Muslim-Marathi pilgrimage: the Sufi-shrine of Visalgadh
2020, Ritual Journeys in South Asia: Constellations and Contestations of Mobility and Space
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Abstract
Dandekar, D. 2020. “Muslim-Marathi pilgrimage: the Sufi-shrine of Visalgadh”, in Ritual Journeys in South Asia: Constellations and Contestations of Mobility and Space. Edited by C. Bergman and J. Schaflechner, pp. 181-196. Routledge: London
Key takeaways
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- The article explores Sufi bhakti at the Visalgadh dargah, highlighting its unique devotional practices.
- Shrine literature serves as an ontological artifact that shapes dargah devotion and pilgrimage narratives.
- The Visalgadh dargah has gained prominence due to urban growth, enhancing pilgrim access over the last two decades.
- The 16-page shrine booklet conveys Baba Malik Rehan's moral code and rituals for devotees at the dargah.
- Dargah worship fosters shared Hindu-Muslim devotional practices, transcending traditional religious boundaries in Maharashtra.
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The sense of understanding divine messages and meanings in pilgrimage journey is the basic moral and ethical domain. The core of pilgrimage studies moves around the study of sacred places (sacredscapes), the pilgrimage as sacred journey, and the faith involved therein. The spatial-religious view, cosmic-movement context and human psyche together develop there a theosphere, to be called faithscape – which is more concerned with experiences and emotional bondage than mere speculations, observations and participation. The manifestive power of sacralisation regulated by the ritualisation, ultimately promotes cosmicising the harmonic relation between human being and the divine nature. In pilgrimage feeling and meaning both together and at one stage become the one. The expression of this stage is not an easy task. Of course, phenomenology and qualitative approaches help in clear exposition, however the basic ideology of “Openness in research” is advocated as an approach where no biasness to be retained. Above all understanding is more important than expressing objective reality through empiricism. Keywords. Cosmicised frame, faithscape, meaning and message, Openness, power of place, sacredscape, Self-realization, sacroecology, theological purview, understanding.
EdA Esempi di Architettura, International Journal of Architecture and Engineering [ISSN [print]: 2384-9576- MIUR E211002, ISSN [e-version]: 2035-7982– MIUR E199789; Adiuvare S.r.l., Genzano di Roma, Italy], Vol. 12 (no° 2), 9th February: pp. 224-243. ISBN 979-12-218-1721-8. , 2025
Historically, Hindu practices of rituals and festivities, sacred journeys, deities, and their symmetrical links have come to form a sacred spatial system that pilgrims and devotees still perceive. Pilgrimage traditions are deeply rooted in local space/place and their adherents' cultural inheritance and mentality. This structure is reflected symbolically in a spatial frame of Hinduism in which complexity and temporal stability meet, mediating between people and the cosmos, i.e., in a mesocosm (Singh 2002). In Ayodhya, it is expressed in a series of sacred territorial boundaries defined by the pilgrimage routes. Sacred journeys are an impartial part of Hinduism in the frame of pilgrimage tourism, which records the historical continuity and sustenance of sacred routes. There developed a variety of distinct sacredscapes due to the relationship between human faith and landscapes that are revived and passed on in time through rituals. Ayodhya is primarily an ancient tīrtha (pilgrimage place) and salvific place that has had settlement continuity since at least 2000 BCE. The city is described in Hindu mythologies (Purāṇic Lore) as the birthplace of Bhagavān (Lord) Rāma, a patron deity of the Vaishnavite group. In history, three main pilgrimage routes have been developed that define the three territorial limits of Ayodhya, viz. Chaurashikroshi, Chaudahakroshi, and Panchakroshi. Like most of the pan-Indian holy centres, Ayodhya also displays a three-tier cosmology, respectively as macro (i.e., Maṅḍala, the Outer one), meso (i.e., Kshetra, the Middle one), and micro (i.e., Purī/city, inner sanctum) cosmos. These three pilgrimage circuits, associated routes, and the attached shrines and temples are described in the ancient mythologies, which are frequently still cited in various rituals, group chanting, and sacred walks. Rāmakot ki Parikramā, Antargrihi Parikramā, Ayodhya Rāmāyaṇa circuit journey, Mokshadayani heritage walk, Saptahari temple journey, sacred walks based on the Skanda Purāṇa, and many other such sacred walks are popular in Ayodhya. Re-making and superimposing the ancient glories through heritagisation are standard practices under the present government; however, issues of threats and deterioration of ancient heritage attributes appear. The present study analyses the cultural identity based on pilgrimage routes and sacredscapes, also projecting Rāma Janmabhūmi temple as a sacral mundi. Keywords: Ayodhya, ancient mythologies (Purāṇic Lore), pilgrimage routes, heritagisation, ritualscapes, sacredscapes, contested heritage, Rāma Janmabhumi, India.
