IMDb RATING
6.1/10
3.5K
YOUR RATING
A failed assassination attempt in Harbin, China in 1909 changes the course of history. Now two JBI agents must find the connections between it and an ancient Korean artifact.A failed assassination attempt in Harbin, China in 1909 changes the course of history. Now two JBI agents must find the connections between it and an ancient Korean artifact.A failed assassination attempt in Harbin, China in 1909 changes the course of history. Now two JBI agents must find the connections between it and an ancient Korean artifact.
- Awards
- 6 wins & 12 nominations total
Tōru Nakamura
- Saigo
- (as Tôru Nakamura)
Kim Gyu-ri
- Teacher
- (as Kim Min-seon)
Featured reviews
I didn't really know what this movie was about when I started it. I wasn't disappointed. The movie takes place in an alternate timeline where Japan owns Seoul and the rest of Korea. Korean terrorists wreak havoc in a fancy building for some as-yet unclear reason, and it's the job of two cops (one Japanese, the other Korean) to find out what's going on. What follows is one hell of a ride. Make sure you're resting while watching this movie, because you wouldn't want to get hurt.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
LOST MEMORIES is the second South Korean time travel movie I have seen. I don't know if there has been others, but I'm only familiar with this one and the romance IL MARE.
Time travel movies are risky, and the plot invariably gets badly convoluted in an attempt to explain everything. Some films just ignore explanations, but the good ones take the chance. LOST MEMORIES uses a more "parallel world" angle, but it's still all about time travel.
Don't let the South Korea/Japan collaboration fool you. The film is all South Korean, with nearly every single Japanese character coming across as incredibly evil. Cartoonishly so, in fact. If not for this, I would have given LOST MEMORIES a better grade. AS it stands, it's just too cartoonish, too crude, and too loud for its own good. Also, the music is quite terrible.
The best part of the film is the leading male, who seems to be channeling Chow Yun Fat. An incredible starring turn, and I look forward to seeing him in other movies.
6 out of 10.
Time travel movies are risky, and the plot invariably gets badly convoluted in an attempt to explain everything. Some films just ignore explanations, but the good ones take the chance. LOST MEMORIES uses a more "parallel world" angle, but it's still all about time travel.
Don't let the South Korea/Japan collaboration fool you. The film is all South Korean, with nearly every single Japanese character coming across as incredibly evil. Cartoonishly so, in fact. If not for this, I would have given LOST MEMORIES a better grade. AS it stands, it's just too cartoonish, too crude, and too loud for its own good. Also, the music is quite terrible.
The best part of the film is the leading male, who seems to be channeling Chow Yun Fat. An incredible starring turn, and I look forward to seeing him in other movies.
6 out of 10.
2009 LOST MEMORIES (2002): Fantastic action thriller set in an deliberately-created alternate future in which Korea is just another Japanese state, and Koreans have largely lost their identity. A Korean-blooded, Japanese-named cop slowly realizes that the terrorists he's paid to wipe out are actually Korean freedom-fighters trying to restore the timeline to its proper state.
This film gets slagged nearly everywhere, so I defend it whenever possible. It's a big, loud, arguably overblown "blockbuster" that deals with a very sensitive subject: Korean identity. People have, I believe, unfairly examined and criticized this film on two fronts:
one, it's inherent patriotism, which is an element of Korean cinema that seems to alienate so many non-Korean viewers and yet is a fundamental part of the culture, probably more so than in any other Asian country (let alone much of the world). And two, the historical events behind its "science fiction," which nearly everybody I've read gets wrong. The key plot device of the film is NOT simply that Japan won World War II, but that the legendary Korean patriot Ahn Chung-gun FAILED in his assassination of Japanese foreign minister Ito Hirobumi in China in 1909 (thus, sort of, the point of the title being 100 years later). This single event is extremely important to the Korean culture and not only is their a gigantic memorial named after Ahn, but also a form of Tae Kwon Do. Looking these two names up on the internet greatly aids in understanding the deeper messages this film offers. I give it a 9.
This film gets slagged nearly everywhere, so I defend it whenever possible. It's a big, loud, arguably overblown "blockbuster" that deals with a very sensitive subject: Korean identity. People have, I believe, unfairly examined and criticized this film on two fronts:
one, it's inherent patriotism, which is an element of Korean cinema that seems to alienate so many non-Korean viewers and yet is a fundamental part of the culture, probably more so than in any other Asian country (let alone much of the world). And two, the historical events behind its "science fiction," which nearly everybody I've read gets wrong. The key plot device of the film is NOT simply that Japan won World War II, but that the legendary Korean patriot Ahn Chung-gun FAILED in his assassination of Japanese foreign minister Ito Hirobumi in China in 1909 (thus, sort of, the point of the title being 100 years later). This single event is extremely important to the Korean culture and not only is their a gigantic memorial named after Ahn, but also a form of Tae Kwon Do. Looking these two names up on the internet greatly aids in understanding the deeper messages this film offers. I give it a 9.
