The first drawing I was ever proud of was a picture of a lopsided rabbit with floppy ears. I was in kindergarten at the time, probably no older than six, and I distinctly remember running out to the hallway showing the first person I saw my masterpiece. I believe she was a 1st or 2nd grade teacher...woman at the end of her prime with dyed blond hair, her dark graying roots showing through. She wore a blue dress and an awkward smile as I forced her to look at what I made. I can no longer recall what she told me, bu I remember her words being warm and kind, as I beamed after they were said.
For the life of me I cannot remember why I recall that one instance vividly in my mind, nor why I felt such a pointlessly gratuitous swell of pride and self worth at what I had created, nor why I felt the need to share it with a woman I never met. Maybe I am over analyzing things, as this happened before I became a withdrawn child, and when a small child does something well they seek out confirmation for their achievements. I don't believe I will ever forget that instance, and often I ponder it's significance.
Maybe it stands clear as it was the first time in my life I was proud of something that I created myself. It wasn't some hokey cartoon character that I colored in a book, nor something I imitated from a television show, but instead something of my own design. I even remember drawing a home and a family that lived with him, and dreamed up stories and adventures they embarked on until the moment was lost and I moved onto something else.
It's been some 17 odd years since that incident, and I have evolved past creating rabbits yet still find a joy in creating characters and inventing stories to give them life and further dimension. Admittedly, while I no longer run out and seek instant gratification for my creations from the very kind yet mostly confused, I very much love the swell of an audience that appreciates my art to this day.
In the past, I believed it the only reason to why I tried so hard in making artwork, but looking back, there was a very obvious yet obscure theme in all of my artwork that I wasn't able to fully see. A vast amount of my artwork has this indescribable depression behind them and it's quite distressing that I could not see it before.
With my past record and all that has occurred, it's really little wonder that so much of it turned out that way, as the bitter truth is, I was deeply troubled. I was very very keen on slipping into into any distraction or fantasy, finding that if I wasn't allowed distraction I would start slipping into something dismal and horrifying.
It let me to being very unproductive and underachieving in my youth. For the longest time I couldn't understand why I would become paralyzed or simply avoid taking responsibilities for things that had to get done, but I'm starting to understand.
But getting back on task, one of my favorite and more productive distractions was drawing, and I think the underlying sadness and overall desperation was well outlined in my work whether or not I could see it at the time.
I have a small notebook in my possession that went by the name "Mick" full of ideas and bits and pieces of comics of a large project that I have abandoned due to incoherence. It was a story about a goddess on earth who split in half. The half that split grew into a tree that could bestow eternal life to all that lived around it. Eventually the goddess becomes lonely, and cohorts with the tree to create 3 "Princes" so there are other people that are "like her". The first 2 come out perfectly, but when she goes to create the 3rd, a disaster occurs and the last Prince is birthed along with a horrific disease that wipes out most of the world. The story takes place after the world has finally fully recovered from the horrid blight and solving the remaining deep rooted problems that are left from the disease.
TO be honest, I really didn't know where the story was going with it's self as there was no specific "battle" or "antagonist" that the characters had to face. Instead they kind of fought among one another, and as I invented conflict, my characters personalities began to meld with each other making them boring and indistinguishable from one another.
There was a very good reason for this.
While I wasn't able to admit it to myself at the time, Mick, the "idea" book that I used was merely a glorified journal in which I would work my issues and problems using wooden characters and convenient plot points to basically map out what was troubling me inside.I was so disconnected with myself that I didn't quite get how "parallel" the issues were to those I didn't quite understand in myself.
Although I would be lying if I said creating the story was a waste of time, as it did serve to both stimulate my creatively and did serve as some kind of warped therapy and comfort, I'm slightly sad that it proves to be an utterly useless mass of ideas.
But it also kind of a linking light that indicated my tendencies to stray from myself and reality, which is another conversation all together.
There is much to be said about the subject of art, but I'll leave it at that for now.