingers digging into the hinge hard enough that Ilya felt the pressure against his back teeth, and forced his head down until their eyes met. Shane's lip trembled, barely, before he got it under control. "Fuck, I'm not doing this with you again."

"I am not in the mood," Ilya said, his jaw working slowly under the grip. He reached up and wrenched Shane's hand off his face.

"Yeah? You’re not in the mood?" Shane stepped back. He let out a short, incredulous sound, mouth pulling wide in a faux smile that didn't touch anything above it. He wiped his hand over his face, pressing hard into his eyes for a second, then looked back. "The fucking day that I have had." He stepped back in, shoved Ilya again, the small of Ilya's back cracking against the counter edge. "And you just have to come here." He shoved him again, and his eyes were wet now, reddening at the rims, the anger dissolving at the bottom into something rawer. "And make it." He shoved him again. "Fucking worse." His fist hit Ilya's chest, not hard, not a real punch, the kind of impact that is mostly just the need to make contact with something. "You fucking asshole."

"Gospodi," Ilya said. He shook his head once.

"What was that?"

"Not everything is about you." It came out sharp, louder than he'd meant, and Ilya stepped into Shane's space as he said it, closing the distance fast enough that Shane flinched backward—just for a second, weight rocking onto his back foot—before he caught himself and stepped forward again. Their faces were close enough now that Ilya could see the individual wet lines at the corners of Shane's eyes, the raw red rim of each one.

"Oh, yeah? Because it fucking seems like it is for you." Shane's voice cracked on the consonants. "You're obsessed with me, and I hate you,  fuck you,  you're a piece of shit and I—" He stepped back. He pressed both hands hard into his eyes, heels grinding in. "Shit," he whispered to himself, to no one.

Then he lunged forward. He grabbed Ilya by the collar, both hands, the fabric bunching so tight under his fists that the collar seam split at the shoulder with a sharp tear— and slammed his back against the far wall. Ilya's skull grazed the tile, and he groaned. Before he had finished groaning, Shane was dropping to his knees, fingers already working at Ilya's zipper, fumbling the metal pull.

"Shane—"

"Don't call me that," Shane hissed, yanking the zipper down.

Ilya reached for his hands. Shane grabbed both of his wrists and pressed them flat against the wall at either side of Ilya's hips, pinning them there with the full weight of his grip. 

He looked up.

He was panting, chest heaving, his dark brown eyes wide and glassy, lit from beneath with something feral, baring his teeth on a sharp exhale. "Don't fucking touch me." He leaned forward, pressing his face into Ilya’s bulge through his boxers. Ilya's head cracked back against the wall, a deep groan tearing out of his chest at the hot press of Shane's mouth through the cotton.

"Fuck—Hollander—stop, stop, stop—" His wrists flexed against Shane's grip, tendons straining.

Shane grabbed the waistband of Ilya's boxers between his teeth and started to pull.

"I said stop."

Shane stilled instantly, completely, his mouth went slack around the waistband. 

Ilya pulled his wrists free from Shane's loosened grip. 

He hooked one hand under Shane's shoulder and hauled him upright, spinning them in a single controlled movement until Shane's back hit the wall and Ilya's forearm was braced on the tile beside his head, caging him in. They were both panting, enough that their breath met in the thin space between them. 

Ilya looked at Shane's face, the bitten-red mouth, his eyes darting between his lips and his eyes, his chest rising and falling in shallow, rapid pulls. "When I say stop," Ilya said. He watched Shane's gaze drop to his mouth again, then drag back up. "You stop."

Shane licked his bottom lip. 

"Mm?"

He nodded, swallowing.

Ilya leaned forward until their lips were almost touching, and Shane pressed forward immediately, hungry, managing to lick a hot, desperate stripe across Ilya's lips before Ilya pulled back.

"No," Ilya said, and Shane let out a low, frustrated groan, the sound vibrating against Ilya's lips. "Slow. Like this."

His hand came up to Shane's face, thumb and fingers curling around his chin, holding it still. His thumb stroked once along the underside of Shane's jaw, feeling the muscle twitch under the pad of his skin. He held him there, made him wait. And then leaned in, so slow that Shane's breath hitched in anticipation, the space between their mouths shrinking millimeter by millimeter until Ilya's lips finally met his.

Shane exhaled, and his whole body sagged into the contact, shoulders dropping, the tension bleeding out of him like air from a punctured tire. His lips parted slightly on instinct, and Ilya took the invitation, pressing forward, parting his own mouth to draw Shane's lower lip between them, sucking gently. Shane's eyes fluttered shut, his lashes dark against his flushed cheeks. A soft, needy sigh escaped him, warm breath ghosting over Ilya's mouth.

Ilya kissed him again. Firmer this time, tilting Shane's head back with the hand at his chin, opening him up. His tongue slid past Shane's lips, and Shane met it halfway, tentative at first, then bolder, curling around Ilya's in a slick, rolling drag that pulled a deep groan from Ilya's chest. Shane's brows pinched together in pleasure, his mouth working hungrily now, chasing the taste of him.

His hand slid from Shane's chin to the back of his neck, fingers threading into the short, damp hairs there, gripping just hard enough to anchor him. He pressed his thigh between Shane's legs, feeling the thick, rigid heat of Shane's cock through the denim, and Shane's hips jerked forward, grinding down with a gasp that broke the kiss for a split second. His eyes cracked open, pupils blown wide, staring up at Ilya with raw, unguarded want, lips parted and glistening.

Ilya didn't give him time to recover. He wrapped his arm around Shane's throat and dove back in, kissing him hungrier, tongue thrusting deep and thoroughly, claiming every corner of Shane's mouth. 

Shane moaned into it, his hands flying up to fist Ilya's curls, pulling hard enough to sting his scalp. He bit Ilya's lower lip with a teasing drag of teeth, then sucked it between his own, soothing the bite with his tongue.

Ilya stepped back, and Shane followed, his lips chasing, unwilling to break the seal, and they both moaned into the thin space between their mouths. His hands found Shane's hips, fingers pressing into the sharp jut of bone through denim, and he walked them backward, his body pressing Shane's, steps small and shuffling until Ilya's back met the opposite wall and Shane was against him fully, chest to chest, hip to hip.

His hands moved up Shane's sides, palms dragging over the thin white cotton, feeling the feverish heat of skin underneath, the rapid flutter of his abs contracting with each breath. 

Shane's hands found the back of Ilya's head, both of them, threading through his curls and gripping,  knuckles pressing into his scalp. He kissed like something starving. Like each press of his lips was both taking and begging, so desperate for it, like he would die without it.

A sound broke from Shane's throat. A sob, spilling directly into Ilya's mouth mid-kiss.

Shane's face was inches from his, close enough to map every detail in the dim light: cheeks streaked with the remnants of earlier tears, now fresh ones welling at the inner corners of his eyes, spilling over in slow, fat tracks that caught the faint bathroom glow. His brows were pinched tight, mouth open and trembling around the sob, lips slick and quivering where they pressed against Ilya's. The sob hitched in his chest, like something lodged there was trying to dislodge.

Ilya pulled back a fraction, just enough to break the seal, and his thumb swiped instinctively across Shane's cheekbone, smearing the tear into the flushed skin.

He paused, watching Shane's brows furrow in frustration, his tongue darting out to wet his lips again. Then Shane pressed their noses together, eyes squeezing shut, grip desperate. "Please don't stop," he whispered, voice hoarse and cracking.

Ilya surged forward.

The kiss turned ravenous. Shane met him with equal force, tongues tangling in a wet, messy fight for dominance. Shane sucking Ilya's tongue deep, Ilya retaliating by pinning Shane's against the roof of his mouth. Ilya's hands hooked under Shane's ass, hauling one thigh up high around his waist, and Shane hooked his ankle behind Ilya's knee, slotting them perfectly. The grind of their cocks through fabric ripped twin groans from them, Shane's head snapping back on a whine, throat bared, eyes rolling half-shut in ecstasy. 

Shane rolled his hips. Ilya's grip tightened on his thigh hard enough to leave marks. 

Shane did it again, and again, finding a rhythm, his forehead dropping forward to rest against Ilya's as the kissing broke into something less coordinated, mouths catching and missing and catching again, breath coming too hard for sustained contact. Ilya pushed back into each roll of Shane's hips with his own, the friction building to a sustained, merciless burn, and Shane's head tipped back, a long, ragged moan spilling out of his throat.

Ilya's hand released his thigh and came up to cup the back of his neck, pulling him back down into his mouth, swallowing the sound.

It went on like that, both of them grinding slow and then faster, the rhythm losing its edges, Shane's nails raking over Ilya's scalp and Ilya's free hand fisted in the back of Shane's shirt, their mouths dragging and pressing in the spaces between gasps. Shane's thighs were shaking. Ilya could feel it where his hands gripped him.

"Fuck," Shane breathed, barely a sound at all.

Ilya dragged his mouth to Shane's cheek, lips against the flushed skin, his breath heaving hot. He pressed his knuckle gently against Shane's cheekbone, the left one, the bruised one, the one Hunter had hit, not hard, not hurting, just the barest contact.

"Are you close?" he rasped, lips moving against the bruise.

Shane nodded wildly, and they rutted harder, Ilya's hips snapping forward and Shane rolling to meet him. Until Shane shattered first, body convulsing, a strangled cry muffled into Ilya's shoulder as he spilled into his pants. Ilya followed, with a barked curse. They kept kissing through it. Messy, unfocused, more breath than movement, until it faded.

Ilya let go of him slowly. He turned and set his back against the wall beside Shane, and they both slid down it, backs dragging along tile until they were sitting on the cold bathroom floor. They stared straight ahead at nothing, dazed, not looking at each other. The wet fabric clung cold and uncomfortably, and neither of them moved to address it.

Shane dropped his head onto his knees. His shoulders rose and fell in hard, uneven gasps. Ilya's head went back against the wall, throat long and bare, jaw loose. He let out one laugh through his panting, then another, then he was chuckling

"Fuuuck."

Shane raised his head. He squinted over at Ilya, jaw clenching, gritting his teeth. "Don't fucking do that."

"Do what?" Ilya tilted his head, half-facing him. 

Shane didn't answer. He picked a piece of lint off his knee, flicked it away. "I can't do this."

"What, have fun?" He looked straight ahead and wiped his thumb across his nose. 

"No." Shane's jaw worked. "Not like—" He tapped his knee once. "Not like this."

"Why not?" Ilya asked, and it was a ridiculous question, and both of them knew it.

Shane turned and looked at him, lips half-parted, brows furrowed, face pulling into a grimace of disgust. Ilya reached out and touched his neck, fingertips only, light as testing a surface temperature. Shane smacked his hand away without looking down. “Fuck, get off me.”

They stared at each other.

Shane leaned forward and kissed him, hard, one hand gripping the back of Ilya's head, and when Ilya pressed forward into it, he pulled away. He wiped the back of his hand across his mouth and stood up, the motion sharp and decided.

He raked a hand through his hair, pulling it into some order. Smoothed his shirt down flat, tugged the hem straight.

"So it's just like that," Ilya said, watching him from the floor. He tilted his head back against the wall. "You are leaving, and you will never speak to me again."

"Maybe." Shane squinted at him. He turned and walked to the door and unlocked it. He paused there, hand still on the lock, and swore under his breath, and turned around.

"Stop texting me," he said. "Don't text me unless I text you first."

He pulled the door open, and it slammed shut behind him, the sound cutting clean through the ambient noise.

Ilya stayed on the floor. He felt the cold bleed through the seat of his jeans, seeping up his spine. The bass thumped distantly in his chest, a steady vibration syncing with his slowing pulse. Shane's mouth lingered on his skin; his lips were swollen, still wet with spit when the door slammed shut.

His breathing evened, he took in a slow inhale that expanded his ribs, filling the hollow ache behind them. He couldn’t help it; his mouth curved, unbidden, the corners pulling up in a quiet, private chuckle

Fuck, how could he try to replace him. Shane was better than anything.

Notes:

Blyat: fuck
Solnyshko: sunshine
gospodi: lord/good lord

i'm on twitter ilyassoull
send asks on tumblr unseemlyndisturbed

the sleep deprivation is getting to me, and yet i persevere. haha.

dw about the club bathroom being empty shhhh lol

last chapter i hard launched shane's eating disorder. this chapter i hard launch ilya's bpd. the splitting is significant and visible across the whole thing, the idealisation, the devaluation, the way he can hold both at the same time without registering the contradiction. and we get some small peaks into his mother's struggles too, their relationship is a little different from canon, just keep that in mind. sveta. sveta sveta sveta. i kept it deliberately unclear, the extent of what ilya actually told her, whether she knows everything and is just unconditionally there for him, whether ilya has gotten attached to someone like this before and is hiding it even from himself, whether he's lying to her, whether it's some combination of all of the above. we get tiny peeks into ilya's history, the suggestion that svetlana has had to pick up pieces like this before. i'll leave the rest to you.

for everyone who clocked the extent of ilya's stalking early on, i applaud you. something i think is especially interesting: ilya's coping through sexuality is so much more prominent this chapter, and yet the way he frames it, normalises it, makes it sound so much less perverse than shane's coping mechanisms. mm. funny how that works. funny what we decide to call a problem and what we just let slide.
and the ending. them on equal footing, apparently. i'm very curious what you think about that. i'm excited to see people's conclusions to this. i think this chapter will either make you like ilya more or hate him.

this chapter was me rubbing salt and breadcrumbs into your booboo before kissing it better. been consuming a lot of media these days thats really, really, inspiring me for this fic. so excited.

Chapter 10: Shane, Rose & Lily too

Notes:

song recommendation for this chapter is Closer by Nine Inch Nails

song used in the ad is Cool for the Summer by Demi Lovato, very year accurate

as requested, this fic has a playlist now. it includes all my song recs and some additional songs too. chapter 10 ends at song 30 somethingish btw, so don't complain if you spoil the next chapters' vibe for yourself by listening on. the song recs will continue.

(See the end of the chapter for more notes.)

Chapter Text

June 2016

Shane didn’t think the idea was stupid on the plane over. No, no, he definitely did, his brain had just refused to register this until he was already standing on the doorstep.

Shane pressed the doorbell a second time and stepped back.

His eyes went to his sleeves. The brown leather, the soft grain of it, the way it sat across his shoulders— Rose had found it on a rack in the Plateau and pressed it into his arms with her chin tucked and her eyes bright. A new addition to your growing collection of real clothes, something that screams, “Look at me, I’m young, sexy, and wear vintage”. He'd kissed her on the forehead and worn it home.

It was disrespectful to wear it here, to a hook-up.

This isn't just a hook up, he told himself. Not for the first time. You are here to talk. You both said: we need to talk, we can’t keep doing this. That's what this is.

He is here to talk and then hook up.

Shane shook his head, sniffed, and knocked.

The wood was thick and solid under his knuckles. The house itself was— good. Genuinely good. Mid-century, probably built in the sixties and renovated once since, smart enough to keep the bones instead of burying them. The proportions were right, the overhang was right. The landscaping was sparse in an intentional way, not neglected, and the stone on the exterior was original, or close to it. Shane's eyes moved over, automatic and assessing, running the numbers before he could stop himself.

Good bones, he thought. Somebody knew what they had.

The door opened.

Shane swallowed.

Ilya was shirtless, just standing there in his own doorway in black sweatpants, barefoot, like Shane had interrupted him mid-Sunday, like he had nowhere to be and no particular opinion about that. The tan had already started. It sat across his torso in a warm gradient, darker at the shoulders, and there was the chest hair running up his sternum and disappearing under the sweatpants waistband in a direction Shane's eyes started to follow before he made a hard redirect downward.

The plant pot beside the door, a fine-looking plant, some kind of fern maybe. The plant pot was a safe, neutral object with no strong opinions about anything.

"Should I take my shoes off?" Shane said, to the plant pot.

"No." Ilya's voice came from slightly above him. "You're good."

He stepped inside.

The house earned its bones. Floor-to-ceiling glass at the back, the garden sitting green and soft in the early afternoon light, and a fireplace running the full height of the east wall, modern with a gas insert and a tasteful arrangement of ceramic logs. The wooden floors were pale and wide-planked and warm under the light coming through the glass, and Shane's eyes moved across all of it in one slow sweep, and he thought, split the lot, you'd have two plots with decent frontage, and then, keep the structure, strip and refresh, the fireplace alone would add—

He could feel Ilya behind him. Just the atmospheric shift of him, the way a room changed when Ilya Rozanov decided to close the distance between himself and something he wanted.

Shane ignored it, moved further into the kitchen, and leaned back against the counter, like that was a casual choice, like he always walked into rooms and immediately located the nearest surface to brace himself against.

"This place is great." He gestured with one hand, not looking at him. "I didn't know you had good taste." He cleared his throat. "I guess I'm proven wrong, at least in this respect. I'm assuming you didn't get it built, though,” He smirked to himself, “Imagine. You uh—" He waved vaguely toward the fireplace. "Cool fireplace."

"Wow, Mr. Real Estate."

Shane made himself look up.

Ilya was just standing there. Hands in his pockets now, which was somehow worse than not, with an ease to his stance, the complete absence of self-consciousness, those lidded eyes, and the not-quite smile at the corner of his mouth. The afternoon light came through the glass behind him and found the green in his eyes, the kind of green that only showed up in good light, that Shane had no business noticing. That Shane had noticed anyway. Months ago. Against his will.

"That's not what I meant," Shane said curtly.

Ilya raised both eyebrows and easily pulled his hands out of his pockets.

And started walking.

Shane felt his shoulders go back, looking for something to rest against. His knuckles found the counter edge behind him. "We need to talk," he said, and he meant it—he did mean it, it was true, and it reflected his genuine intentions for this visit. "that's why I'm— that's what we said. That we needed to—"

Ilya stepped between his legs, closed the remaining distance like it was a foregone conclusion, like the kitchen was always going to end like this, and Shane had maybe one full second to register how thoroughly his body had already stopped arguing before the hands came, both palms flat on the underside of his thighs,  and then he was up on the counter.

The leather jacket creaked with the movement.

Rose got you that jacket, some thin, still-functional part of his brain reported. Remember, Rose? Your girlfriend? 

He told it to shut up.

"Fuck." The word came out soft. His hands had landed on Ilya's shoulders without his permission. "This isn't talking."

Ilya pressed his mouth to the hinge of his jaw. Lips first, then the slow drag of stubble along the underside, and Shane's chin tipped up. "We talk after," Ilya murmured, against the pulse point.

Shane got both hands into the back of Ilya’s curled and pulled. Hard enough to mean something. Hard enough to sting a little, the soft curls caught between his fingers. Ilya came back and blinked at him, patient, eyes half-lidded, waiting— like Shane was in control here. 

Shane, in control. Fuck. 

"Fine," he said. "Fuck you."

Ilya's mouth curved, and he kissed him, and Shane's hands stayed right where they were, holding him there, not pushing.

He got an arm around Shane's back, hauled him off the surface like it was nothing, and it was, apparently, nothing, because Ilya barely shifted his weight doing it, just stood up and took Shane with him.

"This is—" Shane started.

"Bedroom," Ilya said.

"I want you to understand, get it in your head, put it on the record, okay?" Shane said, to the side of his neck, to the warm skin just below his ear, "I came here to talk."

"Record noted." Ilya was already moving.

"We had a plan." Shane's arms were around his neck. "We said we were going to talk."

"We will talk." Ilya nuzzled the top of Shane’s head with his nose. "After."

"You already used 'after.' "

"Is still true." He turned down the hallway. The afternoon light fell across the pale floorboards in long bars, the garden blurring past through the windows. Shane's leather jacket was still on the kitchen floor somewhere, and he was being carried away, like a damsel in distress. Offensive, yet his hands were around Ilya's neck, and he couldn't locate a single objection that his body was willing to sign off on.

"Hurry up," Shane said, quieter now.

Ilya didn't answer. He pressed a kiss to his temple, barely there, and pushed the bedroom door open with his shoulder.

Shane looked at the ceiling.

Yeah, he thought. Okay.

 


 

Shane woke up with the weight of a body on his back and a grip wrapped tight around his waist. Wide, warm, much too heavy to be Rose's. That was the difference between them. Rose settled into his body soft, smaller, long-limbed in her own way but yielding. Ilya, on the other hand, encapsulated him. Shane lay there a moment, still mostly asleep, and let himself wonder distantly what it would feel like to hold Ilya the way he held Rose— arms around his waist, chin against the back of his neck. Would it be nice? Would it feel the same? Surely not. The appeal of Ilya was the letting go. Not having to hold, not having to be the one who held. He felt his thoughts circling each other at a distance, slow and barely formed, stripped of everything sharp by the fact of having been fucked, hard, twice— pistoned into Ilya's dark sheets in a way that had turned the dial in his head all the way to zero. He hummed, not wanting to move.

He turned over anyway.

Ilya blinked back at him, slow and groggy, a low groan in his chest. The afternoon had gone golden outside, the sun dropping behind the garden trees and coming through the windows at an angle that caught in his curls, lit the ends of them warm gold. He looked almost peaceful. Soft in a way he never looked when he was awake and paying attention.

"I'm hungry," Ilya mumbled, and pressed his face against the back of Shane's neck.

Oh, I could go again. Shane arched his back gently and pressed into him. "For what."

"For food, pervert." Ilya snorted against his skin and reached up and squeezed his pec, pinching the nipple in a quick, careless jest that sent a jolt of arousal shooting straight down Shane's spine anyway. Shane elbowed him, shoved himself upright, and sat blinking in the middle of the bed with his hair probably doing something humiliating. He stretched his arms above his head and squinted against the light. 

Ilya's sweatpants landed on his face. Shane yanked them from his face and held them at arm's length.

"What are you doing," he said flatly.

He lowered them and peered over the top. Ilya was already rounding the corner to his closet. "If you want to walk around naked, feel free," Ilya called from the other room.

"Um, obviously no—"

"The fences are high, and I have security, but no guarantee that reporter will not take creep shots." He reappeared in the doorway, already in a fresh pair of black sweatpants slung low on his hips, a t-shirt in his hand. "How much does a photo of your ass go for now? A hundred thousand?" He threw the shirt.

Shane caught it, which felt like a small victory, and pulled it over his head. He lifted his hips and shimmied the sweatpants on over his boxers, because there was no way he was putting his jeans back on, and tightened the drawstring. "You're being generous. If a reporter caught us, my ass being leaked would be the least of our concerns." He knotted it. "And no. I don't want to walk around naked. But I also don't want to wear your gross sweatpants."

"Beggars cannot choose," Ilya said, and leaned over the mattress, grabbed Shane's wrists, and yanked him off the bed with absolutely zero ceremony.

Shane stumbled to his feet and followed him out of the bedroom, still rubbing at the corners of his eyes with his fists. Ilya moved ahead of him down the hallway at a lazy, unhurried stroll, one hand trailing briefly along the wall as he turned into the kitchen. It was warm. It smelled like the house had been sitting in the sun all day with all the windows closed.

Shane slowed, and stopped in the kitchen doorway.

It all felt so… domestic. Padding around Ilya Rozanov's house on a Sunday afternoon after— well, after all that.

He balled his hands at his sides. 

His brain was flooded, that was all. Relief chemicals and endorphins, and the lobotomized softness of not having slept in three days—the flight and the days between the club and now, all of it stacked up until he'd arrived here, running on fumes, dazed —and now the daze had been discharged. His brain was misfiring, producing domestic where there was nothing domestic about any of this. What he actually felt was confused, because he liked his girlfriend, and he hated Rozanov. The sex was necessary, a pressure valve. A thing he needed in order to function, the way some people needed ice baths or blackout curtains or the weight of a particular blanket. It wasn't feeling per se, it was more like–

Regulation.

"Shane."

He blinked. Ilya was leaning against the counter, forearms flat on the surface, one pec jumping as he slid a can of ginger ale across the wood with two fingers. He cocked his head slightly, watching him, one eyebrow raised. Even at rest, something was dominating about the way Ilya occupied a space— the width of his shoulders, the low hang of the sweatpants, the depth of his attention when it landed on you.

"Are you frozen? Do you need me to get a hair dryer, melt you?"

Shane clenched his jaw and pushed off the doorframe. "Funny." He crossed the kitchen and slid onto the barstool, leaning his elbows on the counter. He stared down at the can. "So, did you figure out I like ginger ale the same way you found out I was at the club?" He dragged his eyes up to Ilya's. "The same way you found out I was on a date?"

Ilya's nostrils flared. Something moved through his eyes, a flash of it, quick and light, something that looked almost like interest, before he snorted and looked away. "Have you heard of coincidence."

"Yeah, I've heard of coincidences. They happen when there isn't a causal connection between the events." Shane kept his gaze fixed on it and lifted the can, finger under the tab. "But there is one here." He popped it; the snap was loud in the quiet kitchen. "Me having a good time, and you showing up out of nowhere to–"

"You did not look like you were having a good time last week," Ilya said, scratching his jaw, eyes dropping to the counter between them. "With, ah—" He folded his arms over his chest, shrugged. "The fight with—"

"Don’t." Shane said it too sharply, and he knew it the second it left his mouth, so he closed his eyes and made himself breathe. "I mean, that’s not relevant, not at all. I didn't come here to talk about me."

"No?"

"No, I mean yes, I mean—" Shane groaned and pressed the heel of his hand to the bridge of his nose. "Jesus. Boundaries. I came to talk about boundaries. My boundaries, specifically, because obviously I'm not just going to sleep with you on your terms wherever you want, whenever you decide it's happening." He dropped his hand. "I made a list on my phone. To make it easier. For both of us."

Ilya whistled low. "Sounds serious."

Shane looked at him through lidded eyes. "I know you're being sarcastic right now. But it actually is."

Ilya held his gaze for a moment, something shifting in the set of his jaw, something that wasn't quite acknowledgment but was adjacent to it. Then he pushed off the counter and opened the fridge. "You like tuna melt?"

Shane felt his eyebrows move before he could stop them. "What?"

"It is simple question, Hollander."

"You want to—" He stopped. "Make me a tuna melt."

"I cannot do serious conversation on an empty stomach." Ilya emerged from the fridge with a stack of tupperware and set it on the counter without looking at him. "I was going to make one for me. I can make two."

Shane's mouth hovered open for a second. He looked at the tupperware, then back at Ilya, who had already turned to find a pan, like this was a completely normal thing—like this whole afternoon was a completely normal thing pulling a pan from a drawer with a clean clang and setting it on the burner.

"You don't have to," Shane said. "I'm fine."

He said it automatically, instantly, before he'd even processed the question. And he didn't— he didn't want it, he just wasn't hungry, that was all. His stomach was already in knots, had been since the airport, that low churning pressure that sat just under his ribs and never quite resolved, even after the sex, and the thought of putting food on top of that, of chewing and swallowing with the conversation still sitting there between them like a live wire. 

He could feel his throat doing that thing, that pre-emptive closing, the body deciding on his behalf. 

Shane could have the tuna melt if he wanted it. Full-fat cheese, mayonnaise, white bread— he could easily; that wasn't even a question. The season was over, and he had been told at his last physical that he needed to come back in September at least two or three pounds heavier, that his body composition numbers were trending in a direction the training staff didn't love, and so technically he was supposed to be eating like this anyway. So yes, he could eat the tuna melt, he would just have to consult his meal plan first, of course, and read the ingredients on the back of the cheese, the bread, and probably the mayonnaise too. 

He lifted the can and took a long sip and focused on the cold of it going down, the ginger hitting the back of his throat, something simple and known and uncomplicated.

"You going to your cottage after this?" Ilya said, back still turned, stacking something out of the tupperware.

Shane almost choked. The ginger ale hit the back of his throat wrong, and he spluttered, got his hand up, and wiped the corner of his mouth. He could feel his nose wrinkling into a grimace.

Ilya turned around. He raised both eyebrows and looked at Shane in genuine surprise, slow and assessing, taking in the reaction. "Whoa." He shook his head once. "I just saw that documentary about it, don't give yourself a heart attack." He tilted his head. "You are always so jumpy and ah– anxious. Is like someone is chasing you."

Yes, Shane thought, because it did feel like someone was chasing him, constantly— the league, the press, his parents, the fans, all of them pressing in from every direction, all those expectations following him around like shadows, watching his every move. He glanced out the window again. All of Montreal might as well be pressed against the glass. All of the world, even.

 "Whatever," he said and pushed himself off the stool.

Ilya glanced up. The small smirk at the corner of his mouth was not hidden very well. He watched Shane stand up and move, tracked him like they were on the ice, like Shane was a player he was eyeing in his periphery without making it obvious he was watching. "The ginger ale cold enough?"

Shane nodded.

"Okay. Food will be ready soon." Ilya turned back to the pan, the burner clicking on, the low blue flame catching. "You go sit."

 


 

Shane sank back into the couch cushions with his arms folded over his chest, the t-shirt — Ilya's t-shirt — bunching at his elbows. The living room was quieter than he expected a house this size to be. Just the ambient hum of the neighbourhood outside, the distant click of the pan cooling in the kitchen.

Ilya dropped onto the couch a few feet away, the cushions shifting under his weight, remote held loose and low against his hip as he cycled through channels with the unhurried patience of someone with nowhere to be. He passed through a cooking show, a nature documentary, something in French, a golf highlight reel he lingered on for half a second before moving on, and then stopped.

Sports channel.

Shane felt his stomach drop before he'd even fully processed what he was looking at.

The graphic was mid-screen, a still image, Scott Hunter in a hospital bed, face a spectacular mess of bruising, both eyes swollen nearly shut and purpled at the edges, a cast on his left wrist and what looked like another on his right forearm, grinning at the camera with two thumbs up and the dazed serenity of a man on a very generous amount of painkillers. Underneath it, the chyron read: HOLLANDER FALLOUT: MONTREAL CELEBRATES, NEW YORK FUMES.

"—and look, I'm just saying what everyone's thinking," the first analyst was saying, leaning forward over the desk with his pen tapping against the surface in a quick rhythm, "this is Scott Hunter, who by all accounts had a rough finals, and Shane Hollander— Mr. Sportsmanship, face of the franchise, face of the league arguably,  decides the right moment to do this is as the Stanley Cup is coming out. The man is in a cast. Two casts." He laughed, short and incredulous. "New York is furious, and honestly? Some of Montreal isn't thrilled either. This isn't the image—"

"Okay, but—" The second analyst cut in, holding up a hand, "but this is hockey. Right? This is hockey. And Montreal loves Shane Hollander. The whole continent loves Shane Hollander. People appreciate a bit of fire, a bit of—"

"During the games," the first one said, pointing his pen. "During the games, yes, absolutely, we love it, we eat it up, the rivalry, regardless of how random it is, great television. But right as the Stanley Cup is coming out? He already won." He spread his hands. "It seems like—"

"It seems fine, it seems like he's passionate, and this kind of passion is new to Hollander."

"It seems like he put a guy in a hospital bed—"

"Hunter was running his mouth all series, everyone knows that—"

"That's not—"

"And honestly, if you watch the full clip, if you watch the full—"

"I've watched the full clip—"

"Then you know Hunter went for him first—"

"Oh, now you’re just lying"

Shane was staring at the screen with his jaw set, arms still folded, fingers pressing into his own forearms. His thoughts were moving too fast and too loud, overlapping at a pace that he couldn’t catch, and underneath them, more insistent, the image of Hunter’s face. 

He'd looked at that photo for a long time when it came out. He still didn't know exactly what he'd felt looking at it. Something bad, yes, some version of bad— Hunter wasn't a bad guy, not really, just a guy doing his job in the way all of them did their jobs, which was to get under each other's skin by whatever means available. And he noticed something, barely, so poked and poked. Shane knew that, he'd been doing it his whole career, and yet.

Passionate. 

He hadn't felt passionate. He'd felt— he pressed his thumbnail into the inside of his forearm and held the pressure there— he'd felt the two years of it. That was what it was. Two years of carrying something, a weight he'd measured himself around so carefully that he'd stopped noticing it was there, the way you stopped noticing a sound after long enough. A bucket filled so slowly and so steadily that he'd convinced himself it wasn't full, that he had it, that he was fine, and then on that ice, in that one second, it had just dropped. All of it. The whole bucket, cold, right over his head, and he'd stood there dripping and shivering, and Hunter was bleeding on the ice, and Shane's knuckles were split.

Who was he kidding? He knew exactly why.

Scott Hunter had brought up Ilya. That was it. That was the whole thing, in full. All Shane had been trying to do for two years was not look in that direction, not let a single drop spill, and Hunter had referred to him on the ice in front of fifty thousand people like it was nothing, like it was a chirp, like it was just words, and something in Shane had come completely undone. He ground his teeth together. Fuck, Ilya was chasing him. And it wasn't just physically. It was this omnipresent weight that lived just over his shoulder, that peeked around every corner he turned, that had apparently followed him all the way to the Stanley Cup finals and waited there patiently for its moment. Pulling him. Pushing him. Reaching into situations he'd specifically constructed to be Ilya-free and leaving fingerprints all over them anyway.

A fishing rod. That was what it was. Ilya had sunk the hook deep into his flesh, God knows when, God knows how, five years ago, maybe, or the first time they'd ever been on the same ice— and he could reel the line in whenever he wanted, from however far away, and Shane would go, every time, and the worst part was that he was here, sitting on Ilya's couch in Ilya's t-shirt, proving it.

Not anymore. 

If they were going to do this, and apparently they were, apparently that decision had been made somewhere on the flight between Montreal and Boston, then Shane was going to be the one holding the terms. His terms, his list. He was going to take the reins back.

He almost laughed. He had to be in control of his own letting go. What the fuck was wrong with him?

"Mm." Ilya turned his head on the couch to look at Shane, one arm folded behind his curls, thumb absently stroking the shell of his own ear. He stared at him with both eyebrows raised. "You are not special, Hollander. I like New York." He gestured at the screen with the remote and turned the volume down a notch. "But they fucking hate me there too."

Shane snorted. "Doesn't count. They hate you everywhere."

"No, not Florida." Ilya shrugged, looking back at the TV. "Is full of Boston people. Florida is nice, nice place to go on the road." He paused. "Where is your favourite?"

Shane shifted, tucked one leg underneath him on the cushion. "Uh. Ottawa, because it's my hometown. Toronto, Winnipeg—" he nodded, "I'm happy they have a—"

Ilya closed his eyes. The smirk pulled at the corner of his mouth, and he let a small breath out through his nose.

"—team again." Shane continued. "What, are those boring answers? I like the hot places too."

Ilya's eyebrows shot up, and he looked over at him.

"I’m talking about the weather," Shane said. "Don't be gross."

"Ah. Okay." The tone was entirely unconvinced, an easy little provocation, not even bothering to fully commit to it. Shane was not getting riled up. "LA is hot," Ilya continued, looking back at the screen. "Hot women."

"Yeah, sure. I mean. There are hot women everywhere."

"Mm, especially in Boston. There is a girl I like here, very much. Svetlana." He said the name the Russian way, naturally, like it lived comfortably in his mouth, like he had said it many times before.

"Oh?" Shane kept his eyes on the TV.

"She's old friend, from Russia. Her father was famous goaltender of Soviet team. She knows everything about hockey."

Old friend. Shane processed this in his peripheral vision, not looking at him. Girlfriend? Probably a girlfriend. "Cool," he said.

"And she likes you very much," Ilya hummed.

"Oh." Shane's voice came out completely flat. "That's nice."

He should ask. He was not going to ask. Why would he ask that? Why would he care? He looked down at himself, Ilya's t-shirt, Ilya's sweatpants, Rose’s– he glanced toward the kitchen, found the jacket where it had ended up, draped precariously over the counter edge, one sleeve hanging. Right. He was sitting here, a walking billboard for Landry, and he wanted to ask about Svetlana. As if he had any audacity to ask about girlfriends. Shut your mouth, Hollander. Shut your—

"So she's like your girlfriend," he said, staring at the jacket.

Ilya chuckled, low, and shook his head. "No, no. Nothing like that." A beat. "I would never cheat on her."

Shane almost grabbed the throw pillow beside him. He whipped his head around instead, eyes settling into the full warning squint, mouth pulled flat, and Ilya turned his body to face him, shifting his weight onto his elbow, tongue resting light against his upper lip, watching Shane's face with an expression of open, comfortable amusement.

"She's good friend," Ilya said. "Sometimes we fuck. But she's busy these days, new business, selling fancy cars."

Shane's nostrils flared. He thought of the garage he hadn't seen but could extrapolate from the rest of the house, the garish sports cars Ilya inevitably owned. "Sounds perfect for you," he said, half mumbled, half hissed.

"Yes." Ilya shuffled closer along the cushion, unhurried. "Is close to that, but—"

"But what."

Ilya inhaled slowly. He looked down at the couch between them, then dragged his eyes up, all the way up, those pale blue eyes catching the afternoon light from the window and turning, more than blue, really, green at the edges and flecked dark, the pupils blown too wide for the amount of light in the room, and it sent something cold down Shane's spine, a slow shiver he didn't invite. "But it's nothing more than that," Ilya said. "For either of us. It's nice to have a regular person around."

Shane scoffed. "What. Is she the only person in Boston that would sleep with you on a regular basis? Does everyone else dine and dash?"

"I could find someone else." Ilya paused, sat up properly, the easy sprawl of him pulling upright, and looked at Shane with those too-wide pupils, dark and serious."But you know me." Another pause. "I get tunnel vision."

Shane blinked at him. He opened his mouth. He closed it again.

The kitchen alarm beeped.

Thank fuck.

Shane stood up.

"No, stay, stay." Ilya's hand came down on his thigh, a flat smack, easy and proprietorial. He was already standing, unfolding to his full height. "I'll get it."

Tunnel vision.

Shane's jaw clenched. He repeated it to himself in the silence of his own skull, mocking, mimicking the cadence of it—tunnel vision—and stared at the screen without seeing it. Tunnelled vision about what, exactly. Terrorising him? Fucking him? Was he supposed to believe that Ilya Rozanov, who had spent the better part of a decade making Shane's life miserable, had gone and put a pause on his apparent dedication to sleeping with half the eastern seaboard to—he flinched at his own phrasing, tried to soften it, and couldn't—sneak around with him. Shane pressed the back of his hand to his cheek and felt the warmth there. 

Wow.

Was Shane that, the top of the roster, the priority? He looked that good? Of course, he knew he was handsome. He was, objectively, you didn't model for the brands he did without being at least symmetrical. But handsome enough for Ilya Rozanov to offer to pay for his flight. To, hypothetically, travel all the way to Montreal just to watch him in the playoffs. 

He nibbled his thumbnail and sat with that for exactly as long as it took Ilya to get to the kitchen and come back, which was not very long at all, Ilya moving so quickly that Shane had barely finished the thought before he was back, sinking onto the couch beside him with the plate, close enough that their elbows almost touched.

"I said I didn't want any," Shane mumbled.

"Who said I made you one." Ilya leaned forward onto his knees and picked up a half, took a bite. He chewed slowly, unbothered.

Shane flopped back against the couch cushions and crossed his arms over his chest. "Fine. Hurry up. I have to leave soon, and we haven't even talked."

Ilya wiped his thumb across his upper lip, sweeping crumbs, and swallowed. "Mm." He inhaled slowly. "You know what would make it quicker."

Shane huffed. "What."

Ilya picked up another half and held it in the air between them, a lazy wave of the wrist.

"No." Shane let the word land flat.

"Yes."

"I told you, I'm not eating it."

"It's just a sandwich, you're not going to ga—" Ilya stopped, pulled back, started again. "This one has vegan cheese. Is made from cashew, tofu, some nasty healthy stuff." He tilted his head toward the kitchen. "I can bring you the bag."

Shane nibbled the inside of his lip. Okay. That was— that wasn't awful. He wasn't going to think about why Ilya had vegan cheese in his house. Maybe Svetlana was vegan, or maybe he got it for the same reason he got the ginger ale. It didn't matter; what mattered was that his stomach was making a low, insistent sound that he had been successfully ignoring for the last hour, and the sandwich smelled like butter and the sea, and he was looking at it, and he was hungry, and he reached forward to take it from Ilya's hand.

Ilya leaned back and took the sandwich with him.

What a child.

Shane furrowed his brow, leaned further. Ilya raised it above his head, and crumbs scattered down onto his own lap. Then his eyes went lidded, slowly, and his tongue ran across his top teeth in one slow arc, and he brought the sandwich back down to rest between them, wrist cocked forward so it pointed at Shane, and nodded down at it.

Surely not.

Shane sat back on his heels, swallowed. "Rozanov."

"Hollander."

"Give me the sandwich."

"You can have the sandwich."

"I want it," he whispered.

"I know," Ilya said. "It's here."

Shane rocked backward, hissed under his breath, "Jesus."

Ilya clicked his fingers once in front of Shane's face. Shane blinked, came back, and found Ilya's eyes on him. Then Ilya clicked his tongue—the sound you made to call a disobedient animal toward you—and patted his knee once, lightly, with two fingers.

Shane's mouth went slack. He felt the saliva pooling at the corners of his mouth before he even registered moving, his body rerouting without consulting him, hands finding the cushion, knees following, until he was on all fours and his nose brushed the side of Ilya's thumb, and the sandwich touched his forehead. He looked up at Ilya through the narrow gap between them.

Ilya let out a sound low in his chest, pleased and approving, and pressed the sandwich gently against Shane's lips.

Shane took a bite. Then another. Then another, working forward until his lips met the web of skin between Ilya's thumb and forefinger. He closed his eyes, nibbled at the soft skin there, felt his own lashes brush his cheekbones, felt the weight of Ilya's gaze like something physical, like a weight, like a hand resting at the back of his neck without touching.

He pulled back, wiped his lip roughly with his thumb, and slumped forward until his elbows met his knees.

"Fuck, Hollander," Ilya said, very quietly.

Shane shrugged. "I ate your sandwich." He pushed himself back upright, settled against the cushions, and looked at the TV without seeing it. "Let's talk now."

"Okay." Ilya picked up a pickle from the plate and bit the end of it. "Do you like them?"

"Yes, the sandwich was fine. I said let's talk about—"

"Girls. I mean."

Shane blinked. "Oh." He wiped his hands on the kitchen towel from the table. "Yeah, sure. Of course I do."

Ilya nodded. He leaned forward further on his knees, into Shane's space, not enough to be aggressive."I never heard about you and girls before Landry." He gestured loosely with one hand.

Shane squeezed the ginger ale, felt the cold of it against his palm. His eyes drifted toward the kitchen, found the jacket. "I mean." He looked back at the TV. "It's private."

"Right. Private."

"Yeah. I keep a lot of things private." He clenched his jaw. "And I don't see how that's relevant."

Ilya opened both his hands and tilted his head. "Don't see how you having a girlfriend is relevant to this?"

Shane opened his mouth, but Ilya cut across him, easy as anything. "I like girls."

"Yeah," Shane hissed, rubbing his palms on his knees. "No shit."

Ilya was trying to find his eyes. Shane could feel it, the patient searching for contact. He didn't give it to him. "But I also like you," Ilya admitted. "Is the same for you? You like girls, but you like me too."

Shane made himself look at him. Forced his face sideways, found Ilya's expression open and still, waiting. "Not as a person," Shane said. "Obviously."

"Of course not, I am asshole." Ilya shrugged.

Shane scoffed. "Yeah."

"But I have a good dick." He paused and looked down at his own open palms, turning them slightly in the light. "And good hands." His eyes closed, briefly, and a smile moved onto his face like it had been waiting just offstage. "To throw you around." He opened them again. "It's like that, yes?"

Shane's tongue rested between his teeth. He looked at Ilya's hands. The lines of them, the veins tracing from knuckle to wrist, the breadth of his palms. He was right. He was, annoyingly, completely right. Shane scratched the back of his head. "Yeah, I think." He paused. "It's just— I have all these responsibilities and stuff. Obviously. These are important, I do important things, and I'm grateful that I'm the person I am, and I'm able to—" He caught Ilya's smile in his periphery and stopped. "Whatever. It can be a lot. And I'm under a lot of stress, and doing this—" He gestured between them.

"Fucking," Ilya supplied.

"Yes, sex, but it's not just that, it's more than that, it's like—" Shane groaned at himself and stood up abruptly. Ilya tracked him with his eyes, curious, head tilting as Shane padded into the kitchen, unzipped his bag, and came back with his phone.

Ilya's eyes went wide, and then he laughed, a real one, surprised out of him. "Really. You brought notes. Like this is a meeting."

"Fuck you." Shane sat back down and opened his notes app, scrolling to the document. He cleared his throat. "You know what BDSM is, right?"

"Jesus, Hollander," Ilya chuckled, rubbing a hand over his eyes.

"Answer the question."

"Of course I do."

"So I think I um, well—"

"God, Hollander, please, stop." Ilya groaned into his palm. "Don't give yourself a panic attack. I know. I understand." He dropped his hand and leaned back against the cushions, looking at Shane with a directness that didn't feel like an attack. "You want to control everything. You don't know how to let go. Your whole life, you are—" he paused, chose the words carefully, "—so busy being what everybody wants you to be. Being Shane Hollander." He shifted his knee until it pressed against Shane's, a point of contact, grounding. Shane stared at the can in his hand. "Is impossible to be perfect. Is impossible to pretend to be something that simple when you are so complicated." His voice was even, but not unkind. "So submission, you like this. Because you can never relax. Never stop controlling everything."

Shane's brain stuttered. He felt the pressure of Ilya's knee against his, steady and warm.

"You like me being in charge."

Shane exhaled. "Fine," he whispered, then, louder: "Fine. You're right. For once." He shifted his leg away from Ilya's and picked the can back up. "You're right. I need to relieve stress, and you are good stress relief. It's convenient." He swallowed. "It's not like I can just—" his voice climbed, his knee bouncing, "—just go out, just go looking for someone to do this, to fuck me, and it's not like I could ask—" the sentence closed over itself, the end of it lodging in his throat.

Ask Rose. No. She would— he didn't even know what she would do if he asked, he couldn't picture her face, he couldn't put that into any shape he recognised. It would change something, and he couldn't afford for it to change right now.

"Rose," Ilya said quietly, finishing it.

Shane looked at him hard. "Don't. Stop." He set the can down again, for the second time. "If we're going to do this, it's going to be done properly. Safely."

Ilya chuckled, leaning back. "You are really turning a plan to fuck into business proposal, Hollander, is not se—"

"It is serious." Shane hissed. "Because this is dangerous, and you're—" he stopped, restarted, "—I don't know what the fuck is wrong with you. You're unstable. Obviously."

"Unstable."

"Yeah, unhinged. I think so."

Ilya furrowed his brows. Leaned his cheek against his fist and watched Shane with this soft, patient smile. "Ah. You think so. Okay, yes, serious business proposal. Tell me what you are proposing."

Shane blinked. That was— easier than he'd expected. He looked down at his phone. "We can meet." He flicked his eyes up briefly. "Whenever we are in each other's cities. During the season. Only if I want to."

Ilya nodded.

"And outside of that, we can sext." Shane continued, paraphrasing now, because looking at the actual list made him feel insane, the depth of preparation embarrassingly visible in the cold light of actually saying it aloud. He scratched the side of his jaw. "And you can text me first— that rule was a little—" he shook his head, "—it doesn't matter. But you have to get a new phone. A burner, preferably. And not keep switching the numbers. I’ll call you Lily, and Lily only. If you talk about your dick… or something, or we send any photos, they get deleted, instantly."

"I texted you with new numbers because you kept blocking me," Ilya said, with the tone of someone presenting a reasonable counterpoint. Or at least, it would be reasonable if Ilya hadn’t been spamming his phone with all manner of curses fortnightly.

"Yeah." Shane put the can down on the coffee table, hard. "Because you were harassing me. And by the way, if you send me a drunk text again. If you insult me again. Ever." He pointed at him. "I'm blocking you, seriously, and this whole thing is done. I don't have to do this." He watched something flicker at the edges of Ilya's expression, the smile pulling tight for just a second, the brow moving. "If I really wanted to, I could—"

Ilya's face closed. Quietly, the way a door closed— not slammed, just shut, the latch catching, everything behind it suddenly inaccessible. Faux boredom, completely unreachable. "Ok," he said. "Fine." He shrugged. "But I'm surprised, why do I get a new phone? Isn't it more dangerous for you, with your—" he raised both eyebrows.

Shane shifted on the cushion. "I thought of that. I could call it my work phone. But it would be suspicious— like, imagine if she caught me texting on my work phone in the middle of the night."

Ilya wolf-whistled. "That would be—"

"I don't even want to think about it."

They sat in the silence of it. Shane closed his phone and set it on the table, and didn't look at Ilya, and Ilya didn't look at him, and the sports channel murmured on at low volume. Shane had expected laying it out to feel like relief— and it did, sort of, underneath the strange, tight feeling that had replaced it, the buzzing thing running through his blood that he didn't quite have a name for. Anticipation, maybe. The odd clean feeling of a decision made.

Was he really doing this?

"Your flight is at six, yes?" Ilya said.

Shane looked up. "Uh. Yeah."

"So we have an hour and a half before you have to leave."

"Sure."

Ilya looked at him, his voice dropped. "Come here."

 


 

"Shane."

"Shane."

He flinched as Rose's hands found his hips and pushed, gently but with intention, and he slipped out of her and fell back onto his heels. The room reassembled itself around him— the lamp on her nightstand casting everything amber, the curtain letting in one thin seam of city light, the sheets twisted around Rose's ankles as she turned over to face him. His hands slid away from her waist and settled in his lap. He didn't know where to look. Her nakedness felt different now, too immediate, the small swell of her breast shifting as she moved, her skin warm and flushed in the lamplight, and he was aware of himself. Too aware.

"You stopped moving," she said softly. Her eyes were big, shining, not accusatory. Just watching him.

"I—" Shane stopped. He actually didn't know when he had stopped. Didn't know when he had slipped the autopilot on and sunk somewhere inside himself, retreated to that dim, pressureless back room of his own skull. He didn't know how long he'd been gone. 

He looked at her face— open, patient, offering him something, always holding her hands out, always ready to take whatever he needed to put down— and felt the words curdle before they reached his mouth. He couldn't. He didn't know why he couldn't. He didn't even know what he'd been thinking about. He knew, he knew the shape of it, the warm weight of it, knew which hands and which ceiling and which low rough voice he'd been somewhere inside of, but he wasn't going to finish that sentence, not even to himself. 

What was wrong with him. The more Ilya touched him, the more he felt everything with an almost violent clarity; the more this felt blurred and wrong in comparison.

"Sorry," he said. "I think the season was more stressful than usual."

Rose nodded. She exhaled through her nose, not quite a sigh. "The season is over, Shane."

Right. It was. It had been over for three weeks. She held one arm out and he hesitated, then shuffled up beside her, and Rose nudged his head down onto her shoulder and wrapped her arm around him, and it was wrong— it was the wrong arrangement, he should be the one holding her, he should be the one with his arm around her, comforting her, and instead he was folded into her side like some sad little thing that had been left in the rain.

"Are you feeling okay?" She pressed her lips to the top of his head. Her nails started their slow drag along the back of his hand, following the same path they always followed, the thing she did when he went quiet like this, and he felt his jaw begin to shake.

He didn't answer.

"You've eaten today, right?" she said. "Three meals, two snacks?"

Shane nodded.

Had he, really? 

He nodded again.

"Okay." Rose shifted, her shoulder moving under his cheek. "Shane, I'm going to say something, and I don't want you to get upset. I'm not upset. I promise— no matter what you say, I won't be." She paused. He felt her looking down at him, and he couldn't look up. He tried and couldn't because he knew where this was going, and he didn't like it. Because it wasn't true. Whatever she was about to say wasn't true— he liked Rose. He liked talking to her, liked how she just chose the restaurant without asking him to weigh in, liked her jokes, her hugs, the way her hair fell against his cheek when she fell asleep on his shoulder during movies. He liked carrying her purse, liked the bright, surprised look she got when he did it, because apparently that was something her ex-boyfriends had needed to be specifically petitioned for every single time. He liked all of it. 

"It really is fine," she continued, "if the answer is what I think it is. It's been a year, and things are getting— I just don't think we should keep trying."

She nibbled her lip. Her smile, the one she did when she was trying not to cry, the one that showed all her teeth and made her eyes go bright, was sitting right at the edges of her mouth. Shane felt something in his chest go to powder.

"Do you even like me?"

He pulled away and sat up. The corners of his eyes burned. The lamp blurred at the edges of his vision, the room going soft and indistinct. No. No, please. He cleared his throat— tried to, but it stuck. His hands found hers, both of them, and he held on. Please don't go.

"Shane," she said, the word full of something he didn't deserve.

"I do like you." He looked at her face, or tried to, through the water threatening at his lashes. "I really do. I like talking to you. I like being with you. I like— all of it."

Rose smiled, gently, her mouth lifting at the corners, eyebrows still arched in that soft, unconvinced tilt. Really?

"I like kissing you," Shane continued. "It's nice. And I know the sex stuff is a problem—"

"It's not a problem," Rose said. "A problem is something you can fix." She rolled her eyes softly at herself and lifted both hands from his shoulders, gesturing. "We're more like— a square peg in a round hole."

They both went still.

Rose's face collapsed into pure horror at herself, and Shane scoffed, a small broken sound, and dropped his eyes to the sheets between them. "Ew," she said, covering her face. "No. I'm sorry. God, this is hard. Forget I said that."

It was hard. And Shane didn't like it. It wasn't wrong, either— he was the square peg, he was always the square peg, born slightly mismatched, assembled with one component either missing or wrong, a puzzle piece with a notch in the wrong place that meant he never quite clicked into anyone. But he wanted to. God, he wanted to fit with Rose. He needed to. It had never felt like this with any girl before, this intense urge to brute-force the thing into working, to grip both sides of it and press until something gave. He had brute-forced every other thing in his life. Why not this.

He looked up at her face. She was crying quietly, still lightly flushed, and he reached up and cupped her cheek with one hand, brushing the tear from the corner of her eye with his thumb. "I want to fit with you," he said. "I want to so bad. I uh—" He winced at himself. "I like your round… hole?"

Rose's laugh came out half sob, wet and startled, and she shook her head, and he leaned his forehead briefly toward hers. "Sorry. I mean— I like what comes with it. I like you." He inhaled. "And you're beautiful. I think you are. I just have this—" He pulled back against the headboard, let his hands fall, drew the sheet up over his lap. 

Was he going to say this? 

He was going to say this. 

He looked up at the ceiling, jaw working, and thought about Ilya's hands on his hips last week. The weight of him, the way he thrust up into Shane and held, kept him there, wouldn't let him move, and Shane had been completely and entirely unable to think about a single thing on earth except the place where their bodies connected. Fuck. Like that. Take it, be a good boy, and take it. The words had landed somewhere deep and cellular and hadn't moved since.

"I think I kind of—" Shane started, his own hand coming up to cover the lower half of his face. He stared at the wall. "It's not that I don't like you. I do want you, to have sex with you. It's just— I kind of want you in a—" he paused, removed his hand, said it slowly, "—different way."

Rose went still. He watched understanding move across her face, the brow creasing, then something clearing, something clicking into place, and she let out a small noise, a gasp, a scoff, and a laugh compressed into one. "Wait." She shook her head. "I thought—" She turned to face him fully, took his hand in both of hers, and nibbled the corner of her lip. "Okay. So. I found something in your drawer."

Shane felt his face pull downward. "Rose."

"It was reasonably sized," she continued, wincing slightly but smiling anyway.

"Rose."

"And like— black, which, wow, Shane."

He put his hand over his face. "Stop, please. I get it." He exhaled into his palm. "My dildo."

"And I assumed it meant you'd prefer to be lying here with Miles instead of me." She tilted her head. "I've played these games before."

He peeked over the edge of his hand. "You've found your boyfriend's— dildo, before?"

Rose snorted. "Oh, I was in theater school. Seventy percent of my boyfriends have left me for other guys."

Shane blinked. "Seventy percent?"

"Actually, eighty percent."

He scoffed and let his head fall back, dropping his hands to the sheets. 

"Yeah." Rose tilted her head at him, soft, waiting. "So I've had this conversation before. Or what I thought this conversation was." She paused. "But it's not?"

Shane shook his head.

Rose nodded, like that settled something. She slipped out of bed with an easy, unselfconscious movement and grabbed her hair tie from the nightstand, twisted her hair up into a loose ponytail at the top of her head. She padded toward the window, gave the curtain a firm yank, cut off the last seam of city light, and disappeared through the gap of the bathroom door.

Shane stared at the ceiling. He scratched at a loose thread on her silk sheet.

"So, um." He cleared his throat. "You're not breaking up with me?"

"Why would I be breaking up with you?" Rose called from behind the door, her voice accompanied by the soft sound of cabinet doors opening and closing.

Shane opened his mouth, closed it. Shouldn't the answer to that be self-evident? He was a man, she was a woman, she had found his dildo, he had just told her he wanted her in a different way, which was not a sentence that required a decoder ring. They were two pieces that didn't fit. She knew that now, and she was still—

"Because it's weird, right?" he said, toward the lamp. "Don't you want your boyfriend to be like—" He felt himself pouting slightly, trying to wrestle against the warm, stupid tide of relief rising in his throat. "A man."

"You are a man," Rose laughed. "You're very manly. You're strong and sexy and cool." A pause. "But you're also sweet, and adorable, and my little Shanebug."

He swallowed.

"But the sex stuff."

"What about the sex stuff."

"I'm still— you know."

"Shane," Rose sighed, and he could hear the smile in it, the warm certainty of her, "just trust me, it’s easier if I show you."

A drawer opened. Rose made a small, delighted sound. "There it is. It's like everything in this house is hiding from me. I need your organisational skills more than ever right now."

Shane looked down at his palms in the dim light. He couldn't— what was even happening? He couldn't believe his luck. 

Of course, Rose would react this way. Of course, she would. She knew him, at least, knew him better than most. And still, he exhaled shakily, still. Still, there was what happened in the club, in Boston, there was everything he was carrying around behind her back like a stone in his chest that he had gotten so used to, he only noticed it when he lay still. It was fucked. No amount of compartmentalising made it not fucked. But wasn't that the point of white lies? Better for him, better for her, better for the thing between them that he was trying so hard to make fit. They were figuring it out. Together, not just him alone in the dark with all of it. Whatever this was, whatever she had found in that cabinet that was currently making her rummage around with that much enthusiasm, they were going to— his eyes moved to the bathroom door as it slid open.

Rose leaned in the doorway. Still naked, one leg crossed over the other, strawberry-blonde hair loose in its ponytail, mouth pulled into a sideways smile. Her right hand was swinging something around one finger by its strap, black, a harness, the hardware catching a glint of lamp light as it turned. His eyes moved to her other hand.

Purple, thick, the kind of thick that made his brain momentarily go completely offline.

His eyebrows pulled together, very slowly.

Rose raised both eyebrows back at him.

 


 

The video opened on a race track baked white under studio lighting, and Shane watched himself on the screen from across the room with his arms folded.

On the monitor, the two of them stood side by side on a race track— Shane in white, Ilya in black, the Nike logos identical, the sweat along Shane's neck catching the light in a way the director had apparently been very pleased with. The camera had found Ilya's bicep at the exact moment it tightened, that involuntary flex of preparedness. Demi Lovato's voice came through the speakers, I just want to play with you, and on screen, Ilya cocked his head to the side and mouthed, too, and Shane watched twelve people in the screening room visibly react.

The clip cut. Both of them shirtless now, drenched, the battle ropes in their hands moving in perfect synchronisation, the slow-motion footage catching the droplets flying from Ilya's hair as he shook his head and pulled into a wide white grin. Shane, on the other side of him, jaw sharp and set, focused, the rope arcing up and down in time with Ilya's. They were exactly in sync. Shane had not noticed that during the actual filming, he had been too aware of the sweat running down his spine and the proximity of Ilya's arm to think about whether their ropes were matching.

A cut to the bar. Both of them in matching half-unbuttoned shirts, loose, the lighting low like it was sunset. Ilya's hand on the bar, two glasses sliding across it, and then the glasses going into their hands, and Ilya adjusted his Adidas frames, and the lyrics sang, I just want to have some fun with you.

Got my mind on your body— the camera dragging down the curve of Ilya's abs in a spotlight. Shane's face in a white room, the smolder he'd done approximately forty takes of, the almost-frown, his hand moving through his hair, the Adidas strap at his wrist catching the light as his arm came down— and your body on my mind.

They circled each other on the track. Shane is serious, his jaw working. Ilya is smirking at him.

Don't tell your mother.

They are on the ice. Shane, in white gear, crouched low, head down, the full weight of his body coiled.

Kiss one another.

Ilya is in black across from him, helmet tilted, his stick down.

Die for each other.

The camera pulled back and showed both of them, the gap between their helmets less than an inch, sticks pressed together on the ice over the puck, close enough that Shane had been able to hear Ilya breathing. Had been aware of nothing else in the building except that sound.

We're cool for the summer.

Shane pulled his eyes away from the screen.

The producer was nodding, the bright commercial smile of a man whose campaign had just delivered exactly what he needed. He clapped both hands on their shoulders simultaneously, one on Shane, one on Ilya, and gave a satisfied squeeze. "This is great. This is really good, guys. Thank you— this is perfect."

"You're welcome," Shane said, and returned the smile, the easy, automatic version."Thank you for having us."

Ilya raised his brows and patted the producer's shoulder in return, "Yes, thanks. I like the shoes."

"Ha! Of course— custom for our boys, Mr. Rozanov, it's such a—"

Shane turned on his heels.

The dressing rooms were down the hall, forty feet, maybe fifty, and every one of those feet was currently occupied. Someone with an iPad materialised in front of him, pivoted, and walked alongside him. Then someone else appeared from the left and shoved a towel and a bottle of ice-cold mineral water into his hands.

"Mr. Hollander, we just wanted to say again how much we appreciate you working on this campaign—"

"Of course." Shane nodded and kept moving.

"—we'd love to shoot some extra content, a behind-the-scenes with you and Mr. Rozanov, for Instagram, YouTube—" She stepped slightly in front of him, tilting her head, and her eyes moved along him, his waist, his arms, back up to his face, and she tucked a strand of hair behind her ear. "Even just twenty minutes, it would be so—"

Shane shifted his weight and immediately regretted it. The white shorts were not built for this. He could feel it, had been able to feel it since approximately the third take of the track sequence, since Ilya had circled him for the fourteenth time, and the slow-motion director had shouted again, and Shane had compiled his entire functioning brain into the task of not visibly reacting. He cleared his throat. "Later." He nodded, manoeuvred around her, and covered the last ten feet to his dressing room at a pace that was not quite running, pulled the door shut behind him, and leaned against it.

He pressed the cold water bottle to the back of his neck. Closed his eyes.

Okay.

The door creaked.

Shane opened his eyes and looked up into the mirror. Ilya was walking in, unhurried, hands in his pockets, whistling something soft under his breath. His gaze found Shane's reflection immediately, and the corner of his mouth lifted.

"It was a sexy commercial, mm?" He let the door fall shut behind him and leaned against the frame. "I'm surprised you can flirt with me on camera like this."

"Yeah, well." Shane turned the water bottle in his hands. "I'm used to it."

He watched Ilya's mouth curve further and stopped. "Not flirting with you. Being on camera." He cracked the bottle open and took a long drink. "Can you imagine, they wanted me to do that with Scott Hunter."

Ilya snorted. "What? Is that not—what do they call it—necrophilia?"

"Ha. Funny." Shane lowered the bottle and wiped his mouth with the hem of his shirt, then set the water down on the vanity. "It was supposed to squash the whole—" he grimaced, gestured vaguely, "—thing. But my mom decided against it. Felt weird. The fans wouldn't like it."

Ilya nodded slowly, exhaling through his nose. He pushed off the doorframe and moved further into the room, drifting toward the vanity, and Shane tracked him in the mirror without turning around. "It was a good idea," Ilya said, studying him. "Asking me to replace him." His knee found Shane's beneath the vanity table, pressing in. "Even though I know it was just an excuse to see me."

Shane looked up through his lashes. He felt the lift at the corner of his own mouth before he could decide against it. "Yeah?"

"Yes."

"Did you lock the door?"

"Of course."

Ilya leaned forward, slow, the space between them collapsing by inches, his nose almost brushing Shane's— and Shane held his ground for exactly one second before his spine met the mirror behind him, the cool glass pressing flat against his shoulder blades. Ilya's knee slid between his, and then the chair shifted as Ilya's weight came forward, climbing over him.

Shane turned his head so his lips were at Ilya's ear. He felt more than heard the breath Ilya drew in at the contact.

"Show me," Shane said quietly, "how good of an idea it is."

 


 

The controller clicked in a steady rhythm from the other end of the couch, J.J's thumbs working with focused aggression, taking FIFA very seriously despite being, objectively, not very good at it.

"She texted me back though," J.J said, eyes fixed on the screen. "Finally. Two days later, but still, maudit, that counts, right?"

"Depends what she said."

"She said she was busy."

Shane looked up from his phone. "With what."

"I don't know, like, work, bro."

"Did you ask?"

J.J's jaw worked. "I was going to."

"J.J."

"I know, I know." He groaned and dropped back into the cushions, the controller falling to his chest. "I just don't want to seem too—" he waggled his free hand.

"Interested?"

"Yeah, that.” 

“Well, you like her, so you are interested.” Shane kicked him in the shin with his socked foot. "Ask her what she was busy with. That's a normal question, it’s just conversation."

"Yeah." J.J kicked him back, lazy, without looking away from the screen. "Easy for you to say, you Casanova, you dog, you beautiful, sexy, genius. Never been rejected in your life." He threw a sideways look, controller resuming its clicking. "How's Rose, by the way? She still obsessed?"

Shane looked back down at his phone. "Things are good."

"Bien? Good, good or like, good?"

"Good good."

"Tu m'en dois une, gars." J.J pointed the controller at him without looking. "I’m the one who told you to come, I begged you, and look at you now, oh Mr Landry."

"Doesn’t count. A broken clock is right twice a day."

"I was right about this."

Shane chewed the drawstring of his hoodie and didn't answer. His thumb moved across his screen.

contact name: Lily

 

received:

How's boring Montreal?

sent:

How's friendly Russia?

received:

Mean :((

status: read

J.J invited him to some party, Shane made a sound that could be interpreted as engagement, and crossed his ankles on J.J's thigh. Outside the apartment windows, the sky was still pale at nine PM, the kind of long northern evening that made it feel like the day refused to commit to ending.

sent:

Don't work too hard this summer. I'm gonna win again next year.

received:

The only cup you'll have next year is the one I take off with my mouth.

Shane's jaw tightened very slightly. He kept his eyes on the screen.

sent:

Yeah? Why would I let you?

received:

Fuck, you can be such a brat.

received:

What a mouth on you 😂

received:

I miss your mouth a lot

status: read

"She sent me a voice note," J.J said. "Two minutes long, and I haven't listened to it yet."

Shane looked up. "Why not?"

"Because what if it's bad?"

"What if it's good."

J.J considered this with the gravity it apparently deserved. "What if it's medium?"

"Then you're no worse off than you are now." Shane exhaled through his nose. "Listen to the voice note, man. Stop speculating until you know what she said in the first place."

sent:

Really?

received:

Yeah, your pretty pink lips

received:

Going to give you something good to shut you up when I c u

received:

You'd like that?

received:

Say it.

status: read

sent:

typing indicator...

Shane shifted against the cushion. He pulled the hoodie string between his teeth and bit down. The heat had been building for the last few minutes, pooling in his gut in a way that had nothing to do with J.J's living room or the FIFA crowd noise or anything in this room at all. He crossed one leg over the other.

sent:

Yes.

received:

You going to be my good boy?

status: read

His phone buzzed with a new notification.

contact name: Rose

 

received:

hi babe

sent:

Hey, how's shooting going :).

received:

great, it's fine. just lonely.

sent:

Not enjoying Paris?

received:

i would be, if you were here with me. 😚

received:

i kind of miss you, or whatever.

sent:

I miss you too.

status: delivered

"You think I should call her?" J.J said.

"I think you should listen to the voice note first and then decide, like I said five minutes ago."

"Right. Yeah." J.J nodded, like this was a revelation. "That's smart. You're smart." He pointed the controller at Shane briefly. "That's why I love you, I’d give you a big kiss, but I’m too focused on losing, and you’re too focused on making kissy kissy faces at your phone."

Shane huffed. "Yeah, yeah, love you too."

received:

next time you're coming with?

sent:

Yeah, of course, if I can. I'll see you soon anyway, looking forward to August ❤️

received:

haha you're so cute

received:

ohh i got a gift for you.

sent:

Really?

received:

yesss but i can't show you yet.

sent:

Oh?

received:

you're going to love it ;)))))

received:

if you're a good maybe i'll send u a teaser?

status: read

He was half hard. He was sitting on J.J's couch, ankles crossed on J.J's thighs, and he was half hard, and the knowledge of it was making his jaw tighten. The worst part was that he couldn't have told anyone which thread had done it— whether it was Ilya's or Rose's or whether it was both of them simultaneously pressing in from opposite directions until his body had simply responded to the combined pressure of it like it was one thing and not two completely separate, completely incompatible things. He shifted his weight, uncrossed his legs, and recrossed them.

contact name: Lily

 

sent:

I'm at J.J's and I want you so bad.

sent:

I'm hard fuck

received:

What do you want.

sent:

um

received:

Tell me.

sent:

I want to get on my knees and nuzzle you through your jeans, take a deep breath because I miss the smell of you so bad.

sent:

Take my time even though I need you.

received:

God I'm going to use u

received:

No matter how much you fucking cry and beg me no

received:

You're such a tease so I will just use you as my little cum rag

received:

So good for me

received:

Go to the bathroom

status: read

He read it twice. His throat moved.

contact name: Rose

 

sent:

Oh.

sent:

Fuck.

received:

haha, excited already? you're so desperate for it.

received:

you can be such a slut you know

sent:

Yes

sent:

For you

sent:

Only for you

received:

this is so embarrassing.

received:

imagine if everybody knew shane hollander was a desperate little whore just begging for my strap haha.

received:

or do you want my mouth?

sent:

Whatever you'll give me.

received:

lol i love how pathetic you are, only for me

received:

hmm, you're still at J.J's?

received:

go to the bathroom

status: read

Shane flicked through both threads, rapidly, trying to stare at both of them at the same time, the timestamps thirty seconds apart. The same instruction, arrived at independently, from two different people, two different cities, two completely separate conversations that he had been running simultaneously on the same couch, in the same room, with J.J's knee two feet from his hip. He read them both again just to confirm he was seeing what he was seeing.

Go to the bathroom.

go to the bathroom

He closed his eyes for one second. The FIFA crowd roared from the television and J.J made a sound of genuine anguish at whatever had just happened on screen.

Shane swung his legs off J.J's thighs and pushed himself upright.

"Capitaine." J.J didn't look up. "You hungry? I'm starving, should we order something?"

His voice came out completely even. "Uh— I had my snack like thirty minutes ago, but I could eat. I don't mind, just order whatever." He was already moving toward the hall, phone in his hoodie pocket, both threads still open. "I'm going to the bathroom."

"Okay, cool." J.J was already reaching for his own phone, FIFA paused mid-match. "I'm thinking sushi. "

"Sure," Shane said, and pulled the bathroom door shut behind him, and clicked the lock, and stood in the dark with his back against the door and his heart rate screaming in a way the team cardiologist would not have approved of.

He turned the tap on, cold water, just for noise. Then he sat back against the edge of the vanity, looked at himself once in the mirror, his hoodie strings uneven, mouth open, and visibly hard in his grey sweats, and opened both threads.

 


 

Shane ran the knife through the chives in clean parallel passes, the blade rocking against the board, and tried to think about the fish.

Branzino was a good choice. Lean protein, the omega-3 profile was solid— better than salmon for his purposes right now because the fat content was lower and he could control the rest of the plate around it, the salsa verde was olive oil based which meant monounsaturated, the capers added sodium which would deepen the flavour profile, the arugula was basically just fibre and iron and a way to make the plate look like he'd tried. He'd been doing this lately, the nutritional calculus, running the numbers in his head the way he used to run them before deciding how long he spent on his cardio that night, except now he was doing it over an actual stove with actual ingredients that smelled like garlic and lemon and the sea, and his new nutritionist had said that was the point. Make it real food, Shane, not a macros delivery system. He was trying. He was standing in his kitchen at 6 PM on a Tuesday, slicing chives, and it smelled good, and he was trying. Three days in a row of good meals and not a single training session. 

He scraped the chives to the side and dropped the anchovies into the food processor with the olive oil and the garlic, hit pulse, and watched it become a paste. He hummed to himself without noticing he was doing it.

The front door opened.

He glanced around the counter into the entryway. Rose stepped inside, flats scuffing against the mat, and she had a package tucked under one arm and her tote over the other shoulder, and her jeans were very tight around her hips— those were nice jeans. Straight-legged, not too loose, a good medium wash. Did he have a pair like that? He thought he might have something similar, but his was probably a slightly different cut; he should check. Maybe they would look good on him, too.

"Hi," he said, and turned back to the hob.

"Hey." Rose dropped her bag on the nearest barstool and rounded the counter, rising onto her toes to press a kiss to his cheek and peer into the pan. "Oh, that looks good." She nuzzled into the side of his face. "And what's this." Her finger dipped into the smaller bowl beside the hob before he could say anything, a pinch of the salsa verde lifted and gone. Her eyes went wide. "Mm." She turned to face him fully, mouth pulling into a wide, delighted smile. "It's really good."

"Hey." Shane drew the word out and nudged her firmly with his elbow. "Too many cooks. And wash your hands, at least." He glanced at her sideways. "It's uh— salsa verde."

Rose blinked. "It's verde, Shane. Salsa verde."

"So you knew." He huffed, turning back to the fish. "Leave me alone."

Rose snickered, the sound bright and unguarded, and stepped back toward the counter. The package landed beside the bowl with a soft thud.

"What's that?" Shane gestured behind him with the spatula without turning around.

"I'm not sure, it's yours— it was at the concierge." She was already reaching for it, turning it in her hands. "Can I open it?"

"Yeah, if you want," Shane said, eyes on the hob. "Probably from a brand."

Rose made a happy sound, the delighted little noise she made whenever they went shopping, and Shane smiled at the pan. The brand packages had been stacking up lately — his mom kept telling him to accept them, it was good for the relationships, so he routed them to his parents and his teammates and occasionally Rose, which meant Rose now had an extensive collection of water bottles she'd never use and a new treadmill she used every day and at least four pairs of sweatpants that were way to big for her. He heard the crinkle of tissue paper and the scrape of a knife finding the tape seam, and Rose singing to herself.

"Oh, it says it's from a— Lily?" A pause. "No last name." Her voice lifted. "Oou, mysterious."

Shane's spatula stopped.

Lily.

He stood completely still at the hob with the fish going slightly too crispy on its left edge and did not move. Lily. He ran back through the conversation from ten days ago— Ilya's message arriving while he'd been in the middle of replying to his agent, the brief exchange about the package, Shane's immediate concern about Ilya having his address saved, Ilya's response which had been some variation of stop being boring and watch for the delivery with a wink face, delivered with the breezy certainty of a man who found Shane's security concerns quaint and charming in the way one found a child's fear of the dark charming. Shane had meant to, he'd thought about, he'd been going to make sure to be home when it arrived, to intercept it, he had planned

The knife scraped against the tape seam again.

Shane turned off the hob. Set the spatula down in the pan. His brain was producing a very clear and simple instruction—do something—and his body was currently frozen, a cold bead of sweat tracing a slow line down the back of his neck, and those were two conditions that needed to resolve into the same action immediately. Think. Act. Move, Hollander, what the fuck are you—

He turned around.

Rose had the knife under the tape, just barely, the cardboard starting to give at the corner, and Shane crossed the kitchen in four steps and pressed himself flush against her back.

Rose yelped. Both hands flew up, the knife clanging off the marble and skidding an inch, and she went rigid in his arms for one startled second. "Shane—" She turned her head, one eyebrow climbing slowly as she clocked his face over her shoulder. "You scared me."

Shane pressed his nose to the side of her neck. Said nothing, because there was nothing to say, his brain was still running the calculus of whatever is in that box cannot be opened in this kitchen tonight or possibly ever, and his body was covering for him on autopilot, lips finding the warm skin below her ear.

Rose's eyes rolled affectionately. "Down, boy." She wriggled in his arms, an easy, half-hearted attempt at extraction. "Not before dinner." She turned slightly toward the counter. "Get back to your station, chef, let me open—"

Shane dropped to his knees.

The stone was hard under them, and he barely registered it, his hands finding the backs of Rose's thighs through the denim as his pulse hammered in his ears. Rose looked down at him. She'd turned fully now, her hands gripping the counter edge behind her, and the expression on her face moved through startled, amused, and arrived somewhere considering. He shuffled forward until his nose brushed against her hip, the denim warm from her body, and felt the knot in his chest loosen a fraction, almost there, almost, one more push— and looked up at her.

"Shane, we’ll have time for all of this next week, at the cottage." She tilted her head. Her hand found his hair, tucked it back from his forehead with one finger."The food's going to get cold."

His teeth found the pull-tab of her zipper.

He dragged it down slowly, watching her face, and felt the change in her breathing. Her grip on the counter tightened. Good. Good. He pressed his mouth to the strip of skin the zip had exposed, felt her stomach muscles contract under his lips, and looked up again from beneath his lashes.

"This is the uh—" He let the zipper go and spoke against her hip. "Appetiser."

 


 

The trail cut through the park in a long straight line and then curved left into the trees, and Shane had been watching the curve approach for the last four minutes, using it as a focal point, the way he used the far boards during a skate— pick a point, drive toward it, don't think about anything except the point.

It wasn't working.

Hayden ran beside him in companionable silence, their footfalls landing slightly out of sync, Hayden's breathing even and controlled, where Shane's was coming a little faster than the pace they were supposed to be running warranted. It was a good summer morning, the air still cool enough to feel good in his lungs, the sky going pale blue above the tree line, dew still on the grass in the parts the sun hadn't reached yet. It was a great morning. Shane focused on his breathing and thought about Rose.

Specifically, he thought about the semantics of it. Rose Landry, he turned the name over in his head the way he turned a puck on his stick, testing its weight, Rose Landry, who had over a million Instagram followers the last time he'd checked, which had been this morning, who had been on the cover of five magazines this year alone, including one that his mother had left on his coffee table and said nothing about but had positioned very specifically in his eyeline. 

Rose Landry, who was objectively, by any reasonable metric, insanely successful. 

He pushed harder, felt the burn climbing from his calves into his quads 

Who had a face that made people’s mouths curve when they described her, and caused that helpless cadence people got when they said your girlfriend to Shane and meant how, how did you, what.

He'd heard his teammates talking once whilst he was in the shower, filled with all the reverence and crudeness that men used when they were trying to contain the fact that they found someone genuinely beautiful, and it had made his chest hurt. Not jealousy, not quite, (he should probably feel more jealous, probably) but something adjacent to it. Something that felt, underneath the irritation, like confirmation. Like a number on a scoreboard.

Everybody wants her, but she's looking at me. She chose me. 

He pushed harder. The curve in the trail came and went.

And then there was Rozanov.

Shane's jaw tightened. He exhaled through his nose and let Rozanov unfurl in his head the way he always did, taking up more space than invited. The Playboy reputation that followed his coattails, the women across four time zones, the singular force of him moving through the world without stopping, without being slowed by any of it. Rozanov, who had never been tied down by anyone or anything. Rozanov, who had said he had tunnel vision, said it to Shane like it was a simple fact, like it cost him nothing to say it, and then had looked at Shane with those blown-out pupils.

Shane had him, basically, eating from his hand.

He cringed at his own phrasing. Ew, Shane, that was disgusting. You should be ashamed of yourself. Imagine if your Mother could hear you right now?

Okay, but it was kind of true. And maybe it was wrong to like it, maybe that said something deeply unflattering about who he was becoming.

His feet hit the dirt harder, his stride lengthening without his permission.

Maybe it was wrong that every time a notification from either of them arrived, he felt something surge through him that he didn't have a clean word for, something that started in his sternum and radiated outward. Maybe it was wrong that he bit his nails waiting for Rose's goodnight text and then stayed up for two more hours with his phone screen lighting his face in the dark, running through hundreds of messages with Rozanov, watching the timestamps tick past midnight and into the early morning. Maybe all of that was wrong.

But it was confirmation, underneath all the preamble. All the work. The years of it, the grinding accumulation of years. Getting up before his body wanted to, putting food in and pushing everything back out in the toilet or the ice, making himself into the kind of person who got asked to stand in front of cameras, who got to carry a Stanley Cup, who got to stand at a podium in a suit his stylist had chosen and say things that thousands of people wrote down. Making his parents proud, making the city proud, making himself into something that justified the boulder he'd been pushing up the hill since he was conscious enough to understand there was a hill. He had done all of that. He had done all of that and more, and he hadn’t just let the boulder roll all the way back down when he was— when he was— just because of— because— because—

A hand grabbed his arm.

Shane's stride broke wrong, his weight going forward, and then his shoulder was being gripped, and he was in the sky. And the sky was very blue. There were clouds, very beautiful, very white at the edges, and leaves overlapping across them like a pattern, like something decorative, and he was looking at them from a strange angle, flat, and he thought distantly, I'm not standing, and then felt the bench behind his neck and the ground under him and Hayden's hands on his face.

"Hey." Hayden's thumbs pressed into his cheekbones, rubbing short, firm strokes. "Hey, buddy, wake up. Look at me. There you are."

Shane blinked. Hayden assembled himself out of the blur, the worried crease between his brows, the sheen of sweat on his forehead, his mouth pressed flat. Shane blinked again, and the leaves above him sharpened, the edges of things coming back.

Hayden already had his hand in Shane's pocket. He found the packet, ripped it with his teeth, and pressed it to Shane's lips. Shane sucked, the glucose hitting the back of his tongue, too sweet, chemical, and lay there on the dirt and the dry grass and watched his own vision unblur slowly, Hayden's outline going from soft to clear.

"I told you, how many times do I have to tell you," Hayden said, not loudly, which was worse than if he'd shouted, "not to push like that. Not now." He grabbed Shane's eyelid and pried it open.

"Fuck." Shane batted his hand away. "Stop."

"Fuckkk, stop," Hayden mimicked, and flicked him in the center of his forehead with one finger. The sting was insulting. "What the hell was that? You just went full sprint, out of nowhere, I could barely—" He exhaled hard through his nose. "Did you eat before?"

"Yes, Dad." Shane pushed himself upright, slowly, testing. His motor functions were coming back online. "I ate. Sorry. I wasn’t focusing, and I guess my legs just have a mind of their own."

"Yeah, they fucking do." Hayden pointed at the ground where Shane had been lying. "And their collective IQ? Underground, below sea level, in a trench." He stood and held a hand out.

Shane grabbed it and hauled himself up. He looked down at himself, at the dirt on the back of his shorts, on his calves. He opened his mouth, looked at Hayden, and closed it. It wasn't Hayden's job to move his dead weight off the running trail to the nearest bench on a Saturday morning, and he'd done it anyway without apparently stopping to consider whether it was his job, because that was just Hayden, and he had no right to complain about having dirt in his boxers.

Hayden was looking at him. The worried expression was still there, the configuration of his face that Shane had been seeing with increasing frequency and hated, hated what it implied, hated that he was the person producing it in someone he actually liked.

"Walk the rest?" Shane offered. A peace offering, olive branch, here you go. "We can get some coffee."

Hayden stared at him for a moment, the frown not entirely retreating. Then he nodded. "Yeah. Coffee.”

There. Appeased, or at least manageable, no longer actively worried, which was the version of fine that was available right now. Shane just had to drink the coffee, eat at least half of something, and keep his blood sugar where it needed to be until he could have his snack. He glanced down at his shirt, soaked through, and slipped one hand under the hem out of habit, fingers trailing up his stomach. The indentations of his abs were there, present, familiar under his fingertips. He did the quick mental arithmetic. Coffee was fine. A pastry, full of refined sugar, the water retention would kick in within a day or two, his face first and then everywhere else, the softness that crept in around the edges, his face in the mirror going slightly less angular, slightly less–

That was fine, but…

What would he send Rose then? What would he send Rozanov?

He flicked his eyes sideways to where Hayden was walking half a step ahead.

"Uh— could you get some photos of me before we go?"

Hayden's stride broke. He turned his head slowly, the side-eye thoroughgoing and deeply unimpressed. "Dude. What."

"Like—" Shane scratched the back of his head. "You know. Photos."

"You basically fainted." Hayden had stopped walking entirely, pivoting on his heel to face the trail ahead like he was addressing a higher power. "And you're thinking about thirst traps." He started walking again, shaking his head. "Fuck out of here, man."

Shane hurried after him. "No— you don't get it— it's for Rose, she likes when I—"

"I don't care who it's for, you're actually—" Hayden stopped. He pressed two fingers to the bridge of his nose and breathed in through it, trying to select his words more carefully than their first instinct was suggesting. Shane felt his eyes go slightly wide. He closed his jaw and pressed his lips together and said nothing, because Hayden had that face, the face that meant Shane had wandered into territory that warranted more than chirping.

"Sorry," Shane said, quieter. He let his pace fall back half a step behind Hayden's.

Hayden looked at him. Shane held still for it, blinking slowly. After a moment, Hayden exhaled, and the crease between his brows relaxed into something closer to tired than angry. "Okay." He stopped, turned. "Three photos. And if you post them—" he pointed, "—you tag me."

 


 

The cabin was quiet in the way only places far from cities could be quiet, emptied of everything human, just the lake moving against its own shore somewhere below the window and the occasional shift of the trees. The blinds were up, and the moonlight came through the floor-to-ceiling glass in one long pale rectangle, lying flat across the foot of the bed. Shane sat in the middle of it and rocked himself, very slightly, side to side, his palms running up and down his ribs. The lights were dimmed to almost nothing.

This is a bad idea, he thought, for the fourth time since Rose had disappeared into the bathroom. This is a genuinely bad idea, and you should say something, ask at least before—

He adjusted the front of his boxers and the groan that came out of him was mostly surprise, mostly the specific shock of how badly his body had already committed to this before his brain had finished its objections. He pressed his knuckles to his mouth and stared at the lake.

"Are you almost done?" His voice came out wrong, rougher than he meant, and he cleared his throat.

"Be patient." Rose's voice came through the door, easy, unbothered. "Good things come to those who wait."

Shane swallowed.

The bathroom door opened.

Rose stood in the frame for a moment with one hand on her hip, and Shane's brain processed what it was looking at in pieces, because all of it at once was too much information. The jersey first, his jersey, the Voyageurs home blue, number twenty-four on both sleeves in white block numbers, the crest on the chest with its fleur-de-lis, and the MLH crest at the collar, the laces hanging loose at the neck. It fell to mid-thigh on her, which on Rose meant it sat at a place on her legs that made the stockings very visible— sheer blue, a deep periwinkle that caught the moonlight through the glass and turned slightly iridescent where it stretched over her thighs, the wide matte band at the top sitting just above mid-thigh and holding everything in place. Below the band, the sheer ran all the way down to her feet. 

Shane blinked.

She bent forward from the waist and dragged both hands up from her knees, palms pressing the jersey inward as they rose, cinching it against the curves of her hips, pulling the fabric tight enough to show where her tiny waist narrowed, the flare of her hips, and then she turned around. His name across her shoulders. HOLLANDER in white block capitals and the twenty-four beneath it, stretched across Rose Landry's back in the blue of his team, and something happened in Shane's chest and his groin simultaneously, and he pressed the back of his hand to his mouth.

She raised both arms above her head, fingers running up through her hair, and the hem of the jersey rode up. The bottom curve of her ass appeared, and then the black lace of the thong, thin as shadow, barely there, the satin ribbon ties at each hip falling loose against her skin, and Shane found himself gazing at a particularly interesting tree just above the top of her head.

Rose turned back around. She gripped the jersey hem and pulled it up slowly, the way you unwrapped something you wanted to last, revealing the flat plane of her stomach first, the slight parentheses of her lower ribs, and then the bra. Black lace, underwired, the cups barely more than a framework of thin tulle over her skin, the wiring pressing her breasts up and together so the cleavage sat high and the nipples were visible through the fabric— the flushed pink of them showing through the near-transparent lace like something barely concealed. She tilted her head, bottom lip pushing to the side in a pout, and blinked up at him from beneath her lashes.

"Ta-da," she said, dragging the second syllable out.

Shane opened his mouth, closed it. "Thank you," he said, and immediately felt the wrongness of it, watched Rose's brow cock, and tried again. "I mean— you look—" He exhaled slowly through his nose, tried again. "Uh– Wow. You look beautiful. The stockings. They're blue— blue like the jersey." His brain added, privately and without his permission: and Rozanov's eyes. He swallowed that and kept his face still.

Rose's mouth curved. She crossed to the bed and climbed onto it on her hands and knees, her eyes holding his the entire way across the mattress. Shane kept glancing away from her body like it might burn him if he didn’t. Not because Rose wasn’t beautiful— she was, obviously, devastatingly so, all clean lines and blue stockings and the jersey turned into something deliberately unfair on her,  but because looking felt rude in a way his skin couldn’t tolerate. The more she moved, the more his eyes jerked off-target, landing on the moonlit window, the lake, the stitched seam of the pillow, his number on the jersey, instead of the swell of her chest beneath the lace. 

The pressure hit him before anything else, her full weight settling over his cock through two thin layers of fabric, and he groaned without managing to stop it, his hands going automatically to her hips. She dragged her nails up his bare stomach, a slow rake from his navel to his sternum, the scratch of them lighting up every nerve ending on the way — and his nipples hardened before she'd even reached them. Up over his chest, the flat of her palm pressing briefly against his skin, up his throat, and then her fingers closed around his chin.

"Aw." She tilted his face up, brushing her nose across his cheekbone, her lips just barely not touching his skin. "Already hard? I haven't even touched you, Shanebug."

Shane opened his mouth.

Rose's other hand came around and caught him across the cheek, hard enough that his head turned, hard enough that his ear rang for a second, the sting blooming across his face.

"Did I say you could speak?"

Shane shook his head, lips pressed together, the inside of his cheek stinging where his teeth had caught it.

Her eyes went heavy-lidded. She scratched slowly through his hair, nails against his scalp, and his whole body went loose with it, the tension dropping out of his shoulders, his jaw unclenching, his spine softening. He leaned into her hand before he could stop himself.

"Good puppy," Rose murmured. Her thumb traced the red mark on his cheek. "You begged for permission to use your surprise tonight." She pulled back slightly, looking at him in a way that made his stomach drop. "So go get it. Don't keep me waiting."

He got off the bed with that stiff, careful motion, grabbed his phone from the side table, and crossed to the bathroom with the phone hidden in front of him. The click of the latch sounded absurdly loud. 

Shane stood at the bathroom sink with both hands gripping the edge of the counter and his heart trying to exit his body through his sternum.

He looked at himself in the dim mirror. His cheeks were flushed dark, freckles standing out stark on the red, his pupils so wide his irises had almost disappeared. His bottom lip was trembling slightly, and he bit down on it to make it stop, then pressed his fingers to the mark Rose had left, touching it carefully, feeling the heat still in the skin there.

Okay, he thought. Okay.

He picked up his phone.

contact name: Lily

 

sent:

Hi. Rose is asleep. I'm ready to use it but I have some rules.

received:

I like rules 😉

received:

Tell me

sent:

Uh

sent:

I don't want to sext you

received:

Um okay, we call?

sent:

No, I don't want to do that either.

received:

You send video?

sent:

Nope.

received:

How is this fun for me 😑 how will I know when to go fast go slow?

sent:

I don't know, use your intuition???

sent:

I want to uh, I want to just like feel you through it

sent:

I want to focus on like, the feeling and imagining you doing it to me so far away like

Shane ran a hand through his hair and gripped the ends, staring at what he'd just typed. He could feel his own pulse in his throat. He typed the next part quickly, before he could think about it too hard.

sent:

I want to focus on like, the feeling and imagining you doing it to me so far away like you know, like the vibrations are whale sounds and we're talking across the ocean?

A pause. Shane held his breath.

received:

You're so fucking weird.

Shane's stomach dropped.

received:

So sexy

received:

Of course, nerd.

received:

My маленький кит 🐳🤏

received:

Let me open the app, we do test run

status: read

Shane exhaled so hard his shoulders dropped two inches. He opened the drawer, dug into the bottom of his toiletry bag, and pulled it out. Pink bright, aggressively, deliberately pink—Rozanov's idea of a joke, clearly, and a successful one—and longer than strictly necessary, which was also Rozanov's idea of something. He turned it in his hands.

sent:

Okay. Go. Try it

status: read

It went off immediately, the vibration so intense and so sudden that Shane fumbled it, nearly lost it to the tile floor, caught it with both hands, and stood there gripping it with his eyes wide, his entire chest cavity vibrating in sympathy.

sent:

Jesus. Perfect.

received:

Ok 😉

received:

Will not go easy on u

received:

Enjoy

status: read

Shane silenced his notifications, dropped the phone into his toiletry bag, and stood very still for a moment, staring at himself in the mirror. His reflection stared back. Flushed, pupils completely blown, chest rising and falling too fast, the mark on his cheek still pink from Rose's hand.

He picked up the lube. Opened the bathroom door.