This has been some Asian year so far. Every single TV stations in my country are broadcasting lots of Asian movies. Of course, most of it is an English-dubbed junk, but in just one month, I've seen Crounching Tiger, Hidden Dragon; The House of Flying Daggers; Hero; Bischunmoo; Dolls; Zatoichi; Musa the Warrior; The Returner and now... 2009: Lost Memories.
I was very thrilled when I saw an announcement in the TV guide. The preview seemed to be very interesting and the fact that it was sort of collaboration between Korean and Japanese actors, made me think. I don't know Korean history well, but I realize that its relationship with Japan wasn't very good throughout the centuries. I'm rather baffled by the fact that most Koreans are learning Japanese at school while the Japanese doesn't do the opposite.
About the movie. Well, it really doesn't match Musa the Warrior. Not by a long shot. Yet, it's quite an indent, showing that Korean Movie industry is growing and it can offer us some great movies. What I liked about this movie the most, was that it has been tried to maintain a realistic mood, therefore - all the dialogs, that ought have been in Japanese, WERE in Japanese. Not like in American movies, where Russians, Poles, Chinese, Spanish and Finnish - all talk in English >__< The flow of action itself was rather sluggish, and I saw no point in editing all the action sequences in slow motion. It actually made my mind boggle. And perhaps I'm an absolutely dumb person, but I didn't quite get the real biography of Sakamoto, what he should have been in the REAL story line.
Nevertheless, this movie preaches all the general values: truth, courage, devotion, love of your homeland and respect. Being a Lithuanian I can understand Korean, because our own nation has been under the influence of Poland for centuries.
To put it into account, you have to see this movie, if you are interested in Asian cinema industry, because there is nothing more handsome than an Asian man crying: tears run down his face, eyes are full of grief and sorrow, but not a single face muscle stirs. Amazing.
I was very thrilled when I saw an announcement in the TV guide. The preview seemed to be very interesting and the fact that it was sort of collaboration between Korean and Japanese actors, made me think. I don't know Korean history well, but I realize that its relationship with Japan wasn't very good throughout the centuries. I'm rather baffled by the fact that most Koreans are learning Japanese at school while the Japanese doesn't do the opposite.
About the movie. Well, it really doesn't match Musa the Warrior. Not by a long shot. Yet, it's quite an indent, showing that Korean Movie industry is growing and it can offer us some great movies. What I liked about this movie the most, was that it has been tried to maintain a realistic mood, therefore - all the dialogs, that ought have been in Japanese, WERE in Japanese. Not like in American movies, where Russians, Poles, Chinese, Spanish and Finnish - all talk in English >__< The flow of action itself was rather sluggish, and I saw no point in editing all the action sequences in slow motion. It actually made my mind boggle. And perhaps I'm an absolutely dumb person, but I didn't quite get the real biography of Sakamoto, what he should have been in the REAL story line.
Nevertheless, this movie preaches all the general values: truth, courage, devotion, love of your homeland and respect. Being a Lithuanian I can understand Korean, because our own nation has been under the influence of Poland for centuries.
To put it into account, you have to see this movie, if you are interested in Asian cinema industry, because there is nothing more handsome than an Asian man crying: tears run down his face, eyes are full of grief and sorrow, but not a single face muscle stirs. Amazing.
The year is 2009, but it's a 2009 in an alternate history to ours, where Japan fought with the US in World War II and won... and still occupies and controls Korea. Most Koreans have accepted the state of affairs after 100 years, but there is still a small band of terrorists/freedom fighters that want to see Korea regain independence.
Our hero is a cop of Korean descent who now works in the Japanese Beaureau Of Investigation, comfortable socialising with Japanese friends and speaking the language as default. After a major attack on an exhibition centre, however, he begins to investigate the terrorists to understand their motives. As he finds out more about their fight, he begins to question the legitimacy of Japanese occupation, and starts to feel the Korean blood flowing stronger in his veins.
Clearly inspired by the box office success of SHIRI in 1999, the producers of 2009: LOST MEMORIES have conspired to produce a slick action thriller with production values that compete fairly well with Hollywood productions of only a few years back. Like SHIRI, the trade off for absorbing some of Hollywood's virtues seems to be acquiring some of its vices too - chiefly, a shallow script with major plot holes and a certain amount of xenophobia. These qualities are worse in 2009 than SHIRI, and to be fair worse than the better Hollywood productions too.
