A new exhibition at Hong Kong’s M+ museum featuring “environments” created by 12 female artists will open this weekend, inviting visitors to experience and understand art through “the mind and the body.”

"Feather Room" by Judy Chicago in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Lok Cheng, courtesy of M+.
“Feather Room” by Judy Chicago in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Lok Cheng, courtesy of M+.

Members of the public may visit the Dream Rooms: Environments by Women Artists 1950s–Now exhibition starting on Saturday, with immersive installation works by women artists from Asia, Europe, and North and South America presented in the M+ Main Hall, Focus Gallery, and the Atrium.

"Spectral Passage" by Aleksandra Kasuba in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
“Spectral Passage” by Aleksandra Kasuba in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

Nine of the environments displayed are reconstructions of historic pieces through research and collaboration with living artists, artist estates, conservators, and scholars. The remaining three pieces are new commissions by M+.

"Penetracion/Expulsion" by Lea Lublin in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
“Penetracion/Expulsion” by Lea Lublin in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
"Penetracion/Expulsion" by Lea Lublin in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
“Penetracion/Expulsion” by Lea Lublin in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

The reconstructed works were first showcased at Haus der Kunst München in 2023 under the title Inside Other Spaces. The exhibition at M+ marks the third time the artwork has been displayed in Asia.

"The House is Crumbling" by Pinaree Sanpitak in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
“The House is Crumbling” by Pinaree Sanpitak in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

In a media preview on Thursday, M+ Museum Director Suhanya Raffel said the special exhibition “encapsulates the spirit of the museum.” The “environments” showcased were made much earlier before this art form, which emerged in the mid-1950s and 1960s, became known as installation art, she said.

"Infinite Memory" by Chiharu Shiota in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
“Infinite Memory” by Chiharu Shiota in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
"Infinite Memory" by Chiharu Shiota in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
“Infinite Memory” by Chiharu Shiota in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

Russell Storer, senior curator and associate director of curatorial affairs at M+, told the press that the travelling collection was “repositioned with an Asian context,” while the exhibition also seeks to “rethink art history,” which has tended to focus more on male artists.

An installation by Lygia Clark in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
An installation by Lygia Clark in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

“The exhibition invites our visitors to encounter art as a fully embodied experience, moving beyond visual perception to activate sensory, spatial, and emotional awareness,” he said.

An installation by Nanda Vigo in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
An installation by Nanda Vigo in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

Visitors are asked to remove their shoes as they step into the environments. M+ said in a statement that audiences are expected to “become part of the works,” and they should be prepared to be stimulated by sensations, materials, sounds, and objects.

An installation by Marta Minujin in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.
An installation by Marta Minujin in Dream Rooms: Environments by Women Artists 1950s-Now at M+ museum. Photo: Kelly Ho/HKFP.

The exhibition will be on display until mid-January.

Words by Kelly Ho.

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