Rose was exactly where he'd left her, lying back against the headboard with her legs crossed at the ankle, the moonlight from the window catching in the blue stockings and turning them silver at the knee. She looked up at him when he came back in, her gaze moving from his face to his hands, and one eyebrow lifted.

"Okay," she said. "What is it."

Shane crossed to the bed and held it out. "It's uh— a butt plug." He sat down on the edge of the mattress. "It's pressure sensitive. Like. It responds to—" he waved his hand vaguely, "—pressure. And movement."

Rose took it from him and turned it over in her hands, examining it. "A pressure sensitive… butt plug?" she repeated.

"Yeah."

She looked up at him, the corner of her mouth pulled. "Shane Hollander." She handed it back. "You are the most interesting person I have ever met." She uncrossed her legs and sat forward, reaching for him. "Lie down, babe, on your stomach."

Shane lay down.

The sheets were cool against his chest, the moonlight a wide pale bar across the backs of his thighs. He heard Rose open the lube, heard the quiet sounds of her warming it, and then her hands were on him, the backs of his thighs first, thumbs pressing into the muscle, working upward. He turned his cheek against the pillow and closed his eyes.

Her fingers found him slowly, patiently, one at a time, and Shane's breath stuttered on the first press of entry, his hands fisting the sheets. She worked him open with the in no rush, her free hand pressing flat between his shoulder blades, keeping him down, keeping him still, and the dual sensation of it, the restraint and the stretch, made something behind his sternum pull loose.

He let his eyes close completely.

Da, solnyshko. The voice arrived without invitation,  settling into the space behind his eyes. Doing so good for me. Look at you. Shane's hips pushed back involuntarily, chasing the pressure, and a sound came out of him that he muffled against the pillow. Good boy. Stay still. He felt a second finger, and his jaw dropped open, a ragged exhale through his teeth. There. Give it to me.

"You okay?" Rose murmured, above him.

"Yes, please." Shane breathed, and it came out wrecked, barely recognisable.

She added a third. Shane whined against the pillow and gripped the sheets hard enough to pull them loose from the corner of the mattress. His cock was pressed flat against the bed, and the friction of it, with every small movement of his hips, was making it very difficult to breathe correctly.

That's it. All of it. You can take it. The voice was so clear. You always take it so well for me.

"Shane." Rose's hand pressed firmer between his shoulder blades. "Stop squirming."

He went still. Panting into the pillow, fingers white in the sheets, the stretch of her fingers inside him constant and deep, and making his vision blur at the edges. Then he felt her pulling back, and he groaned at the loss, hips tipping back, chasing—

And then the plug. The pressure of it going in was different, broader, more insistent, the widest point of it making Shane's whole body tense before it seated fully, and then it was in, and Rose's hand was smoothing up his back, and Shane was just lying there breathing.

The vibration hit him in a full-body wave, deep and absolutely relentless, and Shane's spine arched off the mattress, a yelp tearing out of him that he had no control over whatsoever. His hips drove down into the bed, seeking friction, finding it, and Rose's hand came around his hip and gripped hard.

"No." Her voice was sharp, delighted. "Don't you dare."

Shane whimpered.

She flipped him. One firm pull on his hip rolling him over onto his back, the plug shifting with the movement and making his eyes roll, and then Rose's hand was around his throat, and she was leaning over him, her hair falling forward, the jersey still on. His number on her chest. The lace bra visible through the open neck of it. Her blue eyes were very dark.

"You better not cum," she said quietly, "until I do."

Shane nodded, fast, barely coherent.

Rose reached for the nightstand drawer. The condom wrapper crinkled and she rolled it onto him, and he had to look at the ceiling and think about drills, about practice tape, about literally anything except the sensation still rolling through him in steady waves from the plug, Rozanov somewhere across the country with his phone open doing God knows what with the controls and Shane was here on his back in a moonlit cabin absolutely losing his mind about it.

Rose swung her leg over him and sank down.

“Fuck—fuck fuck, Jesus fucking christ.”

The combined pressure of her around him, the plug, the vibration still going, the relentless depth of all of it at once— hit him like a truck, and he gripped her thighs through the stockings and tried to breathe. The lace of the thong was pushed to the side, the satin ribbon of it trailing against his hip, and Rose rolled her hips forward once, experimental, and Shane's head went back into the pillow.

"Eyes on me," Rose said.

He dragged them back. She was looking down at him with her lower lip caught between her teeth, the jersey open at the collar, and she rolled her hips again, and this time she let out a small, soft moan of her own. 

She started to move.

Shane's hands stayed on her thighs, the sheer silk of the stockings under his palms, and he watched her and tried to keep watching her, tried to stay present in this room with his girlfriend, but the vibration had shifted. Rozanov had changed the setting, slower now, deeper, a long rolling pulse that was so precisely calibrated to unravel him that his eyes were threatening to close again. He kept them open through sheer willpower and watched Rose move above him and let his mind drift, just slightly, just at the edges.

Ilya is behind her. His hands are on her hips, over Shane's hands, moving her. Shane's fingers pressed harder into the stockings. He's watching Shane over her shoulder, his chin almost resting on her hair, his eyes dark and half-lidded and aimed directly at Shane's face like Shane is the only thing in the room worth looking at. Rose's palm came down on Shane's chest with a sharp crack, and he gasped.

"There you are." She rolled her hips forward and held it there. "Stay."

Shane nodded, jaw shaking. The vibration shifted again, faster now, punishing, and he bucked up into her involuntarily, and Rose smacked his chest again, harder this time, and the sting of it shot through him like voltage.

"Stay still," she said. "You move when I say."

He whimpered, nodded. His fingers were going white on her thighs.

She leaned forward and kissed him hard, her hair falling around both their faces, and Shane kissed her back desperately, one hand coming up to the back of her neck, and behind his closed eyes Ilya's mouth was on her throat, teeth pressing in just below her jaw, and his free hand was sliding down the back of Shane's thigh, and Shane groaned into Rose's mouth so hard she pulled back to look at him.

"God, what's with you today?" she breathed, and started moving again, properly, a real rhythm, and her head dropped back.

The plug was relentless. Rozanov was, apparently, done with subtlety, because the vibration had gone deep and rolling and constant in a way that made Shane's whole lower body feel like it was dissolving, and he was making pathetic sounds he couldn't help and his hips were snapping up to meet Rose despite his instructions and every time he did she made a sharp, pleased sound and dug her nails into his chest and he thought he might actually die here in this cabin and that would be fine, that would be completely acceptable.

Rose came the first time quietly, a sharp exhale and her thighs locking around his hips, her nails dragging down his sternum, and Shane felt it and held on. She stilled for a moment, breathing, and then, to his genuine awe, rolled her hips again and kept going.

"Don't," she said, not looking at him. "Yet."

Shane pressed the back of his head into the pillow and stared at the ceiling, and thought about nothing, made his mind completely white, emptied it like a room before furniture, and it worked for eleven seconds before she turned around.

The slow pivot, rising just enough to turn on his lap, resettling facing away from him, gave him a full view of his own name across her shoulders and the curve of her lower back and the satin ribbons at her hips, and Shane's hands went to her waist automatically, and behind his closed eyes—

Ilya was facing him.

Directly in front of him, close enough that Shane could see the dark of his blown-out pupils, could see the curl of his hair stuck to his temple with sweat, could see the way his mouth was parted slightly, his chest rising and falling. Rose was between them, and Ilya's hands were moving, one splayed across her ribs, her breast, pulling her back against his chest, and his other hand was sliding down, and Shane felt it, felt the fingers pressing in around the plug, moving it, and Shane groaned. 

Look at you, Ilya said, and his voice was right there, right in Shane's ear, low and warm and certain of itself. Look at you, taking all of it, making her feel so good, giving Daddy a good show, da? 

Rose came down hard, and Shane choked on a breath. His hips drove up, both hands gripping her waist hard enough to bruise, and she cried out and smacked his thigh, and he couldn't stop, couldn't be still, the vibration had gone absolutely insane, and Ilya's fingers were—

Ilya's eyes were on his face.

Watching him. Only him. Rose riding him and Ilya watching Shane come apart underneath her, storing it, keeping it. Shane's mouth fell open. His vision was going white at the edges. He was so close, he was right there, teetering on the absolute edge of it, and he needed—

He needed—

A name was assembling itself in his throat, and he bit his tongue, hard, the copper taste of it flooding his mouth, and the pain of it only made everything worse, made the edge sharper, and he was shaking, actively shaking, his whole body wound so tight it was going to–

Rose came again, her whole body clenching, and Shane felt it and still held on, somehow, his fingers cramping from gripping her hips, his jaw locked, and fuck he could do this.

A hand on his face.

Fingers, closing around his jaw. Tilting it up.

Shane opened his eyes.

Ilya was right there. Forehead pressed to Shane's, close enough that his breath was warm on Shane's mouth, his eyes open and dark and completely steady, one arm braced against the mattress beside Shane's head. Shane could feel him everywhere, the weight of him, the heat of his hand around his cock, the pressure of nine hard inches sliding home one final time and holding, and those eyes did not look away.

"Come for me, Hollander," Ilya said.

Shane came so hard his back left the mattress.

 

Notes:

solnyshko: sunshine
maudit: crap
Tu m'en dois une, gars: you owe me one, dude
My маленький кит: my little whale

haha, shane is gay btw. chapter 11 coming sometime next week.

i'm on twitter ilyassoull
send asks on tumblr unseemlyndisturbed

Chapter 11: But Papa, I'm a Hockey Player

Notes:

okay... so i lied about chp 11 coming out next week. hey.

song recommendation for this chapter is Champagne Coast by Blood Orange oh i REALLY recommend this song. especially to be played in the final parts of the fic.

(See the end of the chapter for more notes.)

Chapter Text

August 2016

The first-class seat was too soft. It always was, the way the cushion swallowed him whole and held him there with a kind of insistence that Ilya had never particularly liked. He had grown up sleeping on a couch that had springs in the wrong places, a couch that asked you to earn your sleep, and all this careful upholstery still felt wrong on him, like wearing someone else's coat.

He pressed his head back against the rest and tipped it sideways, until his forehead met the window.

Cold. The cold of triple-glazed aircraft glass, the cold of thirty thousand feet, and the Atlantic pressing against the outside of the pane. He let it sit against his skin and stayed there, not quite looking at anything.

Below, the cloud cover stretched from horizon to horizon, white and enormous, interrupted only by the pale wash of sky above it. He had always liked this. The flying part. The clean nothing of altitude, the way the world became theoretical beneath a ceiling of cloud, the way his phone was in his pocket with no signal. When he was sixteen, he had taken a red-eye from Moscow and watched the sunrise from the window of a middle-economy seat with his knees folded to his chest, and decided that flying was the only place he had ever been that felt genuinely free. That had been before the NHL. Before he understood that the thing he had thought was freedom had just been the temporary mercy of being unreachable.

I miss the cold, he thought, and it surprised him slightly. He had not been to Moscow during winter in seven years now. Something about the schedule, and then something about the calibre of what the schedule had become an excuse for. The cold he missed was not the weather alone. It was a specific cold, the biting-wet cold of a Moscow night when it dropped below minus fifteen, and the air felt solid in his lungs, and the breath came out as real steam, thick and slow.

He missed lying in the snow with Svetlana on one side, Sasha on the other, a bottle of stolen vodka cooling in a drift between them, the condensation freezing on the glass—Coach Novikov's vodka. Sasha's father's vodka, which Sasha had explained could absolutely be stolen, as it was practically a public service. The sky above them had been the bruised purple-black of deep winter, no stars, the light pollution from the city pressing up into the cloud layer from below and bleeding back down onto them in gold and orange, washing their upturned faces. Ilya had felt the vodka sitting warm and hazy in his chest while his back grew cold in the snow, and thought that these two things together—the warmth inside and the cold outside pressing in around the edges— were the only real peace he knew.

He had known, every one of those nights, that there was a good chance his father would be drunk when he got home.

His fingers found the side of his jaw, moved along the line of it. The stubble rasped under his thumb, the friction a small, present thing. He pressed a little harder.

His father drunk was a variable equation. Sometimes Grigori Rozanov was horizontal when Ilya came in, folded and heavy on the couch with his mouth slack and the television throwing its blue light across the carpet, and Ilya could simply step over him and go to bed. Sometimes he was vertical, which was a different problem entirely. Vertical meant the fists were available. Vertical meant that his father had drunk to the register where every unspoken grievance, every inadequacy, every humiliation, every sting from being a man who had decided the world owed him and kept receiving evidence to the contrary, had risen to the surface and needed a face to land on.

When Alexei was there, they had a system. Ilya had always appreciated the elegance of it, looking back: his brother took the hands, Ilya took the legs, and they would manoeuvre the old man toward the couch. His father would flop and swear and swing at nothing, increasingly helpless, increasingly baffled. Ilya's strongest memory of those nights was not the fear; most of the fear had gone by thirteen, replaced by something more useful, but the absurdity of watching the man, this spiritually enormous, terrifying man who had broken Ilya's nose twice before he turned sixteen, thrashing around uselessly while two teenagers pushed him onto the cushions. It had been funny. It had been genuinely funny, and sometimes at night, now Ilya would revisit the memory to laugh.

He exhaled through his nose.

After Alexei's girlfriend, there was less teamwork. He had been seventeen, and Oksana had been twenty, and she had walked into his room one afternoon, and the rest of it was– well. What he had understood, afterward, was that Alexei's forgiveness had a ceiling he had not known existed until he hit it. He had not needed the teamwork after that. His father's fists hadn’t become his only problem, and by then, Ilya had been large enough that absorbing them felt like almost nothing. The flight attendant appeared at his elbow, and he kept his face turned toward the window until her shadow reached him, because she had been watching him from the galley for twenty minutes and he saw no reason to reward that with immediacy.

"Excuse, sir. Would you like orange juice, water, or champagne?"

Her English was not very good. The phonetics landed half a beat to the left of where they were supposed to. Ilya had sounded exactly like that in his first two seasons in Boston, and he had hated the way it made him visible, the way his accent had functioned as a sign around his neck that said not from here, still learning, give me less.

He reached for the tray without looking at her and took the champagne. "Spasibo."

The glass caught the light coming through the window, a brief bright flash of refracted sun. He looked straight at the dark TV screen across the aisle and felt her not moving.

She was pretty, okay? Dark hair, neat uniform, the tilt of her head doing a very competent job of suggesting she was attentive rather than curious. She wanted him to ask for her name. She had identified him, probably from the upgrade list, probably from the locker room photographs that circulated on certain sports accounts she may or may not have followed, and she had workshopped the angle of her approach for the last twenty minutes over a tray of drink glasses.

He was not interested. These days, the idea of adding anything new, anyone new, to his roster felt like being handed a project while already drowning in the one he had.

He set the glass down on the side table. Not quietly.

She was gone before the sound finished.

He turned back to the window. The clouds had thickened below, the white more solid now, and somewhere under that ceiling was Russia receding behind him, his father's apartment, Alexei's thinned face at the airport, the exhaustion of a thirty-day trip that had taken two years off Ilya's life. He could still see the apartment when he closed his eyes. The way it had looked exactly as he had left it, which had seemed at first like a mercy, until he understood it was not that the apartment had been preserved but that nothing in it had been touched or changed or cleaned in the intervening years. His childhood bedroom had smelled closed in a way that rooms smell when they have been shut off from the oxygen exchange of living people and simply sat, accumulating.

His father was so weak now, he could have grabbed him by the back of that bald, trembling head and forced his face into the dirty carpet, could have gotten a boot into that hunched spine for every night he could still locate by feel somewhere deep in the muscle of him. He had imagined it, at fifteen. At seventeen. At nineteen, he had stood in his father's doorway with both palms pressed flat to the frame, keeping his hands there, and imagined it in enough detail that his pulse had gone loud in his ears. At twenty, every year of twenty thus far.

But then he had sat down across from him.

Four minutes. Ilya had counted. Four full minutes of his father's eyes moving across his face with the bewildered, groping blankness. His lips trembling slightly with the effort of it. His hands, folded in his lap, were shaking with their own tremor.

What was the point of sending a man to the floor if he would not know whose hands put him there? What did justice mean if the person receiving it didn’t know what it was for? Grigori Rozanov had been robbed of even that, in the end. The only revenge available to Ilya was one his father would have forgotten by the time Ilya reached the airport.

When it had finally arrived, the recognition, four minutes in, four full minutes of his father's fish-pale eyes moving over his face, when it had landed, Grigori had looked at Ilya with something that might have been relief, and then said immediately that he should be at training, the draft was coming, had he spoken to the scouts?

I have been in the NHL for seven years, Papa. 

His father had waved a hand at that. The tremor in it was visible even in that casual dismissal.

There were bills now. Caretaking, support, paperwork that had to be filed and signed and chased and paid on time, all of it landing on Ilya by degrees because Alexei had pulled back from his own work to spend what time he could trying to keep their father from sliding any further through his own life. Ilya had not objected; he had no choice in the matter. He would pay Alexei, of course, he would. Alexei was the one who had become the body in the room, the one who had to answer the phone and open the door and stand there while their father forgot what year it was. Even though one of his feet was halfway out the door, at least he was technically there. Ilya could wire money and answer questions and keep the machine running from a distance, even if it made him feel like a coward and a bad brother and an even worse son in alternating waves. 

So when Ilya had looked at him, he felt nothing triumphant. Instead, he felt the leaden weight of seeing something that had been the central terror of your life diminished. Now, just a small old man with a tremor and a bald head and eyes that kept losing the thread of the room they were sitting in. The rot had started, he thought, when his mother died. Something wet and dark spreading outward from the centre of Grigori's chest on the day of her funeral, moving slowly, over years, through the muscle and the cartilage and the dense matter of him, until it had laid itself to rest in his brain and turned it thick and useless.

Karma, maybe, or just genetics. Either way, it was God's work, and Ilya was not going to interfere; he had to let go of this feeling. Or try to, at least.

He thumbed at the cross on his chest. It was burning there, the gold catching the sun through the window, the sun pressing its mouth against it again and again, and the gold kissing back— the way it always did, warm against the hollow of Ilya's sternum. But somehow, this morning, the kiss felt like a bite. The gold digging its edge into the hollow there, finding the soft place beneath the bone.

He gripped it. His fist closed around it until the chain links pressed their small ridges into his palm.

I'm sorry, Mama. He thought it in Russian. I'm not going to bind him to hell myself again. I already tried that, and look how it left me. I'll just let God get on with it.

The cross winked at him. A pulse of light as the cloud broke outside, brief and bright, and then gone.

 


 

The locker room smelled the way it always did before a home opener, sweat and fresh tape, the smell of twenty men working themselves into the correct state of mind. Ilya stood in the centre of it and felt the room orient toward him, one head and then another lifting from skate laces and phone screens and private pre-game rituals until every pair of eyes in the room had found his face.

He raised both arms.

"Okay. Listen, the fuck up."

Full attention. Complete and immediate and total, every man in the room with his eyes up and his body turned, trusting. That was the word for it. Trust had been, in his experience, a thing people extended and then withdrew and then extended again with diminishing returns until eventually they stopped— but in a locker room, on a game night, it arrived total. These men looked at him and trusted him with their bodies. With this season, with the intensity of everything they had to give. He felt the electricity of it move through him.

"I don't give a fuck," he said, and turned to face the other half of the room, "about how I played last season."

A few nods. He kept moving.

"I don't give a fuck about how you played last season. I don't need to think about that." He shook his head, one sharp motion, and gestured behind him with a dismissive sweep of his arm, behind him, back there, last year, done, gone, irrelevant. "That was before." He brought his hand forward and pointed down at the floor beneath their feet. "Now." His finger came up, one finger. "I only need one thing."

He breathed in through his nose.

"I need to win."

The word came out more like vin and he did not care, could feel the vein in his throat straining with the force of it, could feel the room leaning toward him with their whole chests. "Here. At home. Tonight." He dropped his hand. "As much fun as it is to be thinking about next week, next month, the playoffs— I want to focus on our fans. Right now, out there." He turned slowly, making eye contact, taking his time. "I want to hear them scream. I want to—"

He paused, let the room go quiet.

Then he dragged his thumb slowly across his throat, and his voice went guttural and loud and came from somewhere below his ribs.

"I want to FUCK Montreal."

The room erupted. Ilya stood in the centre of it with the noise crashing around him and his eyes stinging, the hot pressure building at the inner corners— because he loved this, God, he loved this so completely that it ambushed him, the love of it. These were his people. This was his game. He had been so deep inside his own head for so long, so buried under everything that was not this, that he had almost forgotten this; the locker room noise and the crowd audible through the walls and his own blood going fast and certain in his veins.

Cliff appeared at his back and hit him square between the shoulder blades, one hard, flat crack of a hand, and Ilya turned into it still smiling. Cliff grabbed the back of his head and pressed their foreheads together.

"Great fucking speech, brother."

Ilya's smile pulled wider. His heart lurched once in his chest, hard. "Go fuck yourself," he said, warmly, and pushed Marleau in the direction of his cubby with one hand.

He turned back toward his stall.

The kid was standing there.

Ilya had noticed him in the first week of camp. Gene Mitchell. Nineteen years old, called up from the AHL two weeks into pre-season on the strength of a training camp that had been, by any objective metric, excellent. Ilya had watched him on the ice and clocked the talent immediately, the kind of spatial intelligence you could not coach into a person. He had also watched him in the locker room, and clocked something else.

The kid was standing slightly apart from the celebration. Not obviously, he was clapping, his face was doing the right things, but his shoulders were up around his ears, and his eyes were doing a fast, systematic scan of the room.

Ilya knew that scan. 

He picked up his helmet and waited.

Mitchell approached like he was hoping Ilya would look away before he got there. He didn't. He held eye contact until the rookie stopped in front of him, close enough that the noise of the room became slightly abstract around them.

"Captain. I just—" He stopped. His jaw worked. "I wanted to say. Good speech."

He was not here to compliment the speech.

Ilya looked at him. Looked at the set of his jaw and the fine tension running through his shoulders and the way his hands had found each other in front of him.

"What is going on," Ilya said. 

Mitchell blinked. "Nothing, I—"

"Mitchell."

He exhaled.

"My girlfriend," he started, and then stopped, and then pressed his lips together, and started again. "She is— it's a lot, right now, at home. I’m real worried. And I can't—" His eyes moved briefly away from Ilya's face, to the middle distance, then back. "I can't get my head to shut up. I've been trying, I've been—" He shook his head. "Sorry. This is stupid. You don't—"

"Stop."

Mitchell stopped.

Ilya set his helmet down, turned to face him fully, and put both hands on the kid's shoulders. He felt the tension in them immediately, the whole trapezius group locked up and braced, and he held on and waited until he felt some fraction of it release under his palms.

"Listen to me." He kept his voice low. Not gentle exactly, that wasn't the right word for it, but levelled and calm. "Right now, nothing else matters. Whatever is happening at home, whatever is going on in your head— leave it here." He tipped his chin toward the bench. "Leave it on this bench. Your body knows what to do. Your body has known what to do since you were a kid on the ice in—" He paused. "Where are you from."

"Uh, Tennessee."

"Since you were a kid on the ice in… Tennessee." He squeezed once. "Stop thinking. Breathe, let your body go, and leave the brain on the bench where it can't destroy you." He held eye contact. "You understand me?"

Mitchell looked at him for a moment. Something in the set of his face changed; the scan had stopped. His eyes had gone still.

"Yes," he said.

"Good." Ilya released him and picked his helmet back up. "Make me proud, I love you. Now get the fuck out of my face."

Mitchell almost smiled. He turned and went back toward his stall, his shoulders a fraction lower than they'd been, his stride carrying slightly more of his own weight.

Ilya watched him go.

He pressed his palm flat against the cool of his locker door, feeling the metal. The crowd noise outside had grown, a steady rhythmic build, the bass register of twenty thousand people who had come here tonight for one thing.

He put his helmet on.

 


 

It should be illegal, the noise Shane makes when Ilya gets the angle right.

He has the angle right, driving into it until Shane stops being able to manage his own face, stops being able to perform anything, stops being anything except this— flushed and cuffed and completely open, his head knocking back against the headboard with each thrust in a way that will leave a bruise that Ilya will think about on the plane home.

Adding it to the collection. The ones blooming across Shane's abdomen and shoulder from where Ilya had put him into the boards three times tonight.

He keeps his hips moving and watches Shane's face.

The tears have been going on for a while now. They track from the outer corners of his eyes in steady lines down those pink, flushed cheeks, his whole face gone blotchy and bright with the effort of existing inside what Ilya is doing to him, his lips parted and wet, a thin thread of snot on his upper lip. His moans are punched out of him with each thrust, Ilya can barely hear his own breathing over them.

And praise be, that Ilya has locked his hands away, that he cannot reach up and wipe those tears away. 

He grips Shane's chin. Holds his face forward when it tries to turn away, the shame reflex, the I cannot let you see me like this reflex, the when I’m honest, I’m too holy for mere man to lay their eyes on reflex. 

The sounds Shane makes have lived in the back of Ilya's skull since the first time he heard them, and they live there still, and he thinks sometimes that they will live there when everything else has gone. Like the choir at the Church of the Transfiguration on Preobrazhensky Val. The way the voices of the choir had filled the nave from every direction simultaneously, bouncing off the gold and the stone until the sound had no single source, until it simply existed in the air around you and inside your chest at the same time. He had been six years old the first time it had made him cry, standing beside his mother with his hand in hers, the incense thick and sweet in the back of his throat, the chanting moving through his chest like something with its own pulse. His mother had looked down at him and not laughed, which he had loved her for. She had simply squeezed his hand and looked back at the altar.

Shane's next exhale drives itself between Ilya's ribs and stabs him there; he feels the blade sinking deep into flesh, and his head falls back.

No.

Ilya forces himself to look at the angel there, at the pale skin and dark hair and wet lashes. 

An angel, pinned to the bed, and what else could Ilya do but worship? Purely, in his own way, with the full force of that strange devotion that had nowhere healthy to go. He could take each of those wishes that Shane never voiced aloud and fulfil them one by one. He could take the pain reflected in the slight green bruise beneath those shining eyes, the one still smudged there from too little sleep and too much strain, and hold it in his hands as if that were what his hands were for. Even if the holding meant stuffing his beautiful cock into a cage and making his body obey a holiness it had not earned.

The metal presses its edges into Shane's flesh with each thrust, and the precome has been leaking through the gaps long enough to have soaked into the sheet beneath him, Shane's body doing everything it was built to do and falling short, held at that agonising threshold. This is what Shane is. An angel of withholding. A saint who gains his grace through the deferral of gratification, who holds and holds and holds himself at the edge as if pleasure ungiven is pleasure purified, as if the cage is not Ilya's doing but his own choosing— and is it not, in the end? Did he not kneel for it? Did he not tilt his hips forward and wait? Of course. Of course he did. A saint counting his suffering like currency, spending it carefully, certain that what comes at the end will be proportional to what was endured to reach it.

Shane tries to turn his face again. Ilya lets him go only far enough to make him work, and then brings him back. He drags his hand up Shane's throat, along his jaw, and pushes his thumb past his lips.

Shane's eyes flutter shut.

His tongue moves along the pad of Ilya's thumb, his lips close around it. The wet heat of his mouth is an unreasonable thing, and Ilya's hips stutter once before he finds the rhythm again.

He looks at the gums showing where his thumb has pulled the lip away, the soft pink of the inside of his mouth, and something climbs in his chest that is not desire exactly, or not only desire, it is burning him on its way up, like bile. He stares at the softness of Shane’s mouth around his thumb and thinks, what is that.

What is underneath all that skin. What is that glow that sits deep behind his bone, like something is lit there. Something that radiates even now, even like this, even cuffed and caged and completely wrecked, even with his face wet and his eyes swollen and every wall he owns reduced to rubble, it is still there. Still going. 

It is heaven, Ilya thinks, and the thought is so absurd that he almost laughs, almost, his chest lurching with it, his hips still moving, Shane's tongue still moving against his thumb.

He presses his thumb down on Shane's tongue instead. Holds it there.

 


 

October 2016

Ilya liked the training facility at this hour. How calm it was. The ventilation still ran its low industrial hum, the fluorescent strips overhead still ticked and buzzed, the building still breathed its own mechanical breath— but it was emptied in a way that changed the acoustics, so that the sound of the bikes, the rhythmic mechanical click of the pedals filled the space more than they should have. Everyone else had gone an hour ago. The showers had run and stopped, and the locker room had closed up behind them, and now there were just the two of them, side by side, going nowhere at speed.

The advert was on again.

Ilya clocked it in his peripheral vision without turning his head. The Adidas one, which he had seen forty times by now, which he could reconstruct from memory frame by frame without trying. Shane in the white kit, the slow-motion footage of him on the ice, the cut to the close-up of his face that the director had clearly been very pleased with. His jawline, the way the campaign lighting caught the sharp angle below his cheekbone.

He looked down at the display panel on the bike.

Looked back up.

Christ.

He dragged the back of his wrist across his forehead. He was tired in the way he was always tired these days, a tiredness that lived not at the surface but deep in the bone, in the marrow of it, the kind of exhaustion that a full night's sleep did not touch because it was not that kind of tired. He had been carrying things for long enough that the weight of it had stopped hurting and simply become the baseline, the ground his body operated from. His father in one hand. Alexei in the other. The team behind him, the season in front of him, the captain's letter pressed against his chest. He leaned forward on the handlebars, feeling the familiar pull across his shoulders, and breathed.

"You know what," Marleau said, from beside him.

Ilya pedalled.

"This season." Cliff shook his head, the motion visible in Ilya's peripheral vision. "Roz, I'm telling you. This season."

"Mm."

"No, I mean it." Cliff leaned forward on his own bars, matching his posture. "I've been watching you play for a long time. And I have been watching you this season, and I am telling you, man. We're going to win the Cup again."

Ilya rolled his eyes. "You say this every year."

"I say this every fucking year because every year I mean it." Cliff was being genuine, how he was when the performance of being a professional was no longer strictly necessary. "But I especially mean it this year. You've been," —he gestured, a short sideways wave of his hand— "insane, man. You know that."

Marleau reached over and hit him on the shoulder.

It reminded Ilya of the weight of his family sitting there. Felt his smile falter before he could manage it, something tightening in his throat, his jaw going tight. He swallowed.

"I've just been doing my job," he said.

"That is not," Cliff said, "what just doing your job looks like. I've seen just doing your job. That is not it."

Ilya looked at the display panel. His cadence had dropped slightly. He pushed it back up.

"This is an important year, I think." he said, after a moment. "I don't want to be lazy."

"Lazy." Cliff repeated the word like Ilya was speaking Russian.

"I've been getting lazy, slow. Too inside myself."

Marleau was quiet for a second, then, "Inside your head, you mean."

"Yes."

He paused.

"Yeah," Cliff said. "I've noticed that." He didn't say it with any particular inflection, no accusation in it. "The other stuff, too, all that snow. Going out too much, getting your dick soaking wet, ha." He paused. "You stopped for a while, and then you started again, and then stopped now. I didn't want to ask why."

Ilya kept his eyes forward. The advert had cycled off, replaced by something else, some highlights package, players he didn't recognise on ice he didn't know.

"I don't have the answer to that," he said. "I don't know why. It just— happens. I don't always know I'm doing it until I'm already doing it."

Cliff nodded. The pedalling continued, both of them in the same rhythm, the same mechanical back-and-forth. "Yeah," he said. "I get that. Motivation comes and goes. It's hard to maintain. Hockey is work, tough shit, but—" He exhaled. "You've got to keep the love for it too, you know? Not just play it for the other stuff. Play it because you love the game. That has to be in there somewhere, separate from everything else you're playing for."

Ilya nodded once. 

"And the C," Marleau continued. "You know what that means. The honour, I mean, not the responsibility, you know what the responsibility is, you've been responsible for years, man, I mean the honour. You deserve it because you are the fucking man, Roz, and you know that too." He paused. "You can have anything you want. You go out and get anything you want, and you get it. But you can't avoid—"

He stopped pedalling.

Ilya heard the change in the mechanical rhythm beside him and turned his head slightly.

Marleau had his fist pressed against his own chest, hard, over the sternum. He held it there for a moment, then kissed his knuckles and pointed upward.

"What's going on in here," he said. "You can avoid everything else. You can't avoid that."

The ventilation hummed. Ilya looked back at the display panel; his cadence had dropped again.

"Yes," he said. "I hear you."

"Yeah?"

"Yes. I hear you. I'm perfect, I'm smart, I need to stop being depressed." He said it flat, and Marleau scoffed and leaned sideways and pressed their shoulders together. Ilya elbowed him back.

"I know you hear me, hear what I really mean," Cliff said.

He looked at his watch. There was a pause, and then Marleau's eyebrows went up, and he made a short sound through his nose.

"Alright." He swung his feet off the pedals and stood, stretching both arms overhead with a grunt. "I'm getting the fuck out of here." He grabbed his towel from the handlebars. "Goodnight, Roz. Go do some soul searching."

"What, is the new girl you're seeing a witch or something?"

Marleau flipped him off over his shoulder without turning around, his voice already moving toward the door. "Goodnight."

The door swung shut behind him. The sound of it closed off cleanly, and then there was only the ventilation and the single bike still going.

Ilya cycled.

He didn't know what he was doing here. He should go home. The building was dark past the edge of the fluorescent light, the hallway behind him a long rectangle of dim emergency strip lighting that led to a car park that led to a car that led to an apartment where he would lie in bed and stare at the ceiling until the grey light of early morning started to come through the gap in the curtains, the same as every other night this week. He had been going to bed and lying there for hours, not sleeping exactly, not fully awake either, just present inside his own skull, which was more than enough to be doing.

He pedalled.

He looked up.

Shane was on the screen again. A different advert, some Canadian bank, him grinning at a camera with those straight white teeth and the warmth that he put on for things like this, the one that was slightly too wide to be entirely real, the one that had fooled every person in the continent except for Ilya.

He looked down at his own hands on the handlebars.

He thought about the Prospects Cup. He had not thought about it in a long time, or told himself he hadn't, which was different. Shane at seventeen, that beanie pulled down practically over his eyebrows, so low that the first thing you saw were the eyes— enormous, dark brown, the irises taking up most of the visible space—and below them, that nose. Perfectly straight. A ski slope, Ilya had thought, standing there with the cigarette in his mouth, looking at this boy who had appeared out of nowhere to tell him he couldn't smoke outside the rink and clearly expected to be listened to. He had almost bitten through the filter.

He remembered the lurching feeling in his chest, arriving without invitation, without anything that could be called a reason. He had stood there in the cold outside a training rink and felt something knock sideways in his chest and thought: interesting.

When had that become this.

He leaned down onto his elbows and looked at the floor, moving past beneath the stationary pedals, the grey rubber matting, and tried to locate the moment when the lurching had become something else. When the feeling of surface, the air, the breathing, the sudden sensory clarity of being near someone who made the world sharp and present, had curdled into suffocation. Into the crawling feeling in his throat and chest. Into the thing that moved his body through rooms and across cities and up to doors of apartments he had no business standing in without him having made any decision that he could clearly identify.

His father, he thought. This is how his father felt. Some pathogen that had gotten inside without permission, without invitation, that had taken root and developed in the dark of him, regardless of what he prayed or what he asked or what he tried to do about it. Some inherited tendency, this addiction that ran through the blood on both sides, the compulsion dressed in different clothes depending on the decade and the substance, ending always in the same place: a man who had lost the thread of his own life and was chasing something he could not name clearly.

Drugs were one thing. Alcohol was one thing. Cutting his wrists was one thing. These things were knowable. 

This was not.

He scoffed at his own interior voice for the word it had offered him and then used it anyway, alone in an empty room in the middle of the night with no one to hear. A crush. He was a grown man, and he had a crush. Except that was not the right word for it either; it was too small, too teenage, too light for what this actually was, for the weight of it, for the way it had been his escape hatch for so long. His way out of the weight, the one thing that made the carrying feel sustainable, and had become, without him noticing the precise moment of transition, another thing to carry. A burden that sat on top of the rest and screamed to be looked at directly when everything in him would rather look anywhere else.

What does his body want from him?

Shane Hollander. The answer was there before he had finished asking the question. It was always there, had always been there, sitting in the same place every time he went looking.

But he has him. He has him. What else does it want? 

He has Shane whenever they are in proximity, when the schedule makes meeting inevitable. He can have him carnally, can put him in whatever configuration he wants, can spend hours inside him, can take him apart, he can worship him and then put him back together, and send him home. He can live inside Shane's body for an entire night and then let him walk out the door in the morning and feel, for a few days at least, the satisfaction of a hunger fed.

And between those nights, the microdoses. Shane's name on his phone screen, which never failed, still, after all this time, to do something to the base of his throat.

Is that not what he always wanted? For Shane to come to him, consistently and constantly, reliably, the way water moves toward the lowest point because it cannot do anything else.

Exclusively, the word slipped in.

He stopped pedalling for a moment.

At all times.

He had always believed God had given him the inability to love for good reason. He had understood this as mercy. Whatever love he formed would be rotten; he knew this about himself the way he knew about the other tendencies, not with shame particularly, just awareness. Love in his hands would become obsession, obsession would become compulsion, compulsion would become other things. He had watched the logic of it play out enough times to have no illusions about the sequence.

And yet here he was.

He pushed harder on the pedals; the resistance bit back. He pushed even harder.

How could he think that? he thought. How could he think it, as if it were obvious, as if it were a thing he should simply stop doing, as if the love he was apparently catastrophically capable of were a problem of perspective. He had constructed his entire adult life around the belief that he was not this kind of person. That whatever he had instead of love, the wanting, the watching, the long, patient games of attention, was different enough to be manageable. Different enough not to count.

He looked up at the screen for answers.

 


 

December 2016

Could he even call it a conversation, Ilya thought, as he shouldered the hotel-room door open and let it swing behind him. More of a crazed panic, really— his father calling at eleven at night, then forgetting, then calling back as if nothing had happened, his voice at that brittle, overbright pitch it reached these days, asking Ilya repeatedly to bring back pickled mushrooms. For the solyanka. His mother was making solyanka. Ilya had stood in the corridor outside the room with his hand pressed flat against the wall, because his mother had been dead for twelve years, and because his father had apparently decided that Ilya was in Moscow again. The mix-up had almost made him laugh. It didn't this time. He was too tired to laugh.

The game had taken everything. That was the only way to describe it— 4-1, a clean win, and Ilya felt like he'd been turned inside out and left on the ice to dry. Montreal always did this. He didn't know if it was the building itself, the crowd in this city, or whether it was something else entirely.

He'd looked up at the friends and family section in the second period and seen Rose Landry leaning over the rail with her head tilted, tracking Shane with her big blue eyes like she actually cared. Come on. He had dragged his eyes back to the game, then added, for good measure, slut.

His phone buzzed just as he reached for his back pocket.

received:

I'm having some renovations at the other building, so you'll have to come to my apartment.

received:

You already know the address... for some reason. So, don't be too late.

status: read

Ilya read it twice. Didn't reply. Just shoved the phone into his back pocket and grabbed his jacket off the bed.

Since when was he so sassy? 

Although, he considered this as he shrugged the jacket on, it was probably the food. Shane's food deprivation had historically made him irritable in a way that manifested as tightly controlled passive aggression. Ilya had tried, in his own way, to make the eating thing interesting— had floated the idea once, carefully, and Shane had threatened to block him with such immediate conviction that Ilya had let it go entirely. Whipped cream could be fun in bed. But, he had put a pause on that avenue of exploration after Shane's response to the suggestion he lick it off Ilya's abs had been, verbatim, what the actual fuck is wrong with you, followed by twenty minutes of silence. 

The biblical fasting, Shane's equivalent of penance, seemed to have stalled recently, though. Maybe he'd given it up. Maybe someone had told him starvation wasn't a virtue, or maybe he'd just gotten tired of carrying that boulder, and had quietly set it down for a minute without announcing it.

He zipped his jacket up and turned. 

Connors was slouched against his own headboard on the other side of the room, half-asleep, the room service menu balanced against his knee and his eyes at about forty percent capacity. The TV was running game replays in the background, the volume low.

"Was good game," Ilya said, nodding toward the screen.

Connor groaned. Blinked once, twice, and slowly raised his head with the energy of a man being asked to do something unreasonable. "Mm. Yeah. Good game, Cap." He swallowed. "But, you know. Montreal's been on the down lately."

Ilya raised his eyebrows. "You cannot go down if you’re already on the floor."

"No, but I mean—" Connor pushed himself slightly upright, "—I'm serious. I have a Voyageur buddy, and he says there's something going on between Hollander and the rest of the team."

Ilya's jaw tightened. "You're full of shit," he said. "What hockey player leaks team information to the enemy the night before a game?"

"I would never lie to sweet Rozy—"

"Mm." Ilya pulled the jacket straight on his shoulders and didn't say anything else, because Connor was probably full of shit, Connor was usually full of shit in his own way, and yet. He had seen something on the ice tonight. The way Shane had interacted with number twenty-two, number eighty-seven—irrelevant defensive players, bodies on the ice—had been wrong in a way that Ilya's brain had flagged and filed. Not Shane's usual awkward, which was familiar and well managed. This was scratchy, unsmooth, like something underneath the surface was pulling the wrong direction, and Shane was too proud to paper over it properly.

Ilya didn't like it.

"I don't know," Connor said, to the ceiling, "maybe that's why we got so many past them tonight. Team energy was—" he made a vague collapsing gesture with one hand.

"We scored because I'm a good centre."

Connors blew a full, unhesitating raspberry at him.

"Ok." Ilya picked up his room key off the dresser. "You have fun on your date with—" he gestured at the room service menu, "—your hand and a burnt burger. I'm going to get laid."

 


 

Ilya ducked behind the building where the alley narrowed between the brick and the recycling enclosure, out of the line of the street, and pulled his phone out. The baggy came with it, and the card, and he tapped the line out against the back of his phone screen. The Montreal cold cut through his jacket. He bent, covered one nostril, and went. Then another, because the first one hit the back of his skull like a door opening into a room he needed to be in, and he wanted the door to stay open longer. He straightened up, sniffed hard, wiped his nose with the side of his thumb, and tipped his head back against the brick for a moment.

God, he was tired.

Not the good tired. The other kind, the kind that lived in the bones, the kind that suggested the body had been running on something that was not quite sleep or food or normal human maintenance for longer than was advisable. If he wanted to, he could slide down this wall right now, let his body find the pavement, tuck his chin to his chest in the winter air, and be asleep in under a minute. He was certain of it. The cold would wake him eventually, or it wouldn't, and either outcome felt fine.

He shoved the phone and the baggy back into his pocket. Pushed himself off the wall. Forced his feet to start moving.

Walking through Shane's building without the fear of breaking and entering was strange. The lobby, the stairwell, the smell of new carpet, and the faint ghost of air fresheners were the same, but his moving through them was different. He pulled his hat lower and climbed. The building received him. Didn't resist him. Each flight of stairs rose and met his feet like something that had been expecting him, and Ilya focused on that, used it as propulsion— one floor, then another, then another, and at the top of it was Shane, which was enough. Had to be enough. That light at the end of his tunnel was the only load-bearing thing left in a body that was otherwise running on the vapour of cocaine and post-game adrenaline and the wanting that had been sitting in his chest since the second period when he'd looked up into the stands and seen Landry watching the ice.

The personification of a plug. That was what Shane was to him, as soon as their bodies slotted together, something that had been open and bleeding in Ilya would seal itself shut. He would be resurrected. He would stop feeling like pieces of himself had been left on the rink. It would be enough, just to hold him, just to be near to him, just to kiss him. That would be enough.

It was, at first.

The door opened, and their hands were on each other before either of them had said a single word, clothes going in every direction, shirts and jackets shed and flung across the living room floor in a trail that led from the entryway to the bed like a map someone had drawn in haste. They kissed violently—the right word, not an exaggeration—mouths colliding with the desperation of waiting too long and now making up for it all at once. Shane went completely limp in his arms, his whole body just giving, the structure going out of him and leaving him soft and pliable and open, his mouth coming apart for easy access, and Ilya pressed himself into it, tasted him, wanted to push past the teeth and the soft gums and find whatever hollow was deepest and live in it. 

He slid his hand up Shane's back just to feel it. Just because he could. The skin was pale and smooth, almost seamless, and then not— interrupted at intervals by the evidence of everything Shane's body had absorbed in the service of the game. The bruises were in full bloom tonight, yellow at the edges where they were fading and deep purple-blue at the center where they were fresh, scattered across his ribs and the curve of his hip, and one along his shoulder blade that Ilya didn't remember seeing before. They were beautiful. Forget-me-nots and irises pushed up through pale soil, blue and yellow and faintly green at the margins, the colours that pain made when it tried to surface through skin. Evidence of hurt taken like it was nothing. Taken like it was something deserved,  Shane's body had learned to receive damage with the same composure it brought to everything else, and the flowers bloomed and wilted and bloomed again in a cycle that mapped the season the way rings mapped a tree. They ran along the lines of him like rivers finding their courses, rooted in the deep tissue and spreading outward along the branches of his veins, trailing upward past the soft grass at his thighs, thick there, dark, fading to sparse at his stomach, almost nothing at his arms— up and up past the hills and valleys of his chest and the sharp ridge of his collarbone and up the line of his jaw to his face.

The galaxies across his nose.

Each freckle its own star, each star with its own gravitational field, its own planets in slow orbit. Ilya wanted to fall into it. Wanted to spend years moving from freckle to freckle across that face, charting each one, naming it, losing himself in the space between them. If he could, if it were physically possible, he would press himself into the crease between Shane's nostril and his cheek, that soft fold of skin, and collapse there and close his eyes and never open them again. Sleep in the warm dark of it until the wanting stopped.

He couldn't. So he entered him in the only way available.

His hand was shaking. His cock was full, and the wanting was so thick it had gotten into his blood alongside everything else he'd put in there tonight, and he tried to focus, tried to bring his hand steady, and he missed. Shane made a sound, something about teasing. Ilya shook his head because he wasn't teasing; he was as desperate for this as Shane was— no, he was more desperate, he was certain of that. Shane had wanted for things before. Shane had a whole life of wanting built into him; he wore it like a second skeleton. Ilya had never wanted for a single thing in his life. Had never asked, never let himself need. He did not know how to carry it. It was new, and it was unbearable, and he found the angle and pressed forward and felt Shane's body open for him and heard the sound Shane made and—

Please, he begged the Lord, Please. Just let me.

He groaned and his body took over, the rhythm finding itself, too hard probably, too much, he could feel it in his own thighs and in the grip he had on Shane's hips— both hands, fingers digging in hard enough to anchor, to keep him from dissolving forward into the mattress because Ilya needed him there, needed him exactly there. The sound of his own body against the curve of Shane's ass was loud, and he knew that more flowers would bloom there by morning. He wasn't sure how he felt about that. It didn’t feel good. He pressed forward harder.

Shane was keening, clawing at Ilya's forearms, his fingers dragging and catching, and underneath the sound of everything, underneath the blood in Ilya's ears and his own breathing, under the chanting of the choir, there was something else. Something Shane was saying. Ilya couldn't hear it. He bent himself forward and down, folded himself over Shane's body until his mouth was at the crook of his throat, his lips at the pulse point, the salt of him on Ilya's tongue.

"Hit me," Shane said. "Fuck—"

Ilya went still, for one half second.

"Rozanov, fucking—" Shane grabbed his hand. Ilya tried to press their palms flat together, tried to slip his fingers between his. But Shane slid Ilya's hand down, gripped his wrist, and brought it up to the side of his own face. Held it there. Looked back at him with his eyes blown completely black. "Hit me."

Ilya looked at him. At his face. At the freckles and the stars and the galaxies and the soft mouth saying it again, and something in his chest turned over slowly.

Flagellation. Repeated internally in the voice of a theology teacher he'd had at fourteen who had described it with dry academic remove. Mortification of the flesh. To repent for sins. To share in the suffering. 

He heard himself whisper, Bozhe moi

He pulled his hand back and brought it down across Shane's cheek.

Shane's face whipped sideways into the pillow, a sharp gasp pulled out of him like a thread, and in the silence after it, Ilya watched the colour bloom, roses opening along the line of his cheekbone, petal by petal, rain collecting in the hollow of his collarbone below.

Shane's lips moved. Again.

Ilya could not hear anything anymore. Not the room, not the city outside, not his own pulse. He leaned back and brought his hand across the other cheek and watched the roses open there too, petals spreading from the point of impact outward across the pale skin.

"Again."

Ilya hit him again.

"Fuck." Shane shook his head against the pillow, gasping, and then, "No, not— not like that—close your hands—mnnh—into fists—ahh— fucking punch me—"

Ilya pulled his hand back.

He closed it into a fist.

It hung there in the air above Shane's face, already moving, already beginning its arc downward. A meteor, already burning on entry, already committed to impact, and when it hit it would send the petals flying and break the hills and shatter every star across that face and crack something that Ilya would not be able to put back together, in Shane or in himself, and his hand—

His hand could not come down.

He pushed himself off the bed. The loss of warmth hit him immediately, physical, like stepping out of shelter, and he stumbled sideways as his feet found the floor, caught the doorframe, grabbed his jeans off the carpet, and held them against his chest. His legs carried him to the bathroom. He didn't decide to go, his body just went, the same autonomy that had made his fist and then refused to use it, navigating him away from the bed and away from Shane's face and through the door, which he pulled shut behind him, and the click of the latch in the silent apartment was the loudest thing he had ever heard.

He was upright, technically, his hands braced on the edge of the sink, and his forehead pressed against the cold stone of the wall above it, but in every way that mattered, in every internal sense, the pieces of him had scattered, and he didn't know how to collect them. How to gather them into something functional enough to walk back out that door and fuck Shane in the way Shane needed him to, or to shoulder on his jacket afterward and go back to the hotel and then to Boston and then to the ice and then to do it all again, train and play and train and play and wire money to Moscow.

He leaned over the sink and gagged. Nothing came up. He pressed his forehead harder against the stone and tried to breathe, the cold of it radiating against his skull, and his chest was hollow. He pressed his fist against his sternum and banged it twice, hard, listened. The hollow sound came back. His heart had gone first, then his lungs following after it, and everything else in a cascade, organs vacating one by one like tenants from a building with the heat cut off. He fumbled for the pocket of his jeans where they were bunched on the floor, fingers finding the baggie, and he tipped it onto the back of his phone screen, the card already in his other hand. The lines came out uneven, and he didn't straighten them, didn't care, just bent and went, and then again, and waited.

There. The heartbeat came back. Hammering, too fast, but present.

Ilya straightened. His vision tilted, and he grabbed for the towel rail to steady himself, gripped it, felt it give, and staggered back with it coming off the wall entirely in his hand. He stood there holding it, blinking, and turned it over.

Not a towel rail.

He turned the black harness over in both hands. His thumbs ran along the hardware, the buckle, the adjustment straps. His brows dropped slowly, one degree at a time, as his brain, now sharp and bright with clarity, assembled the picture.

Shane wouldn't leave this here. Shane, who arranged his spice rack by frequency of use and kept his bathroom cabinet in alphabetical order, would not leave this draped over his towel rail like a forgotten scarf unless someone had used it recently enough that it hadn't been put away. Recently. Tonight. A few hours ago, maybe. Maybe one. He ran his tongue along his top teeth and felt the slow drag of his jaw clenching.

Rose Landry had been here. Rose Landry had been in this bathroom, with this, and then had left, and Shane had showered or not showered and tidied or not tidied and sent Ilya that text and don't be too late and—

His hand tightened around the harness until the hardware pressed into his palm hard enough to mark it. He wanted to tear it apart. Wanted to find the seam where it was stitched and pull until something gave. Where was the rest of it? He needed to see the rest of it, needed to find it, and he was already pulling the cabinet open with his free hand. It hit the wall with a crack, and then the next one, and the next.

The door slammed open.

Shane stood in the frame, eyes wide, hair still wrecked from the bed, wearing nothing, his gaze moving rapidly from Ilya's face to the open cabinets to the lines still faintly visible on the back of Ilya's phone on the counter. He stared at the phone. His expression went through several things in quick succession— confusion, recognition, and then a kind of disbelief that tightened his whole face.

"What is this." His voice stuttered. He crossed to the counter in two steps and grabbed the baggie, turned, and pressed his open palm flat against Ilya's bare chest. "You're doing cocaine in my bathroom. Are you fucking crazy—"

The baggie bounced off Ilya's chest and hit the carpet, and a fine scatter of powder came out with it. There was a half second of silence, and then Shane made a sound like he'd been struck and dropped to his knees, cupping his hands around the spill, trying to consolidate it. "Oh God—"

"Oh, calm down." Ilya looked down at him, the scowl settling into his face.

"Me?" Shane looked up at him from the floor, and the expression on his face, genuinely horrified, genuinely incredulous, red-cheeked and wide-eyed from below, might have been funny under different circumstances. "You're telling me to calm down." He gave up on his hands and stood, disappeared briefly into the bathroom, and came back with a dustpan, dropping back to his knees. "You've really," he said, to the carpet, teeth pressed together, "really, really lost your mind."

The energy he had been missing for months arrived all at once, flooding back into Ilya's body through every channel the cocaine had reopened, and it came in hot. He could feel the vein at his temple, his jaw was tight enough to crack. "Me? Crazy?" He laughed, humourless, "Look at yourself. Ty— yebanaya shlyukha. Rose Landry is fucking you with strap and you're telling me—"

He meant to throw the harness onto the bed. It caught Shane across the back instead.

Shane yelped, dropped the dustpan, and twisted around to glare up at him from the floor, and the glare was formidable even from that angle, even with his face red and his eyes too bright and Ilya's softening cock swinging freely at approximately his eye level, which was a genuinely absurd visual. Shane pushed himself upright and jabbed one finger against Ilya's sternum. "That has nothing to do with this." His voice had dropped to a hiss. "What I do with my girlfriend is none of your business."

Ilya tipped his head back and laughed, a real one, full-throated, his jaw stretched wide, the line of his throat stark under the bathroom light, and spread his hands. "Yes. Yes. Nothing to do with me." He started clapping, each clap landing heavy. "Well done, Shane. How was it, to be fucked by both Ilya Rozanov and Rose Landry in one night? Bet you feel like a real celebrity now." He spun once, theatrically, and when he came back around, Shane’s jaw was shaking, his hands balled into fists at his sides. He stepped forward and gripped the back of Shane's shoulder, fingers digging in, and gave it one firm, condescending pat. "Officially a slut, yes? Two-time Stanley Cup winner is now two-timing cock-drunk slut—" he cupped his hand around his mouth and called it into the room like an announcement, "—everyone—"

Shane shoved him.

Both hands to the chest, hard, and Ilya stumbled backward a full step. Shane's nostrils flared. His chin was up. He shoved again, and again, driving Ilya out of the bedroom and into the hallway in three hard pushes, Ilya's bare heels catching on the threshold. "Yeah?" Shane said, low and tight, and his voice was shaking underneath the hardness of it. "At least I can win two Stanley Cups." Another shove, past the glass banister at the top of the stairs. "You can barely win one. You're too busy getting drunk and doing drugs and fucking sleeping, because you're lazy, you can hardly show up on the ice half the time, you're a drunk and a horrible captain, and that's why you—" Shane's voice cracked slightly, and he reset it, "—bombed at the Olympics."

Ilya's head hit the wall.

Hard enough that his vision blurred for one half second, the world tilting and resettling, and he stood there with his eyes closed and his hand going to the back of his skull and something rising in his chest that had nothing to do with the cocaine, nothing to do with the harness, nothing to do with Rose Landry. He felt it moving. He felt it reaching the surface.

He opened his eyes.

Shane had gone still. Half-frozen, staring at him, one hand still half-raised, his chest rising and falling too fast, his eyes, his eyes, were terrified, like Shane knew he had gone too far, couldn't back down from it. Caught between forward and retreat, his weight shifted forward onto the balls of his feet.

He ran.

Completely naked, down the stairs, feet slapping the glass, and Ilya didn't think. He just went after him.

"Leave me alone," Shane yelled from somewhere below, not looking back. "You're insane, you're—"

"Da, da, I'm crazy." Ilya cleared the last step and came around into the living room, where Shane had positioned himself behind the couch, both hands white-knuckled on the armrest, bouncing on the balls of his feet like an animal that hadn't yet decided which way to run. "I'm the crazy one." Ilya's chest was heaving. He swiped the back of his wrist across his forehead. "You begged me to punch you. What, you want me to kill you too? Choke you out? I will do it. Fucking come here."

"Yes." Shane's voice cracked open, raw and loud, and his eyes were shiny now, dangerously bright. "I like that. I like all of it. Want you to kill me. I’m a slut. And you're useless. Are you—" his voice broke on a half-laugh, furious and horrified all at once, "—are you a pussy? You have the nerve to threaten me when you can’t even hit me when I ask you to.”

Ilya lurched around the end of the couch.

Shane grabbed the throw pillow and hurled it at his head. Ilya ducked; it sailed past. He stood upright and stared at Shane across the couch, his mouth open, genuinely speechless for one full second. "Jesus Christ," he said. He pointed. "You need to go to a hospital. They need to put you in a mental hospital. Throw something again and see what I do to you. You think I won't hit you back?"

"Because of you," Shane shouted, and grabbed at his own hair, fingers curling into fists against his scalp, pressing his arms against the sides of his head like the fact of being conscious was physically hurting him. "Where do you think I learnt this? It's because—" he dropped his hands and shook them, shook them out like he was trying to get something off them, his whole body vibrating with it, and then he turned and ran into the dining room.

"Chertov ad–"

"It's your fault," Shane yelled, and his voice was raw now, scoured of everything, down to the thing underneath. Ilya followed him around the table, and Shane pressed his back flat against the far wall, chest heaving, eyes wild and wet. "Your fault that I'm like this. You did this to me. You— you broke something." He gasped, a sharp intake, and pressed both hands over his face. "It's all your fault."

Then his hands left his face and came up to his own head, and he started hitting himself, both fists making contact with his own skull in hard, rapid strikes, his face contorted, a low, continuous groan coming from somewhere deep in his chest with each impact, and the sound of it was the thing that made Ilya stop.

He went completely still. His hand came up slowly and covered the lower half of his own face, pressing his fingers against his mouth, his eyes wide and fixed on Shane. He watched one more impact, and then his feet were moving, the way you moved toward something that would bolt if it heard the wrong sound.

"Okay." His voice came out low. "Okay. Stop doing that." He watched Shane's hands slow. "Stop it, Shane. Don't do that."

Shane's eyes opened. They found Ilya's face and stayed there, glassy and unfocused, his chest still shuddering with the effort of breathing. Ilya took another step.

Shane grabbed the vase off the mantle and threw it at his head.

"Yebat—" Ilya ducked, and the vase went wide and exploded against the floor in a spray of ceramic and dried flowers, and Shane was already through the door and running for the kitchen. Ilya straightened and went after him, and his left foot found a shard of the vase in the dark of the hallway, and he felt it go in and swore, grabbed the doorframe, and hopped the last step into the kitchen.

Shane was behind the counter with a knife.

Not pointed at him. Held at his side, knuckles white around the handle, the blade catching the low light from the range hood. Ilya stood in the doorway with blood smearing the floor under his left foot and looked at Shane's face, the red blotches high on his cheeks, the brightness in his eyes, the way his jaw was set, his whole body drawn taut as a wire, and exhaled slowly through his nose.

"What," Ilya said. "You're going to stab me?"

Shane's chin lifted. "Maybe." He tilted the knife toward the door. "Get out."

Ilya studied him. "Is this really how you act," he said, "when you don't get what you want. You throw things and wave a knife at people like three year old."

Shane's teeth came together hard, a visible clench, his eyes going bright and furious. "You're the dangerous one here. You're a psychopath. You've always been a psychopath. I don't know what you're going to do to me."

Ilya raised both eyebrows, slowly. "Mm." He let his gaze drop, briefly, to the knife. Back up to Shane's face. "Yes. I am psychopath, lunatic, whatever you want. And you still asked me to come here and fuck you. Because I can fuck you better than her, better than anyone else." A pause. "And who is holding the knife?"

Shane looked down at the knife, then up at Ilya. Then back to the knife, and something moved across his face, the faintest shift, awareness settling through the fury like sediment, and he swallowed.

"Like I said," he whispered. "You drove me cra—"

"Bozhe moi," Ilya hissed, as his foot shifted and the glass moved and the pain shot up through his ankle. He grabbed both sides of his own head with his palms and pressed, squeezing the frustration inward. "You cannot make somebody crazy like this, you were already crazy." He dropped his hands. "You have always been crazy. Don't pin your shit on me. How exhausting is it? Always blaming everyone else. Lying to everyone. Lying to yourself, pretending everything is easy, pretending you're not— not—" he gestured at Shane, the whole of him, the bare feet, and his naked body, his red cheeks and the knife, "—losing your mind. And now this, pretending you're not gay. Fuck. You're gay, Hollander. Get over it."

Shane's eyes lidded, very slowly. The bared teeth softened degree by degree until he was just looking at Ilya, just standing there, the knife loose in his hand now rather than gripped, and the brightness in his eyes had changed. He lifted the back of his free hand and dragged it across his face. Set the knife in the sink without looking at it. Stared down at it.

"You don't know me," he said.

"Oh yeah? I don't?"

"No." Shane's voice was quiet now, stripped of everything performative, just the sentence underneath. "You don't. And you have no right to judge me after everything you've done."

Ilya had nothing to say to that.

He looked at Shane's profile, the line of his nose, the set of his jaw, the way he was staring into the sink looking for answers, and pulled out the nearest barstool and sat down on it. The fight went out of him all at once, like a light switching off. He pressed his palm flat against the counter and looked at the blood tracking from his heel across the kitchen tile.

"Why are we even yelling," he said, into his hand where it had come up to rest against his jaw.

Shane's shoulders moved. A small shrug, barely there. He blinked at the sink.

"Why did you run?"

Shane gave him a sideways look. "Why do you think I ran?" A pause. "You were going to sucker punch me."

"So you bring a knife to a fist fight."

Shane's eyes cut to him, sharp. "Not funny."

Ilya paused. A light exhale through his nose. "Is kind of funny." He dragged both hands down his face and laid them flat on the counter, leaning forward on his elbows. "Running around naked, screaming."

Shane went still. Then his eyes went wide, and he turned slightly toward the dark window, as if he could see through the glass to the floors below. "Oh, God." He shook his head. "My neighbours."

Ilya wrinkled his nose. "Your neighbours."

"Yeah, the noise—"

"Shut up."

"Don't tell me to shut up, you shut up."

Shane gripped the edge of the sink. The silence that settled after it was softer at the edges, most of the energy gone out of it, both of them just standing and sitting in the wreckage of the last twenty minutes. The city was dark outside the kitchen window, the skyline patient with navy through the glass.

"I hate you," Shane said.

"Me too," Ilya said, and let his forehead drop to the cool marble of the counter. "I also hate this."

 


 

Later— how much later, Ilya couldn't have said, the cocaine had done something complicated to his sense of time— they were on the kitchen floor. Ilya's back was against the cabinet base, his injured foot extended toward Shane, who had produced a first aid kit from somewhere. His hair was still wrecked. They’d both gotten dressed. Shane had put on boxers and a t-shirt, an old one, thin enough that Ilya could see the shadows of his shoulder blades through it when he leaned forward. The kitchen was very quiet.

Ilya let his eyes travel. The blotchiness still sat high on Shane's cheekbones, red-pink patches fading at the edges where his natural colour was starting to reassert itself. The corners of his eyes were faintly crusted with tears that had made it that far and no further, dried there without falling, because even in the middle of a screaming naked chase through his own apartment, Shane Hollander had not permitted a single tear to actually complete its journey down his face. He wanted to drag his knuckles along those bright cheeks and cool them down, and he was fairly sure Shane would bite him if he tried.

Shane's eyes lifted from his foot and found Ilya's.

His brow furrowed slightly, the faintest pulling together. "What are you looking at."

"Your face."

Shane twitched his shoulder up toward his cheek in an attempt to wipe something off it. "Is there something on it?"

"No." Ilya paused. "I just think it's pretty."

The corner of Shane's mouth moved. A small lift, followed immediately by a scoff exhaled through his nose, and he looked back down at the bandage. "Right."

That did something to Ilya's chest that he was completely unprepared for, a full rolling somersault that went from sternum to throat and left him slightly winded. His heart had survived Shane threatening to stab him, had survived the vase and the pillow and the thirty seconds of genuine uncertainty on the mezzanine, and it was this that apparently constituted a threat. The small, reluctant, half-smile that Shane couldn't stop fast enough.

This was the most beautiful he had ever looked. Not the commercials, not the photographs, not the magazines or the ice or the Stanley Cup, none of it, this. Completely naked in every sense, shaking and furious and reaching for a knife and then sitting cross-legged on his kitchen floor bandaging Ilya's foot with an almost tender concentration, the city lights catching in his dark eyes. The version of Shane that existed beneath everything else.

"You are pretty— ow.”

Shane pressed the cotton ball against the cut with a pointed lack of apology. "You said I needed to be hospitalised thirty minutes ago. I was waving a knife at you, and you looked like you were going to kill me. You really are delusional."

"I said you were crazy. I never said you weren't pretty." Ilya tilted his head, trying to angle himself into Shane's eyeline. "You are a liar. And you are crazy." He let a beat pass. "And you are also very beautiful."

Shane closed his eyes. His lashes rested against his freckles, and his chest expanded on a slow breath. "Jesus." He said it quietly, almost to himself. "I'm not a liar, okay? You always act like you know me better than I know myself. And sometimes it—" he paused, opened his eyes, and his head was dipped so that when he looked up at Ilya, the angle made his eyes enormous, the city light fractured in them, the skyline reflected, "—sometimes it feels that way. You know my body. I can admit that." His voice was careful now, picking its way through something. "But you don't know me. I don't know you. We don't know each other. We meet. We fuck to cope. That's all."

"That isn't true," Ilya said.

"Il–Rozanov."

"You said I drove you crazy." He kept his voice level. "You cannot drive someone crazy if you are nothing."

Shane looked down at his foot. He smoothed the bandage square with his thumb, pressing each edge down, and then sat back on his heels and scratched the back of his neck with the heel of his hand, still not looking at Ilya's face. A tired half-smile moved across his mouth and disappeared. "Okay." He pushed himself up from the floor, joints cracking. "Your foot is done." He gestured vaguely toward the front door without meeting Ilya's eyes. "Go now, please."

Ilya stood. He nodded once, picked up his jacket from where it had ended up draped over the glass banister, and worked his arms into it. Pressed his socked feet carefully into his trainers, avoiding the injured side. The apartment was quiet around them— just the city outside and the distant sound of the building settling.

"Goodnight, Hollander."

Shane was facing the window. He'd drifted there while Ilya was putting his jacket on, drawn to the glass and the dark and the skyline the way he always was, and he stood there with his arms loose at his sides, the t-shirt thin against his back, the city light laying itself across the planes of his face in blue and amber and white. He looked like a photograph.

Ilya crossed the room in two steps.

His arms went around Shane's waist from behind, and he pressed his mouth to the side of his neck, just below the jaw, and felt Shane's hands go momentarily limp at his sides, and then Shane turned in his arms and kissed him back. His hands came up and found Ilya's hair, fingers gripping, and the kiss was nothing like what had come before it tonight, none of the violence of it, just the two of them standing in the blue dark of Shane's kitchen window with the city behind the glass.

Ilya's hand moved to cup the underside of Shane's jaw, his thumb tracing the line of his cheekbone, still warm from the fight. His other hand pressed Shane's hips gently back against the counter. He dragged his tongue along his chin, felt the breath Shane pulled in through his nose, and nipped at the soft skin just below his ear.

Shane whimpered.

"We fuck," Ilya said quietly, against his cheek. "And then I go."

Shane's eyes closed. He stood there for a moment with his lashes on his freckles and Ilya's hands on him and the city doing its patient glittering thing outside, and slowly, slowly, a small, sad smile moved across his mouth, and he nodded, the movement barely there.

"We fuck," he said, and Ilya could feel the curve of it against his own cheek, "and you go."

 

Notes:

Bozhe moi: Oh my God
Ty— yebanaya shlyukha: You are a fucking whore
Chertov ad: Fucking hell
Yebat: Holy shit/Fuck

i'm on twitter ilyassoull
send asks on tumblr unseemlyndisturbed
 
ah shit. we're really getting into the thick of it now. this fic has me in a chokehold, and i'm so excited to write the upcoming climax. we are so close, guys. stay with me. shorter chapter maybe, but a lot happens.

i am not going to breeze over ilya's relationship with his parents (or shanes with his lol) especially his mother. dropping lots of little crumbs for now. grigori is really the cause of most of ilya's childhood trauma, and ilya knows this, and for a long time he has held that anger inside of him. he still holds it. and now, because of the dementia, he can never get the closure he always searched for. he can never confront grigori for what he did, because to ilya the sad little man sitting in front of him is not the same man who beat him and his mother and his brother. this is a shadow of that man. and he is trying so hard to let go of that anger.

so, so many comments about being excited for ilya's reaction to rose, lol, well. he doesn't text shane something unhinged. he just. absorbs it and keeps moving. just thinking "slut" internally, then his eyes go back to the ice. he has been white-knuckling his own impulses all season, has decided to lock in on hockey and not let himself be thrown around by feeling the way he usually is. that decision is killing him, saving him, who knows, but it's working, mostly, until it isn't.

the harness is the thing that breaks the containment because it's not abstract. rose in the stands is rose being shane's girlfriend in public, which ilya has made a kind of peace with, or told himself he has. but rose's strap on shane's towel rail is rose in shane's private space, in his body (in a way shane enjoy), the space that Ilya thinks of as his in some unspoken and completely delusional way, and that bypasses every bit of restraint he's been building all season.

ilya and shane. shane and ilya. ilya is slowly realising what he feels for shane is different from what he thought it was. but that realisation doesn't take away from the things he did in the past. it doesn't suddenly make the feelings themselves healthy either. realising he likes shane doesn't change the actions, and it doesn't change the damage he caused. it doesn't even change how he treats shane, really, as we can see from the fight. he is still allowing himself to be thrown around by his feelings, with little care for the consequences. and the heartbreak, because of rose. the stress of his father. the depression creeping in at the edges. oh mr gaslighterrr.

many thoughts. i never get questions for lwc on my tumblr, please feel free to ask! i love them. this chp is my favourite yet, it beats chp 9 for me. i think it is my best written chapter in this fic, too, which is fun because i wrote it in a day.

Chapter 12: Scott Hunter

Notes:

song recommendation for this chapter is Don't Delete the Kisses by Wolf Alice

content warning for slurs and racial discrimination.

also, the hockey semantics are questionable here. i did indeed do research on the all-stars weekend, but allow for some creative liberty when it comes to specifics. not a fan of hockey, not the biggest fan of watching sports in general. all love but we all know this isn't a hockey fic haha, thanks to zebi as always for blessing me with her knowledge.

(See the end of the chapter for more notes.)

Chapter Text

January 2017

The blinds were up. Ilya never closed them in winter; there was nothing outside worth blocking, just the dark pressing flat against the glass, the city reduced to a scatter of cold white lights ten floors below, the kind of January night that sat heavy on Boston and refused to lift until March. The room was barely lit, the lamp on Svetlana's side casting a low amber circle that didn't reach the corners, and the television threw its blue-grey light across the bed in shifting patterns as the game moved.

"Matheson on the power play while Petrov warms the bench." Svetlana exhaled smoke at the ceiling. "Jesus Christ."

Ilya looked sideways at her and waved the smoke away from the cigarette resting between her lips. "Since when do you care what Colorado does?"

She smacked his hand. "Since when did you stop smoking?"

"It's not good for you." He loosely folded his arms over his chest. "Leading cause of lung cancer, you know."

Svetlana turned to look at him with both eyes raised and her mouth pulled into an expression of pure, theatrical revulsion. "Talk like that again, and no woman will ever want to touch you, even with a ten-foot pole." She wrinkled her lip. "So gross." She tapped the cigarette out on the ashtray anyway. "And I care about all hockey teams, as you well know."

"Of course."

She gestured at the screen. "Especially ones that put good Russian players on the second shift of the power play so mediocre Canadians can waste a minute and a half with the man advantage."

"Mediocre? Matheson?"

"Yes. You can quote me." She looked at him with flat impatience. "I didn't know I was sitting next to a parrot."

"When I see him at the All-Star game." Ilya leaned his head back against the headboard and looked at the ceiling. "I'll make sure to tell him."

"So embarrassing that he's playing." She scoffed.

"The people voted. They love him."

"The people are wrong." Svetlana sat up and turned toward him, tucking one leg underneath herself. "The people are also surprising. I didn't think your sweetheart would make the lineup, with all the— well. New York wants him dead."

"The only surprising thing is Scott Hunter being picked as fucking captain." Ilya snorted. "I didn't know pity was a qualifying metric."

"Oh, Ilyushu." She kicked him lightly with her foot. "Don't be so biased. New York has had a generational run this season. Thirteen wins is—" She raised both eyebrows at him, let the pause sit, and when she spoke again, her voice had gone light. "Almost as good as you."

Ilya dragged both hands down his face. "I really do not want to be on his team."

"You want to play on the same team as Hollander instead. Right."

He felt the corner of his mouth move before he could manage it. He shrugged.

"I would love to see you on a line with him."

He inhaled slowly. "Not sure he can play wing."

"But you can."

Ilya turned his face toward hers.

"You would have him center me?"

He said it with the right amount of skepticism, it came out almost convincingly.

Shane likes to be told what to do. Shane likes to be the moon, orbiting Ilya's light, pulled in a circle by the sun's gravity and never coming closer and never escaping. This is what Ilya had always thought. What he had believed for a long time, like the beliefs he had formed about himself too early, and built considerably on top of it. He was the sun. Shane was the thing caught in his field. Except that lately, when he ran this thought, it snagged.

Because Shane, if he was honest, was not the moon. Shane was the earth: breathing, living, full of water and green and complexity, good and not good, pure and not pure, layered in ways that Ilya had been peeling back for years without reaching anything that felt like a final surface. Shane was the earth, which had its own gravity, its own field, its own inexorable claim on the things around it.

And Ilya was a meteor.

Not the sun. Not the moon. Not a force that other things, other important things, arranged themselves around. A rock hurtling through the dark at full speed, caught in the pull of something it had not chosen and could not correct, moving forcefully toward impact, and understanding that the impact was coming and going anyway, going faster.

He blinked.

Pointed at his own chest.

"Me?"

Yes, Ilya. You. Svetlana's expression had not changed. Her slightly cocked brow. The small, knowing pull at the corner of her mouth. Her eyes, which were a fraction too wide, were watching him work something out, something which she had already worked out herself and was giving him the courtesy of the time to get there.

He knew she knew. From the first time he had whimpered Shane's name in the bath, two years ago now, she had known. But she didn’t point it out. Of course not, he was not ready, was still not ready, still figuring things out himself. But he was also not fooling her, which was one of the only mercies of Svetlana— she let him play anyway. Because delusion was comfortable. Because the gap between what he performed and what he was had been liveable, so far, by a narrow and decreasing margin, and she was not going to close it for him.

"The people would love it," she said, a smile warming her voice.

Ilya grabbed her legs and yanked her down the bed.

"The people are wrong!"

He launched himself sideways and landed next to her in a full tackle, the headboard knocking against the wall, and the room filled immediately with the sound of his own growling and Svetlana's laughter, real laughter. She shoved at his shoulder, and he didn't move, and she laughed harder, and he laughed too, his face pressed into the pillow, the game still going on the television, completely unattended.

They both knew exactly how wrong he was.

That was the funny part. That was why they were laughing.

 


 

Shane saw him across the bar.

It was warm and modern and filled with players and their families and friends, not too crowded, just enough—the kind of bar that had been designed to feel casual and had spent considerable money achieving that. Tampa in January was warm, not humid, and Shane didn't feel too stuffy in his cream suit jacket. He adjusted it anyway, rolled his shoulders back, curled his hands into his sleeves.

It felt weird to approach him. It felt weirder not to.

They hadn't seen each other since December. The thought sent heat darting across his nose and cheekbones, the flush moving fast, and he wiped it away the same moment he dusted imaginary lint from his black shirt with the back of his hand. The person who had run through his apartment naked and screaming was not the player standing here for All-Stars weekend. He was not. That was something else— something that lived deep in him, below the skin, below the careful layering he had been applying since the moment he understood that what he was was not sufficient. For a long time, he had not known the thing underneath them existed at all, that creature, the thing that had been screaming for his attention for so long that it had started clawing at the skin from the inside, reaching up through his throat, trying to get its hands on his tongue.

Ilya had seen it at full force in December.

And the creature had loved being seen. He could lie to himself about why his legs were moving, why his arms were swinging at his sides, why his body was routing itself without consultation toward the bar where Ilya sat in a tropical Hawaiian shirt staring at the distance with his brows pulled together. Damage control, sure. Hey, Ilya, nice to see you, sorry about the knife, clean slate, yes? 

That was not why he was walking over.

Ilya took a long pull from his Corona bottle, his lips wrapped around the glass, his throat moving as he swallowed. Shane felt the creature bark once, loud and wild, as he dropped into the stool beside him.

The bartender appeared. "Can I offer you something to drink?"

Ilya raised one finger and made a slow circular motion. One more round.

"I'll have the same as my teammate, please."

"Of course." The bartender stepped away.

Ilya cleared his throat. Glanced at Shane from the side, a small smile at the corner of his mouth that he was trying considerably harder than necessary to swallow. Shane could not blame him. He was doing his own version of the same work, forcing his face to hold something in the region of normal, when what it wanted to do was split into a full grin, when what his body wanted was to climb directly into Ilya's lap and wrap both hands around his neck and make undignified sounds, beg for Ilya to strip naked and chase him around the bar again, with a knife, maybe. To play with him. He shook his head slightly. Jesus Christ. 

"You spoiled the surprise," Ilya murmured beside him.

Shane had been tapping his finger against the bar. He had been doing it without noticing, and he made himself stop. Shane. Here. Present. Put the imagery down. Anything involving knives— kitchen knives, butter knives, any knife — goes in the box. Oh, the box, another voice interjected, the same box we were going to put the butt plug in? And how did that fare for us?  He winced. Let out a short exhale that almost became a laugh and pressed his hand over the lower half of his face.

Ilya furrowed his brows and tilted his head slightly. "Hm?"

Shane hadn't answered. Ilya had said something, and he had not answered it. He blinked. "Huh?"

Ilya gestured vaguely toward the bar. "They are announcing the results of the draft tonight, yes?"

"Oh. My bad." Shane nodded slowly, his brows pulling together. "Yeah. I'm feeling a bit—" He paused. Don't overshare. Fill the silence. Normal. Okay. He doesn't need to know how terrified you are, that you've been banking on this moment since December. Because you haven't. The creature made a sound. "My nerves have me—" He stopped again.

Ilya nodded, cleared his throat. 

"So this should be fun, huh?" He said it a fraction too quickly. "I've always wondered what it would be like to play on the same team."

"Have you?" Ilya raised his eyebrows slowly.

"Yes. Nice that it's in Florida this year, right?"

Ilya nodded and drummed both fists once against the bar top. Shrugged one shoulder. "Yes."

Shane picked up his beer when it arrived and held it with both hands. 

Why was this so awkward? He had not expected this to be so awkward, though he should have, because when had the two of them ever managed to exist in the same space without the tension finding them almost immediately— either through fighting or through sex, which was really just fighting with extra steps. Their primary mode of communication had always been frustration and repression, and all the things neither of them knew how to say being projected outward and violently onto each other. Not small talk. Not this. He didn't know how to do this. He didn't particularly want to do this, but he didn't know what he wanted instead, because everything inside him right now was instinct and noise and the creature pulling at the lead, and he couldn't trust his instinct, not anymore, not after the past year, not after what the past year had established about exactly how far his instinct would take him if given the opportunity.

He flicked his eyes to Ilya's face and away. Tried to read him. With other people, he could do this, run the variables, pattern-match, produce the correct version of himself for the occasion. This plus this plus that equalled hockey player Hollander, this plus this equalled the one people wanted to photograph. But the way Ilya looked at him, those pale blue eyes from beneath his lashes, it was like being looked at by someone who had already found the seams in every layer and was watching the thing underneath them with interest. Like he was looking at the creature directly and saying here, boy, without moving his mouth.

Shane took a long pull of his beer.

"Did you, uh." Ilya turned the bottle between his palms. "Did you bring anyone with you?"

Shane gritted his teeth. Of all the available topics. He pressed his thumbnail into the label of the bottle and nodded carefully. "My parents thought about coming. But they're going to Mexico in like two weeks, and they've been to these before, so."

Ilya looked at him. His eyebrows pulled flat. "Ah." He said, hard. "And what about Landry?"

The flinch moved through his whole body before he could contain it, a full vertebral thing, his eyes going slightly wide before he forced the expression back down. He ran his hands along the cold glass of the bottle and pressed his foot hard against the barstool and felt the cold move up through his palms.

"She's, uh—" A short exhale. "She's shooting. A film, it's like—" He swallowed. "A romance. Dark romance, drama, toxic romance, whatever. She really wanted to be here, but." He heard his own voice go slightly uneven on the end of the sentence. He forced a chuckle over it, not perfectly. "It's not really a big deal. Honestly, it's not your business, so. If she could be here, she would've." He pressed his foot harder into the stool. "Like it's no big deal. Um."

Ilya nodded slowly. He reached over and gave him one brief pat, flat and even, high on his back.

Shane's shoulders dropped. His heart rate went down four beats, immediately, involuntarily, as if his body had been waiting for exactly that contact and nothing else.

"Right." He cleared his throat. "Did you, uh, bring anyone?"

Ilya shook his head. "Nope." He popped the p.

He dragged his eyes from Shane's face down to his shirt, slowly. Shane felt the heat of it move through the fabric and looked back at him directly. He didn't know where that came from, the bravado, looking straight at Ilya's face in a warm bar in Tampa while the rest of the All-Stars weekend milled around them. But there it was. They looked at each other, and the silence between them ran its own conversation, in a code Shane could not fully parse, some channel between them that operated below language, below anything he could intercept and manage and make safe. Something was communicating directly to the creature, which sat up and went very still.

"Nice shirt," Shane said, over the sound of his own heartbeat.

Ilya exhaled, adjusted his collar. "I like to, you know. Get into the spirit."

"You pull it off—"

"CATS AND DAWWWGS!"

An arm came around his neck from behind, broad, heavy, belonging to a player named Kowalski, left wing for Detroit, extremely pleased with himself— and then the same arm grabbed Ilya, and they were both pulled sideways into the aggressive embrace of a man who had apparently decided this was the moment.

Ilya's face pulled into a tight, downturned smile. He let out a soft huff through his nose.

Smile, Shane.

Shane's smile muscles found themselves, assessed the situation, and staged a full withdrawal. He felt them stutter, twitch, and then simply give up entirely, collapsing into something in the region of a scowl. His eyes followed suit, going flat and lidded. He was aware of this happening and entirely unable to prevent it. Oh, for the love of God.

Ilya's eyes found his for a half-second, one eyebrow curved in mild question.

"Look at this! Fucking beauties!" Kowalski pressed his cheek against Ilya's like an intoxicated golden retriever. 

This should be a fun time, Shane wanted to say, but his body refused, too busy frowning.

"Yes," Ilya said, through the smile. "Should be a fun time."

Shane was going to expire.

"Careful with this one though." Kowalski raised his eyebrows at Ilya and jerked his chin at Shane, his grin widening. He patted Shane's shoulder. "He can get a little—" He whistled, widened his eyes.

"Mm." Ilya raised one finger at the bartender without breaking his expression. "One black coffee, please." He pointed at Kowalski with his thumb.

"I'm just fucking with you, Hollander." Kowalski laughed, easy and genuine. "You're great, man. It's going to be a hell of a time." He looked back and forth between them, something passing briefly across his face. "East boys! Let's go! Woo!" He smacked Ilya once on the shoulder and stepped away into the crowd.

Shane stared straight ahead. His jaw ached from how hard he was clenching. He pressed his teeth apart deliberately and breathed out through his nose.

He didn't know why he was so annoyed. He felt it completely, an irritation that had nothing to do with Kowalski himself and everything to do with the accumulation of the afternoon— every interaction so far arriving like trying to push something enormous through a gap that was almost but not quite wide enough. People keeping it light, playing it fun, using jokes to make the blatant tension palatable. And then the other kind, the ones who stared, the ones who had apparently taken Shane's fight with Hunter as a personal grievance, as if he had wronged them specifically, as if they had been waiting in line to be offended and Shane had finally given them their opportunity.

He had done an awful thing, he knew that, had acknowledged it internally and externally so many fucking times. He had released so many statements. He had said the correct things into the correct microphones. He did not know how many times the correct words had to be said before they became enough.

"We are going to get a lot of that, I think," Ilya said beside him. He had turned slightly on his stool, his elbow on the bar, looking at Shane.

"Yeah, well." Shane scoffed. "At least people are talking to you."

"They are not talking to you?"

"No." It came out harder than he meant it to. "I mean, yes. But not really. It's—" He pressed his thumbnail back into the label. "Awkward."

Ilya nodded slowly. He leaned slightly to the side, and their elbows almost touched, a centimetre of bar between them. "Well." He paused. "They are stupid, of course." Another pause, shorter. "And we're talking."

He held Shane's eyes.

"It should give us the chance to get to know each other," he said. "Who knows what we might have in common."

The creature went completely quiet.

 


 

The door was open a crack.

Through it, the arena arrived in pieces— the sound first, the low, sustained roar of a crowd that had not yet been given a reason to get loud, the baseline hum of that many bodies in one enclosed space. Then the light, the cold white wash of the rink's overhead rigging cutting through the gap and falling in a sharp stripe across the concrete floor of the tunnel. Then the cold itself, which was different from outside cold, thinner and drier, the kind that settled at the base of your throat and stayed there.

Shane stood with his back against the wall, looked at the stripe of light on the floor, and breathed.

He had adjusted the sweater three times already. The NHL All-Stars Atlantic Conference sweater, his number on the back, his name in block letters that he had been seeing on the backs of jerseys since he was eighteen years old and which tonight felt like they belonged to someone else entirely, some other person who had made different choices and arrived here on a cleaner trajectory. He adjusted it a fourth time. The neck sat wrong. It always sat wrong on him, something about the cut, or something about the way his shoulders carried it, or something about the fact that he had been standing in this tunnel for six minutes and his body had decided to spend those six minutes generating a continuous electrical current of nausea that started somewhere behind his chest and ran straight up into the back of his throat.

He looked through the crack in the door.

Jesus Christ.

There were so many people.

He had known this, obviously. He had played in arenas this size hundreds of times. He had stood in tunnels like this one and looked out at crowds like this one and felt nothing except the focus that came before a game, the narrowing of everything into the ice and the puck and the next sixty minutes. He had this experience in his body, worn into the muscle of him.

He looked at the crowd and tried to find that feeling and found nothing but the nausea and the electrical current and the thought, how many of them were on Twitter ten minutes ago.

Why is he even here.

Did you hear the rumour? He's fucking co-captain.

How messy is the NHL.

He had read them on his phone in the locker room, like you’d prod a bruise, not to heal it, not for any useful reason, just to establish the current location and intensity of the pain. To know exactly how bad it was. As if knowing made it better. It did not make it better. It never made it better, and he did it anyway, every time, scrolling and scrolling until his thumb went numb and his brain had absorbed enough.

He pressed the back of his skull against the wall and looked at the ceiling.

He needed his face to do something. That was the immediate problem. He needed his face to rest in a neutral expression, or better than neutral, something approaching composed, something that said player at an exhibition event rather than crazed madman who consistently attacks people in manic rages. He tried to pull his face into something far away from a scowl. A scowl was the worst available option; even something pitiful would be better than a scowl. He thought about the muscles involved —jaw, brow, the corners of the mouth—and attempted to issue instructions to them.

They ignored him.

He wanted to grab his own face with both hands and arrange it into the correct expression and hold it there until it cooperated. He had been doing something like this his entire life, the manual operation of his own external presentation, and he was good at it, he was very good at it, he had spent years becoming good at it, which was why the fact that it was currently not working felt like betrayal. His body was betraying him. His own body, the one he had spent so much time training and restricting and managing and pushing, was staging a revolt in the tunnel of the Tampa Bay Arena at the All-Stars weekend, and he had no leverage left.

His knees were shaking. A tremor that he could feel running from the quad down through the joint and into his calf. He pressed his feet harder into the floor and felt the tremor run straight up through the soles of his shoes and into his legs anyway, indifferent to what he wanted.

His jaw dropped open slightly.

The heat of shame moved up the back of his neck and into his ears in a wave, not just embarrassment, more total shame at the visibility of his own falling apart, shame at the fact that his body was doing this here, now, in the one place where he most needed it to behave.

He flicked his eyes up.

Hunter was standing there.

He hadn't noticed Hunter's arrival. He was simply there now, arms loosely folded across his abdomen, watching Shane with his brows slightly furrowed, his thumb moving slowly across the stubble along his jaw. The eye bags were pronounced tonight. His expression was— unreadable, as it always was. Hunter's face had always felt less like composure and more like a very old door that had warped in its frame and no longer opened from the outside. He was watching Shane with something that was not quite sympathy and not quite contempt and existed, as most of Hunter's expressions did, somewhere between the two.

Shane looked at him.

There it was. Bright and obvious as a fire exit sign. His way out of this, or part of his way out of this, the door that had been closed since June and which he had been walking past for seven months telling himself he'd get to it, he'd get to it, he just needed the right moment and the right words and the right— and here they were, thirty seconds from walking out onto that ice, with twenty thousand people on the other side of that door and his knees knocking together like a lamb, and this was the moment. This was what he had.

He pushed himself off the wall.

Cleared his throat, squinted against the fuzz that had settled across his vision sometime in the last five minutes— not quite blurring, everything present but with its edges softened, because his body was running on fumes and adrenaline and nothing else.

"Hey, Hunter."

His voice came out level, he was grateful for this.

Scott exhaled slowly, nodded. "Hollander."

"I just wanted to say—" Shane stopped.

His hand had come up by his side, fisted. He felt his tongue sitting in his mouth like a stone. Say what. His brain ran through it, cycling fast through the available options, the millions of variables, the different openings and the trajectories that followed from each of them, trying to find the version that resolved nicely, that mapped the shortest path from here to the way things used to be. Before Vegas. Before the blood on the ice. Before PR statements and his mother's careful voice on the phone saying just give it time, baby, just—

His hand came up further.

He held it out.

"We're good, right?"

The words landed hard in the space between them and sat there.

He watched Hunter's face do it in sequence, this slow hardening, the corners of the mouth tightening, his brows flattening, his eyes going from unreadable to exhausted. He watched it happen and understood immediately, with the small part of his brain that was still functioning clearly, that he had said the wrong thing. He had skipped seven steps and arrived at the conclusion.

Scott chuckled once. 

"We are good?" He tilted his head slightly. "Is that French for I'm sorry?" He looked at Shane with disbelief. "You're really something."

Shane's brain sent the signal, and his mouth opened, and he felt something lurch up out of his chest, and he was already inside it before he had made any decision at all.

"Excuse me?"

"You're excused." Instantly. "No, we're not good. We probably would have been good if you'd apologized seven months ago—"

His hand was still in the air. He dropped it. He felt the adrenaline hit his bloodstream fast, offense moving through him like current, and the part of him that was still watching from a slight remove registered the absurdity of it—he had almost ended this man's career, Hunter had watched his own blood hit the ice, he had no standing from which to be offended—and was offended anyway, because he had tried. He had dipped his head. He had said the words. He had accepted the suspension and the coverage and the public disembowelment of his reputation and done it quietly, without defending himself, and here Hunter stood in this tunnel with those exhausted eyes telling him it wasn't enough.

"Actually," Shane said, and his voice had gone low and hard without his permission, "I did apologize. I apologized to the Admirals and to New York and basically the entire—"

"Lower your tone." Hunter stepped forward, his voice dropping too, not in volume but in register. "And do you hear yourself? Not once did you apologize to me." He pressed two fingers to his own chest. "Personally. You didn't even come to the hospital. I don't care about what your PR agency put out, kid." He shook his head, the motion slow and final. "Whatever."

"What do you mean, kid? What do you mean whatever? Why are you treating me like I'm—" Shane went to grab his shoulder.

The lights hit them.

The full overhead rigging of the arena, pointed directly at the entrance, flooding the tunnel mouth with white, and the sound from beyond the door changed shape entirely, the crowd finding its real volume now, the sustained roar picking up and focusing, and Hunter was already moving, already walking up the stairs toward the ice, his back to Shane, done with the conversation.

Shane stood at the bottom of the stairs.

Usually, this was the part where autopilot arrived. The lights came on, and something in him stepped forward and took over, the version of himself that had been built specifically for this— cameras, crowds, public surfaces. That version knew exactly what to do. 

It did not come, despite how much he begged it to.

He stood at the bottom of the stairs and felt the lights and felt the roar of the crowd and felt his own body, which was his and was not cooperating, and there was nothing there. No handoff. No version of himself stepping forward to manage this. Just him. Just this.

He walked up the stairs on pure grit.

He almost stumbled on the top step. His foot caught the lip of it, and he lurched forward one half-step, his hand finding the railing, catching himself. Nobody saw it. Probably nobody saw it. He straightened up and kept walking, and the ice came up to meet him, cold and bright, the arena opening out around him in every direction, and the crowd—

The crowd was so loud.