The script for 2009: LOST MEMORIES can hardly be called strong, but it is interesting and not overly predictable, despite the presence of large amounts of cheese (which maybe explains why it's so full of holes?). I did find myself checking the time quite frequently as I watched, but I got through all 130 minutes of the film without feeling too bored. It would have been much harder to say this if it weren't for the action scenes, however, which are of a very high calibre. There are just enough scenes of cool Hong Kong style gunplay to qualify 2009: LM as one of the better action movies of recent years. Also one of the more violent action movies - the body count is huge, and there is no hesitation about showing the damage a bullet can do to the human body.
The production values are mostly very high - some great sets and props (many of which get severely destroyed in the gun fights). Good cinematography, though that hardly needs mentioning for a Korean film these days. The soundtrack is perhaps a little OTT, but then so is the melodrama in the script. Acting is acceptable, though no performance approaches "great".
Overall I was rather disappointed with the film, having heard so many very positive opinions expressed about it. I liked the action, but felt the script could have been a lot better. It's a little too much like a Hollywood movie, which was probably what the producers were aiming for, but isn't what I want when I watch a Korean film. It's bound to be a film that people will be talking about a lot, and may influence the direction of the Korean industry, so any fan of Korean cinema should probably watch it if they haven't already
Our hero is a cop of Korean descent who now works in the Japanese Beaureau Of Investigation, comfortable socialising with Japanese friends and speaking the language as default. After a major attack on an exhibition centre, however, he begins to investigate the terrorists to understand their motives. As he finds out more about their fight, he begins to question the legitimacy of Japanese occupation, and starts to feel the Korean blood flowing stronger in his veins.
Clearly inspired by the box office success of SHIRI in 1999, the producers of 2009: LOST MEMORIES have conspired to produce a slick action thriller with production values that compete fairly well with Hollywood productions of only a few years back. Like SHIRI, the trade off for absorbing some of Hollywood's virtues seems to be acquiring some of its vices too - chiefly, a shallow script with major plot holes and a certain amount of xenophobia. These qualities are worse in 2009 than SHIRI, and to be fair worse than the better Hollywood productions too.
The script for 2009: LOST MEMORIES can hardly be called strong, but it is interesting and not overly predictable, despite the presence of large amounts of cheese (which maybe explains why it's so full of holes?). I did find myself checking the time quite frequently as I watched, but I got through all 130 minutes of the film without feeling too bored. It would have been much harder to say this if it weren't for the action scenes, however, which are of a very high calibre. There are just enough scenes of cool Hong Kong style gunplay to qualify 2009: LM as one of the better action movies of recent years. Also one of the more violent action movies - the body count is huge, and there is no hesitation about showing the damage a bullet can do to the human body.
The production values are mostly very high - some great sets and props (many of which get severely destroyed in the gun fights). Good cinematography, though that hardly needs mentioning for a Korean film these days. The soundtrack is perhaps a little OTT, but then so is the melodrama in the script. Acting is acceptable, though no performance approaches "great".
Overall I was rather disappointed with the film, having heard so many very positive opinions expressed about it. I liked the action, but felt the script could have been a lot better. It's a little too much like a Hollywood movie, which was probably what the producers were aiming for, but isn't what I want when I watch a Korean film. It's bound to be a film that people will be talking about a lot, and may influence the direction of the Korean industry, so any fan of Korean cinema should probably watch it if they haven't already
There are breakpoints in the history, the result of a single event may change the whole course... In 1909, an assassination attempt of a Japanese governor fails - the assassin was shot by a soldier. Now, in 2009, Korea is just another state of the Japan Empire and Seoul has become a major city. A Korean resistance group called Hureisenjin is formed to fight for liberty and independence. Two cops, a Japanese and a Korean (who denies his heritage) are investigating the actions of this "terrorist" group. And their work lead them to an artifact of the ancient Korean religion of "Sun and Moon".
- Genres
- Motion Picture Rating (MPA)
- Rated R for pervasive strong violence
- Parents guide
Did you know
- TriviaBok Geo-il, author of the source novel Bimyeong-eul Chajaseo ("Looking for an Epitaph") (1987), refused to be associated with the finished product, and successfully sued the film-makers to have his name removed from the credits.
- GoofsWhen Sakamoto dives behind the couch you can see that next to his gun holster, on the back of the couch, there is a mound exactly where the squib for the gunshot is going to go off.
- ConnectionsReferences Patriotic Martyr an Jung-gun (1972)
Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross worldwide
- $12,049,825
- Runtime
- 2h 16m(136 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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