Three skiers stranded on a chairlift are forced to make life-or-death choices, which prove more perilous than staying put and freezing to death.Three skiers stranded on a chairlift are forced to make life-or-death choices, which prove more perilous than staying put and freezing to death.Three skiers stranded on a chairlift are forced to make life-or-death choices, which prove more perilous than staying put and freezing to death.
- Awards
- 2 wins & 5 nominations total
Will Barratt
- Sullivan
- (uncredited)
Jesse Faggioli
- Snowboarder
- (uncredited)
Adam Green
- Guy on Chairlift #1
- (uncredited)
Joe Lynch
- Guy on Chairlift #2
- (uncredited)
John Omohundro
- James
- (uncredited)
Cody Blue Snider
- Twisted Sister Fan in Cafeteria
- (uncredited)
Dee Snider
- Man who shouts 'Last chair is through'
- (voice)
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm not jumping up and down for this one but I thought it was a very well done survival/thriller that had some shocking, gruesome scenes as well as some thrills and definitely chills. The acting was pretty decent but the stand out here is newcomer Emma Bell who gave an heartbreaking performance as one of the stranded skiers on a ski lift, man I felt all of her pain. I thought the director did a great job using different techniques with the camera and used his one location effectively that makes you think and feel that you're right there with them on that ski lift, the thought just terrifies me but doesn't make me fear going skiing just makes me think twice about going on a ski lift. I think it's a tad overrated saying it does for skiing what Jaws did for swimming, not really and to be honest it's more Open Water than Jaws just with more action and a different situation, sorry it just didn't put the fear in me, it just had me feeling sorry for them and rooting for them than actually being scared. It will have you thinking throughout questioning what would you do in that situation, what lengths would you go in order to survive and some of it to me wasn't plausible while other scenes were very realistic and will have you on the edge of your seat. What makes this so special is the fact that they took a simple idea and went to great lengths to make it powerful and had three leads that could be anyone's friend, sister, brother, lover and it makes you feel for them even more and makes the whole situation more unsettling and shattering with some scenes that will make you a little teary eyed, good effort. This film actually has a heart and is refreshing from most horror offerings lately but it's more of a drama/thriller and I can't wait to see what director Adam Green has up his sleeve next! Overall it could of had a slightly better conclusion and I don't think it's going to be the best genre flick of the year because I just don't see that happening but if you want to see something different, new and bone chilling go support Adam Green's latest effort Frozen, though more of a renter on a snowy night to me. Recommended!
For a film that mainly revolves around a cast of three to carry the movie, seven stars can seem like seventeen. What makes this film work is the realism. Every choice, every consequence, everything! Like a movie studio trying to emulate the moments before a car accident, then its aftermath.
I'm not one of these reviewers that will take you through the entire plot of the film. Especially in this case. This film's simplicity works. Three skiers accidentally get forgotten on a ski lift as the resort closes for the week.
That's it! Yet, this simple formula works better than any horror movie I have seen in a long, LONG time! This opinion may be a little biased and I'll tell you why. Personally, I am petrified of open heights. Adam Green's chosen camera placements are well picked, never once allowing any hints of fiction into the story. That's the beauty of shooting on location, despite how deadly the location can be.
Deadly, indeed! This movie really got under my skin. Not in anyway gore-filled, like "Hatchet" or its sequel. So for all the gore-hounds out there scanning the reviews for bloody details before watching it, make-up effects enthusiasts won't be completely disappointed, but it's no "Hatchtet". However, Adam Green focuses more on his Actor's/Actresses' reactions to the horrors within the film. This works! Lord, does it work! I'm a huge GOREHOUND, I welcome squeamish scenes, but the subtle incidents that happen to these characters while exposed to harsh weather works better than a graphic depiction of a chainsaw to the gut! I'm almost ashamed to admit that I had to turn away and groan at what I witnessed on screen! This is from someone who giggled like a girl-scout throughout "A Serbian Film"! "Frozen" works! In all the right ways! My only complaints about the film are the lack of themes. Usually a survival-horror like this contains some smug theme that ties the film together, a topic the film tries to make aware to its audience. Romero does the aforementioned flawlessly, just to provide one example. "Dawn of the Dead" and its issue of consumerism. For example, one would assume that being trapped with two other people in a situation like that, the throes of "cabin fever" would naturally work its way into the script. Yet, Adam Green chooses to focus on the reality of the situation his characters find themselves in. As a result, the film remains simple. Leaving the audience with no other thought to ponder upon besides their own feelings of fear. To some, this may be a compliment to the film, to others, a weak link.