The sound bounced off the roof and came back down from above as well as coming at him from every side simultaneously, so that he was inside it rather than simply near it. 

He looked out at them, and they began, slowly, to blur.

Not his eyes— or not just his eyes. Something more than that. The crowd resolving itself into a single mass, individual faces losing their distinction and becoming part of the whole, the whole becoming a single heaving thing that moved and made noise and generated heat. He found himself at the podium. He did not entirely remember walking to it. He looked out at the mass of them and felt the sound from them starting to shift, to settle, to become less like individual human noise and more like something else, a single continuous drone, a hive frequency, thousands of moving parts vibrating.

His hands were shaking, so he had placed them flat on the podium in front of him. The cold coming up through his shoes from beneath the stage, from the ice below, the ice cold and the crowd warm, the two temperatures arriving simultaneously and cancelling each other out, leaving him with nothing, temperature-neutral, floating in the middle of it.

The announcer's voice cut through the drone.

He followed the words at a distance. Team Hunter. The Atlantic Conference All-Star team. And the crowd responds to each of these things, the sound swelling and receding in waves. He watched the waves from somewhere above, tracking the pattern of them. Swell. Recede. Swell. 

—and your Atlantic Division co-captain, Shane Hollander—

The cheers turned into boos.

The sound was not unanimous, people were cheering too, there were people in that arena who clapped and who cheered and who were glad to see him there, but the boos were louder, or they found his ears first, or they were simply the thing his brain had been braced for and so they were the only thing he heard, and they moved through him and his body went cold.

Like he had been placed on the ice. Like the ice had come up through his shoes and moved through his blood and replaced the warmth there with something that had no temperature at all. He stood at the podium and felt it spread from his feet upward through his legs and into his chest, and he pressed his teeth together to stop them from chattering.

He wanted to wrap his arms around himself. He wanted to curl inward, to make himself smaller, to become a thing that occupied less surface area and therefore received less of what was currently hitting him from every direction. He wanted to leave his own body. He was already leaving his body.

He looked out at the crowd, and the crowd was not a crowd anymore. The faces were not faces. The eyes were not individual eyes; they were a single instrument pointed at him, and he stood in the beam of it and felt each pair of them like a knife, and he did not understand. He did not understand. He kept reaching for the logic of it, grasping at the sequence of events that had delivered him here, and the sequence kept slipping.

How did I get here.

He walked it backwards. The stairs, the tunnel, Hunter's exhausted face, the bar, and Ilya's hand on his back, packing his bag for Tampa, the fight on the ice, Rose, the months before Rose, and before that—

His brain dragged itself backward through time, pulling him through the sequence of it like film running in reverse, each frame arriving clearly and then being replaced by the one before it. The hotel room in Vegas. The hotel room in Vegas many years before that. Earlier hotel rooms. His first season. His first NHL game, the ice coming up to meet him exactly as it always had, the same cold, the same white. Walking out of the draft in a suit that his mother had helped him pick. His first junior game. The first time he had been handed a hockey stick and understood this was what he was going to do, or perhaps not understood so much as had it been decided for him.

He was five years old and twenty-five years old simultaneously.

He watched himself from above, as if from a seat in the upper tier, looking down at the small figure in the white jersey at the podium on the ice, and the small figure looked very young, and the ice around him looked very large, and the crowd was making its sound, and the lines connecting that five year old on the ice for the first time with this one, right now, were visible, running through every point in between, and he followed them with his eyes and felt himself fragmenting along them.

What was it for.

What had all of it been for? What was the line connecting one end to the other, and what was the meaning of it, and why was he standing here with his teeth pressed together and his body temperature gone, and twenty thousand people making this sound at him.

He had tried so hard, harder than anyone standing in this arena understood, harder than the people making that sound knew, harder than the version of him they were booing had asked them to know. He had maintained the mask and played the game and managed the surface and performed all of it, every day, the whole project, and this was where it had delivered him.

Ilya had called him a liar.

Something strong and solid landed on his back. A hand, flat, between his shoulder blades, warm through the sweater, pressing enough that he felt the weight of it move through his chest and into his ribs. And then stubble against his jaw, the scratch of it against his skin, and a voice close to his ear, quiet enough that it existed only for him inside the noise.

"Is okay, solnyshko."

"You are okay."

He was not okay. But the hand on his back was warm, and the drone of the crowd shifted slightly, redistributed itself, and he breathed.

And then the hand was gone.

And he was back above himself again, floating up in the rigging, looking down at the figure on the ice, and the figure was small, and the arena was enormous, and the sound kept going, and he watched.

He watched himself at five years old on the ice for the first time. He could see his own small body from above, bundled into too-large winter gear, his skates the wrong size, his ankles caving slightly with each step. His mother behind him, her hands light on his hips, her face split open with a joy so complete and uncomplicated that it didn't contain any knowledge of what she was doing. She didn't know. How could she have known. She was setting him on a path that led here, to this ice, to this sound.

He watched her hands on his five year old body and felt something inside him split along a seam.

He shoved the hotel room door open with his shoulder, and it hit the wall, and he barely felt it. He was across the threshold and then on the floor, both knees hitting the carpet at the same time, his hands coming down to catch him, his body folding forward. He didn't know when he had started crying. His face was already wet. He stayed on his hands and knees on the carpet with his head down and tried to find something to hold onto.

His heart was not in his chest. It was everywhere, his throat, his hands, behind his eyes, the base of his skull. He could feel it in his teeth. He pressed his forehead to the carpet and breathed through his nose and felt his ribs resisting, the breath catching halfway down, stopping at the point where there wasn't room for it to go.

He lay there.

He thought about his achievements. He did this sometimes— listed them internally like reading from a document, line by line, first achievement to most recent, the facts of his career laid out in order. He read them out, standing in front of mirrors he didn't recognise himself in, reciting evidence of his own existence to a face that looked back at him with polite blankness.

And yet.

He lay on the carpet of a Tampa hotel room in his All-Stars jersey and felt the evidence sit in him and mean nothing. Felt the gap between what he had and what he was and could not close it, could not locate the line connecting one to the other. So many lies. So much pretending. So much packaging of himself into something consumable, something manageable, something that could be presented and received and sent back out for the next appearance, the next statement, the next smile for the next camera on the next occasion.

You're a liar.

He fumbled for his phone. His hands were unsteady, clumsy with it, and when he finally got it unlocked, the screen swam for a moment before settling. He opened Twitter.

He didn't make the decision any more than he had made any of the other ones recently; his hands did it, the same hands that had reached for the door of Ilya's hotel room, the same hands that had been running his own life independently of his brain for longer than he could clearly account for. He scrolled.

He was past reading them individually, past parsing them into syntax and meaning, they had gone below language, become something more direct, bypassing the cognitive layer entirely and arriving somewhere deeper, the meaning landing in the body before the brain had processed the words. Overrated. Dirty player. Doesn't deserve the C. If Hunter had done that— bought his way in— doesn’t belong— rumour he's— everyone knows that he— fucking crazy— 

He pressed his thumb into the screen until the glass went white at the edge of his fingerprint.

He didn't know what to do. He lay on the carpet and didn't know what to do, and distantly, something in him was calling for Shane Hollander, specifically, the one who knew how to handle this, the one who had a protocol for exactly this situation, the one who could stand up and wash his face and eat something and outline a plan. 

Shane Hollander was not there.

The phone started vibrating in his hand.

He stared at it for one full ring cycle. Two. He brought his arm across his eyes, dragged it across his face, and when his vision cleared enough, he looked at the screen.

Mom.

He closed his eyes, pressed his lips together, and brought the phone to his ear.

"Hello." His voice came out wrecked.

"Shane." His mother's voice, warm, pretending not to be worried, and entirely itself, "How are you doing, baby?"

He sniffed. Hard. "I'm okay."

"Those people," she said finally, "have no idea what they're talking about."

"I know."

"They are watching a fraction of something. They are looking at a thumbnail of you and making decisions about the whole picture."

"I know, Mom."

"I'm going to make some calls," she said. "I'm going to make sure people are hearing the right—"

"The correct narrative." 

She paused. "Shane."

"What is the correct narrative," he said. His voice didn't shake, which surprised him. "That I—" He stopped. The ceiling of the hotel room was white and textured and completely unremarkable, so he stared at it. "That I work really hard, and I'm a good person, and it was a mistake. Right. That's the narrative." He pressed his free hand over his eyes. "That we– and they need to–."

"You don't have to carry all of this right now." Her voice had changed slightly, gone softer, "You don't have to make sense of all of it tonight. You just have to play."

"Play."

"You have to show them. Not with statements, not with—" She paused. "With hockey, like a hockey player. Because that is what you are, the best player out there." A pause. "Hollanders do not concede. You know this."

He pressed the back of his hand against his mouth.

He knew this. Hollanders did not concede, said in his Mother’s voice, his Grandfather’s voice, his own voice in the mirror on every bad morning for as long as he could remember. You don't concede.

"Okay," he said.

"Yeah?"

He sat up. The carpet was printed with the evidence of it, the fibres flattened where he had been lying. He looked at his hands and flexed them once. "Yeah. Okay."

"You've got this." Her voice was steady. "Go show them who you are."

He stayed on the floor for a moment after they hung up. Just stayed there, in the aftermath of it, where the body had spent something, and everything was slightly depleted but also very quiet.

Hockey. He could do hockey. If Hunter wanted to play it this way. If all of them wanted to make this a thing, well. Fine. He wiped his face with the back of his hand, the skin there raw and tight. Alright. Fine. He pressed the heel of his hand into the carpet and pushed himself to his feet.

Shane Hollander didn't concede.

 


 

Ilya watched him from the water, his arms hooked over the pool's edge behind him, his chin just above the surface. Shane crossed the pool deck in his sunglasses and dropped himself onto the nearest lounger with the kind of force that suggested the lounger had personally wronged him, his back hitting the plastic with a flat crack, his legs going straight out, his hands folding over his stomach. Acting like a robot. An extremely angry, extremely beautiful robot that had been told to relax, and was executing like he had never encountered relaxation in a natural setting, and was working from a diagram.

He stared directly up at the sky.

His glasses were perched on his nose, the small dark lenses catching the Florida sun, and his mouth was pulled tight, lips pressed together in a line. He looked like he was praying. He looked like he was in direct, extremely tense communication with God himself, the kind that went: I have been extremely good, and this is what you have given me, and I would like an explanation.

Ilya wiped the water from his face with both hands, slicking his hair back.

He wondered what was going through his head. He could assume— yesterday, probably, the draft, the crowd, Hunter, some combination of all of them running on a loop, Shane's brain finding the most painful available material and returning to it at full speed repeatedly.

He had seen it yesterday on the ice.

The moment his name was called, and the boos arrived, he had seen it happen in real time, the glaze coming down over Shane's eyes like a shutter, his lips parting slightly, his body slumping slightly. He had put his hand on his back and felt how cold he was, through the jersey, the cold going all the way down through him, and had tried to reassure him, which was useless but was the only thing he had at the time.

The crowd had been brutal; it had been worse than he had expected. Because, since when did the fucking Admirals have so many fans? In 2016? After flopping for how many years? But he should have known. It was less about advocating for Scott Hunter and more about hurting Shane. All of them in union decided someone was the villain and was enjoying the decision. There was no shortage of people who wanted a target. Shane had been perfect for too long, too clean, too correct. Loved by everyone, the league’s golden boy, Canada’s sweetheart, and people who could not be those things themselves would line up for miles to watch the fall. He had watched it happen to other people. He had been, occasionally, the person doing the lining up. 

Maybe he had lined up to watch this, too. He was not proud of that. Nor the result of it.

Icarus.

Icarus was Shane, who had been flying too close for too long, who had built his entire life on the sustained effort of the ascent, and the crowd below him had waited and waited with patient, hungry certainty for the wax to melt. And what about that fall? Had it even started? Would it be gradual or sudden, a slow surrender to gravity or a single catastrophic moment of failure? Would anyone be there at the bottom, in that cold, dark water, waiting to catch him.

He would be there.

Hunter should do something. Should say something. Should function as the captain he had been elected to be and do the work of managing the situation he was nominally in charge of managing. His silence was more than enough. Fucking useless, he was like, kicking a baby, at this point. 

Fuck Scott Hunter, Shane should have broken his ribs too.

"Okay," Ilya said, turning back to the kids treading water in the circle around him, "and I will not be losing this time." He looked at each of them in turn, very seriously. "But if I lose, I will buy you all candy bars from the machine inside, okay?" He pointed vaguely behind him, toward the hotel.

He looked back at Shane.

Shane looked like he was going to kill someone. Or himself.

Ilya's jaw twitched. The thought arrived faster than he wanted it to, a cold flash, and before he had fully decided to do it, he opened his mouth.

"Hollander!"

It was probably too loud, sounded like a plea more than anything. Several people turned, and Ilya adjusted. 

"Hollander, make sure none of these cheaters cheat, okay?"

Shane did not respond. But his brow twitched. Just the once, a small movement at the inner corner, the muscle there making a tiny, betraying contraction. Ilya looked directly at the sky for three seconds so that his face had somewhere to go.

He turned back to the kids. "You know that guy?"

A girl in a yellow swimsuit looked across the pool with great authority. "That's Shane Hollander."

"Ah." Ilya tilted his head at her. "So you know this guy."

"Yeah," she said, like Ilya was an idiot. "He's the best player in the whole league."

Across the pool, Shane's mouth pulled sideways, barely there, the beginning of something.

"But he's crazy," the girl continued.

The beginning of something disappeared.

"No no no." Ilya turned to face her fully, already moving his arms through the water. "That is not true." He sent a wave directly at her face. "Splash her! Boo!" He gestured at the other kids, and they erupted immediately, all of them turning on her at once, the surface of the pool going white.

He looked at Shane through the chaos.

Shane had sat up slightly. Not all the way, not with any commitment, but enough. His chin had come up from his chest. His shoulders had shifted. And then his head dropped forward, and he exhaled through his nose, and it was a laugh, it was almost a laugh.

Mission accomplished.

"You, out of the pool." Ilya pointed at the girl, who had surfaced spluttering. "Who is your father. Show me your father." He looked around the pool deck.

The girl pouted.

"Okay." He sighed from the belly, a full theatrical collapse of the lungs. "I forgive you. You can stay, say sorry, Mr Hollander."

He raced them after that, or performed racing, three strokes of genuine effort, then the increasingly convincing performance of something dragging him under from below, his hands scrabbling at the surface, his face going down, the children screaming with delight, climbing over him with absolutely no mercy. He let them. He went under twice, came up gasping, and went under again. It was attention-seeking, but who cares, because Shane was watching. Shane had stopped staring at the sky and was watching the pool. He didn't check. He didn't need to check. 

"Okay." He surfaced for the last time, sputtering water from his mouth, his hair collapsed entirely over his face. "You win, fair and square." He pushed his hands down over his face, clearing his eyes. "Very impressive. Very scary."

He pushed himself up and over the edge of the pool in one motion, water sheeting off him, and straightened up directly next to Shane's lounger.

Of course, he knew what he was doing. His fresh Florida tan, the water tracking down his chest and over his abdomen, of the sun doing whatever it was doing with the light that made him look like a Greek god. He stood there and let the water fall.

Then he shook his head.

The spray went directly over Shane, a full-radius scatter of pool water landing across the sunglasses and the tight mouth and the folded hands and all of it, and Ilya straightened up and looked at him with a completely neutral face.

Shane's mouth went even tighter for exactly one second. Then it pulled down at the corners, a frown that was basically a smile.

He set his hands on his hips.

"Can you give the kids some money," he said. "I don't have my wallet."

Shane looked up at him.

The glasses were completely opaque in this light, the lenses dark, his eyes entirely invisible behind them. Which meant Ilya was working from the mouth alone, and the mouth was still doing that downward smile thing, pulled at both corners, the line of it going soft.

It was beautiful, and God was he happy to see it again.

 


 

The obstacle course light was on.

The arena had shifted from the earlier competition, looser, the crowd's energy more fluid, moving between cheers and laughter. The bench stretched out on either side of him, players in their All-Stars gear watching the ice, the overhead screens catching every angle. Ilya sat with his elbows on his knees and his eyes on the course.

On the ice, a Detroit winger was midway through the obstacle run, weaving the pylons at full speed before the transition into the shoot-out segment, and the crowd was giving him a solid reception, not rapturous, not the house-coming-down response the earlier finalists had gotten, but warm, appreciative. Decent time. Ilya had seen better tonight.

"—unbelievable, honestly, what a run from Petrov earlier—"

"—and we've got Marchetti up next, one of the last of our six finalists in the obstacle course, and the leaderboard is looking pretty interesting tonight, folks—"

Ilya turned his head slightly toward the screen above the boards, the scoreboard cycling through the standings. His eyes found the top.

He looked at it for a moment.

"Hollander really said not today," someone said from his left.

He turned. Beaumont, Pittsburgh's left wing, leaning forward on the bench with both arms across his knees, shaking his head. "Guy came out of nowhere and just absolutely cooked the whole first round. Like, what was that? Can't beat Scott, so he's taking it out on the puck now?"

"He is good," Ilya said.

"Good?" Beaumont laughed, short and disbelieving. "He's been a menace. Fucking overcompensating. The crowd's losing their mind."

Ilya had noticed this. The crowd's response to Shane had been complicated, not the enthusiasm of a fan favourite, but something with more layers in it, the cheers louder than expected in some sections, the silence in others pointed and deliberate. Every time Shane's name came through the PA, the arena split along invisible fault lines, some sections going loud and some going cold, and the net effect was something that Ilya had been tracking from the bench with his jaw set.

"Where is he sitting now?" Okafor asked from his other side, nodding at the leaderboard.

"First," Ilya said.

Beaumont made a sound through his nose. "Yeah. By a lot. The announcers keep bringing up Hunter, though."

"—and we have to talk about Scott Hunter, who has had a remarkable presence this weekend, and the crowd response to him tonight has been just extraordinary—"

"—absolutely, he's been the story of the night from a fan perspective, there's a reason he was voted captain, the reception he's gotten in this building—"

"That is surprising," Ilya said, watching the screen. "He is boring. Can't play."

Beaumont turned to look at him. His eyebrows were up. "He's on your team, man."

"I know."

"You're literally playing with him tomorrow."

"I have eyes, yes."

"Ever the team player." Beaumont laughed and nudged the guy on his other side. "You hear this guy?"

Ilya looked back at the ice.

"It’s all about Hunter these days, after all," Okafor said, oh so diplomatic. "It's been his season. Fans like a comeback story, especially after last year."

"Hollander is first in the standings," Ilya said. "By fourteen points. Is that not a comeback?”

A short silence.

Beaumont pressed his lips together. "It's not really about the standings."

"No?"

"It's more like—" He searched for the phrasing, glancing at the guy on his other side with his eyebrows raised in a brief, shared communication. "Hollander embarrassed the fuck out of Montreal ‘n his team. Doesn't know how to be captain. Nobody wants to root for a freak who spazzes out on the ice like that."

Ilya looked at him and hummed. 

He looked at Beaumont's face, the confidence in it. He noted the set of his jaw, the thickness of his neck, the way he was still half-turned toward the guy on his other side as if the conversation were already over. How would it feel to grab the back of that head — the short-cropped hair, not much to grab, you'd go for the crown, fingers spread, and drive it forward and down into the boards with the full weight of your shoulder behind it. 

Wouldn’t be that hard to press his skate down, right?

On his throat, specifically. The throat was soft in a way the rest of a person wasn't, undefended, all the critical stuff sitting just below the surface. The carotid first— the blade would find it before Beaumont had finished the sentence, would open it. And the blood would hit the ice and spread fast, faster than people expected, the cold slowing it at the edges and the pressure keeping it moving at the centre, a widening dark stain going pink at its perimeter where it thinned against the white. Leaving a bigger mess than Hunter did.

Beaumont's hands would go to his throat. 

You could show him a real crash out, you know, some of that ultra-violence. 

He turned back to the ice.

"Mm." Ilya said.

"I'm just saying," Beaumont continued, with a small scoff. "The crowd's got a memory."

"—and Marchetti heading into the final segment, this is where the time really gets made up, folks—"

"—we'll see if he can topple Hollander at the top of the standings, but I'll tell you, it's been a performance from the Montreal captain tonight that I don't think anyone was fully expecting—"

"—especially given everything that's been in the news cycle around him, you'd think the distraction factor alone—"

"—and yet there he is, top of the board, doing what he does—"

Ilya watched Marchetti finish the course. He watched the time post. He watched it land below Shane's. He watched the leaderboard update and Shane's name stay where it was, at the top, where it had been for the better part of two hours. Where it deserved to be, right at the top. In the sky, on the ice. Flying forever. 

And then the PA system opened.

"—and our final competitor in tonight's obstacle course, number twenty-four, your Atlantic co-captain, from the Montreal Voyageurs—"

The arena split. The fault lines running their familiar fractures through the crowd, one half going up and one half going pointed and cold, and in the middle of all of it, Shane stood up off the bench. 

Ilya stopped thinking about Beaumont.

His stride was different here than it was anywhere else, not different in the way of transformation, but in the way of relief, the way a person's voice changed when they stopped translating and spoke in their first language. He moved through his warm-up strokes without looking at the crowd, his jaw set, that small furrow between his brows, his mouth pulled tight at one corner.

He was not smiling.

Oh, he looked like his Mama. Like his Mama on the good days.

Not the “good days”, when she had moved through their apartment like a figure in someone else's dream, half-present, that strange, loose smile on her face, talking too quickly about too many things, her eyes not quite landing on him. Not those days. The good days, the real good days, when she had woken with that set to her expression, the determined furrow, the mouth pulled tight and upward at the corner. She had looked like that while cooking, while arguing, when lecturing him. She had looked like that while dying, some of the time, on the days when she was fighting it rather than floating above it, and Ilya had sat beside her bed and watched her face and thought that only she could make dying look beautiful.

Shane’s face looked just like that. His furrow was deep, the skin between his brows pulling into two sharp vertical lines. His mouth was closed, the lips pressed together at the centre and pulled very slightly upward at the left corner only, asymmetric, the right side flat, and the left side up in a way that Shane had no idea he did when he was about to make something happen. But Ilya knew. His jaw was set hard enough that the muscle there was visible, the masseter standing out below the cheekbone in a clean line, and below that the sharp angle of the jaw itself. And then, his cheeks were flushed high from the cold and the exertion, the colour sitting in two specific patches behind his helmet, and his lashes were dark against that flush, his eyes tracking forward, already reading the first pylon before his skates had cleared the start line. 

He wasn't smiling, and it didn't matter. His face was doing something more interesting than smiling.

Only someone like his Mama could make suffering look like that.

Only someone like Shane.

He watched Shane position himself at the start line. Watched his hands drop to his sides, his weight settling forward over his skates, the slight shift of his hips as he calibrated his centre of gravity. The arena was still making its divided noise around him, and Shane was not listening to any of it. 

The horn sounded.

Ilya leaned forward on his knees.

Shane flowed like fucking water, not the mechanical acceleration of effort but something that looked like the removal of resistance, as if he had simply stopped preventing himself from going fast and his body had done the rest. He took the first pylon at an angle that should not have worked at that speed and came out of it already transitioning, his edges finding the ice at the exact moment his weight needed them to, the adjustment happening in the body before the brain could catch up.

Ilya had seen thousands of players skate. He had watched films for more hours than he had slept in some months. He knew what technical excellence looked like, and he knew what Shane looked like, and they were the same thing expressed differently— one was a set of acquired skills, applied, and the other was a person simply being entirely what they were. 

He watched him through the pylons. Watched him through the transition. Watched his crossovers on the turn, the way his body stayed low, and his head stayed up, the way he was already reading the next gate while his body was still executing the current one. His face had not changed. The furrow was still there. He did not give a shit about the crowd. 

And that’s what made it shift.

It happened gradually and then all at once, the cold sections warming despite themselves, pulled by the simple gravitational force of his earth. The cheers got louder. The split began to close. Ilya could feel it in the bench around him, the players leaning forward in increments, the commentary from the seats behind them dying out as the run continued.

"—remarkable edges on that transition, just remarkable—"

"—look at that time, he is flying out there—"

"—this is why you vote Shane Hollander, folks, whatever you think about the rest of it, this right here is why—"

Shane hit the final segment. The shoot-out stations, three in a row, the puck handling clean and fast and entirely without hesitation, one and two and three, and the last one going top corner.

He crossed the finish line.

The time posted.

The arena went up. Not split along its fault lines. Just up, all of it.

Fucking hell.

Ilya sat on the bench and looked at Shane standing at the finish line, breathing hard, his chest moving with it, his face tilted slightly upward, and he felt that weight press heavily against his back again, and he pressed his teeth together and breathed out very slowly through his nose.

"Still think he's overcompensating?" Okafor said, from his right.

Nobody answered.

Ilya was already standing. His turn at the course was coming, and he needed to be at the boards. He reached down for his stick and straightened up, and Beaumont leaned back on the bench, arms folding, head tilting at the ice where Shane was completing his cool-down lap.

"I mean, I’m surprised he can even see where he’s going." Beaumont's voice had dropped. He said it quietly to the guy on his other side, but not quietly enough. "Through those fucking little slits on his face." He made a small gesture with his fingers next to his eyes, "Chink."

The guy on his other side’s eyes widened in surprise, and he smacked his hand over his mouth, snickering behind it like a child.

Ilya went to the boards.

He stood there with both gloves on the top of the boards and looked at the ice and felt his jaw tighten increment by increment, the muscle at the hinge of it pressing until he felt it in his back teeth, his molars finding each other and grinding with a slow, sustained pressure. His pulse had moved from his chest into his hands, a high, loud beat that he could feel in his palms through the gloves. He thought again about the back of Beaumont's head. He thought about the angle required to get the force through the neck rather than the crown, thought about the boards and the sound of a helmet meeting them, thought about what it felt like from the inside when your head snapped forward on the whiplash, the white flash behind the eyes, and the three seconds of nothing after. 

The gate opened.

He stepped onto the ice.

 


 

After, when the scores had been posted, the event had closed, and the players were filing back toward the tunnel, Ilya moved through the group, softly whistling to himself.

He came up alongside Beaumont.

He put one arm around his shoulders.

The arm settled there with the comfortable, relaxed, easy, the gesture indistinguishable from the dozen other arm-around-shoulder moments in any post-event exit. Beaumont turned his head slightly in surprise and then relaxed into it.

Ilya steered him, gently, to the left.

Away from the group.

"Let's have a chat," Ilya said. "Yes?"

He kept his arm where it was and kept walking, and the ice, the arena, the crowd still humming overhead, fell away behind them.

 


 

Surprisingly, he wasn't as anxious as he thought he would be.

He stood outside the locker room door for a moment with his hand on the frame and took stock of this, because it was notable, because anxiety had been his baseline for long enough that its absence felt like a trick. Focusing on hockey had left him with this weird feeling. But the ice had done what it always did, which was take everything that was not hockey and put it somewhere he couldn't access it during play, and the result was this specific kind of limbo— sharp and focused on one side of the line and completely blank on the other. On the ice he was entirely himself. Off it, he was something else, something he was less sure of the shape of these days, something that had been shifting under his feet since he'd admitted to himself that who he thought he was hadn't been a complete description. He inhaled. He wasn't going to think about that right now. Right now, there was a game.

He pushed the door open and walked in.

The locker room went quiet.

Not completely, there was still the ambient noise of gear, of tape, of eleven professional athletes preparing for a game, but it went quieter than it should have, a deliberate half-beat of recalibration. Like they had all been talking about something and had just stopped. Shane felt it land across his shoulders like a hand pressing down and kept walking, kept his face level, pushed through to his stall, and started pulling on his gear.

Pathetic, he thought, actually pathetic. Grown men in their mid-to-late-twenties doing the thing he had last seen done by seventeen year olds in junior who needed someone to be below them on the hierarchy, and had landed on him for reasons that his mother had explained as jealousy and which he hadn't believed at the time. But now, pulling on his shin guards in a Tampa locker room at the All-Stars game, believed completely.

He sat down to do his skates and glanced up.

Ilya was looking at him.

Jaw set, a bead of sweat at his temple from warm-up, his chest moving, his eyes moved on Shane's face like he was about to stand up and cross a room and say something. Shane held his gaze for one second and then pulled his eyes to Hunter.

Hunter was not looking at him. Hunter was taping his stick, glancing at it like he found something extremely interesting in the grain of the wood, his head down, his jaw working slightly. He had not spoken to Shane since the draft. He was the captain. Shane was the co-captain. They were, nominally, running this together, and Scott Hunter had decided that the correct approach was to give him the silent treatment 

He pulled his helmet down.

Hockey. He breathed out through his nose. Hockey, hockey, hockey. You're here to play hockey, not playhouse with a geriatric dinosaur, hitting retirement age in about four years, and will probably be wearing diapers by the time he gets there. He huffed, stood up, and stepped out.

 


 

The Central division came out fast.

Shane watched from the bench, his mouthguard between his teeth. The play was disorganised in the first few minutes, both teams finding their legs, the puck moving in short bursts and then getting bogged down in the neutral zone, neither side generating anything that looked like a real threat. Shane tracked it. His eyes moved with the puck automatically, reading the lines, reading the gaps, the analysis running in the background.

"—early pressure from Central here, Atlantic looking to find their footing—"

"—and Hunter doing good work in the offensive zone, he's been strong on the puck tonight—"

His line partner tapped his shoulder. Shane was already moving, pulling his mouthguard in, one hand on the gate, swinging his legs over as his partner came off. He hit the ice and felt his shoulders drop half an inch and felt himself arrive.

He took a breath.

He drove toward the play.

The puck was behind the Central net, and Shane cut toward the weak side, calling for it, his stick on the ice, his position clean. His linemate had the puck, looked up, looked directly at Shane—open, clear, the pass there, the play there—and went the other way. Shane pulled up, redirected, and drove to the new position. Called again. The puck moved to the other forward. Shane was open on the left. The other forward looked at him, looked away, shot the puck into the corner from a bad angle, and lost it.

Shane skated back to position.

The puck dropped again. He won the face-off, sent it clean, straight back to his defenceman, and drove up the ice and called and didn't receive and called and didn't receive and watched the puck cycle through everyone in the zone except him, every player finding a reason to look somewhere else in the moment before the pass, every opportunity going sideways or backward or nowhere rather than to the centre standing in the space they were supposed to give it to.

He could hear the crowd. He was aware of the commentary. He pressed both of those awarenesses into a smaller space and kept skating.

The coach's click came from the bench.

Shane skated over. "What's going on?"

The coach looked at him blankly. "I'm going to sit you for a bit."

"You're—" Shane stopped. His jaw tightened, he looked at the ice, at the play still going, at his linemates moving through it without him. His mouth opened.

His mother's voice echoed, very clearly, in the back of his skull.

You just have to play.

He closed his mouth. He furrowed his brow at the ice for three long seconds, turned, and sat down.

His knee started bouncing immediately, the joint going up and down; he pressed his hand down on top of it, but it kept going anyway underneath the pressure. He sat with his elbows on his knees and his eyes on the play and tried to understand what he was watching, not tactically, tactically he understood it perfectly.

He was being held off the ice because someone had decided he should be held off the ice, and that someone was either the coach following direction or the captain providing it, and either way, the decision had nothing to do with his play.

He turned his head and looked at his teammates.

None of them looked back.

He turned back to the ice.

Ilya swung over the gate and onto the ice, and the shift changed, and the game changed with it, the play tightening, the decisions getting faster, the puck starting to move faster. Ilya made two passes in the first forty seconds that were slightly too good, and the team around him adjusted to it, leaned into it.

They went up by one.

Shane watched this from the bench and felt nothing in particular. A bad sign. Because it meant the numbness had gotten into this too, had followed him over the gate and onto the bench, and was sitting with him here.

What is going on.

He turned the question over. Looked at it from different angles. The logic of it was not complicated. The execution of it was not subtle. He knew the way consensus formed and hardened, the way a captain's opinion about a player became the locker room's opinion about a player in the space of a single practice, sometimes faster. He understood this. He had been on the right side of it before, and he was on the wrong side of it now. And it was so fucking humiliating.

 


 

The second half. Finally.

Shane stepped onto the ice and felt the crowd do its divided response, some sections up and some sections pointed, and he pressed it all into the small space next to his heart, where he had been putting things all weekend and drove toward the play.

The puck dropped.

He won it again. He drove it forward and found a linemate and called and received it back, actually received it back this time, and for one second the play was his, he could feel the whole ice in front of him, the lanes, the gaps, the defenceman cheating left—

The hit came from his right.

It came hard and low, a shoulder into his ribs, and the force of it drove him sideways and down, his knees hitting the ice simultaneously, the shock of it travelling up through his legs and into his chest, the air going out of him in a single compressed burst. He was on his hands and knees on the ice with the crowd noise flooding in from every direction, and no air in his body, and his vision going briefly white at the edges.

He waited for it to clear.

He waited for someone to come.

Nobody came.

The play had continued. He could hear it, the skates, the puck, the crowd tracking the new possession somewhere down the ice, everyone moving away from him with collective indifference, like they had not seen anything worth stopping for. The referee was at the far end, coming towards him. Shane put one skate under himself and then the other and pushed himself upright, slowly, one hand still on the ice until the last moment, and the crowd went up. Not in celebration of a good play, in satisfaction.

He skated to the bench.

He sat down.

His ribs ached, and he knew it would be worse tomorrow. He breathed through it, slowly, feeling the edges of it. His hands were on his knees. The crowd was still making its noise. He stared at the ice and felt the penny complete its fall, a full, slow drop from where it had been tipping since the bench in the first half, since the locker room silence, since the puck that never came— and land.

Oh.

He sat on the bench with his bruised ribs and his hands on his knees and did not look at Hunter.

He looked at the ice.

 


 

They won their first game 3-1.

Ilya stepped through the door, and the noise hit him from every direction— voices, hands, the aggressive percussion of pads being slapped and backs being hit. Someone hit him on the back of the head, an open palm, celebratory, and he grunted something that was approximately acknowledgeable as a response without being one.

He was already looking for Shane.

Hunter was across the room with his face split open, the crow's feet at the corners of his eyes deepening with each grin, working through his teammates with handshakes and shoulder grabs.

He found Shane.

Shane was on the bench with his head dropped forward between his knees, his forearms on his thighs, his hands hanging loose. He was looking at a spot on the floor that had nothing on it. His eyes were open. They were completely, entirely open, the dark brown of them catching the locker room light, and they were shining, not with tears, or not only with tears, something else, a glaze, surface without depth. His face was not arranged in any expression. Not anger, not frustration, not the tight-mouthed set from the obstacle course or the rigid fury from the pool. Everything had left it. He was sitting there with his skin washed pale under the locker room lights, his cheeks drained, his lips slightly parted, and there was nothing on his face because there was nothing in him generating anything for his face to show.

Ilya had seen this before. He had seen this face before, sitting with it leaned against his chest, tilted up at him, and the eyes do exactly that; present, open, shining, completely evacuated.

He pressed two fingers to his own sternum.

His pulse was there, going hard, and he stood and felt it and breathed out through his nose very slowly and felt the breath catch at the bottom of it, his chest refusing to complete the motion, his diaphragm simply stopping as if it had received a signal to stop and obeyed it. He pressed his fingers harder against the bone. Around him, the locker room continued its noise, players orbiting each other in the choreography of a win, and he stood in the middle of it and looked at Shane on the bench and felt his own blood drain from somewhere central, a cold front moving outward from his chest into his arms and hands, the tips of his fingers going cool, leaking from his nose and his ears and wherever it could escape out of.

He wanted to go to him. The impulse was so immediate that he felt it as a physical pull, a tipping forward of his weight, his body already beginning to cross the room. He wanted to put his hands on him. Not carefully. How could he be careful? He was watching something die, and he was willing to do anything, ruin anything, to stop it. His heart was on that bench. It was not in his chest where it was supposed to be, it was over there, it had crossed the room without him and laid itself down next to Shane and given up, and Ilya wanted to lurch forward and get his hands around it, press his palms to it, not caring about the blood staining his hands because it was his blood, it had always been his blood, wanted to press his mouth to the capillaries, wanted to wrap his lips around the great vessels and blow air into it until it filled back up again, until it went red instead of blue, until the blush came back across that perfectly straight nose and the freckles stood out against it the way they were supposed to and the eyes stopped looking like that.

He blinked.

Dragged the back of his hand across his eyes.

He looked at Hunter across the room, still smiling, still working through his teammates with those warm hazel eyes. Living, breathing. 

No.

 


 

They went on together, Ilya and Shane, finally, the schedule aligning, and Ilya felt a shift in his own body the moment Shane's skates hit the ice beside him. He had played with a lot of people. He had played with very good people. This was not going to be the same thing.

The puck dropped.

Forty seconds in, a defenceman went for Shane.

Ilya was already moving when the defenceman's shoulder angled toward him, reading the trajectory of it before it arrived, and he came in from the left side and hit the defenceman so hard into the boards that the sound of it carried over the crowd, a clean, flat crack of contact, the kind that turned heads. The defenceman went into the boards and stayed there for a moment. Ilya didn't look at him. He had already turned, already had his eyes on Shane, already had the puck on his stick.

The pass was not showy. Just exactly where it needed to be, at exactly the speed Shane's stride required it to be, the puck arrived at his tape at the moment his weight came forward over his edges, and Shane took it without breaking stride and went straight to the net and put it in the top right corner.

The arena went up.

Shane turned.

The life came back into his face, all at once, like a switch, his eyes going from flat to fully, completely present, the colour flooding back up through his cheeks, his mouth pulling wide in a grin that his face looked briefly unprepared for. He was panting. His chest was moving with it. He skated toward Ilya, and Ilya skated faster and got there first, his hand going to the back of Shane's helmet, pulling him in, and pressing his mouth hard to the side of his cheek through the helmet.

Shane's arm came around his back and pulled.

"Great pass," Shane said into the side of his helmet, breathless.

Ilya dragged his hand down his spine and hit him once, flat and solid, between the shoulder blades. "Great goal."

They separated, and Ilya looked at his face for one more second, the flush, his eyes fully back and fully alive, and looked away before it became something else.

 


 

They swapped out. They swapped back in.

The crowd was going sideways with it, the response to them on the ice together different from anything else the weekend had produced, higher and faster, the kind of crowd noise that meant something was happening that nobody had been prepared for. Ilya could hear it and feel it, and he set it aside and played, and Shane was there, and they played in sync the gaps found and filled before they needed to be communicated, the timing instinctive, the whole thing running below the level of decision.

They scored again. Of course they did, Shane was full to the brim with his blood.

 


 

The game tied.

Hunter came on with them.

The puck moved up the ice, and Shane called for it, and Hunter looked at him and did not pass. Shane redirected, cut to a new position, called again, was open, clearly open, and Hunter moved it sideways to Ilya instead. Ilya moved it back toward Shane, and Shane refused to send it to Hunter, and the pass was intercepted. 

Shane retrieved it. He drove back up the ice and Hunter was ahead of him on the right and Shane did not pass to Hunter and Ilya felt something almost like amusement, before he felt the frustration take over, because they were tied, because there were four minutes left, because Shane was in the corner now with two players on him and Hunter was standing open in front of the net doing nothing with his stick.

Shane passed to Ilya, Ilya passed to Hunter. 

Ilya moved it up the wall, read the play, saw Hunter frozen in front of the net with his stick flat on the ice and Shane breaking from the corner, his stick up, his position perfect, the goal there, the goal completely and entirely there, and looked at Hunter.

Hunter did not move.

He was looking at Shane. His stick was on the ice. He was not moving his feet, and he was not calling for the puck, and he was making a decision that Ilya could read from fifteen feet away with complete, furious clarity— he was not going to give Shane Hollander the winning goal. In this arena, with this crowd, on this ice, he was going to let them stay tied rather than give Shane Hollander that moment.

Ilya stole the puck from him.

He stole it from his own teammate, put his stick between Hunter's hands, took it clean, and went to the net himself and scored.

The arena came apart.

Ilya stood in front of the net with the noise coming down on him from every direction and felt his face do something he had no control over, a grin that arrived from the chest up, wide and unqualified. He turned, and Shane was already there, already coming at him at full speed, and Ilya opened his arms and caught him, both arms going around him, pulling him in hard, and knocked their helmets together so forcefully that it rang.

He felt Shane shaking. Laughing, he realised. Shane was laughing, his whole body doing it, pressed against Ilya's chest, and Ilya held him there and felt it.

He poked him in the ribs with his stick.

Shane pulled back and rolled his eyes.

This. He wanted this. He wanted exactly this and had wanted it for long enough that identifying the want felt like putting a name to something that had been living in the house for years.

In the corner of his eye, Hunter was standing at the right wing boards with one eyebrow up and his mouth pulled tight, watching them.

Ilya's smile did not go. He held it in place with his eyes and looked directly at Hunter and felt his jaw go hard underneath it.

Hunter turned and got off the ice.

Ilya followed him.

"What the fuck is your problem?" His voice was already too loud for the distance between them, already carrying past the boards into the tunnel, and he didn't adjust it. Hunter exhaled through his nose,  performing patience, and kept walking. Ilya matched his pace. "You are this old that both of your eyes are broken?" He gestured at Hunter's face with two fingers, imprecise, expansive. "You cannot see an open man? You cannot—"

Hunter stepped back into the locker room, stripped his jersey over his head in one motion, manoeuvred past Ilya, like he had been navigating around difficult things for a long career, and walked into the showers.

Ilya yanked his gear off as fast as his hands would go, hopping out of his socks, throwing them at nothing in particular, and followed Hunter into the showers, still pulling his shirt over his head.

"Oh, where are you going." He got the shirt off and dropped it right by the door. "You run away on the ice and you run away in the shower. What a captain." He pumped soap out of the dispenser and looked at Hunter's back. "Fucking dementia. You have fucking dementia, you don't remember Hollander is the co-captain. Or is it a different reason?" He stepped toward him, closing the distance between them until they were standing right next to each other under the spray, Ilya not flinching from it, not caring about it. "I see. You are scared. Yes? Scared of Hollander. So scared you cannot pass the puck to him."

Hunter turned.

His face was more exhausted than angry. The water ran down it in lines, the crow's feet deeper in the wet, his hazel eyes heavy-lidded and pointed. He wiped his face with one hand and looked at Ilya.

"God," he said, mostly to himself. He shook his head. "Are you his fucking guard dog now?"

He should stop fighting people butt-naked–

Ilya's fist was already moving before the thought had finished. The body acting without consulting anything, the arm coming up fast and direct, and then hands on him from both sides—someone's fist closing around his forearm, another set of hands at his waist —and his momentum stopped but the intention did not stop, he was still leaning forward against the grip, still pointed at Hunter's face.

"Rozanov, back the fuck up—" somebody yelled.

"Da." Ilya snarled, and ran his tongue along his bottom lip, tasting the shower spray. He looked at Hunter past the arms holding him. "Yes. I am dog. And you are basically a skeleton, just bones." He lurched forward, his feet finding less traction than he expected on the wet tile, slipping in the grip, "So I am going to fucking bite you."

Hunter's eyes went wide. He opened his mouth, then closed it. He looked at Ilya for a moment, examining a problem that was larger and stranger than anticipated, and then he looked down at the floor, and blinked slowly.

"There's something really wrong with you, kid," he said.

He pulled himself off the wall and walked out.

Ilya shoved himself free of the hands on him and followed.

 


 

He was still talking on the bus.

Not out loud, he had run out of an immediate target. Hunter was four rows ahead of him with his head against the window, and his eyes closed or his eyes open, Ilya couldn't tell from here, could only see the back of his head rocking slightly with the motion of the bus. He was talking inside himself, building and rebuilding the argument, finding new angles for it, rehearsing the things he had said and finding them insufficient and replacing them with better versions and finding those insufficient too. The whole structure kept collapsing, and he kept building it back up.

He watched the back of Hunter's head through the gap between the seats.

The light outside had changed. Florida at dusk, the sky going orange and amber and deep at the edges, the flat landscape bleeding colour into the horizon in a way that had nowhere to go but out. He watched the window, the back of Hunter's head, the window again.

What Hunter had done.

Shane on the ice was— it was difficult to find a word for Shane on the ice that did not immediately embarrass him. He tried anyway, inside his own skull where no one could hear it. Shane on the ice was transformed. Shane on the ice became something that the person off it was not, or became more completely what he actually was underneath all of it, the layers stripped away, the mask absent because on the ice the mask was not required, because the ice did not care about performed warmth or managed presentation or the careful, exhausting project of Shane Hollander as understood by other people. On the ice he was only what he was, and what he was moved like something loosed,  like the restrictions of air and gravity and earthly circumstance had been temporarily lifted, like his body had remembered what it was for, like all the things that pressed against him in the space of regular life, the noise and the expectation and the weight, had fallen away, and he was just this. Floating. Free of it.

Ilya had watched him from the bench during the first game. Had watched him get the puck and lose it, get the call and be ignored, receive the hit and get up alone, and had watched that the angel-in-motion, the floating freely, the one thing in his life that had not yet been made ugly, get taken from him methodically, deliberately, by a tired man with bad knees and a bruised ego.

He pressed his teeth together until his jaw ached.

Having a thing that lifted you like that.

What it was to have something that took you above the weight of your actual life, above the fists and the alcohol and the apartment and the two sons and the knowledge that when you came back down from it, the weight would still be there waiting, it had not moved, it was not the kind of weight that moved. What it was to have that thing. And what it was to have it taken from someone who needed it.

He stared at the back of the man’s head.

His face hurt, the deep ache of a sustained scowl, the muscles around his eyes and brow compressing for long enough that the tissue was objecting. The pain radiated from his forehead down into his cheekbones, and with it came the hot prickling at the corners of his eyes that he was certain was the pain and nothing else, purely physical, a symptom of overworked muscle and nothing more.

The bus stopped.

Ilya was on his feet before it had fully settled, rising too fast, and hit his head on the luggage rack above him with a crack that sent a white flash through his vision and a bright bolt of pain down the back of his skull. He gritted his teeth and kept moving, eyes watering, pushing down the aisle toward the door, watching the top of Hunter's head descend the steps ahead of him.

He hit the bottom step, and the heat came up at him from the pavement, Tampa in the evening, still thick with it, and he opened his mouth.

"Where the fuck are you going?"

Hunter paused. Turned his head slightly over his shoulder like he had heard something impossible and was not yet sure what to do with it.

Then he faced forward again and walked faster.

"Are you really following me?"

"Of course I'm following you." Ilya was breathing harder than he should have been for flat ground, his pulse somewhere in his throat. "Why would I not follow you. Did you think you could just—" He wiped his top lip. "Shit."

The sky above him was wrong.

The sky was bleeding orange into the horizon in a way that was too warm, too bright, the light coming from the wrong angle, pressing down from above and to the left when it should be— he didn't know where it should be. He felt heat on the back of his neck and on the tops of his hands from where? It was not Moscow cold; there was no snow here, there should be snow, the ground should be white and hard and cold under his feet, and it was not, it was sand, and the sand was warm, and the warmth was wrong.

Maybe I have died, he thought. Maybe this is hell. It is hot like hell. Maybe I followed him here.

"You're insane," his papa said. "Are you fucking high?"

Ilya looked at the back of the head in front of him. Sandy hair, barely grey at the sides, shorter than he expected, but it had been a long time. He squinted through the fog that had gathered between himself and everything else, a soft blur at the edges of things, the way the world looked sometimes late at night when he had been running too hot for too long, and everything started to soften.

He laughed. The sound came out strange.

"Everyone keeps saying that," he said, speeding up. "That I'm insane. But to hear it from you." He wiped his mouth. "Of all people."

His mouth was moving. He could feel it moving, feel the words coming out, but the connection between the words and whatever was generating them had gone loose. He meant to be saying something about Shane and the ice and what Hunter had done, the deliberate withholding of the pass, the methodical starvation of Shane's only clean thing. He was saying something about that. But the words kept slipping to other referents, landing on other subjects, the channel mixing.

He was talking about the ice, and he was talking about something else. To his father and not to him.

He did not know anymore which one he meant.

"You're useless." The word came out and sat in the warm air. "You're worthless." He swiped loosely at the space in front of him, one hand, not connecting with anything. The sand was wet under his sneakers at the edges where the tide had come in, dark and heavy."Does it turn you on?" His voice had dropped, gone rough. "Yeah? To see people like that? To hurt people? Hurt your family, being good for nothing—" He shook his head, trying to find the thread of it, the clean argument he had been constructing on the bus. "Deadbeat captain. Are you some—some—"

He could hear how it sounded. He could hear it from a slight remove, the way you heard yourself in recordings, the gap between the internal experience of the words and what they actually produced in the air, and what they were producing in the air right now was childish and formless and nothing like the precise, devastating thing he had intended to deliver.

"—fucking sexual ah—" he grasped for the phrase, lost it, found a version of it—"sexual deviant?"

The figure in front of him turned around.

Did a full turn, slow, and stood there with the setting sun behind him, framed in orange, enormous, the way he remembered, that scale that had lived in him since childhood, how his father really looked, filling the available space and then some. The hair was wrong— too much of it, and the stubble was there, which was odd— and when he looked at the eyes they caught the light off the water, the blue shifting as the waves moved behind him, going blue and then not quite blue, going something more complicated, a little green, a little—

Hazel.

"You're obviously going through something," the figure said. Not in Russian. "You obviously—well—" He shook his head. "But don't call me that. That's it."

Ilya blinked at Hunter.

The beach assembled itself around him, piece by piece, the sand, the water, the orange sky, the warmth, the specific present tense of it, Florida, the All-Stars weekend, the man standing in front of him who was Scott Hunter and not anyone else, who had hazel eyes and brown hair and was looking at him with a frown that was starting to shift from annoyance into concern.

It moved through Ilya all at once. Not one thing, several things attacking at once, embarrassment and shame burning up from his chest into his face, and underneath them something older and rawer that he pressed down hard before it could get any further up.

"Yeah?" He stepped forward anyway, because the only thing available to him right now was forward. "And what. Who are you, even." Funny. Who are you, even. He wished he knew. He heard how it sounded, he kept going anyway. "What the fuck do you think you can do to me. I can call you what I want, what they say." He wet his lips. "If the shoe fits."

Something finally moved in Hunter's eyes.

He stepped forward. Their chests met.

"Get Hollander's fucking dick out of your mouth," Hunter said, "before you speak to me."

Ilya screamed.

He felt his hands finding Hunter's chest and shoving, all his weight behind it, his heels driving into the wet sand for purchase, and Hunter went backward into the shallow water with a crash of spray and Ilya went with him, his hands still in the fabric, both of them going down into the water together, and the cold of it hit him like a slap across the face.

He came up spluttering.

Hunter came up spluttering.

They were both in six inches of water and they were both grabbing at each other, Ilya's hands finding Hunter's collar and Hunter's hands finding Ilya's arms, and they were pulling each other sideways and down and back up again, the water exploding around them with each movement, neither of them gaining any advantage, both of them getting incrementally more waterlogged and less stable.

"Jesus fucking—" Ilya went under briefly as Hunter shoved him sideways, the water closing over his head, and he came up spitting salt. "Get off me."

"You let go first," Hunter said, and pushed him down again.

Ilya's back hit the sand bottom and he pushed up and Hunter's full weight was on top of him, both hands pressing down on his shoulders, and Ilya grabbed at his wrists and pulled and felt his lungs doing something wrong, the air not arriving where it was supposed to arrive, his chest compressing under the water and under the weight and something narrowing, something going small and tight in the centre of his chest that had nothing to do with the water.

His hands went loose.

The world went quiet and then dark entirely, a strange, ringing, cottony silence that replaced the waves and the splashing and the ambient sound of the beach.

Then hands were on him, under his arms, yanking upward.

He broke the surface.

He was being dragged. His heels went over wet sand and then dry sand, and then he was horizontal, his back against the beach, his eyes open and full of sky, the orange of it deepened now toward red at the horizon, the first stars not yet visible, but the sky dark enough at the top for them to exist in theory.

Hands on his shoulders, shaking, shaking. 

"Kid."

He blinked.

Hunter's face was above him, close, his eyes blown wide with concern. He had both hands on Ilya's shoulders, and he was gripping hard enough that Ilya could feel each finger separately through his wet shirt.

"Christ." Hunter let out a long breath and sat back, releasing him. He ran one hand through his soaked hair and looked at Ilya on the sand, and shook his head. "What is wrong with you." Not aggressively. "What the hell was that. Why are you looking at me like I did something to you—" He gestured at himself, blinking, waterlogged and wide-eyed. "You chase me down the beach for miles, screaming, kept trying to grab me, and then—" He stopped. He ran both hands over his face this time, pressing hard. When he took them away, his eyes moved between both of Ilya's eyes, back and forth, quick and assessing. He grabbed his shoulders again, more gently this time, and gave him one shake. "Christ, kid. Stay with me."

Ilya looked at his own hands.

Tears were falling onto them, hot on his cold face, tracking down toward the sand. He looked at his hands in his lap, at the veins on the backs of them, the tendons moving under the skin when he flexed his fingers, the blood doing its work under there, trying to. He cleared his throat, and it came out as a hiccup.

"I am okay," he said.

"I think you're having some kind of dissociative—or a panic attack—shit." Hunter exhaled. "I don't—okay. Can you take some deep breaths for me?"

The request was so earnest and so helpless and so completely at odds with everything about the last twenty minutes that Ilya almost laughed. Bless. He took the breath instead. Slowly, watching his hands, feeling the air go in and feeling it go out. He took another. Hunter breathed with him, matching the pace, his hands dropping from Ilya's shoulders to his knees.

"That's it." Hunter exhaled. "There we go. Alright."

Ilya felt himself going slack, the tension leaving his body the way tension left it sometimes after it had finally broken something– without resolution. He slumped sideways.

Hunter caught him and lowered him gently onto the beach.

He lay there. Above him, the sky had gone deep red at the horizon and dark blue at the top, the colour of it gradated.

"Should I—" Hunter pulled back, looking down at him. "Should I get a doctor?"

"No doctor." Ilya sat up, too fast. The beach tilted.

"Alright," Hunter said, alarmed, his hand coming back. "Alright. Alright. Jesus." He settled. "No doctors. None of that. Okay." He took a breath. "What do you need. I probably shouldn't be asking you that right now, I don't think you—" He stopped. Tried again. "Okay. What do I—alright." He pressed his lips together. Looked at Ilya sitting on the wet sand with his hands in his lap and his face still wet with salt water and whatever else. He was quiet for a moment. "Should I get Hollander?"

"Wow," Hunter said, mostly to himself. "Did not think I'd be saying that.”

Ilya's eyes went wide, and he shook his head back and forth against the sand, the motion slow and grinding, his wet hair dragging. "No, no, fuck." He pressed both hands over his face. "Why do you say that. Why would you even suggest that right now?"

He rolled onto his side. Then onto his stomach. He pressed his face directly into the cool sand and felt the fine grains of it against his forehead and cheeks and the bridge of his nose and breathed into it, the darkness behind his own hands, the muffled absence of the world outside them.

"Stop—" Hunter's hands on his back, touching, pulling away, uncertain, then finding his shoulder and turning him over. "Stop, Rozanov—can you just hold on a second and stop doing weird shit. I know you're not choosing to do weird shit." A pause. "I hope you're not choosing to do—"

Ilya dragged his hands down his face and laid them flat on the sand beside him. Looked at the sky, which had deepened to something between red and purple at the edges now, the colour bruising inward from the horizon.

"You think I want to be here right now." He said it to the sky. "That I want to be sitting on sand with you watching the sunset like a romantic date."

Hunter's face appeared in his peripheral vision, grimacing slightly. "And there you go again. News flash, kid— you chased me."

"I did not think you were you." The words came out before he had decided to say them, loud, cutting Hunter off mid-sentence. 

He stopped.

Hunter stopped.

The wave came in to the left of them, slow and unremarkable, and pulled back.

Ilya stared at the sky. Why was his mouth doing this. Why was it opening and producing information that no person on earth should have, that he did not have language for himself, that he did not even understand clearly yet— why was it giving this to Scott Hunter of all people, here, in the sand, when the sun was going down, and his hands were still shaking.

He heard Hunter swallow.

A pause. Then Hunter manoeuvred himself so he was no longer looking at Ilya but at the horizon, sitting back on his heels, giving him the side of his face instead of the front of it, which was either tactical or accidentally kind, and the silence that settled between them was different from the silence before it.

"Did you think I was Hollander?" Hunter said finally. 

"What?" Ilya said. "Why do you keep fucking asking about Hollander." He pushed himself upright, his arms shaking with it, his body protesting the instruction. "I'm out of here. I don't want to have a— some weird—" He pressed the heels of both hands into his eye sockets and groaned and felt the sound tear upward through him, rough and involuntary, and then something else tearing up behind it, a sob, actual, humiliating, ripping out of him at the seam where the groan ended.

He let his hands drop.

He looked at the ocean.

The last red of the sun was sitting just above the waterline, wide and low, the light it threw across the water broken into fragments by the movement of the waves. He looked at it and wiped his eyes with the back of one hand, and then pressed that hand over his mouth and held it there.

There was something very wrong. He had known this on some level for long enough that he had stopped caring, but right now, sitting on wet sand in Tampa with Scott Hunter beside him and his body in pieces around him, he could not find the mechanism for putting it back together. Not even temporarily, as he is so used to doing. He kept reaching for the pieces, and they kept slipping. He had been doing so well, weeks of doing well, and then tonight had happened, and his body had spent everything it had, and now there was nothing holding anything in place, and he was scattered across this beach like something that had been dropped from a height, and he did not know how to gather himself. He did not want to talk. He wanted to drink himself into a stupor and do too much coke to get out of it. 

"Kid, come on." Hunter's voice, not aggressive, something else. "Sit down. I'm not trying to—I don't care about your business. I'm just kind of terrified that if I let you go right now you'll think you're in Soviet Russia or something and drown yourself."

Ilya's jaw tightened. He shot him a look.

"What? I'm not going to fucking kill myself." He gritted his teeth. "What kind of—"

"I didn't mean it like that."

"Yeah, sure." Ilya scoffed. "Like you didn't mean to fumble that pass, yes? You just—" He tapped his own temple. "Your brain. It's too old. You cannot think before doing things."

Hunter looked at him for a moment.

"Okay," he said. He turned back to the ocean. "Probably deserved that." He exhaled. "But listen— I didn't do it because I wanted to humiliate him or— I don't know. My brain did stutter." He cleared his throat. "Shitty thing. When you've been attacked by someone, your brain does freak out when you're around them."

Ilya got to his feet. Sat back down. Got half to his feet. Sat back down. He kicked at the sand, watching the slow dark movement of the water coming in and going back.

"So dramatic. And because of that, you think, hm, wow, let me isolate him from team and make sure he never scores. Let me embarrass him in front of the entire NHL." He shrugged, hard. "This is logical. Makes sense."

"You make me sound like a complete asshole."

"Because you are. You are bad person. Only asshole does something like that."

Hunter looked at him oddly. Then said, "Yeah." He wiped his hand down his face. "Yeah. I think so." He pressed his hand against his eyes and held it there, his shoulders dropping, and then he laughed. Short, humorless at first, then longer, then something almost genuine in it. He laughed with his hand over his face and shook his head.

Ilya watched him from the side. He inched slightly away, because what if he had somehow transferred his madness to Hunter via osmosis, and it was his turn to be chased now. Or maybe being attacked at random by people half your age does some irreparable damage to a person, and he was about to burst into tears. Ilya couldn’t handle that. 

"Uh," he said. "Is it your turn to go crazy now."

"I don't think I'm going crazy." Hunter lowered his hand. Stared at the water. "I think I've gone crazy. Genuinely. Drove myself—I don't know." He exhaled. "I've wasted my life."

The words hit Ilya somewhere unexpected, somewhere undefended. He sat with them for a moment and felt the way they landed, and found that he had nothing flip to say back, not immediately, which was rare enough to notice.

"Wow," he said finally. "All this drama. Just because you have never won the Stanley Cup."

Hunter laughed. A real one this time, full and sudden, and it was startling to see it— actual life in those eyes, the hazel of them catching the last of the light, something in them that had not been there an hour ago. He looked at Ilya with his lip crooked up and his head shaking like he was both concerned and, against all available evidence, fond.

"Good one, kid. Way to beat a man while he's down." He paused. Looked sideways at him. "Don't make a Hollander joke."

Ugh, that name, again.

"I wasn't going to." Ilya looked at the ocean. "And can you stop bringing up Shane Hollander. I think I'll have another panic attack."

"Please, don't."

The silence between them was different again. Softer at the edges. 

Ilya did not know why he asked. He did know, somewhere in him, the part of him that had been watching for years, that part knew, and had already assembled the answer in advance. But he needed to hear it said. He needed it confirmed in the air between them, in this light, in this specific moment.

"Why do you say that," he said. "That you've wasted your life."

Hunter looked at him. "Curious now?"

"You've seen me go..." Ilya made a loose circular gesture. "I need to balance the stakes."

Hunter inhaled. Long and slow. He looked down at his own chest, and then up at the horizon, and then at Ilya.

"I've spent too much of it running away."

"Running away," Ilya said. "So I was right, you run away."

"Yeah, kid. On the fucking money." Hunter ran both hands through his hair and scoffed, but there was nothing aggressive in it anymore; it was just air, just the body releasing pressure. "Literally a symbol for my issues. Felt like I was being chased by an evil, Russian version of myself from the past, furious that I'd fucked it all up. So just know when I kind of drowned you— I didn't mean to drown you." He looked sideways. "Spent so long trying to hide this feeling inside me, run from it. So it messed me up, I think. Seeing things clearly." He looked down at the sand between his knees. "It does something to you. Looking at something so clearly and then spending all your energy making sure you never have to look at it again."

Ilya was quiet.

He understood this. He had been doing the same thing long enough to have developed real facility with it; he had refined the running into something so smooth that it no longer felt like running, just like moving, just like living, until tonight, when the movement had broken down completely and scattered him across a Tampa beach at sunset.

"But it doesn't work like that," Hunter said. "Running away doesn't—" He paused. "I thought I could ignore it, through hockey, and the—" A short, dry sound. "Hook-ups. Kid, don't look at me like that. Don't make it weird."

"I'm not saying anything."

"Oh, fuck you." And there it was again, that laugh, rolling and genuine, something alive in his face that had not been there before, like a window being opened in a room that had been closed too long. He shook his head and looked at Ilya with that odd expression, concerned and endeared at once, like Ilya was both terrible and somehow exactly what he expected. "Well. Look where that got me. Your problems will chase you forever. And when you're finally comfortable, when you think you've buried them deep enough, you'll sit up in bed one night, years down the line, and they'll be standing there. Holding a mirror." He paused. "A huge fucking mirror. And you'll look in it."

His eyes had gone wide and still, the hazel of them reflecting the last of the light off the water.

Ilya looked at him.

And then past him, or not past him, through him somehow, through the space his face occupied, to the thing that was standing just behind the horizon, where the sun had been. She was there. She had been there for the last ten minutes, he thought, and he had been avoiding looking directly. His mama's hair in the last of the orange light. Her eyes, big and bright and dead and patient, her lips parted slightly, trying to say something he could not read from this distance, mouthing it at him across the water.

"And you'll look in it," Hunter said, "and you'll be like, this is what I am now. Everything I refused to see." He exhaled through his nose. "Why did I do it? What was I so scared of? It's right there, and whilst I've been so busy running, I forgot to—" He stopped. "I forgot to live, man. I forgot that I—"

He turned and looked at Ilya.

"Kid. Are you—you're crying."

Ilya had not noticed. He had been watching her face, those wide, beautiful eyes, the lips still moving, trying to give him something across the distance, and the tears had been falling again, down into the sand, and he had not noticed them until Hunter said it.

He sniffled. "What are you trying to tell me," he said quietly.

To his mama. Not to Hunter.

Hunter exhaled a long, pained sound, like the effort of explaining was too much. "You're obviously—" He paused. "All the bravado. It's kind of obvious, when you know where to look. You've been falling apart, I can see that. I don't want you going down this road." He looked at the water. "You don't deserve it. I don't think anyone does. Not Hollander, either."

Fuck, again, again, again. 

"You've got it wrong."

Ilya shook his head. He pulled one knee up and rested his forehead against it and closed his eyes. Because Hunter was wrong. He knew what Hunter was inferring, had heard it underneath every sentence, and he had thought the same thing himself, had been thinking it for months. But sitting here now, with his body in pieces and his mother's face on the horizon and his chest completely emptied out, he was not sure it was true. Shane was— Shane was one of the things he ran toward. One of the destinations. And the destinations were not the point, the running was the point, the running was what he was, and Shane was no different from any of the other things he had used to outrun himself. A person like him did not love. He was his father's son in this, if in nothing else.

"Really? I thought we were—"

"No." Ilya sighed. "No, Hunter. You're right about the running. I fuck Shane, yes. But we don't have feelings. I think. He's just—it's like you said. I use him to run away."

Hunter looked at him for a long moment. His eyebrows rose, very slowly, in increments.

"Ah," he said, then longer. "Ahh."

He shook his head.

"Jesus, and you called me the asshole." He blinked at Ilya. "What's wrong with you, kid? Are you the rea—no, let me rephrase. You're the trigger for him acting like his hardware's been hacked. I had my suspicions; I thought you two were going through some bad breakup. But you're just messing with his head? And you know you’re doing it?"

Ilya looked at the sand. "Don't throw stones." He said it quieter, "I don't want to talk about Hollander."

"Ah, so instead you're gonna let him ruin his life? Just so you can ignore your problems? Keep him stuck in fuck-you-won't-fuck-you-save-you-won’t-save-you limbo?"

Ouch.

Save-you-won’t-save-you. The crudeness of it shouldn't have done anything. It was a blunt, graceless description of something he had been living inside for six years with considerably more sophistication, or what he had told himself was sophistication, what he had told himself was control, what he had told himself was choice. But something about the crudeness stripped the sophistication away entirely and left only the shape of it, the plain, ugly shape of what it actually was, and the shape was not sophisticated at all.

He looked at the horizon.

His mama was still there. Still watching him with those wide, patient eyes, her lips still moving, still trying to give him the thing he could not read from this distance. Her face in the last of the light. Everything saying, I see you. I see what you are actually doing, what you feel for him. I see all of it.

He felt the tears come again. 

His father was there too, on the other side. Not in front of him but inside him, in the blood of him. His father, who was what love became in their family. His father, who was what he would be. The proof of what he was.

Between them, he did not know where to put his feet.

He did not know which of them was right about him.

He was a meteor. He had always been a meteor, hurtling toward something at a speed he had not chosen, pulled by a gravity that did not care about his intentions, whether or not it was what he hoped it was, or something else. 

So what do I do.

He said it to his mama. He said it to God. He said it, his voice barely moving, to the ocean and the last of the light and the figure of Scott Hunter sitting beside him in the sand.

"What do you think?" Hunter said.

 


 

Shane stood outside the door with his phone hanging uselessly by his side.

He had been sitting on the edge of his bed with his thumbs over the keyboard, the message half-composed, we should talk, when Ilya's came through first, you were right we should stop. Five minutes. Maybe less. He had stared at both of them, his own unfinished sentence and Ilya's finished one, sitting on the screen together, and felt something lurch sideways in his chest. Not surprise exactly. More like the feeling of reaching for a door handle at the exact moment someone on the other side locks it.

He had typed we should talk anyway.

Sent it.

Watched the three dots appear and disappear and appear again.

received:

Room 1189

sent:

Here

status: delivered

He had been standing here for somewhere between two minutes and a geological era. He was not entirely sure which. The hallway was empty and quiet and smelled of hotel, that nowhere smell, manufactured neutral—and he stood in it and breathed. In and out. In again.

The creature was at his throat.

Not metaphorically, not the way he usually meant it, it was physically there, he could feel it, the pressure of it in his esophagus and rising, like something that had been patient for long enough and had now run out of patience entirely and was taking matters into its own hands, climbing the inside of his trachea with its small insistent hands. Six weeks of doing what he was supposed to do. Six weeks of trying, failing to perform at full operational capacity— the statements, the smiles, the Rose, the interviews, the public access to his face— six weeks of pasting himself back together and the creature had been creeping up, biding its time, and now his body had been through what it had been through this weekend, and that had been the final straw.

He pressed his fingers to the bridge of his nose.

He could not hide inside himself anymore. He had been in there, and there was nothing left to hide behind.

As soon as the door opened, he went straight to the bed and sat down.

Ilya was leaning against the wall in a tank top and sweats, his arms folded, his expression wiped of everything from earlier. The warmth was gone, the wide smile he gave him was gone, all of it gone, and what was left was something stripped back and hard, his eyes on Shane, like he had already decided something and was waiting to see if Shane's version of events would match his.

"You want to talk," Ilya said.

"I don—" Shane paused, heard himself. "I do. Yeah, I do." He swallowed and dipped his head, then looked up. "Can you just sit down or something?"

It was strange enough being here with actual intention, showing up at a door with the purpose of not hiding, of saying the real thing with words instead of his body. He had been circling the real thing for years, and tonight he had no more circle left in him. But having to look up at Ilya, having that height above him, having to crane his neck just to see his face— that would make it impossible. 

Ilya hesitated.

Then he peeled himself off the wall and sat on the edge of the desk, his hands gripping the surface behind him, his biceps pulling the fabric of his tank top taut. He tilted his head. Waiting.

Shane was apparently going first then.

He had not wanted to go first. He would have preferred Ilya to go first, to say something that Shane could orient himself around, explain himself. But if he waited for Ilya to go first, they would be here until the Stanley Cup Finals, and nothing would be said by either of them; they would simply sit in this hotel room and die of starvation.

If Ilya goes first, whatever he says might leave me in a state so irreparable that I won't be able to say my piece, and I'll die unfulfilled, resolving into a hockey-player-ghost that haunts these hallways forever. Imagine if this All-Stars weekend— being lambasted by the public and rejected by my team and shoved into the ice by a man whose name I already can't remember— was my last stain on the world. He almost laughed.

"It's not just me," he said. His voice was slightly unsteady, and he forced his eyes to find Ilya's through the low hotel room light. "Right?"

Ilya's jaw twitched. "Not just you, what."

"Last time we were together." Shane stroked his thumb over his shirt, over the fabric there. "Things were—" He did not know how to put it without putting it plainly, and putting it plainly meant saying I think you've driven me crazy, and I need to know if you're crazy too. "Different."

Ilya's eyes didn't shift. They stayed on him, through him, past the layers of him, finding whatever was underneath. 

"What was different, that you threw a vase at my head?" Ilya said, and exhaled slowly, pinching the bridge of his nose. Annoyed or stressed or both, Shane couldn't read it, wished he could, had been trying to read this face for years.

"I'm sorry I freaked out, okay?" His voice came out clear, which surprised him. "I am. That was—yes."

"Because I mentioned Landry."

He was not looking at Shane anymore. Just saying it to the room.

"It wasn't because of Rose." The volume rose before Shane chose it. "Don't. Don't do that, don't act like that, this is hard enough without you being a fucking asshole about it. I'm trying to be honest here, and you—" He shook his head. "You judging me isn't helping."

Ilya looked back at him. Something in his mouth had softened, just slightly. "Then tell me."

Shane lifted his head. Felt the burn behind his eyes, high and hot, and breathed through it, slow, making sure. He lowered his head again.

Ilya closed his eyes, shook his head. "We get together, we ignore our issues. Is simple. We use each other."

"Simple." Shane scoffed. Yes, it was technically accurate, but completely insufficient. "Simple."

"You said it yourself."

"It was bullshit, you told me it was bullshit, stop—" He looked down at the carpet. "Why are you doing this." The anger fell out of his voice at the end of it, and what was left was just the question, plain and tired. "Why are you—I think," he said, "there's something wrong with me."

Ilya let out a humourless scoff. "Right. What makes you think that."

"Fuck you."

"You just realise this now? Not after chasing me around with knife, or asking me to punch you during sex." Ilya's hands tightened on the edge of the desk, the tendons in his forearms pulling flat. "Yes, Hollander. We are fucked up. This is why we fuck. This is why you made weird—" He exhaled. "Weird sex agreement with me."

"Fuck you." Shane gripped his knees. "Fuck you, fuck you, fuck you." He said it again because the first times hadn't done anything, and maybe more would. "I feel like—I feel like something irreparable is broken inside of me, I can't—I don't even know how to act anymore. I don't know how to be–" He said it to his knees, the carpet, the floor. "Is this how it feels? Is this how living feels? There's this itch, and it won't—" He looked up at Ilya's face, urgent, needing him to track this, "How do you do it. How are you not crazy. You don't go crazy like I do."

"No," Ilya said. "I don't, not like that." The syllables landed like he was already exhausted by Shane's ignorance, like it was self-evident. Not all of us have been unhinged lunatics our whole lives, Ilya. Some of us grew into it.

"And you were right." Shane swallowed. "I think I'm gay."

Ilya's shoulders went to his ears. Both hands came up in front of him in frustration, "Ok, so you're gay, so what. What does that change—"

"Don't yell at me." Shane smacked his hand against the mattress, the flat crack of it filling the room, and looked across at Ilya with his jaw set and something burning in the centre of his chest. "It's like I have this fucking hole. In my chest. And I have no idea how to breathe with it there." He gripped the sheets. The smile of exasperation that arrived on his face was childish and embarrassing, and he dropped it the moment he noticed it. "It's a big deal. For me, at least."

Ilya dropped his head forward. All Ilya, the top of his head, the mop of blonde curls, the soft hair at the crown of his neck. Shane stared at the back of his head and felt the urge to grab it, two completely contradictory urges arriving simultaneously, one to yank it back by the hair and the other to press his fingers through it gently, and he couldn't tell which one was stronger.

"You tell me to be honest," Shane said, louder, his voice going up, "and I'm being honest, and you're acting like—" He raised his hand toward his own head without thinking—

Ilya was off the desk.

"Okay. Stop." He crossed the room and sat down next to him on the bed, caught Shane's wrist mid-air, his hand closing around it, and brought it down between them, flat on the sheets. "I am listening, yes?"

Shane looked at his own hand.

"Good," he said, quieter. "Because I can't tell anyone else."

He tried to find Ilya's eyes. Ilya was staring straight ahead at the opposite wall, his jaw working, and Shane studied his profile, his straight nose, the line of his jaw, his mouth chewing around nothing.

"It's not just the feeling," Shane started. "It's—" He shook his head. "It's you. It's this."

He looked around the room for a second, at the anonymous hotel surfaces, the lamp, the curtain, the window with the Florida dark behind it.

"I've done everything I can to try and fill it, but it doesn't—" He exhaled. "Last time." He forced himself to say the next part, the part he had been rehearsing in the hallway. "And for the record, I'm sorry about last time. I'm sorry I hurt your foot." He tried to get Ilya to look at him. "But despite that. It was nice, right? To be honest. To put it all down, just for a second."

"It was," Ilya said.

Shane swallowed. "I want to feel like that again."

Ilya stared straight ahead. "We can't do it again, Hollander."

Shane's eyes moved to Ilya's lap, to his hands, then back up to his face, the hard unreadable surface of it. "Why not."

"We can't."

"That's not what I asked."

Ilya turned. "What does it fucking matter? Why is everything always about what you want, what you need—"

Shane flinched.

And felt— God, his blood ran warm.

A horrible, heavy heat flooded the hollow of his chest, spreading outward like a chemical burn he was mistaking for a radiator. It was so deeply, sickly familiar. The creature inside him, the thing that had been clawing at his trachea all night, desperate and feral, went instantly, perfectly still. It curled up in the hostility of the room, completely comforted by the violence of being shoved back into its place.

Shane's shoulders dropped a fraction of an inch. The air left his lungs in a long, shaky exhale.

"I don't think I can do this without you."

Ilya shook his head and looked at his own hand in his lap. His voice came differently now, thinner at the edges. "You don't need me."

"Yeah," Shane said. "I do."

"Don't—" Ilya shook his head again, fast, urgent, his eyes wet and conflicted and fully present for the first time tonight, looking at Shane with everything unmanaged and sitting right on the surface. "Don't fucking do this, Hollander. I'm not—"

"Nothing else works, Rozanov." The desperation in his own voice surprised him, how naked it was, but he was past the point where surprise stopped him. "And I'm asking you, pl—"

"I can't fucking do this now." He yelled, but it seemed to come from somewhere painful rather than somewhere angry, the volume of anger but with pleading, like he was begging himself to stop.

Shane went quiet and let it sit.

Ilya gripped his wrist tight, causing the bones of Shane's wrist pressing against each other, the pressure running up into his forearm.

"I cannot." He looked at Shane's hand. "I do not have the privilege to drink, and to do drugs, and to feel like my heart is constantly being ripped out of my chest." His voice cracked on the last words, a fine hairline fracture running through the middle of it. "Do you get that." He looked up at Shane's face. His eyes were wet. "Do you get that I don't have people to fucking pick me up every time I collapse. Like you do."

Shane looked at him. He looked at him and heard everything underneath the words, everything that was not being said. "But your family," Shane said, carefully. "Your parents, your Dad." He paused. "Your mother?"

Ilya looked down at his lap.

"Dead," he said.

The word sat between them with nothing around it.

"I'm sorry."

"I was young. And my father is very old-fashioned," He exhaled through his nose, "and sick."

"Sick like—" Shane tilted his head. "Crazy?"

"That too." A strange expression crossed his face, there and gone. "That too a little, but not sick, more like—"

"Cancer?"

"Dementia. So I have to–" Ilya's eyes finally came up from his lap, and he swallowed around nothing, his lips moving slightly with some word he didn't say. 

"I'm sorry," Shane whispered.

Ilya twisted his head away. Sniffled. Pressed his lips together like it would kill him if they opened, if any sound escaped them.

Shane felt it. The fracture in Ilya’s voice vibrated straight through his own ribs, dropping dead weight into the gaping hole in Shane’s chest. It didn't fill the emptiness there, not yet, but it settled at the bottom of it like a stone, heavy and jagged and perfectly real. 

"Hey," he whispered.

He shifted, moved without overthinking it, swung his leg over and settled his weight into Ilya's lap, his knees on either side of him, his hands finding Ilya's face.

"I can't fucking run anymore—" Ilya's voice broke. The tears were there, at the edges of his eyes, and he was not blinking them back, his eyes staying open, holding them. His face in Shane's hands was warm and real and present.

Shane brought both hands to Ilya's face, his thumbs catching on the wet, hot skin of his cheeks, and dragged his mouth down onto Ilya's.

There was nothing careful about it, this uncoordinated, desperate collision of teeth and bone, driven entirely by gravity and six weeks of suffocation. Shane kissed him with the violence of a starving animal finally let off its chain, trying to climb inside Ilya’s mouth, trying to hollow him out and crawl into the dark, quiet space of his throat.

Ilya’s hands clamped down hard on Shane's waist. His long fingers dug into the muscle and completely bypassed the fabric of Shane's shirt, pressing with enough force to leave deep, aching bruises by morning. He pulled Shane down, locking their hips together so violently it knocked the breath straight out of Shane's lungs. Shane tasted salt. He tasted the sharp metallic tang of copper where a tooth had caught a lip. He kept kissing him, bruising his own mouth against Ilya's, feeding on the hurt until his lungs burned and the deafening, looping noise in his brain finally, mercifully shut up.

When Shane finally broke the seal, he didn't pull away. He dropped his forehead heavily against Ilya’s. They were both shaking. Their chests heaved against each other, dragging in ragged, stuttering breaths.

"I promise," Shane whispered, breathless, the words ghosting damply across Ilya's skin.

He felt Ilya's chest moving under him, uneven.

"I don't want you to run." He whispered it to the space between their mouths, pressed his palm to the back of Ilya's head, and felt the hair under his fingers and held it. Tucked his head down against Ilya's shoulder, tucked it into the warmth of his neck.

Tight. So tight.

"Then I will hurt you," Ilya whispered into his hair.

Shane closed his eyes.

Nodded slowly, his cheek moving against Ilya's shoulder.

"Please," he said.

He pulled him closer.

"I want you to."

 

Notes:

solnyshko: sunshine

 
shane: i hate scott hunter.
ilya: fuck you bitch i'll beat the fuck out of you fuck you i'm going to kill you how dare you-
scott: i'm gay.
ilya: oh
scott: i'm gay. i've been repressing my feelings my whole life and suffered for it. i see myself in you, i don't want you to hurt like that too.
ilya: pa-papa?

uh oh, i wonder what could possibly happen in the remaining eight chapters

Chapter 13: Yeta Lyubov

Notes:

song recommendation for this chapter is Let The Light In by Lana Del Rey

strong content warning, check end notes for specifics. please heed tags.

assume all conversations in this chapter in ilya's pov are in russian.

(See the end of the chapter for more notes.)

Chapter Text

February 2017

Ilya had been sitting in the plastic chair for long enough that the backs of his thighs had gone numb, his elbows on his knees, his hands folded together in the space between them. He was looking at his father.

He had not been able to stop looking at his father.

Grigori Rozanov had always been a large man. Not tall, particularly, but wide, substantial. Ilya had spent the first seventeen years of his life navigating that gravity, calculating his orbit around it, learning exactly how close he could come before the pull became dangerous. He had measured his entire childhood in the increments of his father's moods, the set of his shoulders.

The man in the bed did not have those shoulders anymore.

Grigori's collarbones jutted above the hospital gown, prominent and sharp as a blade's edge. His chest rose and fell with a slow, reluctant rhythm, each breath drawn as if through resistance, as if the lungs were begging to stop. His hands lay on top of the thin blanket, the skin across the knuckles papery and loose, the veins standing up in ropes beneath it. They were an old man's hands. Ilya kept waiting for them to stop looking like that. 

The wrinkles had deepened since last time, carved into the skin around his mouth and eyes, when they were open, had gone the colour of old bone, slightly yellow at the edges, the lustre gone out of them. The irises, which Ilya had inherited and which had always been the brightest thing about Grigori Rozanov, had faded to a flat, washed-out grey-blue, like denim left in the sun too long.

Ilya was grateful for them anyway, because they were still moving. They were tracking. When they found his face, they stayed there, and that meant the recognition was present, which was not always guaranteed anymore.

Grigori swallowed. The muscles of his throat worked with visible effort, the tendons standing out beneath the loose skin of his neck. He wet his dry lips. His pupils moved between Ilya's eyes, left to right, right to left.

"You are really here," he said.

His voice was smaller than it should have been, thinned out. Ilya almost laughed. Not unkindly, but a reflex, the alternative was something he wasn't ready for. He pressed his lips together, let it become a smile instead, thin and slightly crooked, and leaned forward in the chair.

"Yes." He rested his elbows further forward on his knees. "Is it really surprising? I don't think so."

"It is surprising." Grigori's brow creased faintly, the skin gathering in familiar folds. "You have not visited me once."

He tried to sit up. His arms moved against the mattress, his elbows shaking with the effort. Ilya's hand was on his chest before he thought about it, pressing him back down against the pillow with a gentleness that surprised him.

"No. Papa. Lay down. The doctor says you shouldn't try to sit up."

Grigori's hand came up and smacked his away. It landed weakly, barely contact, the force of it negligible, and the fact of that— the fact that the man who had hit him hard enough to split a lip now couldn't swat his hand away with any real weight— was incredible. 

"Ta." Grigori settled back against the pillow. His chest rose on a long inhale, held it, released it slowly. "That stupid doctor. What does he know. What does it matter." His eyes moved to the ceiling. "It is my time. I am going, whether I want to or not. There is no point in trying to stop that."

Ilya's jaw twitched.

He looked at his father's profile. The blade of his nose, which Alexei had inherited and Ilya had not, the downward set of his mouth that had become permanent sometime in the last decade. A man who had crawled out of the womb with both fists raised, who had fought everything, the state, the cold, the poverty, his own sons, his mama, his own body, for all of his life, now lying flat and still and telling Ilya there was no point trying to stop it.

"You do not agree?" Grigori turned his eyes toward him. 

Ilya said nothing for a moment; the ghost of the smile had gone.

 "I thought you would be happy to see me go," Grigori said.

"What?" The word came out harsh, before he could soften it. He straightened in the chair. "No."

"It is my last moments, Ilya. What kind of wicked son are you, to not be honest to a dying man."

He pressed the inside of his cheek between his teeth and held it there. The truth was that he didn't know what the answer was— genuinely didn't know, had spent twenty-five years assuming he knew, had built his concept of self around the certainty of knowing, and now that he was sitting in a plastic chair in a hospital room in Moscow with the question in front of him, it all seemed so meaningless. Part of him had been waiting for this moment since before he could articulate it. And now that it was here, he couldn't find any relief. He couldn't find anything. He didn’t want him to die this way; it was too soon. 

The time had come too soon.

"Why do you think that?" Ilya said instead.

Grigori's eyes closed. His lips moved faintly, some internal conversation, and then they stilled. "Mm." A long pause. "You never visited me."

"I never visited you." Ilya heard the incredulity rising in his own voice. "How could I have done this. Do you know how difficult it would be to travel all the way to Russia in the middle of the season?"

"Look at this boy." Grigori's mouth twitched at the corner. "Suddenly has the gall to shout at his father."

"I am not shouting at you."

"You are shouting. And good for you." His father's eyes opened again, found him, held him with that flat, pale gaze. "You could never shout. You were too scared to shout, always a baby, always crying, and finally, now that I am old and weak, you can shout to your heart's content."

"Papa." Ilya leaned forward again. "I am not shouting. And I did not visit you, maybe I am sorry for that, I do not know." He paused, felt the words arranging themselves, testing each one before he let it out. "But you cannot say I wasn't here. I was here."

"You were not here." Grigori scoffed, "Maybe your money was here. Ha. Your blessed money."

"Don't act like that isn't what you wanted."

"Wanted, no." He said. "Not wanted. Needed. I wanted for both my sons to be here by my bedside." He patted both sides of the mattress with sudden, surprising vigor, his wrinkled hands gripping the sheet on either side of him, and the gesture was so alive, so present, so much like the man Ilya remembered that it made him flinch.

Ilya gripped his own thighs. Felt the tendons in his neck pull taut, and kept his hands exactly where they were. "I was doing what you wanted me to do. Doing your dream. Doing the only thing you have ever—" he lifted one hand and pressed his fist against his own chest, once, "—ever. Wanted from me. Hockey, yes? And that money that you—" He exhaled hard through his nose. "I have to play hockey to make it. I couldn't just—"

"You have enough money, Ilya." His father looked at him. "How much money will be enough for you?"

Ilya went quiet. He slumped back against the chair and let his eyes close, the cheap plastic digging into his shoulder blades, and breathed. "It is not good for you to strain your body like this."

"Do not lecture me."

"Then do not lecture me."

"I am your father." There was no heat in it. "Of course, my right is to lecture you, and look where it got you. Captain, playing in the NHL. And this season, you have been playing your best." He heard the slow, wet sound of his father wetting his lips. "My only regret, in death, is that I have interrupted it."

"Jesus, Papa." Ilya pressed his eyes tighter closed.

"No, it is true, Ilya. Maybe it is my time for sorries. Let us apologise to each other, and be done with it."

Ilya opened his eyes. He looked at his father's face, the pale fish eyes, the slack mouth, the exhausted, ancient, and completely defeated face. "You want to apologise." He heard the odd, hollow note in his own voice, somewhere between a laugh and its opposite. "And the apology you've settled on is to say sorry for dying."

Grigori looked at him steadily. "Yes." A pause. "I am sorry for dying before you could kill me yourself."

Ilya's mouth opened.

His hands were shaking. He reached across the gap without thinking, his fingers closing around his father's hand where it lay on the blanket, the bones of it small and cold and wrong under his grip. "You heard that." He whispered,  "I didn't mean it. Every time I thought it, I didn't mean it. I am sorry. I was just—"

"I wish I could have stayed alive a few moments longer." Grigori's voice had dropped to nothing. "Just to hear you say that with my own two ears.”

The door smacked open.

He didn't move. He kept both hands around his father's, kept his eyes on that face, that pale and ruined and beloved face, and felt a tear break loose and track down his own cheek. His vision blurred. Through the blur, he could still see his father's eyes, still moving between his, the recognition still present, still—

"So this is what you are doing." 

Alexei's voice came from the doorway. "Talking to a corpse."

Ilya blinked.

He dropped the hand.

It fell onto the blanket with the soft, final weight, and Ilya blinked again, and again, trying to clear the water from his eyes, and through it he watched his father's hand lie perfectly still where it had fallen. Watched the chest that was not moving. Watched the mouth hanging open, the jaw gone slack, the head lulled sideways on the pillow as if released, the pale and yellowed eyes fixed at nothing, the recognition gone out of them entirely.

Gone out of them an hour ago, Ilya understood slowly.

He pressed the back of his hand against his mouth. 

 


 

"There is nothing in here I haven't seen ten thousand times before," Sasha groaned, his voice coming up muffled from where he had arranged himself face-down across Ilya's childhood bed, one arm hanging off the edge, fingers trailing against the floor with boneless resignation.

"Mm, roll around a little more." Svetlana's voice floated out from somewhere inside the closet, her hands audible in there before she was visible. "Maybe you'll find the bed bugs you haven't introduced yourself to yet."

Sasha giggled into the mattress. It came out muffled and elongated, finding it funnier than he probably should, and he rolled onto his back with a drawn-out, theatrical sigh that seemed to last longer than was anatomically reasonable. He lifted one hand and let his fingers dance along the dusty sheets above him, gazing at the ceiling with a kind of dreamy nostalgia.

"I've lain in this bed too many times," he said. "They all know my name by now." He bit the corner of his lip, tilted his head sideways to find Ilya across the room, "They know what it sounds like around Ilyushka's lips when he—"

The closet door slammed.

Svetlana leaned against it. She pressed her back flat to the wood and turned to look at Sasha with her lips pursed into a single line, one eyebrow arching upward at a pace that communicated several things simultaneously, none of them friendly.

Sasha looked back at her. Held it for three seconds. Then he swung his legs off the bed and stood, shaking his head as if the idea had been hers. "Come on, it's boring in here." He was already moving toward the door, his shoulder grazing the frame as he slid out of it. "Let's go raid all the other rooms, please." He said it like a question, but it wasn't, because he was already gone.

Svetlana exhaled through her nose. She pushed off the closet door and turned, and Ilya felt her eyes find him. He was still in the desk chair. He had been in the desk chair for a while. At some point, he had had a sentence ready, something functional and present-tense, and then the snow outside the window had started coming down harder, and the sentence had dissolved somewhere between then and now, between this moment and the last moment he had been aware of existing in.

"Ilya."

He dragged his eyes to her.

Svetlana was standing in front of him with both hands out, palms up, waiting with the patient expressiveness of someone who had learned a long time ago that waiting was the only useful thing to do. Ilya looked at her hands. He reached out and took them, let her take his weight as he pulled himself to standing, and she absorbed it without comment.

She gave him a small, real smile, just for him. And he felt it move in his face before he knew he was responding to it, his muscles trying to smile back, falling short. She tucked herself under his arm and steered him toward the door.

"This is fine," she said, against his shoulder. "Walking down memory lane."

Ilya inhaled slowly. The apartment smelled the same, dust and old wood and something cooking from somewhere below them in the building, the smell of someone else's dinner seeping up through the floors. "There are not a lot of memories I want to walk down here."

"No?" Her brows came together gently. "Not from… before?"

She guided him down the hallway, her arm warm across his back, past the bathroom door with the handle that had always needed replacing and the section of wall where Alexei had thrown a bottle, and the plaster had cracked and never been fixed. Past all of it. At the end of the hall, the door to his parents— father’s room stood open, Sasha's voice audible somewhere inside it, the sound of drawers being pulled.

Ilya stopped.

His feet just stopped, at the threshold, and the rest of him organised itself around that fact. There was nothing visible across the doorway, no physical barrier. The floor was the same old carpet it was everywhere else in the apartment, no different there than here, and yet there was something that would not let him pass. He stood at the edge of it.

He reached up and unlooped Svetlana's arm from around his neck. "No." He heard himself say it. "I don't."

Svetlana's lips pressed flat together. She tilted her head at him, patient. "Ilya."

He didn't answer her. He turned and put his back against the wall, and let his body find its own way down, his knees bending until he was sitting on the floor of the hallway outside his father's door. The wallpaper across from him was yellowed, the pattern barely legible now, flowers of some kind, their outlines dissolving at the edges where the paper had begun to peel from the wall. He stared at the pattern. He tried to identify the flowers. The petals were too faded. He couldn't tell what they had been.

Soon, the whole apartment would be like this, faded, lifeless. Dust would settle over every surface, a slow blanketing, a gradual erasure of every impression of any person who had ever stood in any of these rooms. The building would go eventually. Buildings always went. Something new would come up where this one had been, something with clean angles and functioning plumbing, and everything that had happened in this arrangement of walls and floors would be buried under it. Would that take the memories with it? If the physical site of the memory ceased to exist, did the memory lose its grip on you? Did the brain recognise that the address was gone and seal all the corresponding files? He wanted that to be true. He wanted it very badly. 