The study of pilgrimages in cul¬tural geography has a historical tradition, but in India it was dominated by the Indologists and later on by anthropologists. The global movement to un¬derstand and develop the harmonic relationship between man and the earth has opened a new horizon for pilgrimage studies now known as peregrinology. Of course, the puranic literature and mythologies are full of glorious descriptions of holy places, only recently pilgrimage study in geography has been accomplished. In fact, the geography of pilgrimages has not been independently treated as the subject, rather it is a mul¬tidisciplinary field of inquiry. For the Indian context the wedding of geography with several other branches of knowledge is necessary with an aim to fully comprehend the notions of place, travel genre, historical linkage, circulation, typology, organisation of sacred space, cosmic frame, cultural heritage resource, ethnographic orienta¬tion, and finally the task ahead. Keywords. Cultural heritage resource, Hindu peregrinology, Pilgrimage Mandala, sacrality, sacred space, sacred time, sacred cartography, spiritual magnetism, tirtha.
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Pilgrimage has been one of the strongest traditions in Hindu religion since the Vedic time. In the course of time, Varanasi has been eulogized and accepted as the most sacred city in Hinduism. By the turn of the 13th century, many pilgrimage circuits and spatially manifested holy sites and shrines developed in Varanasi. The re-establishment of important pan-Indian holy sites in Varanasi makes this city a microcosm of India. Many cosmological symbols also occur, such as the 56 Vināyaka shrines representing a multiple frame of eight directions and seven layers of the atmosphere. Similarly the five most popular pilgrimage circuits represent the five gross elements making life, according to the Hindu cosmogony. All these pilgrimage circuits are associated with the shrines referring to numerical symbolism. The pilgrimage journeys are described according to months and seasons for which specific shrines or holy spots are prescribed. To engage in the special ritual honouring the patron deity, Vishveshvara or Vishvanātha, is the purpose for about sixty percent of the pilgrims to Varanasi; and the sacred journey around his temple is known as the “inner sanctum” route of the city. In geographic symbolism, the three forms of Shiva (with the respective segmented circuits Omkāreshvara, Vishveshvara, and Kedāreshvara) make the shape of a trident, which is why the city is perceived as lying on Shiva’s trident. The sacred topography of the city shows one of the best known examples of mesocosm (earthly) representation interlinking macrocosm (heavenly bodies) and microcosm (individual being or deity, or inner sanctum of a temple). Key words: cosmology, circumambulatory circuits, pilgrimage, Varanasi, Shiva.
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FAQs
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What has contributed to the resurgence of pilgrimage at Visalgadh in recent decades?add
The study finds that urban growth in regions around Mumbai, Kolhapur, and Ratnagiri has increased access to the Visalgadh dargah, resulting in a significant rise in pilgrim numbers over the past 20 years.
How does the shrine booklet shape the Muslim bhakti experience at dargiihs?add
The analysis reveals that the shrine booklet acts as an ontological artifact, narrating miracles and prescribing moral codes that shape pilgrims' experiences and expectations during their visit to Baba Malik Rehan's dargah.
What themes dominate the narratives within the Visalgadh shrine booklet?add
The booklet prominently features themes of Sufi arrival, miraculous deeds, moral codes, healing experiences, and comparisons between Sufi celebrations and broader Islamic festivals, enhancing the cultural significance of the dargah.
How do pilgrims reconcile urban modernity with traditional pilgrimage routes?add
The research shows the contradiction where modern conveniences, such as roadways, are accepted, yet pilgrims still engage in traditional rituals, perceiving the climb to the dargah as deeply symbolic of personal struggles.
What role does the dargah play in local inter-religious dynamics between Hindus and Muslims?add
The findings highlight that the Visalgadh dargah serves as a shared devotional space, fostering communal ties between Hindus and Muslims while simultaneously negotiating religious identities through collective rituals.