The dialogue is probably the strongest device in the film. Revolving your film around only three characters, the script better be able to keep the dialogue interesting or your audience is going to give up on these characters. Adam Green's dialogue is just that, interesting. Realizing the situation the characters find themselves in, the conversations that follows feels significant, but above all genuine. Dialogue, outweighs the action, so be prepared for a lot of talking. However, when the action arrives it's like an avalanche; disastrous, yet magnetic. I was, literally, frozen, couldn't take my eyes off the screen.
I've said enough...
To reiterate a few points, I have to say, again, this film really shook me. After it was over I had a deeper appreciation for the bed I was watching it in. I also made a vow never, EVER to go skiing.
I'm not one of these reviewers that will take you through the entire plot of the film. Especially in this case. This film's simplicity works. Three skiers accidentally get forgotten on a ski lift as the resort closes for the week.
That's it! Yet, this simple formula works better than any horror movie I have seen in a long, LONG time! This opinion may be a little biased and I'll tell you why. Personally, I am petrified of open heights. Adam Green's chosen camera placements are well picked, never once allowing any hints of fiction into the story. That's the beauty of shooting on location, despite how deadly the location can be.
Deadly, indeed! This movie really got under my skin. Not in anyway gore-filled, like "Hatchet" or its sequel. So for all the gore-hounds out there scanning the reviews for bloody details before watching it, make-up effects enthusiasts won't be completely disappointed, but it's no "Hatchtet". However, Adam Green focuses more on his Actor's/Actresses' reactions to the horrors within the film. This works! Lord, does it work! I'm a huge GOREHOUND, I welcome squeamish scenes, but the subtle incidents that happen to these characters while exposed to harsh weather works better than a graphic depiction of a chainsaw to the gut! I'm almost ashamed to admit that I had to turn away and groan at what I witnessed on screen! This is from someone who giggled like a girl-scout throughout "A Serbian Film"! "Frozen" works! In all the right ways! My only complaints about the film are the lack of themes. Usually a survival-horror like this contains some smug theme that ties the film together, a topic the film tries to make aware to its audience. Romero does the aforementioned flawlessly, just to provide one example. "Dawn of the Dead" and its issue of consumerism. For example, one would assume that being trapped with two other people in a situation like that, the throes of "cabin fever" would naturally work its way into the script. Yet, Adam Green chooses to focus on the reality of the situation his characters find themselves in. As a result, the film remains simple. Leaving the audience with no other thought to ponder upon besides their own feelings of fear. To some, this may be a compliment to the film, to others, a weak link.
The dialogue is probably the strongest device in the film. Revolving your film around only three characters, the script better be able to keep the dialogue interesting or your audience is going to give up on these characters. Adam Green's dialogue is just that, interesting. Realizing the situation the characters find themselves in, the conversations that follows feels significant, but above all genuine. Dialogue, outweighs the action, so be prepared for a lot of talking. However, when the action arrives it's like an avalanche; disastrous, yet magnetic. I was, literally, frozen, couldn't take my eyes off the screen.
I've said enough...
To reiterate a few points, I have to say, again, this film really shook me. After it was over I had a deeper appreciation for the bed I was watching it in. I also made a vow never, EVER to go skiing.
SO I picked up Frozen from work and brought it home to watch. I read a few reviews on here first and I was a little leery after that.. but it wasn't what I expected. Usually wolves are badly depicted in films, terribly misrepresented and maligned, but not in this film. It keeps you grounded in terrible reality the whole time.
Terrifying, brutal, bloody reality.. good acting, good story I really enjoyed this movie, and I generally don't like scary movies, I often find them cheesy and poorly acted. This film was different and I would really recommend watching it by yourself on a cold winters night.. It'll give you a nice chill.
Terrifying, brutal, bloody reality.. good acting, good story I really enjoyed this movie, and I generally don't like scary movies, I often find them cheesy and poorly acted. This film was different and I would really recommend watching it by yourself on a cold winters night.. It'll give you a nice chill.
Frozen, the latest chiller from up-and-coming filmmaker Adam Green (Hatchet, Spiral) tells the story of three 20-somethings who spend a Sunday at an alpine ski resort in New England, where they, after a long day, steal one final ride up the chairlift right before closing-time to secure maximum value for their money, only for the lift to stop midway and the resort to shut down, leaving the three friends suspended in their chair high above the slope in freezing cold conditions.