Maybe it would get worse. Maybe this building was one of the last tethers, and when it went, when the last physical anchor to any of it was gone, so would the remaining structure holding everything else in place. And he would drift. Really drift, the way his father had drifted, unmoored from time and place, not knowing which year he was in or who was standing in front of him. Maybe that was already happening. Maybe the rot was already moving through him faster than he knew, all the drinking and the drugs having chewed through the wiring years ago, leaving his mind a sick maze he was getting more lost inside by the month. By the hour. With time constantly folding over itself. Maybe he would have to stop hockey, and then what, and then what would be left of him, what would there be without the ice to send him back to his body, what—

He felt warmth settle against his shoulder.

He felt the soft weight of a head, the brush of curls against his jaw. He became aware, slowly, of his own hands against the wood floor, palms flat and slightly cold, and he pressed his nails down and scratched them across the grain of it, the small pain grounding, the sensation travelling up through his fingertips and into his arms.

He dragged his eyes from the wallpaper to the top of Svetlana's head.

Her fingers were tracing slow lines along his cheekbone. He felt them now, the light back-and-forth, their warmth.

"Hey," he said.

"Ilya." She exhaled softly, the relief in it audible. "Hey. There you are." She sat up and pulled back, tucking her knees underneath her, and reached out to drag something across the floor toward them. A tin box, rectangular, dented at one corner, the lid printed with something that had been rubbed illegible. She set it between them. "Sasha found something I think you'd like."

Ilya nodded. He looked to his other shoulder, the automatic check, but there was nobody there. He leaned forward to look through the door, and Svetlana put her hand on his arm.

"Sasha left twenty minutes ago," she said. "He has a dinner. He needed to get ready."

Twenty minutes."Right," he said. "Okay." He looked at the box. "What is it."

"Open it up, baby."

He reached for it. His fingers found the edge of the lid, and he began to lift it, slowly, and something showed through the gap before he could see what it was. He slammed the lid back down with both palms flat on top of it. The sound of it rang out in the hallway. He sat there with his hands pressed down hard, as if whatever was inside had been pushing upward against him, as if the lid were the only thing standing between him and whatever Pandora had been warned about before she opened hers.

It might as well be. This box staying shut was the last wall of his sanity.

He slowly looked up at Svetlana. 

Svetlana's lips had parted. Her eyes, which were already large, had gone wider, and she held perfectly still. Ilya became aware of whatever his face was doing that scared her, and rearranged it, clenching his jaw, flaring his nostrils, pulling his brows down into something that communicated nothing.

"I don't want to open this yet," he said, to the box. "Maybe later." He slid it across the floor away from them and moved closer to her, pressing their shoulders together.

Svetlana let the silence pass. "Right," she said. "Yeah, of course, Ilya." Another silence. "You know what, let's not talk about the past right now."

She stretched her legs out in front of her and slapped her thighs once, a decisive punctuation. Ilya felt the knot behind his chest release a fraction of a degree, because thank God for Svetlana, thank God he didn’t have to be the one to say it. She could practically lift the lid on his skull and read the contents directly, and the fact of that was the closest thing to peace he was capable of right now.

"Yes," he said. "Finally. A good idea. Fuck."

"I'm full of good ideas, sweetheart." She raised an eyebrow at him and kicked his foot lightly with her own, leaving them pressed together. "Who taught you everything you know, after all."

"Mm. Sveta and her good ideas." Ilya considered this. "Keying her boyfriend's car, for example—"

"Ugh." Svetlana rolled her eyes. "Momentary lapse of—" she stopped. "Actually, no. Not a lapse of anything. I have no regrets. He deserved it. And all is forgiven now."

"Svetlana Vetrova can do no wrong." Ilya folded his arms across his chest and looked at the ceiling.

"All is fair in love and war. You agree, surely."

"I agree."

"Exactly. Love between non-boring people is never boring. Fighting is expected; fighting is healthy. It only becomes a mess when one person is boring, and the other isn't." She studied her nails with great seriousness, turned her hand, and blew across her cuticles. "Take you and Shane, for example."

Ilya's head dropped.

He let it fall forward and down until his chin was nearly at his chest, his forearms on his knees, and he stared at the floor between his feet. Shane. Shane Shane Shane Shane, stacked up in his mind, losing its meaning but stacking up anyways, keeps building meaning back from nothing, over and over. "Shane is not boring," he said, to his knees. "He likes to pretend he is boring, maybe he likes boring things, but in reality he is like—"

He stopped.

He tried to find the end of the sentence. He repeated it, looking for what came next, but there wasn't any next. There was just more of it, more Shane, unfolding outward in every direction without a visible edge. The number of things he could list. The number of things that were true and couldn't be condensed. He let out a short sound that was almost a laugh, almost wasn't, thinking about December. Then thinking about January. How Shane had come untouched when Ilya smacked his palm flat against his hole. Shane asking him—

"Don't start," Svetlana said.

Ilya looked up.

She was eyeing him with a look that sat perfectly between affection and deep exasperation. "Don't start reminiscing about your rendezvous with me sitting right here. And I was kidding—I know he's not boring." She reached over and took hold of the back of his curls, not gently, turning his head until he was facing her directly, those sharp blue eyes at close range. "No boring person swings a knife around as foreplay."

"It wasn't foreplay."

"It was foreplay, Ilya." She released his hair. "He was like—" she cleared her throat, tilted her head, batted her lashes with mocking, her voice dropping into a breathy register that bore absolutely no resemblance to Shane Hollander, "Fucking chase me around the kitchen, Rozanov. I want you to catch me like a predator catching its prey." She leaned toward his ear. "Then press the knife to my throat and force me–"

Ilya shoved her sideways with his shoulder. "No. Stop it. Stop." He shook his head, pressing his hand over his eyes. "It was more like, fuck you, fuck you, I hate you, I'm going to kill you."

"Sounds sexy." She pressed a finger to her lips. "Very sexy and not boring." A pause, then her smile shifted into something quieter, more retrospective. "Who would have thought. A drunk blowjob would lead to all of this."

A drunk blowjob. It was a tidy little container for a thing that was the opposite. Practically catatonic would have been closer. Shane not fully present in his own body, Ilya not present for other reasons, both of them high in his hotel room. He tapped his finger against his knee once. 

"A drunk blowjob," he repeated.

Svetlana looked at him. "Yes, Ilyasha. A drunk blowjob. Why are you mimicking me? What is happening in that head."

"Sometimes I feel—" He stopped, started again. "I don't know." He lifted his shoulders and let them drop, the shrug doing the work of a sentence he didn't want to finish. "It is like. He doesn't see it that way. He sees it as something else. I understand that I took without asking, which—"

"Is nothing new for you, Ilya."

He looked at her sideways.

Her expression was not unkind. It was just accurate, which was uncomfortable, and she met his eyes and didn't look away from it.

"Mm." He turned back to the wall. "Whatever. I thought we weren't talking about the past."

"We aren't, babe. We aren't." She waved her hand, dismissing the entire subject with a flick of her wrist. "Let's talk about All-Stars weekend."

"That's in the past."

"Right, but it doesn't count, because I don't want it to." She turned toward him, shifting her weight, tucking one leg underneath the other. “I want to know everything."

"Well. Everyone was mean to him, I think you could guess that. But, there was a man," he said, "Beaumont, Pittsburgh." He stopped. "He said something stupid about Shane."

Svetlana said nothing.

"About his eyes, was like, like a slur," Ilya said, to the opposite wall. "And then laughed."

"Jesus," Svetlana said quietly.

"And Shane was on the ice." Ilya turned the thumbnail under, pressing the edge of it into the pad of his finger. "He could not hear it. He did not know. He was skating, and—" He stopped again. "He was first in the obstacle course. The crowd had just—you know how they get, with Shane. Half of them happy, the other half," He made a small, loose gesture with one hand. "But he was winning them over. Right there, in front of everyone. You could watch it happen."

"And you were sitting next to Beaumont when he said it."

"Yes."

"What did you do."

Ilya inhaled slowly through his nose and let it out. "I did not do anything in the moment," he said. "I was—" He rubbed two fingers across his jaw. "Watching Shane. And then, I watched him during the game. Hunter was not passing to him, you saw it, I'm sure. The whole team, the whole weekend, just—" He made a flat-handed gesture, a door closing. "As if he was not there. As if he did not deserve to be there. And Shane—" He stopped.

"Ilya."

"I wanted to—" He stopped hard.

“Ilya.”

"I wanted to go to him," he said, voice shaking slightly, "Across the locker room, with both hands, just—press the life back into him somehow." He said the last word with a short exhale that was almost a laugh. "Which is completely insane, yes? Because who am I to do that."

"Mm," Svetlana agreed, neutrally.

"But I think that I–mm. I think I wanted it more than I wanted to breathe." He said it to the opposite wall. "Which has never happened before. Not with anything." He scratched at his knuckle. "Not once."

Svetlana let out a drawn-out hum of interest. "Did anything happen with Beaumont?" she said finally.

"Uhm." Ilya said.

She looked at him sideways.

"I showed him the beach," he said.

She pressed her palm flat over her mouth and composed herself in approximately three seconds. "God, Ilya." She cleared her throat. "And after?"

"After…after. You mean after the game?" He shifted his weight against the wall. The floor was cold through the fabric of his trousers, the wood grain pressing in. "I texted him, he came over." He exhaled. "I wanted to tell him it was getting complicated. That it was better to—whatever. Whatever you say. Clean break."

"How did that go."

Ilya looked at his hands. "He said he needed me."

"He said it like that," Ilya continued. "Not even like a confession, like it was the most obvious thing. Yes, yes Ilya, I need you. Like the sky is grey." He pressed the heel of his palm against his knee. "And I—" He shook his head, once. "I couldn't."

Svetlana sat up slightly. She pulled one knee to her chest and turned her head toward him. "Ilya–”

"I know what you're going to say."

"Do you."

"You're going to say that it means something. That it is essentially a confession. But someone told me recently that needing is different from wanting."

"I was actually going to ask you whether you believe needing is different from wanting. Funny." She tilted her head. "But yes. Also that."

"Because that's a very significant thing," Svetlana sighed softly. "A person telling you they need you, when you are trying to walk away. And Shane saying it." Her brow lifted. "Shane Hollander, who hated you what? Three months ago?"

"Yes," Ilya said, to his hands. "I know."

"So why are you still acting like it's a problem you haven't solved. It's obvious, no?"

"No, it’s not. Because needing is different," he said. "Needing can be without choice. Needing doesn't mean—" He mumbled to his hands. "You may need something you don't want to need. You can need something and resent it completely. Resent the thing and resent yourself for needing it." He stopped. "That's not wanting. That's not—" That's not feeling something. He didn't finish it.

"You think that's what he's doing," Svetlana said. 

"I think it's possible he doesn't know," Ilya said. "I think it is possible that whatever is pulling at his chest—" He paused on the phrase. The image it produced. Pulling at his chest, how absolutely accurate it was. "—he would rather die than know it. I think if he actually looked at it, it would mean he would have to act, right? And acting would mean—"

"Everything, his whole life—all of it. Everything he has built, just gone. At least gone in the way he likes it." He exhaled. "And I don't know if he wants that. I don't know if needing me means he wants me, or if he just wants me to fuck him when it's convenient," He pressed two fingers to his mouth for a moment. "And if it is just—need, without want, then cutting it off is still the right thing. Because he deserves—" He stopped again.

He deserves someone who can love him.

He didn't say that part.

"And what about you?" Svetlana said, gently. "What do you want?"

He didn't answer it for a long time. Long enough that the sound of the building filtered back in around them, the hum of pipes, the faint domestic noise of someone's life going on two floors below.

"I thought it was escapism," he said. "And maybe it is that, too. But I don't think it's just that." He shook his head slowly. "In the locker room. Fuck, seeing his face like that. And I'm just standing there with my heart outside my body, trying to get to him, and I'm thinking—when did it become this? When did it become about more than control and his body." He paused. "Not only his body." A pause. "Not mostly his body anymore, which is—" He scoffed.

Svetlana's mouth curved at the corner, very slightly.

"Let's say hypothetically I like him, yes? Then what the fuck do I even do about that." Ilya said. "I know how to want him like before, how to hate him, how to be obsessed with him, whatever, I've been doing that for years. But the other thing—" He turned his palms up on his knees, open, empty. "Liking, accepting needing, accepting feeling that feeling for someone else. The feeling I fucking hate, because yeah, I'm like him, I don't want to feel this way. But even if I do feel like this, it doesn't mean he—" He stopped. "Does not make me someone who deserves to be standing in his kitchen, is what I'm trying to say."

"No," Svetlana said. "Probably not."

"But," she continued,  "You told me you wanted to start confronting your feelings, yes? And cutting Shane off just because you think you may feel something for him, come on, honey. You've been running from a lot of things for a long time—" A soft gesture toward the tin box, still three feet away in the hallway. "And now this. And every time you run, you just end up going in these stupid circles and confusing yourself." Her foot nudged his lightly. "I think you know how you feel about him. I think you've known for longer than you're admitting. And I think the only thing left to do is to stop pretending you don't."

 


 

It takes Ilya two hours to decide to open the box.

He does it because he promised himself he would stop running. That is the only reason. Not because he is ready, he is not, was not, and suspects he never will be in any way that counts, but because he told himself he would stop, and so he will stop, and the consequences of stopping are not his to manage in advance. You cannot negotiate with the thing that is coming for you, no, you can only stand still and let it arrive.

He doesn't know what form it will take when it comes. He knows only that it will come. Hunter had said it well: if he waits for it to come, it will come with a mirror. Ilya had stared at the ocean when he said it and not answered. He answers it now, alone in his apartment with Pandora’s box.

What will I see?

He sits forward and looks at his own hands resting on the lid.

Will there be anything there at all?

He opens it.

The photo is old, the edges have softened with time, gone slightly furry where someone has handled them too many times, and there is a fine layer of dust across the surface that has settled into the crevices of the image. His father is young here. Or younger. Young enough that Ilya's first instinct is not to recognize him, and then he does. The jaw is the same. The set of the eyes. That gaze, steady, coal-dark, despite the blue, and radiating something that fills the paper, like a stain, spreading outward from some central wound, some original damage that was always already there. A darkness. Not evil, or not only evil. 

Ilya has never thought he looked like his father. He has always understood them as separate things, him and Grigori, the same category of person, just in different physical forms. But they do look alike here. In the picture, they look alike. The same broad structure of the face. The same way the darkness radiates.

The paper stings his fingers, and he drops the photograph back into the box before he has decided to.

He picks up the next one.

He knows this one is the right one before he has fully pulled it free. There is something in it, the arrangment of light and dark across the surface, that reaches into his chest and steadies it. The light and dark are so evenly balanced here— not one winning, not one consuming the other, but held together in a kind of equilibrium that the camera has caught and frozen, preserved for thirty years in a cardboard box in his childhood home. He presses it deep into the skin of his palm and feels nothing but warmth.

His mama.

Oh God. His mama.

She looks so young. She is here with her cheek pressed against his father's chest, her body turned slightly inward, folded against him. His father's arms around her. Her belly, round and new, pressed between them— before Ilya was even an idea. Before Alexei had taken his first breath. Just the two of them, curved against each other, yin pressing against yang, the light cradled inside the dark.

He squeezes his eyes shut.

He tries to feel the line between them. The sharp, clean boundary, the place where one stops and the other begins. He looks for the edge of his mother's goodness against his father's evil, trying to locate the seam, the place where the angel ends and the devil begins, and he cannot find it. He cannot find the line. There are only blurred shadows and highlights that dance across the surface of the paper, always touching, barely distinguishable, the one bleeding into the other with a continuity that refuses to be interrogated.

Is this what it really is. Is this love. Is this how things are.

The beach is a calm brown solace,  grain upon grain of softness layered onto each other, docile and still, a thing that cannot harm you, that receives you when you lie down on it and holds you without complaint. And the sea. This large blue wild thing that whips and froths and carries things away into its deep, that has always been carrying things away, that has been doing this since before anyone was watching. When they meet, the sea attacks— yes. Its white froth swallows the sand and drags it in, claiming it, pulling the ground out from under itself with every wave.

But the sand, too, can rage.

It can throw itself up into winds that turn it sharp as a knife. That softness turned sharp, that docile thing turned weapon; it too can attack the sea. Blinding it. Scourging it. They can attack together, and separately, and they do. And the sea can be calm. The sea can whisper. The sea carries life in it, everything that lives lives in it; everything comes from it. The sea can love.

Fuck. The sea can love, too.

That cold and drowning thing. That thing that has drowned so many and maybe has wanted to drown him too, it has loved him. It has kissed him, the water leaving salt traces on his skin after, the evidence of it dried white and crystalline at his temples. It has carried the weight of him along its back. Drifted him away from the shore when the sand was too hot beneath his feet, then drifted him back. The sea can do that too— it has that ability in it, to love. The way it loves the sand. The way it can kiss the soft edges of it where they meet, can kiss the bottoms of your feet and your shins when you stand in the shallows and let it come in and go back. It can do that. It does do that.

But just because it can love, it doesn't mean it will. And just because it has loved, the sand, the sky, him, it doesn't mean it doesn't storm. 

How could the sea love? How could that blue and empty and lonely thing, how could it reach across itself, across all those miles and miles of nothingness, across all that cold unwitnessed distance, and love? How?

He hears something scream back at him, how could it, how could it.

The voice is so loud that it scares him, and he grips tighter.

Grips something cold.

His hand is gripping something cold and metal, and the cold of it is genuinely painful,  a shock, not just a chill, and when it registers properly, he flinches, and as he flinches, he takes a quick inhale, and the cold air hits the back of his throat like a blade, and that snaps him further, and he blinks—

—and blinks again—

—and there is wind.

Real wind. Cold and whipping, and snow, falling hard and fast in small dense pellets that hit the skin of his face and hands and forearms like static. Moscow stares back at him from below, the city lights slightly dimmed at this hour, the towers and the grids and the dark gaps between them blurred through the falling white. He is standing on the outside of the railing.

His hand is gripping the cold metal of the railing. He is on the outside of it.

He swings his leg back over without thinking, before his brain has caught up with where he is. His foot finds the balcony floor, and his weight transfers, and he stumbles backward, his shoulder hitting the glass of the sliding door hard, and he presses himself flat against it. His back against the glass. The door handle cold at his hip.

When did he climb out here? Who carried him here? 

He spins around. There is no one. There is only him and the snow and the city below and the dark apartment behind the glass, the lamp on the coffee table still lit, the box still open on the coffee table, his mama still there inside it. He turns back, and there is only Moscow and the cold.

He slides the door open with both hands and stumbles through it. Slams it behind him. The sound of the city disappears. The warmth of the apartment presses back in around him, and he stands in it and breathes.

His eyes are open too wide. He can feel it, the pressure of his own eyeballs bulging against their sockets, the whites showing too much, the way he must look standing here in the middle of his own living room. He brings both hands up to his face. His hands are freezing. The cold of them against his skin is there, and he drags them down, slowly, forehead to cheeks to chin, the icy drag of his own palms against his own face, cataloguing everything. Forehead. Cheekbones. Jaw. The soft give of his lower lip against his knuckle.

Everything is there. He is still here.

He is still here.

He can hear something violently hitting against the glass of the table and he jumps, his whole body lurching backward, his shoulder catching the edge of the couch. He stares at it. The phone is angry and shaking there against the glass, buzzing with a fury that seems outsized. The screen lights and goes dark and lights again.

He drops to his knees on the carpet. The fabric rough against his kneecaps, the cold from the balcony still sitting deep in his palms as he reaches out and turns it over.

Shane.

Ilya stares at it for one second. Two. The phone shakes in his hand, insistent, alive, the way nothing else in this apartment is alive right now except him, and even that had been a near thing, a very near thing. He presses accept.

Shane's image fills the screen a little too closely. His face and nothing else, taking up all of Ilya's vision, so bright and warm— the room behind him warm, or maybe that is just Shane, maybe Shane is the source of it, maybe he always has been. His mouth is moving. His eyebrows are pulled together in that furrow, concern, and concentration. He is wearing glasses.

"You wear glasses," Ilya says.

He sees himself in the corner of the screen. He looks at himself for a moment and then looks away because it is easier to look at Shane. He settles back against the base of the sofa, the carpet still rough under him, the cold still sitting in his hands.

"Just for reading," Shane says, and takes them off.

No. Why.

"Where are you?"

He sounds so concerned. His voice is so smooth and a little careful, always, like he is carefully handling something he doesn't want to drop, and when it is aimed at you, it is almost unbearable. 

"Home. Put them back on please."

Shane squints at the camera. "Uh — Boston?"

"Moscow."

Ilya looks at his skin. It is slightly shiny in the light of the screen, recently cleaned, tended to— all those creams he puts on, his whole careful maintenance of himself, his body a project he takes seriously like every other aspect of persona. Or maybe he just took a shower. Either way, his face is very clean and very close.

"Oh." Shane's voice drops slightly. "Are you okay?"

"I will be better when I see you in your glasses again."

Shane looks at him for a moment with irritation, then he puts the glasses back on and raises both eyebrows at the camera. "There. Fine. Happy?"

Happy. What a word. 

Yes, maybe. Or not happy exactly, but good. Something that is not happiness but is adjacent to it. Something that is simply the relief of Shane's face on a screen in a safe, warm room in Montreal.

"Happier."

Shane's expression shifts. He inhales slowly, his chest rising, his eyes staying on Ilya's. "Is your father..."

"Yes," Ilya says. "Dead."

"Ilya." Just his name. Just the two syllables of it, said so gently— Jesus, why does he always say it like that, why does his voice go smooth and slow. "I'm so sorry."

"I will be back before the end of the week."

"You should take more time than that."

He doesn't know what time is anymore; the days in Moscow have been bleeding into each other at the edges until the beginnings and ends are invisible. He furrows his brows gently and tilts his head at the camera.

"Why. So you can catch up to me in the scoring race?"

"I'm being serious." And he is. Shane is always serious. Except for when they are playing. "You know. You can talk to me about whatever. I want to help if I can."

And Ilya stares at him.

What would he say. Shane. Shane, what do you think— do you think the sand loves the ocean, and the ocean loves the sky? Would you love me the way the grains of sand love the molecules of water, pressing against each other, inseparable and indistinguishable at the place where they meet? Would you tell me I am deserving of it too, even now, even like this, even with my skin gone blue and the waves of myself swallowing me these days until I don't know which direction the surface is? Would you stand beside me and tell me where the sun is in the sky?

Is it okay that I think I love you and also want to hurt you sometimes, too?

And what about you. Do you love me. Do you want this. Do you want me— do you want to love me, or do you only want what I do to you, and is there even a difference, and does it matter, and—

"Take off your clothes," he says.

Shane blinks. "What?" Half a laugh, barely.

"I'm also being serious." Ilya sighs, long and slow, and leans the phone upright against the box on the table so Shane is propped there in front of him, his face still close and warm and wearing those glasses. "If you want to help me, then take your clothes off."

 


 

The beads catch the light.

That is the first thing. That is the only thing, for a moment, the thin curtain of them hanging between him and the rest of the room, each bead a small gold sun, each one fracturing the candlelight into a hundred smaller pieces that scatter across the walls and the ceiling and the backs of his hands where he holds them in front of his face. A veil. A membrane. Something thin enough to see through but solid enough, maybe, to hold.

Where am I.

You are at your father's funeral. You are hiding at your father's funeral because everything came at you all at once, the sea and the beach and the cold inside the box and the photograph of your mother with her cheek pressed against his chest, and then all the eyes, all of them at once, falling onto you from every direction until the weight of them became unbearable and your body stood up without your permission and lurched past the table and through the beads and into here. The small side room with the mirror and the dresser and the smell of old incense pressed into the walls like a second wallpaper. Here, where the golden light comes in thin and filtered and the noise from outside is muffled to a low, collective murmur.

And what can I do to stay here.

He is pacing. He knows he is pacing because the floor keeps moving under him, the same six feet of it appearing and disappearing beneath his shoes, the worn carpet pressing back against the sole of each step. He can hear them out there. Drinking. Talking barely, not grieving, exactly, performing, saying the words that the occasion requires, filling the air with acceptable sound so the silence doesn't get too large.

Why am I not drinking.

Because you are not running.

Ah. He nearly laughs. He might laugh. I am not running, so it is all hitting me at once. So instead I am being ripped apart. Everything he thought he was, every piece of reality stuck together at the edges with the thin glue of routine and motion and forward momentum, the illusion of it falling away. Away. Away.

"How can it fall away?" His father asks, from somewhere. From everywhere. "If reality is falling, where would it fall away into?"

"Into itself," Ilya barks back. "Obviously."

He thinks he says it. He passes the mirror, and the Ilya in it does not open his mouth. His reflection moves with him, but wrong, head downturned, eyes half-shut, brows pulled together in a furrow so deep it looks like pain. Which it is. 

Who is that.

He stops. He drags his face upward, forces it, even though looking hurts, even though the mirror is the last place he wants to be, even though Hunter said the mirror eventually, and Ilya had thought yes, fine, but not here, not today, not in a gold-lit room at his father's funeral. 

The beads shift behind him.

Alexei steps through them.

His hands are in his suit pockets. His beard catches the candlelight at the sides in a way that is almost, Ilya stares at him, almost holy. Like the stained glass at the chapel, those long Byzantine faces with their flat gold haloes and their eyes that followed you around the nave, that expression of suffering so ancient it had become something else, something that looked almost like peace. Alexei, in his suit, with the candlelight on his jaw. Christ in the window, arms slightly open, the glass around him lit from outside so the colours burned.

Where is Ilya's saviour now. He has been praying for him to come down here, in his own way, in the only way he knows how, which is not kneeling and is not words, but a pleading petition sent upward into whatever is listening. Because everything fucking hurts. He had not known a feeling could be violent. He had known pain before; he had not known it could do this. His skin feels like it is being separated from the flesh inch by inch, a slow and patient peeling, and underneath it, his skeleton is being crushed, the calcium powdering under some pressure that has no single point of origin, and all of it burning. His whole body is burning. Perpetually spinning.

Does his father feel like this. Is his body burning too, itching and spinning, flung through hellfire? 

God forbid, no.

No. How could he even think that? His own father. His fucking father. Half of what he has come from is dead, and now the proof of it is in a casket in the next room, and now there is nothing, no proof of life, no origin story, no man to measure himself against or fight or hate or need. The whole core of his childhood, the terrible familiar structure of it, dismantled. Everything he knew falling apart. Everyone around him dying. Everything dying.

He is saying something. He thinks he is saying something, his mouth is moving, he can see it in the mirror, the words forming and releasing, something about his niece, maybe, something for her, something that matters to someone even if it does not matter to him right now, even if nothing is.

Or maybe he is only thinking these things. Maybe it is happening somewhere else entirely, in some parallel room where a version of him is coherent, and in this one Ilya is running through a burning building screaming for someone to pour water on him, and there is already water, floods of it, flooding out of his own eyes and his nose too, warm, leaking warm down his cheeks, and he claws at it because it burns, why does it burn, grief should be cold and it is not, it is the hottest thing, it is—

His throat closes.

He lurches forward. Both hands hit the dresser, the wood solid and real under his palms, and he vomits, the force of it bending him double, his knuckles white on the dresser edge. Then again. His whole ribcage is contracting around the absence of his father, wringing itself out.

He is coughing. Someone is patting his back. Two sets of hands, one at his back, one at his arm, holding him up, and without them, he would be on the floor. He understands that clearly, his legs have forgotten their purpose.

"Alexei?" His voice comes out destroyed, scraped hollow.

"Ilya." Alexei's voice, low and half-hissed, right against the top of his head. Close, his brother, close. "Keep your mouth shut." A pause, a direction aimed sideways. "Svetlana. Put his hand over his mouth. Lean here."

Ilya nods. He doesn't know what he is nodding to. He closes his eyes, the gold light going dark behind his lids, the beads still catching it on the other side of them, the whole world reduced to the pressure of two sets of hands and the smell of incense and the sound of his own breathing coming ragged through his nose.

He lets them drag him.

 


 

They lay him on the sofa.

Two soft hands, careful, guiding his shoulders down and his legs up, tucking him against the cushions with a tenderness that he knows the shape of from somewhere very deep and very old. He knows these hands. Or he thinks he does. He opens his eyes and—

Mama.

But it cannot be his mama. His mama is dead. Has been dead for years, is in the ground, is in the plot his father had chosen and paid for and stood over in his good coat without crying, because Grigori Rozanov did not cry, and Ilya had stood beside him and tried not to cry, because he was his father's son. And it cannot be his father either, arranging him here, because his father is dead now too, is in a casket in a building Ilya has just been dragged out of with vomit on the lapel of his suit jacket.

He is alone. He has always been alone. He is more alone than he has ever been.

A sob tears itself loose from somewhere beneath his sternum, some locked room he has been bricking up since he was twelve years old, since he was seventeen, since every moment he stood in the corridor of a hospital or at the edge of a grave or on the outside of a balcony railing in the Moscow cold, and it comes out loud, so loud it hurts his own ears, the sound of it bouncing off the ceiling and the walls and coming back at him from every direction, and he cannot stop it, cannot manage it, cannot perform anything around it. The tears fall sideways off his face into the couch cushion. He inhales them back through his nose with each shallow, guttering breath, and it doesn't matter, nothing matters, he is sobbing and coughing, and the two things are indistinguishable, his whole chest heaving around the wreckage of itself.

Between sobs he is screaming.

Take me with them. He hears himself say it, feels his mouth forming the words, the plea scraping his raw throat on the way out. Take me. Please. I cannot live like this. It hurts, which he had not understood was possible, had not understood that grief was a bodily thing, that it lived in the tissue and not just the mind. I cannot live like this without them, what is the point, what is the point of any of it, what is the point of loving if this is what loving costs you, if every person you allow yourself to want just —

"Ilya." Svetlana's voice. Her hands on his shoulders, gripping, the pressure of them real and against his bones. "Ilya, what do you need. Tell me what you need, please."

He doesn't know. He doesn't know what he needs; he knows only what he cannot have— his mother's hands tucking him against the sofa cushions, his father's voice, the version of his family that existed before. He cannot have any of that. He must feel this. He must, he knows that, somewhere beneath the screaming, he knows that this is the thing he has been running from for twenty-five years, and it is here now, and the only way out is through. Like cleaning a blocked pipe. All the pressure that built up behind it, God, when it releases.

Sasha's voice comes through from the speaker phone. Svetlana mutes it and turns her face back to him.

"Drugs." She says it quietly, like the word itself might set him off. Her hand tightens on his shoulder. "Ilya. Sasha is asking if this is detox— if you need—" She shudders. "We can get you anything."

He shakes his head back and forth, wildly, thrashing against the couch cushion, and then he screams again.

Drugs. The word ricochets around the inside of his skull. Drugs, imagine. Imagine. No. No, no, no. He hasn't touched anything since. Not a drink since January, not a line since, he can't even remember since when, and that is how he knows it has been long enough to count. He promised. He promised his mama. He promised the sun. 

He cannot do those things anymore.

"Okay." Svetlana's voice drops to something very low, very level, trying not to panic. "Okay, Ilya. I hear you. Please. Please look at me."

He shakes his head. He feels like he is looking; he feels like his eyes are open, like he is staring directly at something, but there is nothing there. He is in the dark. He is in the dark that has no walls and no floor and no direction toward the surface, and he is—

Where is his light.

"Shane."

Ilya goes still, every muscle in his body locks at once, his thrashing stops his hands go flat against the cushions. He stares up at the ceiling, the apartment starts flooding with a slow, bleeding line of violet and crushed yellow pushing up from the horizon, cutting through the dark. The sunrise. It spills across the floorboards, crawling over the carpet, climbing the legs of the coffee table until it finds the edge of the sofa where he is lying. It touches his face. It is warm against his wet cheek, against his swollen eyelids.

Svetlana's thumb moves across his cheek, slow, wiping the wetness away.

"Shane. That is what you want, right?" She whispers, "Oh, Ilyashu. Of course. Shane. Your special person. You want to see him, you want to hold him." Her thumb strokes his cheekbone again, right where the yellow light is resting. "And that will make you feel better."

Ilya’s lips part. His chest heaves on the inhale, the remnants of the sobbing still moving through him in aftershocks, but the screaming has stopped.

"You want to talk to him?" she asks.

He nods. The movement is tiny against the cushion.

"You want to be near him?"

He nods again.

"You lo—"

 


 

received:

Can I call you?

status: read

Shane stared down at the text as he pulled the door open. He turned back just long enough to catch Hayden through the gap, lying on top of the covers, arms folded over his chest, the television playing live footage from the festival outside. The bass moved through the floor in a low, steady pulse. Through the window behind Hayden's head, stage lights swept and coloured the ceiling blue, then white.

"Hey, when you get back we should check out the festival." Hayden said it at the TV. "Think some of the guys got tickets."

Shane's jaw tightened. He typed yes with his thumb and kept his eyes on the screen.

"No." He said. "You can go though."

Hayden hummed. Scratched the back of his neck. "Oh — right, yeah, probably a good idea for you to stay in anyway. Rest up, get some good food in. Back to backs are—"

Shane’s brow deepened, the muscles pulling tight enough to ache. He pushed the air out of his nose.  The hotel room immediately shrank around him, the walls pressing inward, the humming of the air conditioner suddenly deafening in his ears.

He hated this. He kind of hated him. He knew it was an awful thing to think; this was Hayden, his best friend, and he had reason to be worried. Obviously, look at the evidence. But the soft, pacifying tone felt like a heavy, wet blanket being forced over his face. Rest. Get some good food in. Like he was a fucking child who couldn't be trusted to keep himself alive without supervision. He was a grown man. He was twenty-five years old. The care was just another cage people built for him. It was a gentle, quiet cage built of monitoring meals and bedtimes, treating him like a fragile, unpredictable liability that needed to be managed and put away before he hurt himself.

"Yeah." The word tore out of him, harsh, scraping the back of his throat. "I know."

He shoved the keycard into his pocket and let the door fall shut behind him. The click of the latch was louder than it needed to be.

He was already moving down the hall when his phone buzzed, not a call, a notification. Someone attempting to log into his iCloud. He glanced at it, and the corner of his mouth pulled. Again. Second time this week, third time this fortnight, same pattern, same late timestamp, give or take. He'd changed his password twice already. It hadn't done anything.

He'd always assumed it was Ilya. It was classic, really. The persistence, the complete lack of subtlety, all of it had Ilya's fingerprints on it, so obviously Shane had nearly texted him about it once, sometime after Tampa, something sharp and pointed that would have felt good to send. But then January had become February and Ilya hadn't been anywhere to be pointed at, and now— now he wasn't going to waste what little time they had together on being petty about it.

He shouldered through the door to the fire escape.

The stairwell swallowed him, concrete and cold, the sound of the festival suddenly muffled behind the heavy door. He jumped down a few stairs and dropped onto a landing, railing, feet stretching out until his trainers pressed flat against the opposite wall. The stage lights bled through the narrow window above him and laid a pale stripe across the floor, blue-white, shifting. He could feel the synth through the glass.

Shane pressed the phone to his ear.

"How are you?"

"Ok." A pause. "Not good." Another pause, shorter. "Probably bad."

"How's your, uh." He stopped. Rerouted. "Your family?"

"At their worst. My brother is— I don't know. Scared. It makes him terrible, and it makes me terrible back."

Shane didn't speak. Through the cheap speaker of the phone, he could hear Ilya inhaling. The breath shuddered, catching hard against the back of his throat. He sounded like he was crying. Or like he was violently trying not to, locking his jaw and holding all the pieces of himself together.

He didn't want Ilya to hold it together for him. He would have said so if he'd known how.

"Is it very upsetting?"

"Yes." Ilya swallowed. "But maybe I am upset about the wrong thing."

"You mean not your father?"

"Maybe." Ilya's voice shifted, something moving underneath the word that Shane didn’t understand. "I wish it could be different. I wish they didn't leave like that. That we—" A slow inhale. "I don't know. I don't — I can't."

He sobbed.

Shane pulled the phone from his ear by instinct, just a fraction, the sound too close, too direct, landing so hard against his chest that it made him cough, and he pressed his feet harder against the wall like the pressure could do something. Like if he could just brace himself against enough surface, he could absorb it.

He had never heard Ilya cry like this. He had never heard Ilya cry at all until less than four weeks ago, and even then, it had been different, controlled, contained; the tears tracked silently down Shane’s shoulder. This was nothing like that. 

He was learning these things about him. Slowly, in pieces, like learning a new city by getting lost in it, a street at a time, and then suddenly you know where you are. He was learning the faces Ilya didn't show anyone, and Ilya was learning his, and there was something in the mutuality of it that Shane kept circling back to.

"I don't know." Ilya's breath caught and dragged. "English is— too. Too hard."

If Shane spoke Russian, there would be nothing between them. No gap to negotiate, no words losing their shape in translation, no meaning arriving blunted or sideways. Shane could just, receive it. All of it, directly. And he could give it back the same way, let go of the careful walls he built every sentence inside, let go of the monitoring. Let the thing that lived in him take hold of his tongue and trust that Ilya would understand it, not just through the body but through the actual words, the specific words, the ones that meant exactly what he meant them to mean.

"I wish I spoke Russian." He said it mostly at the floor.

"Mmm." A sniffle. "Me too."

But maybe, maybe the words weren't the thing. In Tampa, Ilya had gotten into him without language at all. Had found the thing Shane kept locked in the dark and spoken to it directly, bypassing every layer Shane had built between himself and the world. Maybe it worked the other way, too. Maybe if Ilya just let the words come, let them move through the phone, Shane could feel them without decoding them. The way Ilya's voice right now, even stripped of meaning, was doing something to Shane that he could feel but not articulate.

"Hey." Shane bit his lip. "I have an idea. How about you— tell me everything. Everything that's on your mind. But in Russian." He paused. "I won't understand. But maybe it'll help."

There was silence, and Shane wanted to backtrack, but then, "Ok."

A long inhale.

And then Ilya opened the gate.

The words flooded out without pause, without space, a current that had been held back and now moved with the intensity of everything that had been pressing against it. Shane closed his eyes. He couldn't track any of it; they were sounds without meaning to him, a language built of sounds he'd only ever heard in pieces, in context, in the charged moments that made up whatever this was between them. But he could hear Ilya inside it. The cadence swung up and then dropped, up and dropped.

And then, just kept dropping.

He felt it, a heat that started somewhere in his feet and crawled upward through him, through his calves, the backs of his knees. His chest felt pressurised, too small for what was moving through it. He didn't know the words. It didn't matter. The shape of the fury in Ilya's voice landed in him anyway, bypassed every rational layer, and went straight to the body.

And then his chest started releasing, his shoulders dropped a fraction, his breath came out slower without him deciding to let it. Then he heard it in Ilya's voice, too. The words slowing down. Each one taken out separately, with space around it, like Ilya was having to reach further and further to find the next one. The pauses between them stretched. Ilya's breathing caught on syllables, breaking mid-word.

He's not alone in this. Shane’s thought bypassed every layer of negotiation he usually applied to thoughts about Ilya. He doesn't know it, but he's not alone.

Shane's free hand moved; it found the inside of his forearm, fingers wrapping around the bone of his wrist, and squeezed. Hard. The pressure grounded him, gave him an edge to press against. His thumbnail dug a small, sharp crescent into the skin just below the vein.

He wanted to be in the same room as Ilya. Not to say anything— he didn't have anything to say, there were no words that did anything useful right now— just to be there, to be a body in the same physical space, close enough that Ilya would know without being toldm in whatever room he was sitting in, falling apart in, while Shane sat in a concrete stairwell miles away digging his thumbnail into his own wrist, useless. 

Under the sobs, he could hear something else.

A thumping.

Shane's eyes opened.

He thought for a second it was his own pulse, assumed it was the physical response to everything he'd been sitting inside for the last four minutes, his heart working too hard. But it was wrong for that, the wrong rhythm, too irregular, too external. He thought it was the festival bass through the stairwell walls. The synth he could feel in the glass behind him.

But it was coming through the phone.

He went still. He tuned out Ilya's breathing, gently, just for a second, just enough, and he listened, and the lyrics came through. Thin and compressed through the phone speaker, but there, unmistakable. The same band he hadn't recognised on television.

The same music.

Shane's spine straightened. He pulled his feet off the railing.

"Ilya." His voice came out flat, precise. "Where are you?"

Silence. 

"Ilya."

"I am— I am in Boston."

"What—" He yelled it. Shane stopped, made himself breathe once, slow through his nose. Boston. He was in Boston. He was close enough that the music through his phone and the music through the walls of this stairwell were the same, the same band, and Shane had been sitting here for four minutes not knowing. "When— how? Why didn't you—" He was already standing. "I'm coming to see you."

"No." Ilya's voice cracked down the middle. "Hollander— you can't."

"What do you mean I can't." Shane's hand found the railing, and he started moving, feet hitting the stairs, taking them fast. "I'm coming now."

"No— please—" The please gutted him, Ilya, begging. "You don't understand. We can't—"

"Yes." Shane said it over him, hard and certain. "We can. And I'm going to."

He jumped the last three stairs to the next landing, hand skimming the rail for balance, feet finding the concrete.

"You don't understand—"

"There is nothing to understand. Stop, stop telling me what I can and can't do." He was so sick of it. He was so sick of being managed and redirected and handled, of people deciding what was good for him and presenting it as care, of you should rest and back to backs are, and you don't understand. He was done, he was done being navigated around his own choices. He didn’t fucking care what was good for him, what was bad for him; this is what he wanted. 

"Shane." His name in Ilya's mouth, not HollanderShane. "I'm not — I've done bad things. Too many. Too many bad things, to—" A hiccup."To you. Not good. Ya uzhasen. You don't understand."

Shane's feet slowed for just a second.  "Yeah? You think?" His hand slid along the rail as he kept moving. " You've done awful things to me." He hit the next landing. "And I've done awful things to you. But that doesn't matter right now, it—"

"I broke into your house."

Shane stopped. Stood still for one full second in the stairwell, his hand on the rail, the festival bass pressing through the walls around him, blue light shifting through the window glass above.

He blinked, his brow pulled together.

"What?"

"Yes." Ilya's voice had gone strange, thin and fast, the words coming out of him like the Russian did, like once the gate opened it didn't know how to close. "I broke in and— I also track your location too— I've lost my mind, I fucked up, I fucking— I—"

Shane let out a long breath through his nose. He shook his head once, at nothing, at the stairwell, at the absurdity of this, of Ilya, of the fact that this was what Ilya had chosen to confess. He started moving again.

"I don't care." His feet found the rhythm of the stairs. "I don't care, Ilya. There's nothing you can tell me that's going to stop me from seeing you tonight." He pushed through the last half-flight fast, hand barely touching the rail. "Yeah, of course, you have my location. And you're trying to log into my iCloud, too, right? I know. I'm not stupid."

He hit the ground floor and shoved through the side door.

The cold came at him immediately, Boston February, cutting straight through his shirt, the festival noise suddenly everywhere after the muffled pocket of the stairwell. The stage lights painted the dark sky in shifting colours. He'd come out on the side street running parallel to the main block, and it was full, people moving toward the music, taxi lights cutting through the crowd. He scanned fast.

"Huh?" Ilya whispered. "What iCloud?"

Shane's eyes found a cab two cars back, its light on.

He almost laughed, but he didn't.

"Jesus, Ilya." He was already moving, hand up, stepping off the kerb. "I don't. Care."

The cab pulled forward. Shane yanked the door open and folded himself inside, the warmth of it closing around him. He pulled the door shut and pressed the phone back to his ear, his other hand already scrolling through his notes app to find where he had saved Ilya’s address. "I'm coming, okay? I won't be long." He sighed, "Just leave the door open. Please."

 


 

The elevator button had a small, pale dent in it from Shane's thumb by the time the doors closed.

He pressed it again anyway. Thirty. Thirty. Thirty. His heel bounced against the floor, the sound swallowed by the carpet. The numbers above the door ticked upward with a patience that felt personally offensive. Ten minutes in the cab. Three minutes of Ilya's voice on the phone after that, ragged but there, and then the line going dead mid-sentence and Shane saying Ilya twice into silence before accepting it. He'd called back four times in the cab. Four times the voicemail picked up, Ilya's recorded voice smooth and unbothered, completely at odds with the version that had been sobbing through the phone twelve minutes ago. Shane had stared out the cab window at Boston moving past in the dark and pressed his knuckle hard against his front teeth.

The elevator hummed.

Shane pressed the button again.

What if the door is locked. His brain was already running the contingency; he'd bang on it first, obviously, loud enough to wake the whole floor. Then he'd find a way in, he didn't know how, pick the lock, there were YouTube videos, people did it with credit cards, he didn't know if that actually worked but he would try every card in his wallet one by one if he had to. And if that failed— Svetlana. He'd stalk Ilya's Instagram until he found her, message her directly, beg if he had to. She probably had a spare key. He would beg. He didn't care.

What if something's happened to him.

His heel stopped bouncing. He pressed the back of his hand flat against his mouth and breathed through his nose.

He didn't know what he was afraid of, exactly. The fear kept shifting every time he tried to look directly at it. Ilya hurt. Ilya on the floor. Ilya doing something Shane couldn't undo by getting there fast enough.

He thought about Ilya's voice on the phone. The way it had sounded, not the weaponised version Shane had spent five years learning to defend against, but something underneath that. Something Ilya had probably spent an equal amount of time making sure nobody ever heard. Maybe Ilya had just been better at it than Shane. Better at packing it down, folding it small, tucking it somewhere internal where it couldn't embarrass him. Shane exploded outward, but maybe Ilya imploded. Held it until it had nowhere left to go.

Until tonight.

He needed Shane. Not just tonight, needed him, the way Shane needed Ilya, which was not a comfortable thing to need and not a comfortable person to need it from, but there it was. This wasn't— it had never been just a place to hide from themselves. It was the opposite of that. It was the only place either of them had ever stopped hiding at all, and that was terrifying, but it was fucking real, and Shane was done pretending it wasn't. 

And yeah, sure, Ilya had done awful things to him. Genuinely awful. Crazy, obsessive, unhinged, manipulative things, blackmailing him, breaking into his house, tracking his location, stalking, five years of escalation that Shane had seen as torture and nothing else. But maybe it was more than that.

The warmth hit his face, flooded his cheeks in a full-body rush that he felt down to his fingers. Ilya wanted him. Had wanted him badly enough to break into his house. To track him across the continent. To be here, on the worst night of his life, and call Shane's number instead of anyone else's.

Ilya was crazy. Yes. He was fucking batshit. But half the continent already thought Shane was insane for the things he'd done and felt and wanted over the last two years, so who was he, exactly, to stand in judgment.

He couldn't even argue with them right now.

He liked Ilya. 

He pressed his palm flat against the cool metal wall of the elevator and felt the vibration of the cables through his skin and thought it plainly, finally, without dressing it up or hedging it or running it through the usual gauntlet of but and however and that doesn't mean—

He liked Ilya. And maybe—the elevator ticked to thirty—maybe Ilya liked him back.

The doors opened, and Shane was already moving, shoulder catching the frame, shoes hitting the marble of the hallway, his reflection strobing past in the polished panels of the wall, pale and coatless and visibly unhinged. He found the door.

His hand hit the handle. The relief that moved through him when it moved was so sudden that his knees nearly went out, his grip tightened on the handle to compensate. He pushed it open.

The door swung open under Shane's hand.

He stood in the frame for a moment and just looked. Let his eyes adjust. The apartment was dark, so dark, it sat in the corners and against the high ceilings and didn't move. The only light came from outside, the festival, a few miles away, the stage rigs sweeping slow arcs across the Boston skyline and pushing through the floor-to-ceiling windows in long, pale bars that travelled the length of the marble floor and then disappeared and then came back. Blue. Then white. Then the dark between them.

Shane stepped inside and pulled the door shut behind him.

The click of the latch was the loudest sound he'd ever heard in his life. It bounced off the marble, off the ceiling, off every hard surface in the room, and then the silence swallowed it whole.

He didn't move for a moment. He stood just inside the door with his hand still on the handle and breathed in through his nose.

Shane's hand dropped from the handle.

He moved through the kitchen. His trainers were quiet on the marble but not silent. The counter to his left had a glass on its side, the contents spread in a clear pool across the marble, the edge of it just reaching the counter's lip and beginning, very slowly, to drip. He didn't stop. Past the kitchen island, the barstools pushed in at odd angles. Past the living room, the couch cushions displaced, a blanket dragged half onto the floor and left there, one end trailing. The television was off, its black screen reflecting the festival lights in miniature, a small travelling brightness in a dark rectangle.

Shane's jaw was tight; he made himself unclench it.

Down the hall. The bedroom door was open, the room beyond it strobing in that same slow rhythm, the blinds were down but thin, and the festival lights pushed straight through the slats and lay themselves in parallel lines across the floor, across the foot of the bed, across the wall. Blue-white. Then dark. Then blue-white again. The window was cracked, just an inch, just enough, and the bass came through it louder here, not a vibration anymore but an actual sound, a low repetitive thump.

He crossed to the window.

Pressed it shut with both palms flat against the frame.

The bass dropped back to a vibration. The room went quieter. Shane stood with his hands still on the glass and looked out at the skyline, the festival site lit up a few miles west, the stage rigs sweeping their arcs, the crowd a dark mass in front of them— and breathed once, slow, through his nose. Then he straightened.

And in the glass, he saw his own reflection, pale, coatless, the dark circles under his eyes visible even in the festival light. And behind him, he saw the strip of yellow along the floor.

Coming from the bathroom.

The door open two inches, maybe three, and through the gap, the vanity light was burning, and in the gap, low to the ground— a shape. Not moving. 

Shane turned around.

He covered the distance in four steps and pushed the bathroom door open with the flat of his hand.

The vanity light hit him full in the face, harsh, white. Shane blinked against it, his eyes watering from the adjustment, and looked down.

Ilya was on the floor.

His forehead rested on the closed lid of the toilet, both arms wrapped around the base of the bowl, fingers locked together on the far side of the ceramic in a grip so tight his knuckles were white. He was in his boxers, nothing else, his back bare and pale under the vanity strip, the long line of his spine visible from the base of his neck to where the waistband cut across his lower back. The muscles on either side of his spine were completely slack, collapsed inward on themselves, his whole body curled around the toilet bowl like it was the only fixed point left in the world.

He wasn't moving.

Not a twitch. Not a shift. The shallow rise and fall of his back was the only indication that anything was still running inside him.

"Ilya." Shane's voice came out in a whisper. The tiles threw it back at him, small and echoey, pathetically inadequate for the size of what was sitting in his chest.

Nothing.

"Ilya."

He dropped to his knees on the tile, the cold of it biting through his jeans immediately, and got both hands on Ilya's shoulders. Shane's fingers pressed in, gripping, and he shook him.

Nothing. Ilya's head rolled with the movement and fell back against the toilet lid, his grip on the ceramic not loosening.

"Ilya." Shane's voice cracked down the middle. He shook him harder, both hands, his own arms shaking with the effort and with something else, something that was climbing up through his chest and into his throat and had nowhere to go. "Please. Just— respond, please, I need you to—"

He got his arms under Ilya's armpits and pulled.

It was harder than it should have been. Ilya's fingers were locked around the ceramic with much too strong a grip, and Shane had to work them loose one by one, prying at the knuckles, the tendons in Ilya's forearms standing up rigid against his thumbs. He got the left hand free. Then the right. Ilya's arms fell to his sides.

Shane hauled.

He got him up against the cabinet under the sink, Ilya's back to the drawers, his legs stretched out across the tile. The back of Ilya's head knocked against the cabinet front with a dull, hollow sound that made Shane flinch. He held him there with one hand flat against his chest, feeling the heartbeat under his palm, rapid and shallow and there, present, undeniable, and looked at his face.

Ilya's eyes were open.

The blue of them was almost gone. The pupils were blown so wide they'd swallowed nearly all the colour, huge, drifting across Shane's face with no urgency, no recognition. His jaw hung slightly open. As Shane watched, the left corner of his mouth lifted slightly.

He pressed the back of his hand to Ilya's forehead. His mother used to do this, both palms cupping his face, thumbs at his cheekbones, anchoring him when the world got too loud and too bright and too much. He didn't have that. He had the back of his hand against skin that was too warm, the vanity light overhead, the tile cold through his jeans, and the bass from outside moving through the walls.

"Did you take something." He kept his voice level. "Can you hear me. Ilya."

Ilya's pupils drifted. Found Shane's mouth. Moved up to his eyes. Moved back down. The corner of his mouth lifted again, and this time it made it to a smile, directed at something Shane couldn't see.

Shane sat back on his heels.

He looked at Ilya's face, his blown pupils, his slack jaw, the way his gaze kept moving, and turned over what he knew. Not alcohol, no. This was something else. Something dissociative. Some sort of hallucinogenic, Jesus. 

"Okay." Shane pressed the heel of his hand to the bridge of his own nose. He breathed out through his mouth and looked at the ceiling for one single second.

No doctors. He couldn't have a doctor here. Couldn't have Ilya's name attached to this, couldn't have this exist anywhere official, especially after Ilya had trusted him to handle this. He would handle it. 

He needed to know what it was. He needed to find it, assess the damage, and figure out whether he should be terrified or just annoyed. 

But first.

He got his arms back under Ilya's and pulled him upright.

This time, Ilya's body helped. His feet found the tile. His legs straightened, shaky and unreliable, taking weight. Shane got an arm around his waist and pulled Ilya's arm across his own shoulders and held the whole precarious structure of him together through sheer pressure, his own feet planted wide on the cold tile.

Ilya's head dropped.

It fell into the crook of Shane's neck with the full, unresisting weight, and then Ilya's cheek moved. A nuzzle, pressing his face deeper into the hollow of Shane's neck, rubbing against the skin there like an animal seeking warmth.

Shane's whole body went rigid.

"Oh." The word came out soft, flooded through with relief so sudden it made his knees want to buckle. "Oh, thank God. You can move."

Ilya's arms found his waist.

Both hands settling at the small of his back, fingers spreading, the grip surprisingly strong for a man who had been unconscious on a bathroom floor four minutes ago.

And then his mouth found Shane's shoulder.

Shane felt the kiss through the cotton of his t-shirt, Ilya's lips pressing and releasing, pressing and releasing, moving upward along the curve of his shoulder, like this was the only thing happening in the world right now and there was no reason to hurry. Up the side of his neck. The stubble of his jaw dragging lightly against the skin above Shane's collar.

"Ilya." Shane got his hand between them, pressed it against Ilya's chest, tried to create distance. "No—"

Ilya stepped into him.

His full weight came forward, and Shane stepped back, and his shoulders hit the bathroom door, and it swung on its hinges, and they were through it, into the bedroom, the tile giving way to carpet under Shane's heels. The festival lights caught them as they went, Ilya's face lit for a fraction of a second and then dark, lit and then dark, the shadows moving across the planes of his cheekbones.

Ilya pressed him against the door.

The wood met Shane's shoulders and the back of his head simultaneously, a flat thud that rattled the frame, and Ilya's hands slipped under the hem of Shane's shirt— both palms spreading flat against his stomach, the warmth of them startling, and his thumbs dragged roughly against his ribs.

Shane's teeth found his own lower lip and bit down.

"Ilya." He gritted it out through the pressure of his own teeth. One eye shutting in a whince. "No."

Ilya pulled back just far enough to look at him.

Those eyes. Blown out, half-lidded, the pupils enormous in the dark, drifting across Shane's face again, from his mouth to the line of his jaw to his eyes and back down. His smile widened.

"You don't want me?" The words came out muffled, Ilya's lips barely moving, pressed into the hinge of Shane's jaw.

Shane's mouth opened, closed.

The hands on his ribs were not helping him think. The fact that Ilya's thumbs were moving in those slow arcs and his body was responding to it right now made Shane want to have a serious conversation with himself—

"I do." He swallowed. "Of course I do. But you're not—" He got his hand up, pressed it flat against Ilya's chest, felt the heartbeat hammering under his palm. "—you're not in the right state of mind. You don't know what you're—"

"Moy lyubov."

And then Ilya's tongue pressed flat against the side of his throat. A stripe, all the way up to the hinge of his jaw, and then his lips found Shane's Adam's apple and closed around it—

Shane groaned. His hand shot backward and found the door handle and gripped it so hard the metal edge cut a line into his palm, and his other hand was in Ilya's hair, fingers closing around the curls, gripping, holding.

Ilya smiled against his throat. Shane could feel it.

"Vy menya poslushayete?" A murmur. His thumb was tracing the ridge of Shane's hip bone through his jeans. "Mm? Moy malchik."

He bent his knees.

Got both hands under the backs of Shane's thighs and lifted, the movement effortless, Shane's legs wrapping around Ilya's waist on pure reflex, his hands grabbing at Ilya's shoulders, the door handle wrenched from his grip. Ilya turned from the door and walked them toward the bed, like Shane's weight was nothing to him, his hands spread wide under Shane's thighs, holding the whole arrangement together with an ease that was infuriatingly characteristic.

"I can't understand you." Shane's voice came out wrong, too unsteady, with none of the authority he'd been trying to load into it. He pulled back, tried to get enough distance to see Ilya's face properly in the strobing dark. "Ilya. I can't understand what you're saying, you need to—"

"Ahh." A hum. Almost amused, like he was finding something funny from very far away. Ilya's chin dropped, nuzzling the top of Shane's head, his lips moving against his hair. "You haven't been doing your lessons?"

Shane's brow pulled together hard.

Lessons. He opened his mouth—

Ilya dropped him onto the bed.

The mattress hit Shane's back and bounced him once, the breath knocked out of him, and he got his elbows under him and started to push himself up.

Ilya was already on him.

Both knees landing either side of Shane's hips, the mattress dipping under his weight, his hands finding the hem of Shane's shirt. The bedroom strobed around them, blue-white, dark, blue-white. Ilya hovered above him in his boxers, already hard, the festival lights catching the planes of his face in half-second intervals and then dropping them back into shadow, and in those half-seconds, Shane could see the specific quality of his eyes that blown-out dark blankness, operating from somewhere below the surface. It went straight to his dick.

Fuck, he was so sexy.

His hands came up. "What are you— Ilya, slow down—"

Ilya grabbed the hem of his shirt and yanked. The fabric came up over Shane's face and stopped halfway, his arms tangled above his head, the shirt twisted tight around his wrists and forearms, everything above his nose in dark cotton. He wrestled with it immediately, blindly, elbowing air, his shoulders twisting.

"Hey— what is wrong with you, I can't see, get—mnn—"

Ilya's mouth found his chest. Open, warm, his lips closing around Shane's nipple with his tongue pressing flat against it, and Shane's spine arched off the mattress completely without his permission. He yelped, his tangled arms jerking uselessly above his head.

Ilya's hand spread wide across Shane's stomach. Pressed down, stopping Shane's hips mid-movement, pinning them to the mattress. "Malysh." Barely a murmur. His lips moved against Shane's sternum, the word warm and direct against his skin. "Stay still for me."

Shane wrenched the shirt off.

It took three goes, his wrists fighting the twisted fabric, swearing under his breath, and then it was gone, and he was blinking in the strobing dark, his chest heaving, and he stared down at Ilya.

Ilya looked up at him.

He reached up and took Shane's face in both hands.

Both palms cupping his jaw, thumbs pressing into his cheekbones, holding his head at the exact angle he wanted it, and kissed him. Slowly, taking complete control of it, his mouth moving with patience, his tongue pressing past Shane's lips and moving against his, and Shane's hands curled into the sheets on either side of him because there was nothing else to do with them. After all, Ilya was holding his face exactly where he wanted it and moving his mouth the way he wanted to move it, and Shane's body was responding to it the way it always responded, the heat of it moving down through his chest, pooling to his growing hard on.

Ilya's hand slid down between them and pressed against him through his jeans.

Shane groaned into his mouth. His fingers moved to his own fly, fumbling for the button—

Ilya smacked his hand away.

He pulled back. Looked at Shane with those half-present, heavy-lidded eyes, his thumb resting still against Shane's hip. Shook his head once. The curls fell forward across his forehead.

He said something in Russian. Low and clipped, like he was reprimanding a naughty child.

Shane caught none of it.

Except one.

Papa.

Papa, lessons, what the fuck is going on here?

Ilya flipped him.

One movement. His hands found Shane's hip and shoulder simultaneously, and turned him, and Shane's face met the pillow, the cotton cool against his cheek. Ilya's weight settled over him from behind— his hips bracketing Shane's hips, his chest against Shane's back. Shane's arms were caught under him at the wrong angle, his face turned sideways against the pillow.

He couldn't move.

He tested it, a small, experimental shift of his hips, trying to get leverage, trying to find an angle, and found nothing. Ilya's weight was distributed perfectly, with complete coverage. Every point of resistance accounted for.

Ilya's palm came down against his ass.

The sting bloomed outward immediately, and Shane's hips lurched forward into the mattress involuntarily, a choked exhale forcing itself out of him. His hands grabbed at the sheets.

Ilya began to move against him. His hips rolling in a shallow grind, his hard cock pressing against Shane's lower back through the thin cotton of his boxers, his hands spreading wide across Shane's ass, kneading, squeezing. Fucking fondling him.

"You going to be good boy for Papa." The words came out barely there, Ilya's lips pressed directly to the back of Shane's neck, moving against the short hairs at his nape."Yes or no."

Shane's face was turned into the pillow. His eyes were open, fixed on the strobing blue-white of the festival lights against the cotton, on nothing.

Grigori.

Shane thought. Jesus Christ. Grigori had died a few days ago, and this is what Ilya is doing with it: is this grieving? Is this how he’s decided to–

Another slap. Harder this time, the angle different, the sting sharper and higher.

Shane flinched.

"Da ili nyet."

He could hear his own heartbeat. He could feel Ilya's weight on every inch of his back, the heat of him, the grinding movement of his hips.

"Da." It was reflexive, and he hated the sound of it immediately. Sraped from somewhere he hadn't meant to access, given without the rest of him signing off on it.

Ilya groaned in response. He pressed his lips to the back of Shane's shoulder, and his hand snaked around Shane's hip and rubbed his bulge through the denim.

"There's my good boy." Murmured directly against his skin, the words moved through his lips into Shane's shoulder. His hips kept their rhythm, his hand moving with a slow pressure. "Did so good at hockey practice." A kiss to his spine. "I just want—" A moan, moving through his chest into Shane's back. "Khochu podnyat vam nastroyeniye."

Shane's eyes were squeezed shut.

The shame was awful. It started at the back of his neck and moved downward through his chest, into his stomach, sitting there heavy and nauseating alongside the other thing, the arousal, the heat that Ilya's hand through the denim was generating that his body was responding to with a disgusting indifference to everything else that was happening. He tried to move. Tried again. Ilya's weight shifted with him, compensating, settling heavier.

"Papa is so proud of you." Ilya cooed, "Taking it so well. Fuck." A groan. "Such a good—"

"Stop."

Shane's voice was muffled by the pillow. He turned his head.

“Ilya. Stop."

The rhythm didn't change.

"Ilya." He got his elbow back and shoved, got nowhere, the angle wrong, the leverage nonexistent. His shoulder blade connected with Ilya's chest and made no impression whatsoever. "I'm serious. I'm, no— this isn't— I'm not playing, I don't—" He shoved again, harder, his whole arm behind it. "Stop. I don't like this."

Ilya's hand found his jaw.

Turned his head gently but with complete authority back toward the pillow. He said something again, in Russian. Patient, in an explanatory tone, the tone of stay still, be good, just take it, you don't need to—

"Get the fuck off me—"

The hand moved from his jaw to his throat.

It settled there without tightening. Just the weight of the palm against his pulse, the fingers lying along the side of his neck, the thumb pressing lightly into the hollow beneath his jaw. 

And then two fingers pressed into his mouth.

Shane's hands scrambled at the sheets. The fingers pushed past his teeth— he felt the knuckles against his lips, the pressure on his tongue, the fingers moving to the back of his throat— and his hips bucked forward against the mattress as his throat contracted around it, his body's reflex completely disconnected from anything he wanted. He tried to shake his head and couldn't; the grip at his jaw and the fingers in his mouth held strong.

Ilya's hips moved against him. Hard now. The rhythm gone, replaced by something urgent and building, his breathing loud and ragged against the back of Shane's neck.

The fingers pushed deeper.

Shane's eyes watered. His hands grabbed at the sheets and found no purchase, the fabric bunching uselessly between his fingers. The festival lights came through the blinds. Blue-white. Blue-white. The bass through the walls, through the mattress, through the floor—

The light changed.

Wrong colour.

Too orange.

The skyline shone through open blinds, the city spread out in gold and neon and white against a black sky, the orange glow of it painting the ceiling in a warm, static light that didn't pulse or move or change. The couch cushions beneath him were leather, cool and faintly tacky against his bare skin, the texture of them pressing into his cheek, his shoulder, the side of his ribcage.

Everything was spinning.

A slow, nauseating rotation, the room tipping on a long axis, his body completely still, and the world moving around it anyway, a carousel at a speed just wrong enough to be sickening. He was still; the physics of it were clear. And yet the ceiling kept doing its rotation overhead, the orange light smearing as it went.

He couldn't breathe.

There was a split second where he understood no air is coming in before his body had fully caught up with the panic of it. And then the sensation arrived, and his throat was full— stretched and burning, filled with something that forced it wide open, the muscles in his jaw aching from the angle, his neck bent back against the sofa at a degree his body was protesting. His whole throat contracting in a continuous, useless reflex, trying to reject it, the muscles seizing and releasing and seizing again, his body working through the same futile motion over and over against something that wasn't going to move.

The taste was everywhere. Salt and skin and musk, coating the back of his throat and the soft tissue at the root of his tongue and sat there and wouldn't leave.

He tried to listen, for anything, focus on anything else. But there was only the sound of impact and his own throat working against its will, and underneath that the sound of his own breathing, a thin, desperate wheeze through his nose that brought in almost nothing, blocked and thick, the snot from the tears that had been running sideways from the outer corners of his eyes into his hair for he didn't know how long. He didn't know when he'd started crying. 

His arms were moving, present but separate, belonging to him but operating on some signal he wasn't sending. His hands were against legs. The fabric of someone's suit under his fingers, his palms pressing, his fingertips scraping uselessly against them. He wasn't pushing. He didn't have enough of himself left to push. He was just— there. 

Get off. He shaped the words. Tried to push them forward through the obstruction in his throat, tried to give them sound, tried to make them exist in the room as something other than the thin, strangled mumble of air that was all his throat could produce around the thing filling it.

I don't know where I am. He tried to say that too. 

Please, it hurts.

It did. It hurt in a deep, bruised way, past the sharp stage. His jaw ached at both hinges. The muscles at the back of his throat had moved from spasm into a kind of numb, continuous ache that he felt all the way to his collarbones.

He made himself look up.

He had to work for it, had to find the muscles and instruct them individually, his neck heavy and uncooperative, his eyes burning and slow to focus. But he got there. He tipped his chin up by fractions and looked.

Those eyes.

Blue. Half-lidded. Looking down at him with… he didn't know what with. Not cruel, not satisfied, not angry, not anything.. Just watching.

Shane blinked. He blinked and blinked against the tears that kept coming whether he wanted them or not, and he tried to put something into the blinking, tried to make the no visible, tried to push it forward through his eyes because every other exit was blocked, tried to show the pain in it, the exhaustion, the fear—

"Da," Ilya whispered.

His voice was soft, yes, tender.

"Good." His thumb moved against Shane's cheek. "So good."

Shane's eyes rolled back.

The thing pushed deeper, the angle shifting, and his body seized, his hands gripping the legs in front of him and finding nothing, his nose completely blocked, his throat closing around its own reflex— and then the warmth hit the back of his throat in a pulsing, rhythmic rush, and his body swallowed.

He hadn't told it to.

It just did.

The weight pulled away.

The release was so sudden that Shane's neck gave out entirely, his head dropping back against the sofa, the leather catching the back of his skull. His throat convulsed, his body heaved, his shoulders came up off the cushions, his stomach lurched like he was going to vomit.

But nothing came.

His throat clamped back down around the reflex and folded it inward, and just swallowed again. And again. The tissue working through the only motion it had left, processing something his body had been given no other option for.

Shane's eyes closed.

 


 

The rhythm had been finding itself for a while, not smooth, his hips driving forward in a cadence that kept catching on itself, too hard, then harder. He had Shane's face pressed sideways into the pillow, one hand flat between his shoulder blades, keeping him down, and he could feel the warmth of his back through the fabric, the small sounds Shane was making into the cotton. His own breath was coming in fragments. He pressed his forehead to the dip between Shane's shoulder blades and felt the sweat there, tasted salt when his mouth opened against the skin. Close. He was close. Something was building in him slowly, not the usual sharp sprint toward the edge but something longer, tidal, cresting in the backs of his thighs and the base of his spine simultaneously. He groaned, and his grip on Shane's hip tightened, fingers finding bone—

The floor came up and hit him.

He was on his back, looking at the ceiling. His shoulder was aching. He turned his head, and the room reassembled itself in pieces: the bed, curtains, city light, and Shane.

Shane was standing at the foot of the bed with both hands going to his throat, his jaw, pressing and releasing, checking everything was still there. His chest was heaving, his shirt nowhere, and his face was unreadable in the dark.

Ilya got an elbow under himself.

Shane is here. The thought arrived with an odd, distant quality, like something read off a page. Shane is here. I called Shane.

"I know this isn't you," Shane said. His voice had shifted into something careful and managed, the voice he used on people he was afraid of spooking. "I just—"

Ilya stood up. He grabbed the edge of the mattress and pushed himself upright, his legs taking the weight without complaint, without the shaking he expected.

Shane bent and picked his shirt up from the floor. His arms went into it. He pulled it over his head.

Shane shook his head. His hand came up and pressed flat over the lower half of his face, fingers spread, the heel of his palm against his chin.

He blinked.

"I can't do this now." Shane's voice was muffled behind his hand. "I'm sorry. But I can't. Whatever you took—"

"What are you talking about."

Shane turned. Moved to go around him, toward the door, and Ilya stepped in front of him. Shane moved left, Ilya moved left. Shane moved right, and Ilya was already there, filling the space, trying to get his eyes to Shane's level, but Shane's gaze was on the floor, on the wall, anywhere with no Ilya in it.

"What are you talking about?" Ilya grabbed his shoulders. The words came out harder than he meant. "Do you think I'm on fucking drugs?"

Drugs.

He had been here, standing on this side of it—every reason in the world to use, every reason in the world to drink, the year he'd had, the months, his father forgetting his name on the phone, the games, the everything—and he hadn't. He had promised. To his Mama, to his Papa, to fucking Scott Hunter of all people, to something fundamental inside himself that he had not been willing to let go of. The promise had cost him. He had held it anyway. He had held it. And Shane was standing here with his hands over his face, refusing to look at him and thinking—thinking—

Ilya shook him once. "Stop it, stop thinking that."

"I need you."

“No.” Shane's hands stayed over his face; he shook his head behind them.

"You're really leaving." Ilya heard the flatness in his own voice. "You are really going to leave right now. Did I leave you? Have I ever fucking left you?"

Shane sniffled behind his hands, something that might have been an agreement or an apology or both. He pressed gently against Ilya's chest, and when Ilya didn't move, he stepped sideways again.

"Oh." Ilya laughed, it came out wrong. "I see. Fuck. So you really think I am on drugs."

Shane said nothing.

"Okay." Ilya stepped back. "And so what." His voice cracked over it. "What does it even matter. You think you are a saint?"

No.

"I never said—"

"That you have never done drugs before?"

Shane stepped back into the shadow. His arms went over his chest, and he lifted his chin. "You know I haven’t," he said, slowly.

Stop.

Ilya let out a sound that had no humour in it. "Does it not ring a bell?" He turned around. "Let me fucking remind you."

Please.

"What are you—where are you—" Shane called behind him as Ilya's shoulder hit the bathroom door.

Stop it.

He went through the drawers fast, both hands, scattering the contents, cologne samples, razor heads, the detritus of too many nights in too many hotels. He knew he had some. He had never thrown them away. He had meant to. Had told himself he would. Had kept them instead, because some part of him had needed the evidence that he was capable of stopping. The little baggy was under a hotel sewing kit. Two pills. He grabbed it and turned around.

He should have stopped there.

He should have stood still for one second in the fluorescent bathroom light and thought: This is it again. This is me running. Why am I doing this to myself.

But the anger was too hot, and the injustice of it was burning through the last of his patience. He went back into the bedroom with the bag pinched between two fingers. The open bathroom door threw a strip of light across the carpet. Shane stood in it, eyebrows drawn together, lips parted, his chest still moving too fast. His eyes went to the baggy, came up to Ilya's face.

Ilya crossed the room. He took Shane's hand, opened it, and tipped the two pills into his palm. Shane looked down, his eyebrows furrowing further in confusion, then his head came up.

Ilya stepped back and pointed. "Do you know what this is?"

Shane didn't answer. He just stared at the pills, the crease between his eyebrows deepening.

"Fucking Xanax, Hollander."

The crease between Shane’s eyebrows released by degrees. His mouth stayed slightly open, but all the movement went out of it. The flush drained from his cheeks so fast it left the skin stretched pale and tight over the bones of his face. His eyes lifted to Ilya’s and stayed there, wide not with fear but with that awful, concentrated vacancy of a system shutting down in real time.

"You drugged me?"

Ilya opened his mouth. He had a response loaded, the scoff was already in his chest, the sneer halfway to his face, the words assembled and ready: No, you fucking idiot. You took it willingly. I haven’t touched these in months. That is the point. I was trying to show you—

But Shane was still looking at him.

Still holding the pills in his palm.

And his face kept emptying.

The argument went first. Then the defense. Then even the hurt seemed to fold in on itself and disappear somewhere Ilya could not reach. By the time Ilya understood what he had done, Shane’s expression had gone flat. He was re-sorting history. Reclassifying every touch, every vulnerability, every surrender they had ever shared under this new, impossible information.

Ilya had seen his parents die.

And both of them had looked more hopeful than Shane Hollander did in this moment.

Ilya's hand came up and pressed flat against his own mouth.

He stumbled back. His thighs hit the edge of the bed, and he stayed there, both hands finding the mattress behind him, gripping the sheets.

Shane's hand was still open. The fingers uncurled fully, the pills dropped and hit the carpet without a sound. Shane's eyes tracked them down to the floor. When he looked up again, his face was still smooth and terrible and evacuated. He stepped past Ilya. Through the door. 

His feet were quiet on the floor, quiet in the hallway, and then the front door opened and closed, and the sound of it was not a slam. It was barely anything.

The pills were on the floor at his feet.

The shape of Shane's face was cementing behind his eyes. He could feel it happening, the image pressing itself into the tissue, finding permanence, settling. Shane's face in that moment. He was going to carry that face for the rest of his life, he understood this already; it was going to live behind his eyes at three in the morning and on the bench and in every hotel room in every city he ever played in, and it was his. He had made it. He had put every feature of it in place himself, one by one.

He grabbed his keys off the nightstand.

The hallway was empty, and both elevator indicators were reading downward, the numbers descending in small illuminated increments, and Ilya stared at them for one half second and then hit the stairwell door with his shoulder and ran. 

He swore and hit the stairwell at a run, the door crashing back against the wall, and descended three steps at a time with one hand on the rail and his heart loud in his ears, every beat of it a single syllable. No no no no no no. He was praying. He did not know to whom. Please. Mama. Papa. Please, whoever is listening. Please let him still be there. He hit the ground floor door with his shoulder, and it flew open into the cold Boston air.

The cold found every part of him simultaneously, the shock of it sharp enough that his lungs seized on the first inhale and had to be forced through it. His eyes found the street, darting left and right. The harbour was to his left, somewhere beyond the buildings. The road was empty, except for a taxi.

It was already moving, pulling away, the rear lights rounding the corner onto the avenue ahead of him. He ran.

The damp had gotten into every seam of the concrete, and the cold wet of it transferred through his soles with each stride, and there was a metal drain cover that was an inch proud of the surrounding surface and he hit it wrong and his arch rang like a plucked string, but he kept going. A cab was waiting at the main entrance to his right; someone was standing there with luggage, watching him run past in his boxers. But it didn’t fucking matter.

The car was moving. He was not gaining. He ran anyway, because stopping meant standing still with the image of that face, and he could not stand still with that face, not yet, not until he had done something, not until he had gotten close enough to say I didn't, I didn't, Shane, I would never, that is not what I am, I promise, I promise, I’ve changed.

It came from directly overhead, no wind, like a tap being opened to full. The first drops hit the top of his head and the back of his neck and his shoulders, and within five seconds his hair was plastered flat and the water was running down his face in cold fingers, hammering the road around his feet and turning the pavement into a mirror. He ran through it. The taillights ahead were getting smaller. His lungs were burning. 

He was not fast enough.

He had never once in his life not been fast enough for something that mattered.

His foot found the crack in the asphalt.

Both knees hit the road. The impact rang through the bone, a sound that went all the way up through his hips and spine and into the base of his skull, and he stayed there on all fours with the rain hammering the back of his neck and running down the line of his jaw and dripping from his chin onto the wet road. He could hear his own breathing, ragged and too loud over the rain. He could see each raindrop hit the asphalt and make its small, brief crater and disappear. The taillights were gone.

He sat back on his heels.

He tipped his face up.

 

Notes:

content warning for depictions of sexual assault and flashbacks.

Ya uzhasen: I am terrible
Moy lyubov: my love
Vy menya poslushayete, mm? Moy malchik: Will you listen to me, mm? My boy.
Malysh: baby boy
Da ili nyet: yes or no

i'm on twitter ilyassoull
send asks on tumblr unseemlyndisturbed

forgetting is easier than forgiving. did shane forgive ilya or did he forget? did ilya take accountability or did he forget? and what about you, did you forget what ilya did to shane? sometimes it is easier to forgo reality for the sake of something more palatable. i think it's called, the illusion of choice.

i'm assuming this wasn't the confession you wanted? harhar. i worry about my writing skills, because why does ilya chase people three chapters in a row? why is he always running and fighting whilst naked? more chasing to come!

got milk got me suspended on twitter for a bit, ugh, fuck elon. follow my tumblr

Chapter 14: O Captain!

Notes:

song recommendation for this chapter is Washing Machine Heart by Mitski

(See the end of the chapter for more notes.)

Chapter Text

He doesn't know how he got here.

He gets there the way he gets to most places now, through grit and desperation and the body's blind insistence on continuing, the body that does not ask him before it does things, the body that puts one foot in front of the other through hotel corridors and into elevators and down hallways because it was not finished yet, apparently, because he still had things to do, apparently, because the world was not done with him even when he was absolutely, completely done with the world.

Here.

Here is the carpet. The carpet is dirty. That is the first thing he feels with any real clarity, the rough synthetic weave against his cheek, the smell, cleaning product and dust and ten thousand strangers, and his first thought is: this is disgusting, this is genuinely disgusting, I'm lying face-down in a hotel corridor, like some sort of fucking alcoholic b-lister. 

He can't move.

He knows he can. Theoretically. The parts are still there, arms, legs, the whole assembled mess of him, still functional, still receiving signal. It's just that the signal has stopped being enough. Like a phone that still has a battery but cannot, for some reason, turn on. All the components intact, all the components useless.

There is a sound somewhere near him. Small, pathetic, wet. The kind of sound a small animal makes when it has been found under a car. A dying thing, a confused thing, a thing that does not understand what has happened to it but understands on some biological level that it is very, very bad. What is that. Who is doing that. That is the most disgusting sound I have ever heard in my life.

He understands a moment later that it is him.

Oh.

Oh, that's him. Okay. That's— fine. That is completely fine, that's just, that's him now. He doesn't have to worry about what something must go through to trigger a sound like that, because it's him, and he knows what he went through, and it is, apparently, enough. It was apparently exactly enough to produce this. He squeezes his eyes shut harder, pressing his forehead into the carpet, and feels the rough scratch of it against his skin.

The light goes on.

He knows it happens before he opens his eyes because the inside of his eyelids go yellow. Red and yellow and the pulsing warmth of a light turned on in a dark room, flooding everything, and he presses his face further into the carpet as if he can get away from it, as if gravity is still his friend, as if there is somewhere further down he can go.

Someone is calling his name.

Calling it and calling it. His name in that voice, the voice he knows almost as well as his own, maybe better than his own because he has been listening to it longer than he has been listening to himself, and there is fear in it. Real fear, not performed alarm, but real terror, the voice cracking slightly under it. And he wants to say, I can fucking hear you. He wants to say, I can hear you, I'm here, stop, I'm right here, I didn't go anywhere. But also he wants to say, that's not my name. He wants to say,  I'm not that person, I'm not Shane, I don't know who that is right now, call me something else, call me by something I can answer to. 

Hands, then. Hayden's hands. These hands are afraid. These hands are shaking slightly around his arms as they haul him upright, as they drag him through the doorway and prop him against the side of the bed, and his head lolls to the left and stays there, against his own shoulder, heavy and uncooperative.

Maybe I'm dead, he thinks. I could be dead. That would explain a lot of things.

"Shane. Shane, look at me. Are you looking at me?"

I'm not looking at you, dickhead. 

"Okay. Okay, okay, fuck—Shane, did someone give you something? What did they give you? "

Oh the irony.

He blinks. It takes enormous effort. He gets his eyes open to approximately forty percent and holds them there, and Hayden's face comes at him through the gap, creased with sleep and alarm, his hair pressed flat on one side, his eyes very wide and very awake now, all the sleep gone out of them. He looks like he did at twenty-two. He looks exactly like he did at twenty-two, in 2011, kneeling in front of him with his hands clutching his shoulder, his face doing this exact calculation of how bad is this, what happened to him—

Oh no, he thinks. Here we are again.

Here again. The two of them again. Hayden's face, that face, that recalibration happening behind Hayden's eyes, that means he is trying to triage a Shane-related emergency without the training for it. Here again. And last time, the last time he had shown up like this, half out of his mind, half out of his body, his clothes in the wrong order, last time there had been a reason, of course. Last time, there had been a reason he had not said out loud. Had not been able to say out loud. Had packed below the ice inside him and left there for— for how long?

Years, he thinks. Years and years and years.

Sexual assault, he thinks, and the words taste bitter against his tongue. Chalky. They taste—funny, they taste exactly like Xanax. They taste exactly like what Ilya had offered him very gently; they taste like that. Of course they would taste the same.

Why is my body doing this now, he thinks, to nobody. Why now. Why is it giving up now, why didn't it give up then when giving up would have made sense, when giving up would have been the appropriate and proportionate response to what was happening—

His body had not given up then.

His body had hidden it. Had taken the whole experience and packed it somewhere beneath the floor of him, somewhere cold and deep, and had continued. Had continued to skate and train and eat, had continued to stand in press conferences and say the right words, had continued to hold itself correctly, or correctly enough, had continued to want things it should not want, had continued to want him— God, had continued to want him, to go back to him, to let him. Maybe the body had known, had used the knowledge like a key, had said: see, see, this is why you go back, this is why you cannot stop, because you cannot look at the wound and instead you keep pressing the knife in, because the knife is flat and you know it well, but the wound is deep and deep and deep.

He blinks again, and Hayden's face comes back.

"—not with me right now but I need you to tell me if someone hurt you again, I need to know if you need a doctor, Shane, I need a—"

The door opens.

He smells him before he hears him. J.J. has a comfortable smell, his cologne is never too much, and now the sent of him is drowned in sleep. He moves into the room carefully, rushing but pretending not to, and crouches in front of him, and starts speaking in French.

He speaks very slowly when he is scared.

He wonders if J.J. knows he knows this, if he has ever said it, if it is the kind of thing you say to a person, or if it is one of the thousand things you store about them and never report back. He stores a lot of things. He has always stored more than he outputs.

J.J.'s hand is on his back now, moving in slow circles between his shoulder blades, and Hayden is gone from his direct eyeline, back in the room somewhere, his voice lower now and aimed at a phone. He lets his head fall forward. Okay, he thinks, J.J. is here now, J.J. is doing circles on your back, instead of screaming in your face like Hayden, and this feels— and doesn't finish it because he doesn't know.

"Tu es là," J.J. says to him, low. "On est là."

He thinks about saying: are you? But his mouth is not cooperating.

Something cold gets pressed against his ear.

It takes him a moment to understand it is a phone.

"—there? Hello? Shane? Can you hear me?"

Rose, he thinks, and it moves through him differently than everything else. Rose, Rose, Rose, Rose—

"Shane, my love, can you speak? I need to hear you say something. Hayden, can he hear me?"

Hayden is somewhere, confirming that he can hear. Probably yelling, but Shane can’t hear that now. 

He tries to assemble a word. Any word. The simplest possible unit of communication, something that confirms presence, that says I am in this body, I am receiving, I am still here. He opens his mouth. Something comes out that is barely a sound.

"Oh thank God, babe," Rose says. "Oh my God, okay, I'm here. I'm right here, okay? I’ll be there as soon as I can."

Rose, he thinks again, and this time there's something underneath it, warm and gutting and completely complicated. Rose. Rose had started talking before he could explain, had simply begun the process of being there, had spent three years being there, three years of being the person who answered, who showed up, who said the right thing because she studied him like a specimen under a microscope long enough to know what the right thing was.

She was his best friend.

She was, genuinely, the person who knew most of his contents, other than— more than Hayden, who loved him from a distance he had never been able to close, who had spent a decade circling him like a moon and never quite landing. More than J.J., who was warmth without interiority, who gave generously from the outside and did not ask what lived inside. 

She had given him so much.

She had given him the cover of herself. She had stood next to him in every room and handed everyone who saw them the story they were already building, had reflected to the world the version of him that he begged her to, this man, this complete and certain man, who had this woman who loved him, who was loved in return, who was oriented correctly in the world, who had everything in its right place. She had done this willingly. She had done this without asking for anything back.

And I, he thinks, have let her.

And cheated on her, too, by the way. 

The hollow feeling behind his chest does not respond to this the way it should. It does not ring with guilt, it does not expand with shame, it just sits there. Yes, it says. You have. And then it says nothing further, because the hollow feeling stopped commenting on his behavior some time ago, stopped being a voice with opinions, and became instead just this ambient condition. Background radiation. You stopped noticing it. You noticed, instead, every time it went quiet. When it went quiet, you chased whatever had done it.

You chased it for years.

You chased it back to him, again and again and again, through every reasonable objection your own brain produced—

Someone has their arms under him, J.J. probably, by the size of the hands, and he is being lifted and carried and he wants to say: I can walk, I'm fine, I weigh almost one hundred and eight five pounds, I’m not– you know, anymore, you are going to put your back out— but he can't get any of that out and so instead he simply exists within the movement, boneless, his arms at his sides, his head finding J.J.'s shoulder.

He is put in the bed.

The sheets come up. The pillow is real under his head, cool against his face, and he lets his eyes close, and through the closed eyelids he can hear them: Hayden and J.J., across the room, keeping their voices low.

"—not okay, he's obviously—"

"—know he's not okay, but—"

"—should we call someone, I will—"

"—call who, J.J., who are we calling—"

"—You know what? Fuck you, don’t talk about his reputation right—"

"— thinking about the team—"

"—oui? And not your best friend lying as dead body on the bed like—"

"—sometimes he—"

"—and you never told—"

The bickering drops further. He loses the words. He keeps the train of it, Hayden's attempt at clipped control, J.J.'s patient pragmatism, the two of them trying to triage him from across the room while he lies here and exists at them.

Shane can handle it, he thinks, or hears, he doesn’t know. He has heard it in every locker room, every press box, every hallway, in his parents' house and his coach’s office and his own head, so it’s hard to tell now. Shane can handle it. Shane is on it. Shane's fine, Shane's always fine, Shane juggles everything, nobody has to worry about Shane.

He had believed it for a very long time.

He had run toward it, the belief, had used it as structural support, had built his entire operational life around the load-bearing function of other people's certainty that he was fine. Being fine was not a passive state for him; it was a performance, one he had been perfecting since he could talk, since he could understand that the room responded differently to fine-him than it responded to any other version, that fine-him got what he needed, that fine-him was celebrated, that fine-him was good. Fine-him was Shane. And Shane was, good.

Good.

Good.

He has been told his whole life, explicitly and implicitly and in every possible way short of a formal manual, what good meant. Good meant sacrifice, good meant giving, good meant living for others and not yourself. 

 


 

His parents had wanted a son who made them proud, and he had given them a son who made them proud, had given them not just good, but undeniably, incontestably, transcendently good. His mom made it clear that there were two columns. What everyone else was allowed to be, and what he was allowed to be. The margin between them was narrow and non-negotiable, and he had lived his entire life inside it without being told to, because he had not needed to be told. 

His mother always told him on game days, You'll be great. You always are. The warmth in it conditional, maybe, warmth doing the work of a sentence she never said out loud, which was: you have to be. Not because she didn't love him, she did, he never doubted that, but because she knew what he knew, had known it since she watched him step onto his first sheet of ice, what the world was going to ask of her son. More. Always slightly more. The bar raised just a fraction higher. Win by more, smile more convincingly, be more palatable, be more legible, be less of whatever made people uncomfortable and more of whatever made them clap. Be Canadian before anything else. Be bilingual. Be accessible. Be good. Be a good boy. Bark for us. Roll over. Woof, woof.

His team had wanted a captain and he had given them a captain, had given them the version of leadership that cost the most and asked for the least back— had taken every hit in the press so they didn't have to, had stood at podiums after losses and said we when he meant they, had walked into locker rooms that now hated him and performed belief in them anyway, had kept his mouth shut about every slight and every slight and every slight and smiled for the cameras after. The team had wanted someone who could carry everything that came with being the face of it without cracking, and he had done that. He had done that too, for years without being asked, because being asked would have required someone to notice it needed doing, and nobody noticed, because he was too good at it. The public had wanted—

The public.

God.

The public. God. The public had wanted what exactly? A face. A name. A man-shaped container for their idea of a man. A good face, a clean face, a face that did not make complicated demands on them, that did not ask them to look at anything difficult when they looked at it. He had given them that. He had practiced the face in the mirror until the face was reflex, until the face was there before he had decided to put it on, until the face was, functionally, him. And the body that held the face, he had managed that too, with the same methodology, you know, the glass containers labeled in masking tape and stacked in columns and portioned on a scale because a body the public looked at was a body that had to be controlled, and control meant I am acceptable, I am enough, I am exactly what you need me to be. It was all the same really, running on the same fuel, toward the same end: a surface so perfect and so complete that nobody would ever need to look behind it.

Probably, because there was nothing there to look at, anyway. 

 


 

He had been told that being good would fill it.

Had been told, in all the soft indirect ways things get told—in the way his mother's voice lifted when he did well, in the way the crowd cheered and the way the silence felt on the nights when they didn't— that goodness was the cure. That if he was good enough, long enough, that hollow cavity in his chest would accept the goodness as substitute and stop demanding whatever it had been demanding. That he would look around one day and find himself full. Transformed. All the performing paid off in the currency of feeling like a person.

It never happened.

He kept performing and kept waiting and the hollow thing kept hollowing and he thought that was okay, as long as you could look at his life from the outside and think: what a full and certain life. What a well-assembled man.

The hollow feeling is different now.

It is different now, no longer an absence in a specific location. It is not a wound in an otherwise intact body. It is bigger than him. It is the size of him. He is not carrying the hollow thing anymore. He is inside it. He has been swallowed, and the world he is being carried through, the sheets and the pillow and J.J.'s voice and Hayden's, is reaching him distantly, through the walls of it.

When did I cross over. When did I become the inside of the thing instead of the outside.

He has known the answer since he was lying face-down in the carpet five minutes ago, or twelve hours ago, or however long ago that was. He has known the answer since December, maybe, since that game with the Admirals when something that had been contained inside him for years had finally gotten enough purchase to move. Or maybe he has known it longer. Maybe he has always known it, known it in the same buried, way he had known about 2011, the same way his body hides hings it cannot afford to know consciously. Buries them under everything else. Keeps them in the dark, waits.

There was one person. He thinks this now, staring out the window, feeling the buzz of the plane landing around him. There was one person, in his entire life, that he had allowed himself to know without calculating the return. Without measuring it against good or bad,  checking it against the persona, or asking himself how it would read, how it would look, whether it made him more or less of what he was supposed to be.

Only one person.

 


 

Ilya Rozanov.

Ilya had sent him one very long message a few hours ago. It sat in Shane's phone, read. But not really read— more like his eyes had moved across it and the words had blurred at the edges, like trying to read through glasses that were slightly the wrong prescription, the shapes of the sentences almost resolving and then not. He'd gotten halfway through and his hands had tightened around the phone, the case digging a red line into the meat of his palm, and he'd locked the screen and put it face-down on the cushion beside him and hadn't touched it since.

He didn't know what to think about Ilya Rozanov.

That's not true.

The thing was that there were, as best he could map it, approximately ten different versions of himself that had an opinion about Ilya Rozanov, and they did not agree with each other, and they were all talking at the same time. There was Shane who hated Rozanov, hated him so much that it lived in his back teeth and his jaw and every part of him clenched whenever a certain number appeared on his phone screen. That one was loud, and knew that eventually the facts would speak for themselves.

But then he also felt the complete opposite about Ilya. Just the thought of him, just Ilya, the idea of him, made something in his chest go traitorously light. Like the bottom dropped out. The creature in him that had been saying Ilya's name in the back of his head for years, that had made his stomach do this embarrassing, flipping in proximity to him— that part was still there. Still running. Still, apparently, completely uninterested in the evidence.

