In Vol.122, Sakuramakoto Kichijoji treats the leg as a subject worthy of the same tonal rigor applied to landscape or portraiture. Black-and-white photography in Season 2 elevates the everyday into something studied and artistically intentional.
In Vol.122, Sakuramakoto Kichijoji treats the leg as a subject worthy of the same tonal rigor applied to landscape or portraiture. Black-and-white photography in Season 2 elevates the everyday into something studied and artistically intentional.
