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- ISSN: 2052-3998
- E-ISSN: 2052-4005
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Thirty-one years later: A review of Metallica’s ‘Black Album’ and its legacy on alternative metal and alt-right politics
Metallica, Metallica (1991), New York: Elektra Records
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By
Stephen S. Hudson1
- Source: Metal Music Studies, Volume 7, Issue Metal Music Studies at the Intersection of Theory and Practice, Sep 2021, p. 475 - 478
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- 01 Sep 2021
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A review of Metallica's "Black Album" and the impact it has had over the last 30 years.
What is it about?
Many hard-core metal fans describe Metallica's self-titled 1991 album, aka the "Black Album", as a "sell-out." But I argue that this album is not peripheral to the metal genre. Instead, it shows two important legacies of heavy metal music that are often forgotten by academics and underground fans: (1) Metal (and especially the Black Album) has had an enormous impact on alternative rock music; and (2) Metal has a large place in alt-right culture in the United States. Scholars and fans who want to understand the status and impact of metal within a broad picture of today's society need to devote more attention to albums like the "Black Album" to understand the genre's impact outside of the underground scene.
Why is it important?
Academics studying heavy metal have often ignored bands and albums that have crossover commercial success. But those are often the albums which have the biggest impact on the world outside of the metal scene.
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Stephen Hudson