Surely we would do anything, that part said. Forego all of it. For just one more night. Just one.

But all those opinions were before. Born from the version (or versions) of him that had been running the machine, had been performing the function of Shane Hollander, had been managing the seventeen competing systems simultaneously and calling it a life. That machine was gone. There was nothing left of it. And when he looked in the thought of Ilya now, the way he'd been doing with everything, with hockey and Rose and his parents and his career, in this strange new habit of turning over rocks and seeing what was underneath— he didn't get the familiar split of hatred and want. 

Ilya made him feel good. That was true.

Ilya made him feel bad. Also true.

Ilya was a person with no investment in how his flaws affected the people around him. Also, demonstrably true.

But Shane had, somewhere in the last forty-eight hours, quietly abolished his policy on self-preservation. He had decided, that he was going to act on instinct now. That the alternative was continuing to run the calculations, the same ones he had been running for at least fifteen years, and he was very tired.

Would death be worse than this, anyway?

He didn't pursue the thought. His thumb moved across the phone screen on autopilot, swiping away a notification, another attempted login to his iCloud, which he had no energy to feel anything about.

His phone pinged.

The sound made something in his chest jump, a reflex, his hands tightening fractionally on the phone before he'd registered what it was. He let out a slow breath through his nose and sank deeper into the corner of J.J.'s couch, the fabric of it soft and slightly worn at the armrest. The blanket had slipped off his shoulder at some point. He didn't fix it. The winter sun came through the large windows and fell across his shins in a long pale stripe, not warm exactly, but there. 

It wasn't another login attempt.

received:

hey <3 just checking in bug, hope you're feeling better. spoke with yuna on the phone. i'm going to be leaving filming early to come stay with you. don't worry, we'll figure everything out, i really wish i could be there with you. i love you

received:

tell j.j hi for me.

status: read

He read it twice. The second time more slowly, the words finding their actual meaning.

She's leaving filming.

He should tell her not to. He knew he should tell her not to, could already compose the message, I'm fine, it's fine, don't interrupt your schedule, you don't need to, and his thumbs didn't move. The message sat in him half-formed and he let it stay there.

He wanted her here.

He wanted her here. So despite all the reasonable, considerate, self-effacing objections— the ones about her schedule, her career, the time he'd already wasted, the time he continued to waste. Despite it all, he wanted to curl into the side of her and have her arms around him and her hand in his hair and her voice saying it's okay into the top of his head, with no expectation of a response. He allowed himself to want it with a directness that was almost unfamiliar, the wanting stripped of its usual qualifiers.

Hey, one part of him noted. One benefit of losing your mind completely: nobody expects you to fuck them.

And he deserved it, he had decided, somewhere between Boston and Montreal. He had been the one holding everything together for so long, for his team, for the cameras, for his parents, for the public and their clean face and their undemanding man-shaped container— had smiled and answered and showed up and never let his anger get past the point where he couldn't contain it. Had absorbed hits on the ice without dropping the gloves because he'd understood that his anger was not the kind that was permitted. 

Had stood at a thousand microphones and said we're focused on the next game when what he meant was I am being consumed alive in here, can anyone see that, is anyone looking, am I even real?

So yes, it was shitty of him not to have broken up with Rose. He knew it was shitty. But fuck you, really. 

It was a problem for the long term. The long term was somewhere he couldn't see yet, a country he'd never visited, with no reliable horizon. He needed to get there first. And he wouldn't do it over text, he was at least going to give her that.

Yes, Shane, don’t do it over text. You would never break up with her over text. No, you would just cheat on her for years instead. Wonderful, Shane.

He closed his eyes. Let the sun sit on his shins.

He needed, right now, in the short term, to get some grip back on whatever was slipping. Specifically his tongue, or the absence of it, the mute weight of it sitting behind his teeth doing nothing, producing nothing, the words running and running and hitting the back of his mouth. Just enough grip to open it. Just enough to play tonight.

You don't have to make sense of all of it tonight. You just have to play.

He was repeating this to himself when the door slammed.

His whole body seized, every muscle contracting simultaneously, his shoulders coming up, his hands going tight on the phone. The sound ricocheted off the walls and into the hole in his chest, and his teeth and somewhere behind his eyes, and for a second everything narrowed to the location of his own heartbeat and the distance between him and the door.

Like a terrified bunny, he thought, with remote self-contempt. In a field, waiting.

He kept his eyes shut. Focused on the heaviness of the blanket where it was still covering his legs. The sun on his shins. He slowed his breathing, carefully, the way his yoga teacher had taught him, the technique he had run that won him two Stanley Cups, the one that worked, and listened.

Hayden's voice came through, climbing before it caught itself. J.J.'s voice, lower, already sounding tired. 

"This is not the time to talk about hockey now," J.J. groaned. "He is not— he is not well. The pressure of that is too much, it will probably make him worse. You want him to go away again? Like on the plane, like last night?"

A stutter, then Hayden cleared his throat. "That's why it's better to nip it in the bud. Fix things now, give him a temp solution, so he can fucking get on with getting better."

"Right, right, give him a solution, and who are you to give him a solution, who died and made you general manager?"

"I'm alternate captain."

Shane rolled his eyes behind his closed lids.

"Ha! Man," J.J.'s voice pitched up, and he could hear the exasperated laughter in it, "how many fucking times are you going to say that— I'm alternate captain, ben là."

Exactly, J.J.

Hayden shushed him. There was a brief silence, and then J.J.'s voice dropped into a rushed hiss. "He cannot even fucking talk."

"Yeah," Hayden said, quieter. "But he can listen right? That's why you need to shut up."

"Don't tell me to shut up, you shut up."

"You shut up."

"Mange d'la marde." J.J hissed at him. Eat shit.

"No, you eat shit." Hayden snapped back.

"Va te faire foutre." Go fuck yourself.

"No, I'm going to fuck you."

Shane's eyes opened a fraction.

"Eh?"

"Sorry," Hayden said. "Sorry— I don't— that came out wrong. What I meant to say is, we shouldn't be arguing right now when Shane is in the next room going through a crisis, I'm trying to do what I can dude, and I don't need you— shit."

"Fine. Fine, don't listen, go," J.J. groaned, and a pair of footsteps started toward him, into the living room. "He's napping, I guess you'll wake him up too then."

The footsteps slowed. Shane smoothed his breathing back down, let his face go slack, let his hands loosen on the phone. If he seemed asleep enough, whatever Hayden had decided needed to be said could stay unsaid until he had more support for receiving it.

He felt it a face close to his, way too close. A few inches to his left, hovering. He flinched. He tried not to. He flinched anyway, his shoulder jerking back, his eyes snapping open.

Hayden was kneeling next to the couch, leaning over it, impossibly close. When Shane's eyes opened, he shot backward with a sharp inhale, clutching his shirt over his heart.

"Fu—" He stopped himself. Wiped a hand over his face, pulled his voice into something that was trying very hard to be casual, but was just condescending. "Hey, buddy." He paused. His fingers tapped against the couch cushion."You uh, you doing okay? It's pretty—" He glanced past Shane toward the window. "It's pretty nice outside. Good day for a nap, you know, getting those rays in from the window..."

He gestured, aimlessly, in the direction of Shane's blanket situation. Shane's blanket situation being: curled in the corner of the couch, legs drawn up, blanket half off one shoulder, the sun doing very little against the persistent cold that had been living in his hands and feet since the plane.

Yes, it's really nice, I fucking love being here, I wouldn't rather be at home right now with the blinds shut, by myself, not being watched like I'm some Victorian invalid.

He looked at Hayden. He did not put any expression on his face, he wasn’t able to.

"Right. Fuck. Sorry, you can't—uh." Hayden dipped his head, tongue moving across his bottom lip. His eyes moved to the coffee table, to his own hands, to empty space.

Shane watched him not say it.

He had time, in the silence, to understand what was coming. He watched Hayden's jaw work and felt his own body making its preparations quietly: the muscles around his ribs pulling in, his grip on the phone tightening one increment, his shoulders settling into the position they found under incoming impact.

Hayden looked extremely guilty. 

Hope the guilt burns his tongue.

Hope it eats him alive.

"The game tonight. It's probably better if you don't play, yeah? Maybe take a step back for the rest of the season, for the sake of your ment—" He stopped himself, inhaled sharply. "For your health. Generally."

He didn't meet Shane's eyes. Shane kept looking for them.

"And I uh— I'm going to talk to coach."

The room didn't change. The sun was still on his shins. The blanket was still half off his shoulder. 

But the black hole got bigger.

He felt it pulling everything inward, the texture of the blanket on his legs thinning, the warmth of the sun going first, then the heaviness of the phone in his hands. The lamp at the far end of the room blurring at its edges, going soft, being taken. The room folding at its corners, swallowing itself. Hayden's face, in front of him, beginning to close in too.

His hands slipped. He felt himself going, the grip on solid things loosening, and he reached for his legs instead, fingers finding the muscle of his thighs through the fabric of his sweatpants, and held on. Tighter. His nails pressed in, searching for feeling. It didn't give him much. He pressed harder.

"I think of course, they'll probably have to— I mean Yuna will get involved, and I know this isn't what you want to hear."

Shane tried to make his mouth open. Pushed at it from the inside, the instruction travelling down from his brain to his jaw and going no further. His tongue wasn’t there. Not like the creature had taken control if it— this wasn't like Tampa. It was like, the words existed, he could feel them spinning, cycling, after everything, after two cups, after every day I gave this team, you are doing this now, whilst I can't even, whilst I'm like this, you are doing this now, when I can’t even defend myself. I fucking see what you’re doing. You think this is the right opportunity huh? You think this is your— they ran and ran and hit the wall of his mouth and stopped.

After everything I gave this country.

This game.

Tortured myself, every day, for years, and this is—

He wanted to scream. He wanted to put his fist through Hayden's face. His hands were still pressed into his thighs, the indentations of his nails going white at the edges. Despite his best efforts, his face was not moving.

"But we also have to think about the team, buddy. I don't want you to be fucking worried that you'll— I don't know, mess up. Like before, with Hunter?"

Shane closed his eyes.

Fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you fuck you.

"Shane, hey, buddy, you there?"

Fuck you fuck you fuck you—

"Shane?"

There was a long exhale, and the couch spring shifted as Hayden stood up.

"What happened?" J.J asked, the door closing quietly behind him as he entered the room again.

"I dunno, he just— shut down, I guess. I think—" Another exhale. "I said what I needed to say. I've got to get home, I'm picking up the kids from school today."

"Alright, à plus."

He heard the flat sound of palms meeting, quick and brief, and then footsteps, and then the door slamming shut, a bit too loud. There was some rustling, and then the couch dipped again beside him.

Shane counted to three, then opened his eyes.

J.J. was visibly chewing on the inside of his cheek. His mouth opened, hovering on the edge of whatever he actually wanted to say, before he snapped his jaw shut and forced a slow, measured exhale through his nose instead. "Hey," he said, in French. "That guy." He shook his head, made a low whistling sound through his teeth. "Phew."

The huff of air that came out of Shane's nose was not a laugh. It was closer to an acknowledgement. He pulled the blanket edge between his fingers and turned it.

"He wants the best for you, we all do, but it's weird shit, right. I don't know," J.J. shrugged one shoulder. "Being a control freak. Kind of like somebody I know."

Shane blinked at him.

"Sorry about him, anyways. He's looking too far into the future." J.J. paused. "You'll come to the rink with me later if you want. See coach yourself. Show the rest of the team proof of life." A weak smile, quickly steadied. He went to bump Shane's shoulder and then stopped, his arm reversing the motion before it landed.

He took a breath, let the air sit in his chest for a moment, felt his ribcage around it. Okay. Nothing is being decided for him. He just needs— just needs to find something to grip. Fuck, just enough. Just enough to open his mouth. 

And this wasn't for them.He wasn't doing this for coach or Hayden or the team or the contract or any of the long list of entities who had a stake in the functional Shane Hollander. He wanted to play, that want was the only thing he still had, and he was going to hold onto it.

"You good?" J.J. asked. "You got the remote and stuff, got your blanket." He nodded, drawing the words out with deliberate cheerfulness.

He turned and gave him the flattest look he could possibly muster. 

J.J. laughed, shook his head and smacked Shane's shoulder, once, barely. The touch hit Shane's skin like a live wire. The shock of it ran all the way up into his jaw, the nerve endings firing before he'd registered contact. But he didn’t pull away, he was grateful for it, he needed a little normal. 

"Okay good good, see you're feeling better, that's the Shane I know."

I feel like shit.

"You're hungry right? I'm hungry. I know your usual, sushi."

Shane shook his head.

"We could get those disgusting fucking grain bowls instead?"

Shane shook it more.

"Uh...salad?"

A sound came out of his throat. An actual sound clipped and annoyed— the first one in amost a day, and the surprise of it on his own tongue was enough that his hand was already moving, reaching for his phone, unlocking it, opening notes before J.J. had finished his eyebrows going up. He typed, his thumbs moved fast, the speed of having something to say finally.

He flipped the phone around and tilted his head at it.

J.J.'s eyes tracked across the screen. His brow furrowed deeply.

"Tuna melt?" He looked up. "What's a tuna melt?"

 


 

He came up out of the dream like he was dragged from it. 

Not awake, not yet, just suddenly no longer under, the surface of consciousness rushing up to meet him. Both hands went to the couch cushions, palms flat, the fabric rough and real under his fingers, and he pulled in a breath that didn't reach the bottom of his lungs.

He must have had a nightmare.

At least his eyes were open, he didn't know when they'd opened.

The room was dark, The blinds were still open and through them the city offered its ambient grey, the orange thread of a streetlamp cut sideways across the ceiling, not enough to see by.

He rubbed the heels of his hands against his eyes, felt the pressure bloom orange and shapeless in the dark behind them, and held it there for a moment, the orange warmth against his palms the only heat in the room. He dropped his hands. Phone. He needed to know what time it was. He felt along the couch cushion, then the armrest, then the coffee table with its cold glass surface, his fingers moving in slow arcs, finding the remote, finding a coaster, finding nothing that buzzed or glowed. He leaned further, his hand sweeping wider, and his fingers closed on nothing, and he pushed himself off the couch.

He found the counter with his hand and used it, moving into the kitchen in careful steps, the tile cold through his socks.

The overhead strip light left everything flat and shadowless. The two mugs from earlier till on the drying rack, handles facing the same direction. The takeout containers from lunch folded and stacked next to the bin. A chair pushed in at a slight angle, not quite flush with the table. Everything where it should be, without anyone in it.

Shane stood in the kitchen doorway and squinted in the dark. 

"J.J."

His own voice surprised him. Low and rough, scraped through a throat that hadn't been used in hours, and quieter than he'd intended, barely carrying past the kitchen threshold. 

He pulled up his sweatpants with one hand and moved back through the living room toward the hallway, his socks whispering against the floor.

"J.J."

The hallway was dark. The bedroom door was open, the room beyond it darker still, no shape on the bed, no sound of breathing.

He walked back into the living room.

He sat down on the edge of the couch. The cushion gave under him and he leaned forward, both elbows going to his knees, and picked up the remote from the coffee table. His thumb found the power button and pressed it.

The brightness hit him like a slap to the face, and he winced, his chin dipping, both eyes squeezing down to slits. His thumb moved through the channels, an ad, a weather map, an infomercial, and then he stopped.

The ice.

The Bell Centre ice, his ice, the Voyageurs blue and red and white under the arena lights, the scoreboard in the upper corner reading MTL 2 — TOR 2, and the clock at 01:00

A shot from the blue line, Couillard, winding up from the point. The camera tracked it. The puck left his stick and the angle was wrong, too high, going wide, and then Shane saw the screen, Schneider planting himself directly in front of the goalie, arms out, the goalie's sightline completely gone, and the puck clipped the post and dropped and there was Pike.

Right there, two feet out, stick already moving.

The tap-in took less than a second. The puck was there and then it wasn't, the back of the net rippling in that slow, unmistakable way, and the goal light went red, and for half a second the arena was just the Bell Centre, full to capacity, all of it inhaling at once.

Then it went up.

"PIKE. HAYDEN PIKE. AND THE VOYAGEURS WIN IT.”

The announcer's voice cracked on the last word, the professional composure stripped out, and underneath it the crowd noise hit a register so loud Shane felt it through the couch cushions, through the soles of his socks, a vibration that had no business being in this apartment six floors above a quiet street.

On the screen Hayden had both arms up, stick in his right fist, his head thrown back, his mouth open on something that wasn't a word. Comeau got to him first and hit him so hard they both staggered, Comeau's helmet cracking against the side of Hayden's, and Hayden grabbed him by the back of the jersey and just held on, both of them laughing, their faces pressed together at the forehead. Then Drapeau from behind, both arms wrapping around Hayden's chest and physically lifting him, skates off the ice, Hayden kicking like a kid, still laughing, and then more of them coming off the bench, pouring over the boards, the whole pile of them converging.

"Listen to this building, Denis. I have not heard this building like this in, wow, after the mess of this season—"

"No, you haven't, you haven't, this is, Hayden Pike, left wing, acting as center tonight, filling in for Hollander, and it—"

The voices layered over each other and neither of them finished their sentences and the camera cut to the bench, the guys who hadn't been on the ice, and they were losing their minds, gloves hitting the boards, guys grabbing each other by the jersey and screaming into each other's faces. Then back to Hayden, who had somehow ended up with his helmet half off, knocked sideways, and  J.J  had both hands on either side of Hayden's face. Just holding it. Looking at him. Saying something Shane couldn't hear over the noise, his mouth moving, and Hayden's expression was crumpling, and J.J pulled him in by the back of his head and kissed his temple.

"What a moment," the announcer said. "What a moment for Montreal."

The crowd noise was still going, he could see the levels of it moving on the TV's speaker bar, the little graphic pulsing, but it had flattened out somehow, gone thin and faraway. Hayden was still on screen, J.J’s hands still on his face. 

Shane’s hands were at the end of his arms.

He looked at them. The right hand, the remote, the raised plastic of the buttons pressing ridges into his palm. He pressed them harder, felt the edges bite, focused on the bite. The crowd noise thinned further. His shoulders were rounding forward and he wasn't stopping them, he was watching them round the way you watched something happen on the other side of glass.

The remote hit the carpet.

He watched it bounce once. Looked at his open palm. The button marks were still there, four pale dents in the meat of his hand, fading even as he looked at them. He was still going forward. His centre of gravity had chosen this, and his body was following it, slow and inevitable, the way a tree goes. The long irreversible lean of something that had been sliced down the middle, working its way down.

Shane saw the glass coffee table rushing to meet his forehead. 

He didn’t stop it. 

 

Notes:

ben là: of course
Tu es là, on est là: you are here, we are here
à plus: see you

vote in the poll about who you think is trying to hack shane's icloud

 

Baby, will you kiss me already?
And toss your dirty shoes in my washing machine heart
Baby, bang it up inside
Baby, though I've closed my eyes
I know who you pretend I am
I know who you pretend I am

But, do-mi-ti
Why not me? Why not me?
Do-mi-ti
Why not me? Why not me?
Do-mi-ti
Why not me? Why not me?

Chapter 15: Mama Stretch My Hands

Notes:

song recommendation for this chapter is Simulation Swarm by Big Thief

trigger warning in this chapter for descriptions of gore.

ah yes, this chapter is two days late. sorry, but not really haha. thank you so much for 1k kudos :). this is my first every fic (haha, almost) that i've posted on ao3, and i had no idea i could write anything other than smut. look where i am now, rewriting heated rivalry. for those of you who have been here since the first vers, you've known how important writing (almost) daily has been for improving my skill. God it feels like, such a huge gap between then and now. thank you.

also, two short chapters in a row? ohh what is with me, pfttt def not setting anything up for chp 16.

(See the end of the chapter for more notes.)

Chapter Text

He watches himself get up.

That is the only way to describe it. Ilya is somewhere up above the street, or behind the street, or folded into the rain itself, and he is watching the thing that used to be him peel itself off the Boston asphalt. Not by him. Not by anything he recognises as himself. By some dumb, persistent animal function that has not yet received the memo. Still here. Still breathing. Keep going.

The knees are bad. He can see that from wherever he is. The asphalt has taken its tithe, both kneecaps shredded raw, the skin peeled back in ragged overlapping layers, blood thinned pink and watery by the rain, running in pale rivulets down the shins, catching in the hair on his legs before dripping off the ankle onto the wet road. Ilya does not feel, and neither does the thing, from its lack of flinching. It simply stands on the ruined knees, orients itself down the road in the direction the cab went, and begins to walk.

Ilya follows it because there is nowhere else to be.

The street is empty. Boston now is just orange and rain-blur, the reflections of traffic lights pooling in the gutters, yellow and red running together. The thing moves through all of it without breaking stride. It is wearing only Ilya’s boxers, soaked through and heavy against his thighs, the cold finding every inch of bare skin above them without negotiation. He watches the blond curls, darkened to the colour of dirty sand by the rain, flattened against the skull, dripping steadily off the jaw. Its jaw is chewing around nothing, he notices. The back teeth grind together over and over, the muscle jumping and releasing. The mouth does not open. There is nothing in it worth saying.

It wouldn't be the worst thing, Ilya thinks, watching it move. If it just kept going. Past the intersection. Down toward the harbour. Kept walking until the road ran out.

The thing would not even have to decide anything. The water would simply receive it. The harbour is cold this time of year, cold enough that the body would not last very long, and there would be no drama, no audience, just the Boston water closing over the blond head and the street going quiet and the city not noticing, the city never noticing, and somewhere in a cab, Shane would feel relief, maybe.

The thing stops walking.

Its head lifts. The wet curls peel back from the forehead as the chin raises, and the eyes blink through the rain at something further down the road. The jaw stops grinding. Its neck cocks a fraction to the right, like a dog hearing a noise at a frequency just below human perception, alert in a way the rest of it is not, alive in a way it has not been for the past twenty minutes.

Ilya hears it too.

He hears it half a second after the body does, which confirms, he supposes, that it is not a hallucination. Not completely. It doesn't matter. The point is— singing, layered and low, and coming from somewhere above the street level of his consciousness, millions of voices or one voice multiplied into millions, chanting in a way that bypasses the ear entirely.

Come, it says, or doesn't say. Come up. Come here. Come join us.

Ilya knows this sound. He has known it since he was four years old and small enough that his mother's hand around his completely swallowed it, and she would pull him through the cathedral doors, and the sound would fall on him everywhere, something you could not refuse entry to. He knows what it is calling. He knows the scripture, the shepherd who knows every one of them, calls them by name, leaves the ninety-nine to go back for the one lost sheep in the dark, the one stupid, terrified animal that wandered out past the edge of the flock into all that cold. He knows this. He believes it. He has always believed it, of course.

But the goats.

He shall separate them one from another, as a shepherd divideth his sheep from the goats. And the goats go to the left. Ilya has always known which side of that he stands on. Not with bitterness, no longer with bitterness. He is not a sheep. Sheep are lost by accident, by stupidity, by fear. They do not mean to stray. Not for him. The singing is real, of course, the salvation is real. It simply does not extend this far. There is a boundary somewhere out here in the dark past which it does not reach, and Ilya has been living past that boundary for a long time, long enough for it to count. 

So no, Mama, not for him. He listens again, strips it back—

It is an organ. A pipe organ, the damp bass notes of it reverberating off the wet stone walls of the buildings, folding in on themselves as they travel, so that by the time the sound reaches him, it is hard to tell whether it’s coming from above or below. 

The body is already moving toward it.

Alright, Ilya thinks, and follows.

 


 

The small single lit window is what catches its eye, gold against the grey wall of the building it belongs to, small enough that he almost misses it. No grand steps. No columns. A wooden door set flush into the stone, two potted cypress trees flanking it, and above the door a simple stone arch, the keystone carved with letters he does not stop to read.

The thing grabs the handle and wrenches it open.

Ilya catches himself—catches it—on the door frame as it nearly pitches forward down the two small steps inside, knuckles going white on the old iron handle, breathing through the near-fall with no expression whatsoever. Then it steadies. Blinks at the interior and steps inside.

He follows it in.

It is nothing like the churches of his childhood, and the wrongness of this hits him before his eyes have finished adjusting to the light. In Moscow, in the cathedral his mother had taken him to on the days when she was well enough, God had been housed proportionally to His own mythology, with vaulted ceilings that ate sound, columns of marble the colour of old teeth, gold iconostasis burning even in the grey Moscow winter light, the smell of incense so dense and so old it burned. God in those buildings was a statement, unarguable, yes, the architecture was the argument.

This chapel argues nothing. It is small enough that the first three pews are already visible from the doorway, close enough to touch. The ceiling arches in warm, dark-stained wood, ribs of it, like the inside of a hull, the inner skeleton of a boat that has been flipped and inhabited. The walls are white and close, pressing in from both sides with polite insistence. Pendant lanterns hang at intervals from the arched beams, brass-caged, throwing pools of light that do not quite reach the floor between them, so that the aisle moves through alternating bands of warmth and dark. At the far end, above the altar, a triptych of stained glass burns in blue and gold and pale green, three figures in arched frames, the central panel blazing brightest where the light from outside finds it, figures frozen mid-gesture in lead and colour. 

Above it all, nailed to His cross, Christ looks down.

The thing does not dare to look up at Him. Its gaze drops immediately, tracking down and away, fixing on the floor, dark wood, worn pale along the centre aisle by decades of footsteps, as though eye contact would strike it down there. Ilya watches this. He watches the way his own body flinches sideways from the crucifix's sightline as it moves down the aisle, the fingers of one hand catching the end of a pew to stabilise itself, knuckles trailing along the smooth wood of the next as it passes. The blood from the knees has dried to a thin dark crust in the cold of the chapel. The rain is still running down the flat of his stomach, collecting at the waistband of the boxers, dripping off the hem of them onto the worn floor.

The organ sound is louder here. It comes from the walls themselves, it seems, or from the floor, the bass notes of it vibrating up through the soles of his bare feet, through the bones of his ankles, settling in the body's chest cavity. It does not sound like music. It sounds like breathing. Soundings like beating. It sounds like.

Like him, Ilya thinks, and then stops, because him is wrong too, him is too small, too pronoun, too easy to disown later.

Like his heart, that is what it sounds like.

The long exhale of the lower register, the way each note blooms out past its own edge and dissolves into the next one before it has finished existing, is the sound of his heart trying to thump under Ilya's hands. The sound it makes when Ilya finds the knot of tension it carries in the junction of neck and shoulder, and just presses firm, and the heart's breath comes out in that long shuddering release it always tries to swallow before it escapes. That quiet oh. Small and immediately embarrassed by itself. The sound of his heart's control failing the way a fuse blows just there and then, not. Light, then dark. Living and then—

Ilya's hand tightens on the end of the pew until the grain of the wood presses its pattern into his palm.

The thing's eyes are wet. He can see that from here, the brightness of them in the lantern light has nothing to do with the reflection. Its chest is moving wrong, shallow, too fast, the ribcage barely expanding, the body borrowing oxygen it is not committing to. 

It lets go of the pew. Moves forward, past the last row, veering right toward the side door set into the wall beside the altar. It is plain wood, with no handle, just a thumb latch. The organ sound comes from behind it, or near it, or through it; he cannot tell anymore, and it does not matter. The body does not hesitate.

It presses the latch down and pushes.

The door opens.

Brightness comes through it in a flat white sheet, everywhere, all of it, pressing against his retinas. He squints. His eyes are still wet, rain or tears or both, and the moisture catches the light and fractures it into a corona that makes the whole doorway look like it is on fire.

He steps through anyway.

The cold greets him instantly, wrapping itself around every inch of exposed skin, which is all of it, all of him, bare from the neck down in only the soaked boxers that have gone stiff in the cold, the fabric chafing the inside of his thighs with each step. His feet find the ice, and the skates are just there, the way things are just there in this place, and his weight shifts automatically, knees bending into the familiar drop, body adjusting before his brain has sanctioned it. 

The rink opens out around him, enormous and white and entirely empty except for her.

She is sitting cross-legged in the centre of it, directly under the overhead lights, her skirt fanned out around her in a dark circle against the ice, her hands loose in her lap. Her hair is up, pulled back tight from her face, the blonde of it catching the rink lights and going almost silver at the temples. Without the hair to soften it, her face is Ilya, the sharp line of her jaw, the curve of her brow, the quirk of her lips against the defined cupid's bow that Ilya has seen in every mirror he has ever looked into. She is watching him with her head tilted slightly, her expression patient, faintly amused.

Her eyes are blue, the way ice is blue, the colour that lives several inches down in old glacier ice where the light has travelled through enough frozen water to lose everything except that shade. Pale and clear and lit from somewhere behind them. The lids are heavy, settled, not the dragging weight of exhaustion but just calm. The lines around them are soft. She blinks, and her lashes, darker than her hair, always darker, he never understood why, sweep down and back up, and she looks at him the way she looked at him when he was small enough to fit entirely in her lap.

"So you will just stand there, solnyshko?"

He is already moving, his legs push off the boards, and he is crossing the ice toward her before the sentence has finished, building speed without meaning to, the blades cutting clean lines in the white surface, the cold rushing over the bare skin of his chest and arms and stomach. He almost stumbles three metres out from her, his left skate catching wrong, and he has to windmill one arm to stay upright, and by the time he folds himself down onto the ice beside her, he is breathing harder than the distance warrants.

She looks at him, then she pokes him in the shoulder. 

His mouth twists in embarrassment. 

"You skate like you are being chased, mm."

"No, Mama." He is still catching his breath. His hand finds her wrist, closes around it, the bones of it small and familiar under his fingers. "I am just excited to see you. It has been a long time."

The amusement in her face shifts into something softer. She reaches up with her free hand and tucks a curl behind his ear, her fingers trailing down the side of his face. "You were too busy for me."

"No." He shakes his head against her palm, pressing his cheek into it. "Never."

"Yes, baby." She pulls her hand back and taps at his chest, one finger after another in no particular rhythm, her eyes tracking the movement. "Busy bee. My little bee." Her voice finds a melody that belongs to nothing, no song he knows. "His heart is being filled to the brim—" She prods him again, once, with her pointer finger, then tips her eyes up to his. "Soon there will be no space in his chest," another prod, lighter,  “For-” She smiles,"—me."

His grip on her wrist tightens. He forces his fingers through hers, splaying them wide, threading his own between them.

"Do not make jokes like this."

"Ah, don't be a spoil sport, Ilyusha." She squints at him. "I must tease you. It is not every day my youngest son falls in love."

The ice is cold through the fabric of the boxers. 

"Tease me in a kinder way," he says. "It's a sore spot right now."

"I know, I know." She pulls her hand free of his and draws it up his chest instead, to his shoulder, her palm flat and warm against the bare skin. Her thumb moves once, in an arc over the ridge of his collarbone. "A broken heart. It will be bruised for a long time." She opens her arms, and he goes into them, folding himself down against her, his face pressed into the wool of her sweater. Her arms close around him, rocking slightly, and her chin comes down to rest on the top of his head. "I remember my first broken heart. It felt like death, Ilyusha. You must feel awful."

"Mn ‘hurts." The wool smells like home. Like before. Like a kitchen at a particular hour on a particularly good day, a version of things that existed and then stopped existing without much warning. He presses in closer. "I miss you." His voice comes out cracked at the edges, ground down to almost nothing. "Would be better with you here."

"Oh, I'm sure it would, baby." She rocks him. Presses her lips to his forehead, a quick, firm press, gone before he can hold onto it. "But when it is time, it is time. As God gives, He must take." He already knows what comes next. "What did I tell you? The dead must not haunt the living—"

"—for they too had their time." He closes his eyes and breathes her in. Tries to press the smell of the wool into his memory deep enough that it stays, even when he wakes up, even when it's over. He tries to burrow further into her chest, just an inch further, just—

She is standing up.

Not slowly. She is simply up, six feet away, impossibly fast, her skirt settling around her legs, her slippered feet already pointed toward the far end of the rink where a door has appeared in the middle of the ice. A plain door, nothing around it. Just: ice, and then a door, standing in it.

"Wait—"

He is scrambling, skates scrabbling for purchase, one hand slamming flat on the ice to push himself upright. She is moving too fast, much too fast for slippers on ice, gliding away from him with a smoothness that doesn't match the physics of the surface under her feet.

"Mama— wait— give me one more second—"

He is sprinting. The blades bite and push, and he is covering the ice faster than he has ever moved, arms pumping, the cold screaming over every inch of his bare torso, his eyes fixed on the back of her head, on the loose curl that has escaped the ponytail and is bouncing against her neck with each step. He reaches his hand out, fingers spread, close enough.

“Please, Mama– let me just sa–”

She slips through the door and doesn't look back. The door swings and doesn't close all the way, and Ilya hits it at full speed.

He goes through.

The skate blades hit tile and screech.

His feet go out from under him, and he pitches forward, and his face connects with the opposite wall, the corner of it, a very hard corner, and a line of pain detonates from his cheekbone upward through his eye socket and across his forehead. He goes down hard, one knee cracking against the tile, his palms slapping flat against the floor. He stays there for a moment, the pain burning behind his eyes, breathing through it in short, punched-out gasps. When he pulls his hand from his face and looks at it, there are drops of blood falling from his nose onto his palm, hitting the tile in small, perfect circles. He shakes his head, and his vision swims, doubles, resolves. Swearing to himself, Ilya pushes himself upright against something behind him.

He turns around.

He screams.

She is on the floor. Slumped against the base of the toilet, her head dropped to one side, the ponytail destroyed, her hair tangled and matted against her cheek, and her eyes are open, wide and fixed and looking at a point on the ceiling that has nothing on it, and the foam at the corner of her mouth has tracked down her chin and dried there and her face is the colour of— not grey, not white.

He is screaming, and his skates are sliding, the blades finding no purchase on the wet tile, on the vomit, and he goes down again and comes back up and goes down, and his skate catches her arm on the way down, and he screams harder because he has felt the contact and he squeezes his eyes shut because God please he does not want to see—

His hand finds the cold rim of the bathtub. 

He grabs it with both hands, hauls himself upright, skates slipping and screeching against the tile in one final scramble, and he throws himself through the door on the other side of the bathroom wall.

Ilya’s hands hit the floorboards.

The wood is cold and slightly gritty under his palms. He stays there on all fours, forehead nearly touching the floor, breathing. The air tastes different here, a warmth that lives in the walls, in the accumulated density of years, not in the temperature of the air itself.

He wipes the blood from his upper lip with the back of his forearm. Smears it. The nosebleed has slowed to a thin trickle, but his face aches deep, his cheekbone sitting wrong under the skin. He groans to himself, and curls sideways onto the floor, knees drawing up toward his chest, his arms wrapping around himself. The cold of the bare floorboards seeps up through the boxers and into his hip. The radiator in the corner ticks.

He already knows where he is, but he lifts his head anyway, slowly, and looks.

The ceiling is low and off-white, a water stain in the far corner shaped like nothing in particular. The wallpaper is pale green with a thin cream stripe, and in the place above the desk where he used to press the back of his chair repeatedly over the years it has worn away in a dull patch. His bed is against the far wall, and beside it, folded down on the floor against the frame with her knees drawn up to her chest, her face buried against them, is Mama.

She is cradling her nose exactly the way he is cradling his.

He exhales; the sound of it is barely there.

Mama.

He doesn't say it out loud. Or he does, a breath, barely shaped, barely above nothing. He rolls onto his hands and knees and begins crossing the floor toward her slowly with no sudden movements, the floorboards protesting under his weight.

She makes a sound at his approach, small like a wounded animal sound that she does not mean for him to hear, and her whole body draws in tighter, shoulders rounding, head ducking lower against her knees.

Ilya stops and settles onto the floor in front of her. "Mama." He keeps his voice at its lowest register. "Let me see."

She shakes her head back and forth against her knees.

He watches the line of her shoulders, the knuckles of her hands where they grip her own shins. He reaches his hand out, hesitates with it suspended in the air between them, and pulls it back to his chest.

"I'm sorry." He whines, clears his throat. "I didn't mean to scare you. I'm also—" He stops and shakes his head. "Never mind. Are you okay? Do you want me to bring the radio? I can bring it in, and then I can get the— the frozen—"

She mumbles something; the words are compressed and shapeless against her kneecaps. "Eh?" He asks.

Mama slowly lifts her head at him.

Her brows are pulled down so hard, drawn together with such force, that her eyes are barely visible beneath them, just two glittering lines behind the ridge of bone, her lashes dark and clumped wet from crying, the tears still tracking down her cheeks. They catch the light from the hallway coming under the door in two streaks, silver against the dull rose of her skin. Her jaw is set.  And the eyes themselves, what he can see of them, that sliver, are fixed on him with a flatness that is not anger exactly and not grief exactly, more like calcified disdain. 

"I said," she says, "fucking get me a drink."

Ilya flinches; he can't help it. "I can't." He hears the whine in his own voice and hates it. "You know that if I— Papa said that I cannot do that anymore. That I'm not supposed to—"

Her jaw trembles, the control over it failing for a fraction of a second before she locks it back down. Then she tips her head back and throws it hard, the back of her skull connecting with the wooden bed frame, which bangs against the wall, the sound so loud in his small bedroom.

Ilya's whole body jerks.

"FUCK." She yells the word gutturally like she is expelling something, drags both hands up over her face, and holds them there, palms pressed flat against her eyes, head cranked back against the frame.

"Mama."

He reaches for her shoulder.

She recoils, her whole upper body twisting away from his hand, her palms dropping from her face, and her eyes are wide open now—fully, completely open— and the disdain in them has become something else, accusation stacked on accusation.

"Get your hands off me." She is already scrambling upright, her arms wrapping tight around her own torso, hands gripping her own elbows. "Don't touch me. I don't want to be anywhere near you." She is moving toward the far wall, toward the door that has appeared there, her eyes going to it and then back to him. "I'm going to go—" She stops. Shakes her head, her eyes fluttering closed. "I hate this. I can't do this anymore. Truly. I can't." Her hands run up and down her own arms, fast. "Leave me alone."

She turns her back to him.

"No."

He rises. Slowly, his skates finding the floor, his legs steadier than they have any right to be. "Where are you going? To do what? You cannot go outside right now, Mama, it is—" He steps forward, his hand reaching for her arm.

She smacks it away, looks at his hand, then up at his face, in bewilderment, as though his hand has committed an act she cannot believe it dared to commit. "Who are you to tell me what to do?"

"You will freeze."

"Ta." Her chin comes up. "And so what. If I want to freeze, I can freeze." Her voice has gone very flat, very even, the way it goes when it is done performing. "Is that it? In this house? One cannot even choose if they want to live or die." She smacks his hand again, pushes the door open, and walks through.

Ilya follows, already opening his mouth, the words of protest forming—

His eyes drop to the floor.

His mouth closes.

His hand comes up and presses flat over it.

He stands there. He does not look down again; he refuses to, he counts instead. One. He can feel his pulse in the bridge of his nose where it hit the wall, a wet throb that times itself against the count. Two. The smell in this room is different from the bedroom, different from every other room. Three. He keeps his hand over his mouth. Four. His eyes are closed. Five. He breathes through his nose, which is a mistake, and he breathes through his mouth instead, slowly. Six. Seven. Eight.

His free hand finds the door frame behind him, trails down it, finds the handle.

Nine.

He grips it.

Ten.

The door opens onto birch trees.

The white columns of them retreating back into the park in uneven rows, the bark peeling in dry curls at the base of each trunk, and above that, the yellow. Every leaf on every tree is burning the yellow of old newsprint, the colour that has about three days left in it before it turns brown and lets go, and the wind coming through the park is pulling them loose one or two at a time, spinning them down through the cold air. The path is already thick with them underfoot, and the smell of it, dead leaves and cold earth and the musk of a Moscow October, comes through the open door and hits Ilya full in the face.

She is on the path, fifteen feet away, facing him, bundled to the point of near-unrecognisable, a scarf wound thick around her neck and up over her chin, another looped on top of it, a wool hat pulled down to her brows, her coat the dark green one with the wooden buttons that she wore every winter until it could no longer be tailored. Her gloves are mismatched, of course, they are. The right one is grey, the left one is brown, and she has never cared enough to replace them.

Her cheeks are red from the cold. Her eyes are creased nearly shut from the width of her smile.

"Ilya?" Her voice comes out warm through the layers of wool. "Don't be a baby, come here. It's not even that cold."

Ilya yelps, and he slams the door, both hands flat against the wood, and stands there with his back against it and his eyes squeezed shut and his heart slamming itself against the inside of his ribcage.

His nose is bleeding onto the floor again. He can hear it. Drip. The drop hits the tile. Drip.

He breathes.

He opens his eyes.

Opens the door.

The kitchen is bright, over-bright, past noon on a clear day, and the sun is hitting the window above the sink and filling the whole room with it. The refrigerator stands to the left of the door, its white surface completely obscured under a dense, overlapping archive of drawings, pencil and pen, and the thick waxy strokes of homemade crayons, fixed to it in layers, some pinned under magnets, others taped directly to the older ones beneath them, horses and houses and figures and things that are not clearly any of these. Alexei's are big and loose, the lines slashing across the paper. Ilya's are small and detailed, the figures standing very straight.

She is at the stove, her back to him, one arm moving in a slow rotation around the large pot on the front burner.

The smell is of meat cooked past itself, the thick sweetness of protein breaking down, the fat rendering out and catching on the bottom of the pot, and underneath it the smell of the inside of things, the wet biological interior of flesh, and Ilya's eyes go wet at the outer corners, his hand tightening around the door frame while the back of his throat works against nothing.

She is humming, barely a melody, the way she hummed when she was thinking about something else, her weight shifting from foot to foot, the wooden spoon dragging against the bottom of the pot. She is wearing the yellow house dress with the small white flowers, and her hair is down.

She whistles, a single upward note, trailing off; her head begins to turn.

He slams the door.

The blood has made a small constellation on the tile in front of him. Three drops and then two more, and then a smear from when he pressed the back of his wrist against his upper lip. He looks at it, then he looks at the door.

Is this a dream?

The tile is hard beneath the blades of the skates, the cold of it coming up through the boot leather into the soles of his feet. His palm is sweating where it grips the door handle, the metal slipping fractionally against his skin with each grip and release, grip and release. His face aches from the bridge of the nose outward in every direction, the bone of the cheek sitting wrong, and when he breathes in too deeply through his nose the pain spikes behind his eye socket, and he has to breathe out through his mouth instead.

This does not feel like a dream.

He opens the door a crack.

Through the gap comes the sound of a choir, the voices layered and climbing.

He closes the door, opens it just halfway. He does not go through; he just stands in the doorway, and he listens, and when her voice begins to turn toward him, he closes the door again.

He opens it. He closes it.

And it is like he is eight years old, maybe nine, and he is padding across the cold floor in his socks to the door, and his hand is small against the wood, his knuckles raised to knock and then not knocking, just resting there, the size of his fist against the grain of it. Just standing there in the dark of the hallway waiting. Trying to hear through the wood before he commits to opening it, trying to calculate the kind of silence on the other side, what he is about to walk into. Whether there will be an angel standing at the other end of it with her arms open, her face open, the whole of her spilling over with a bright so total it is almost painful to stand in, like coming in from the cold too fast, her arms coming around him and her voice in his hair and the wool of her sweater against his cheek and the wings of her, he has always imagined the wings of her on the good days, the great white spread of them filling the doorway, filling the room, impossibly soft when they close around him.

He closes it.

Or a demon.

With burning hair loose around her face. Her voice preceding her through every room in the apartment, bouncing off the walls ahead of her body so that he always hears her coming before he sees her, and he has learned to listen for the pitch, that pitch that means move, and his toys scatter in the wake of her across the living room floor, and he gathers them after, quietly, putting each one back in its place the way he has always put things back.

He closes it.

Or nothing.

Maybe nothing. Maybe he will open the door and the room will be wrong, with all the air in it used up, and she will be somewhere inside it that is not quite reachable, folded in on herself in some interior place he does not have access to, and she will be groaning, not crying, a pained howl that responds to nothing he tries, as though she has crawled underneath his bed in the dark and pulled it shut behind her, the monster and the mother the same body, and he will sit outside the door and listen to it and not go in, because going in makes it worse, standing in the hallway makes it worse, existing in the apartment makes it worse, the fact of him breathing anywhere near it makes it worse. 

He slams the door. He opens it. He slams it again.

He cannot tell anymore when the door opens whether it will be morning or afternoon or the flat grey of a winter evening. He cannot tell if the hands he sees through the crack are reaching for him or pulling back from him. He cannot tell whether the voice coming through is warm or flat or angry or silent. He stands at the door, and he does not know.  He stood at this door every morning of his childhood and he never knew, not once, not ever, not on a single morning in all of those years did he know what he would find when he opened it, and the not-knowing was all it was, the entire tune of every day, shaped entirely by a beautifully terrible variable, the storm raging inside his mother, which had no forecast and no season and no pattern he could ever map reliably enough to protect himself with.

He opens the door.

He slams it shut.

He opens it again, just to hear her, just for a second—

Mama. He slams the door. Why does this happen?

What can I do to make the good days last longer?

He slams it. The hinges shudder.

What can I do to make you hold me again?

He slams it. The frame shakes against the wall.

Please, Mama. What do I have to do to make you love me?

He slams it so hard his teeth knock together. The door bounces back off the frame, and he catches it with both hands and slams it again.

Forgive me. I didn't mean to make you cry.

The wood around the upper hinge begins to split, thin pale threads of it tearing open, the fibres separating.

I just want to sleep tonight.

The crack runs down from the hinge toward the centre panel, a jagged diagonal, the wood giving along its grain.

Please don't hurt me.

The door handle rattles against the plate, the screws working loose in the wood, and he has to grip it with both hands now to keep purchase on it, and he hauls it back and slams it forward.

Why did you leave me with him?

The crack splits the panel. Top to bottom, the wood parting down its centre, the two halves held together by the paint alone.

Why did you fucking leave me with him?

He grips the frame with one hand to stop himself going through the door.

Why did you abandon me?

He slams it so hard the top hinge tears free of the wall entirely, and the door swings at its broken angle, and he slams it again.

The wood gives.

The panel splits down the middle, the two halves swinging open on either side of the crack, and behind them is a mirror.

The mirror is tall, floor to ceiling, the frame old and dark, and the glass slightly foxed at the edges where the silver backing has lifted away from the surface over decades. He looks at himself in it, and his face looks back at him: the eyes enormous and bloodshot, the pupils blown wide enough to swallow most of the blue, the skin beneath them the colour of old bruising. His lips are cracked and parted, trembling at the corners, and his mouth is open, and he watches his own expression move through something that should never apply to him—

And behind him.

Behind him in the glass.

Her eyes.

They are so wide they have pushed past the natural limit of the socket, the whites showing completely around the iris, enormous and bulging and the colour of ivory, the life in them gone, stripped out completely. Her mouth is open, the jaw hanging low and to one side at an angle, the joint broken, and the skin of her cheeks has receded back and back until there is only the shadow where it used to be. Her nose is bone. Her hair hangs off the scalp in loose, damp tendrils, the roots exposed where the skin has drawn back from them, and the smell that comes off her is the kitchen smell, the pot on the stove smell, thick and sweet and disgusting.

She opens her mouth wider.

Ilya.

Get away from me. He wrenches his eyes shut. Get the fuck away from me, get off, I don't want to see you, I don't—

Her hands grab at his shoulders.

The fingers are too thin, too cold, the joints too prominent where they close around him, pressing into the muscle with a grip that does not match her strength, that has too much of the bone in it and not enough of the flesh, and he screams, he screams, and he slams his head forward into the mirror because he does not want to see. 

He feels the surface give against his forehead, the plane shattering outward in a starburst, the edges opening up into his skin, and he pulls back and does it again. Again. The glass comes apart in sheets, the shards dropping to the floor, blood now running from his forehead in addition to his nose, sheeting warm over his brow and into his eye, and he blinks it back and slams again, and again, but it doesn't matter.

They are inside of him now. All of them. Every version of her, crowding in from the edges of the broken mirror, their hands at his arms, at his wrists, at his face, all of them pulling at him simultaneously, their voices stacked on top of each other in a chord that is composed entirely of his name, all of them saying it at once at slightly different pitches, slightly different rhythms, slightly different degrees of warmth and flatness and fury and love.

His knees hit the tile and he folds forward, both hands pressing over his ears, his forehead dropping toward the floor, and he is begging, in Russian and then in no language at all, why are you doing this to me, why, please, I forgive you, I do not hate you, I have never hated you, please stop, please stop, please stop—

"Look at me."

All of them ask, all at once.

He shakes his head against his own palms.

"Look at me."

Their hands are at his wrists, pulling, the fingers prying at his grip, working between his hands and his face, peeling him back, and he is gripping harder and harder and losing anyway, finger by finger, his hands being drawn away from his face against every effort he is making to keep them there.

Fine, he thinks,  fine, fine, FINE. 

He wrenches his hands away himself, before they can do it for him.

He opens his eyes.

 


 

His Mama is looking down at him.

He does not move. He does not breathe. He stays exactly where he is, folded on the floor with his cheek against her thigh, and he looks up at her face.

Her eyes.

They are blue the way the ocean is blue when you are suspended in it, the light filtering down through the water in long, shifting waves that move against the current. And inside the blue, things are moving, the flash of scales catching the fluorescent light of the bathroom and throwing it back in fragments, greens and silvers and the iridescent white of a fish belly turning, the whole of her eyes alive with a teeming world. They are warm. They are so warm. He did not know blue could be warm like this, had spent too long not knowing, had spent too many years confusing blue with cold, blue with the sky in winter, blue with death.

This is not that blue; it has never been.

Her curls fall forward over his face as she looks down at him, the loose ones, the ones that always escaped whatever she used to pin them back, and they land against his cheeks in warm, faint touches. He feels each one separately. So gold in the fluorescent light. He closes his eyes briefly and feels them against his cheekbones, against his jaw, tickling the shell of his ear, and his mouth opens slightly, and he hums. 

Her fingers move across his face.

Dancing, almost, the lightest possible contact, her fingertips touching down and lifting and touching down again across his cheekbones, his brow, the bridge of his nose, each touch so brief it lands like the first drops of rain before a storm, when the drops are still far enough apart to feel each one individually, to feel the exact coolness of each one against the warm skin before the next arrives. He presses his face up into it, barely, a millimetre.

"Mama."

His voice is so small he barely hears it himself over the drip of the tap.

"Why would you do that?" He swallows; his throat hurts. "Why are you torturing me. Why are you doing this to me?"

She looks at hin and the corners of her mouth lift slowly. Her knuckle brushes his cheekbone, once, the back of one finger drawing a slow line below his eye. "Oh, Ilya." She exhales. "Where do you think we are right now?"

His brows pull together. He sniffs, the bridge of his nose aching with the movement, and looks up at her through the blur.

"Hell."

She shakes her head. "No, Ilya." Her voice is stern and calm. "You're alive, baby. You're breathing. You still have time.

He exhales. The breath shudders on the way out, catches somewhere in the middle of his chest, and breaks apart there. His brows push deeper together.

"Where am I?"

Her fingers travel up the side of his face, following the line of his temple, and she presses there gently with two fingers, the lightest possible pressure against the thin skin where he can feel his own pulse.

"In your head, my love."

He lies there with her fingers at his temple and the tap dripping and his blood drying in a slow pull across his forehead, and he thinks about this. He feels the floorboards under his hip, the cold of the tile, her thigh warm and solid under his cheek. In his head. He is in his own head, and he has built this, all of it, the rink and the kitchen and the bedroom and the bathroom floor, every single room, he built them all himself and then climbed inside and started slamming doors.

"Why would I do this to myself?"

"Because you do not forgive yourself, Ilya."

He opens his mouth, closes it. Something moves through him, a recognition, a thing he knew and did not let himself know in this moment. "Yes." He clears his throat. "Yes. I remember now. I remember." He stops. Starts again. "How could I forgive myself? When I am a person like this." His jaw tightens. "I was born a bad person. A bad person that— I do bad things. I am not one of the flock. There is no saving for me. A demon that has made its way onto the earth, and terrorises all the good things here."

She furrows her brow at him. Then she rolls her eyes, a quick, total, deeply maternal roll, and reaches down and pinches his nose.

He blinks.

"No." She says it simply, like the argument was already over. "Ilya. No. There is no such thing." She releases his nose. "No one is born bad."

"No?"

"No." She pauses. "Especially not you."

"If— then why. How did I do all these things that I have done? These horrible things."

She hums, and her fingers continue their dance across his cheek. "Well." She taps his nose once. "God endowed man with free will, Ilya." She taps his cheek. "You did these things with your hands." Another tap. "With your mind." She lets her palm settle flat and warm against his face. "Not because you were born this way."

He darts his eyes across her face."But how could anyone choose to do those kinds of things?" His voice drops. "How could Papa choose to ever hurt you?"

"Baby." Her thumb traces his cheekbone. "I think you know how."

He closes his eyes and nods.

"How do I fix it."

"Hm?"

"How do I fix all the things I have broken?"

"How do you give penance?"

"Yes, Mama."

She closes her eyes. Her tongue drags slowly across her lower lip, a thinking gesture he would recognise in the dark, then she opens them and looks down at him. "You have to ask for forgiveness." She says. "You just have to ask for one more chance."

"One more chance?"

Her fingers still against his temple.

"One more chance."

 


 

He does not remember moving from the bathroom floor to here.

One moment, the tile was cold under his knees, and then, the wood of the predella, the single step up before the altar, the grain of it pressing into his shins and the tops of his bare feet. He does not remember walking through any door. He does not remember the streets or the rain or the cold, though the cold is still on him, still living in the skin of his chest and arms and hands, his body still carrying the whole of the Boston night in it.

The stained glass is directly above him.

He does not look up at it, he folds, his body goes down and forward, and his forehead touches the wood of the predella, and he stays there for a moment, just that, just the contact of his skin against the old wood. Then he pushes himself upright.

He sits back on his heels. Brings his hands up, clasped, pressing the knuckles of his thumbs hard against the bridge of his broken nose, and rocks. Forward and back, forward and back, the movement small and rhythmic, the body doing what the body does when it has nothing left.

The organ has stopped. The chapel is completely silent except for the rain against the windows and the sound of his own breathing.

He closes his eyes.

Please.

My Lord. He rocks forward. My Father. He rocks back. Wherever you are. In front of me, or behind me, or. He stops, shakes his head against his own hands. No. No, I know you have not abandoned me. I know this. 

He breathes.

I am sorry. I am sorry. Forgive me. Forgive me for my sins against my parents, against my mother, for all the years I spent blaming her for what she could not help, for the anger, for the times I wished. He clenches his jaw. Forgive me for my sins against my father, for all the times I wished him dead.

Forgive me for Shane.

Forgive me for what I have done to him. For what I told myself, it was while I was doing it. For every time I convinced myself I didn’t–

He stops.

His whole body shudders, his clasped hands pressing harder against his face.

Forgive me for my lust. He rocks forward. For my pride. He rocks back. For my greed, and my wrath, and, uh. All of the others. You know the others. You know all of them. Forgive me for not knowing the rest of them.

Ilya looks up for the first time.

The stained glass blazes above him. Blue and gold and pale green, the central figure incandescent where the last of the street light finds it through the rain-streaked window, the colours bleeding into each other at the lead lines, not clean, not separated, but bleeding.

I do not beg, he thinks. I try not beg. I promised myself I would never do that. I want you to know how much this means to me.

So please. Please let him give me one more chance. Please. His breath stutters. Please let me say sorry. A real sorry.

Please let him forgive me.

Please give me the chance to tell him.

He stops because his eyes sting. He presses the knuckles of his thumbs harder into the bridge of his nose, and doesn’t run from it.

Please give me the chance to tell him I love him.

And I promise. As soon as I get home, I will call Svetlana. I will tell her that I am not well. That I have the same sickness as my mother, or worse than my mother, or whatever it is. Whatever they call it. I will say it out loud to her, and I will not take it back. I will go to the doctor. I will sit in the chair, and I will tell them everything, and I will let them give me the pills, whatever pills they have, whatever they decide, I will take anything, I will take all of it, if it means I get to see him again. If it means he is not scared of me now.

If it means I get to be someone I am not afraid of.

He opens his eyes.

Please. Just one more chance.

sent:

I'm sorry, дорогой please do not go. I always knew that you would find out, but I did not want you to find out this way. I hurt you a lot, I know that what I did was wrong.  I always thought I would be too weak to admit to my mistakes. I know that it is maybe to late to apologise for everything. I guess I do not know where to start making up for every wrong I have done to you. For everything I have done that you have not deserved to happen to you. I am in pain without u. You look like you feel the same way that I do when I am without you. I want to run away, but I will not. I have to tell yo. I am a phone call away.

status: read 06:30

Notes:

дорогой: beloved

secret song rec from ilya

i've been hesitant to write long character analyses at the end of chapters lately, because we're at the point in the fic where you should be drawing your own conclusions. i've been laying the crumbs for a long time now, and i think you know where to look.

what i will say is this: we have reached rock bottom for ilya rozanov. there is no more falling from here. only the long, ugly, unglamorous work of getting back up. and oh my God. oh my gosh. we are so close to the climax. we are practically touching tips with it right now. the resolution is coming, i can see it from here. next chapter is really fun.

before i go, i want to mention a fic i wrote as kind of a warmup to this chapter? put my hand on the stove (and the cross) if you haven't read it, it's probably my personal favourite now. the themes of penance, submission, and letting go of trauma run through that fic are the same ones i was thinking about when i wrote ilya's journey in this chapter. what does it mean to give something up to God, or to another person, or to yourself? what does it feel like when you finally stop carrying it? accept yourself and all the things that come with you?

mmmm who, what holy figure do we think scott hunter is a symbol for hmmmm? hmmm hmm hmm???

Chapter 16: Nothing Goes My Way Anymore

Notes:

song recommendation is Good Looking by Suki Waterhouse

though, there is a specific scene inspired by Glide by Lily Chou-Chou (a great great great film btw)

trigger warning for depictions of self-harm and eating disorders.

i have some french texting slang for u in preperation for this chapter:
c ca: that's it
stp: pls

(See the end of the chapter for more notes.)

Chapter Text

May 2017

The garden is beautiful at this time of day. 

Shane has been staring at it for—he doesn't know how long. Long enough that the shape he started in has mostly dissolved, the downward dog flattening by degrees until what he is doing now cannot honestly be called yoga. His palms are flat on the mat, his knees have found the cork. His forehead is approximately aimed at the floor. This is less a pose than a general surrender to gravity, which is the closest he has gotten to a spiritual practice in some time. The lilac along the back fence of the garden is going purple and heavy, the smell of it coming through the glass doors in slow, warm drifts. 

He exhales.

Because I guess Ilya's reach, he continues thinking, only extends so far.

To Shane himself, apparently. And nowhere near the people around him. Nowhere near this garden, or this mat, or the four walls of this house, which have received no Russian hockey players.

Which does nothing except confirm every idea he's had about Ilya these past months. Every thought he dismissed as his own damage getting ahead of him, catastrophising, projecting, whatever the clinical term is. Because even the man who was supposedly attached to him, who had built an entire elaborate coping mechanism around having access to him, who had for years made Shane's existence feel like the walls were closing in from every direction simultaneously, even that man had eventually gotten tired.

There is only so much pushing a person can do.

Shane shifts his weight back onto his heels and sits there with his hands loose in his lap looking at the garden.

I am in pain without you. I want to run away, but I will not.

He scoffed, he remembers, reading it. The sound came out of him, and then his fingers were reaching for the delete button, the confirmation tap, and then the next one. Rolling back through the weeks, stripping the conversations down to just sex, getting rid of as much of it as he could manage before his phone was taken away again. Because the first step to moving on—and he has done enough reading about this to have the theory down, even if the practice remains largely hypothetical— is erasing every piece of evidence that the other person felt anything other than a depraved, possessive, compulsive sort of attraction. Reduce it to what it actually was, or at least what's easiest to swallow right now. 

Despite how genuinely, pathetically good it would feel, and he is honest enough with himself now to admit this fully, for Ilya to show up at his parents' door in Ottawa with flowers and a get well soon card. Despite how much some broken, embarrassing part of him has been waiting for exactly that, it hasn't happened. It is not going to happen. Ilya has gotten tired of him.

Ilya has gotten tired of me.

He says it out loud, quietly, to the garden.

It is true. He has gotten tired of chasing him, literally and figuratively, across his apartment and across boston and across the world and the stretch of Shane's own avoidance. And it is probably, Shane presses the heel of his hand against his stomach, feeling the muscle he has barely maintained, it is probably a good thing. It should feel like a good thing. Almost everyone has gotten tired of him by now, or close to it, which means he has no responsibility toward anyone or anything, really, which should feel more like freedom than it does.

He rolls onto his back.

The TV is on across the room, the volume low, the morning sports coverage cycling through highlights from last night. He looks up at it from the floor. Players moving in the clean fast desperation of playoff hockey, the ice bright under the rink lights, and Shane watches them from flat on his back with one hand resting loose on his stomach and the other arm folded behind his head, eyes tracking the puck automatically, the way they always have.

Montreal got knocked out in the second round.

He rolls his eyes at a defensive breakdown in the corner, late, soft, the defenceman two steps behind where he should have been.

"He's not even looking, pathetic. Are you blind? Are you blind? He's watching the puck like a dog, pick up your fucking man—"

The defenceman gets beaten to the net. Shane gestures at the screen with one limp hand from flat on his back, a you-see-what-I-mean gesture directed at no one.

"—and there it is."

Then he catches himself, looks at his own hand, still raised toward a television in an empty room, and lowers it.

Yes. That's who Shane Hollander is nowadays.

An envious asshole on a yoga mat in his parents' house in Ottawa, chirping at a television at nine in the morning, while the city of Montreal settles comfortably into the consensus that he is indeed an asshole, it is his fault they aren't in the playoffs this year. His. Personally. As if he had dismantled the team single-handedly on his way out the door.

As if it was his fault for getting kicked off the fucking team— no, sorry, mutually parting ways, his mother's voice arrives unbidden, clipped in the way she gets when she is holding herself very still to avoid saying what she actually thinks— yes, mutual. The decision made by everyone else via Shane as proxy.

There had been plenty of noise after Hunter. The very short suspension, the extremely long statements, the All-Stars disaster, all of New York's fury directed at his team. Everyone had an opinion, but everyone around him managed it. What nobody had done, not once, through any of it, was ask him what could have possibly prompted him to do what he had done. No, no. As long as he could skate, as long as he was still standing upright and performing the right version of himself for the cameras, they had all been perfectly content to issue a press release or three and move on. The crack had been there for years, so they had been papering over it for years. It was only when it split all the way through, when it finally, visibly, became undeniable, that suddenly it was a problem they couldn't manage.

Well. What is Canada's sweetheart worth, as Thériault had said,  if we don't win the cup?

Shane stares at the ceiling.

Well, now has neither the title nor the cup. He has a new cork mat, and a garden he didn't plant, and chronic headaches from an injury he’s still healing from, and a team that hates him and a city that hates him even more, and he cannot bring himself to be angry about it anymore. He presses his cheek against the mat, feeling the texture of the cork against his skin, dragging his face slightly to feel the resistance of it, the small, honest scratch of the surface against his cheekbone. Like rough hands grazing his cheek. He focuses on that and does not feel anything. 

The anger is mostly gone. Months of tantrums and slammed doors and one truly spectacular incident where he had sent Hayden a ten-minute voicemail, the righteous, hot anger he has been storing in himself since birth, burning through the reserves of it until what's left is— this. So it is gone, there is nothing to feel now. 

Maybe.

Almost.

He closes his eyes. The sun is coming through the glass doors and landing directly on his face, and he turns into it slightly, lets it sit on his eyelids, warm and indifferent, the way the sun always is, not caring who it hits or what they've done or what's been done to them.

His hand moves across his stomach.

He is so hungry.

He makes himself get up.

This takes longer than it should. He gets to sitting first, then to his feet, and stands in the middle of the mat for a moment with his hand dragged across his face, feeling the grit of sleep still in the corners of his eyes. He smells. Not badly, not yet, but he can smell himself, the dried sweat from last night's non-sleep and this morning's non-yoga has left a sour edge on his skin. He should shower, probably. 

He doesn’t.

His stomach sounds like a small animal being stepped on.

Shane sighs through his nose.

And there it is, the Quetiapine running its slow, grinding interference pattern against his appetite, some days leaving him staring at a plate of toast with his stomach turning over at the smell of it, some days like this one, like a hollow carved out of him, something deep and insatiable and panicked in its urgency. His nutritionist has a word for it. His nutritionist, one of the main members of his care team. A team not consisting of his manager, or publicist, or any of the people whose job it was to keep the outside of him presentable— his actual team, the one assembled quietly and carefully over the past months, the doctors and the therapists and the psychiatrists and the woman who sits across from him with an iPad and talks to him about food for two hours weekly.

Reactive eating, she had said.

Shane had gone home and spent two days, two days he had not slept anyway, the Sertraline having fucked up his sleep architecture in those four weeks' dose adjustment, flipping him from sleeping for sixteen hours at a stretch to lying rigid and wired at three in the morning staring at the ceiling, two days watching videos about it. Reading about it. Following threads about it in various niches, ranging from eating disorder support to pro-ana. 

The mechanism was simple enough, once you understood it. Years of restriction, years of the body being denied and overridden and managed and told not yet, not that, not enough— and then when the restriction lifts, when the body finally gets a signal that it is safe to want things again, it tends to overcorrect. Dramatically. The hunger that comes back does not come back proportionally. It comes back like a starved lion locked in a cage for months on end.

Shane understood this immediately.

Because it wasn't just food. No, it was the same pattern, running through his entire life. Nineteen years of not allowing himself to feel anything— or trying not to, trying so hard, building his whole sense of self around the trying. And then Vegas happened, and he was sexually assaulted, and his body had been forced to feel something, forced to feel everything. All at once. The switch had been thrown without his permission, and he had apparently decided it wasn’t going back. Something had been locked behind a cage for nineteen years, and saw the door swing open and threw itself at it.

And how he felt in his hotel room afterwards. Those three days in isolation, just them. God, there was a raw, violent honesty to it. To exist inside his own skin without filtering it first, without running it through every layer of management and correction and adjustment that comprised the normal functioning of him. Being pressed down into something, having the choice removed. The way he had opened his mouth and the sounds that came out of it had not been considered, had simply happened.

It was, Shane thinks, as he finally moves toward the kitchen and takes the stairs two at a time, somewhat like being on drugs. He assumes. Based on what he remembers. 

And he had spent six years afterward trying to pretend he didn't want any of it. Six years of cold turkey, and then of microdosing, and then of cold turkey again, going in cycles, constructing elaborate layers of justification for each return to it, each time telling himself this was the last, this was contained, this was regulated. Kind of like he did with his eating disorder.

His nutritionist had suggested that he let himself eat until fullness and that there was nothing shameful about how strong his hunger cues were. It was a green flag that they were coming back, at least. 

Oh, was it now? 

The kitchen is cool and bright from the morning light coming through the window over the sink. Shane pulls a pan from the drawer beneath the stove and sets it on the hob, then goes to the bread bin and takes out two slices, sets them on the chopping board.

The analogy extends further, he thinks. Because it isn't just the sex. Or the violence, which have become, somewhere along the way, the same category in his head, filed together under things that feel real, things that pull him out of pretending and into his own body with the sudden clarity of ice water. It is the other thing.

He goes to the pantry and finds the tuna, sets the can on the counter. He turns toward the fridge.

Being seen. Being understood in a way he had never been understood. The mask going transparent for just a few moments, because someone had looked at him, had really, properly looked, and had not looked away. Had kept coming back.

Not despite it, because of it.

Shane opens the fridge.

He stares into it for a long moment.

He moves things, he checks the door shelf, he checks behind the orange juice, behind the leftover rice from two nights ago. He closes the fridge, opens the produce drawer, and checks that too, though he already knows there is nothing in the produce drawer that has any business being there. He straightens up, closes his eyes, and slams the fridge door.

The fruit bowl rattles on the counter. He stands there for one second with his hand still flat against the door, feeling the cold of the stainless steel against his palm, and then he turns and walks out of the kitchen and down the hallway and shoves his mother's office door open with the flat of his hand.

His mother is at her desk. Her laptop open, glasses on, leaning forward in concentration. She looks up when the door opens. Something moves across her face, strained patience. She doesn’t have much of it left.

She pulls her glasses off slowly and sets them on the desk.

"Good morning baby, I'm glad that you're up, but you know you could have kn—"

"Where's my cheese?"

She blinks, and her eyebrows pull together. "What?"

"My cheese." Shane squeezes his own bicep, fingers digging in. "You know. The one I asked you specifically to get. The only one I eat, the one I use basically every day."

His mom lets out a small huff, her mouth widening slightly, and shakes her head in confusion. "I don't know, honey, did you put it on the list?"

His jaw clenches.

Yes. He put it on the list. He put it on the list because he knows himself well enough to know that if he doesn't put it on the list it doesn't get done, and he put the right brand of vegan cashew cheese on the list, because it is one of the only foods he can eat right now without his brain starting the whole calculation, the negotiation, the long exhausting internal tribunal that has to convene every time he tries to put something in his mouth.  Tuna melt doesn't trigger it. He doesn't know exactly why, and he has not interrogated it because sometimes you don't interrogate the things that work, you just hold them carefully and hope they keep working.

"Yes, I fucking put it on the list."

He hears the edge in his own voice and does not even attempt to soften it.

Yuna blinks. She clasps her hands in her lap, her chair turning slightly toward him. She opens her mouth, closes it, and inhales deeply. "Well, it should be in the fridge then. Did you check properly?"

"Yes, of course." Shane drops his hands, curls them at his sides. "Of course I checked. Do you think I would ask if I didn't check—"

"Fine." Yuna's voice goes up a notch. "Fine, then I must have forgotten to get it. Sorry." She pinches the bridge of her nose. "Sorry. I can go to the store later and grab some?"

"Later?" The word comes out too harsh, too loud, and he knows it even as it leaves his mouth. "I'm hungry now."

"Then make something else, Shane, I'm busy." She turns back toward the screen.

"But I don't want something else. I want the tuna melts specifically."

"Then wait a few hours."

"But I'm HUNGRY—” His foot hits the floor. He feels it happen from somewhere outside himself, the stamp, the sound it makes, and watches his mother's eyes come off the laptop, wide.

"Jesus." Her voice goes high, surprised out of her. "Shane."

His face is burning. The wet is already building at the corners of his eyes with a humiliation he has no room left to manage.

Yuna sets her glasses on the desk. She gestures toward the door, her voice finding the careful register she uses when she is trying very hard not to yell. "You know, if you want to get the cheese so badly, you could go for a walk. It's nice outside. The couche-tard is only a ten-minute drive if you don't want to walk, though going outside would probably do you some good, you haven't—"

Going outside would do him some good.

As if he doesn't know what would do him good. As if he doesn't know exactly what would do him good, as if he couldn't rank them in order– a run first, then the cold air off the canal, then the bakery on Saint-Laurent that does the almond croissants not too sweet, the ones he had been craving for four months and has not been able to get because he cannot go back to Montreal. But he fucking can't, can he? He can't because he had been painted as a villain by the entire world, it felt like, and he is sick, he is sick, and he is terrified, and it is almost as if no one understands the extent of what he has been through, how exhausting it is to drag himself through each day, to wake up and keep living. As if this is all his fault. As if he chose this. As if he woke up one morning and decided to be this— this wreck, this problem, this thing that had to be managed and contained and apologised for. As if the correct response to watching someone crack down the middle for years is to wait until they finally shatter and then hand them a list of things that would do them some good.

His knees are shaking where he's standing. He brings his fists up in front of him, feeling his whole face pulling in, the tears already happening whether he wants them to or not.

"Stop saying it like that."

"Stop saying it like that." His voice cracks at the top, and he doesn't stop it. "Stop, like I'm— like I'm doing this on purpose."

"Shane—"

"Why is everything my responsibility? Why do I have to take care of everything? I'm the child here. You know that, right? Why can't I— why can't you just let me be the child?"

He wipes the back of his hand across his eyes. Hates himself for it immediately.

"I'm fucking sick, and you don't even care, you just make everything my fault. I have to choose everything, even now. Why can't you just take care of it for once?"

The room goes quiet.

He watches his mother's face change. The squint going out of it, replaced by something that is not soft, but just so tired. Her hands go flat on the desk in front of her. Her lips press together once, briefly.

"But yesterday," she says, "yesterday, you fought me because I wouldn't let you use your phone, because I just suggested that I meet with Crowell myself instead of you putting it off for weeks on end." She lifts one hand, drops it. "Any time I talk to you about a decision about your life, you scream at me. It's like you are adamant that nothing I can do will help you, that I couldn’t possibly understand what you are going through. For God's sake, Shane. What do you want? Do you want to handle this yourself, or will you let me—"

Shane grabs at his hair with both hands, fingers closing on the crown of his head, pulling, the short uneven patches where it is still growing back. "Because you won't listen to me." His voice has gone raw from screaming. "You think you're right. Every time. I talk to you, and you're already thinking about a response; I can see it, I know what it looks like. What is even the point of talking to you if you won't fucking listen—"

"Stop swearing at me, Shane." Her voice shakes, just barely. "Stop it."

"See, why do I even—" He shakes his head. "Why do I waste my energy. It's already suffering enough to open my eyes each morning and realize I'm still alive."

He turned around before he could see what that did to her face. He heard the gasp she made, and he slammed the door behind him, and he knew he shouldn't, he knew he should turn back around, open the door, sit down, and talk about it. He knew this. He gripped the banister and took the stairs.

His forehead was burning. And underneath it was memory of how it felt to lean forward and just stop resisting. The glass table rushing up to meet him and the sound of the impact arriving in his teeth, and then him doing it over and over again. Slamming his head against the table until the shards opened the crown of his head up into a mess, and the blood had run warm down into his eyes and he had kept going anyway, because each impact had bought him one more second of quiet. It had worked in J.J.'s living room, and it had worked against the hospital wall, his forehead connecting with the plaster until the nurses came, and it had worked every time.

He yanked at the short hairs at his crown again, hard.

They were short because he had refused to let them hold him long enough to wash the dried blood out. Three years of growing it out. For Rose, for the cameras, for his agency. Gone. 

Do it, the voice said. Do it. 

He gripped the banister tighter and kept climbing.

His bedroom door closed behind him. He stood in the middle of the room, fists at his sides, his whole body vibrating with a frustration that had nowhere to go. He could go back downstairs. He could eat whatever was in the fridge, the leftover pizza, the rice, everything they had, bring it all up here and eat it all, just fill the hollow out until it stopped screaming at him. He could go to the kitchen and find a way to open the locked knife drawer. He could open his forehead on the corner of his desk, the sharp right angle of it at exactly the right height, and maybe then, maybe then the noise inside his skull would—

He breathed in.

He counted.

He breathed out.

He did the pattern his therapist had shown him, four counts in and four counts held and four counts out, and it helped a small amount, a barely-there amount, enough to keep his feet on the floor and his hands at his sides and not in the knife drawer or against the corner of the desk, which was enough.

When that stopped working, he threw himself face-first onto the bed and screamed into the pillow.

He screamed until his throat scraped raw. Screamed until there was nothing left pushing against the inside of his chest, nothing left to expel, the sound going on and on until it became nothing but sobs, his whole body shaking with it, his hands fisted in the duvet, his forehead pressed into the cotton. He screamed until his body stopped shaking and his hands unclenched, and the burning at the front of his skull had faded to its ordinary background level, the constant aching of it that had become so familiar over the past months. 

He lay there.

His face was wet against the pillow.

He was still so hungry.

 


 

There is a hand, wide and warm, and landing against his shoulder. Shane flinches. His whole body draws inward, knees pulling up, shoulders rounding. Then his brain catches up. He is in his parents' house; this has to be his dad. 

He turns his face toward the opposite wall anyway.

"Shane." His dad's voice is quiet. His thumb moves in a slow rub against Shane's shoulder. "Are you awake?"

Shane says nothing; he keeps his eyes shut and his lips pressed together.

His dad exhales slowly. "I know you're awake." He pauses. "Your Mom told me what happened. What you said."

Shane squeezes his eyes tighter.

"You've been locked in your room all day, and I—" He clears his throat, "Buddy, you've got to eat at least. I got your cheese. I tried my hand at the tuna melts. I'd really prefer it if you came downstairs and ate them at the table."

Shane shakes his head against the pillow.

"Hm? What was that, buddy?"

Silence.

His dad waits. The hand on his shoulder stays where it is, then it squeezes him, like it’s trying to jumpstart an engine. "Shane. You have to talk."

He is talking. He talks constantly, to his therapist and his psychiatrist and his nutritionist, to the rotating cast of his team. He talks and talks and talks in rooms designed for talking, he has talked more in the past several months about himself than he has in the rest of his life combined. He is so tired of talking.

"I know it's hard to talk to me," his dad says. "And it's hard to talk to your Mom, too. You think that we don't understand. And we don't— not for a lack of trying. Shane, I'm really trying. But you won't tell us, and I can't read your mind." He pauses. "If you don't want to talk to us. Then talk to Hayden, yeah? Or J.J. Just someone else."

Shane laughs.

It comes out muffled against the pillow, and then another, and then his whole body is shaking with it, these continuous low chuckles that he has no particular control over, pressing themselves out of him in a rhythm that has nothing to do with finding anything funny.

His dad pulls back slightly. "What was that?"

Shane laughs again.

"This is not funny, Shane."

But Shane's body keeps going, the laughter rolling through him in waves, his face still turned away, and his hands still fisted in the duvet. His dad's hand lifts from his shoulder. The bed shifts as he stands. After a moment, the door closes quietly.

Shane lies there.

The laughter runs itself out slowly, like a tap left running, tapering down to nothing and leaving him in the quiet of his own room.

He cannot tell, entirely, why his body did that.

Maybe because his dad had said Hayden. Hayden, of all the options available. A year ago, it would have been obvious— yeah, call Hayden, Hayden had been the person he called.

Maybe because it is genuinely, absurdly hilarious how small his world has gotten.

Maybe because his dad had stood in this room and carefully, with evident love, begged Shane to tell him what was wrong. And all Shane had done his whole life was waiting for his parents to ask him that. To actually ask. And now someone was asking, now his dad was sitting on the edge of his bed asking, and Shane was lying there with his face in a pillow laughing because he really, truly, could not bring himself to care.

Maybe because that was the funniest thing of all.

 


 

The knock comes what feels like minutes later.

Shane doesn't move. He lies exactly where he is and stares at the wall and lets the knock sit there unanswered, because he genuinely cannot find the energy to be lectured a third time today.

It doesn't matter, because it was only ever a warning knock.

"Okay, buddy." His dad's voice fills the room. "You really have to get out of bed now."

No, I don't. I don't have to do anything.

"Rose is here."

Shane's whole body goes stiff. He lifts his head from the pillow and turns to look at his dad in the doorway. "Now?"

"Yes, now. Should I ask her to leave?"

"No, I'm—" He pushes himself up onto one elbow. "I'm coming."

The door shuts.

Shane sits up slowly, legs swinging over the edge of the bed, his feet finding the floor. He sits there for a moment with his elbows on his knees and his hands hanging loose between them, staring at the carpet.

Rose.

The one person who had held on with both hands and not let him slip through. Not let him manage the grip down to nothing the way he had managed everyone else's. She had been here. Consistently, without obligation, monitoring, or managed concern. She didn't need him to be getting better, and that made it possible to be in the same room as her right now when being in the same room as almost anyone else felt like standing under a light that was too bright. Everyone else needed him to be getting better. Rose just needed him to stay alive. 

Sometimes they watched the X-Squad movies from the beginning, all of them in order, Rose making commentary. Sometimes she told him about whatever pop culture disaster was currently consuming the internet, other people's scandals, and it helped— looking at other people’s fires made him briefly forget about his own. Sometimes they didn't talk at all, just existed in the same space, her head on his shoulder or his head in her lap, the television on low. 

It was the last piece of dignity he had left, kind of.

He should tell her.

And there it was, sidelong, uninvited, deferred so many times, yet always sat in the corner of every room he was in with Rose, waiting. He had been meaning to tell her about Ilya. About all of it, really, Ilya, and his sexual assault, and the cheating, and him being gay. All of it. 

He had planned to, months ago. Had been composing the conversation in his head on the way to Ilya's that night, running through it, the words and her face and what came after. And then— well. His whole life had fallen apart, and the conversation had been filed under later, and later kept moving. At this point, he was barely holding the thread anyway. The lie had worn thin from the inside, the fabric of it going transparent in patches, and Rose was not stupid, Rose had never been stupid, and there were moments now where he could feel her not asking a question she had already answered for herself. It would slip out of him eventually. Any day now.

He grabbed a clean shirt from his closet, pulled it over his head, and went downstairs.

 


 

"These are really good," she said, taking another bite. Crumbs fell onto the top of his head.

The tuna melt his dad had made was, objectively, very good.

Shane was horizontal on the couch with his head tucked under Rose's chin and the plate balanced on his stomach, and he had been intending to eat both halves himself, which was looking increasingly unlikely given that Rose had been working through them steadily since she sat down.

She brought the piece she'd just bitten from down to his mouth, and Shane took a small bite without lifting his head. "Yeah," he said. "That's why my dad made them for me."

He could feel her pouting above him, the shift of it in the way she held her chin against his hair. "I feel like there's a connotation behind that me that you're not telling me." She took another bite. "Like you're insinuating something, hmmm, but I can't put my foot on it."

"I'm insinuating that you should stop eating my sandwich."

Shane reached for it, and Rose took another bite.

"Uhm, no. I'm hungry. Also, half the reason I come here is for the food. Shanetime and free food, it's a perfect package. Two for one, baby." She dropped the rest of the tuna melt back onto the plate on his stomach and scratched behind his ear with her non-crumb-covered hand, which he was grateful for.

"Oh yeah?" Shane scoffed softly. "You miss my cooking that much?"

Rose let out an exasperated sound, a small pained noise in the back of her throat. "I miss it so much. I miss you so much."

Shane's eye was pressed shut. Rose nuzzled her cheek against his, and he let it sit there without moving away from it. "I'm here," he mumbled against her.

"I know. But I wish I could be here every day." She pulls away slightly, "Have you thought about—" She stops. "I know you don't like being cooped up here, so —"

"I'm not going to Montreal, Rose."

"I didn't say Montreal." She looked down at him, and he felt her eyes on the top of his head. "But—" she raised her eyebrows as he opened his mouth, "L.A., maybe? Filming will wrap up in a bit, and I don't have any projects I have to travel for until fall. We could get you set up there, with me." Her voice softened, went quieter. "If you want."

Shane's mouth opened. It just hung there. He felt his heart start to hammer, accelerating in his chest, and his tongue found the roof of his mouth and stuck there. He tried to speak, and nothing came out.

Rose's eyes went wide. "Oh— oh Shanebug, no, no, no— this is— sorry." She cringed at herself. "It was just a thought. It's not like, of course, you don't have to."

"I'm sorry, I just don't think I—"

"No, Shane." Rose grabbed his hand. "You don't have to apologise. You don't have to justify anything. Like I said, it was just a thought."

Shane stared at the ceiling for a moment. "But would that really be fine? People seeing us together? Wouldn't it like—" He exhaled. "You know. Mess with your reputation."

Rose's brow furrowed, and she squinted down at him. "Shane."

"Rose..." He let the word drag out.

"I promise you." She waved her free hand. "Everyone, basically everyone, has moved on. No one's really talking about you anymore, except for speculating about where you’re hiding.”

"I doubt that."

"I'm serious. Of course, there are some idiots who have nothing going on in their lives. But that happens with everyone. If you could see what people say about me."

"Everyone loves you." Shane let the air out through his nose and shook his head slightly.

Rose reached up and cupped his face in both hands, turning it toward her. "Shane." She held his face still, waited until his eyes found hers. "Everyone loves you. You're so lovable. And this is what happens to loveable people."

Shane looked away from her. Down at the plate on his stomach, the two halves of the tuna melt sitting there, the cheese gone golden and slightly crisp at the edges, the way he liked it, his dad having apparently paid attention at some point without Shane knowing.

"You know what," Rose said, following his eyes to the plate. She sat up and shifted out from behind him, his head dropping from her shoulder to the couch cushion. "You eat your sandwich." She smoothed her hand over his hair. "I'll be back."

Shane grabbed the untouched half from the plate and bit into it. It had gone slightly soggy from sitting, the bread gone soft in a way that made it harder to get down, the texture of it wrong in his mouth. He chewed anyway.

Somehow, the fact that Rose had eaten most of the other with no ceremony made it easier. No commentary, no watching him, she had just eaten it the way people ate things, because she was hungry and it was there. He wondered, chewing, if she even liked it. Rose found canned tuna pretty gross on a normal day; maybe she had just been eating it for his sake. Maybe she had been sitting there working through a food she found gross while pretending to find it perfectly acceptable, just to give him something to follow.

He took another bite.

Then another.

Before he knew it, most of it was gone, swallowed down with the kind of dull efficiency that happened when his brain was occupied elsewhere. Shane shivered slightly and set the plate down on the coffee table. Looked at the second half. Looked away from it. He didn't think he could do the second one, not right now,  and he hoped this wasn't another safe food going. He couldn't lose the tuna melt. 

"Ahem."

Shane looked up.

Rose was leaning in the doorway, holding his phone up in the air between two fingers like it was some sort of cursed object, her chin tilted.

Shane stared at it.

"What the fuck," he said, slowly. His eyes widened, and then he laughed at himself for it. It was his phone. Why was he so fucking surprised? 

"Look what I've got," Rose said, biting her lip at him.

His phone, which J.J. had taken from him during his nap and passed to Hayden, and when they got to the hospital,  Hayden had passed to someone on staff at the hospital, and it eventually arrived in his parents’ possession. And then, they had been given a long list of recommendations about supervised access. Because of March. Because of the afternoon in March when he had gotten hold of it for twenty minutes unsupervised and found a hashtag, and thank God his mother had come into the room before he had been able to do any real damage. So. Supervised access, or no access, and who wanted to sit and scroll through their phone while their mother watched from the armchair.

"How did you get that?" Shane said, sitting up, eyebrows pulling together.

Rose rounded the couch and slotted herself down next to him, tucking her feet up. "You're a grown man, Shane." She handed it to him, and he took it, the weight of it familiar and strange at the same time in his palm. "It's kind of ridiculous for you not to be able to have access to it. Sometimes."

He shrugged and leaned back into her shoulder. She wasn't wrong. She also hadn't been there in March. He didn't say either of these things.

"I just told them that I think putting things off will be worse for you in the long run," Rose said. "Avoidance. It just makes your tolerance worse, makes whatever you're not doing even more anxiety-inducing when you finally confront it." She nudged his shoulder gently. "I think it's important to show you that no one really cares anymore. Things have settled. Your parents listened to reason."

"If only they'd listen to me like that," Shane said.

Rose put her hands flat over her eyes. "You do the honours." She pressed her palms there, fingers spread slightly. "I'll just. I'll be here."

Shane looked down at the phone in his hand.

The screen was dark. He could see his own reflection in it, vague and dim, his hair pushed up on one side from the pillow, the shadows under his eyes. He turned it over once in his palm. Turned it back.

He pressed the power button.

 


 

The screen came on.

Shane stared at it.

The notifications loaded in a cascade, stacking on top of each other in the few seconds it took for the phone to connect to the network and remember everything it had missed, every ping and buzz and alert that had been accumulating in the dark since March. They kept coming. He watched them arrive and said nothing and let them come, because he had known this was what was waiting on the other side of the screen.

Twitter was gone. The app had been removed from the home screen, a blank space where it used to sit. He stared at the blank space for a moment. His parents had been in here then, going through it, deciding what he was and wasn't allowed to access. He decided he would feel angry about it later, when he had the bandwidth for it, and kept scrolling.

Messages. He went to messages.

J.J. first. Several of them, the timestamps spread across weeks, the most recent from this morning. Hey man. Just checking in. Hope you're doing okay. Then one from two weeks ago. Thinking about you. Then one from before that. The tone of all of them the same, no pressure, just leaving the door open without pushing on it. It seemed he had learned, over the past months, how to reach out to Shane without it feeling like reaching.

Hayden's messages were much more frequent. Shane's eyes moved over them without stopping. He didn't want to stop on them.

He was still in the Voyageurs group chat. He hadn't known that. He had assumed, at some point in the past months, that he would have been quietly removed, out of respect, or practicality, or just because his continued presence in it was an awkward reminder of something everyone would rather not be reminded of. But there it was, sitting in his message list, muted, the mute he had put on it years ago because the notification volume of twenty hockey players left to their own devices was genuinely stupid.

There were individual messages from teammates, too. Most of them from months ago, from just after, when people were still in the phase of reaching out before they realised he had no intention of answering and stopped. He had not answered any of them. 

He swiped to Lily's chat.

It had been archived. He had done it himself, months ago, and it sat in the archived folder still and had not unarchived itself; no new messages pushing it back to the top. He held his thumb over it for a second. Didn't open it.

He felt his heart pull in a way he had hoped it would not. He felt it anyway. The familiar ache of heartbreak, deep and painful and entirely unhelpful, and he told himself it didn't hurt as much as it did, and his body didn't particularly agree, but it didn't have a vote.

He swiped to the camera roll instead.

The photos loaded slowly, the most recent first. The garden here, a few shots of the lilac from the first week, slightly too exposed because he'd been shooting into the sun. Before that— the walks. He had gone on walks in early March when the worst of it had lifted enough that he could put shoes on and go outside and not feel the outside pressing in on him from every direction at once. He had taken photos on those walks. The bare trees along the canal. The grey-white of an Ottawa sky over the water. His own shoes in a patch of mud, which he had taken and then looked at and almost laughed.

And before that, Tampa. The beach in Tampa.

He slowed down there.

The light in those photos was a different, warm, late afternoon gold coming off the water in sheets. He had stood on that beach with the sand giving under his feet and the Gulf of Mexico flat and blue-green in front of him. 

Maybe Rose's suggestion hadn't been insane.

L.A. wasn't Tampa, but it was warm. It was better than this, than being here, monitored and managed and fourteen different kinds of stuck. He missed waking up and deciding what he was going to do. Did he ever get that, actually— had there been a period of his life where he had woken up and the day had been genuinely his? Where he just did whatever he wanted, whenever?

A notification dropped from the top of the screen.

 

received:

Shane, r you okay?

 

Shane tilted his head at it and looked at the timestamp. He had been active for maybe four minutes. J.J. had clocked it in four minutes. That was— odd. He wondered how often J.J. had been checking. How often he had opened the conversation and typed something and sent it into the void and gotten nothing back for weeks.

He was still sitting there thinking about this when the phone began to ring.

J.J. Dagenais calling

Shane flinched so hard the phone almost left his hand. He gripped it, both hands, his heart slamming once against his chest, and stared at J.J.'s name on the screen and the green and red buttons sitting below it and hit the red one. The ringing stopped. 

"What is it?" Rose said from the other end of the couch.

Shane shrugged, not looking up. "I don't know. J.J. just started calling me."

"Aw." Rose pulled her feet up under her. "He has a sixth sense; he knows you're active."

The corner of Shane's mouth moved, just slightly, his lips pressing together and pulling down a fraction at the same time. He looked back down at the phone. He would text J.J. later. When he had— when he felt more like a person who was capable of sustaining a conversation. He cancelled the lingering notification and went back to the camera roll.

His phone started ringing again.

Hayden Pike calling

Shane's jaw clenched, he hit reject instantly. The ringing stopped.

"The fuck," he said, under his breath, more to himself than to Rose, swiping up off the recents screen. He was already in the Voyageurs group chat before he had fully decided to open it. His eyes moved over the messages loading from the top, reading down.

contact name: BOYS IN BLUE 💪

 

received:

sent by: Mitty

Noooo its not real cannot be true 🤯 🙇‍♂️

received:

sent by: Berkes

Canada's sweetheart huh?

received:

sent by: Wilson

Stop fucking filling my notifications with this shit, pls, I beg of you.

received:

sent by: Drapeau

I'm telling you it's real.

received:

sent by: Roy

what r we talking about? 🤔

received:

sent by: Hayden Pike

We aren't talking about it, Shane is still in this group chat

received:

sent by: Drapeau

Exactly so no one's talking behind his back.

received:

https://www.instagram.com/deuxmoi/

received:

sent by: Roy

WHAT THE FUCK!!!!!!!

received:

sent by: Comeau

Phew Captain Casanova 😂

received:

sent by: J.J. Dagenais

c ca

received:

if someone send this link again im really gunna be angry

received:

fucking delete it

received:

if u are sending it around and i find out im killing u i promise u will not play next season

received:

sent by: Roy

should we report the post?

received:

sent by: Hayden Pike

Everyone report it!

status: read

 

Shane's hands had started shaking at some point while he was reading. He felt this distantly, as if it was happening to his body from a slight remove, the tremor in his fingers against the glass keyboard.

received:

sent by: J.J. Dagenais

shane? stp pick my call

received:

sent by: Comeau

So he's here he can tell us himself

received:

Is it true? Who's Lily?

status: read

 

The phone dropped out of his hands and hit his lap.

He raised his eyes.

Rose was at the other end of the couch. Her phone was in her hands, leaning against her thigh, and she was nibbling her thumbnail, her brows pulled so hard together that the line between them had gone deep. She hadn't looked up yet. He watched the furrow in her brow, and his chest began to go very, very cold and very, very still, like water just before freezing. He watched her brows relax.

