What Is Permitted to Jove

Just as the former Prince Andrew will always be royal, so will the trafficking of African people.

What’s new in theatre, movies, television, art, dance, classical, and contemporary music.

A great fuss surrounds Emerald Fennell’s anachronistic adaptation, but Emily Brontë’s ruthless text will always have the last word.

A new history charts how Palestinian militants of the nineteen-seventies made common cause with West Germany’s radical left.

An exhibition in New York celebrates the work Strausfeld made for a cinema in London over the course of more than thirty years—designs of graphic confidence that were clean, strong, and scornful of embellishment.

PragerU, a fount of Judeo-Christian edutainment, is now a key partner in the Trump Administration’s “civic education” campaign.

Also: the primordial silhouettes of Simone Fattal, the indie-folk soundscapes of Florist, Rachel McAdams in “Send Help,” and more.

Jake Reiss only sells signed books, and mostly at publisher’s prices. It shouldn’t work, but it has.

This year marks the hundred-and-seventy-fifth anniversary, or demisemiseptcentennial, of “Moby-Dick,” originally published in 1851. (Saving you the math.) Is it O.K. to have a “Moby-Dick” T-shirt for every day of the week?

A new biography of the Berlin-born philosopher emphasizes his combination of stubborn unworldliness and startling prescience.

To assimilated German Jews in the South, the Holocaust was unimaginable. One solution was to shut it out.

His poetry reckoned with the immensities of reality, time, and grief, confronting a world upended by new truths about the earth and the heavens.