Anyone who has some experience with chairlifts will recognize the partly claustrophobic, partly acrophobic sensation you get when your lift stops, even if it normally is only for a couple of minutes. In the case of this film's three protagonists, the situation is much more dire, and there is a tangible, gripping realism in the situation they find themselves in, facing the prospect of being stuck in the freezing cold for days. Unfortunately, Frozen is badly marred by the continued stupidity of the characters (and the script). Their lack of resourcefulness, logical thinking and common sense is so annoying that it drains whatever empathy we feel for them. The girl, for instance, actually falls asleep in freezing weather with her bare hand clenched around a metal bar - that is just about as easy to do as falling asleep by a campfire with your hand in the flames. Green's inclusion of a pack of freakish wolves doesn't help the case either; evolution killed off wolves with this kind of aggressive behaviour thousands of years ago.
If logical fallacies were to make or break horror films, there would be few movies left that worked, but in the case of Frozen, the fallacies are too substantial to ignore, because the film bases its entire existence on a few choices made by the characters. Director Adam Green's approach is utterly cynical: keeping logic from his characters in order to enable him to drag them through the most gruesome endeavours. I would propose that Green remake his film as a nice 30-minute short with the following ending: Three friends find themselves stuck in a chairlift, lights go out and they face a freezing night (which most probably would mean their death) unless they find a way down. They put their heads together as their human survival instincts kick in, and start making a rope using their jackets, skiing trousers and Joe's poles, from which the lightest of the three (Parker) lowers herself to the ground and rides down on her board to fetch help so that a rescue team can return to save the other two, and they can all go home and get some pizza.
*Review written in 2011.
Anyone who has some experience with chairlifts will recognize the partly claustrophobic, partly acrophobic sensation you get when your lift stops, even if it normally is only for a couple of minutes. In the case of this film's three protagonists, the situation is much more dire, and there is a tangible, gripping realism in the situation they find themselves in, facing the prospect of being stuck in the freezing cold for days. Unfortunately, Frozen is badly marred by the continued stupidity of the characters (and the script). Their lack of resourcefulness, logical thinking and common sense is so annoying that it drains whatever empathy we feel for them. The girl, for instance, actually falls asleep in freezing weather with her bare hand clenched around a metal bar - that is just about as easy to do as falling asleep by a campfire with your hand in the flames. Green's inclusion of a pack of freakish wolves doesn't help the case either; evolution killed off wolves with this kind of aggressive behaviour thousands of years ago.
If logical fallacies were to make or break horror films, there would be few movies left that worked, but in the case of Frozen, the fallacies are too substantial to ignore, because the film bases its entire existence on a few choices made by the characters. Director Adam Green's approach is utterly cynical: keeping logic from his characters in order to enable him to drag them through the most gruesome endeavours. I would propose that Green remake his film as a nice 30-minute short with the following ending: Three friends find themselves stuck in a chairlift, lights go out and they face a freezing night (which most probably would mean their death) unless they find a way down. They put their heads together as their human survival instincts kick in, and start making a rope using their jackets, skiing trousers and Joe's poles, from which the lightest of the three (Parker) lowers herself to the ground and rides down on her board to fetch help so that a rescue team can return to save the other two, and they can all go home and get some pizza.
*Review written in 2011.
A college student goes on a weekend ski/snowboard outing with his girlfriend and his jealous buddy. It was supposed to be just the guys, but Parker came along, much to buddy Lynch's dismay. She is still learning, and as a result of this, the trio spends most of the day on a bunny slope. After some complaining from Lynch, they decide to go on a quick run down the mountain before the day is through, but there's bad weather moving in. They manage to convince the lift operator to let them go, but through a series of unfortunate circumstances, the lift is stopped midway up the mountain leaving them stuck as the place shuts down for the week. With bad weather, the freezing cold and a large drop between them and the ground, the chances for survival are looking slim. And that's not taking the pack of hungry wolves into account.
I caught this at the Parks Mall AMC back in February and thought it was fantastic. It's from the Open Water/Black Water/The Canyon school of survival horror. All of those films are intense portraits of people stuck in some form of wilderness nightmare with little hope of escape, but Frozen may just be my pick for best of the bunch. At one point early on into the trio's predicament, I discovered that I had unknowingly squeezed my hands together so tightly that they had fallen asleep, so it's safe to say that the tension got to me. The characters also really grew on me as the film wore on, and I actually felt really bad for them. This is Emma Bell's first film, and I was quite impressed with her performance. While she has a spotty moment or two, for a first-timer, I'd say she knocked it out of the park. Her standout scene takes place when she's relaying her fears about what might happen to her puppy if she dies on the lift, and if he'd think she abandoned him.
Kudos to Adam Green for shooting this film on location. There are no green-screens or studio sets to be found here. Green and company found an actual lift to go out and shoot on. Equal amounts of kudos must go to the actors, as they were the ones up on the lift braving the elements for the authenticity a film of this type needs. Their hard work and tolerance paid off, as I often felt like I was right there on the lift with the characters. The chilly atmosphere vividly leaps off the screen, the bleak nature of the situation in which these three find themselves never in doubt. This film also hit a little closer to home for me, as I spent a week of skiing, etc. in Winter Park, CO not two months prior to watching this at the theater. With that fresh in my mind, I was left with an even stronger feeling of "What if?".