Increment by increment, the furrow easing out of them, her face going through something that he could not fully read from here, a sequence of expressions moving too fast to name individually. And then her thumb dropped from her mouth. And then her lips parted slightly.

And then her eyes came up to his.

They were already swimming.

Shane wanted to reach over and take the phone out of her hands. Throw it across the room. Throw both of their phones, smash them both against the wall hard enough that whatever was on whatever screen she was looking at ceased to exist entirely, became small pieces of glass and circuit board on his parents' carpet, and was never reassembled.

"Shane." Her voice was quiet. "What is this?"

She flipped her phone around.

He couldn't see it properly. The room had filled with a buzzing sound, corner to corner, something that pressed against the inside of his skull and made his eyes go wrong, and Rose was flipping between images too fast, the screen strobing, text and more text and he caught fragments— conversations, the formatting of a messaging app, timestamps in the corner of screenshots, and the numbers, the engagement numbers at the bottom of the post, the likes stacking into the tens of thousands—

Shane slammed his hand over his mouth.

His other hand found the arm of the sofa and gripped it, the fabric bunching under his fingers, his knuckles going pale. Bile rose in his throat, and he swallowed it down, and breathed through his nose, and tried to keep his eyes open and his vision clear and failed at the second part.

"So it's true?" Rose's voice was climbing now. She shoved the phone toward his face, and Shane leaned back, away from it, away from the screen and whatever was on the screen, his whole body recoiling. "Is it true or not, Shane?"

Shane choked. He wiped his hand back and forth across his mouth, trying to clear his throat, trying to find the floor under his feet. "Rose—"

"Oh my God." The whimpered, and she stood up. "Oh my God. For a year? For a whole fucking year?"

She turned away from him. Both hands went over her head, her fingers lacing together at the back of her neck. Shane watched her back rise and fall rapidly, the sharp inhale she took. She whipped back around. "Look at me. Shane, don't—" Her eyes moved over him, taking in whatever his face was doing, wherever his body had gone, the rocking he had apparently started without noticing. "Don't do this. That isn't fucking fair, don't shut down right now."

Her voice broke on the last word. The crack of it split clean through the buzzing in the room and reached him, landing directly in his chest.

"You—" A sob tore out of her throat that she tried to catch with the back of her hand and couldn't. It wasn't the kind of crying that could be managed. Her chest heaved, pulling the air in gasps that bled into the buzzing of the room and synced with Shane's own high, panicked breathing. He watched the tears spill over her bottom lashes and cut paths through her makeup.  "I never thought you of all people—my Shane—that you could—"

She choked. Stepped backward, stumbling slightly, her heel catching the edge of the rug.

"I thought I knew you."

Shane's eyes went wide.

He sat up. Stared at her through the blur of his own vision, trying to find her face, trying to see her clearly enough to know what was in it. "You do," he said, and his voice came out wrong, too thin, barely there. "You do— please. Of course you do."

"No." She shook her head. "Obviously, I don't." The tears were running down her face now, and she wasn't stopping them or managing them, just standing there with her phone in her hand. "I thought I knew how you felt about me, but obviously I don't. After—I have done so fucking—" She stopped. 

She stared down at the floor between them. Shane watched the exact second the grief in her face snagged on something else. Something flickered in her eyes. The frantic devastation of the betrayal shifted, hardening increment by increment as her mind raced through the past three years. Understanding arrived, and settled into her features.

When she looked back up at him, her eyes were filled with a hot, terrible anger. Her bottom lip was shaking with the sheer force of it.

"Is this what it fucking was?" She yelled. "What I was to you? I let you get away with so much, I did so much for you, I helped your—" She waved her hands in the air in front of her, frantic, sharp motions. "All your bullshit, your career—" She dropped her hands, clutching the fabric of her own shirt. "How many?"

Shane could hardly hear her.

He was trying, he was staring at her mouth moving, but her voice dipped in and out. Like waves hitting the shore and drawing away, the buzz in the room rising to swallow whole sentences and then receding just enough to let a word through. He closed his eyes and opened them, blinking repeatedly to try and clear his vision, the room tilting slightly on a horizontal axis.

"What?" he gasped.

"Shane." She held up the phone and shook it at him. "How many girls?"

"None." He shook his head, swallowing, coughing, wiping the back of his hand across his nose. "Rose, none, fuck— none, please let me—"

"None?" Her voice went up. She laughed, a short disbelieving sound that wasn't a laugh at all. "You're still lying, and you've been caught red-handed?" She stepped back. "Don't touch me. I think I'm going to be sick, I have to—"

She kept stepping. One step and then another until her back found the door to the hallway, and then she was fumbling behind her with the handle, and then she was through it.

Shane grabbed his phone from the floor and stumbled blindly after her.

He hit the doorframe hard, slapping his hand flat against the wall of the hallway just to keep himself standing. The whole house was swimming in front of him, his vision blurring so badly he could barely see her. Rose was already at the console table, grabbing her bag.

"Rose, please, let me explain," Shane pleaded. He was gripping the plaster like a lifeline, his throat tight, barely able to let the words come out of his mouth.

"Explain." She didn't look up from her shoes. She had given up on the laces of one of them and was just forcing her foot in, heel crushing the back of the sneaker flat. "Shane. What is there to explain? The last text is from December, you could have—" She exhaled, sharp and short, a sound like something giving up. "You’ve had months to explain yourself."

"Please." He whispered.

Rose's jaw clenched.

She stood up.

She was still for a moment, her hand on her jacket from the coat rack, not putting it on yet, just holding it. She stared at him. Her eyes moved over his face the way they always did, and he saw the moment the anger in them ran up against something else, something that didn't want to be there. "Shit," she hissed to herself.

"Fine. Explain."

"Wha—"

"Explain yourself."

Shane flinched, then he opened his mouth, and the dam finally broke.

"I'm gay. I'm sorry for lying to you, I'm so sorry. Lily is a man. Lily isn't just a man, Lily is Ilya Rozanov, and I've been hooking up with him long before I met you. Long before. And fuck, Rose, he— he hurt me. But despite that I slept with him. Over and over and over again. And it's like I'm addicted to it, I can't stop myself, Rose. It's like when I'm without him, I go insane, I've been missing him so much, needing him so much, it's like without him, I’ve lost a piece of myself. And despite knowing he's not good for me, regardless of everything he's done to me, I want him to love me, Rose. I fucking, I really, really, really want Ilya to love me."

The hallway was dead quiet.

Rose stared at him. The anger in her face had dissolved entirely, her brow furrowing in deep, absolute bewilderment.

"What?" she said.

Shane's mouth stuttered. He took a ragged breath, preparing to say more, to beg—

"Why are you just staring at me like that?" she yelled, her voice echoing violently off the walls. "You told me to give you a chance to explain, and you're just— just standing there with your mouth half open!"

Shane slammed his hand over his mouth.

His eyes went wide, the room spinning violently around him. He felt his own lips against his palm. He swore the words had come out. He had felt them tear through his throat, had felt the vibration of that hideous, pathetic truth ringing in his own chest. He had lined them all up. Where did they go? Where did they go?

The frantic scrambling of footsteps came from the kitchen. Rose sighed, an exhausted, broken exhale, and dragged a hand hard over her forehead.

"Jesus Christ," she whispered.

"What's going on? Why are you two shouting?"

Shane whipped his head around. His mother was standing at the end of the hallway, her phone suspended in midair like she had just cancelled a call, her eyes wide and her brows raised in alarm as she took in the two of them.

Rose shook her head. She turned her back to them. "Don't worry about it," she sniffed as she grabbed the door handle. "I was just leaving."

The front door slammed.

The heavy thud of it shook all the way through the floorboards and directly into Shane's bones. He was moving before he realized he was moving, lunging for the console table, grabbing his keys from the bowl, his feet slipping blindly into his shoes.

His mother stepped forward and grabbed his arm. "Shane, where are you going? Tell me what's going on—"

Shane wrenched his arm out of her grip, shaking his head frantically. "I'm going after her, leave me— don't fucking follow me!" he yelled, rushing toward the door.

He grabbed the handle, threw it open, and slammed it shut behind him. The cold air hit him like a punch to the face. He saw Rose's car speeding backward out of the driveway, the tires spitting gravel, and he scrambled to his own car. 

 


 

The car was already at the end of the street before his brain caught up to his hands.

He hadn't thought about it. He had hit the door, hit the cold, and his hands had gone for the keys the same way they went for his stick in the tunnel, and now he was doing sixty down Riverside with both hands on the wheel and his jaw clamped and Rose's taillights two blocks ahead, three, and then the light between them caught a green and she went through it and he didn't.

He sat at the red.

His hands were shaking. He could see it. He pressed them harder into the steering wheel and watched them shake anyway, the tremor running from his wrists up through the heel of his palm, and the light was taking too long, it was taking so long, and when it changed, he floored it and came around the bend onto the Queensway and saw her.

Third lane from the left. Already doing a hundred.

He got behind her and stayed there. He didn't know what he was going to say. He hadn't gotten that far. He had the car, and he had the taillights, and he had some half-formed idea about pulling up alongside her at the next light and—and what. Knocking on the window. Saying what. Rose, wait, I can explain. Explain what. What words, in what order, would make any of this into something explainable?

His phone was going on the passenger seat, vibrating itself in a determined circle against the leather. He didn't look at it.

Rose switched lanes. He switched lanes. The Queensway was thick with late afternoon traffic, the 4 o'clock sprawl, families in SUVs and transport trucks doing ninety and a pickup in the far right lane with its hazards going, and the whole thing clogging and unclogging in that rhythmic, ugly way that highways did, and for a while, he kept her. For a while, he could see the silver roof of her rented car and the back of her head through the rear windshield, just the silhouette of it, the shadow of her.

Then the road started widening toward the airport exits.

She moved right. One lane, then two.

He saw it before he processed it, and his stomach dropped the way it did when he watched a puck he’d been tracking go somewhere he couldn't reach. Airport. She was going to the airport. Of course she was. She had been visiting. She had flown in, and she was flying out, and he had— what did he think was going to happen? That she would pull over and roll down the window, and he would explain, and she would nod, and it would be okay, it would be explainable.

A transport truck pulled in between them. Then another car. Then a van with a tourist sticker across the back.

He watched the silver roof get smaller.

The airport exit signs went past overhead. He was still in the left lane. His hands stayed on the wheel, and he watched her go, watched the silver get smaller and then smaller and then vanish into the exit flow, and something in his chest didn't so much break as finish breaking, the way the last hinge goes, quietly, after the door's already been hanging.

He drove past the exit.

He didn't know why, for a second. Then the 416 junction came up, and he was going north, and the city was already starting to peel back behind him, the last of the downtown glass catching the low sun and throwing it sideways, and Shane did not turn around.

He was scrambling to grab what was slipping through his fingers.

The highway opened up, and the city started thinning behind him, the last of the Ottawa suburbs going patchy on either side, a Tim Hortons, a Costco with its lot half-empty, a church with its sign out front saying something he didn't read fast enough, and the gaps between things started filling in with trees. He had been scrambling for the pieces for a year and a half. Maybe longer. He had been pressing one shard back onto his face and knocking another loose in the doing of it, and then scrabbling for that one, and in the time he had his hands full with that one, the piece he had just reattached would crumble, fall, shatter smaller than it had been before.

And now.

He rolled the window all the way down. The air came in warm and smelling of cut grass and highway and beneath those, the first faint green suggestion of trees, of distance, of things that did not know or care about him, and he thought: now they are dust. The pieces that had been shattering for a year and a half had finally completed their shattering. They were dust, and the dust was going out the window, and he could feel it going, could feel the absence of each particle as the slipstream took it.

Shane Hollander.

Everything that everyone had thought they knew about Shane Hollander had just been proven false, all at once. Today. He was no longer—

He watched a gas station go past. A guy standing at the pump with his hand in his jacket pocket, not looking at anything.

Shane Hollander was an example.

The kids, the parents, the faces at the glass, the ones who had needed proof that the door was open, that you could stand where he stood and look the way he looked and have the NHL put your name on a jersey and sell it. This is what you can become. He had been saying that sentence for years. He had been the proof of it, walking, talking, skating, saying the right things at the podium, winning the right things, holding himself the right way, and there had been times when being someone else's proof had felt so. 

But he had held it. He had held it because no version of him could put it down and still be Shane Hollander, the thing he had spent his entire life becoming.

And now what. 

Now their parents were shaking their heads. Not even with cruelty, that was the thing, not with malice, just with the tired recognition of half-expecting this, who had wanted to believe and had been given exactly the reason they had always worried they would be given. People like him. People like him did not belong in that position. The standing he'd been given was borrowed, had always been borrowed, and look what he had done with it, look what had happened the moment you gave someone like him something to protect. He had protected nothing. He had broken things, instead.

Just another example.

He pressed his thumb into the steering wheel.

Just another piece of evidence that you can't, that the door isn't really open, that the league will take you until it has a reason not to, that the country will call you its sweetheart until you give it one reason—one—to stop. He had been the proof, and now he was the counter-argument, and every kid who got told no now had his name attached to the no, had his face, had the whole arc of him to point to as evidence of why the answer was always going to be no in the end.

Separate from Rose, from Ilya thing, from all the personal wreckage of the last thirteen months. This was bigger than him and had nothing to do with him at the same time.

He watched the suburbs finally end. The road narrowed. The shoulder went.

Shane Hollander had respect. Respect driven by character, character driven by the idea that he never fought back.

That was what people kept saying, or had kept saying. They said it like it was praise, like it was proof of character—Hollander never retaliates, Hollander plays the game, Hollander is above it—and he had let them say it, had let it accumulate into part of the image, an angel on and off the ice, focus, technical precision, the fact that there were a hundred moments over a decade where retaliation would have been justified and he had not taken a single one of them.

Because it was never about character.

It was about the fact that he could not afford what other people could. He could not afford to be difficult, could not afford to be aggressive, could not afford to give anyone anything to use against him. White players fought, and it was passion, it was competitiveness, it was loving the game. He already had to be twice as correct to be considered half as legitimate. And it had worked right up until he had attacked Scott Hunter.

He had gone across the ice, and he had brutalised him, and Hunter had gone to hospital, and Shane had stood in front of many microphones and said the partially-true version of sorry, and it had not been enough, of course it hadn’t.

Shane Hollander was a captain.

Until he left the Voyageurs.

Mutually parted ways was how his mother put it. Was removed from, was how everyone else said it. The precise language did not matter. What was true was that he was no longer a captain. Was no longer, in any meaningful sense, a hockey player, not right now, not this season, not while he was in his parents' house doing not-yoga on a cork mat and seeing his psychiatrist every two weeks and having his mother bring him food when she thought he had not eaten. 

And now this.

He exhaled. The air from the window pressed his hair flat against his forehead.

A liar. Obviously. A cheater. A sexual deviant was probably how it was being discussed on the internet right now, if the internet had the screenshots, if the screenshots were what he thought they were, if— He had been careful, or he had tried to be careful, which was not the same thing but was all he had. Ilya had a separate number. There were no saved photos that he could remember. No gendered language in most of it, he thought, he was fairly sure, though the certainty had a soft edge, the soft edge of trying to reconstruct months of communications while his heart rate sat at about a hundred and ten.

Lily. Just Lily. Which could be anyone. Which was plausible deniability, maybe. Maybe. 

What did it matter? The dust was out the window; he could not pick it back up.

Shane Hollander is dead. There was no trace of him; the wind had it.

So what was left.

He didn't know. 

His phone went off.

It had been going on and off for hours. He had stopped counting. But now it was ringing continuously, cycling through to voicemail and starting again without the pause, which meant someone was redialling the moment it cut, pressing the button over and over.

He already knew who it was.

He looked at the road instead. The trees had come in properly now, the young ones first, poplar and birch colonising the edges of the cleared land on either side, and then taller, the spruce starting, then the white pines, the old ones, their trunks wide and deeply plated, the bark in rough, overlapping slabs. The road was narrowing, the centre markings long gone, the asphalt cracked at its edges where the root growth underneath had been pushing at it for forty years. Through the trees to the right, at intervals, he caught the first glimpses of the lake, a brightness between the trunks, a flat silver flash where the light still caught the water, gone before he could hold it.

Maybe Shane Hollander had died years ago.

Maybe he had died the night he swallowed that Xanax with his eyes closed. Standing in a bathroom, no, not standing, sitting, crouched next to the sink with the tap running cold and his palms flat on the counter, and the pill already dissolving, chalky at the back of his throat, and the world going slowly, steadily softer around the edges. He had not known what it was. He had taken it because it was there, because his head had been so loud, and something was better than nothing. He had swallowed it with his eyes closed, and he had thought: okay. Okay. Just for tonight. And then he was raped. 

And maybe that was the moment. The moment when the old Shane, whatever the old one was, was killed. Was murdered in cold blood while the tap was still running. And what had gone back out there was just a continuation. Just momentum.

Or maybe he had died earlier. Maybe he had died the first time he stepped onto the ice and understood, really understood, in his body, what he had signed up to be. Understood that the thing he was skating for had a price, and the price was the inside of him, and he had paid it without negotiating because he wasn’t given much choice. 

The road curved and the trees thinned for a long moment and the lake opened up below him on the right, enormous, the whole of it visible in one unbroken sweep, and wow, the light on it right now, the sun dropping toward the treeline and turning the surface from silver to a deep, rose-gold, the far shore just a dark line of pines silhouetted against the sky, the sky above them going an orange that happened only in the forty minutes before actual dark—it was extraordinary. 

Still here, of course, he thought. The lake is still doing that.

He was on the rink. The ice stretching in every direction, flat and featureless and going on forever, and he standing in the middle of it, skates on, no puck, no net, no noise from any direction. Just the ice. He had been standing on it for years, he thought. Maybe since the night he was assaulted, maybe since birth. Waiting for something to happen, for the game to start, for the noise of the crowd to come—and nothing ever had, and nothing ever would, and he had been calling this living, but you could not really call it that. You could call it waiting. You could call it existing in the gap between things, in the suspended nothing between the whistle going and the play resuming, except the whistle had never resumed.

Not living, just waiting to die.

His phone started again.

He reached for it. His hand was steady, and he looked at the screen without lifting it all the way. Missed calls: 60. 

He thought about Ilya's face.

Sixty calls. He ran his thumb along the edge of the phone, feeling the seam of it. Sixty calls, and they were coming now, today, because something had broken in a way that was visible from the outside, and Ilya had decided that this was the moment to truly be a phone call away.

Maybe it was Ilya who had done it.

Maybe.

It would be a very Ilya thing. The Ilya of three years ago, at least. The Ilya who didn’t care what the reaction was, as long as he got one. Who thought that if he just destroyed everything around him, the real Shane would be standing there underneath it. Wake up, Shane. Grabbing him by the shoulders and shaking until the performance fell off and the real thing underneath was visible. Maybe the iCloud was that. Maybe the leak was that, the hand on the shoulder, wake up.

But Shane had hurt a lot of people.

He had hurt his whole team, really, in different ways and in the same way. He had hurt Scott Hunter, literally, with his hands. He had hurt J.J., who had been, J.J. had been kind to him, actually, through a lot of it, and Shane had—he had not been kind back, in the end. Hayden. His phone had passed through their hands. Actually, his phone had passed through so many hands in the hospital, in the early months, people helping him manage things, people he had trusted with it. Maybe the iCloud had nothing to do with the leak.

There were too many suspects, and it genuinely did not matter.

The road followed the ridge, and the lake was below him now, through the pines, flashing in and out as the trees went past. The light had dropped another ten degrees while he wasn't watching, the rose-gold going rust, the shadows between the trunks going from blue to a deep, true grey. The air through the window was cooler now, the cool that came with a large body of water nearby.

He breathed it in.

He was exhausted.

The real thing, finally. The kind he hadn't been able to feel while there was still anything left to lose, while there was still a piece of the mask he was managing, because the exhaustion had been underneath it the whole time, underneath all of it, years deep, and now that there was nothing on top of it anymore, nothing was stopping him from feeling the whole of it at once.

He was so tired.

He was so profoundly tired that he could feel it in things he didn't usually feel, in the small bones of his hands on the wheel, in the muscles along his jaw, in some place around his ribs he didn’t know could clench in the first place.

His phone was ringing, again; it must be seventy missed calls by now.

He rolled the window all the way down and held the phone out into the rush of air, into the warm smell of pine and lake water and the last of the day, and he felt the wind drag at it, and he opened his fingers.

He heard it hit the road behind him, swallowed by the trees, gone with the dust.

The driveway entrance came up through the pines at the bottom of the curve, and he turned in. The gravel started under the tires with its settling crunch, the sound that had meant home since he bought it, and the pines on either side were so old and large, their crowns meeting overhead.

The cottage sat low and long against the darkening water— with its wood and glass, the cedar deck extending toward the lake on its posts, the floor-to-ceiling windows with the whole of the lake visible through them, everything the glass caught and held from the last of the sky. 

He pulled up and cut the engine.

He did not know how long he had sat in the car. Long enough that the last of the light went from the sky behind the treeline, and the lake went from grey to a deep, flat black, and the first few stars appeared at the top of the windshield, very far away, very clear. He looked at them without meaning to. 

He got out.

The gravel was cold through his shoes, and the air was full of the lake, the smell, the cold, the close, continuous presence of all that water sitting dark and silent thirty metres away, and he stood next to the car with his keys in his hand and felt the tiredness in the heavy reluctance of his own limbs.

He walked to the door. He turned the key.

He thought, I want to sleep for two days.

He thought, I think I'm going to.

He went inside. He let the door shut behind him.

 


 

"How long has it been now?"

Svetlana yawns through the speaker, the sound crackling and distant, barely audible over the wind screaming through the open windows of the Porsche. His foot stayed flat on the gas. The road was a dark channel through darker trees, the headlights throwing just enough light ahead to be useful and not enough to feel safe, the asphalt coming at him in a continuous rush, the white centre line strobing underneath.

"I don't know," he said. "Six hours. I'm close, I think."

He glanced at himself in the rearview mirror. His brows were pulled down so deeply that they cast a shadow over his eyes, the skin between them folded into two hard vertical lines. The bags beneath his eyes were dark. He had not slept since the first unanswered call. He was not going to sleep until he heard Shane say his name.

"How can you be close? How far away is this place? You should have just gone to Ottawa. It would have been faster."

"How can I go to Ottawa when he is not in fucking Ottawa, Svetlana?" He hisses; he feels his jaw go tighter. "Sorry. I'm sorry."

There is a long sigh on her end, crackling through the bad signal. Outside, the trees were big, old-growth pines, the trunks going wide and pale in the sweep of the headlights before the dark swallowed them again, their crowns invisible against the sky. The road had been narrowing for twenty minutes. No shoulder. No other cars. Just the trees pressing in from both sides and the GPS counting down and his hands on the wheel at ten and two, the leather creased into his palms.

"I know," Svetlana said. "But I'm just— and what if his phone location is wrong? How are you to know the cabin is even here?"

"He comes here every summer. His location was speeding here before, I was chasing it until it just—cut off." He said it quietly. The speedometer sat at a hundred and seventy. "And out here, it looks just like that fucking documentary he did."

Svetlana laughed, just barely, and he could hear the fear threaded through it. "Okay, Ilya." Another breath. "I'm exhausted. I have work tomorrow. But," She pauses. "Good luck. Text me when you arrive."

"Right. Goodbye."

The call cut, and the car filled back up with wind.

 


 

He had given up on sleep sometime around three.

He had to honestly acknowledge that his body was not going to do it, that whatever was responsible had looked at the state of things and declined, and continuing to lie in the dark bedroom with his eyes on the ceiling. It was not rest, and Shane was so tired, so he had gotten the blanket off the bed, and he had come out here instead.

He was sitting with his back against the glass door, had been for a while, with the blanket pulled up to his shoulders, his legs stretched out in front of him. The cedar was cold through his socks. The lake was in front of him, thirty metres away and very still, and the sky settled into the last hour before dawn—not lightening, not yet, but losing some of its darkness, the absolute black of two in the morning giving way to something slightly more permeable. Like the dark knew it was temporary and had stopped committing to it fully.

The moon was low. It sat just above the treeline on the far shore, going yellow-white as it dropped, and the light it threw across the lake was thin and long, a shuddering strip running from the far shore almost to the near one, broken only where the surface moved. 

What would it be, he thought, to be the moon.

Always that far. Always in the dark, the sky holding it at exactly the distance required to protect it from any contact, the light going out from it in every direction and touching everything except the thing that made it, and then the sun would come, and it would go, swallowed up into the blue, invisible. There for no one. 

He watched the light on the water.

The wind was moving across it; he could see it, the surface of the lake going slightly different shades as the gusts passed through, a darker shadow on the water where the wind pressed down, the lighter places where it lifted away. It moved the way nothing he knew moved. Without hesitation and without destination, just flowing, going wherever the pressure differential asked it to go, through the open space above the water, through the gaps in the trees, unheld and completely indifferent to the distinction between here and there. Not good. Not bad. Just the movement itself, perpetual and purposeless and entirely at ease with both.

Beneath it, the water.

He watched it for a long time. The way it moved, not with the wind, not against it, but in its own slower rhythm, a long, low swaying, back and forth, back and forth, like something breathing in its sleep. There was a sound.  Just barely a sound, the lake too calm tonight for anything loud, just the faintest lap of water against the dock posts, a soft knocking, irregular but patterned, the way a heartbeat was sometimes irregular but patterned. Like a melody written for an instrument that only played one note, finding its melody in the space between the notes instead.

Shane closed his eyes.

He listened for it. Underneath the whistle of the wind through the pines overhead, underneath the knock of the water, underneath all of it, the private inward music of the lake. He thought he could almost hear it. He hummed, very quietly, not a tune, just a low sound at the back of his throat, trying to match whatever it was.

What would it feel like.

To be that. To be away from all of it and one with all of it simultaneously, the way water was, to have your edges dissolve into the edges of everything around you, to have no version of yourself that was performing, to have no version of yourself at all, just moving. Just slowly swaying.  The lake did not know it was beautiful. The lake did not know it was being watched. The lake was not waiting for anything.

He is sure it is peaceful.

He was sure the water was at an eternal rest.

The blanket slipped off one shoulder, and he let it go. He felt the cold on his arm, on the side of his neck, the night air coming in against his skin. He did not pull it back. He sat for another moment with his eyes closed, and his face turned toward the singing of the lake, and he felt the exhaustion in him.

He was so tired.

He was so tired of carrying it. The burden of this body, a corpse that had been walking around insisting it was alive, that had been putting one foot in front of the other, dragging everything that came with it. He rose slowly, the way you move in water. His eyes stayed closed. His eyelashes brushed his cheeks, and he left them there. He knew this deck by feet alone. 

He walked.

Down the steps to the dock with his hand not finding the railing, not needing it. The dock boards were different under his feet, slightly damp from the night air, and he walked down the length of it with his eyes closed and the sound of the water as his guide.

Shane stopped when his toes found the edge.

He stood there. The wind came off the lake and pressed against him, against his chest, his throat, his closed eyelids. The water was very close. He could hear it directly below him now.

Shane Hollander is dead.

He breathed in. The air tasted like the lake, mineral and cold and clean, the smell of deep water and the rock beneath it and the pines on every shore. He breathed it in until his lungs were full and his chest had expanded as far as it would go, and he held it there.

And Shane wants to join him.

 


 

He slowed as the driveway gravel started under the tires, and flinched at the crack of something beneath them, but kept going. Through the wall of glass at the front of the house, the lake was visible beyond, and the horizon line gone pale gold where the sun was pushing up behind the treeline, the dark overhead still holding but losing its conviction.

He parked next to Shane's car and was out before the engine had fully cut.

The driver's door was hanging wide open.

He stood and looked at it. Both hands came up and gripped the frame, his knuckles going white, and he looked inside the seat, empty, of course—and the nausea came up so fast that he had to grip the door frame harder to keep his legs under him.

He could run.

Down the driveway, back to the road, as far as his legs would carry him, away from the open door and the empty seat and whatever was inside the house, he could run; he had run before, he was good at it. 

I do not want to know.

But you must.

He let go of the door and ran toward the house.

The front door was already halfway open, just like the car. He shoved through it and into the dark, the house barely lit, just the thin grey coming through the floor-to-ceiling glass, and went past the kitchen without stopping, into the living room.

Empty.

He stood in it for one second. A blanket was folded across the arm of the sofa. The cushions undisturbed, the pillows plump and untouched, the whole room clean as if Shane had never arrived. As if he had driven nine hours through the dark to an empty house.

He turned back into the hallway.

The first door was open. He went through it.

The bed was destroyed, the duvet gone, pillows scattered across the floor, the sheet pulled half off its corner. "Nyet, nyet, pozhaluysta, nyet—" 

No, no, please, no.

He was already saying it, under his breath, as he crossed to the ensuite in two steps and hit the door open, and it swung back onto empty tile.

The relief hit him hard, and Ilya stumbled backward. His hands went out behind him and caught the window. The glass was cold under his palms. He turned to steady himself and looked out through it without meaning to.

There, spread across the deck outside, white against the grey wood, draped in a wide, open sweep like something that had fallen from a great height and landed softly. The duvet. Both arms of it extended out across the boards, the fabric catching the pre-dawn light, so still, so white, so exactly like the melted wings of a fallen angel.

Ilya fumbled into the kitchen. He hit the glass door handle, found it locked, lurched to the next one, and this one gave, and he shoved through it and onto the deck. The cold air came in hard off the lake. "Shane." He took the stairs to the dock at a run, and he was at the edge before he'd finished the word, hands going to his knees, eyes scanning the water.

The lake was still. Almost completely still, the surface was a flat, pale grey in the last of the dark, barely moving, giving nothing back.

"Shane." It broke open this time. The sound of it went out across the water and came back off the far shore, thinner, and he kept scanning: through the dock shadow, the open water beyond, the place where the grey surface met the grey sky, and there was nothing, there was nothing, and his hands were shaking hard enough now that he could see it.

"Please." He was talking to the water; he was talking to the air above it. "Please. Anything. Show me anything."

And the sun came.

It peaked over the lake, all golden and burning, waves of curls falling across it, eyes so big and blue, and it looked at him, and he looked back at it, and for one second his own pained expression stared back at him in the reflection it threw across the water, bright as a mirror. Then the expression shifted. Then it shifted again, in the same place, just beneath the surface, just where the light drove through, then again.

"Bozhe moi."

He stepped back and dived.

The cold hit him like a wall.

May in Muskoka, and the lake still held the memory of the ice it had shed weeks ago, and the cold drove through his clothes in the first second and kept going, going all the way in, feeling it in his chest and his lungs and his hands as he went under and kicked, driving himself down through the dark.

Below the surface, there was nothing. Just the enormous dark of the lake, the water going green-black as the light failed with depth, the silence of it pressing in from every direction. He opened his eyes and saw only murk, only the vague direction of up where the surface was turning gold.

Except for one place.

Where the sun drove through.

A single shaft of light, coming down through the surface at an angle, and through it, falling slowly, turning slightly as it went, was Shane.

His short hair drifted above him like something dissolving. His arms were slightly out from his sides, as if he had let go of everything and found it easy to do. His face tipped back toward the light coming down to meet him, his eyes closed, and he was sinking through that column of light, and the light was moving across his face as he turned.

Ilya kicked.

His lungs were already burning, no time, not enough breath, his clothes dragging, and Shane was still going down, the gold sliding across the pale of his throat, kissing the soft furl of his lashes against his cheek.

Ilya’s fingers found fabric, then a wrist, then the unresisting weight of him.

He pulled.

But Shane was a deadweight. There was no cooperation, no instinct to rise, and Ilya got his arm around Shane's chest from behind and kicked, everything he had, the surface still impossibly far above, and his vision beginning to go dark at the edges and the cold having made something numb in his hands that he needed to not be numb.

They broke the surface together.

The air tore into him. One raw, gasping breath and he had his arm under Shane's chin and was kicking for the dock, three metres, two, hit it with his free hand and got his elbow over and heaved, pushing from below, Shane's upper body coming up and over the edge first, and then Ilya was up and his knees cracked against the wet boards and he didn't feel it.

He turned Shane onto his back.

"Shane." Two fingers to his neck. "Shane."

Nothing. His chest was completely still. His face slack, water running from his hair across the dock boards in thin dark lines.

He tipped his head back. Sealed his mouth over his and pushed two slow breaths in, felt the chest rise, felt it fall, got his hands to Shane's chest and pressed down against his heart. The heel of his palm driving in with his whole weight behind it, counting in Russian in the back of his head without knowing he was doing it, raz, dva, tri, chetyre—

"Pozhaluysta." Down. Again. Again. The tears were falling and landing on Shane's chest, and he did not stop to wipe them. "Pozhaluysta, Shane, ya tebya proshu—" He broke off.  I beg of you. Two more breaths. Then back to compressions, the force of them rocking Shane's whole body, the dock boards hard under his knees, and Ilya's voice completely gone now, scraped down to almost nothing.

"Please." His forehead dropped for one second to Shane's sternum, one second, his hands still pressing, still counting. "Please. I beg of you, my baby, please—"

He lifted his head, tipped Shane's back again, and put his mouth over his.

Breathed.

And underneath his palm—underneath the heel of his hand pressed flat to the centre of Shane's chest—

A cough.

Shane's whole body convulsed forward, curling in on itself, and the water came, and then the gasping, desperate, retching, his lungs dragging air in like they were relearning it— and Shane's hands came up and grabbed at the dock boards, at nothing, at Ilya's sleeve, and Ilya caught both of them and pulled Shane up against his chest and locked his arms around him and held him there.

Both of them were soaked. Both of them were shaking so hard with the cold and the shock and something older than either.

"Ya zdes." Ilya's mouth was pressed into Shane's wet hair. His arms were locked around him, one hand flat against the back of his head. Shane was still coughing, still retching up water, his whole body shaking through it, and Ilya held on through all of it and did not move, did not loosen, did not let go of a single inch. "Ya zdes. Ya nikuda ne ukhozhu."

I'm here. I'm not going anywhere.

The sun was rising fully now. It sat above the treeline and threw its gold across the whole of the lake and across the dock and across the two of them on it, and she was smiling. 

 


 

Shane shifted in his arms.

Hard, a violent twist, the kind that had nothing to do with weakness, his whole frame suddenly fighting the grip, and Ilya tightened instinctively.

Ilya pulled back just enough to see his face.

Shane's brows were pulled so tight together they had gone white at the skin between them, the fury of it casting a shadow down over his eyes. His bangs were plastered flat across his forehead, water running from them in thin lines down his face, down the freckles on his nose, his cheeks, mixing with the tracks already there, the ones that were not lake water. His nose and cheeks were flushed deep from the cold, a hectic, splotchy red, and his jaw was rigid, lips parted, chest still shuddering with the effort of breathing.

"Don't try to speak, Shane—" Ilya started, and then something hit his cheek.

He stopped. His hand came up to press his fingers to his face, pulled them away, and looked at them, then looked at Shane.

"Did you spit on me." He said, not a question. "Why did you do that?"

"Why do you think?" Shane hissed, or tried to hiss; it came out more like a pant, his voice still wrecked, barely there, "How did you even know I was here?"

Ilya opened his mouth.

Shane shook his head, the movement sharp, droplets scattering off his wet hair. "Don't answer that." He successfully hissed this time, "Why did you do this?"

"Do what?"

Shane tried to pull away again, and Ilya held on. Shane's hands pressed flat against his chest, pushing, and Ilya simply kept his arms where they were and waited, and after a moment, the pushing stopped.

"Oh," Ilya said softly. "I could not let you die, Shane. I will never let you."

"And why not?" It came out as a whisper. Shane had stopped fighting. He was just breathing now, and he was looking at Ilya no longer with anger but with exhaustion. He sniffed hard, and his jaw tightened.

"All I want is peace." His voice cracked on the last word, and he pressed through it. "I finally have peace. And you won't even let me keep that." He shook his head slightly, his eyes not leaving Ilya's face. "I don't understand you. You finally— why won't you just leave me alone? Why do you torture me, constantly, even when you aren't—"

He stopped himself.

Ilya stayed quiet. He watched Shane's face, the scrunch of his nose, the way his brows drew together, the slight tremor in his chin that he was fighting down, and then Shane's eyes lit up. Just for a second. Just barely. Dark brown going amber from the sun, going alive, like light through the canopy of a deep forest. Something sparkling at the back of them that had not been there before.

Ilya looked at it and wondered what it was.

"You were right." Shane squeezed his eyes shut. He is very wicked sometimes, for flashing those beautiful things and then hiding them. "Fuck." His chin dropped. "Behind the pretending, I am worthless. And now everyone has left me. I have run away from everything and everyone until it's stopped chasing me." He exhaled. "I have nothing. No one wants me. No one needs me." He swallows, casts his eyes down. "I am nothing now. So let me die in peace.”

"Sh."

Ilya brought his hand up and pushed Shane's wet bangs back from his forehead, clearing them back from his face, from those freckles, from the tear tracks still running over them, and held it there, his palm resting lightly against Shane's skull.

"No, Shane," he said, very quietly. "You do have someone."

Shane opened his eyes wide. The dark brown irises caught the light again, and there it was, that sparkle, sitting right at the back of them, unmistakable now that it was there to be found.

Hope. That was what it was. That was what made them do that. 

Oh dear.

Shane spat on him again. Ilya didn't flinch. Shane's eyes narrowed at this, a flash of frustration crossing his face at the non-reaction. "No," Shane said. "Fuck you. I don't. Don't say that."

"Hollander." He whispered. The same name, he had said it a hundred times, in a hundred different tones, sharp, cold, commanding, furious, aroused, but not like this. 

"No." Shane shook his head, left, right, left. "No." He tried to turn back into Ilya's chest, tried to hide his face in it, and Ilya held him steady, kept him where he was, kept him facing him.

"Yes."

"No."

"Yes, Shane."

"No, please—" He whined, a genuine one, something that bypassed every defense he had left and came out small and child-like. "Stop it, please—"

"Yes."

"Don't—" Shane gasped. "Don't fucking— don't say it. Don't say that." His hands came up and gripped the front of Ilya's soaked shirt. "You hate me. You hate me. You are the first person who saw how disgusting I am, you saw it, and you hate me for it, that's why—"

He was trying to burrow in. Trying to press his face into Ilya's chest and disappear into it, and Ilya let him get close, let him almost manage it, and then brought both hands up to cup Shane's face and held it, gently. Shane's cheeks were cold and wet under his palms. He squeezed, just slightly, just enough, and ran both his thumbs slowly beneath Shane's eyes, sweeping the water there away.

"No, Shane." He waited until Shane's eyes opened and found his. "I don't hate you." His thumb moved again. "I could never hate you."

He looked at Shane's face; he took his time looking at it.

"I love you," he said.

Shane whimpered. Ilya could feel it, the sound moving through Shane's whole frame, and then Shane's hands pressed hard against his chest and shoved, and this time Ilya let him go.

Shane pushed himself upright on the dock, legs unsteady underneath him, one hand going to his own knee to get there— and then he was up, and he was moving, across the dock and up the steps and across the deck in his wet socks, and then the glass door was sliding half shut behind him, and he was gone, into the dark of the house.

Ilya exhaled slowly.

He pressed his hands flat on the dock boards and pushed himself to his feet, feeling the wet of his clothes against his skin. He stood up straight. He looked at the kitchen door; of course, it was left open a crack. 

He dusted his hands together, once.

I guess I am chasing again.

He started walking.

But this time, he thought, crossing the deck, I know I can catch him.

 

Notes:

Bozhe moi: my God
Pozhaluysta: please

did i not say we were touching tips with the climax? well. here we are.
this time, shane did the chasing for quite a bit, yes? we have his downfall, but we didn't really get to experience the thick of it. i could have written the inpatient, the therapy sessions, all of that. but it wasn't really the point. he was still falling, maybe drifting as he described it, but still falling. i also think the quieter parts of recovery are often forsaken for the sake of these large dramatic moments. but what about the in-between? the stuff between being really sick and being okay, because it is never just a sudden switch.

i also really wanted to write shane interacting with his parents at this point. it's a very frustrating thing, to be this exhausted, this overwhelmed. with autism, interaction can be so overstimulating as it is, and then people expect you to communicate in a specific way, to tell them exactly what they need to hear, whilst you are at your absolute worst.

ah, i have so much to say. but no more character analysis. kekekekeke.
who leaked the photos? in the twitter poll, 44% of you voted for ilya. let's see if any of your opinions change.

a few things i want to point out, because the overarching narrative is very distracting and i don't want you to miss them like in previous chps:
— the sun depicted as ilya's mother, as it was during his conversation with scott hunter
— the mirror motif appearing again, but this time... different
— ilya mentioned something about begging in a previous chapter, yes?
— ilya describing shane's blanket as wings. shane falling into the sea. who remembers this reference from earlier in the fic?

i feel like a fool pointing things out. i hate when writers treat their readers like idiots, and you are all very smart. but consider this a nudge,

Chapter 17: Lily?

Notes:

vignettes from the cottage. comfort for the hurt. 5 am update, of course.

song recommendation is Master of None by Beach House

(See the end of the chapter for more notes.)

Chapter Text

The water was still running down his face when he hit the kitchen.

He stood in the middle of it and breathed. Just breathed, his chest working too hard, his hands hanging at his sides, the wet of his clothes pressing cold into his skin from every direction. The kitchen was quiet, the whole house was quiet. Through the glass the lake sat gold in the early morning, and he couldn’t look at it.

Being pulled from the water had been— he pressed the heels of both hands against his eyes.

He had been so far down. Not just in the lake, before that, for months, years, going deeper and deeper into somewhere quiet and dark and entirely his own, where nothing could follow, where he could finally, finally stop moving. And then Ilya's arm came around his chest, hauling him back up through all of it, dragging him through the cold and the dark, back to the surface, back to the air, back to feeling, everything. All at once. His body could not process it.

He pressed harder into his eyes until he saw colour, red and gold, breathing through his nose until the shaking in his legs slowed down to something manageable.

I love you.

Shane shook his head at the kitchen.

How. How. After everything, after years of this, after every single thing that had happened between them and every single thing that had been done, how was he supposed to hear that and believe it? What kind of idiot would he have to be, what kind of spectacular, catastrophic, unlearning idiot. To hear those three words come out of Ilya Rozanov's mouth and just open his hands. Just let it in. After all of it. Vegas, Sochi, Boston. After every single carefully constructed cruelty, every manipulation, every moment where Ilya had held something against him and pressed until Shane bent around it.

But that look on his face.

Shane's jaw clenched.

He did not want to think about that look. The way Ilya's eyes had gone when Shane opened his, so wide, like the sight of him was something that happened to Ilya. As if saving Shane had been the same as saving himself. As if his heart had been thrown into the lake first and he'd only jumped in after it. What kind of person throws themselves into Lake Muskoka in the middle of May?

A crazy person, Shane thought. A reckless person.

A person in love, said something else.

He raised his head.

The glass door slid shut behind Ilya.

He was standing in the kitchen doorway, backlit by the full gold of the risen sun, and he was completely soaked through—the dark cotton of his long-sleeve shirt plastered to every line of him, his biceps, the flat planes of his chest, his abdomen rising and falling with his breathing. His hair was dripping down his face and he pushed it back with his fingers, and the veins along his forearm stood stark where his sleeve had been pushed up, and Shane swallowed.

"You are running again," Ilya said, between pants.

Shane backed up until his shoulders hit the glass, the cool surface pressing in through his wet shirt. "Don't say that as if I'm not justified." He could hear his own voice, clipped and hoarse. "You think that— I don't know what you think this is. But just because you say that you—" He closed his eyes, opened them, "—love me. It doesn't mean I'm going to fall to my knees and just believe you. Do you think I'm fucking stupid?"

Ilya shook his head. "You do not trust me."

"No." Shane scowled at him. "No. I don't—"

He flinched as Ilya took a step forward.

"Stay there." He pointed, and hated how his hand wasn't quite steady. "Did I say you could move?"

Ilya stilled.

Shane sniffed hard and kept his eyes on him. "For all I know, you hacked into my iCloud. You leaked the texts. And now you're here, doing one of your—" He set his jaw— "psychopathic little manipulation tactics." He could hear the grind of his own teeth. "You think I don't know your plans."

Ilya's mouth pulled into a small, considered moue. He tilted his head slightly, as if to say I am taking this seriously, even though part of me finds it slightly absurd. "Okay, yes," he said, "I can also see why you would think this." He nods. "But why would I need to hack your phone to leak our texts?"

He said it like it was the most obvious thing in the world.

"I already have them on my phone, so."

Shane's jaw tightened. He could feel his own face doing something sulky and childish, and he could not stop it. The expression sitting on him despite itself, this scowl that was trying to be menacing and not quite managing it. "Then say it." He pressed his shoulders harder into the glass. "Say you didn't do it."

Ilya tucked his hands behind his back. He looked up at Shane and tried to find his eyes. In the light coming through the glass, his eyes were the colour of ice over still water. "I would not do that to you, Shane."

"No." Shane shook his head. "Fuck. I don't believe you. Promise. Promise me."

Ilya smiled, just slightly, a soft thing, his eyebrows curving in. "I promise," he said. "I would not do that to you."

Shane's eyes dropped to Ilya's hands, tucked behind him. He squinted and jerked his chin. "What are you doing?" His voice sharpened. "What are you hiding behind you?"

"What?" Ilya said softly.

"You're— show me your hands."

"You think I have a knife or something?"

"Yes. Maybe." Shane ran his tongue along his bottom lip. "I don't know."

"Where would I have gotten a knife between now and—"

"Then show me," Shane said, harshly.

Ilya's eyebrows rose slightly. He turned toward the counter, and Shane tracked him with his eyes, watching him shove his hand into his back pocket and upend it. His wallet landed on the marble, alongside a pack of cigarettes, a lighter, his keys, and a handful of loose change that scattered and settled into the silence.

Shane looked at it all. Then he looked at Ilya's hands, open and empty on the counter. He felt slightly stupid. Or maybe he had never been afraid of a knife at all; possibly he had just wanted to see how far Ilya would go before he stopped.

Maybe, he wanted to see the extent of what Ilya would do to prove his love for him.

"I am sorry," Ilya said to the counter. The loose change clinked as he set the last of it down.

Shane's throat moved as he gulped. "So you admit it was you."

Ilya turned around, settling back against the counter. He looked up at Shane through raised brows, his chin slightly dipped, his expression entirely calm. "You think the texts is the only thing there is for me to apologise about?"

Shane held his gaze. "No."

"So." Ilya pushed off the counter and took a step toward him. "I am sorry."

Shane pressed his back flush against the glass. "For what."

Ilya stopped directly in front of him.

This close, Shane had to crane his neck to look down at him. He was shivering, the cold of the wet clothes and cool glass on his back, his body slowly running out of adrenaline. Ilya was radiating heat in front of him. His body had always run hot, and the contrast was almost unbearable. Shane looked down at him through slightly lidded eyes and waited. Ilya’s gaze moved over him. Down his throat, his arms, his chest, and then down further, burning against Shane's cold skin everywhere it landed.

Then, Ilya reached out and took Shane's left hand, very gently, his fingers wrapping around Shane's wrist, lifting it, turning it palm up. He brought it to his mouth.

"I am sorry," he said, his voice barely above a whisper, his stubble and his breath warm against Shane's wrist, "for what I did in Vegas. For not listening when you said no." His lips moved against the thin skin there. "For forcing you."

He looked up at Shane from under his lashes and kissed the back of his hand.

Shane's whole body shuddered.

"I am sorry for the Xanax." Another kiss, pressed to the inside of his wrist. "I am sorry you had to find out the way you did." He dragged his tongue along his arm towards the crook of Shane's elbow, following the tendon, and Shane's breath left him entirely. "I am sorry for letting you drink so much."

He continued his tongue down to the soft skin inside the elbow and pressed it there, and Shane groaned, his free hand slapping flat against the window glass, fingers splaying for purchase that wasn't there. He could feel Ilya smile against his skin.

"What else?" Shane heard himself whisper.

Ilya laced his fingers through Shane's other hand and brought the knuckle to his lips. "I am sorry for lying to you." A kiss, pressed to the knuckle. "I am sorry that I didn't chase after you." He unclasped their hands and spread Shane's fingers wide, splaying them open. "I am sorry that it took me so long to come find you."

He slipped his tongue slowly through the gap between Shane's fingers.

Shane's head went back and cracked against the window, and he didn't feel it, his eyes squeezing shut, a wince going all the way through him.

Ilya stretched Shane's arm out in front of him and pressed his face against it, nuzzling in, and began moving his mouth along the length in slow, open kisses. "I am sorry I pretended I wasn't scared, too." Kiss. "I am sorry for being a coward." Kiss. "I am sorry for ever ignoring you." Kiss. "I am sorry for pretending I didn't care." He paused, his mouth resting against Shane's shoulder, the top of his head just brushing the crook of his neck. "I am sorry that I ever made you feel not safe."

Then he raised his head. 

Their faces were so close. The light flooding in through the glass behind Shane lit Ilya from the front, his wet hair, the line of his jaw, his eyes were wide, the pupils blown dark despite the brightness of the sun, tracking over Shane's face like he was still checking, second by second, to make sure he was actually breathing.

"I am sorry," Ilya breathed, "that I ever made you feel worthless."

He leaned forward.

Shane pressed his palm over Ilya's mouth, covering Ilya's lips, blocking the kiss. He shook his head once, very slightly. "No," he whispered. "More." He felt Ilya smile against his palm, felt his lips curve slowly into it. And Ilya kissed his palm too, his eyes going soft and dark.

Ilya dipped his head. His mouth found Shane's neck, and he kissed it, then dragged his tongue along the line of it to Shane's throat, to his Adam's apple, closed his lips around it and sucked.  Shane gasped, his hips jerked up hard against Ilya's body.

"I am sorry," Ilya murmured against his throat, "that I wasn't there when you needed me." He kissed lower, through the wet fabric of Shane's shirt, pressing his lips to his chest. Then several quick kisses, moving lower, down through the fabric. "I am sorry that I let anyone hurt you."

Shane watched him go down, his hand still fisted in Ilya's wet curls, without remembering, reaching for them.

"I am sorry for using anything against you." Ilya's mouth moved against Shane's stomach through the shirt. "I am sorry they can't see how perfect you are." Lower. "I am sorry you ever felt like you had to pretend. With anyone." His lips pressed softly against the fabric over Shane's ribs. "But especially with me."

He paused when he reached Shane's abdomen to press his nose against his navel through the wet cotton and nuzzled there, and Shane's stomach tensed, his hand tightening in Ilya's hair.

"I am sorry for every drunk text." Ilya's voice was muffled against his skin. "I am sorry I said you were nothing." His mouth moved lower. "I am sorry I said it twice." Lower. "I am sorry that you ever had to cry over me. I am sorry that you ever felt anything other than beautiful—"

He slipped his tongue into Shane's navel.

Shane yanked his hair hard with both hands, fisting in the wet curls, dragging Ilya's head back. Ilya's mouth fell open, a low groan tearing out of him as his head was wrenched back, his eyes flicking up to find Shane's face.

He was on his knees. His shirt was soaked through, plastered to his chest. His hair still dripping and tossed by Shane's hands. His eyes were swimming in the sun pouring through the glass, looking up at Shane with reverence, like being on his knees in front of him was not a concession but a choice, freely made and meant.

Shane shuddered. 

He pushed Ilya's head down.

Forced it against the front of his sweatpants, against where he was already painfully hard. Ilya's face pressed into him, and he nuzzled, willingly, and Shane's knees almost went.

"I am sorry," Ilya mumbled against him, his breath warm even through the fabric, "for telling you." He mouthed along the length of Shane’s cock. "Instead of showing you." He looked up, his chin pressed against Shane, his eyes dark. "Let me show you how sorry I am."

He yanked Shane's sweatpants and boxers down in one move.

The waistband cleared his hips, and Shane's cock swung up and caught Ilya across the cheek with an obscene squeal, and Ilya made a low grunt of pure pleasure, tilting his head. Before Shane had processed any of it, Ilya had his lips wrapped around the tip, and his tongue was curling around his slit.

"Ahh— holy shit—"

Shane's spare hand scratched against the glass, and his whole body bowed forward, his hips stuttering toward the warmth of Ilya's mouth. It had been so long. It had been so long since anyone had touched him, let alone this, let alone Ilya, who knew his body the way you knew your own heartbeat, without having to think about it, knew it in the dark, knew exactly what it needed before it knew itself.

Ilya groaned around him and hollowed his cheeks as he sank down, swallowing him further, and the vibration from Ilya's groan traveled all the way up Shane's spine and detonated somewhere at the base of his skull.

"Oh my God, Ilya, oh my, my—"

His whole body shuddered. His hips were moving, he couldn't stop them, small helpless stutters into Ilya's mouth, and Ilya was taking it, letting him, his hands not on Shane at all, just on his own thighs, just kneeling there and letting Shane fall apart against his face.

He was going to come.

In a few seconds, Shane was going to come, and this was not— he was not ready for this to be over, he was not ready to give Ilya this yet, he had not decided to give Ilya anything yet—

He grabbed him with both hands and shoved as hard as he could.

Ilya grunted and went back hard, his hand shooting out to catch himself, his palm cracking against the kitchen floor, his other hand flying up to press against his forehead where it had knocked back. He sat there for a second, blinking, his hair destroyed, his mouth still wet and shiny with spit, his expression going through several rapid recalibrations.

Shane used the second.

He stepped sideways out of his sweatpants and boxers, where they'd pooled at his feet, and kicked them aside and took three quick steps backward towards the kitchen island. His cock was hard against his wet shirt, leaving a damp streak against the fabric. He was panting. He could feel it, the way his chest was moving, and he kept his eyes on Ilya.

Ilya looked up at him from the floor. He wiped the back of his hand across his nose and slowly pushed himself upright. The wide, wet devotion bled out of his eyes as he stood. His eyelids dropped a fraction, the pupils contracting in the light, flattening the wide ice blue into a dark, opaque olive. He locked onto Shane with a heavy, unblinking focus, tracking his backward steps with absolute calculation. "Shane." His voice deepened. "Come."

Shane's cock twitched against his shirt.

He shook his head.

Ilya's gaze dropped down, then flicked back up towards Shane’s face. "Ah. So it is like that." He reached down and pulled his sneakers off, one and then the other, setting them aside in one movement. He leaned back and then burst into a sprint. 

Shane was already going. He got to the other side of the island first, just barely, his socks sliding on the marble as he came around the far end. He grabbed the counter with both hands and dropped with his weight forward, knees bent—something that would have looked, to anyone watching, extremely close to a dog’s play bow—and stared Ilya down across the width of the island.

"I'm not letting you touch me," Shane said.

Ilya’s hands came to rest on the counter on the opposite side, mirroring him, his head tilting slightly. "You know I am going to catch you anyway." He tapped two fingers against the marble, patient. "But if you make me run," he scoffed. "Shane. You will not like it."

The arousal hit Shane so hard and so fast that his hands had to grip the counter to keep his knees from buckling. He ran his tongue along his bottom lip. "I'm hearing a lot of fucking talk," he started, "with nothing to show—"

Ilya vaulted the counter.

Shane's words became a yelp. He spun and ran, two, three steps, his socks skidding, but Ilya was already there, his arms coming around Shane from behind, and Shane felt himself leave the floor.

He elbowed back, hard, catching Ilya in the ribs, and Ilya grunted, his grip shifting. Shane felt the loosening and ducked, sliding out from under him and getting two full steps across the kitchen floor before Ilya grabbed him again. He used the momentum of Shane's own movement, spinning him, and Shane had one second of feeling completely weightless before his back hit the dark marble of the kitchen island.

Shane's wrists hit the cold marble first, then his shoulders, then the whole length of his back, the chill of the stone going through his ruined, wet shirt. Ilya's forearm came down hard across his hips, pinning them flat, and Shane twisted instinctively, but the motion just brought his cock dragging against the inside of Ilya's forearm, he bit down on the sound it pulled out of him.

"Stop fighting me," Ilya said quietly. 

Shane shook his head and kept twisting, his fingers scrabbling for the edge of the counter, and Ilya just leaned into the forearm across his hips and waited, letting Shane exhaust the motion against his own weight. Shane felt his cock brush the inside of Ilya's elbow again, and his hips stuttered upward before he could stop them.

"Get off—" he hissed.

Ilya's free hand found the hem of Shane's shirt.

"I said—" Shane's voice went up slightly. "Get off me. Stop." He closed his eyes, let his hands fall to either side of him on the counter.

Ilya peeled the shirt up slowly, exposing his stomach, his ribs, the trail of sparse, dark hair below his navel. The kitchen air was cold against his wet skin.

"Raise your hands, baby," Ilya said, his nose brushing against the curve of Shane's neck, his breath warm there.

Shane shook his head. He pressed the flat of his palm weakly against Ilya's chest. "Fuck you." And he felt Ilya pause, so he cracked one eye open.

Ilya was watching him, reading him, not the surface but the thing below, that thing Shane spent most of his life making sure no one could access. Then Ilya inhaled slowly and pulled back,  his forearm stayed heavy across Shane's hipbones as he turned his head.

Shane's gaze followed Ilya's hands.

To the knife block.

"No—" Shane's voice cracked on it. He shook his head against the counter, pulling his chin down. "No, stop it, don't— don't hurt me—"

"But you don't want to play nice.”

Ilya settled back between Shane's spread thighs with the filleting knife in his hand. The blade was thin and bright, barely two fingers wide, it caught the light coming through the glass and threw it in a long, cold stripe across the ceiling. At this angle, looking up at him, Ilya's face was half in shadow, the sharp line of his brow cutting dark across his eyes, hiding them completely. The water was still dripping from his jaw onto Shane's chest in cold points. He looked huge. He looked like someone that could really, really hurt him.

Shane looked down at his own cock. It was so hard it had gone a deep, angry, red. Curved up against his stomach, a bead of precome sitting at the tip.

"So, I am going to have to take what I want, yes?" Ilya's voice dropped lower. "Take what belongs to me." He ground the denim of his jeans, still entirely dressed, while Shane laid there with nothing below the waist, slowly against Shane's hole, the friction of the rough fabric against him made Shane groan.

"No—no, I—" He stopped when the flat of the blade pressed cold against his stomach. He went completely still. His eyes moved between the knife and Ilya's shadowed face. The blade was cold against him, reminding him who was in control here. Shane's chest rose and fell under it.

Ilya gripped the hem of his shirt with his free hand.

The knife moved with practiced steadiness, the blade catching in the fabric, and sliced through it in one clean motion. The cotton fell open across his chest and Ilya wrenched the rest apart with both hands. The air hit Shane's bare chest all at once, his nipples tightening immediately in the cold.

Ilya bent down.

He wrapped his lips around the muscle of Shane's pec, open-mouthed and warm, then dragged the flat of his tongue slowly across his nipple. The colour that flooded Shane's face travelled all the way to his ears. His head tipped back against the marble, and his neck stretched. He reached up to grab Ilya. 

A large hand closed around his wrist. It pressed his arm back above his head with no particular force and held it there against the counter. Shane's fingers flexed and clenched around nothing uselessly, his knuckles going white. His other hand stayed where it was beside it, flat on the marble. He didn't move it.

Ilya pressed one more kiss to his nipple and then looked up at him. The shadow had shifted. Shane could see his eyes now— dark, the pupils blown wide, tracking over Shane's face with a focus that made his stomach tighten low.

"Kiss," Shane said. He heard how quiet it came out. "Come here. Kiss me."

Ilya nodded hurriedly and brought his mouth down over Shane's.

Shane let his eyes close. He let Ilya control the angle of it, let him tilt his jaw, and went pliant under his hands the way his body did. Ilya's tongue pressed into his mouth, and Shane made a small, high sound against it.

Then he felt Ilya's palm, rough and warm, close around his cock.

He groaned into Ilya's mouth and thrusted up into his fist, chasing the friction of it. His free hand grabbing for Ilya's shirt, and Ilya stroked him once, base to tip, his thumb dragging over the head. Shane broke from the kiss with a sigh that came from somewhere embarrassingly deep. "More—" A slap landed across the back of his thigh, hard enough to sting all the way up to his hip. Shane yelped, his whole body jerking.

Ilya straightened. He exhaled once through his nose. "Don't move," he said, and dropped to his knees.

Shane pushed himself up onto his elbows and tried to look down the length of his own body, but the angle was wrong; all he could see was the top of Ilya's dark, still-damp curls cresting over the hard line of his cock, and that image alone was nearly enough to finish him.

"When did you last touch yourself here?"

The pad of Ilya's thumb pressed directly against his hole.

"Oh—" Shane's arms buckled. "None of your business— oh, fuck—"

Ilya's tongue licked a broad, wet stripe from his hole to his taint. Shane's back bowed completely off the counter, his shoulders the only thing still in contact with the marble, a groan tearing out of him that he couldn't have swallowed if he'd tried. 

"There," he whined. "Feels good there—

He got his hand down between his own legs and grabbed a fistful of Ilya's curls, pulling his face in closer. Ilya hissed and nuzzled his nose against Shane's balls. Then he pulled back just enough to spit on him. Shane heard it land and felt it, and his eyes rolled back.

"What a fucking slut, mm?" Ilya's voice was rough, his lips brushing against him as he spoke. "You love it when I fuck you like this." He spat again. "You fucking need it."

Shane's balls drew up, arousal coiling at the base of his spine. "No— oh my fucking God— you're—" He pulled Ilya's hair, hard. "I don't want it in me. You're forcing me." His voice had gone thin and breathless. "Raping me. Daddy, fuck—"

Ilya pressed his tongue past the muscle.

He forced it in deep, and Shane felt every millimetre of it, his mouth wide, open, and against him, causing wet sucking sounds that echoed in the quiet kitchen, his tongue working in and out slowly. Shane's toes curled and uncurled in midair, his thighs trembling around Ilya's head, he was trying to hold back his cries and completely failing, each one leaking out between his clenched teeth. He needed more. He needed— he wanted to feel it, wanted Ilya’s cock, all of it, he needed—

"Get off—" He kicked weakly at Ilya's shoulders. "I want off— this isn't— you can't— it's dirty—"

Ilya pulled back. He straightened slowly onto his knees with his chest heaving, his mouth wet, and his eyes half-closed. He took Shane's foot— which had been weakly trying to push him away, and held it still in his hands.

"What's dirty?" he asked, slowly. 

Shane looked at the ceiling, then at Ilya. He ran his tongue across his bottom lip. Oh, fuck it. "I'm your— you're my Dad, so—" He stopped to watch Ilya's face carefully. His tongue pressed against the back of his teeth.

Ilya blinked. He closed his eyes and said something very quiet and probably profane in Russian. "Fuck. That's right." He brought Shane's foot to his mouth and pressed his lips into the arch."I'm your Papa, so you take what I give you." He kissed it again. "Moy khoroshiy malysh."

Shane swallowed. "Huh?"

Ilya smiled against the bottom of his foot, and the smile was the filthiest thing that had happened in this kitchen so far. "You are my good boy." He set his foot down gently and looked up at him. "Now. Will my good boy tell me where the lube is?"

Shane shook his head.

A slap landed across the back of his thigh again, in the same spot as before.

"No," Shane gritted out, his jaw set, his cock so hard it was genuinely concerning.

"Come on." Ilya pressed himself forward, grinding the denim bulge of his jeans in a circle against the back of Shane. "You like it. You love my cock."

"You're sick," Shane managed, his voice shaking slightly with the effort of coherent speech. "You're fucking sick, I'm going to tell everyone what you do to me—" He turned his face away. "Leave me alone."

"Mm." Ilya's hand slid across his chest, his palm dragging over Shane's nipple, his ribs. "I don't think you want that."

Shane gritted his teeth, he held Ilya's gaze, and then his eyes moved towards the jar of coconut oil sitting on the counter. He looked at it for one second too long.

Ilya's gaze followed his.

Ilya looked back at him with understanding, and the corner of his mouth lifted in amusement. "Fine," he said. He squeezed Shane's pec and leaned sideways to drag the jar across the counter with a long, loud screech of glass against marble. "If you don't want to tell me—" He set it in front of himself. "We use this, yes?"

"Wait—" Shane's eyes went wide. "What? No, please—"

Ilya opened the jar.

The smell of it hit the air immediately, warm and faintly sweet, and Ilya dipped two fingers in, looking at Shane with his eyebrows slightly raised, as if to say, last chance.

Shane said nothing. His cock said plenty.

Ilya pressed the first finger in slowly.

Shane's breath left him in a long exhale, his head dropping back against the marble, his hands bracing against the counter on either side. The stretch was—it had been a long time, a genuinely long time, and his body resisted it for a second before yielding, and Ilya worked the finger in patient circles.

"Fuck," Shane said to the ceiling.

Ilya added the second finger.

"No, don’t—" Shane's hips jerked forward and then back, chasing it, contradicting themselves. "Oh, holy shit—"

Ilya crooked both fingers upward, and Shane's entire lower body clenched, his thighs snapping together around Ilya's wrist before he forced them back open. "Fuck— mm—" He was panting now, his chest heaving. "Mm, Daddy, don't stop, don't—"

The third finger pressed in alongside the other two, slowly, the stretch burning at the rim and then releasing into something overwhelming. Shane whined so loud it echoed.

Ilya worked them in, curling slightly on each pass, and Shane's whole body was shuddering with it, his hips rolling back to meet each thrust, chasing and chasing. His cock was leaking steadily against his stomach, and his vision was starting to go patchy at the edges.

He was close. 

There was a quiet zipping noise.

Then the drag of Ilya pulling at his jeans, and Shane’s body decided before his brain caught up with it. He shoved against Ilya’s chest, and in the brief, startled give of Ilya’s weight shifting back, he slid off the counter. 

His bare feet hit the kitchen floor, and he rounded the counter. When he glanced back, Ilya was not running. He was walking. Following behind him with his arms loose at his sides, and his jeans open at the waist. Shane furrowed his brows and ran faster. 

He ran across the kitchen toward the sunken living room, and the steps were right there. Two small steps down, and he misjudged the first one, his foot catching the edge wrong, his weight already committed forward. 

Ilya’s foot pushed against the back of his legs at exactly that moment. 

The floor came up with no warning and no mercy, Shane had nothing, no hands, no time, and his face took the full impact of the carpet, an explosion of pain radiated from the bridge of his nose outward through his entire skull, the world going briefly sideways and bright, then settling back with dark at the edges of his vision.

He laid there. His cheek was pressed against the carpet, and something warm was moving over his upper lip and pooling at the corner of his mouth. He ran his tongue against it and tasted copper.

The room was tilting very slightly. Shane got his hands under himself and started crawling, dragging himself towards the far end of the sofa, leaving a small dark trail on the carpet. His arms were shaking. He got three feet before Ilya's hand closed on the back of his neck.

"I told you," Ilya said, breathing only slightly harder than normal. "You would not like it if you made me run."

Shane whimpered. 

Ilya’s hands spread between Shane's shoulder blades and pressed, bending him forward until his chest met the carpet and his hips were up. He could feel the blood from his nose soaking into it, and he could not bring himself to care even slightly.

There was some shuffling behind him, and then he felt the blunt pressure of Ilya’s cock being lined up against him. Shane’s entire body locked. The pain was overwhelming as the thick head forced the muscle open, too big, too fast, coconut oil or not. Shane bit down hard against the carpet as a strangled cry escaped his throat, but Ilya buried himself inside without any patience, like he was trying to split Shane in half. 

He bottomed out, hit the deepest part of him. The sharp sting melted instantly into a pooling ache that radiated up Shane’s thighs and burned hot in his dick. Shane sobbed, not from pain, but from the staggering relief of being full of Ilya. 

"Fuck—"

Ilya pulled back and slammed in again.

The force of it knocked Shane's whole body forward, his knees sliding on the carpet. Ilya's hands were on his hips, dragging him back to meet the next thrust before he'd finished processing the last one. It was not gentle; it had never been gentle between them, but this was something past that. Ilya was fucking him like he was trying to reach something, like he was trying to press himself so deep into Shane that any distance between them became impossible.

"You think you can run?" Ilya grunted. "Mm? Think you can run from me?"

"Nnh—no—"

"You're taking it." He thrusted up again. "Going to take every—" Another. "—everything I give you."

Shane's face was pressed hard into the floor, his mouth was open, and he was whining, little “ah, ah, ah” noises, and he had completely stopped caring. His cock was trapped between his stomach and the carpet. Ilya's hand came down on his ass with a crack that echoed off the glass walls.

Shane sobbed with pleasure.

"So pathetic." Another slap on the same spot, the skin there burned. "Such a little slut."

"I like it, feels—" Shane could barely get the words out, his whole body rocking forward with each thrust. "Feels so good—" His fingers found the sofa leg and gripped it. "Like you so much—"

"Da?" Ilya whispered, tender, and thrust into him so deep that Shane's vision whited out at the edges. He heard himself make a sound he'd never made before, something completely animalistic. "You like me?"

"Yes— yes, please—"

Ilya fucked him through it. Kept going, kept the brutal pace of it while Shane fell apart underneath him. His cock painting the floor in long splurts of come, shuddering, and Ilya didn’t care, didn’t stop, didn’t give him a single second to come back down before the next thrust was dragging him back up again.

Shane lost count.

Time became unreliable. He knew Ilya was still in him because he could feel it, that insistent deep pressure that his body had reorganised itself entirely around, and he knew he kept coming because his cock kept twitching and releasing in these small, helpless, wrung-out little spasms, nothing left in him. His face was wet. He was crying—had been crying, probably for a while—the tears mixing with the blood from his nose and soaking into the grey carpet beneath his cheek.

He didn't care. He didn't care about anything except that Ilya was in him and Ilya's hands were on him and Ilya was hurting him, so nothing else existed.

"Mnm," he heard himself say, garbled and slurred. "Papa, again. Yes. Please."

Ilya's hand closed in his hair. He grabbed a fistful of it at the crown of his head and pulled, wrenching Shane's head back, and the pain of it lit Shane up from the base of his spine to the top of his skull.

"You like that." It wasn't a question.

Shane could not speak; he groaned in pleasure. 

Ilya's free hand came around and caught him across the cheek. It snapped Shane's head sideways, and something in Shane cracked open with it; he was crying harder now, shaking. Still, he was nodding, nodding, tears and blood dropping from his face down onto the carpet. "More," he managed, barely.

Ilya thrust forward, took Shane's face in his hand and drove it down into the edge of the sofa. The pain burst from his nose, and his head hung there, the world tilting badly, Ilya was still moving in him. He pulled Shane's head back up and then drove it down again, and again, and Shane took it, took all of it, his body slack and entirely given over, held up only by Ilya's hand on his hip and his fist in his hair.

Shane gargled, spitting blood pathetically out in front of him.

Ilya stilled. Shane could feel him breathing, the expansion of his chest against Shane's back. "I could kill you right now." He whispered.

Shane whimpered. His cock, impossibly, twitched.

"Yeah." Ilya's voice dropped lower, softer, his voice hoarse. "Yeah. You like that."

He thrusted, all the way in, grinding in a circle, and Shane's mouth fell open on nothing.

Ilya’s hand ran down the length of Shane's spine, from his nape to the small of his back, with a gentleness so contrary to everything that had preceded it that Shane flinched. The touch moved like it was reading him, like it was memorising everything. Every knob of his spine, every rib, the place where his back curved, and his hips flared.

Ilya pressed his lips to the centre of his back. "You're mine," he said, against Shane's skin. "Your life is mine." His fingers dug into Shane's hip. “You understand this?”

Shane breathed in. "Yes."

"You'll take what I give you. You'll listen to me."

"Yes." Shane's voice came out barely above a breath. "Yes— fuck— yes."

"If I tell you to drop to your knees and suck my cock—" Ilya's voice had gone rough again, his hips beginning to move with more urgency. "—you'll do it."

Shane nodded against the carpet.

"If I tell you to eat—" His pace was picking up, the slow grind becoming something with teeth again. "—you'll eat."

Shane whined, his fingers scrabbling at the carpet. "Anything," he breathed. "You can make me do anything."

Ilya's breath was coming harder. "You'll never." A thrust. "Ever." Another. His voice was fraying at the edges. "Hurt yourself again." He bottomed out and stayed there, just grinding. "Won't let anyone hurt you." His grip on Shane's hip was bruising, his fingers pressing to the bone. "Just me."

"No one," Shane managed. "Just you. Ilya—" His throat closed. "I fucking love you—"

"Shit."

Ilya's rhythm broke.

"Shit, shit—"

His hand found Shane's jaw, slipping slightly from the blood, and he turned his face around, the angle difficult and not quite right, Shane's body half-twisted against the floor, and brought his mouth down over his.

Shane kissed him back with everything he had left.

Which was not very much. But it was all of it.

 


 

The sun was being very generous today.

It sat high and unhurried in a sky that had gone a bright, uncomplicated blue overnight, and the light it threw across the water warmed everything it touched—the cedar of the deck rail, the glass of Shane's beer, the grass along the shore bending in the soft breeze that came off the water in gusts. The plants at the waterline shook gently, stilled, then shook again. 

Ilya had his arm around Shane's waist, and Shane's legs were hooked over the arm of the chair, and the whole arrangement was, structurally, a mess—two grown men, one of whom was just over six feet and the other of whom was not substantially smaller, attempting to sit sideways in a single chair in a way that defied both physics and dignity. Shane kept sliding, Ilya kept adjusting, neither of them mentioned it.

Shane was holding the burger with both hands now, which Ilya thought was good. Earlier, he had been eating the pieces Ilya tore off and passed to him. Which had required Ilya to reach awkwardly across the table every thirty seconds. It was how they had arrived at this arrangement in the first place. But now Shane was eating on his own, which was something.

Then he stopped.

He frowned and set the burger down on the plate. He pushed himself up, moving to stand, and Ilya's arm tightened around his waist and pulled him back down.

Shane twisted to look at him.

"What?" Ilya asked. He wiped the back of his hand across his mouth. "Is it disgusting?"

Shane chewed what was already in his mouth and shook his head slowly.

"Okay." Ilya let the word drag out. He watched Shane's profile, the tightening at the corner of his jaw, the way his eyes had gone to the middle distance over the lake. "So. Did it bite you?"

Shane's eyes cut sideways to him. He swallowed, rolled them, and reached for his beer. "No, no." He shrugged, one shoulder, scratching at his chin. "It's fine."

Fine.

Ilya tilted his head down and raised his eyebrows.

Shane let out a short, grumbled sound under his breath, like he did not appreciate how accurately he had been read. "Fine." He set the beer down. "Fine. It tastes fine, it just—" He looked at the burger on the plate. "Eating is a weird experience for me now. It's hard to get down sometimes."

Ilya leaned forward and put his elbows on the table. He reached across, picked up a cucumber slice and bit it, methodically. He let the crunch fill the space while he thought about how to say it.

He had been wanting to talk about food and Shane since this morning. They had been moving around everything that needed saying all day, circling it, communicating bit by bit, every topic they steered toward and then gently away from and then towards again. It was like they had been silently fluent in each other for years, whole conversations conducted underneath the surface, and now that they were trying to do it with actual words, it came out clumsy and slow. Like translating Bulgakov from memory into a language he had not spoken in a long time.

He kept his voice completely flat. "You are not recovered from your eating disorder."

It was not quite a question.

Shane did not withdraw. He took another sip from his beer and looked at Ilya with an expression that was considering rather than closed. "No, I am," he said. "I am in recovery, actively." He paused. "It's not something you can just turn off, Ilya. But I'm working on it. It's just—" His mouth twisted to the side, and Ilya wanted to kiss that concentrated expression right off his face. He looked out at the water. "Sometimes I just suddenly get disgusted by the idea of eating. By the act of it. But I find that it's easier to eat when it isn't my choice." He paused. "When the agency is taken away, so it doesn't become my fault. I feel less guilty."

Ilya's lips trembled. He kept his face where it was, his expression flat, his eyebrows resting low, he chewed around nothing, and let Shane continue.

"Food isn't something to feel guilty about, obviously. Logically, I know that. But my disorder doesn't see it as a necessity—even though I know I need to eat to live. So sometimes it feels like, unless I've worked for it somehow, I don't deserve it." He picked the burger up again. "It's a bid for control, I guess; it’s always been a bid for control. So when someone else feeds me, it’s no longer my responsibility. If it wants to blame anyone, it can blame them."

Ilya bit the end off another cucumber slice. "So what do you do at home?"

Shane turned his head. "What?"

"How do you eat at home? When it gets like this."

"I mean." Shane huffed a short breath. "I eat. I manage."

"Do your parents feed you?"

Shane stared at him.

The question sat between them in the warm air. A dragonfly skimmed the surface of the lake thirty metres away and was gone.

Shane's half-formed smile from thirty seconds ago went still, his brows drew together just slightly, his eyes moving sideways in attempted evasion. He shook his head, barely. "No," he said.

Ilya should have let it go. Six months, a year ago, he would have let it go, would have read the slight closing of Shane's posture and retreated, would have remembered it and used it later in a way he was not proud of. He didn't let it go.

"Why not," he said, in the same flat tone.

Shane's hands gripped the arms of his chair. His eyes moved across the surface of the lake without tracking anything on it. "It's weird," he said, quietly.

"You said it helps you eat. So when you can't, wouldn't it help for them to… hm. Would they not be good about it?"

"I don't know." Shane exhaled. He leaned back against his chair and tipped his chin down, his mouth pressing into a line. "I mean—yeah. They'd be fine about it. They've been fine about everything, inpatient, you know. So yeah, they probably would, but." He paused. "We haven't really talked about the eating stuff."

Ilya waited.

"We don't talk about any of it, really. And I know they want to. I know they're waiting for me to open it up. But I—" His jaw shifted. "What I think they're expecting me to say, and how I actually feel, I don't think those two things match up. So I'm scared of—"

"Disappointing them."

"Right," Shane said.  "Which is stupid. I've already done enough of that."

"It's also—I don't know if that would even—if feeding me is something they'd ever do," Shane said the word like it was slightly foreign in his mouth, like Ilya had introduced a language he’d never heard before. "Especially my Mom. I've always had to be an adult. There were these expectations from hockey, huge responsibilities, and I understood, even as a kid, that because of them, there were things I couldn't do that other kids could." He picked up his beer and held it without drinking from it. "So I was ten years old, living like I was twice my age. Maybe, if I had shown interest in other things, they would have let me, probably, but hockey was all I knew. It was the only thing I was good at, and it was the only way I knew to make them happy. I loved it, don’t get me wrong, um." 

"So I was a kid swallowing everything, carrying everything like an adult. My Mom would tell me to grow up, when I complained about things, when I was tired or scared or whatever, so I grew up." He said it without self-pity. "And she's my manager now, so she has control over a large portion of my life." He let out this small, breathless chuckle. "She wants me to be an adult. But then she babies me in this very detached way. I've always just wanted to be her child."

Shane's eyes were on the lake, the sun on the water throwing small bright reflections across his face, and his eyes, those beautiful brown eyes, warm and long-lashed, had gone wet at the edges. 

"That would be—it would be nice." His voice had gone so small, "To have her feed me. To just be her son. Not a hockey prodigy, just her son." He sucked his bottom lip in, briefly. "I grew up so fast. And sometimes now it feels like I'm crying like a child, or wanting like a child, and I know I'm a grown man, but I just—" He shook his head, dipped his chin down, and both hands came up to cover his face.

His shoulders weren't shaking. He was holding it together, barely, the way he had held everything together since he was ten years old.

Ilya looked at him and saw him very clearly, perhaps more clearly than he had ever let himself see him. The child-like, grabby hands underneath all of it, how badly Shane wanted to be picked up and taken care of by someone else. How that had stacked up over the years into something too heavy for one person to quietly carry. Yuna Hollander had seen this extraordinary thing her son was becoming and had put her whole self in service of the becoming, and somewhere in that she had perhaps not noticed that the boy doing the becoming was still, underneath all of it, just a boy. Had not noticed, or had decided it was worth it, or had thought Shane understood what he was signing up for at an age when Shane had understood nothing except that hockey was the language in which his family said I love you, and so he had kept speaking it, fluently, until he forgot he had ever known anything else.

"Oh, moya lyubov," Ilya said, very quietly.

He put his hand on Shane's thigh and rubbed it gently. 

"Come here, sweetheart."

Shane sniffled once against his palms. Then he stood from his chair and practically threw himself forward, and Ilya opened his arms and caught him, all of him, pulling him in and wrapping both arms around him.

 


 

The fire had taken three attempts to light.

Shane had stood over it with the lighter for an embarrassing amount of time while Ilya watched from the couch, arms folded, saying nothing, which was somehow worse than commentary. The wood was slightly damp from the morning, and it had finally caught on the third try, the kindling going orange and then the first log catching.

Now it was properly going, crackling away in the firepit, throwing warm gold light across the grass, the cedar of the chairs and the dark around them. The insects had started up in the tree line in a layered chirping that meant it was a proper spring night in Muskoka.

Shane looked between the fire and Ilya.

Ilya was watching the fire like all the money in his bank was being used as kindling. His mouth was pulled down at one corner, his brows set. He had complained, with increasing creativity, the entire walk through the trees to collect the logs. But he had swung the axe with a great deal of visible enthusiasm, which Shane suspected had more to do with aggression than with any genuine love of the task. Now he sat here watching all that labour turn to ash and embers and looked quietly bereft about it.

"Nice, right?" Shane rested his hands on his knees.

"So we just sit here and look at it."

"Yes." He heard his own voice go flat with affection. "We just sit here and look at it."

"Canada is fun."

"Shut up," Shane said, loud, leaning back. He winced.

Something had caught his leg. He reached under himself and pulled it free, holding it up in the firelight.

A thin silver chain. A small pendant, oval and delicate, catching the orange light.

He recognised it immediately.

He sat with it in his hand and swallowed, the firepit crackled and the insects went on chirping,  everything continued even though he was holding a piece of Rose Landry in his palm.

It hurt. Not the life-shattering way things had hurt yesterday, just a dull, heavy ache, like mourning something that really mattered to you. Rose had mattered. She still mattered. They had spent three years together. Three years of her voice on the phone at midnight before road games, of the way she had held his face when he was coming apart at the seams and she didn't know why, her laugh, the fact that she had been putting her life on pause and travelling from California to Canada just to be with him. He had hurt her. He had hurt her and run to the woods, and there was a part of himself that was ashamed of that, and there was another part that understood there had been no other possible sequence of events, and both of them were sitting here holding her necklace while the fire crackled. He wondered if she was looking for him. How long would it be until his parents realized he hadn’t chased her all the way to L.A.?

He raised his eyes.

Ilya was staring at him.

His front brows were pulled down hard, and the outer halves had shot upward, like two Nike swooshes plastered above his eyes. His mouth was pressed tight. His gaze was moving between Shane's face and the necklace in his hand.

Shane looked at him.

Ilya looked at the fire.

Oh.

Shane blinked.

Ilya had never been jealous of Rose. Not once, in all the years that Shane had been with her, had Ilya ever exhibited anything that looked like this— this tight-mouthed, fire-fixated sulk. Shane had always assumed it was because Ilya had known he was gay. Rose was not a threat because she was a woman. She occupied a completely separate part of Shane's life, a separate part of him, and Ilya had always seemed to understand this without it needing to be said.

But then again. That was before. Maybe now that their love was real and said and sitting out in the open air between them, every reminder of the life Shane had been living in the space Ilya had left felt different. 

He kind of wanted to pull Ilya's cheeks.

He looked down at the necklace, chuckled, and then slipped it into his pocket. "It's just Rose's necklace."

"Mmm," Ilya said. "Just Rose."

"Yeah." Shane tilted his head. "We dated for three years."

Ilya turned to look very intently at the fire he had been rolling his eyes at a few moments ago.

Shane blinked at him. "You're not jealous, are you?"

"No."

"Ilya." Shane paused. "I'm gay."

Ilya turned his head, not quite toward Shane, just redirected from the fire to some neutral point slightly to Shane's left. "Yeah, well." He said it fast, clipped. "Not so gay that you couldn't fuck Rose Landry."

He looked back at the fire.

Shane stared at him. The audacity of this man, whose body count could probably fill Lake Muskoka to the brim and still have enough left over to flood the surrounding woodland. "Oh my God." Shane dipped his head, trying to catch his eye. "We haven't in months. And even before then it—"

"Oh," Ilya turned. "Before. Like, before, when you opened yourself up on Rose Landry's strap before you let me fuck you?" 

Shane looked forward. He flicked his gaze sideways to Ilya. "I'm not going into details."

Ilya pursed his lips together and pushed a short breath out through his nose. "Fine. It doesn't matter, I'm not jealous, how could I be jealous." He tilted his head, shifting gears. "I just don't like her. And you were accusing me, but if we're going to talk about the texts—"

Shane's head drew back. "What? No. Rose wouldn't do that."

"I don't know, Shane." Ilya leaned back against the couch.

"Just because you don't like her—"

"Put yourself in her—"

"She's my best friend."

"—in her heels—"

"Rose doesn't even wear heels like that."

"Okay, whatever shoe, whatever shoe." Ilya waved his hand. "She has had access to your phone, yes? Maybe she got suspicious." He raised his eyebrows. "And maybe she was angry and had a lapse in her judgement, so." He shrugged. "She probably regrets it."

Shane looked into the fire and let that sit in him for a second. The flames had gone from the early, energetic snap of new wood catching to something more settled. He thought about Rose's face in the foyer.

"Great hypothesis, genius." He mumbled. "Might work if Rose wasn't sitting right next to me when the Deux Moi post went up."

"Oh, how convenient."

"Jesus—" Shane turned to look at him fully. "She isn't some sadist. You really think she planned the whole thing, sent it to Deux Moi, and then flew to my parents' house just to watch my life fall apart in front of her?" He shook his head. "That is genuinely insane. And you're forgetting it's her life too—it's her name in it, it's her boyfriend who just got outed as a cheater."

"Well." Ilya leaned forward, sucked his teeth. "Maybe is not like that. Maybe she regrets, and didn't want you to be alone when it happened."

Shane opened his mouth—

A sound split the dark.

Long and trembling, rising and falling in a wavering, mournful call that rolled across the water and into the trees, beautiful and alien and strange enough that for a second Shane forgot what it was.

Ilya's head whipped sideways.

"What the fuck was that?" He yelped, his whole body gone very still in fear.

"A loon."

Ilya turned to him, his eyes were wide. "A what."

"A loon." Shane felt the smile pushing his cheeks out. "It's a bird."

Of all the things. Of every dangerous and genuinely frightening thing Ilya Rozanov had encountered or caused in his twenty-five years on earth, he was terrified of a bird.

"It sounds like a fucking wolf." His accent had thickened, the consonants shifting, wolf coming out closer to volf, and Shane looked away from him at the fire and pressed both hands over his mouth.

The loon called again.

Ilya's head whipped toward the treeline. He was actually squinting, peering into the dark between the pines like he was trying to catch the imaginary wolf in the act.

"You're so scared," Shane chuckled.

"What kind of bird—" Ilya turned back, genuinely exasperated, "—makes a noise like that?"

"A loon." Shane nodded seriously. "A fucking wolf?"

Ilya waved his hand. "Stupid Canadian wolf bird."

And the loon, as if it had been following the conversation and had opinions about being characterised this way, let out a long, cackling call that rang across the dark water like laughter.

Shane laughed with it.

It wasn’t that he found Ilya’s terror funny; he had only seen Ilya scared twice in his life. Once in 2014, after Shane had hit him, Ilya's face had looked startlingly open. His eyes had locked, unblinking, the tendons in his neck pulling rigid. Once earlier this year, in Boston, when he had watched the colour drain out of Ilya's face in real time. The way his expression had just emptied, the anger dropping away to leave a stark, blank stillness, his chest freezing mid-breath. Neither of those times was funny; they were horrible. The fear had been huge, and really, and Shane had not liked it at all.

This was Ilya, at his grown age, genuinely rattled by a bird. Feeling safe enough to express that rattling. There was something very tender about it, this reminder that Ilya was not a distant, terrifying, omnipotent thing, but a person. A person who also got scared of stupid things. 

"Oh," he said. "So now you speak bird too."

The loon answered from somewhere in the dark.

Shane lowered his hands. "Fluent."

"I hate you," Ilya muttered, turning back to the fire, folding his arms.

"No you don't." Shane looked at the fire too, the settled, glowing heart of it.

"No," Ilya whispered. "I don't." He glanced sideways, just briefly, just enough. "I love you."

Shane looked at the flames.

"Me too," he said.

"So uh." He cleared his throat. Leaned back against the cushions. "Do the loons remind you of Moscow?"

Ilya looked at him sideways. "Why would a bird remind me of Moscow?"

Shane paused. Frowned slightly. "Because they sound like wolves. Obviously."

Ilya raised both eyebrows. His mouth fell open on a short exhale of disbelief. "Obviously." He shrugged, turning back to the fire. "Yes. Because wolves live in the city. Of course."

The warmth that spread up Shane's face had nothing to do with the flames. He pawed at his cheek with the back of his hand, an entirely useless gesture, and stared straight ahead. "Whatever," he muttered, folding his arms across his chest.

They were silent for a few moments. The fire popped, a spark shooting up and dying in the cold air, the insects whining out in the dense brush.

Shane flicked his eyes up to watch Ilya's face. It had settled from the amusement of the moments before. His mouth pulled down slightly at the corners, the firelight reflecting brightly in his eyes. He looked sad, Shane thought. 

"What are you thinking about?" he let himself say, because he was trying to think less before he spoke these days.

"I am reminded of Moscow, now that you have brought it up."

"Hey," Shane said. He uncrossed his arms, dropping both hands to rest flat on the cushions beside his legs. "Come 'ere."

Ilya looked at him blankly for a second. Then he swallowed and shuffled over, folding down until his head was in Shane's lap, his body curled toward the fire, his back to Shane.

Shane let his hand settle across Ilya's back and slip under his arm, holding on.

He couldn't see his face from here. That was a loss. Shane had learned to read Ilya's face in the dark, but if he tilted his head slightly, he could catch the curve of his cheekbone in the orange light. The slow brush of his lashes against his cheek when he blinked. Those small, closed curls that managed somehow to look perfect regardless of what had been done to them today were resting against Shane's thigh. Shane raised his hand and looked at them for a second.

He threaded his fingers through them. Scratched slowly at the back of Ilya's head, the way Rose used to do to him on bad nights, back when that had been the gentlest thing in his life.

"Have you talked to your brother lately?" he asked, over the fire.

"Mm-mm." Ilya shook his head against his thigh.

"Is that a good thing?"

"Probably." He says, almost toneless, “I don't know."

Shane was not good at this. He knew he wasn't good at comforting people. Lacked the skill of saying the right thing to a person who was hurting.  Of finding the words that fit exactly what they needed. He usually got it wrong or said nothing, and both felt like failure. Ilya’s voice sounded so sad, so melancholic, and he wanted to say I hear that, I want to understand it, I want to know all of it, and he did not know how to make any of that come out as words.

"I'm sorry about your family," he decided on. "Even if they suck, you must miss them."

There was silence. Just the crackling of the fire and the whistling of the wind through the trees. Shane swallowed. He sat there terrified that he had gotten things wrong, terrified that he had completely misstepped. What if Ilya didn't miss them at all? It would make perfect sense for him not to.

"My mother didn't suck," Ilya said. "She was great."

Shane's hand stilled in his hair, then resumed, slower. "How did she die?"

"By accident," Ilya said. "She accidentally swallowed a whole bottle of pills."

Shane's hand wrapped around the back of Ilya's head. Gently. Just holding on to as much of him as he could.

"How old were you?"

"Twelve." He paused. "I found her."

Shane looked at the fire burning steadily, swallowing the wood, the heat pressing against his face and his hands and his chest. He wanted to do that. He wanted to fold himself around Ilya and generate that much warmth, until nothing cold could get in, until Ilya never had to feel anything except Shane’s love again. 

"I don't want you to think she was weak," 

"I don't."

"She wasn't. She was so funny. And beautiful." Ilya continues. "She was so sad. And my dad was so hard on her, and—"

Shane rubbed slowly at his shoulder, his thumb moving in a small circle through the fabric.

"And she had bad days, sometimes. Sometimes she got—" Ilya grunts, frustrated. "Ah. I don't know how to say it."

"Like—" Shane licked his bottom lip. "Uh. Crazy? Sorry. Not crazy."

"Maybe crazy, sometimes," Ilya said it without judgment, like he'd made his peace with the word long ago. "She would get very sad, and then very angry. And other times she would be so happy that it was scary. I could never tell which it would be. And like my dad, she drank a lot. So it maybe made it worse." 

Ilya turned his head, pressing his nose against Shane's thigh, facing in now, and Shane felt it, the small concession of it, turning toward instead of away.

"They say maybe she had manic depression. And maybe I think I have the same thing as her."

Shane's lips parted slightly.

He wanted to ask who they were. He could guess, some form of doctor, someone clinical, but the image of Ilya's mother was vague and heavy, and he couldn't get past it fast enough to assume. "They?"

"My doctor."

"Oh," Shane breathes. A doctor. A psychiatrist, maybe. 

He thought about the texts, two or three years ago. The way Ilya's messages had swung without warning, sometimes within the same hour, pleading one second, and then cold and angry the next. Shane had thought it was just cruelty and inebriation at the time.

Even everything else, the fights they had, Shane could chalk it up to just being them. But obviously, they were not fucking normal. Shane was nowhere near to whatever normal meant; he had learned that much over the past few months, via the lists of diagnoses he had been handed and the offices he had sat in.

And the last time Shane had seen him. Jesus, finding Ilya like that on the bathroom floor, his arms locked around the base of the toilet, pupils blown so wide the blue of his eyes had nearly disappeared. His whole body was absent from itself in a way that had nothing to do with alcohol. For months after, Shane was convinced it had been a consequence of something recreational. 

"So you have—" Shane started, and then stopped, because he didn't have the word.

"Borderline Personality Disorder," Ilya said, his voice slightly muffled against Shane.

"Ilya." Shane tried to keep his voice as even as possible. "I'm sorry. I don't know what that is."

"It means that I am sick." Ilya nuzzles against Shane’s thigh, "Like my mother. And sometimes I go crazy, and sometimes I get sad. And I am scared of people leaving me."

Ah.

Shane sat with that for a second, hearing Ilya Rozanov say, plainly, out loud, I am scared of people leaving me. He felt stupid for not seeing how obvious it was.

"I'm glad you told me," Shane said, his voice came out slightly shaky, and he cleared it. "Has your doctor—your therapist? Have they helped you?"

"I don't know," Ilya mutters. "I am taking lots of pills. And it is probably not good that I did not bring them with me."

The corner of Shane's mouth lifted. "I didn't bring my meds with me either, obviously." He exhaled, something caught between a breath and a laugh, the absurdity of both of them, medicated, diagnosed, complicated, broken in their specific and overlapping ways, sitting out here in the dark beside a fire, because the alternative had been drowning in the lake. "It's okay, I think." He looked down at the top of Ilya's head, at his fingers still threaded through the curls. "If we go crazy, as long as we're doing it together. It's okay, right?"

 


 

The pancakes were good. He could smell them from here, the butter going golden in the pan, the batter catching the heat right, and he was absolutely not going to say that because Shane was already insufferable about this cottage and everything in it.

He kept his arms locked around Shane's waist and his chin hooked over his shoulder and watched him work the spatula. Shane's hair was still wrecked from sleeping, pushed up on one side, and Ilya had been staring at the back of his neck for the past four minutes.

"Go get the placemats," Shane mumbled, flipping the pancake off the pan and dropping it onto the stack with a soft, definitive slap.

So many pancakes, at least twelve in the stack thus far. Four pancakes minimum, he decided. He will eat four whether he thinks he will or not.

"Are we having breakfast," he said, against the side of Shane's neck, "or doing fancy dinner party?"

"Leave me alone."

He gripped Shane's hips and pulled him flush back against him. "No." He bared his teeth against the back of Shane's neck, just enough pressure to feel, not quite a bite. 

Then the ringing started.

Ilya lifted his head. It was coming from somewhere across the kitchen, a long, mechanical trill, nothing like his phone, and it couldn’t be Shane’s— he had learnt yesterday that the crunching under his tires was not caused by a twig.

Shane had gone completely still in his arms, the spatula hanging loose in his fingers.

"What is that?" Ilya rubbed his palm up and down Shane's arm.

"Shane." He squeezed. "Hey."

"The landline," Shane whispered as his head dropped forward. "It's probably my parents. Fuck, Ilya."

"Okay." Ilya nodded, lifted his hands from Shane's hips and settled both of them on his shoulders instead, steadying. "Okay. That is okay."

Shane shuddered. He turned off the hob, shoved the pan away from the burner, and then shouldered Ilya off him, turning around, putting space between them. His whole face was pulled tight, brows furrowed so deep they cast a shadow, his arm wrapped around his own waist, and his other hand already at his mouth, thumbnail between his teeth. "No," he said. "It's not fucking okay, none of this is okay. What am I even going to say to them?" He shook his head, gnawing at his thumb. "I don't want to talk to them. I can't."

Ilya stepped forward until their feet were almost touching. He brought his hand up and ran it along Shane's cheek. "You can talk to them." He kept his voice level. "It is better to just do it now, yes?"

Shane's eyes fell shut, and Ilya felt the weight of his head tipping into his palm slightly.

"If you wait, they will just become more worried."

Shane sniffed. His head dropped further, pressing into Ilya's hand. "Can't you do it?" He whispered it.

An endeared chuckle tried to crawl its way up out of Ilya’s chest, and he killed it before it arrived. "No." He said it gently. "Baby, I cannot do that."

"Why."

"Because they will be shocked and upset. And when you are feeling better, you will be so angry at me."

"But—"

The phone started ringing again. Shane jolted like he'd been electrocuted.

"No but." Ilya sighed and patted Shane's cheek, slightly harder than strictly necessary. Shane's eyes snapped open. He blinked at Ilya, lips pressed together, something flickering across his face somewhere between annoyed and reluctantly persuaded. Then he stepped away.

Ilya leaned back against the counter and watched him go.

Having to confront the situation you put yourself in, Ilya knew this feeling intimately, had spent the better part of this year sitting across from the wreckage of his own choices and being forced to look at it. He knew how it sat in you, the way every step toward it felt like walking into a headwind. He was proud of Shane for this. Even watching him stiffen as he lifted the receiver, watching his shoulders climb toward his ears, Ilya was proud of him.

"Hey." Shane's voice came out unsteady. He flinched at whatever came back through the line before settling. "Yeah, sorry. My phone broke so—" His brow compressed. "Okay, but I don't think I need your permission to go to my cottage. I'm sorry for scaring you but—" He exhaled hard through his nose. "I know. Yes, I know. But did you think that maybe the reason I left in the first place is because I— no. Stop talking over me, I'm not talking over you." His voice was climbing in pitch. He was shifting his weight, heel to heel, back and forth, a small restless motion he probably wasn't aware of.

Ilya watched him.

Then something moved through him, an itch that started somewhere low in his gut and pulled him forward before he'd consciously decided anything. He pushed off the counter. 

He crossed the kitchen in a few steps and leaned next to Shane against the counter, close enough to hear the tiny, urgent voice coming through the receiver. Shane's chest was moving fast. Ilya could see it, the rapid rise and fall, the slight part of his lips as he tried to regulate his breathing around the words he was trying to force out.

"I am not. You aren't even letting me finish explaining myself before you start—" Shane shut his mouth, pursed his lips. His grip on the landline tightened. "I don't know how long." His brows darted down hard. "No. No. No. Don't say anything, don't—"

Ilya tilted his head at him, then he reached over and slowly slipped his hand up under the hem of Shane's shorts.

"Why would you do that? Why would you even think I would fucking want that?" Shane hissed into the phone. He side-eyed Ilya and turned his body away.

Ilya leaned in anyway, his hand still moving. Shane yanked the phone from his ear and mashed the speaker against his palm. He stared at Ilya. "What the fuck do you think you're doing. I'm talking to my parents."

Ilya let his eyes move between Shane's mouth and his eyes. "I think you know," he said, very quietly.

"Stop." Shane's eyes narrowed to nothing. 

Ilya lowered his eyebrows, smiled, just slightly. "Okay. I make you a deal." He made a small tch sound at the back of his throat, tilting his head with it. "I won't touch you." He paused. "But if you get hard—"

"I won't get hard." Shane muttered, scowling.

"Okay." Ilya shrugged. "So no problem then."

"Ilya."

"Shane."

Shane rolled his eyes so hard his head moved with them. He shoved Ilya sideways with his elbow and brought the phone back to his ear. "I'm back. No, I couldn't hear you. I told you I was in the middle of cooking when you called me."

Ilya pressed his lips to the side of Shane's neck. Just that, barely anything, mouth closed, and he felt the shudder move through Shane against his lips before Shane could stop it. Ilya tucked himself in at Shane's side and laid his palm flat against the outside of Shane's thigh.

He waited.

"But why can't you just wait? Did you think that maybe I was making my own plan? I'm not useless—no, I didn't say you called me useless, I'm just saying you're making me feel like I am— No, fucking listen to me for once. I am sorry for swearing, but you are also—"

Ilya dragged his palm slowly up the inside of Shane's thigh.

He glanced down, then back up at Shane's face. There it was. The small, unmistakable shift in the fabric of his shorts. Ilya raised his eyebrows. Stuck out his lower lip. Pointed at Shane's crotch and gave a single, deliberate thumbs up.

Shane's eyes went wide.

Ilya hooked his fingers into the waistband of Shane's shorts and boxers and dragged them down in one motion as he dropped to his knees.

From down here, the kitchen light was different, colder, the undersides of the cabinets casting a shadow. Shane's thighs were at eye level, the muscles of them tense and shaking slightly with the effort of standing still. Ilya took his half-hard cock in hand and didn't bother with anything slow.

He swallowed him down.

All of it, as much as he could take, his throat opening around him, his nose pressing into the thin hair at the base and staying there before he pulled back and did it again. Hungry. There was no other word for it; he was hungry, an almost angry kind, his hands gripping the backs of Shane's thighs hard enough to bruise, holding him exactly where Ilya wanted. He hollowed his cheeks as he pulled back, ran his tongue flat and hard along the twitching underside as he pushed down, and then took him deep again and swallowed and felt the whole long shudder that ran through Shane's legs.

He could hear Shane's voice above him, still going, still trying to hold the thread of the conversation—but why can't you just—and the thin edge it had taken on now, the way his sentences were getting shorter and the pauses longer, the breath audible between words. Ilya stopped paying attention to the words. He focused on the sounds that weren't words. The small, bitten-back exhales when he sucked. 

Ilya lifted Shane's left leg.

Got his hand under the back of his knee and hauled it up and out, tilting his hips open, and Shane yelped "Fuck—" and then choked it back.

Ilya's free hand came up and cracked across Shane's cheek. Hard enough for his head to snap in the other direction. Shane's hand smacked Ilya's wrist away, fingers closing around it and shoving, and Ilya let it drop and brought it straight back up to grip Shane's neck instead, his thumb pressing into the hinge of his jaw. Shane's hand came up again, clawing at his fingers, trying to pry them loose, and Ilya released his neck and slid his palm around to Shane's back instead, dragging it up the length of his spine under his sweater.

Shane shuddered so hard his knee nearly buckled.

Ilya looked up at him.

His eyes were squeezed shut, lips pressed tight together around whatever he was trying to say, the flush burning all the way down his throat. Ilya reached up and grabbed a fistful of Shane's sweater at the chest, found his pec through the fabric, and squeezed. Shane's free hand came down and shoved at his wrist, hard, stop, stop it, he mouthed, and Ilya let go, smoothed his palm flat against Shane's ribs instead, rubbing slow circles against his back.

He tried to slip two fingers into Shane's mouth.

Shane bit down on them. Hard. Wrenched his head sideways and pushed Ilya's hand away with enough force to be unambiguous.

"No, don't— don't send—" Shane whimpered around the words. "Fine, mn— no, I'm not having a panic attack. Maybe— fine, come, fine, I don't care. I'm going— don't call back— I'm in the middle of something. Love you too."

The landline hit its receiver with a crack.

Shane's head fell back and cracked against the cabinet behind him, and he moaned, open-mouthed, his whole body finally letting go of the restraint it had been holding.

Ilya took him deeper.

He got both hands under Shane's thighs and lifted him. Shane landed hard on the edge of the counter, the plates rattling, and Ilya didn't stop, didn't slow, just followed him up and kept going, pulling Shane's hips to the edge of the counter and pinning them there. He grabbed both of Shane's hands and spread them flat on either side of him.

Shane groaned, his hips jumped up into Ilya's mouth.

Ilya let go of one hand. Slid his palm up under the hem of Shane's sweater, across the flat of his stomach, feeling the muscles contract hard under his touch. 

Shane's freed hand went straight to the back of Ilya's head. He pressed down, pushing Ilya's throat as deep against his cock as he would go, and Ilya let him, took it, let himself be used, his eyes tracking up to find Shane's face—

Shane's eyes were squeezed shut, his mouth open, his head tipped back against the cabinet. The flush had gone all the way down his neck, and his chest was heaving, and his hand was shaking where it gripped Ilya's hair, and he came with a long, broken groan that went all the way through him and straight down Ilya's throat.

 


 

The lamp on the side table threw Ilya in honey. All of him, the curl of his hair, the line of his jaw, the downward cast of his eyes at his phone, washed in warm orange-yellow, like something painted rather than real. Like something Shane could look at forever. 

So he looked.

He had the book open across his chest, his thumb hooked in the spine, and he had been on the same page for forty minutes. The words kept sliding off his eyes without sticking. He would get to the bottom of the page, realize he had absorbed nothing, and go back to the top. Over and over, the same paragraph, the same sentences rearranging themselves into nonsense, because what his brain actually wanted to do was watch Ilya scroll through his phone in the lamplight and try to figure out what his face was doing.

Their feet were touching. Both of them stretched out with their legs toward each other, the soles of their feet pressed loosely together in the space between the cushions. It was the only contact. After the argument that afternoon, and then the smaller one two hours after that, it was the only contact either of them had reached for, and it had felt, when their feet had found each other almost by accident, better than sex. Almost.

Shane pressed the corner of the book's spine into his chest and looked at the ceiling.

The thing was, Ilya wasn't wrong; that was the worst part. Ilya wasn't telling him what to do, wasn't building a version of Shane's future and installing him in it the way other people always had—coaches, his parents, the org, all of it. Ilya was just waiting. Watching Shane the way you watched someone who had been told they could pick any door, who had forgotten how to pick anything.

What do you want, Shane?

It should be a simple question. It should be the easiest question in the world. He had spent so many years wanting things, wanting to win, wanting to be good, wanting to be good enough, wanting Ilya to look at him the way he looked at him now—and all of that wanting had been pointed at something external, some mirage of perfection that he was trying to get to. And now the external stuff had fallen away, and he was left here with his feet pressed against Ilya's and no map.

His parents had been on the phone for six minutes. Release a statement, Shane. Come home, Shane. Let us handle it. What are you going to do about hockey, what are you going to do about getting resigned, about Rose–

About what, he kept thinking. About the fact that my entire career is over? About the fact that I am in love with Ilya Rozanov and I have been for years, and I don't actually know how to be ashamed of that, even though I understand I'm supposed to be?

He had tried to explain this to Ilya, later, in the kitchen, in the stumbling half-articulate way he explained things when he was too tired to be careful with words, and Ilya had listened and then said something that made sense, and Shane had gotten angry at him for it making sense, because it making sense meant Shane had to act on it, and he didn't know how to act on it.

And so they had fought again.

At least like this, quiet, not talking, not trying to figure things out, it was a respite. Shane could just exist in the room with him. Could press his feet against Ilya's feet and look at the ceiling and feel, underneath all the churning anxiety and exhaustion and fear, the simple fact of I am here, and he is here, and we love each other. That had to be enough, for right now. Just that.

"I could marry Svetlana."

Shane's head rose slowly from the book.

"She's American." Ilya didn't look up from his phone. His voice was completely casual, the same tone as pass the salt or the traffic was bad. "Would be easy citizenship. She would do it."

Shane stared at him.

"Her father is goalie Sergei Vitrov—"

"Yeah," Shane said. "You've told me."

He was surprised it didn't come out sharp. He had expected it to come out sharp, that furious thing that had been sitting in his chest since his parents' call, finding a target. But what came out instead was almost nothing, because what was underneath the anger was something much bigger and much worse, and it was using all the available resources just to sit there, burning a hole through him from the inside.

Svetlana. Svetlana.

He knew Svetlana. He had spent a year building a very careful, studied disinterest in Svetlana based on her Instagram account. She was beautiful. She liked hockey. She had known Ilya his whole life, had seen every version of him, and had stayed. And she was a woman. A woman who probably didn't need to be talked down from ledges, who didn't require medication management, or go blank and unreachable when something went wrong.

"She would help me," Ilya said, in a little sing-song voice, still looking down at his phone.

Shane felt his eyes go hot.

He looked at his book. Then at Ilya. Then, at some distance between the two of them that didn't have Ilya's face in it.

What was even on his phone? What was so interesting? Was it her? Was he already—

He shook his head. 

"But." He heard his own voice waver slightly. "Is she— Is she, I don't know. Somebody you'd want to marry?"

The words he didn't say sat in the space around the ones he had. Do you want to marry her? Would you rather marry her than marry me? Which was insane, categorically, obviously insane, because they couldn't get married. Two men who were still active players. Two men who were, one of them at least, standing in the middle of a dating scandal so spectacular that half of Twitter had developed a parasocial investment in it. Two men, one of whom was the subject of hot Deux Moi gossip. Sure, let's announce that Lily is actually Ilya Rozanov, Captain of the Boston Bears. While we're at it, let's light the rest of it on fire.

"We are friends," Ilya said. He flicked his eyes up, and they finally met Shane's. "We would be fine."

Shane couldn't hold them. He looked away, his jaw clenching down hard, the muscle jumping in his cheek.

"It's just for the passport, Shane."

Just for the passport.

As if that made it better. As if that made it anything other than what it was, Ilya, looking at his future and Shane in it, and deciding that Shane was not enough of a reason to stay. Not a concrete enough reason, not a legal enough reason. The citizenship was more important, more practical, more real than whatever this was.

And saying it like that—just, as if Shane was being irrational, as if Shane was the one making it weird—

Not Ilya, who drove eleven hours through the night to find him. Who launched himself into a freezing cold lake, and said I love you against his wet hair while they both shook. Right, Mr. Fucking Rational, sucking his dick on a May morning in the middle of Shane Hollander’s kitchen whilst he was on the phone to his parents. 

The walls had gotten closer. He didn't know when that had happened. The lamp that had been warm a few minutes ago was too bright now, pressing against his eyes, and Ilya was right there and also completely unreachable, still on his phone, just for the passport Shane, and Shane's lungs were failing, the air going in but not landing anywhere useful, just cycling through him without doing anything, and he couldn't—

He couldn't sit here anymore. He couldn't keep his hands still. His skin felt like something was moving underneath it, like if he didn't—

The book left his hands.

His arms just— did it. And he heard it catch the side of Ilya's head with a hard thwack and Ilya's "Blya—" and his phone hitting the cushions, and Shane was already up, already moving, because staying in that room for one more second with that sentence still hanging in the air was not something his body was going to allow.

He was across the living room and up the two steps into the kitchen before Ilya had gotten to his feet, his socks loud against the floorboards, his chest so full that if it got any bigger, his ribs would go.

"Shane, what are you doing—"

"Nothing." He didn't turn around. "Leave me alone."

"Do you never get tired of throwing things? Of starting fights?"

"No." He hit the bedroom doorway and grabbed the frame. "I don't. Maybe I would if you stopped being a clueless idiot eighty percent of the time."

He heard Ilya stop behind him for one second, then his feet picked up again, faster.

Oh.

Shane moved. He got through the bedroom doorway and threw the door closed behind him with everything he had, both hands, his whole weight, and felt the resistance of Ilya hitting the other side almost simultaneously, the wood shuddering in the frame, and he got his fingers around the lock and twisted.

He stood there with his forehead almost touching the door, his palms flat against it, his breath coming in these short, useless bursts that weren't doing anything, feeling the solid push of Ilya on the other side through the wood.

Shane flinched as he felt a fist hit against the other side of the wood. 

"Shane." His voice came through the door muffled. "Did you lock it? Why did you lock it. When did we start to lock doors?"

Shane almost laughed, almost. The sound built in his chest and came out as a gasp. Three days. They had been doing this for three days. When did we start— when did they start doing any of it, confessing their love and cuddling and spending all day touching each other and making pancakes, when did any of this become something that had a when?

He was hyperventilating. He could feel it, and he knew that stopping Quetiapine cold was probably doing something to him, had read about withdrawal once at two in the morning the way he read about everything, lying in the dark on his phone, and yes, this, the spinning and the burning and the skin-crawling and the sense that everything was simultaneously too close and completely unreachable— yes, he thought he remembered reading about this.

He sat down on the corner of the bed. Pressed both palms flat over his eyes, hard, until the darkness behind his eyelids went red and then yellow, and he focused on that instead of on the room.

"Shane, please, unlock the door." Ilya's voice through the wood. "It is because of the marriage, yes? I told you. It is just for citizenship. It is just a suggestion, Jesus Christ, Shane—"

"Leave me alone." He dragged his hands from his eyes to his ears and pressed his palms in, muffling him, and closed his eyes and rocked forward and back on his heels, trying to find the rhythm of something, his own heartbeat maybe.

It didn't work.

Because it hurt. Not just the Svetlana thing, not just the unknown, but physically, as if the cottage had collapsed around him and buried him under it, the weight of the walls and the ceiling pressing him down through the floorboards, through the foundation, through the grass and the dirt and the cold rock underneath, down and down, deep into the core of the earth where it burned, God it burned.

And as he fell, there was no one with him.

Ilya had let go somewhere around the continental crust. Of course, he had. How could Shane expect him not to? How could he expect Ilya to hold his hand through all of this and carry Shane's weight and carry his own, all the things Ilya was dragging around with him, his own diagnoses, his own family, his own career on the other side of this week? Ilya only had two hands. Two hands, and Shane kept filling them.

What did that look like, practically? Them, practically. Two cities, two teams, two people who were each, on their own, barely. Their lives were not compatible, because no matter how they worked, their lives ran in opposite directions, and the bubble would pop, and when the cottage finally stopped being the whole world—

Could Shane hold it up himself? Could he hold any of it up? Or would it come down on top of him the way it always did, the way it had done a few days ago, and this time there would be no one positioned to catch him because he had used Ilya's hands up already.

A loud bang against the door.

Shane flinched so hard his teeth clacked together. His eyes snapped open.

The door moved, the hinges releasing, and then the door came fully free of the frame, and Ilya set it against the wall with a thud that shook the floor underfoot. A hammer set in the doorway and a screwdriver rolled across the hardwood and came to rest against the baseboard near Shane's feet.

Shane looked at it, then at the empty doorframe, then at Ilya.

Ilya's chest was heaving. His hair pushed back, his sleeves shoved up past his forearms, and his face— it was like back in Boston, his eyes blown wide and dark, every muscle in his jaw and brow trembling with an open, undefended terror.

He crossed the room and dropped to one knee in front of Shane, both hands closing around Shane's, tight, his thumbs pressing in.

"Moy lyubov." Said carefully, like he was talking to a frightened animal. "Are you okay? Can you hear me?" He was already turning Shane's wrists over, scanning them, his thumbs running along the insides. Then his hands came up and pushed Shane's hair back from his forehead, pressing gently along his hairline, checking.

Nothing there, just the scar running across it.

Shane sniffled.

"Okay." Ilya exhaled, "Okay." He sat down on the bed beside Shane and got both hands on his shoulders and shook him gently, just enough, and Shane's body went with it. "Don't do that again." He said it quietly, exhausted. "You really scared me. I don't care if you want to throw books at my head, but please do not lock the door."

Shane looked at his own hands in his lap and watched a tear land on his palm.

"You hear me. Tell me yes."

"Shane. Tell me yes."

"Yes." He whispered. He pressed the back of his hand hard across his eyes, and Ilya took his hand gently, put it back down, and wiped under both of Shane's eyes with his thumb.

"Can you tell me—" Ilya stopped, he shook his head at himself. "No. Can you tell me how you are feeling? I do not understand, Shane."

Shane shrugged, squeezed his own thighs. The whole thing felt stupid now, sitting here in the consequences of his breakdown, the door against the wall, the screwdriver on the floor, him on the corner of the bed, having cried in front of Ilya for the second time today. He clenched his jaw.

Ilya's knuckles ran gently along his jaw. "Hm?"

Shane looked at the floor.

"Don't marry Svetlana." It came out gritted through his teeth, and then kept coming, the floodgate pouring out of him all at once. "Why do you need to marry her? Why do you need citizenship now. I don't understand. I thought you wanted to be with me. I thought you needed me. And I don't care if it's only a friendship marriage, I don't, because you shouldn't— I don't want you to be with anyone else. I don't want you to love anyone else. I don't want you to live with anyone else. I'd rather die than let it happen. It's not fair. It shouldn't be allowed. You're not allowed to. There shouldn't be any space left in your heart for other people with me in it."

He heard himself say all of it, heard exactly how it sounded, and yet he meant every single word so completely that his teeth ached from pressing them together. He knew this was not a normal thing to say to another person, that this was not proportionate, that a therapist would have thoughts about this, and he could not bring himself to take back a single syllable of it.

Ilya’s hand came off Shane's jaw; he set it in his own lap and said nothing.

Shane stared at a knot in the floorboards and breathed through his nose and waited for Ilya to say something reasonable that would make Shane feel insane for feeling any of this.

Ilya inhaled slowly.

"Shane." He whispered, "There is no one. There is only you." His arm came around Shane's shoulders and pulled him in, and Shane's head dropped against his shoulder without any resistance at all. "I only want citizenship to be with you." He stroked the side of Shane's head, holding it against his shoulder. "You hear me, solnyshko. I never want to leave you alone." His thumb moved against Shane's hair. "If you don't want me to marry, I will never marry. Don't cry, please, moy malenkiy plaksik. I will figure something out."

 


 

The bedroom was pitch black.

Through it, he could make out the shape of Shane sitting up against the headboard, his silhouette, just that, but Ilya knew it the way he knew his own hands. The short tufts of his hair coming out soft against the dark, the straight line of his nose, the lashes, those extraordinary lashes, standing out further than anything else on his face, catching some thin light from nowhere. Ilya could close his eyes and map every plane of Shane's face with his fingers. Could find each freckle by memory alone, the constellation of them across his nose and cheeks, could connect them all without looking. If Shane ever left him—which he will never do, the thought came, and Ilya pressed it flat immediately, never, not possible, he would not allow it to be possible—but if he did. Ilya could rebuild him from nothing. 

Shane sighed. His head fell back against the wall.

This had been getting to him all day. Ilya could feel it, had felt it all through the afternoon and the arguments and the door coming off its hinges and the long unraveling on the bed. Not knowing what came next, the terror of that was distributed unevenly, pooling in the wrong places, pressing down on the parts of him that were already the most tired.

Ilya felt the pull of guilt move through him and let it.

He wasn't sure, exactly, which thing Shane had needed him to do, and he hadn't done. He thought—he had been thinking about it for hours, lying here in the dark—that Shane had expected a transfer. That after the leash had passed from his parents, from hockey, from the expectation and performance, Shane had expected it to land in Ilya's hands. And Ilya understood the logic of that. He understood the comfort in it, the relief to have someone simply decide and say here, go here, do this, become this.

But he wasn't going to do it. He couldn't do it. He could keep Shane in his hands forever, but he would not choose the shape of the life he kept him in. He had watched what that did to people. He had watched his father choose the shape of his mother's life, and he had watched her dissolve into it, slowly, like something being absorbed, until there was not enough of her left to save.

No.

What he wanted to be was what Scott had been for him. What his mother had been, now in death. Not a hand that picked you up and placed you down somewhere else. A sign from God, pointing toward the shimmer of light drifting across the lake. A mirror at the foot of the bed, present whether you wanted to look at it or not, reflecting back the thing you were too tired or too frightened or too broken to see in yourself, that change was possible. That redemption waited for those who wanted it badly enough to reach.

And Shane was smart. Shane was holy. Like everything else he decided to be good at, he would be good at this, too. Ilya was certain of it.

The lamp flooded on.

Ilya groaned, flinching, his eyes screwing shut against the sudden brightness pressing into every corner of the room. He blinked, his vision adjusting in stages. Shane's hand moved along his shoulder, then ruffled into his hair, and Ilya turned his head into it without deciding to, greedy.

Shane settled in beside him.

"I have another idea," he said.

Ilya turned, blinked up at him.

Oh. Just— look at him.

His brows were drawn down gently, still carrying wherever his thoughts had been taking him in the dark. His pupils were big in the low light, swallowing almost all the colour of his irises, moving across Ilya's face in small searching passes, already reaching— already, with those perpetual grabby hands of his, reaching for Ilya's response, his confirmation, yes this is good, yes you are good, yes Papa loves you. Dear Shane. Dear, dear Shane. Ilya wanted to tuck his hands under his arms and lift him up and carry him around for the rest of his natural life, if God had the grace to allow it.

"What idea," Ilya said. He let the sleep stretch through his voice, performing a yawn he did not feel, because the truth was he was winded, taken completely off guard by the beauty of the thing lying next to him, looking at him like that. "What is happening?"

"What if I came to Boston?"

Shane said it quietly. Flicked a piece of lint off Ilya's chest. His face was very close, hovering, watching.

Shane in Boston.

The idea had lived in him for longer than he could name. Had never made it past his subconscious, had never been allowed to become a real thought, something he could hold and see in full daylight— just a thing that fed the dreams that left him awake afterwards, breathing hard, his boxers ruined, staring at the ceiling of his apartment while the city went about and he lay there trying to remember that some things were not possible. Shane on his team. Shane in his city. Shane across the locker room from him every day.

Shane found this idea on his own. In that extraordinary, complicated, sprawling mind of his.

His mouth opened slightly.

Shane swallowed at it, already misreading it, already seeing hesitation where there was none. No, Ilya thought. No, you have it wrong, my heart. This is exactly right. This is the thing I have dreamed of, and you came to it all on your own. 

"Just listen." Shane pressed his hand flat against Ilya's chest. "First off, we would be on the same team, the same city. Second, Boston needs another good center. I could play second line, and you're nowhere near your cap—" he pressed in slightly— "so you could definitely afford me. And maybe we could." He inhaled."Change the narrative."

Ilya squinted at him. He could guess at narrative from context, probably, but why guess when he had his own personal translator lying beside him in the dark. "Shane, I just woke up. What is." He rubbed Shane's thigh through the duvet. "Narrative."

Shane made a noise of pure frustration, a little sputtering exhale, and his head fell back. Ilya wanted to lean across and press his mouth to his throat where it was exposed, to the bob of his Adam's apple, but this was too important. After.

"Boston and Montreal," Shane said, righting himself. "That's intense. Everyone knows that. But me transferring teams— look, it makes sense for us to be best friends if we're on the same team. We're not rookies anymore. There are younger guys coming in, frothing at the mouth." He raised his hand from Ilya's chest and gestured between them. "Let them hate each other. We're not fucking wrestlers. Feelings can change, right? People get that."

He was winding himself up. Ilya could see it happening in real time, the way his eyes creased at the corners around a smile he wasn't letting reach his mouth yet, still holding it in, still waiting, still reaching and reaching for Ilya to take the idea from him and say yes, you did well.

Ilya had to slow him down, or he was going to combust.

"Shane, Shane, ok." He raised one hand. "It's very late. This is so many words. What are you getting at?"

Shane hid his face against the pillow for a moment."We start a charity. We come up with a story, like, you approached me out of sportsmanly concern, and we tell the press, we tell everyone, that by bonding over this cause that we both love, we've developed a mutual understanding and respect for one another. And we're close friends now. And we." He paused, swallowed. "Um."

"And we like sucking each other's dicks." Ilya raised his brows.  "Any questions?"

"Fuck off, this is a good idea, Ilya."

It was. It was a good idea. It was, in fact, almost perfect. "Ok," he said, nodding, letting his eyes fall half-closed. "Ok. It's not bad. So we start a charity."

"Yeah, and it wouldn't be bullshit either. Like, we can really start a charity, something that means a lot to both of us. And you know, we'd play hard with each other on the ice, which would help."

Ilya chuckled.

"Shut up." Shane's hand moved to rest against Ilya's jaw. "And then if we're constantly together, it wouldn't be so crazy, people would get it. And we're in the same city all year round, we could even live together if we wanted to." His thumb stroked along Ilya's jaw, and Ilya let his eyes close into it. "And you could apply for citizenship in America, I'm sure you could get it, we can talk to my mom and—"

Ilya opened his eyes and looked at him.

At his lips, moving around the words. In the way each thing that came out of his mouth arrived like something molten, going directly into Ilya's chest and settling there, filling in the places that had been torn open, building them back up cell by cell. An angel. Here he was again— forgoing everything he wanted, arranging everything in relation to someone else, building a whole future with Ilya as its base and not a single room in it that was just for Shane.

Which was good. Almost everything Ilya did was for Shane, too. But.

"And what about you?" Ilya said.

He cupped Shane's cheek in his hand. Watched Shane's nose wrinkle in confusion even as he leaned into the touch, helpless, like he couldn't stop himself. "What do you mean." he grumbled.

"This will give you a fresh start." Ilya shifted, sitting up slightly. "But to really have a fresh start, you cannot just run away from some things and fix other things."

Shane's mouth fell open slightly. He bit his lower lip. "Oh." His voice went quiet. "You're talking about the texts."

"Yes, Shane. What will you do about that?"

"I kind of just thought." Shane shrugged, looking away. "That I would leave it alone. That people could hate me if they wanted to. I would just focus on hockey and," He flicked his eyes back to Ilya. "You."

Ilya brought both hands to Shane's face. Ran his thumbs slowly across his cheeks, over the freckles there, each one, every one. "You would not be okay with people hating you. With them having the wrong idea about you." He said it quietly. "And you don't deserve for them to hate you, Shane."

Shane's brows started to pull down. "No, I—" He stopped. "It's fine."

"No." Ilya brushed his thumb across the other cheek. "It is not fine. You made mistakes. We all make mistakes." He took Shane's hand and lifted his wrist to his mouth and pressed his lips against the inside of it. Then, gently, he bit down. "Here." He looked up at Shane over the line of his wrist. "If I bite you here, you will bleed, yes? This is because you are human. And like all humans, you can also be wrong." He kissed the place he had bitten. "Just because you are wrong, it does not mean you have to be hated. Or have to —" he paused— "to die. Shane is just as important. Just as real as Hollander is. Just as loved, by me, by his loved ones, as Hollander is."

He watched Shane's eyes.

In this light, they were very dark, so dark they had gone navy, but not the navy of the Atlantic, not something that shallow or that mapped. Deeper. The colour of the sky at the point where it stopped being sky and became something else, somewhere past the last place light reached. The night sky. Shane's eyes were as large and sprawling and complicated as the night sky. From far away, maybe, they looked flat, unchanging, the same forever in every direction. But really and truly, they were this vast and shifting thing, impossible to fully account for, unable to be explained by anything simpler than themselves.

The greatest mystery available to man.

And as Ilya watched, little lights started to come on in them. One by one, blinking awake, the sky was getting wetter and wetter as they multiplied.

"You know why, Shane?" Ilya asked.

Shane shook his head. 

"Because Shane and Shane Hollander are the same person."

Shane's mouth opened. His eyes went wide, genuinely, completely wide, as if this was the most shocking news he had ever received, that he mattered, that he mattered as much, that the person underneath the name and the jersey and the career was not a separate and lesser thing but the same one, the real one, the one that counted. His mouth opened, trying to form something, trying to find the name of whatever was sitting in his chest, and couldn't, and closed.

"I think that Shane deserves to figure out who he is." Ilya moved his hand to Shane's chest and spread his fingers wide across it. "What he likes. What he doesn't like. What makes him feel good and bad. Deserves to learn these things for himself, without other people telling him. Maybe, just helping him." Me, helping. He held his gaze. "And when Shane is honest, to me, to Rose, to his parents, yes. I think things will be okay for him." He leaned forward and brushed their noses together.

"But what if," Shane mumbles.  "What if they don't like who Shane is." He sighs, "What if I don't like who Shane is?"

"Mm." Ilya hummed. He did not look away. "Well, I like Shane. I like Shane very much. And I think that maybe his parents, and Rose, and everyone else Shane loves, know him much better than he thinks they do."

Shane's mouth shifted sideways, unconvinced but wanting to be.

"And regardless of what anyone thinks." Ilya held his face in both hands. "Shane deserves to be himself."

Shane's eyes twinkled.

"Shane deserves to live."

"I think I —" Shane blinked. Surprised by himself, by the thing he could feel forming. "I think I want to."

Ilya's whole body shuddered.

He hadn't known his eyes were already wet until the tears reached his jaw. He felt every cell releasing the breath it had been holding for three days, for longer than that, for every day of every year that Shane had been somewhere in his life and also somewhere Ilya could not reach him.

Shane in limbo had put Ilya in limbo, too. He understood that now, sitting here with his eyes wet and his chest cracked open, that he had been dangling alongside Shane this whole time, both of them hanging between the water and the surface, refusing to break through, waiting. And now Shane had broken through, and the air was arriving in Ilya's lungs in great flooding rushes, and all that built-up energy, all of it, had exactly one place it wanted to go.

"Hey," Shane said, smiling, and he leaned forward. Their foreheads pressed together.

"Say it again," Ilya pleaded. 

"I want to live." Shane's eyes were soft and certain and right there. "I think I want to so much that it scares me now."

Ilya kissed him. And then turned them, pressing Shane back gently against the bed, hovering over him, and Shane went easily, his hands coming up to find Ilya's face, and Ilya pressed his mouth to Shane's chest, right over the heartbeat, and breathed him in.

"Ya ne mogu bez tebya zhit."

He moved up to Shane's throat. 

"Ya ne mogu bez tebya zhit." Said again, because once wasn't enough. Because he had been holding this in his body for so long that it needed to come out more than once. He found Shane's mouth, and Shane's hand came up and held his chin, fingers firm, and kissed him like he was trying to keep Ilya from going somewhere, his tongue sliding in, and Ilya whimpered and pressed closer.

He pulled back, pressed their foreheads together, and sniffled. Shane cupped his face in both hands."I cannot live without you," Ilya said. In English, finally. Plain and completely without defense.

"Holy shit," Shane said.

"I mean—"

"I would die without you," Shane interrupted him, looking straight up into his eyes. Meaning every word of it.

"Fuck, Shane." Ilya squeezed his eyes shut, and the tears came properly then, flooding out, and he stopped trying to stop them and just let himself collapse forward, onto Shane's chest, all his weight, all of it, shaking and wet-faced.

"Oh my God, I love you so much," Shane said into his hair. His arms came around Ilya's neck, and his fingers closed in his curls, holding on tight. Ilya pressed his face into Shane's chest and felt his ribcage move with his breathing and let himself, really let himself, be held there.

"I was so scared." His whimpers were muffled against Shane's chest. "I was so scared I would not make it in time. That you had really— that you were really gone, and that I would be alone. Even before. Every time you left me, every time we were apart, I was so scared. Like I was dying."

Shane's hand moved along the back of his neck. His thumb behind Ilya's ear. His lips against Ilya's forehead, pressing in, staying.

"Does it—" Shane's voice was barely anything, muffled in his hair. "Does it fucking kill you too?"

Ilya turned his face into Shane's chest.

"Not anymore," he said.

 

Notes:

in my opinion, the hottest sex scene in the fic so far. imagine if i ended this here haha.

moya lyubov: my love
Solnyshko: sunshine
moy malenkiy plaksik: my little cry baby

Chapter 18: Shane, Not Hollander

Notes:

i ship shane hollander and talk therapy, i ship me and filler chapters

song recommendation is Nothing's Gonna Hurt You Baby by Cigarettes After Sex

(See the end of the chapter for more notes.)

Chapter Text

June 2017

The flowers on the windowsill had been catching his eye for the past ten minutes.

He didn't know what they were, but they were small and yellow and sitting in a white ceramic pot with a chip out of the rim, and the sun was coming through the glass behind them in long, warm panels that lit the whole office in that particular yellow of early June. It fell across the rug, across Ayoka's desk, across the notepad resting on her knee. Everything in here looked like the inside of a greenhouse. Shane had been watching the shadow of the window frame move, very slowly, across the floor.

He liked this office. That had taken a long time to be true. There had been months where walking through the door had felt like being turned inside out, where sitting in the chair across from Ayoka had felt like being pinned to a board and examined. Now it just felt like sitting in a room he knew well on a chair that had the right give in the right places.

He flicked his eyes away from the flowers and looked at her.

"So," Ayoka said. "It's been a couple of weeks since I last saw you." She said it lightly, without accusation, her pen resting loose against the page.

Shane adjusted his hands in his lap, sitting up slightly in the chair. "Yeah." He looked at his palms for a moment, then back up at her. "Sorry, um— it was probably a bad idea for me to cancel our last session, Ayoka, but." He stopped, smiled, a short, slightly sheepish thing. "You know, I think talk therapy is working. I was about to say life got really busy, and then another voice in my head interrupted."

Ayoka's mouth curved. "Yeah? What did it say, Shane?"

"It was like—" He shook his head slightly, his smile tilting. "You shouldn't let other things take priority over your mental health, Shane." He said it in a flattened version of his own voice, the internal monologue voice, and it came out slightly ridiculous. "And I know I shouldn't. But life really did get in the way."

"Mm." She tapped her pen twice against the page, settling back slightly in her chair. "True, very true. We shouldn't forgo our routines, our coping mechanisms, the techniques we use to keep us grounded. Making time for yourself, it matters. But nobody is perfect." She pauses. "What I do think is important is that we keep our sessions somewhat regular. As your life starts to be filled with other things—"

"Responsibilities," Shane said.

She tilted her head at him. "Why do you say responsibilities?"

He tapped his fingers together, his eyes moving briefly back to the flowers before returning. "I mean, that's what they are, right? I think before, I kind of thought a responsibility was just something you had to do for the sake of it. An obligation. Because I had some." He paused, searching for the word. "Moral duty to act a certain way, do certain things." He pressed his fingertips together. "But it can also be what I want to do. So yeah. Responsibilities. My life is no longer just— going from office to office and being locked in my room." He said. "Which I understand why that had to happen, kind of. But thank fuck it's not like that anymore. Or it won't be entirely like that."

Ayoka smiled at him and wrote something down. "It's exciting. You've come a long, long way. Good things happen when we take care of ourselves." She let that sit for a second. "But let's remember how overwhelming things can be when we start them all at once. It's important to let yourself adjust slowly. To keep checking in."

Shane nodded.

She glanced down at her notes. "So, two weeks."

"Yeah, I think so." Shane looked past her, at the puppy calendar on the wall behind her head. His eyes kept dragging to the two tufts of fur at the top of the golden retriever's head on the June page. He had looked at that calendar every session since February. "I got back from the cottage on the 27th and I saw you that Tuesday, so—" He did the math. "Damn. Yeah. Fourteen days." 

"And how have you been, Shane." She said it as an open thing, not a question with a specific answer expected. "Let's check in."

Shane inhaled deeply. He let his eyes close, pressed both palms flat against the armrests, pushed his feet down firmly against the floor, feeling the resistance. One breath, two, three, he counted them slow, the way she had taught him, filling from the bottom of his lungs first, four, five. Then he let his eyes open again.

"Right now, I feel calm." He considered. "But if I'm honest I kind of just want to go home, so, probably impatient too." He shifted slightly in the chair. "The past two weeks has been okay. Better days and worse days, which is probably my fault because I stopped taking my meds." He said the last part a little quietly. "The past few days has been good, though. I feel good on this dose."

"So you feel good." Ayoka crossed one leg over the other, settling. "Why do you think that is?"

"Uh." Shane chuckled awkwardly. "A big part of that is Ilya. He's been with me the whole time, we've been spending a lot of time together. And he is always—" He paused, trying to find the word, and couldn't, and did something with his hands instead. "He makes me feel comfortable. Even when my whole body is—" He brought both hands up and made a slow, contracting motion, fingers curling inward, everything collapsing toward the centre. "Swallowing in on itself. He's never too much or too little."

Ayoka nodded slowly and wrote something. "Yeah, we talked a lot about Ilya in our last session. I know he's been an important part of your recovery. It's great to have a partner you can relate to— really reduces a lot of the pressure around interacting, right? Not too much masking?"

"Yeah." Shane nodded.

"Perfect, I love to hear that." She hummed, tilting her pen. "What are some other things you're grateful for, that have made the past few weeks feel like good ones? What does good mean to you right now, Shane?"

Shane furrowed his brows slightly. "Loaded question." He pushed his bottom lip out to one side, thinking. "Can I just list stuff?"

"Of course you can."

"Okay." He exhaled. "That's easier. Uh, good things, things I'm grateful for." He looked at the ceiling briefly, gathering. "I'm grateful for the weather. It's been really, really good in Ottawa. I'm sad I missed a lot of the sun while I was in Boston— but I took a lot of walks when we got back from the cottage. By myself. I would walk for like two hours around the canal, just to think." He looked back at her. "I'm grateful for thinking. That my thoughts aren't, um, running around in circles anymore. That I have the energy to work out and run, and that I can do those things without thinking about food." He pauses. "I am grateful for food. Really good food. My dad has been cooking so much. Him and Ilya kind of bonded over it— I've gotten to try some authentic Russian cooking.”

Ayoka's eyebrows rose with interest. "Oh yeah? Wow, it must be really authentic if Ilya's making it."

"I think so."

"Do you have a favourite dish?"

"This thing called okroshka." Shane settled back slightly, something relaxing in his shoulders as he said it. "It's a cold soup, made with kefir and vegetables. Radishes, cucumbers, potatoes. It has meat too but we make it with fish." He hums. "I like it because I can eat as slowly as I want. I've been trying to eat slowly, take small breaks when I need to. When I do eat a lot, I kind of rush it. Which makes sense, my body thinks I'm going to suddenly take the food away again." He said that plainly too, without drama. "Anyway. I can eat it slowly and I don't have to worry about it going cold."

Ayoka let out a short, delighted sound. "A cold soup? That's perfect for summer. Damn, Shane, you're going to have to write down the recipe for me." She pointed her pen at him.

Shane scoffed. "Yeah, I'll email it to you."

She smiled and wrote something, then slowly lifted her eyes back to him. "Okay. The sun, good food, moving your body, Ilya." She said them as she wrote. Then she paused, pen still, and looked at him with that expression, waiting, patient, slightly amused. "Anything else?"

Shane looked at her blankly for a second.

Then he squinted.

Then his eyes went wide. "Oh. Right, yeah." He blinked. "My parents." He paused, considered. "It's actually— I'm grateful for them. But I think I'm most grateful for having the opportunity to take a break from them. Spending a few days in Boston was good. I got to actually go outside with Ilya."

"Huh." Ayoka tilted her head. "That's interesting."

Shane shrugged, adjusting in his chair. "My mom says it's a good idea to start soft launching the whole best friend thing, giving the media clues before the press run. And, I’m not locked up like a defacto disney princess anymore. So, hitting two birds with one stone." The corner of his mouth pulled up. "A break let me actually reflect on my feelings."

"In regards to coming out to them?" Ayoka asked. "Or just your general feelings about your relationship with your parents?"

"Both, I think." He turned his hands over in his lap, looking at them. "I mean, it was all so sudden. Which was good, if it wasn't sudden I would have been able to think about it, and if I thought about it I would have spiralled and then chickened out. It was just thing after thing. Ilya suggesting I come out to them, and then the next morning I was telling them that yeah, it's probably a good idea for them to come and see me, because I needed my meds obviously, and I wanted to talk—" He paused, and a small, smile moved across his face, softer than the others. "And then just like that, I was standing in their kitchen with my—" He stopped. The smile widened slightly, and he let it, pressing his lips together around it for just a second before he said it. "Boyfriend. And my parents." He shook his head. "I think I kind of speed-ran the whole thing, maybe. Fuck."

Ayoka looked at him steadily. "Do you think you rushed into it? If it wasn't Ilya's suggestion, maybe, Shane, you would have done it differently. Taken your time." She opened her palms. "But I do understand that sentiment, that if you took your time, second-guessed yourself, you would have been perpetually waiting for the right moment. The present is the right moment. And if you felt ready—"

"Yeah." Shane nodded slowly. "I don't know. I've just—" He pressed his thumbnail against the pad of his finger, looking down. "Just been thinking."

"Want to tell me about it?"

Shane looked up at her. Then at the flowers on the windowsill, bright and yellow in all that hopeful sun. 

"Yeah," he said. "I think so."

 


 

As he crossed the back garden, he tried not to imagine every tree collapsing around him.

He shook his head against it, the flood of images that came anyway, unbidden, the way they always did: fallen branches swept by some imagined storm, tattered leaves scattered across dirt instead of grass, weeds lifting up in ragged tufts where the lawn should be. He tried to focus on what was actually there instead. The distant threading of birdsong through the tree line. The sun settling into late afternoon, preparing to dip below the lake for the evening. The grass under his bare feet, cool and very soft. His mother’s cashmere sweater, in his hands, was even softer.

Similarly, he tried not to assume that she had walked out of the kitchen because she was so disgusted and disappointed in him that she could not look him in the face. He tried to assume instead that she was overwhelmed,  just like him, and had needed a breath of this air, this clean, pine-soaked, May air.

Look at him. Not catastrophising.

Wow. Ilya's pep talk had really worked wonders.

Ilya, in general, worked wonders on him— how long did the effects last? Maybe if Shane had Ilya giving him advice twenty-four hours a day, his life wouldn't have collapsed into its current configuration of small, sharp pieces. No. He shook his head. It wouldn't have collapsed in the first place if it had been genuine, Shane. You deserve to live. You deserve to, uh, speak your truth. And that is what we are going to do.

He inhaled as he approached her.

"Hey," he said, and swallowed the crack in his throat before it could get out.

His mother turned around. She was smiling, slightly, but he had just watched her wipe at the corners of her eyes with the heel of her hand, and her throat moved as she swallowed. "Hi. Thank you."

Shane slipped the cardigan over her arms. She drew it around herself, settled it across her shoulders, and cleared her throat and looked out into the trees.

Shane looked with her.

They were beautiful, really. Lining the back garden in a dense, uneven wall, the light filtering through them in long columns. Shane remembered trying to climb those trees when he was small, attempting it, anyway, getting three branches up and losing his nerve and coming back down the same way he went. His mother had stood on this same lawn and watched him do it. 

But there was nothing out there to look at now. They were both staring into empty space, into the quiet between the trunks, and Shane wondered what she was seeing. Whether she was seeing him, age seven, clinging to the bark with his sneakers. Whether she was tracing the whole trajectory of it in her head— Shane climbing, Shane reaching, Shane touching the top of the league, the sun, just to stumble and come crashing back down hard through every branch on the way. Imagining him, right now, all bruised and battered at the bottom.

If this looked, to her, like him hitting something deeper than rock bottom.

Or, if it looked like his first attempt at climbing again.

He hoped she thought the latter.

Shane opened his mouth, closed it. He had tried, on the drive over, while Ilya's hand sat warm and steady on his thigh, the highway going past, to construct something. A monologue. The right sequence of words in the right order, something that would be sufficient, something that would account for everything he needed to say. None of it had been sufficient. None of it had come close. And now, standing here beside her, looking at the side of her face—his mother's face, the face he had looked at his whole life, the face that had been looking at the wreckage of her son for the past months—none of the rehearsed sentences were anywhere he could reach them.

"Mom, um." His voice came out stronger than he'd expected. A little pained, but steady. "I need you to know that I did really try."

He nodded, mostly to himself. Then let out a short, scoff at the understatement of it— the last few years rushing past him all at once, putting one foot in front of the other, keeping his eyes on some imagined finish line in the distance, grinding forward through the agony of it, one day at a time, and then one hour at a time, and then just one minute. He didn't know how he had done that for three years. He didn't know how he'd done it for twenty-six.

"I tried really hard," he said. "But, um." He bit his lip. "It wasn't working." He swallowed. "It wasn't working. I— couldn't keep living like that. If that was living. It felt like—" He kept his eyes down toward the grass, the individual blades. "Even before. I know maybe you think that I was okay, that this is new. But I haven't been okay for a very long time. For as long as I can remember, I think."

His jaw trembled. He pressed through it.

"I know you put a lot of work into helping me get where I am today. And I know you love me. And because of that I kept trying, since I was ten, I just kept trying, really, really hard. But I can't help it." He shrugged slightly, "And I think I've been so angry at you, for not seeing that I was trying, and I really was, I just—" He felt his eyes going hot. "I'm uh—" His voice started to come apart at the seams. "And I'm sorr—"

Both her hands closed around his arms.

She turned toward him, gentle but certain, her fingers moving from his arms to his hands, closing around them. "Oh, you have nothing—" Her voice cracked on it. "Nothing to apologise for." She squeezed his hands. "Shane, look at me."

Shane.

His name. Said so many times in the past five days with so much significance. More significance than it had ever carried coming out of a stadium speaker, more weight than it had at award ceremonies, than it had ever had attached to Hollander, a name that had been called over a team hoisting a Stanley Cup, and still, somehow, in this garden, in this light, said by his mother's voice, it had more gravity than all of that combined.

Shane. Him. Shane.

He shook his head, his eyes already closed, trying to turn away, and his mother's hands tightened around his.

"Look at me," she said.

He was terrified.

Not of judgment. Not of finding anything other than love when he opened his eyes, he knew she loved him, had never once doubted that she loved him, even when that love had felt like expectation rather than a comfort. What terrified him was something else entirely. The knowledge that when he opened his eyes, things would change. That she would see his face, actually see it, the version of it that existed without the mask he had layered on for the better part of his life, and that once she had seen it, it could not be unseen. That this was a door that only opened one way.

He opened his eyes.

His mother's brows were pulled together high with concern, her mouth pressed tight. And her eyes were wet, wetter than his, tears already moving freely down her cheeks, and she was looking at him the way she must have looked at him when he was very small, and she was memorising him, scanning across his face slowly, solidifying it. As if she hadn't truly seen this face in a very long time and was making sure, now, that she had it properly.

How long had it been since he'd let his mother look at him like this?

"I'm sorry," she said, "that I made you feel like this was something you had to do. That all of this—" her voice wavered "—was more important to me than you. That your dream was more important than—" She breathed. "Than you being okay." She squeezed his hands again, harder. "And that I made you feel like you couldn't be honest with me about it. Couldn't tell me how you were feeling, all this time. Oh, Shane."

Shane sniffed.

He felt the tears breach, felt his face pull into something he couldn't stop, a grimace, his jaw trembling with the effort of trying to hold the shape of himself together. He bent his head. Closed his eyes.

It hurt so much. He had not thought it would hurt this much, had imagined relief, but this was not that, this was something being excavated, her hands digging through his chest, through the flesh and the muscle and the bone, finding the thing that had been sitting in the dark in there since he was ten years old. That child, waiting. And her hands were around it now, and it hurt, God it hurt.

"Hey." She whispered it.

Shane opened his eyes and looked at her. Because he didn't deserve to have to hide anymore.

"I am so, so proud of you." She paused, letting it land. "Not just what you've achieved, Shane. But of you. Who you are." Her voice cracked, completely and without recovery. "My son." She looked at him. "Ok?"

Shane nodded.

His mother leaned forward and pulled him against her shoulder, her arms going around his back, pressing him in close. She began to rock them, very slightly, back and forth, and Shane pressed his face into the crook of her neck and sobbed—  let the whole thing come out of him without trying to manage it, just be there, be small, be the child.

"Please forgive me," she whispered into his hair.

"I forgive you, Mom." He pulled in a ragged breath. "I love you."

"Oh, I love you too." She gasped it. "So much."

She pulled back, both hands coming up to cup his face. She looked at him, still memorising, still taking stock, and then she began wiping at his face with her thumbs, brisk and entirely maternal, and Shane let her, his eyes half-closed.

"You okay?"

He nodded.

She laughed, a breathy, relieved exhale of a laugh, her eyes still damp, her whole chest releasing. "Ok. Ok, ok." She lifted her palms, pressing them flat into the air between them. "Enough."

Shane took a deep breath. Tried to settle himself, the same way she was settling herself— both of them blinking in the late light, the birds still going in the tree line.

"All right." His mother dropped her hands to her sides, squared her shoulders, and looked at him with an expression he recognised from every pep talk she had ever given him. Clear-eyed,  practical, already moving. "What's the plan?"

 


 

"What's the plan, huh?" Ayoka repeated. She stopped writing and looked up at him, her pen resting loose against the pad, her head tilted at a slight angle.

Shane exhaled slowly. "Yes."

"I could see how your—" She gestured toward him with the pen, a small arc that took in his shoulders, his whole posture. "How you squared up when you said that. Going from a conversation that was so vulnerable to—" she paused— "well, to something practical. What a quick switch." She settled back slightly. "How did that make you feel?"

Shane pursed his lips together, looking at her. "I guess it felt— jarring?" He sighed. "I had just let go of something that had been weighing on me my whole life. It was more than just coming out. It was like —" He frowned, searching, his fingers pressing together in his lap. "Okay, no, it was coming out. But not just about being gay. I'm not sure if that makes sense."

"It does," Ayoka said simply.

"And then just instantly switching modes." He shifted in the chair, his elbow finding the armrest. "It would have felt nice to just be present in that feeling for a bit. Actually, in the cottage, with Ilya, I just wanted to—" He looked briefly at the window, at the flowers, at the light. "Close my eyes and pretend nothing else mattered except for the fact that we were together and loved each other."

Ayoka nodded slowly, turning her pen over once in her fingers. "I think it's important to stay present, especially for you, Shane. You struggled to stay present in the past because of how painful the present felt for you." She hummed, considering. "And so the fact that you want to stay in the moment— that's a beautiful thing, right? That you actually want to feel the feelings that come with it, instead of running away from them." She paused, letting that land. "But, what did we talk about before, about extremes?"

Shane's mouth pulled to one side. "Yeah." He puffed a breath out through his nose. "Dichotomous thinking, monotropism, I know. So, what, you think I'm going from avoiding the present to avoiding the future?"

"Do you think you are?"

He was quiet for a moment, his thumb moving against the armrest. "Probably. Yeah. I do. Or at least I did." He considered. "I don't know if I still do it as much— having a plan makes it easier to not be terrified, because the unknown scares me."

"What was the plan in that moment?"

"Well—" He laced his fingers together loosely across his knee. "I told you about it before. Me being signed to Boston. That was the plan, mine and Ilya's." He paused, "And Ilya said— uh, that I should talk to Rose."

Ayoka's eyes went wide.

She flicked back through the pages of her notepad with two fingers, her other hand coming up to adjust her glasses where they had slipped slightly down her nose. "Rose!" She looked up at him with an expression of genuine, slightly theatrical disbelief. "How the— I can't believe I haven't asked you about that." She shook her head. "I'm sorry, Shane. I'm even more surprised that wasn't the first thing you told me."

Shane chuckled, ducking his head slightly. "Yeah, no, I'm kind of surprised too."

"So you did talk to her?"

"Yeah." He patted his knee once. "We spoke. I actually—" He shifted forward slightly in the chair, his elbows coming to rest on his knees. "I called her a few days after our last session. Your prep for the conversation helped, and Ilya said—" He shrugged, one shoulder. "So we called, and we talked. We talked for a while." His mouth pulled down slightly at the corners, not unhappy, just reflective. "I wish I hadn't told her as much as I did over the phone, because I wanted to do it in person. She'd actually tried to call me before, but my phone wasn't fixed yet." He turned his hands over. "Anyway, I was willing to go all the way to L.A. to see her, but she was in Miami, so when I went to Boston, we met up."

Ayoka made a small sound of acknowledgment, her pen moving. "I see."

"I booked out a restaurant— so it was just the two of us." He paused, glancing briefly at his hands. "It would have been more convenient for her to come to Ilya's, but—"

 


 

He didn't like the restaurant very much.

The food was expensive for what it was, the kind of menu where everything arrived in small, architectural portions that cost three times what they should. The wine was mediocre. And the lighting was dim in a way that was clearly trying to be moody and atmospheric and landing instead somewhere closer to unsettling, the walls going a deep red-brown in the low light, the candles on the tables throwing everything into uncertain shadow.

Rose tilted her head at him from across the table, adjusting the strap of her shirt with one finger. "It beats going to your boyfriend's house, though." She said it softly, laughing a little, something in her that was still finding its footing.

Shane felt his whole body recoil. He tried not to let the grimace reach his face. "I'm sorry," he said, looking at the table.

"Sorry." Rose leaned back, her brows pulling together. She looked at her own hands for a second, then back at him. "Sorry — I don't think I'm going about this the right way." She scratched gently at her forearm, a small self-conscious motion. "Um." She inhaled slowly, then looked up at him, and her eyes were soft. Not pointed. Just wide and careful and exactly as they had always been, and it hurt, looking at them. It hurt because he didn't deserve them, and because he understood, in a way he hadn't before, exactly how much it must have cost her to come meet him with that expression on her face instead of the one she would have been entitled to.

If it were anyone else.

Rose was, genuinely, the kindest person Shane had ever met. He didn't know what he had done to deserve a person like her in his life. Maybe good attracted good. Maybe the universe had been giving him something to hold onto during the years he'd had nothing else.

She leaned forward and took his hand.

"I don't want this conversation to be like that," she said. "I didn't come here to berate you, or hear you apologise ten times." She sighed, her thumb moving across his knuckles. "I've already forgiven you. I forgave you before you even called me." She rested both elbows on the table, settling into it. "I think I had a feeling this was never going to work out between us." She tilted her head, studying him. "We both felt it, and we both knew it. But we were so—" She pulled her hands back and pressed them together, her mouth twisting to one side, searching for the word. "I think for both of us it would have been perfect if it did. The idea of the relationship was great—" She gestured toward him, "You're great, Shane. And so I really wanted to make it work, even if that meant—" She grimaced, shaking her hands in a way that suggested she was editing herself, waving the rest of the sentence off. "Anyway—"

"No." Shane shook his head. "Tell me. We're both being honest, right? Whatever it is, it's —" He licked his upper lip. "I don't really have any place to judge. What I did was—"

"Ok." Rose reached for her wine glass. "The pegging." She lifted it to her lips and took a sip.

Shane stared at her. "You—you don't— you didn't like it?"

Rose set the glass down, raising her brows. "No, don't get me wrong. I do." She tucked a strand of hair behind her ear. "Sometimes." She looked at him. "I just didn't think I'd be doing it—" She paused. "All the time."

Shane felt heat flood his cheeks. "Oh." He swallowed. "Sorry."

Rose furrowed her brows. "I'm doing it again." She sighed, reaching across the table to grab his hand again, her grip firm. "Okay. No more talk about us, together, in that way. We both knew it wasn't working, and I wish you had just talked to me." She tilted her head at him, her eyes steady. "We were so close, Shane."

Were. Not are.

Shane looked at the tablecloth.

His hands stayed clasped together while Rose's thumb moved across his knuckles, and he sniffed, and he lifted his eyes to find hers the way he'd been trying to find people's eyes lately. The way he had with his mother, the way he supposed he'd be trying to do with a lot of people from now on. Like letting himself be seen was something he was learning again.

"I know. You're right." His voice came out steady, mostly. "You were— you still are one of the most important people in my life. I was really scared of accepting uh, myself, I think. Honestly, for a long time, I didn't even know there was anything to accept. And when I did realize it, I kind of just—" He frowned slightly, looking at the candle between them. "Ran away for as long as I could."

Rose nodded slowly, unblinking. "And that's when we met."

"That's when we met." He looked back down at the table. "And I'm glad we met. I'm really glad. Everything wasn't—" He squeezed his eyes shut. "It wasn't pretending, with you. I felt like I could really be myself, which is stupid to say because the whole relationship was built on a lie, but it was still real. It felt real, to me." He let the words flood out of his mouth and opened his eyes, searching in hers.

They were staring back at him, sparkling from the dim restaurant light and the tears that were forming in them.

"Was it real, for you?"

Rose gave him the smallest smile. Barely anything, a seed of it, and he felt the hope bloom in his chest like a flower. She nodded a little.

He exhaled.

"And so when my life fell apart, I guess," He turned his hand over in hers. "I was just so terrified of losing you. Every day I would put off telling you, because—" He paused, blinked, trying to clear his vision. "Fuck. I know you wouldn't have judged me. But if you had—" He opened his mouth, and closed it, opened it again."I think— I don't think I would have been okay."

Rose pulled her hands back slowly, straightening in her chair. Her brows relaxed, settling into something softer, and she looked at him in silence for a long moment.

"Thank you for telling me, Shane. It must have taken a lot of—" She said, "A lot of courage. Especially being in hockey. I know things feel a bit different now, with Scott Hunter coming out. But I'm glad you told me."

Shane nodded. He waited for the relief, had been waiting for it since he sat down, the imagined sensation of some enormous weight lifting clean off his back. It didn’t come. Instead, he felt something halfway between laughing and crying. He felt okay. Just— okay. Which was, he was starting to understand, sometimes enough.

Rose scoffed to herself and tipped her head back, looking at the ceiling. Then she leaned forward, her voice dropping conspiratorially, her eyes bright. "And wow." She pressed her forearms to the table. "You leaving me for Ilya Rozanov is the best thing any gay boyfriend of mine has ever done." She shook her head. "I would be pissed if it was like, Quinn Hughes or something." She laughed, a real one, and Shane laughed back, a little because it turned out it was okay to.

"And it's different, with him?"

Shane thought about the cottage. He thought about every time before the cottage, every time Ilya had pressed his mouth to his, every time his hands had found the crook of Shane's back in the dark, and his whole body lit up at it, every cell at once, like something that had been waiting its whole life to do exactly that. He thought about the dock and the sun coming up behind them as Ilya held his limp body. He thought about the bedroom floor with the door leaning against the wall.

He nodded. "Of course."

"Do you love him?"

He loved him so much that love wasn't the right word for it. Without Ilya, he wouldn't be sitting in this restaurant, wouldn't have made it to this table, wouldn't know what it felt like to actually want to keep breathing. His eyes twitched. He dropped his head, pressed the back of his hand briefly to his mouth. "Yeah, I—" He wiped at his eye quickly, "Um." He nodded, clearing his throat. "I love him."

Rose ran her tongue over her teeth. She looked at the table for a moment, thinking, her fingers still. Then she lifted both hands and slammed them flat.

Shane blinked, startled.

"Okay," she said. She was smiling at him, really smiling, a full, open, genuine thing, and Shane had absolutely no idea how she had gotten there from where they'd started, and he was so grateful for it. How. Honestly. She was such a good person. "Here's what we're going to do." She leaned back, keeping her arms stretched across the table, her posture decisive. "I'm going to release a statement."

Shane's eyes went wide. "What— no, Rose, you don't —"

"Shut up and let me be your friend for one second." She sighed, dramatically. 

Shane went still.

Friend.

"I can say—" She shrugged, already working through it. "I don't know. That we were in an open relationship, or that we'd secretly broken up a year ago and were keeping it up because we wanted things to be private." She scoffed. "Honestly, people will eat anything up." She tilted her head at him. "Maybe I can go on a couple of dates, or something to sell it. I also—" She tapped her nail against the table, once, twice. "Want a secret tryst of my own." She hummed thoughtfully. "Maybe not at a freezing cold cottage, but…"

"Oh come on." Shane sat up slightly, the laugh coming before he could stop it. "That's a low blow. You like my cottage."

Rose sucked in her teeth. "Ehh." She tilted her head from side to side, weighing it. "It's kind of like with the pegging, you—"

 


 

"You sound very surprised," Ayoka said. She had her pen resting against the pad, watching him. "You expected it to go differently?"

"Uhh." Shane hesitated, blinking. "I don't know. I guess I didn't think it would be that easy."

She tilted her head at him. "Easy? Shane, I don't think any of this was easy for you."

"No, not easy, I guess." He shrugged. "I don't know. I know change isn't easy. I've had to put a lot of effort into recovery." He bit his lip. "With my eating disorder, self-harm, and being able to express myself. Understanding that I am not unlovable, or that there isn’t something inherently wrong with me because I'm different from other people." He exhaled, slowly. "Yeah. I know all of that took active effort. I was there for it, I did it— all the CBT and talking and groups. Yeah, I know." He looked at Ayoka, something faintly frustrated moving across his face, not at her, just at the limits of the words he was reaching for.

She looked back at him gently and tilted her head, urging him on without saying anything.

"But I guess—" He gripped both knees with his hands, leaning forward slightly. "I didn't think that change, like this —" He searched for the word. "Forgiveness. Forgiving other people, being forgiven yourself. Redemption." He said the word like he was testing it, like it was foreign in his mouth. "I didn't think it came so easily. That there is something effortless about it if you just—" His brows furrowed, pulling together. "Try not to force things. Just let go." He pressed his lips together. "Stop trying to control everything."

Ayoka set her pen down in the fold of her notebook. She was quiet for a moment, just looking at him, and then she nodded slowly. "Wow, Shane. I think this is a huge breakthrough for you." She hummed, leaning back. "What a large change in perspective from our first few sessions."

Shane smiled slightly. He wiped at his face with the back of his hand, a small, almost shy motion, looking briefly at the floor.

"I'm sure you're proud of yourself," she said. "You should be." She uncrossed her legs with a quiet exhale, her eyes flicking past his shoulder to the clock on the wall behind him. "Okay." She gathered herself, sitting forward. "Times up. This will be one of our last in-person sessions, I believe?"

Shane nodded, shifting back in the chair. "Yeah. We're going back up to the cottage for summer, and then I'll be in Boston, so I'll have to get a new—" He gestured loosely. "Team, obviously."

"Right." She stood, setting her notepad on the desk behind her, and extended her hand.

Shane stood too.

"It's been a pleasure, Shane."

 


 

The party was loud like all industry parties, lacking the genuine noise of people enjoying themselves. Every conversation happening at a slight angle, every laugh landing half a second too late. Ilya had been standing at the bar for twenty minutes and had spoken to no one, which suited him fine.

He leaned back against it, both elbows on the edge, and watched the room.

Current players, former players, executives, the whole of the organisation assembled in one place, everyone significant, or everyone who considered themselves significant, which in this world was more or less the same thing. Except for one person. Probably the most significant person in any room Ilya had been in for the past six years. He picked up his ginger ale, took a sip, and set it back down.

He felt someone settle next to him; he didn’t have to look to know who it was. 

"Good speech, old man," he said, raising his eyebrows once as he brought the glass back to his lips.

"Wow, Rozanov." Hunter scoffed, folding his arms across his chest. "You might as well have said I'm the best player in the fucking league."

Ilya side-eyed him. "Do not push your luck."

Scott reached over and took the glass directly from Ilya's hand, lifted it, and inspected it. "What is this— ginger ale?" He set it down on the bar between them and looked at him. "No more running, huh?"

Ilya shook his head slowly. "Nope."

He turned to face him fully, watched Scott run his tongue over his bottom lip, a slow, slightly awkward motion, his eyes moving across the party without landing on anything, and then flicking to Ilya's. 

It was dark here, away from the main floor, but the bar light was filling in behind Scott's silhouette in a long, soft white, and as he shifted his weight, it shifted with him, catching the slight sheen of sweat still drying at his hairline, lighting the edges of him up in a hazy, diffuse glow. Like the light in paintings of figures Ilya had seen in churches as a child, his mother's hand in his, the smell of incense burning, the way the painted figures always seemed to be illuminated from somewhere that had nothing to do with any visible source.

Like light coming through a church window, falling across the silhouette of a man on a cross.

Scott had been scared tonight. Ilya had seen it from across the auditorium, the way his eyes twitched every few seconds during the speech from the labour of keeping his breathing steady and even, the slight tension that ran through his whole frame from the moment he took the stage. That was what real fear looked like, Ilya had thought.

And yet he had beckoned Kip Grady onto the ice. 

Scott Hunter had spent his entire life working toward that moment. Having the cup in his hands, his name on it. Everything he had ever sacrificed pointed at that single fixed point on the horizon, and he had reached it, and he had been terrified, and he had stepped onto the ice anyway, stepped onto the stage anyway.

And then he had opened his hands.

And had let every carefully constructed idea of what came next slip out of them, the future he had been managing and protecting and planning around for years, and offered it up to something larger than his own control. Had let his body fall forward into what it was supposed to do and let his tired hands release their grip on that edge. 

Even Jesus had dropped to his knees in the garden and begged not to be forsaken. And still let them nail him to the wood.

And even now, standing here next to Ilya, it was taking everything in Scott to hold himself upright. Ilya could see it in the tremble of his jaw and the way he was choosing each word before he opened his mouth.

"I guess, uh—" Scott chuckled, tapping the bar once with two fingers. "My life wasn't over, after all."

Ilya swallowed his smile, shaking his head. "No. You are so dramatic."

"Dramatic?" Hunter turned to stare at him. "Jesus Christ, kid, I don't want to hear any of that from you. Standing here at the bar, all solemn and brooding—" He gestured at Ilya's general posture. "Russia isn't at war with America anymore. You can smile at New York's achievements."

Wow. Corny.

"I think I am, maybe," Ilya said, "proud of you."

Scott's eyebrows shot up toward the ceiling. He looked at Ilya with genuine disturbance, as if this was the absolute last thing his nervous system had prepared for—his lips hanging slightly open, something rebooting visibly behind his eyes. He actually floundered, just for a second. It was honestly a little stupid.

"Not for winning the cup," Ilya added, before Hunter could get comfortable. "Of course you will win if the two best players don't make it to the playoffs." He shrugged. "But for —" He gestured, a small, imprecise motion that was meant to encompass the stage, the speech, the ice, saving Ilya’s life, all of it. "Coming out. It's good. When I saw it on TV—" He held his gaze. "You don't know how much it meant for me."

Hunter was quiet for a moment. The mortification moved off his face, and the perplexity moved off after it, and beneath it, maybe, pride. And Ilya would have found that strange if it didn't have the effect of making his whole body settle back against the bar.

"Don't worry, kid." Hunter resettled the weight in his shoulders, "I know."

Ilya shrugged. 

"So." He leaned one arm against the bar. "Hollander."

"Shane."

"Right." Hunter exhaled and leaned forward, closing the distance between them, dropping his voice so his mouth was angled away from the room. "How is he, after —" He scratched at the side of his beard, a pained motion. "Well. You know."

That said enough.

"After being kicked off of his team? He is fine," Ilya continued, before Hunter could arrange his face into whatever he'd been planning. "He is fine."

Hunter leaned back, the corners of his eyes pulling tight again as he narrowed them, studying Ilya's face in the dim bar light to find whatever was hiding underneath that delivery. "Oh, I'm glad to hear—"

"It doesn’t matter. I'm never going to let anything hurt Shane again."

 

Notes:

wow, we're almost at the finish line. one more chapter before the epilogue. maybe this can be seen as an interlude because in terms of action not a lot happens, just lots of talking, but i guess the dialogue is the action here? haha. this fic means so much to me. it's crazy that it's almost done, i'm very excited, but it will be bittersweet to put down the first fic i wrote for this series. i can't believe it started off as a random smut oneshot. haha, thank you to my first readers for harassing me into continuing it, i am weak-willed it seems.

Chapter 19: My Boston Boys

Notes:

we're done, epilogue coming soon. ah the beauty of the unreliable narrator.

song recommendation is Waters of March covered by John Roseboro and Mei Semones

(See the end of the chapter for more notes.)

Chapter Text

received:

Please stop

status: read

note:

19:56

sent:

miss your pretty face

received:

I'll see you tomorrow

sent:

so so so far away

received:

Is it, really? I don't think so. When you think about it we used to wait months before we got to see each other in person.

sent:

so you don't miss me

received:

I miss you so much.

sent:

just come stay with me forever and ever let me take care of you and kiss you and hold you and fuck you so good

received:

I’m working on it :)

sent:

pick up my call rn

received:

Are you in a good mood now?

sent:

🐈‍⬛

received:

??

sent:

angry kitty

received:

I’m not playing I’m not in the mood to be yelled at for hours

sent:

sorry baby

sent:

i’m okay

sent:

i can always get in good mood for you

Shane was in pain. That was obvious.

It was in the way he kept squeezing his eyes shut and then forcing them open again, because the thrashing made them bulge slightly, roll back, his body betraying every signal his brain was still trying to manage. His mouth was hanging open, lips flushed deep pink and swollen, spit trailing down his chin onto the pillow. He wasn't moaning anymore, hadn't been for a while, just gasping, choking around nothing, these short, inhales that weren't doing nearly enough.

Ilya groaned as Shane's hole tightened around him, spasmed, clenching in hard rhythmic pulses in time with the tremors moving through his legs. He tightened his grip on the top of the headboard and drove deeper, the headboard cracking against the bedroom wall with every thrust, the sound of it filling the whole room along with the wet slap of skin.

Shane's cock was leaking a constant, thin stream of precum against the ridges of Ilya's abs, jerking with the movement between their bodies, completely untouched.

"Ahh—" Shane's hand moved from where it had been lying loose at his side and grabbed at Ilya's wrist. “Kras— kras—"

Krasnyy. Red.

Ilya heard him. It would have been difficult, over the headboard and the skin and the sounds Shane had been making for the past forty minutes, but their faces were close — close enough that their noses were almost touching, Ilya's hair falling forward and spreading across Shane's forehead — so he heard it. Barely a breath. He heard it.

He didn't even need to hear. He could see it. Could see exactly how badly Shane needed air, in the way his throat was working against Ilya's palm, the specific colour climbing up his face.

Ilya's grip tightened.

He kept thinking about yesterday.

He had been thinking about yesterday every day for the past twenty-four hours, the way he had thought about the original one, the first one, almost every day since he was twelve years old. It had felt good, finally, to go and choose a cross for his mother's memorial. To sit there with the catalogues spread across the table and go through the marble samples, the granite finishes, the fonts— all of it, every small specific decision, in service of something permanent. Somewhere to go and to bring flowers. He had a piece of her with him always, had carried all of her, always, but this was different. This was real and fixed in the ground and would still be there when Ilya was gone.

So it had been a good day.

He didn't blame Shane. Of course, he didn't blame Shane. Shane hadn't known, hadn't asked for it, had just been sitting next to him as he sat next to him everywhere now, and someone had found that interesting enough. That a man choosing a stone for his dead mother's grave was worth money, if the right person was sitting beside him. But, Shane’s joy after the fact, his quiet satisfaction of the narrative moving the right way, the perfect timing with the press conference soon— joy, on that day. 

Ilya's fingers pressed tighter into the tendons of Shane's throat.

Shane's hand yanked at his wrist, but Ilya grabbed it, pulled it away, spread it flat against the mattress beside them, and held it there.

Shane's back arched clean off the bed. His whole spine lifted, the back of his head pressed into the pillow, his heels digging into the mattress, his body curling around the orgasm. And he came untouched, his cock jerking against Ilya's stomach.

Ilya followed him over almost immediately, groaning against Shane's temple, his hips stuttering through it.

He released Shane's throat.

The room was dim, just lit by the lamp on the bedside, but even in that light the mark was vivid. A full handprint across Shane's neck, the fingers distinct, the skin gone a deep, angry red that would darken to purple by morning.

Ilya pulled out and dropped sideways onto the mattress with a heavy exhale, the whole bed shifting from his weight.

Shane coughed, his whole body curled in on itself as he turned away to face the wall, his hand gripping his throat. He rubbed at it and took two long, shuddering inhales through his nose.

"You asshole." Shane forced through gritted teeth, and he whipped his head around to scowl at Ilya over his shoulder.

Ilya let his hands come to rest behind his head on the pillow. "You are okay?"

Shane's brow furrowed deeper. He turned back to the ceiling with his jaw clenched, arms folding across his chest. "Yeah." He whispered. "But I said the safe word."

Ilya tilted his head toward him. "Solnyshko—" He shifted, moving across the mattress, rolling to lie over Shane. Shane's eyes stayed on the ceiling. Ilya tried to find them, but he moved his gaze two inches to the left.

"I said it three times." He mumbled, and he brought his elbow up in a lazy sideways shove against Ilya's ribs. "And don't pretend you didn't hear me. You did." He side-eyed him, then looked away again. "I fucking looked you in your eyes." His brows were pulled down hard, his lips pushed out in a pout. The combination of it made him look disturbingly like a very, very angry black cat.

The corner of Ilya's mouth lifted.

He manoeuvred around the elbow and pressed their bodies together, getting his mouth against the side of Shane's neck, below the mark. "I'm sorry," he said against the skin. He kissed his chin. "Sorry, sorry, sorry. I did not mean to. Forgive me, please."

Shane muttered something.

"Hm?"

"Fuck off."

"Come on." Ilya kissed along his jaw, one after another. "Look at me." Another kiss, at the hinge of his jaw. "Where is my good boy?"

Shane's eyebrow twitched.

Almost.

"Hm?" Ilya pressed his smile into Shane's cheek. "Is he here, or is he hiding. Where has he gone?" He moved his hand across Shane's stomach, settling at the curve of his ribs.

Shane's mouth twitched this time. He pressed his lips together hard, fighting it.

"Ah." Ilya felt his own smile widening against Shane's cheek. He found the soft skin there with his teeth and nipped, and Shane let out a surprised squeak.

So close.

Ilya curled his fingers in against Shane's ribs and tickled him there, in his side, and Shane flinched violently and let out a bark of a laugh before he could stop it, his face turning away into the pillow to muffle it.

"There he is," Ilya growled, already moving his other hand to Shane's stomach, working both sides, and Shane started wiggling under him, proper, full-body wiggling, fighting back, his hands batting uselessly at Ilya's arms.

"Geroff, Ilya—" But the smile was already all the way across his face now, his eyes creased shut at the corners, giggles escaping between every syllable in these short, pained bursts like he was furious at himself for producing them.

"No." Ilya poked at his side again, and Shane twisted under him, and there it was, his face turned toward Ilya finally, the anger completely stripped away, his mouth open and wide and bright, his eyes lit up and wet at the corners from the effort of laughing that hard.

note:

Today 6:15

sent:

i'm in the porsche

received:

Ok I think I see you. Mom’s waving at you

sent:

today will go well

received:

I know

sent:

it is okay to be scared but you do not have to be

sent:

i will be there, yuna will be there

sent:

everything will be okay for us

received:

Thank you, I love you

status: read

The suits don't match.

Shane's in navy, the jacket cut close through the shoulders, a pale blue tie sitting perfectly against his chest; Ilya in charcoal, no tie, the collar of his shirt open one button because he had never been able to stand the feeling of fabric cinched tight against his throat before a bank of cameras. He had thought, in the corridor outside, that they should have coordinated. They hadn't. 

The room is full, the press conference room at the Bears facility is smaller than the ones in Montreal, the ceilings lower, the lighting harsher. He looks down at the microphone in front of each of them, the Bears placard, the water glasses neither of them has touched. Behind them, the team logo in black and gold on a stiff fabric backdrop. 

The cameras are the worst of it. Not the reporters, reporters are just people with jobs, people who've prepared questions and need the answers to fill column inches and thirty-second broadcast segments. But the cameras are different. Each camera is an eye that does not blink, does not look away, does not get tired or embarrassed or distracted, and the lights bolted above them are tuned to catch everything— the dampness at his temple, the movement of his jaw, the jerking of his jaw if he lets his face slip even for half a second. He will make sure it does not slip today, he hasn’t let it for a long time.

It all reminds him of before.

Their second press conference. Not the first, the first had been pure chaos, both of them too new and too pointed at each other to notice anything outside the immediate territory of the other's face. But the second. Ilya had been nineteen and had felt, sitting in that chair with his palms flat on the table in front of him, like the room was tilting violently on its axis. It wasn’t fear, he had nothing to be scared of, but the eyes made him feel reduced to surface, to pixel, to whatever the apparatus decided to make of him.

He had slid his loafer sideways, just barely two inches, and the leather toe of it had found Shane's. The contact had run through him like a current, and shot right up his spine. The room had snapped into focus, the reporters in their rows, the cameras behind them, and he had looked at all of it and felt, for the first time since sitting down, as though he was on the correct side of the glass. Looking into the aquarium at all the careful, blinking fish. Haha, he had thought. What do you know about anything. What do you know about God, about what is real, about what is happening between the two of us. You are spiritually bankrupt, all of you, peering in at something you have no capability to understand.

He is much more comfortable with cameras now.

Shane is not.

His jaw is clenched as though he is currently doing several computations at once and none of them feel secure. His hands are folded on the table. He is using a random reporter in the second row as an anchor, his gaze fixed sternly on the poor man. His eyebrows sit gently above his eyes, not furrowed, not raised to the ceiling, which means Ilya has done a good job preparing him.

He glances toward the door.

Yuna is standing near the back wall between his manager and a man Ilya recognizes as the Bears' head of communications. She is watching both of them like there are grenades sewn into their suit lapels. When Ilya catches her eye, he gives her the smallest possible smile. We are fine. Relax. She exhales through her nose and her shoulders drop three millimeters.

A reporter speaks, a female voice, the second row, reading off a notepad. "This one is for Shane, why the trade, and why Boston specifically?"

Oh, she picked a good one to start with, right off Yuna’s list of approved questions. Ilya watches Shane's face from the side without turning his head. He sees the moment the question lands, Shane leans back from his folded hands, settling into the chair instead of perching at the front of it. He draws a breath through his nose, buying two seconds before speaking.

Shane talks. He says the right things, in the right order, with the right amount of charm and the right amount of professionalism. Ilya can trust him to be good at this part.

He scans the room instead of micromanaging. It is habit, if anything, ingrained enough to be involuntary—noting the reporters he recognizes, the ones he doesn't, assessing who among them is a straight-news journalist and who has come in with an agenda in mind. And he cannot help it, he turns his head enough to check Shane's face in profile.

He looks okay. There is the tiniest suggestion of a smile at the corner of his mouth, and his brows sit easy. Good. Ilya has not told him that he's been watching him for years for exactly these micro-expressions, that he can only read Shane because he has catalogued them with intense attentiveness.

He had never thought he would be sitting here. Not beside him like this, Shane in navy, him in charcoal, their names on the placards in front of them in the same font, the same size. He had never thought that the decision to let him in, to stop treating it as a siege, would end with this. 

But maybe he had known. Somewhere very deep in him, below the part that made decisions and said things and calculated outcomes, some ancient, incorporeal layer of him had always known this was where it was going. That them, side by side, was something that had been determined long before either of them agreed to it. Inevitable, like, predestination. He hates the word, but it is the only accurate one.

“For both of you—"

Ilya refocuses, glances at the man, three rows back, reading from his phone rather than a notepad. "You two have been rivals since your rookie season, you've been going at each other for six years. How do you plan to play together on the same team?"

Oh. The corners of Ilya's mouth twitch. He raises his hand and covers the lower half of his face with his elbow on the table, fingers curled, the knuckle of his index finger pressed to his lips. He shakes his head, less no than where do I even begin. "You only get to know the people who are really there for you," he says, "when you struggle."

Shane’s eyes close. A pained smile crosses over his face, as if he is trying not to validate Ilya with a laugh and failing. Under the table, his shin connects hard with Ilya’s, I know. Shut up.

"I think what Ilya is trying to say—" Shane turns back to the microphone, composure reconstituted in half a second. "—is that when I left Montreal, he was one of the people who reached out. We'd been rivals since we came into the league, and I think that's actually what made it easier in some ways. We'd watched each other play for six years, we'd pushed each other, we both know what the other is capable of, and we're not the same guys we were coming in. A lot of growing up happens in this league, and in a weird way, growing up in it alongside someone, even someone on the other side— it means you have more in common with them than you'd expect."

Ilya blinks.

"Right," He says, leaning toward his microphone. "Lots in common." He lets the words sit before he adds, "He is the second-best player in the league, after all."

Laughter ripples across the room. Someone near the back says, laughing, some things never change. Shane's mouth curves. He shakes his head almost imperceptibly, looking toward the camera with the expression of a man who has made his peace with something. "Yeah," he says. "If I could take it all back, I would."

Sure you would, baby. 

"Shane—"  Says a woman to his left with a recorder on her knee. "There's been some noise coming out of Montreal about the circumstances of the trade. Some have called it acrimonious. Do you feel pushed out? Is there bad blood?"

The change is not dramatic, most people in this room will not catch it. Shane's face does not crumble, but all the animation goes out of it, some quiet internal switch, and what replaces it is a constructed smoothness. His eyes dissociate. 

Ilya gets both hands off the table and drops them into his lap. He finds Shane's thigh in the dark beneath the tablecloth and grips him, hard. I'm here. I see you. Keep going.

Shane’s mouth instantly falls open. He is grateful to Montreal. He has deep respect for the organization. The Voyageurs are a storied franchise and he has no doubt they will continue to perform. They will maintain a professional relationship. Oh so smooth and cleanly structured, the syntax too perfect, the cadence too rehearsed— because it is rehearsed, Yuna wrote it and Shane memorized it in the green room this morning. Ilya can see it as clearly as if the text were printed on the white of Shane's eyes. He can see Shane reading it. 

Ilya lifts his hand from Shane's thigh. He reaches sideways and closes it on Shane's shoulder instead, and says, leaning toward his microphone, cutting off whatever follow-up the reporter might have been forming "For me, I am just excited to beat them in the playoffs next season."

The room struggles at the sudden shift, he’s sure they’re annoyed that he nipped the possible scandal in the bud. But they are sheep, and soon the ripple of noise turns into barks of laughter and flashbulbs firing. Shane's eyes close briefly. When he opens them his face is full of dry, exhausted amusement. "Yes," he says. "Will be a great game, I'm sure."

It works. It moves the room. Ilya takes his hand back.

The moderator, a Bears media liaison, young, visibly anxious, barely has time to acknowledge the next raised hand before the reporter is already speaking.

"Another for Shane, the controversy surrounding you and Rose Landry. Her recent interview confirmed you two parted ways in secret over a year ago but remain on good terms. Can you speak to the nature of that split and whether it had any bearing on your decision to leave Montreal?"

Ilya rolls his eyes, this is a conference about their relationship not fucking Rose Landry’s. The media is so catastrophically, reliably stupid. They print the same answer every cycle and then send a different person to ask the same question and act as though this time they will get something new. They will not get something new because Landry is not the point anymore, she had her purpose, but Ilya is here now. Shane has been giving the same answer since the story broke and he will give it now.

Shane exhales softly through his nose "Rose is wonderful, we're on good terms. I wish her nothing but the best. I think the phrase secretly parting ways is doing a lot of work there. We made a personal decision to keep something private, and that choice was taken away from us." Shane frowns slightly. "It's a shame. But I'm not sure what it has to do with hockey."

"I think," the moderator says, stepping forward slightly, "we should move this line of questioning forward, we have time for one–"

"Yes," Ilya says pleasantly, into his microphone.

The moderator blinks at him.

"Please, one more." Ilya adds. 

"Shane Hollander—" From the front row, a serious little man who has not laughed once since they sat down. Oh fucking hell, give me a break. "We've heard a lot today about Boston welcoming you, about new beginnings. Forgive me for being direct, is this trade a long-term commitment, or is Boston a stepping stone while you figure out what's next?"

His whole body wants to answer. The urge to speak hits him violently, a sharp spike pressing up against the back of his throat. Stepping stone. As if Shane has anywhere else to go. As if Shane belongs to anyone else. The absolute certainty of it runs through him, his feet are not wandering, his feet are tethered here, in Boston, to me.

He looks at the reporter in the front row. The man with the reading glasses. Ilya's hands flatten out against his own thighs, pressing down, keeping himself anchored in the chair. He could so easily reach across the table, grab the man by the collar of his cheap suit, and drive his face into the Bears placard until the plastic splinters. Ask him again where he is going. Ask him again if he is leaving me.

Then he feels Shane looking at him.

Ilya doesn't turn his head, but he can feel Shane's eyes landing on his face. Clocks the immediate flatness of Shane's mouth as he reads whatever terrifying, unhinged fantasy is currently moving through Ilya’s head. He opens his mouth and speaks before Ilya can do anything irreversible.

"Yes, Boston has been incredibly welcoming." Shane clears his throat. "And it's not as though I'm coming in as a stranger to this team— I've played against the Bears my entire career. I know what this organization is. I know what these players are capable of, because I've had to compete with them for six years." He pauses. "Ilya is family to me. And I hope the rest of the team will feel the same way with time. So no, this isn't a stepping stone. This is where I want to be."

The room goes quiet. Then it doesn't, the cameras go off all at once, a wave of light and shutters. Ilya doesn't flinch from the light. He just sits with it coming at him, all of it, the lenses and the flashbulbs and the murmurs rolling through the rows of folding chairs. He can feel the warmth of it even from across the table, settling over the violence that had been spiking in his chest, tamping it down. The cameras flash, and every foolish fish presses up against the glass to try to see out. 

He doesn’t wince from any of it.

He just smiles.

note:

12:09

sent:

once your done pooping lets get chipotle on our way home to celebrate

received:

Uh I’m not doing that

sent:

y not getting chipotle?

received:

Not taking a shit but I’m also not getting Chipotle

sent:

shane

received:

I don’t mean it like that, you want to fuck me tonight yes or no?

sent:

yes

sent:

damn right true

sent:

you could get a salad

received:

Yeah fuck you not after the day I’ve had 😑

received:

After? We can order in

sent:

mmmmm slow food then fast food mmm going to fill you up with my cum then lots of chips and guac after 🍑👅

received:

So gross baby

sent:

i’m making lunch before

status: delivered

Ilya is not thinking about the press conference anymore.

He is thinking about Shane's thighs, specifically the way they flex and release with every drop of his hips. His feet are planted flat either side of Ilya's ribs, his hands braced on Ilya's chest, fingers spread, and he is using him. Very selfishly in fact, rising and dropping in short movements, his cock flushed deep pink and completely untouched, bobbing with every motion between his own forearms, leaking a thin thread against Ilya's stomach.

Ilya's hands are pinned under Shane's feet, he had not really noticed when it happened. He notices now.

He is not trying to move them.

Shane's jaw is loose, his head dropping forward and then back. His mouth keeps trying to form something, a word, a sound, something with a beginning and an end, and keeps losing it halfway. His breath is stuttering out in moans instead. 