Also effective is the sparingly used score, usually played over visuals of the abandoned ski park. There are some gruesome bits, particularly the hand scene from the trailer and a discovery towards the film's end, but most of the tension comes from the predicament itself and some of the debasing things the characters have to do. Needing to take a leak while stuck on a ski lift may not be a big deal if you're a guy, but Parker's options aren't so easy.
I didn't think much of Adam Green's Hatchet. Frozen, on the other hand, is worth raving about.
I caught this at the Parks Mall AMC back in February and thought it was fantastic. It's from the Open Water/Black Water/The Canyon school of survival horror. All of those films are intense portraits of people stuck in some form of wilderness nightmare with little hope of escape, but Frozen may just be my pick for best of the bunch. At one point early on into the trio's predicament, I discovered that I had unknowingly squeezed my hands together so tightly that they had fallen asleep, so it's safe to say that the tension got to me. The characters also really grew on me as the film wore on, and I actually felt really bad for them. This is Emma Bell's first film, and I was quite impressed with her performance. While she has a spotty moment or two, for a first-timer, I'd say she knocked it out of the park. Her standout scene takes place when she's relaying her fears about what might happen to her puppy if she dies on the lift, and if he'd think she abandoned him.
Kudos to Adam Green for shooting this film on location. There are no green-screens or studio sets to be found here. Green and company found an actual lift to go out and shoot on. Equal amounts of kudos must go to the actors, as they were the ones up on the lift braving the elements for the authenticity a film of this type needs. Their hard work and tolerance paid off, as I often felt like I was right there on the lift with the characters. The chilly atmosphere vividly leaps off the screen, the bleak nature of the situation in which these three find themselves never in doubt. This film also hit a little closer to home for me, as I spent a week of skiing, etc. in Winter Park, CO not two months prior to watching this at the theater. With that fresh in my mind, I was left with an even stronger feeling of "What if?".
Also effective is the sparingly used score, usually played over visuals of the abandoned ski park. There are some gruesome bits, particularly the hand scene from the trailer and a discovery towards the film's end, but most of the tension comes from the predicament itself and some of the debasing things the characters have to do. Needing to take a leak while stuck on a ski lift may not be a big deal if you're a guy, but Parker's options aren't so easy.
I didn't think much of Adam Green's Hatchet. Frozen, on the other hand, is worth raving about.
At Mount Holliston, snowboarders Dan Walker, his girlfriend Parker O'Neil and his best friend Joe Lynch don't have enough money to buy lift tickets. Parker bribes Jason, a lift-worker, with one hundred dollars. When the system is nearing closure, they force Jason to let them have one last pass. However, Jason needs to resolve a problem and his colleague misunderstands his instructions and stops the lift. The trio of skier and snowboarders gets stranded on the chairlift near the top of the mountain. When they see that the lights of the ski resort had been turned off, they need to make a choice: leave the chairlift or freeze to death.
- TaglinesNo one knows you're up there.
- Genres
- Motion Picture Rating (MPA)
- Rated R for some disturbing images and language
- Parents guide
Did you know
- TriviaThe film was shot entirely practically, meaning no soundstage, nor greenscreen, nor CGI. The actors and actresses were truly suspended over fifty feet in the air on the side of a real mountain in Utah.
- GoofsAlthough the protagonists are supposed to be freezing badly none of them cares to completely close their coats.
- Quotes
- Parker O'Neil: Okay then, Lynch, what *is* the worst way to die?
- Joe Lynch: What...
- Parker O'Neil: No, no, no, you have an answer for everything. What is your biggest fear?
- Joe Lynch: That's easy. The Sarlacc pit.
- Parker O'Neil: I'm sorry, the what?
- Joe Lynch: The Sarlacc pit. From "Return of the Jedi". Uh, hello. Being slowly digested over a thousand years - worst death ever.
- Dan Walker: [in a mocking whiny voice] Dan, why don't I ever have a girlfriend? Why?
- ConnectionsFeatured in Trailer Failure: Sex and the City 2, Frozen (2010)
- SoundtracksHelicopter Fight Song
Written by Chris Zerby (as Christopher Zerby)
Performed by Helicopter Helicopter
Courtesy of Initial Records
Details
Box office
- Gross US & Canada
- $246,176
- Opening weekend US & Canada
- $131,395
- Feb 7, 2010
- Gross worldwide
- $3,843,774
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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