He is so beautiful. This vision is going to ambush him later, the beauty of Shane mid-unraveling, stripped of every careful surface. His freckles standing out dark against the flush climbing his chest and throat, his cock right there, close enough to smell, the tip slick and slightly swollen.

Ilya uses his core strength to fold himself in half and lick directly across the slit. 

Shane yelps. His whole body jolts, his rhythm breaking entirely. "Ah— fuck you— fuck—" He gasps it out, eyes wide, affronted, his thighs squeezing around Ilya's ribs. "Don't—don't touch me—"

Ilya drops back against the pillow with a satisfied smile.

Shane's chest is heaving. He holds himself completely still for three seconds, jaw tight, clearly performing a kind of internal damage assessment, and then the fight completely leaves his face. His hands find Ilya's thighs behind him. He grips them, catches himself there, and tilts his hips forward, and the change in angle hits them both at the same time— Shane's head dropping back on deep groan, Ilya's own head pressing back into the pillow, his jaw going slack.

Shane pulls up, drops back down. Up and down, rapid now, chasing the angle that torments his prostate perfectly, his head falling forward and then tipping all the way back in quick succession, his cock twitching and absolutely untouched in front of him, flopping with every movement and its tip going dark. 

And then he stops, twitches, his spine going rigid in a wince. 

“Oh kotenok." Ilya sighs endearingly. Every muscle in his body is screaming at him to drive up into that heat, to finish, but he holds himself motionless through sheer will alone. "It is feeling too much?"

Shane whines. 

"What do you need," Ilya watches his face. "You want me to hold your piska for you?"

Shane shakes his head.

"Okay." Ilya whispers. "Tell me."

"Urrrg—"  He grunts from the back of his throat. Shane's brows are knitted together so hard they've nearly met in the middle."Hold me," he whispers.

Ilya blinks. "Hm?"

"Hoooooold me." He begs, completely unashamed, his face crumpling like he cannot believe he has to be asking this, like it is an unreasonable amount of effort to speak whilst Ilya’s dick is skewering him. 

Ilya's hands are still pinned under the flat of Shane's feet. He can feel the full weight of him pressing down. He works them free, it takes a second, Shane barely noting the shift below him, too gone, and gets them out and opens his arms.

Shane pitches forward.

The momentum takes him fast and Ilya gets his arms up just in time, catching the full weight of him as he folds, Shane’s chest coming down against his, his arms going under Ilya's shoulders and his face finding the crook of Ilya's neck. He wraps around him completely, his knees pressing in at Ilya's sides, his whole body curling in and around and against him. And he is still seated fully on Ilya's cock. 

Ilya's arms close around him.

His baby. His. He doesn't want his cock touched, doesn't want to come, doesn't want anything except to be held like a child while he sits here in pieces and the trust in it all presses against the inside of Ilya's ribs until he genuinely cannot tell if what he is feeling is tenderness or something else that should frighten him with its intensity.

Both, probably. With Shane it is always both.

He pulls him tighter. Gets one hand flat between Shane's shoulder blades and the other curled around the back of his head, fingers spreading into the damp hair. Shane makes a small, muffled moan against his throat. His whole body exhales at once, the tension bleeding out of him in a single long shudder.

"Ah, my sweet boy. So I was too far away? Okay, okay, Papa has you." Ilya says, very quietly, into his hair.

Shane's fingers curl tighter into the back of his shoulder.

note:

10:50

received:

I’m going to Whole Foods do you need anything?

sent:

sirloin 400g

received:

Okay

sent:

sweetcorn for succotash

received:

What?

sent:

succotash

received:

What’s that

sent:

you will like it it’s american kind of salad

received:

What’s in it

sent:

don’t worry about it

sent:

buy sweetcorn and steak pls

received:

Ok 👍 will do

sent:

also please buy me chocolate

received:

There are too many bars of chocolate in your house Ilya. They take up space in the fridge and the cupboard so I’m not buying any more

sent:

they no longer exist in this house

received:

What? What do you mean

sent:

🍫🤫

received:

Oh my god Ilya

sent:

please buy for me возлюбленный

status: delivered

"What if she doesn't like me."

He said, for the sixth time today. The first time had been this morning, over coffee, stated as a genuine question, both hands wrapped around his mug. The second through fourth times had been variations, the pitch shifting incrementally toward rhetorical. The fifth had been while Shane was arranging, the contents of his hors d'oeuvres. And now the sixth, which was no longer a question at all.

Ilya threads his fingers through Shane's and dips his head, trying to find his eyes. Shane blinks up at him.

"It would not be as offensive as you think," Ilya says. "Sveta does not like a lot of people."

Shane yanks his hands away, a scowl crosses his face immediately, and Ilya doesn't bother trying to suppress his smile. He lets it spread, leans back against the counter, and folds his arms across his chest.

"Why are you so worried about this?" He tilts his head. "I did not even panic this much when I met your parents."

This was not strictly true. When Ilya had met David and Yuna, he had been so tightly controlled that he had given himself a headache by the time they got back to the car. But he was better at hiding his terror than Shane; this was simply a fact.

Shane rolls his eyes and rounds the counter toward the fridge. "Yeah," he says, "because I prepped you sufficiently." He reappears with a platter, sets it down on the counter with a decisive wooden thud, and steps back. "You've been awful at telling me what she likes."

Ilya looks at the board.

It is considerable. Cheeses at various stages of softness arranged by some internal logic Ilya cannot immediately parse. Crackers in two varieties. Meats folded into small rosettes. Accompaniments, actual accompaniments, a little pot of honey, maybe, cornichons in a dish, a fig thing, distributed across the surface with clear intentionality. Shane has his hands on the counter, one on either side, standing over it protectively.

"Ohh," Ilya says as he cocks his hip. Gestures toward the board with one hand. "I didn't prep you. So what about all these little cheeses?"

Shane's mouth twitches, and he looks down at the board. "Little cheeses," he repeats to himself, very quietly, and there it is, the corner of his mouth going, the smile he's trying to hide working its way out anyway. He grips the counter. "What are you, seven?"

Ilya settles himself beside him at the counter and reaches for a breadstick, angling it toward the camembert. Shane's hand closes around his wrist, and they are so close that Ilya can feel the heat of his glare without looking. "Leave it." He hisses. "Drop it."

Ilya sets the breadstick back on the tray.

"Is not fair," he says. "What is the charchoochie board for if I cannot eat it?"

Shane's head recoils, his mouth opens, closes, opens again. "Excuse me, what?" He sputters, "So you really are a fucking child. Charchoochie, Ilya. Are you—" He breaks off into a giggle, shaking his head at the counter, one hand coming up to cover his mouth.

Ilya runs his tongue along his top teeth. He shifts his weight and pushes Shane back against the counter, and Shane's giggling goes somewhat breathless.

"No," Ilya says. "Not joking." He bends his head against Shane's shoulder. "I'm childish, yes. But I am also hungry. And if I cannot eat the little cheeses—" He finds the side of his throat, pressing his mouth there, and Shane groans. "I will have to eat something else."

"Nooo." Shane drawls, biting his lip. "Don't eat me. I don't think I'd taste very good."

"You taste so good."

Ilya finds the tendon at the side of his throat with his teeth, just barely. Shane's fingers scrambled at the front of his shirt.

"How would you do it?" Shane says, after a moment.

"Mm?"

"How would you eat me."

Oh ho, this is new. Heat blooms through Ilya's chest, and he swallows the moan that wants to come with it. His hand slips under the hem of his shirt to lay his palm flat against Shane’s stomach. 

"I would not cook you," he says, against his throat.

"No?"

"No. I want to taste you. Just you." He licks a slow stripe from the base of his throat all the way up to his chin, and Shane shudders under him. "So I would eat you raw." He grazes his teeth there. "Bones and everything, no waste."

"Oh fuck, Ilya—" Shane moans, his hips pushing up against Ilya's thigh, his hand twisting tighter in his shirt.

The door clicks open.

Ilya's eyes fall shut for one long second.

Svetlana Vetrova, beautiful, impeccable, cockblock of the century.

Shane shoves him with both hands, and Ilya stumbles back against the stove, catching himself on the edge of it, and watches with deep appreciation as Shane immediately flattens his hair with one hand and adjusts the hem of his t-shirt with the other, his chin going up, his whole posture resetting. Such a little lamb, Ilya thinks, watching him smooth himself back into something presentable. Getting all ready for the slaughter.

He whistles to himself and rounds the counter.

Svetlana steps into the kitchen and sets her Birkin on a barstool. She is wearing a dress that costs more than most people's cars, and her hair is exactly as it always was— perfect, infuriatingly, the coils framing her face without any apparent effort.

"Look who is late," Ilya says, tilting his head.

"Is that any way to greet your best friend after four weeks?" She raises one brow, and he pulls her in. She mumbles something against his shoulder about layovers.

He pulls back. "Svetlana. Your flight was a week ago, doesn’t really make a good excuse."

"And so?" She lifts a shoulder. "My point still stands."

Her gaze drifts past him, to Shane, who is probably shifting his weight between his feet behind the counter, his mouth pulled in at the corners, his brows carrying the faintest suggestion of a furrow. Ilya does not turn around; he doesn't need to. He has the image of Shane's face so completely memorized that he can reconstruct it perfectly from the posture alone.

He could have introduced them immediately. Let Shane find his footing before Svetlana and Ilya fell into the easy, shorthand rhythm they always did. It was the decent thing to do, probably, by any normal social measure. But some part of him had wanted to know, needed to know, whether Shane felt about Svetlana the way Ilya had felt about Rose. Shane hurling a book at his head at the mere theoretical suggestion of a Rozanov-Vetrova lavender marriage had answered it very clearly, his feelings on the matter delivered with the kind of conviction that left no room for follow-up questions.

The ominous energy radiating off of him right now was just the cherry on top, and Ilya was going to enjoy it for as long as it lasted.

"And this is Shane," Svetlana says. She steps past Ilya easily, like shelving an old toy she's gotten tired of, and crosses toward Shane. "I've heard so much about you."

"Good things, I hope," Shane says, and drops his eyes. The bluster is gone, just like that. Ilya watches him go uncertain at the edges, his shoulders adjusting as his defensive posture is made redundant. Svetlana circles him in a slow, assessing arc, her bright eyes moving across his face and his hair and the line of his shoulders. Shane tracks her with his peripheral vision and doesn't quite meet her gaze.

"You are so pretty, Shane." She scoffs through her nose like it's a minor personal inconvenience. "Like, prettier than on camera. Which is saying something." She comes to rest in front of him, closer than strictly necessary, her blue eyes sharp and dancing. "You cut your hair?"

Shane's face opens up instantly, his flush deepens, bringing with it a sheepish, knowing smile. Always the attention seeker. He reaches up and twists a short strand between his thumb and forefinger. "Uh, yeah. I did a while ago. I'm growing it out again, though."

"Good."

They stand there. Svetlana at close range, Shane's eyes carefully avoiding her gaze, flicking to her neck, his hands, Ilya, anywhere except those direct, knowing blue eyes— until she lifts both hands and places them flat on his shoulders and smiles, wide and real. 

"Welcome to Boston, koshonok."

Shane exhales, the last of his defenses going out of him all at once. "Thank you," he says, and smiles back.

“Okay, enough.” Svetlana groans as she pulls away, “Can we sit down? God, I need a drink.”

“Da, please.” Ilya groans back, pushing away from the counter with feeling. Shane shoots him a flat look across the kitchen. "Shane." Ilya tips his head. "I meant a Coke, obviously." The look doesn't entirely leave, but it adjusts, the flatness giving way to reluctant acceptance, and Shane turns back to his board.

Ilya pours: a martini for Svetlana, straight from the shaker, no nonsense, a ginger ale for Shane over ice, and the Coke for himself, which he pours into a proper glass because he is not, whatever Shane's ongoing suspicions, completely without standards. When he turns back to the counter, Svetlana is leaning against it with her elbow on the marble, her chin in her hand, watching Shane with cocked-head interest. And Shane is talking her through his beloved charcuterie board.

Not summarising, really talking her through it. The camembert first, gesturing with the small serving knife, explaining the honey pairing, why it worked against the acidity of the cornichons, which cracker held up the weight of the brie versus the one better suited to the harder cheeses. Svetlana is making small, appreciative sounds, her eyes tracking the board with increasing investment, her chin still in her hand.

Ilya leans against the opposite counter and watches them.

He had known that this would happen. He loved Svetlana, and the idea that these two people that he loved with everything in him would not find their way to each other, despite existing on the opposite end of every spectrum possible— it had never actually worried him. Not really.

He just hadn't known how quickly.

They slowly drifted towards the living room and settled on the couch, Svetlana sandwiched between them. Ilya dropped his arm along the back of it, behind her neck, his hand coming to rest on Shane's shoulder. Svetlana had her legs tucked up, her martini glass balanced on her knee.

"Okay," she said. "Second line."

Shane looked at her. "What about it."

"Come on, kitty, you've been a first-line, star centre since your second season in Montreal."

"I know what I am." Shane reached forward for his ginger ale off the coffee table. "It makes sense for Boston, though. You can run two strong centres on separate lines, or you can stack everything on one and leave the other half of your ice time generating nothing. Ilya's been carrying the first line here for years, and I'm more useful to the team distributed than I am playing wing next to him."

“Wow, how selfless of you.” Svetlana's chin dipped slightly. "So their second and third lines will struggle on defence. The other team can only be matched against your top pairing for so long before the minutes run out."

"Exactly." Shane pointed at her. "And when they run out—"

"I just want Shane on my wing," Ilya said, to the ceiling.

Shane turned to look at him with his mouth already open. "Because having one offensive powerhouse line instead of two gives us fewer scoring opportunities, which you would know if you thought about it for longer than—" He stopped, his eyes narrowed. "You know that.”

Ilya said nothing, just kept his eyes fixed on the ceiling, he let his mouth do what it wanted. 

"You just want an excuse to play with me," Shane said flatly.

"Caught," Ilya said, without remorse. Svetlana looked between them and took a long, slow sip of her martini. Shane's phone buzzed against his thigh, he yanked it out of his jeans pocket, already annoyed at the interruption.

His brows lifted, all the way up, and then the corners of his mouth followed, and he brought his free hand up and dragged it slowly across his lips like he could physically contain his grin, his eyes already doing it anyway, crinkling at the corners. 

Ilya tilted his head at him.

"Oh, it's uh—" Shane cleared his throat and looked at them, the phone screen pressed to his chest. "It's Rose, wow. I've got to take this." He’s already shuffling forward to the edge of the couch cushion. "Sorry, I'll be right back."

Ilya's jaw tightened before he let it go. He fell back against the couch and watched Shane disappear down the hallway, practically skipping. Beside him, Svetlana had both eyebrows up, her nose very slightly wrinkled, her martini glass held motionless. 

“Ilya.”

A laugh came out of him all at once, just as the door clicked shut down the hall. He pressed the back of his hand to his mouth a second too late. "What— what? It is a good thing." He said in Russian and gestured broadly toward the hallway. "That they are still friends in the end, no? This is good."

“You know– whatever.” Svetlana stared at him for a moment, her mouth pulled tight. "You're insufferable sometimes," she said. "You're lucky God loves you so much."

"What did I do?" he hummed and let his head drop sideways onto her shoulder. She let him and didn’t answer; she didn’t need to, just reached up and ruffled his hair, her fingers moving through the curls, and left her hand there.

“You really are batshit, sweetheart.” 

"Awww," he said, against her neck. "You missed me."

 


 

July 2017

sent:

Go to hell

sent:

Leave me alone stop trying to call me I don’t want to talk to you

received:

stop being difficult and pick up

received:

i dare you to say that again

received:

i don’t see you for 2 weeks and you suddenly become like this

received:

you have eaten lunch? don’t lie to me 

received:

you cannot ignore meal times and then wonder why you feel like shit

sent:

First of all it’s not my fucking fault that I got stuck in traffic, blame the plane for my delay and not me

sent:

Also I’ll say what I want when I want to say it

sent:

It’s my body and you can’t tell me what to do with it

sent:

Don’t leave me on read 

sent:

You know what

sent:

I hate you don’t even bother coming anymore. You’re fucking with my head and making me crazy. You think it’s fun to make me feel like this? It’s already a hard week and going to be even harder. My head feels like it’s being cracked open. And you’re not even here. Don’t bother coming if you’re just going to be like this and make me feel worse than I already do 

received:

okay i hear you

received:

i’m sorry 

received:

how can you tell me not to come???

received:

just tell me you’re safe

sent:

Just go straight to Ottawa and I’ll meet you at my parents 

received:

go and have lunch come back and speak to me 

sent:

Go away asshole 

status: read

note:

20:01

sent:

Can you please call me? I’m so sorry Ilya 

received:

typing indicator...

Shane has been in Montreal for twenty-four hours and he has hated every second of it.

He looks out of the kitchen window, at the bright, early sun coming through the glass and landing warm across his forearms where they rest on the sill. The old city streets, gold and slow with heat, the St. Lawrence somewhere beyond the rooftops shining, people moving on the pavement with ease. He had loved it here. He has loved it here, he corrects himself, tense matters.

But every face he'd passed on the street yesterday had felt like judgment. Every storefront, every Voyageurs flag still hanging in a bar window, all of it was running the same quiet calculation. What he owed this city against what he had given it laid out on a scale he couldn't tip in his favour, no matter how many times he tried.

He knows the numbers, he knows what the scale shows. He is a good person, and he had been good here, had given Montreal the best years of himself, had bled for it on this ice in ways the box score didn't capture. He knows that.

It is just hard to feel it here, standing in his own kitchen, which is not really his kitchen anymore.

All this idling was bad for him. He probably should have called J.J. to check if he was still in the city. He hadn't. He's not ready, not for J.J, not for any of his teammates, his ex-teammates, and certainly not for Hayden fucking Pike, whose face he will next see from the other side of a faceoff dot, ideally shortly before Shane puts him into the boards hard enough to rattle his molars.

He looks at his reflection in the glass.

His cheeks are fuller than he remembers them being. Tanned, dusted dark with freckles, nothing like the hollowed-out pale he'd been carrying around for the better part of two years. The eye bags are still there, of course, they are, after the past few weeks, but fainter. He looks, strangely, more like he did in his rookie year than he has in a long time.

He smiles. The reflection smiles back.

It doesn't matter. It really doesn't matter, because Ilya is going to knock on that door in a matter of minutes, and they will drive to Brossard, and Shane will pick up the last box, and that will be the last thread of him left in that building, his name completely gone from the Voyageurs institution. He has been officially off the team for four months. The idea still sends prickles across his skin, not grief but the sensation of a scab that has mostly healed but hasn't finished yet, pulling slightly when he flexes the wrong way.

This had been his dream after all, and he was leaving it behind. But he was moving on to something better. Not bigger, better. He understood the difference now, in a way that would have been incomprehensible to him at twenty-two, at twenty-five, at any of the ages where he had confused the two so completely that the conflation had nearly eaten him alive. Happiness and material success were not mutually exclusive. He had learned that the hard way, the only way he ever seemed to learn anything, and he was not going to waste the lesson.

He hopes for both. He thinks now that he would get both.

Optimism, funny. He had not thought he would ever be someone who had access to it again, who could look at the road in front of him without his eyes going immediately to the drop at the end. But the light wasn't at the end of the tunnel anymore. It was everywhere. Big and bright with broad shoulders and ocean blue eyes that Shane constantly felt like he was about to fall directly into, eyes that crinkled at the corners when they caught Shane across a room. This light had a habit of reaching for his hand the moment they were close enough. This light had flown and gotten on a plane just to help him do this. Shane had told him not to come, and it decided to shine on him anyway.

Shane's eyes fill up. The city outside goes soft and blurred, the rooftops dissolving, the gold bleeding at the edges. He blinks, and two tears go, one down each cheek, and he wipes them both with the sleeve of his shirt and exhales through his nose.

Of all weeks, of all times to pick a fight with the man.

The door unlocks.

Shane's heart lurches sideways before the rest of him has processed the sound, and he almost takes a step backward. Of course. Of course. Ilya has the keys to this apartment,  he has keys to Shane's parents' house, and he has keys to the cottage. Shane had handed them over one at a time over the course of a month, like it was nothing, here, obviously, why wouldn't you. He is only now clocking the full inventory. He sniffs once, shakes his head hard, like he can physically dislodge his own thoughts, and turns around.

Ilya is standing in the doorway with his duffel bag, setting it down against the wall. In a sleeveless black shirt, black sweatpants, his hair parted and slightly tousled in a way that meant he'd slept on the plane and it had mostly recovered on its own. His arms and shoulders fill the span of the doorway.

"Hi," Ilya says.

"Hey," Shane says, and he blinks blankly at him. Ilya looks back.

The problem is Shane has too much to say and too much he is actively choosing not to say, and the two categories are tangled together badly enough that pulling one thread risks the whole thing. He should apologise first. That's the obvious move, lead with the apology, clear the air, and then— but then Ilya might ask about it, might want to talk about it properly, and Shane is not sure he is ready to explain that the actual source of yesterday's spiral was not the traffic or the missed lunch but rather the accumulated stress of being back in this city, of sleeping in this empty apartment, and feeling the walls of this place remember him in ways he would have preferred they didn't. He could keep it casual. Establish that he's fine, like he said on the phone, that there was not really a problem, indicate through his general demeanour that it was a minor incident, and is now fully behind them.

Except Ilya is standing four feet away from him, and it is difficult, at four feet, to lie to him. Something in Shane's chest is already pulling toward him, all the careful rearranging coming undone, his thoughts going loose.

"We could pack my car first." He hears himself say. "Or I could make us some food. I still have things in the fridge I need to use up." He keeps talking, filling the silence. "Actually, I think it's better to leave now, St Pierre's coming to let me into the complex so I can grab my stuff, and I don't want to keep him waiting." Ilya starts a completely relaxed stride across the kitchen, and Shane’s rambling dissolves to nothing. 

Up close, Ilya's brow is resting heavily, his eyes half-lidded. Other people would find this face alarming. Shane finds it comforting; he is not furious, he is just resting. His eyes drop to the defined line of Ilya's cupid's bow, and he exhales.

"I'm sorry for being such an asshole yesterday. I said things I didn't mean, and I know I was being unreasonable."

"Ah." Ilya's hand comes up, palm flat against Shane's cheek and jaw. "So this is why you are swallowing words. You are worried I am angry."

"I said I hated you," Shane mumbles.

"You say you hate me a lot."

"That doesn't make it any better."

Ilya nods slowly. His eyes move across Shane's face— checking, cataloguing, running through whatever internal rubric he used to assess the current state of Shane that Shane had never been given access to and had stopped trying to decode. Whatever he finds makes his jaw unclench by one degree.

"No," he says. "It does not. You will make up for it later, I think."

Shane's mouth curves into Ilya's palm before he can stop it. The other hand comes up to cup his neck, and Ilya leans forward and presses their mouths together.

His grip tightens immediately, shifting to hold Shane's chin, tilting his face up, pulling him closer, and Shane stops thinking. Fourteen days had passed since he last had this, and as always, it is so stupidly, helplessly good, Ilya's nose pressing against his cheekbone as he deepens it, his fingers threading through the short hair at the back of Shane's head, his mouth moving like he is trying to eat him alive.

Bones and everything, Ilya had said, lapping at his neck like he was starving. And Shane would let him. He would let Ilya kill him and take him apart, separate him into fillets of flesh and skin and blood and bone, inspect every piece of him, keep whatever he wanted, if it meant Shane could stay with him forever. 

It would be worth it. It had all already been worth it.

 


 

The CN Sports Centre parking lot is mostly empty. Of course, it’s July, the season’s over, the building hollowed out to its bones. Shane had known this, had counted on it, had felt his shoulders drop three inches when they'd turned into the back entrance and he'd clocked the rows of vacant spaces, the absence of camera crews, the absence of anyone who might clock Ilya Rozanov sitting in the passenger seat of his car with his hat pulled low and dark sunglasses on.

He pulls up near the back wall and cuts the engine.

Through the windshield, far across the tarmac, a figure is standing at the service entrance, swinging a set of keys around one finger. Shane exhales through his nose and looks sideways at Ilya, his hands still wrapped around the wheel.

"Do you want me to come with you?" Ilya says, his forearm resting along the door.

"What? No." Shane scoffs, already reaching for the handle. "And stay in the car so no one can see you."

He winces before the door is even fully open, hears himself say it, feels the edge of it. Ilya says nothing, Shane doesn't look back. He steps out into the heat and starts across the lot, the heat coming up off the tarmac in waves, nothing between him and the entrance but empty parking spaces and white painted lines. The figure by the door has its back to him, keys swinging.

Shane cups his hand over his eyes. "Coach?"

The figure turns around.

Short, dirty blonde hair. Big blue eyes with lashes that frame them too well for someone who had never once in his life been precious about his appearance. Still had his stubble, which— come on. They barely scraped into the playoffs, what exactly was he protecting.

Shane's stomach drops.

He had already called out, and Hayden had seen him, so there was no version of the next thirty seconds where Shane could get back into the car without it being exactly what it would look like: a grown man running away across a parking lot because he had not emotionally prepared to see his former best friend.

Okay. He stands there for a second. Okay. This is Hayden Pike. You can do a few minutes of small talk. You have done harder things than this.

He has done harder things than this.

He sets off again, faster this time, something in his stride resolving, covering the remaining distance with enough momentum that by the time he reaches the entrance, Hayden has already had three full seconds to arrange his face accordingly, which it appears he has used to chew at his bottom lip and shift his weight from foot to foot.

Good. Good, Shane thinks. Let him be uncomfortable.

"Hey, Shane." Hayden reaches up and scratches the back of his head.

"Hey." Shane looks at the door.

"Coach is sick, so he asked me if I could—" He gestures vaguely at the keys.

"Yeah, I get it." Shane shrugs, still not looking at him.

"Right." Hayden swallows and unlocks the door.

The sensor lights come on one by one down the hallway as they step inside, white and clinical and humming, like a gateway to some late-stage capitalist hell. Shane blinks. The air conditioning hits immediately after the heat of the lot, a full ten degrees colder, the recycled air of the facility settling against his skin terribly.

They walk.

Shane keeps his eyes forward, his arms crossed loosely across his chest, the sound of their footsteps on the polished floor filling the corridor. He is glad for the silence between them.

"You know, it's good to see you."

Shane closes his eyes briefly.

The elevator button lights up under Hayden's thumb. Shane glances at him sideways and offers the flattest, most non-committal curve of his mouth that could still technically be seen as a smile. Hayden's eyes are soft and slightly too earnest, which had made Shane trust him years ago and which now just makes him feel very tired.

It's good to see you. As if Shane had been on vacation.

The elevator doors open, and Shane steps past him, takes the far corner, and crosses his arms. It’s childish, probably. He genuinely cannot make himself care.

"Good to see you," Hayden tries again, stepping in. The doors close. "To hear everything's alright. I'm guessing you haven't seen my texts and—"

"No, I haven't." Shane watches their reflections in the metal doors. The surface is slightly warped, the two of them distorted, stretched at the edges.

"Okay, well." Hayden clicks his tongue, pulling a breath. "Boston. That is crazy, Shane."

"Is it."

"Yeah," Hayden laughs, and it's genuine, or it sounds genuine, "Not bad crazy, obviously. They're a great team and—"

"Why is it crazy?"

"I mean, they were your rivals for years. And Ilya Rozanov?" Hayden shakes his head, still with a smile. "Fuck. I don't get how you can stand the guy; he's an asshole. You two just seem so different. Is he really your best friend, or is it like some sort of ploy for the media? Does Boston have you guys playing all buddy-buddy because—" Shane turns his head and looks at him. Hayden's sentence trails off as he notices the expression on Shane’s face.

"Jesus Christ, Hayden." Shane exhales, his jaw tightens hard, before he lets it go. "You know people can change, right?" He looks back at the doors. "Yes. He's really important to me. He was there for me when I didn't really have anyone else."

The elevator slows. In the reflection, he sees Hayden flinch. The doors open, and Shane steps out.

"Let's just get my stuff and leave," he says, mostly to the hallway.

"Okay." Hayden falls into step behind him. "I didn't mean to offend you or anything, really; it's just kind of a shock. We hadn't spoken in forever, and I had no idea how you were doing, and then I saw Boston post about you on Twitter." He keeps glancing at Shane as they walk, every few words. "But I'm really happy for you."

"Are you." Shane says and keeps walking.

"Dude." Hayden stops outside the office door. He looks at Shane with his eyebrows up and the key in his hand, his mouth pulled slightly at the corners. "You are my best friend."

Shane squints at him.

"Am I?" 

Hayden’s face goes soft with hurt, like the answer is obvious, like Shane has asked him something that doesn't even warrant deliberation. “Of course you are, buddy."

Shane's ribcage caves in slightly. He feels it, like someone has pressed a thumb into the centre of his chest and held it there. He looks away, at the door, at the number on it, at anything, his back teeth pressing together hard enough to ache. 

The box is on the desk.

Small and cardboard, sitting in the centre of the desk under the fluorescent strip light. Shane looks at it, and it really isn’t very big. He didn’t know that eight years could be reduced to something he could carry under one arm. Packed without care into a cardboard box and set on someone else's desk.

"I know things were weird for a while. With us, and just generally." Hayden is still talking, moving to stand beside the desk, his hands in his pockets. "But I'm glad to see you back to normal. Back to the Shane we all know and love."

Back to the Shane we all know and love.

Shane's eyes stay fixed on the box.

As if Shane like that, at his most vulnerable, at his most honest, every layer he'd spent years plastering onto himself stripped completely away, wasn't worth loving. And now that some of the illusion was back, now that Shane looked like himself again, Hayden felt comfortable to swoop back in. Shane's saviour. His handler. Here to collect the version of him that was legible and manageable and photogenic and decide the rest was just temporary insanity.

Oh. That's what makes it hurt so much.

All these years, and Hayden never really got to know him. He still doesn't. The Shane he feels like he knows and loves is only a tiny piece of the complicated, ugly, contradictory equation that actually makes Shane up, the anxious, food-obsessed, neurodivergent, desperately in love, deeply ashamed, perpetually terrified full version of him. And Shane knows, he knows, that this is partly his fault. More than partly. He had buried himself so deep inside the shell, for so long, had made the shell so convincing, had actively prevented anyone from getting close enough to find anything beneath it. He had done that. He cannot put all of it on Hayden.

But still.

He thinks, standing there with his nails pressing into his palms, that if he had let Hayden see who he actually was, the real version, the whole version, Hayden would not have been very satisfied with it.

"And uh—" Hayden clears his throat. "Fuck. I know I did some really, really shit things. But things worked out in the end for you—" He cringes at his own phrasing, and well he should. "I just wanted the best for you. And for the team."

Shane's brow drops, slowly, one degree at a time.

"What." He whispers. "What are you talking about?"

The room went silent. Shane can hear his own heartbeat and nothing else, the pulse climbing into his ears. He is looking at Hayden's face and reading the guilt in it, the way Hayden's eyes are moving across his like he is checking how much Shane already knows.

And Shane knows.

Hayden looks surprised by his expression. "I mean— for a second there I thought I ruined your life, Shane. I talked to coach, and then you got kicked off the team, and—"

"And?"

His cheeks are burning. The tears come fast, faster than he can do anything about them, running hot down his face, and they don't cool anything; it just adds to it, his whole face scalding. He is embarrassed, embarrassed to be crying, embarrassed to be this angry, embarrassed at how badly his hands are shaking by his sides. But beneath the embarrassment, beneath Hayden's words and what they're circling, something is confirming itself. Something Shane had avoided for months in the quiet of his room, not wanting the conclusion to find him.

Hayden couldn't understand what was wrong with him. Of course, he couldn't; Shane had never let him close enough to understand. So, like everybody else, instead of asking, he had gone digging. And finally, finally, when Shane had broken down, when he was at his most completely exposed and defenceless, Hayden had used that moment to dig even further. Stick his hand into Shane's chest, pull out his heart, hold it up, and inspect it in the light.

Hayden. This Hayden. Who had been the big brother he had never had, who had watched out for him and covered for him during the early years, when the eating disorder was at its worst, and Shane was barely functional, and someone needed to run interference. Hayden, whose room he had run to after Vegas, who had sat outside the bathroom door and spoken to him through it while he showered. Who had towelled down his shaking body and ordered food and put on some stupid reality show and let Shane sit there on his bed eating it without asking him a single question. Who hadn't forced him to say anything. Who had known, or had known enough, had been the only person in the world besides Shane and Ilya who knew what had happened that night.

Shane feels the nausea rise from his stomach into his throat.

"You fucking ruined my life." His voice bounces loudly off the walls, and he doesn't care. "You almost ruined my life." He points directly at Hayden's chest. "And you say and— you add what you did at the very end of that sentence, like an afterthought?"

His inhale shakes on the way in. The room has gone blurry, the bookshelf and the desk and Hayden all soft and indistinct, rushing past the edges of his vision.

"I trusted you." The words are torn out of him."I trusted you, Hayden, and you— you used that trust when I was at my most vulnerable. Do you know how hard it was to just lie there and let people handle me like a child? How embarrassing that was. But I let it happen. Because I trusted you."

Hayden's hand comes up, or his shadow does, Shane can barely see him through the red. He hesitates, his arm half-raised.

"I'm sorry," Hayden says, and his voice has gone pleading, asking to be understood, asking for reason, of all things, like this was a reasonable thing. "I thought it was the right thing to do. You were falling apart, and so—"

"So you thought you would rip me to shreds instead." Shane grips the front of his own shirt, his knuckles going white. "Take what was left of what I had. What was left of who I was. And just—" He yanks at the fabric. "Rip it apart?" He shakes his head. "No. No, you didn't do it for me. I am so tired of you acting like everything you do is for me." He steps forward, and Hayden steps back, the desk catching him at the backs of his thighs. "It was for you. You saw an opportunity, and you took it. Even if it meant stepping all over me in the process, it didn't matter." Shane’s voice drops to nothing. "Congratulations. Captain of a team that means nothing without me in it."

"You don't mean that," Hayden whispers.

The hurt on Hayden's face is real, his mouth has gone soft, and his eyes have gone wide and young; his whole body has pulled inward slightly, like something bracing. He is hurt, but he is still, undeniably, a person. Walking into that water, Shane hadn't felt like a person with a body. He had felt like nothing.

Hayden does not know what nothing feels like.

"I mean it," Shane hisses. 

He breathes in through his nose. "And what about Rose? Did you do it for Rose, too? Or did she not count? As long as you could ruin my life, everyone else who got hurt along the way was fine, yes?"

"Rose." Hayden's brow furrows, and he whispers in confusion, "What? Shane, I'm sorry, I didn't think that you leaving Montreal would hurt her—"

"Montreal." He barks, "What the fuck does this have to do with—" Shane stops. He presses both hands flat over his face and then slides them up into his hair, his fingers gripping tight at the roots, and he stands there for a long moment in the dark of his own palms. He tries to breath but fails, his chest shuddering around it. "Do you think that's all that matters to me?" He looks at Hayden, really looks at him, searching for whatever fundamental misunderstanding is between them. "That this, that hockey, is all I am? That I am this upset because it affected my chances of coming back to Montreal?"

"Shane, I don't know why else—" Hayden sniffs. "I thought you knew. I told you that I would—"

Shane’s fist comes up. He doesn't think about it, just feels the sudden violent instinct in his shoulder pulling his arm back. Hayden flinches, his hands fly up to cover his face, his eyes squeezing shut, his entire body bracing inward against the blow.

Shane freezes.

He looks at Hayden cowering in front of him, and whatever was driving his arm forward turns immediately to ash. He brings his hands together instead, slamming his palms flat against each other in a clap that rings off the walls of the office. He turns around. His back to Hayden, his eyes locked onto the carpet, he stands there and pulls air into his lungs through his teeth.

"I can't believe this," he whispers, his voice is barely there. "I can't fucking believe this."

Hayden's hand lands on his shoulder.

Shane shrugs it off violently, his shoulder dropping and twisting away from the touch.

The hand comes back. It grips him, hard, fingers pressing into the fabric of his shirt.

"Shane, let's just talk. I don't think—"

"No." He turns and points his finger directly at Hayden's face. "Fuck. You."

He grabs the box.

It goes hard and fast, his hands closing around the cardboard with enough force that the pen pot beside it tips, sending pens scattering and rolling across the desk and onto the floor. He doesn't look at them. He shoves past Hayden's shoulder and out the door and down the hall, the fire door at the end hitting the wall as he shoulders through it, and then the stairwell, his feet hitting every other step, the concrete jarring up through his soles and into his shins with every impact.

He wanted to punch him. He had wanted to send the contents of the box flying across that room, every small, careful piece of himself that he had left in this building over the years, scattering across the floor. He had wanted to flip the desk, put his hands under the edge, and send it over, watch everything on it go.

That room. He keeps seeing it, Hayden in that room, or across from the coach in that room, having that conversation about Shane’s future, the trajectory of his life. And that hadn't been enough. Having Shane's future in his hands hadn't been enough. He'd needed more control than that, needed to reach further in, needed to find the thing that Shane had kept most carefully hidden and expose it too.

His feet hit the stairs. His hands are cramping around the cardboard, the edges of the box biting into his palms, and he knows he will have marks there when he lets go. Everything is burning, his face, his hands, his chest, the backs of his eyes. His heartbeat has climbed all the way into his throat, and it is blocking the air, his swallows coming up against it, choking on nothing.

He can hear footsteps behind him on the stairs.

The fire door opens, and the sunlight hits him directly, full in the face, completely merciless. He cannot open his eyes against it. The sun burns red through his eyelids, and across that tarmac, his light is sitting in the passenger seat waiting for him, and Shane cannot bear it. Not right now. Not like this, gutted and shaking and crying in a parking lot outside the building that used to be his, to walk into something that warm and have it shine on him anyway. To be loved in this state. The thought of it makes his throat close completely.

 


 

Shane slams the driver's door, and he tosses the box hard into the back seat without looking at where it lands.

Ilya's hands find his face immediately. Both of them, palms cupping his jaw, turning him, and Shane's first instinct is to wrench away. The sun is coming through the windshield hitting Ilya's eyes directly, and his irises are on fire with it, small blue flames bending and curling in the light, so warm they are almost unbearable to look at. So full that Shane feels himself recoil from it before he has decided to.

"Was that Pike?" Ilya’s thumbs press into Shane's jaw. "Shane. What is wrong—"

Shane shoves his hands away. He turns and presses his face against the steering wheel, the plastic cool against his forehead, his eyes squeezed shut. Away from those eyes. Away from that warmth, which is too much right now, which is more than he can receive in this state. It makes him speak anyway, like a door bursting open under pressure.

"It was him," Shane says, voice muffled against the wheel.

“Hm?” Ilya asks urgently, confused. 

"It was him, Ilya." 

He feels Ilya's hand pull away from his shoulder. The absence of it is awful, so Shane turns his head slightly, just enough to look at him from the corner of one eye, the light more bearable from this angle, just barely, and Ilya's face is completely unreadable. His jaw is clenched so hard Shane can see the sharp hollow carved beneath his cheekbone, his lips set, the flame in his eyes gone quiet. Whatever is happening behind that face, it is not visible.

Shane needs it. Fucking needs it, and doesn’t understand why it isn’t being given to him.

"How do you know, are you sure?" Ilya says slowly.

Shane doesn't know how to answer that. He doesn't want to answer that. He wants— he reaches across the centre console and puts his hand on Ilya's thigh, sliding it inward, his fingers moving toward the inside seam of his sweats, and Ilya's eyes drop to track his hand moving closer, and closer, his fingers just grazing the outline of his cock.

Ilya's hand closes around his wrist.

He slides the seat back, creating distance and space, and Shane's whole body surges toward it. Yes. Finally. This. He doesn't want to be loved right now, he can't take that, it will undo him completely, but he can have this, he can have this and it will be enough, it will give him somewhere to put all of it, the burning and the shaking and the grief of that office, somewhere to drive it that isn't just sitting here falling apart in a parking lot.

Ilya grabs him around the waist with both hands and pulls.

The Land Rover isn't small. There is no graceful way to move two grown men across the centre console. Shane's knee catches the gear stick, and his elbow finds the horn, and for one absurd half second the car beeps at them, but Ilya drags him across regardless, and deposits him in the passenger seat. The seatbelt comes across his waist with a click before Shane has fully registered the movement.

Shane stares at Ilya in the driver’s seat, his eyes are burning. He tries to push himself upright, and the seatbelt catches him, locking, and he grunts hard at the restraint, his hand snapping out again toward Ilya's lap.

Ilya smacks it away without looking at him and pulls out of the parking space.

"Ilya." Shane slams the back of his head against the headrest, hard enough that it hurts,  and the tears track steadily down his bright red cheeks. He turns his head and looks at Ilya with his brows pulled all the way down. "Why. Why won't you let me—" His voice cracks. "Just let me."

He reaches for the seatbelt buckle with his other hand, and Ilya grabs it and presses it flat against the dashboard without a word. They pull out onto the road.

His face is still unreadable. How is he this calm? How is he sitting there with his hand on the wheel as if nothing has happened, like Shane is not sitting beside him in pieces, like he doesn't care, like— he's supposed to love him. He's supposed to love him. Shouldn't he be furious? Shouldn't he be pulling a U-turn back toward the sports centre? Shouldn't he want this excuse, he has always hated Hayden Pike, always; this is everything he would need to finally do it.

Shane doesn't understand. He doesn't understand why he's being rejected. He doesn't understand why it isn't being given to him.

He stomps his foot against the floor mat, but it accomplishes nothing.

"Why don't you fucking care?" he sputters, both hands gripping the seatbelt across his chest, the tears coming faster now, blurring Montreal out the windshield into smears of blue sky and grey. "Do you hate me? I'm crying, and you don't even—"

"What do you want me to do?" Ilya says.

Shane opens his mouth, then closes it again, because he doesn't know. Why does he have to know? Why is that his job right now? Why can't Ilya just know? Why can't he have the answer? Why is everything up to Shane now? 

"I want you to beat up Hayden Pike," Shane says.

Ilya chuckles under his breath, entirely unapologetic and completely at ease. "I think you have made him suffer enough."

Shane whips his head toward him, throwing the hardest, most vitriolic glare he can manage through the hot, blurred film of his own tears, and draws his leg back. He kicks Ilya in the thigh as hard as the cramped footwell permits. Ilya barely winces; he doesn't even brace against it.

Shane grits his teeth and kicks him again.

Ilya just chuckles again. He shakes his head and turns the wheel hand over hand, pulling the heavy car off the main avenue and onto a narrower side street to avoid the thickening traffic.

"So which one are you mad at?" Ilya says, his eyes on the road, his tone smooth and infuriatingly level. "That I am not fucking you in the parking lot, or that I am not punching Pike."

Shane's jaw locks. He turns away from Ilya and faces the window, his arms folding across his chest, and he drops back against the seat. He is fine. He is completely fine. His hands have stopped shaking and his face has mostly dried and he is fine, and he does not need anything from Ilya right now, does not need to be touched or held or looked at with those eyes, he can sit here quietly and let the city go past and process this by himself the way he has processed everything by himself his entire life, methodically and in private without making it anyone else's problem.

"Hm?" Ilya says, patient as ever. "Tell me."

Shane's nostrils flare.

"I hate you," he says, very quietly, to the windshield.

"What was that?"

"I said I fucking hate you." 

Ilya laughs again, and it makes Shane's chest twist with helpless fury. "Okay, solnyshko." He hums. "You can kick your feet and throw your tantrum. But until you figure out what you want and tell me, you are not getting anything."

Shane turns his body fully toward the window.

He watches Montreal busying itself outside, and beneath it all, underneath the anger and the grief and the embarrassment of having screamed himself hoarse, there is something else working away at him. It gnaws at him from the inside, biting away in tiny pieces, and he knows, he knows, that if he doesn't let it out, it will eat through him entirely. Shane presses his arms across his chest, breathes through his nose, and says absolutely nothing.

He has decided to be quiet and angry, and his resolve lasts the whole way through the city. It lasts through the old streets and the stone buildings and the wrought iron balconies and the morning pressing down above the rooflines, all of it going past the window while Shane watches it with his arms locked around his chest. It lasts all the way into the parking garage, into the dim concrete, as Ilya pulls into the space and cuts the engine.

Shane stares at the grey wall in front of them. He can feel Ilya beside him, not moving, not speaking, giving Shane the space to do it himself. 

Then Ilya's door opens. The car shifts slightly with the loss of his weight. His footsteps hit the concrete, moving away from the car in no particular direction. Shane listens to them without turning around. He draws his knees up as far as the footwell will allow, tucks himself smaller against the door, and stares at the wall. The footsteps move away, come back, move away again. Ilya is just strolling without any urgency, not making a point of it, just waiting. 

He doesn't turn around.

The passenger door opens. The cold air of the garage comes in against the side of his face, and Shane keeps his eyes on the concrete wall and waits for Ilya's voice, for his hand, for something. 

But the car keys just drop onto the dashboard, and the door slams shut. Ilya's footsteps cross the garage, and the elevator doors open with a soft mechanical chime, and then close, and the sound of them seals shut behind him, and the garage goes completely silent.

Shane sits there.

The cold comes in through the air conditioning and settles against him, and he sits there in it with his knees pulled to his chest and his arms wrapped around himself, and shivers.

 


 

Shane glances at the dashboard clock, which reads 10:00 am.

He has been sitting in this car for thirty minutes. He shifts in the seat, uncurling from the position he'd locked himself into, and his spine protests the movement, stiff and cold from the blasting air conditioning. He yawns, and his jaw cracks with it.

The guilt had eaten away at him while he was sitting there being resolute, worked its way in through all the places the anger had vacated, filling them, and by the time he'd noticed what it was, it was already past his defences and sitting directly against his raw flesh. He feels like putty. Stupid, embarrassed putty, his teeth chattering slightly from the cold, his arms still folded across his chest out of sheer stubbornness rather than any remaining conviction.

Is he a child? He felt like one. He'd had a tantrum and then given Ilya the silent treatment the whole ride back. He'd sat here alone in the cold, being quietly consumed by his own guilt, while Ilya— Ilya had gone upstairs and was probably doing something completely normal and adult, eating breakfast, reading something, existing without Shane's chaos for half an hour, and that thought alone is enough to make his face heat with a fresh wave of mortification.

What is even more embarrassing, he thinks, shifting to face forward, is that this has worked. Whatever Ilya was doing when he dropped those keys on the dash and walked away, whether it was deliberate or not, whether it was a new fluency in the complicated language of Shane that nobody else had ever managed to learn even half the alphabet of, it has worked completely. The only thing Shane wants in the entire world right now is to go upstairs, say the words, and have Ilya pull him in.

He opens the door and clicks it shut behind him.

Ilya has never not chased him before. That had become their constant, regardless of how far Shane ran or how hard he pushed, Ilya came after him. Had always made it his business to extract whatever Shane was hiding, one way or another. Shane had counted on that. Had, if he is honest, built an entire coping mechanism around it. 

His footsteps echo off the concrete as he crosses to the elevator. He jabs the button, rocks forward onto his toes, back onto his heels. The doors take too long, so he stabs the button again.

He had thought, had braced, somewhere in the first five minutes of sitting alone in the garage, that being left like that would demolish him. That it would reach directly into the oldest part of him, the child that still flinched at the silence of a room after someone had walked out of it, and reduce him to exactly the kind of puddle he had been trying to avoid becoming. That all the careful work of the past year would come undone because Ilya had, for the first time, simply walked away.

It hadn't.

The elevator doors open. Shane steps in and leans against the back wall, arms still crossed, and watches the numbers climb. 

Because every bone in his body knew. Knows, with a certainty that doesn't require evidence or reassurance or anything, Ilya is upstairs. He is waiting. He will be there when Shane is ready, the same way he has been there every single time without exception. Shane had not been abandoned in that garage; he had been given thirty minutes to figure things out for himself.

He fits the key into his lock as quietly as possible, wincing slightly at the soft click of the mechanism, and eases the door open just enough to slip through.

His plan backfires immediately.

Ilya is at the kitchen counter, directly in the line of sight from the door, mid-forkful of eggs, his elbow resting on the marble. He looks up as Shane comes in. His fork stays where it is, suspended.

Shane's eyes drop to the counter.

There is a second plate. Avocado, toast, scrambled eggs, a handful of wilted spinach at the side, still steaming faintly. Made and plated and sitting there waiting for him. His bag from his room is by the door, packed, ready to go, because they have a drive to Ottawa, and Ilya had zipped it up while Shane was sitting in the car being a child.

Pain shoots through his chest, completely disproportionate to the gesture, except that it isn't disproportionate at all; it is exactly proportionate, it is just that Shane is still not used to being known this well. Still surprised by it every time, stupidly, like it is new information. He loves Ilya so much it actually hurts; he should be used to it by now. It’s second nature, really.

Ilya says nothing. Just lowers the fork slightly and waits, his eyes on Shane's face. He crosses to the counter, his cheeks are warm. He keeps his eyes somewhere around Ilya's collarbone and clears his throat.

"I was upset at you because—" He swallows. "You were calm. And I guess because I was so upset— I’m still upset, so seeing you that relaxed made me feel stupid. Vulnerable." He shrugs one shoulder, not looking up. "But I know, or I think, you do that on purpose. Because I would have been worse if you were angry too." He reaches the counter and rests both hands on the edge of it. "And I didn't really want you to beat up Hayden; he hurt me, but I–" He pauses. "I just didn't want to feel that way anymore, and I wanted you to take it away. But I have to feel my feelings. Even the ones that are—" He exhales through his nose. "Even the painful ones. That's fair."

He dips his head and looks up at Ilya from under his lashes, waiting.

Ilya sets his fork down on the plate. Picks up his napkin and drags it across his mouth, then he grabs his glass and takes a long, slow, considered sip. Jesus, he really isn’t giving him a leg up here.

Shane sighs.

"And I'm sorry for saying I hate you." He mumbles. "I don't. I love you so much. I don't know why I keep saying it." He blinks, his eyes stinging slightly. "I think I want a reaction out of you, and when you don't give me one, it makes me more upset. And I'm— I'm scared that one day I'll say the wrong thing, finally, and even though I don't mean it, it'll be the thing that does it. That makes you decide you're done." He sniffs and his hands press harder into the counter edge. "I don't know why I'm so awful to you sometimes. I'm not like this with anyone else. It's like when I'm with you, every bit of self-control I have just goes. My feelings come out however they want before I can do anything about them."

Ilya stands up.

Both of his brows lift, just slightly, and the corner of his mouth curves, and a shot of arousal goes through Shane at the sight of it, moving from his chest straight down. He has to grip the counter with one hand to keep his knees where they are.

Ilya steps around the counter and takes Shane by the hips, turning them, settling himself back against the counter with Shane in front of him. He leans in, and Shane's head tilts up to follow, his hand finding Ilya's waist, his eyes already closing. Ilya's fingers close around his chin. Hold him exactly where he wants him, Shane's face tipped up, nowhere to go.

"There is nothing you can say," Ilya murmurs, his mouth barely an inch away, "or do, that will ever make me leave. Yes?" His grip tightens just slightly on Shane's jaw. "You understand this." Shane hums; his eyes are closed. He nods, just barely, the movement pressing his chin further into Ilya's hand.

Ilya kisses him.

His mouth comes in hungry and certain, pushing Shane's head back, his tongue pressing past Shane's lips before Shane has had time to do anything except open for it, and Shane groans against him and grabs the back of his head with both hands and holds him there. Ilya's fingers find the buttons of his linen shirt, and Shane is deeply, pathetically grateful that he doesn't pop any of them. Ilya nudges his head to the side, his mouth finding the line of Shane's neck, and Shane bares it, tips his head back and exposes his throat and whines at the drag of Ilya's teeth against his pulse point, at the slow movement of Ilya's palm against the front of his shorts, just barely, just enough to feel how half-hard he already is.

Shane leans forward and finds Ilya's throat with his mouth, pressing kisses along it, messy and graceless, and his legs are shaking. He cannot stay upright. He doesn't want to stay upright— he wants Ilya, wants all of him, wants it now, and he is so deeply, bone-achingly grateful for him that the gratitude alone is making his eyes sting.

He drops, and both knees hit the marble hard, the impact jarring up through his joints, and his hands close around Ilya's shins. He leans forward, pressing his face against the front of Ilya's sweats, nosing against him.

Ilya's hand comes down and gently pushes his head back.

Shane blinks up at him.

Ilya's eyes are heavy-lidded, his chest rising and falling. He leans back against the counter, weight shifting onto his hands, and looks down at Shane on the kitchen floor. He cracks his knuckles and begins pulling off his watch, setting it on the counter behind him.

"You need to make up for it first."

 


 

Shane's mom is carrying a pot of spaghetti to the table when they come through the door, and she looks up at them over it with her eyebrows raised, her mouth already pulling. "There you boys are," she says, setting the pot down. "We were about to send out an amber alert."

Shane drops into his chair and reaches for the serving spoon. "We're an hour late."

"That's practically ten days in Shane years," his dad says, without looking up from his glass.

"Sorry." Ilya pulls out his chair and settles into it with the easy, unhurried movement of a man entirely comfortable in this kitchen. "Is my fault. I wanted to drive. I took a wrong turn."

Shane turns and looks at him. Ilya picks up his napkin, shakes it out across his lap, and looks back at him with his chin slightly dipped and his eyes wide and guileless, his whole face arranged into such complete and total innocence that it was practically an admission.

Shane's eyebrows go up.

His mother's mouth twitches. She glances at his dad, and he looks back at her over his glass with one eyebrow raised a fraction. The entire silent exchange lasted one second before they both looked back down at their plates.

It was strange, he thinks, watching Ilya reach across and hold the parmesan while his mom moves to serve herself. Ilya was just here now. At this table, in this kitchen, passing the parmesan. His mom settled back against her chair with a small, charmed smile aimed at Ilya's general direction, not the polite one she kept for guests, or the forced one she used for most, but the warm, unguarded one she reserved for people she had already loved. She looked at Ilya the way she looked at Shane, like he was hers.

Shane had expected his father and Ilya to get along. They were two men who respected competitiveness and said half of what they meant, and communicated the rest through physical affection. That had been obvious from the first visit. But his mother, with her intensity and her precision and finicky opinions, he hadn't been prepared for how quickly she had simply taken Ilya in, or for Ilya to smooth out the friction that crackled between Shane and her sometimes, the two of them too alike in the ways that chafed. Ilya sat between them, and everyone breathed easy. 

Shane watched him spoon Parmesan over his mother's plate without being asked, and holy shit. He treated her like his mom. She treated Ilya like a son. And if everything went the way Shane intended, not too far from now, he hoped, he would be her son. Legally, finally.

"You know, the premium brands." His mother tapped one finger against the tablecloth, the gesture she used when she was building toward a point. "Reebok, Speedo, Rolex, they were thrilled, once they—" She twirled her finger in the air. "Wrapped their minds around it. There's a world of opportunity here."

Ilya nodded around a forkful of spaghetti. "Yes. Me and Shane, coming as two-in-one package." He grinned, "Very nice."

"I guess," Shane said, and he turned his fork in the pasta. "If they do it right. I'm not sure, it seems like everyone's split about the trade."

"Well, Boston's happy." His father exhaled, leaning back. "And you're happy. So that's all that really matters."

His mom and Shane both looked at him.

Ilya looked between them.

"I think," Ilya said, gesturing vaguely with his fork, "we should not worry about this now. It is like—" He gestured into the air. "Future problem."

She nodded. "Right. Right, Ilya." She reached over and spooned more spaghetti onto Shane's plate. "We can think about work when we're back. Right now—" She settled back, looking around the table with a satisfied smile."Our first cottage summer with Ilya. Lovely."

Shane looked down at his plate.

He picked up his fork and started eating. His parents' conversation moved on to the charity, and he let the words blur at the edges of his awareness, not quite tracking them, chewing mechanically. The bolognese, his mother's recipe, the one from childhood that he had always loved, thick and rich and the smell of it alone could move him across a kitchen, had been sitting warm and good in his mouth for the first two bites.

By the fourth bite, the bolognese had turned in his mouth, and he was chewing something that tasted like worms and dirt and trying very hard not to let his face show it.

He kept going. Kept chewing. His mother spoke, his father responded, back and forth and back and forth, Ilya's low voice was weighing in somewhere at the edge of his awareness, and Shane stared at his plate. His breakfast had been late, and lunch had come too close behind it. His stomach knew, and his throat knew, and his body was staging a firm refusal while his hands kept moving, fork to plate, plate to mouth, because it was his mother's spaghetti at her table and he had not survived everything to sit here and not eat it.

He swallowed; it took effort, and he wanted to spit the mouthful onto the floor instead. 

What is wrong with you. At this point in his recovery, meals spaced slightly off shouldn't do this anymore, shouldn't make his throat lock up. And he shouldn’t feel ashamed for not being hungry either. He knows there are bad days, that stress compounds it, that today has stripped the insulation off everything in him and left his sensitive wiring exposed. It doesn't make this feel any less like failure.

He doesn't want to ruin today. He really, genuinely does not want to ruin today.

He sets his fork down, inhales slowly through his nose, and then, without fully deciding to do it, he leans forward and folds his arms flat on the table and puts his head down into them, curling in on himself. He winces in pain at the movement, and presses his forehead harder against his forearm, his vision going dark.

The table goes quiet.

He can feel it, everyone stopping and looking at him, and some part of him waits for the instinct to sit up, smooth it over, say sorry, tired, long drive, perform recovery. It doesn't come; he stays where he is.

"Shane." Ilya's hand lands on his shoulder, his voice pitched low and clear, cutting through the buzzing in Shane's head. "Shane."

"I'm okay," Shane says, muffled against his arm. "I'm just freaking out."

"Hey." Ilya's hand moves slowly across his back. "Hey, hey, hey. It is okay to eat lunch a few hours after breakfast.” How does he always know? “You usually have a snack between them anyway. If you are hungry, you eat, you're good." His palm presses warm between Shane's shoulder blades.  "And if you are not hungry, that's okay too. We can pack it up, you can eat it in the car. Or one of your snacks. Whatever you want."

Shane nods.

“Since rookie season,” His mom whispers and reaches over to squeeze his hand. 

“Summer before,” His dad chuckles, gently.

Beneath his forearm, in the dark, he breathes.

 


 

"I'll bring chicken and some salad stuff," His mom says, following them down the stone steps.

"We'll pick up beer in town." His father stops at the top, hands in his pockets, squinting into the afternoon. "Let us know what other groceries you need."

"Please text," Shane says. He turns around at the bottom of the steps and looks up at them, both of them framed there between the old oak and the climbing hydrangea, his childhood home sitting warm and solid behind them.

"Why? We'll just be there around seven." His mother's chin comes up.

"Please," Ilya says, from behind Shane, shaking his head once as he opens the passenger door. "Text."

"We'll text." His father nods back. "Pay attention to your phones."

"Thank you for the pasta," Ilya says.

Shane drops into the driver's seat and reaches for the window, waving out of it at them. They are standing there together at the top of the steps, his mother with her hand raised, his father beside her with his arm finding her waist, both of them watching Shane and Ilya, together. 

"Drive safely," his mother calls. "I love you."

"Love you," Shane says, and Ilya pulls the door shut.

Shane turns the ignition. He closes his eyes for just a second, long enough to feel Ilya's hand settle across the back of his neck, and then he pulls out of the driveway, and the house disappears behind the tree line.

 


 

The highway gives way.

First, the exits stop coming. Then the other cars thin out, fewer and fewer until there are long stretches where it is just the road and the sky and the land on either side of them rolling out in the afternoon light. The fields go on and on, cut through with tree lines and the occasional glint of water, the sun sitting heavy above the treeline to the west, the kind of light that makes everything clearer. It comes through the windshield and lands across Ilya's forearm, where it rests on the door, across the dashboard, across Shane's hands on the wheel.

The windows are down. The air smells of cut grass and warm tarmac, all of Ontario in midsummer. He lets the tension in his shoulders come down all at once.

"I spy with my little eye," Ilya continues, tilting his head toward the window, his hair lifting slightly in the current of air. He considers the passing fields. "A stick."

Shane chuckles, glancing sideways. "A stick. Why did you pick a stick?"

"Mm." Ilya squeezes his thigh, settling back into his seat. "What do you want me to pick?"

"I don't know, something special, uh—" Shane hums, thinking, and reaches down to take Ilya's hand where it rests on his leg. "I spy with my little eye, a stone."

"Wow," Ilya says theatrically, with great feeling. "Boring."

"I'd like to see you do better."

"Okay, another letter." Ilya straightens slightly. "I spy with my little eye—"

"A bird." Shane says immediately, because a kingfisher has just blazed past his window, electric blue, there and gone in the space of a second, there and then swallowed by the treeline before he can finish watching it.

And after that, it just goes.

"A wing."

"A bee."

"A river."

"A swing."

"Freckles."

"A bruise."

"A hill."

"A broken bottle."

"A foot."

"The grass."

"The sun."

"A car."

"A cop."

"A wasp."

"A spaghetti stain."

"A stick."

"Hey." Ilya's hand closes around his thigh. "No repeats, I won."

Shane frowns at the road. The frown has a smile inside it, and they both know it. He glances sideways and finds Ilya already watching him, his head tilted against the headrest, his face half in light and half in the shadow of the visor, the sun turning the left side of him molten. He is grinning, and the light hits his teeth and comes back at Shane, moving straight through the windshield and into his chest, where it settles and spreads and makes him feel like he is slowly overheating from the inside.

He catches Ilya's eyes in the rearview mirror.

"I spy with my little eye," Shane says, quietly. "Ilya."

Ilya's grin softens. "I spy Shane."

And they keep going.

Not properly anymore, the rules have dissolved somewhere around the stick and the bird, and now they are just speaking things out loud as they pass, a running inventory of everything the world puts in front of them and takes away again. Ilya says a fence post, and Shane says a cloud shaped like a boot, and Ilya says roadkill and Shane says a picnic, look, and Ilya cranes his neck to catch the last of it, a family spread across a blanket in a field, a dog running circles around them, already thirty feet behind them and gone. A white farmhouse. A rusted water tower. Something moving in the brush at the tree line— a deer maybe, or something smaller, the grass shivering where it had been, and then going still. A broken-down car on the shoulder with its hazards blinking in its patient distress, orange into the afternoon. A heart-shaped cloud, which Shane points out, and Ilya makes a hum that might be fond or might be dismissive, it doesn’t matter either way. A fly against the windshield, there for a second, and then lifted away by the speed. A dead fox at the roadside, rust-coloured and still, its tail still beautiful. A hawk overhead, riding something invisible. A child waving from a back seat window of a passing car going the other way, gone before Shane can wave back.

Everything arriving and everything going.

Life and death sitting in adjacent fields, not caring about the contradiction. Beauty and wreckage, right next to each other, no buffer between them, no logic governing the arrangement. A broken bottle beside a river. A bruise that lives between a kiss and a punch, pressed into the same skin, made by the same hands. Those same hands capable of a fist or a stroke, both true, both real, the capacity for both living in the same fingers. The sea that drowns people, that has wanted, maybe, to drown him, the same sea that carries you on its back. That kisses the sand so softly at the shore that you forget what it can do. The same water, the same motion, love and destruction in a single gesture, the wave coming in and coming back.

There are no promises in any of it, there is no balance, there is only chaos, the world going on without care, putting the roadkill next to the picnic and the dead fox next to the kingfisher and the heart-shaped cloud next to the broken-down car with its hazards going, equal weight given to all of it, none of it arranged for comfort.

He thinks about all the things that should not make sense together and do anyway. All the contradictions that have no resolution, that just sit next to each other in the same chest, the same hands, the same life, the same car on the same road moving through the same long gold afternoon.

And then he thinks about the one thing that makes sense.

His hand tightens around Ilya's.

The road curves north, into the trees. The light drops, the canopy closing overhead, the air coming through the windows cooler now and carrying pine and water and the faint mineral of rock that was here before any of them and will be here after. Lake Muskoka is somewhere ahead, past the treeline, and there the cottage is waiting.

Ilya's thumb moves across his knuckles, and he says nothing more. 

Shane holds on.

 

Notes:

Solnyshko: sunshine
kotenok: kitten
piska: pee pee, childish way of referring to genitalia
возлюбленный: sweetheart
koshonok: very diminutive form of kitty

 
my twitter ilyassoull i prefer being dmed here
my tumblr unseemlyndisturbed you can send asks here

A stick, a stone, the end of the road
The rest of a stump, a lonesome road
A sliver of glass, a life, the sun
A night, a death, the end of the run
And the riverbank talks of the Waters of March
It's the end of all strain, it's the joy in your heart

Waters of March, covered by John Roseboro and Mei Semones

so when you find the one thing that makes sense in all that chaos, you grip it as tight as you can.

opinions on who leaked the messages? we're still not done, there's time. one by one i'm making the red herrings fly away, or making them even redder? so many straw men, where is the real one? did hayden actually confess to what shane thinks he is confessing to? curious to see what you guys think. the messages are the least of my interests though. all in all, what do you think about ilya and shane, how they are now, what changes were there, if any. is this a happy ending? what do you think. let me know.

Chapter 20: Epilogue

Summary:

for there are good days and bad days, and it's not really pretending if you like it too.

Notes:

general trigger warning for this chapter, check the end notes for specifics.

got back home and spent my come down writing this all night and morning to get it out before the end of the week, first person is very new for me, i hope you enjoy.

song recommendation is Step On Me by by The Cardigans

(See the end of the chapter for more notes.)

Chapter Text

November 2018

"—and that's it, that is the final buzzer, folks, and it is a emphatic five to one, Boston Bears over the Montreal Voyageurs here tonight at the TD Garden, and I'll tell you what, Dennis, this one was not close—"

"Not close is generous, Mike. Montreal came in here and got taken to pieces. You look at the five-on-five numbers in this game and it is ugly, it is genuinely ugly for the Voyageurs, they could not get anything going in the offensive zone, they could not hold a lead, and Boston just— they just owned this building tonight."

"They did. And look, you want to talk about the story of this game, obviously, obviously you have to start with Shane Hollander. Two goals, one assist, plus-three, and Mike, he is eating his former team alive tonight—"

"Oh, he is feasting, Dennis. He is feasting. Hat trick opportunity, he narrowly missed it on that third period powerplay, crossbar, and the Montreal faithful in the upper bowl, you could hear every single one of them groan. It's brutal. It is genuinely brutal when you see a guy like Hollander in this building, you think— Montreal has to be sick. They have to be physically ill watching this."

"They let him walk, Mike."

"They let him walk! And look at him. Look at what he's doing to them. That second goal alone, that backhand in tight on Drapeau, I mean— where did that even come from? Drapeau is one of the best in the league, he had no chance."

"No chance. And listen, if you're a Montreal fan tonight, you're going home, you're pouring yourself something strong, and you are not watching the highlights. You are not doing that to yourself."

"Ha! No, you are not. Alright, but Dennis— we have to talk about Rozanov, because that is the other story of this game, and it is a very different story—"

"Very different story. Yeah. Ilya Rozanov tonight, Captain for Boston, I mean— where do we even start. Because on paper you look at his line and it's fine, he's got a goal, he's been effective—"

"On paper, yes—"

"On paper. But you watch this game and Rozanov has been, I mean, he has been a man on a mission and the mission has had very little to do with the puck. Every single shift that Hayden Pike is out there, Rozanov is finding him. It doesn't matter where Pike is on the ice, it doesn't matter what's happening in the play—"

"Three penalties, Mike. Three. He has racked up more penalty minutes in this one game than he has in the last six weeks combined. That is— that is not a coincidence."

"That is not a coincidence, no. That is a message being sent, very loudly, and I think everyone in this building got it. You come for the Boston boys, you come for Hollander, and Rozanov is going to make sure the rest of your season is very uncomfortable."

"Ha, ha! Well— and I mean, look, Pike and Hollander were close, they came up together in Montreal, and that trade was a mess, Dennis. It was public and it was messy and there are clearly still some feelings on the ice about it—"

"Still some feelings, yeah, I think that's putting it lightly—"

"And Rozanov, listen, that man has never needed much of a reason to start something, let's be honest—"

"He really hasn't—"

"But tonight felt personal. That hit on Pike in the second, I mean, the refs had to step in, and even then—"

"Even then. Okay, but Mike— Mike, hold on, we're getting— okay, we are getting some visuals from rinkside here and I want to get eyes on this because it looks like— it looks like there's something happening near the Boston bench—"

"Oh— okay, yeah, we've got— that is Hollander, that is Shane Hollander, and he has— he's got Rozanov by the jersey, he's pulled him in, shaking him like a ragdoll, and Dennis, I am going to need a lip reader because I cannot tell you what is being said right now but it does not look like a congratulations—"

"It does not look like a congratulations, no. Hollander's hand is— he's covering his own mouth, or— wait, is he covering Rozanov's—"

"Hard to tell from this angle—"

"It is very hard to tell, but whatever is being said, Rozanov is not— he is not backing up, he is standing right there, and you know what, Mike, this is— this is these two, this is exactly these two—"

"This is exactly them, yes—"

"One minute they are the closest thing to brothers this league has seen in a generation, and the next they are at each other's throats and you have no idea what happened in between. Tom and Jerry on skates, folks. Tom and Jerry on skates."

"And— okay, it looks like they are— yeah, they're moving off, the equipment staff is getting in there, and I think the post-game media tonight is going to be, uh—"

"Tense, Mike."

"Tense is a word for it, Dennis. Tense is one word for it."

"Ha! Alright, folks, we are going to get back to those replays, because trust me, you want to see that Hollander backhand again, you want to see it in slow motion—"

"You really do—"

"We will be right back."

 


 

Shane's hands are in my jersey.

Both of them, in fists, the fabric bunched tight enough that I can feel the pull across my shoulders, the collar cutting briefly into my throat before he yanks me forward and I go with it, not resisting, rolling my weight into the movement so we end up with my back against the concrete and his face about four inches from mine.

He's still sweating. It comes off him in visible heat, that post-game fever that means his body is burning everything it has all at once. His long bangs are clipped up but the shorter pieces have come loose and are plastered flat against his forehead, and a single track of sweat is running from his temple, following the line of his cheekbone, collecting in the bow of his upper lip. His lips are swollen, pink the way they get when he's been breathing through his mouth for an hour, bitten and exerted and raw, the blood close to the surface and nowhere to go.

His pupils have eaten his irises entirely.

In this light, the flat, grey-white fluorescent light that has no warmth in it at all, his eyes are just dark, drowned out by black, and the whole surface is wet, not crying, not yet, just wet from effort and anger and the hormonal cocktail of a body that has been in a fight and wants to be in another one immediately. Beautiful, like a stopped watch, everything suspended.

Tears, sweat. The saying wants one more thing, I know what it wants.

I feel the corner of my mouth go.

"What the fuck is wrong with you?" he hisses, and his voice is still hoarse from the game, stripped down by the mouthguard and the screaming and the cold, dry arena air. He shakes me, both fists pulling toward him and then shoving back, my shoulders hitting the wall. He is not messing around. The impact travels up through my spine and into the base of my skull, and I stay still and let it.

"Don't fucking smile at me."

He releases me. The shove at the end of it is harder than the initial grab, my back catching the wall again, and then his hands are gone, and he's stepped back, and his chest is heaving and— yes. Yes, his weight has shifted, his left foot is back. He’s definitely going to punch me.

I turn my head.

Down the hallway, Boston and Montreal filters out in opposite directions, the usual post-game rivers of black and gold and red and white and blue, equipment staff wheeling cases, a couple of linemen talking, three phones already out and angled loosely toward us, not filming yet, just ready. One of the Montreal beat reporters is hovering at the far end. Carmichael is coming out of the home room door and has already clocked us and made the face—the oh for fuck's sake face—and stopped walking.

Too many eyes, too many hands with cameras in them.

I know what we look like from the outside. I know what the optics are, and I know that regardless of whatever is happening between us right now, the version that would appear on a screen at ten thousand pixels would be: altercation. post-game incident. Hollander-Rozanov again. And the part after this, the vulnerable and messy mechanics of how Shane and I resolve things, that is not for anyone here. That is not a gift I am willing to give them.

We've had that once, not again.

"Not here, Shane," I say. I bend and pick up his gloves from where they've landed on the mat. Tuck them under my arm, turn, and start walking toward the locker room.

I feel him stop behind me. He’s definitely standing  there with his hands at his sides, chest still heaving, and the frustration is backing up behind his teeth, and he hasn't found an outlet for it yet, and I am currently walking away from him, which is the one thing guaranteed to make his frustration worse. I count it.

One, two–

A shove hits between my shoulder blades, the full weight of him behind it, and I stumble a half-step forward and correct for it without turning around. And then he starts.

I know most of them by now. Coward. Asshole. I hate you. Face me. Don't walk away from me. Are you scared? You're scared, huh? He throws them at my back as I walk, one after another, each one arriving with another shove or a grab at my jersey that I pull smoothly out of, and the thing about Shane's insults is that if you actually stop and listen to them, they contradict themselves completely. You're scared is followed immediately by face me, as though a scared man is also a man who wants a confrontation. I hate you is followed by don't walk away, as though the presence of the man you hate is preferable to his absence. Coward from the mouth of a man who has been chasing me down a hallway for forty feet.

He's throwing things at the wall, seeing what sticks. I am not very sticky. The words hit and slide and pile up on the floor beneath him, and he steps over them without noticing, already reaching for the next one.

This is important. What I do in these moments is not about offense; Shane cannot really offend me. He has tried, he has come close, a handful of times, found a raw pressure point and pressed his thumb into it with that unerring Shane Hollander instinct for exactly the right place to cause damage. But those moments are rare, and they really require him to be thinking clearly, and right now, he is not thinking at all. Right now, he is pure reaction, a body with too much current running through it and nowhere for it to go.

When you can read the true meaning behind someone's words constantly, when you can look into their eyes and read the lines between the furrows of brown and gold and the scattered freckles of navy blue, find the small, panicked animal living behind the pupils, you stop needing to listen to the words themselves. Some dualists argue that language isn't sufficient to express the mere extent of human consciousness, I tend to agree. But the language that exists between Shane and me, the one we have built without either of us deciding to build it, that assembled itself in the gaps between the things we were willing to say out loud over seven years, gets remarkably close.

I push the locker room door open. 

The win is in the air. It lives in the bass of  Feller's speaker and the sharp crack of tape being stripped and Hammersmith's voice going up an octave as he describes, for the third time, the hit he laid on Berkes in the second period. Someone is pounding on the top of the stalls in a rhythm that has no relationship to the music. The whole room is warm and rank with it, sweat and Axe, and satisfaction. Which is well deserved, of course.

Shane is right behind me when I cross the threshold. The room goes momentarily uncertain, the energy shifting, every person doing the calculation at the same time, reading the way Shane storms in behind me and arriving at the same conclusion: oh no, not again.

"Oh, come on," St. Simon says, from the far end of the room. He looks personally aggrieved, like he is being handed homework on the last day of school. He looks at Marleau, then at Carmichael, then back at the two of us, then at the ceiling. "We won."

"Is not me," I say, and start to strip.

The room disagrees. Loudly, immediately, in the overlapping, good-natured way. Connors throws his hands in the air and makes a sound of theatrical despair. Sebbin says something in French directed at Shane that makes two of the younger forwards smother grins. Someone from the back calls out—"Every time, man, every time, can we just—" and doesn't finish the sentence because, well, there is no point. Kovalev, whose English is functional at best, catches my eye across the room and mimes a cat scratching the air with one claw. I wink at him, and he grins.

I glance behind me.

Shane is at his stall, which is across the room from mine. The adjustment was made in October, six weeks into the season, neither of us lobbied for it, neither of us objected, and neither of us has once been happy about it. Right now, Sebbin has appeared at Shane's shoulder, giving him a pep talk or lecturing him, maybe both. He’s an older, boring defeseman who found his way into Shane's orbit over the season like a fat, ugly rat burrowing through your walls and into your bedroom. I watch Sebbin put a hand on Shane's shoulder, and Shane doesn’t shrug it away. 

"Hey." Marleau claps his hands once over the noise. He doesn't raise his voice particularly; he doesn't need to. He looks at me, then looks at Shane, and his face settles into giddy irritation. "They're both retards," he announces, to the room in general. "They're both to blame. They both need to talk it out." He looks at me with a raised brow, the faintest, most exhausted smile on the left side of his mouth. "Isn't that right, Rozy?"

I smile.

And that sets him off again. 

He has slipped past Sebbin, and past Connors and past two other bodies that tried to slow him down, and he is crossing the room toward me in a towel, just a towel knotted at his hip, with his finger pointed at me.

"Woah, woah," Marleau says, stepping between us with both hands raised, catching us each at the shoulder. He presses his eyes shut. "Jesus fucking Christ."

I glance at Shane's face, over Marleau's shoulder. His nose is wrinkled, his brows pulled so far down and together that his forehead has folded entirely, three deep horizontal lines. What an angry cat. A very sweaty, very furious, very beautiful, angry cat who is naked except for a towel. Oh, bless.

The self-control I have is not unlimited. Let me be very clear about this: it is not unlimited. I have learnt in therapy how to manage its boundaries carefully, to keep it topped up, and not to spend it on things that don’t need it. But tonight has been a long game, and I spent most of it doing things that needed self-control. I am really not at full capacity.

"Let go of me," Shane says to Marleau, not looking at him. His eyes don't move from my face.

Marleau swears under his breath, then he does something that will become the subject of at least four separate fights over the next week, he drops both hands from our shoulders simultaneously, steps to the side, and with a single decisive push, propels both of us toward the shower room door.

"They're going to kill each other," Connors sighs, behind him.

"I would rather they kill each other than kill me," Marleau says, not turning around. "Be my guest, try to stop it, see where that gets you."

Someone groans, someone else laughs, someone jumps in from the back. "They'll be fine, they're always fine, they're best buds and shit, when you're that good of a player you gotta get a little cr—"

 


 

The door swings shut behind us.

Shane, in the silence of the shower room, yanks his towel from around his waist, shakes it out, and folds it neatly into two even rectangles, then sets it on the wooden bench against the wall.

When he turns, he is naked. The towel sits neatly on the bench, and he is left standing on the wet tile, completely stripped of every polite surface he wears for the rest of the world. He is shivering in a tremor that starts in his shoulders and travels all the way down to his bare feet. I can hear his back teeth grinding together.

He raises his hands. They are curled into tight, blunt fists, the blood retreating from his knuckles until the joints shine white. He shifts his weight, the arches of his feet squeaking faintly, bouncing on his heels. Once, twice. I watch the energy gather in him, spooling up from the cold tile through his calves. It is like watching an artery pulse right before it gives way, the pressure building and building against a thin membrane, the dark blood hammering against the boundary, desperate to spill out and ruin everything it touches.

Shane can be a star. He has that distant brilliance that makes people stop and point from across a rink, across a room, and say look at that, say what is that perfect thing, with the reverence and awe of never being close enough to know what they're actually looking at. And why would they get closer? It is enough, for most people, to stand at a safe distance and let the light hit their faces and feel lucky for it.

That is a mistake.

Because a star up close is not a point of light. It is a surface of burning plasma churning and folding over itself, towers of fire erupting from it that would swallow this planet whole and not notice. The winds that move across it would strip the skin from a body before you felt the burning. The electromagnetic field alone would stop a human heart at a distance of a hundred thousand miles, the body simply ceasing, the current that ran it overpowered by something older and larger and completely indifferent to the interruption. Stars do not do it on purpose. They are simply what they are, running hot inside a universe that runs cold, burning through themselves and everything near them, suffering for their own nature continuously and unable to be otherwise, not even a little, not even when it costs them everything.

Nobody gets close without burning.

Except me, I don't burn. Probably because I was already ash before I found him. Or is it that what I am underneath, stripped of everything the world added to it, burns the same way he does, I don’t know. I don’t really care.

"You want to hit me, yes?" I say, dragging the back of my hand across my mouth.

Maybe it is self-sacrificial. But not really, because I love him, and I would do anything for him, and his being this close to me, sleeping in my bed every night, is thanks enough. I would do this over and over and over again if it meant he would be happy. Let him break his knuckles against my jaw. Let him bruise himself on my edges if it helps him.

Shane nods at me. His arms are shaking because his whole body is still doing it, that tremor running through his legs and up through his torso and out through his jaw, which has started chattering again.

I tap the side of my jaw and point toward him. Bite down, stop that.

He listens, he always listens when it comes from my hands instead of my mouth.

I am sure many people would disagree with what we do. I could give them all sorts of justifications. I could tell them that the things I do to Shane are much less violent than the things he can do to himself. But honestly, it is not their buisness. Love between non-boring people is never boring. Fighting is expected; fighting is healthy. It only becomes a mess when one person is boring and the other is not.

And Shane is far from boring.

He steps forward, bouncing slightly on his heels, then takes another step, then another, then he swings. 

It is not a small punch. Shane puts 190 pounds of lean hockey muscle behind it and three hours of accumulated adrenaline and whatever else has been running underneath this since the first period, and if it had connected, it would have connected properly. I feel the displacement of air past my cheekbone as I duck.

Before he can pull back again, I punch him in the jaw. 

Not with my full force, I know my own full force, and I choose not to use it; there is only a certain amount of violence required here, and exceeding it serves nothing. What did I say about self-control? What I use right now is enough. The impact travels up through my knuckles and into my wrist, and I watch Shane's head snap to the right, his eyes rolling back for a single gorgeous second—the pupils disappearing, the whites showing at the edges, his whole face going completely blank.

And he is quiet. For the first time in thirty minutes, he is completely quiet.

His back hits the shower wall. His hands go out automatically, both palms slapping against the wet tile, scrabbling for purchase, fingers sliding against the smooth surface and finding nothing. His legs don't catch him properly, so he bounces off the wall and stumbles forward, and I step to the side and let him come.

He wants more. I can see it before he's even fully upright, so I punch him in the cheek.

Shane falls hard against the tile, his shoulder hitting first, and then the side of his head catching the floor, not as hard as it could have, but hard enough. He lands on his back, one arm flung wide, and blood splutters out immediately in a dark line from his left nostril tracking sideways across his upper lip, splitting at the bow and running in two directions, one toward his chin and one toward his cheek.

I step over his legs and press the shower button. 

The water comes down hard, the pressure in these stadium showers is always too high, always half a degree too cold or too hot with nothing in between, and it hits the tile around Shane's body and thins the deep red to pink, pink thinning to pale rose, pale rose thinning to nothing, spinning toward the drain in lazy spirals. 

His eyes are open. Open and fixed on me, tracking me as I step over him and begin to move in a slow circuit of his body, not because it is necessary but because this is mine to do and I am choosing to do it. His eyelids are heavy, half-dropped, the lashes clumped dark with water. He is not trying to do anything right now. There is no version of Shane Hollander being assembled, maintained, or presented. There is just a body on a tile floor with its defenses gone, watching me.

His eyebrows keep twitching. Up, then down, the brow caught between two competing instructions: protect yourself and stop.

He can't decide, so he does nothing. Just breathes.

He is extraordinary. I think I am an artist, my fist is the brush, Shane’s bruises exist in their own palette. A watercolourist's working draft, built in translucent layers, each one shifting the colour beneath it. At his ribs on the left side, where he took a hit from Boiziau’s shoulder in the first period, a bloom of yellow-green sits beneath a newer wash of violet, the two colours bleeding into each other at their boundary the way wet paint bleeds on paper. His hip on the right carries a wide, diffuse shape, still deciding how dark it wants to be, the centre a deep merlot and the edges fading outward through burgundy to a faint, watercolour rose that disappears into the unbroken skin around it like fog into a tree line.

At his collarbone there are two round marks, close together, pressed close enough that their outer edges merge. Those are mine, they are my thumb and forefinger, painted on a Wednesday in the dark of our hotel room in Pittsburgh, and now worn here in the locker room. Like footnotes, really, like a signature in the margin of a document that belongs to me.

The scratches on my back are his, in the same way. Every burning line that runs from my shoulder to my hip those are his. The bite marks on my bicep, the crescent indentations still just visible on my left arm, those are his. We carry each other everywhere we go, a testament to our love. 

I finish my circuit and crouch down by his head. I get low enough that my face is the only thing in his field of vision, the lights and the walls and the shower all pushed out to the edges, everything beyond me made peripheral and irrelevant.

His cock is hard against his stomach, visibly, painfully flushed and leaking against the wet skin of his abdomen, leaving a thin, clear trail that the water immediately chases sideways. I wonder when it started. I think it might have been the hallway.

I settle my weight on top of him, both hands planted on the tile on either side of his head, the shower coming down around us like rainfall, bouncing off my shoulders and falling onto his face. My hair is soaked through, the curls gone flat and heavy, water running from the ends and dripping onto his cheekbones, his lips, tracking lines down the sides of his face.

It looks exactly like tears.

He isn't crying. But it looks like it, and I let it look like it for a moment, and I cup his jaw in my palm and use my thumb to brush the blood and the water from the corner of his mouth.

I wish it didn't have to drain away. I would keep it, leave it exactly here, let it dry and crust over and darken, a reminder in every mirror he passes, every camera that finds his face, every interviewer who notices the shadow on his jaw and asks, carefully, how he got it. Something that said: this happened, and he stayed, and he will keep staying, for me, I can do whatever I want, and he’ll like it. 

But the water takes it, the drain accepts everything without opinion.

Shane starts hyperventilating; one moment his breathing is shallow and even, the next, his chest is seizing. His jaw has started chattering again, despite everything. His lip quivers. 

"Shane," I say, tapping his cheek.

He convulses underneath me, his back arching off the wet tile. I press my forearm heavily across his hip to pin him down, holding his body still so he doesn't thrash and hurt himself against the floor.

"Sweetheart, come on," I repeat, raising my voice to carry over the sound of his frantic gasps.

"Please," he chokes out, squeezing his eyes shut against the water. "Red, red, krasnyykrasnyy, please."

I smile, shaking my head slightly. He is riled up, trapped in whatever dark room he has withdrawn to inside his own head, letting some terrified fantasy play out behind his closed eyelids. I hold his chin firmly, my thumb pressing into the soft skin beneath his jaw. "Shane, it's okay. Calm down. We are done, you just have to say it."

"Krasnyy, krasnyy, Ilya, please," he grunts, thrashing his head from side to side against the tile. Tears are beginning to build at the corners of his tightly shut eyes, mixing with the stream, though his body stubbornly refuses to let them fall.

"Sha—"

"Red, I said red, please don't, please."

He is really fucking riling himself up now. I need him to snap out of it before he gets loud enough to have the whole team storming in here. They wouldn't dare, of course, but it never hurts to be cautious.

"Hey," I say, my voice dropping into that heavy, absolute register that leaves no room for panic.

Shane opens his eyes.

"Hey," I murmur, softening my tone just enough to anchor him back to the present. "It's okay. You say it, we finish."

He blinks up at me, sniffing wetly as the terror slowly begins to drain from his face, leaving behind a raw, exhausted clarity. His chest continues to stutter on the inhale, but the intervals between his convulsions are growing longer, the panic finally subsiding into the tile.

"Are you gonna touch me?" he asks, his voice reduced to a cracked, pathetic whisper.

"You want it?" I ask. It is redundant, but I ask anyway, because asking is part of it. 

Shane nods.

"Say it first."

I put my palm flat on his chest and feel it move under my hand, the rise beginning to slow, the intervals lengthening. 

"I'm sorry," Shane whispers.

I nod.

I slip off him and stand, and reach down and get my hands under his arms and lift. He is dead weight, his legs gone to liquid under him, the knees not committing, and I hold most of him against the shower wall and wait while his feet find the floor. They find it slowly. He leans into me, his head dropping toward my chest, his forehead pressing against my neck, and I grip his chin and raise his head.

His eyes are clearing, slowly, the glaze receding from the edges inward, the focus returning in stages. It will take time; it always takes time. I know a shortcut, though. 

I tilt his face to check the damage. The bruise on his cheek is already declaring itself, the skin gone a deep red that will be purple by morning and yellow by the weekend. His nose is not broken, again, self-control. I slip my thumb between his lips. He opens his mouth without instruction, and I feel along the inside of his cheek, the edge of his molars, the soft tissue. When I pull my thumb back, it is faintly red. Not from a broken tooth, he would have said so.

I put both hands on his shoulders and rub along them.

"Okay," I say. "You are okay, yes?"

Shane nods lazily, his eyelids still at half-mast.

"You can speak, Shane."

He whines and shakes his head.

"You are ready to tell me what is wrong."

He releases a long, waterlogged sigh, then his eyes come up to mine, wet still at the outer corners, the gold coming back into the irises as the pupils settle. "Yeah." He sniffs. "Yeah. I can."

I press my lips to his shoulder. Then I run my tongue along the ridge of his collarbone, catching the blood where it pooled in the hollow and thinned in the water. I like the taste, mineral iron, salt from his sweat underneath, this taste that belongs only to his skin and exists nowhere else. His hands find my waist and grip me, and it is a good sign.

"Ugh—" Shane tips his head back, baring his throat, his grip on my waist tightening. I continue down his chest. "I don't like it when you fight other people for me."

I nod against his chest.

"It makes me feel weak." His voice is deepening, climbing back toward something coherent. "And I think it makes me look weak, too. I can fight my own battles. Especially on the—oh, fuck—"

I bite his inner thigh and look up at him.

He looks down at me, and the anger dissolved out of it entirely, the furrowed brow gone and replaced with something exasperated and fond. He knows he has been thoroughly handled and cannot bring himself to entirely resent it; instead, he runs one hand into my wet hair to scratch behind my ear like a dog.

"Don't try to distract me by looking pretty," he says, rougly. "Ilya. I mean it. I don't need you to do that, not for me."

I rest my cheek against his thigh. My other cheek is wet from his dick already, the precome cooling against my skin where the shower hasn't found it. I look up at the line of his body from here—the curve of his stomach, the swell of his chest, the angle of his jaw as he looks down at me, the water coming off his hair.

He doesn't mean it.

He means it on the surface. He has rehearsed it. I could hear the argument being assembled in the quiet of the third-period bench, building his case because he intends to win. He means it in the sense that he believes he means it, which is its own kind of truth, and I take it seriously. I take all of Shane's words seriously.

But Shane has always had difficulty with the gap between can and want.

He can fight every battle on that ice. He can fight all of mine, probably, with his hands behind his back. He is better than I am in ways that I have made my peace with and ways that I have not. But can is a tool. Can does not speak to what his body does when I step between him and something that wants to hurt him. Can does not account for the fact that he reaches his hands out for me to hold constantly. 

He confuses can and want because it is easier. Because admitting to wanting means admitting what that desire says about him, about this, about how we do things. And Shane would rather be angry with me than say, out loud, in declarative sentences, what he actually needs.

I understand this. I didn't for a long time, and I made mistakes because of it, but I understand it now. And I have my own language for it too, one that doesn’t require him to say it. 

"I'm sorry," I say, kiss his thigh, and lean into the hand in my hair.

Shane's thumb moves in a slow arc, scratching behind my ear.

"Promise me," he says. He has narrowed his eyes at me, trying to see through whatever he suspects I am doing. "And promise that regardless of whether you do it on purpose or not, it won't happen again."

I let my eyes travel up his body. I look at his face, hold his gaze, and I bring my lips to within an inch of his flushed head. 

"Okay," I say.

I cross my fingers behind my back.

"I promise, I would not do that to you."

 

Notes:

content warning for domestic abuse

Krasnyy: red

 
my twitter ilyassoull i prefer being dmed here
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i said at the start of this fic that there is no happy ending. i meant it. and i think the fact that some of you were looking for one anyway is, in itself, a testament to how abuse actually works.

my intention, from the very beginning, was to show how easy it is to fall into this ouroboros. how easy it is to get pulled into the grip of a dynamic like this without ever quite seeing it happen. that has stayed true throughout the whole fic, i think.

i want to be clear about something: ilya is not a mastermind. this is not a "how to groom someone: 101" manual. but they didn't stumble blindly into this either, both things can be true at once. shane is not a perfect victim. he is capable of harm, capable of cruelty, capable of making choices that implicate him. ilya is not a detached, omniscient villain who feels nothing. he is a person. they are both people. and i think we have a cultural habit of flattening these dynamics into something more comfortable, the innocent, passive victim on one side, the purely monstrous abuser on the other.

what has interested me most, across the whole run of this fic, is watching how people read it. ilya's pov, despite being present throughout, is deeply elusive, he communicates in metaphor and imagery, he is rarely explicit, and even when he is, it requires work to parse. shane's internal voice, for all its spiralling and fragmentation, is more legible. easier to inhabit. and so i think a lot of readers have ended up inside shane's perspective and taken it as absolute truth. sliding past the red flags, rationalising the harm, accepting the smoothed-over good behaviour as evidence that the bad behaviour didn't mean what it looked like. ilya pulls the glasses off and holds them up to the light and says look, look at this, and a chapter later they are back on and everything is forgiven.

that was intentional. i wanted to put you in the position of the person it's happening to. to take you along for the fall, so that when you reach the bottom, you look around and think: wait. how did we get here? i didn't sign up for this.
if that's where you are right now, a reread of chapters fifteen through nineteen, glasses off, might be a different experience than you expect.

thank you for reading this. my socials are linked above if you want to talk about it.

is this a happy ending? curious to know what you guys think. i asked at the start of the fic "When Shane finally falls apart, will Ilya know how to put him back together again?" do you think he has?

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