Skip to Content

Sheriff Country Delivered a Wild Reveal That Makes No Sense (Yet)

There are certainly some plot twists that make no sense, and Sheriff Country just delivered a wild one.

Now, there is time for the series to explain it all, and that’s surely what Sheriff Country Season 1 Episode 6 will do. But for now, there are a lot of elements about the first five episodes that make zero sense.

For example, how would Mickey not know her former partner had a wife?

Sheriff Country
(Darren Goldstein/CBS )

Have Mickey and Boone Never Talked?

At the end of Sheriff Country Season 1 Episode 5, Mickey told Boone that she wanted him to stay in Edgewater.

While that was great and he didn’t really want to leave, things were already set in motion that made it impossible for him to back out at this point.

He is moving, and he revealed that a woman had come to help him with that move.

No, that woman wasn’t his sister; it was his wife!

Sheriff Country
(Christos Kalohoridis/CBS)

A wife that Mickey had no idea existed, and it seems odd considering Mickey and Boone were partners before Mickey became the sheriff.

There was a whole plot point in the very first episode that made it clear that Boone was the second choice for acting sheriff, and he thought the job was going to be his, sure that Mickey didn’t want to do it.

If he were so certain the job was his, it would mean that Boone had been in Edgewater for some time.

Sure, he hasn’t grown up there, but he and Mickey have some sort of history, and something like a wife should have come up.

Yet, it’s like Mickey and Boone barely know each other.

Sheriff Country
(Christos Kalohoridis/CBS)

Granted, he could be a man who likes to keep his work and his personal life separate, but it’s not like he’s told Mickey that when she delves into how she knows the people in the town or why the people of Edgewater are so against her.

Surely, she must have asked him about his personal life. He didn’t think that having a wife back in Oakland was something to bring up?

Where’s the Wedding Ring?

Then there’s the fact that Boone doesn’t wear a wedding ring throughout Sheriff Country.

Now, not all married men will wear wedding rings.

Sheriff Country
(Christos Kalohoridis/CBS)

In fact, not all women want to wear rings, either, and there’s nothing wrong with this when it’s agreed upon between the couple.

We just don’t know enough about Boone to tell us if there was an agreement.

Considering his wife clearly still lives in Oakland — where we know Boone is from — and that he isn’t wearing a ring, it suggests they have been separated, possibly because of his job.

Getting a job in Oakland could be a sign that Boone wants to work on his marriage now that he’s had some time away, or that his wife wants to work on it, since she may have been the one who wanted a breakup.

During Sheriff Country Season 1 Episode 5, Boone told Val, the woman in witness protection he was looking after, that you can’t run from your past, and it’s clear that he was thinking about himself as well.

Even a Separation They Should’ve Teased More

Sheriff Country
(Christos Kalohoridis/CBS)

He clearly left Oakland for some big reason, and now he has to return, and it looks like he’s realized that he needs to stop running from that past.

The problem is that the past has come out of nowhere, and having a wife just doesn’t make sense.

It would be different if there were a line about a separation or about making relationships work, but Boone has been focused on the job throughout the five episodes of Sheriff Country Season 1.

A reveal like this needs some sort of tease up to it for it to make sense.

Even just having a wedding ring or a tan line to show he used to wear one would have been enough to help tease some of this out.

Sheriff Country
(Christos Kalohoridis/CBS)

The Next Episode Has Work to Do

If there was some buildup to this reveal, there wouldn’t be as much riding on Sheriff Country Season 1 Episode 6 as there is now.

Mickey was clearly shocked to learn Boone had a wife, but we didn’t get much of a reaction from the wife to see if she was shocked to learn Boone hadn’t mentioned her.

It raises questions about how much anyone really knows about Boone if he has kept this major part of his personal life back.

Does anyone know he is married?

If anyone did, it would likely be Mickey.

Sheriff Country
(Brooke Palmer/CBS)

Then there’s the backstory of why Boone and his wife live in different cities, and why she’s come to help him move back to Oakland.

Of course, with Matt Lauria as a series regular, it would seem odd to lose him six episodes in, and we’re all pretty sure that he’s going to be around for the full season, so that would mean something happens for him to change his mind about leaving.

That’s not going to be easy if he’s trying to make things work with his wife, unless she agrees to move to Edgewater.

This twist doesn’t work at this point, but there’s a chance that it could if Sheriff Country Season 1 Episode 6 plays it right.

There’s just a lot riding on the upcoming episode.

Still here? You’re our kind of people.
Drop a word in the comments or share this with a fellow fan — it’s the best way to support indie TV coverage that actually cares about the shows.

Comments

Most Commented

Let Them Cook: Can We Give TV Spinoffs a Break?

Trust me, I understand the skepticism that comes with the announcement of a new spinoff.

Like many industries, television can also become a victim of greed as executives and creatives combine their laziness to deliver something really atrocious. We’ve seen it before with shows like The Blacklist: Redemption, and are wary that it might happen again.

Nowadays, the default position many viewers hold regarding spinoffs is blanket dislike. Every new spinoff is met with a lethal side-eye as fans try to nitpick everything, and in one episode or more, the spinoff is written off.

(Art Streiber/CBS, ABC, Michele Crowe/CBS)

However, there is some wisdom in allowing spinoffs to mature and execute their vision, rather than comparing them to their predecessors and cheering their downfall.

I’ve been guilty of this before, where I will try to find anything “wrong” about a show just because. In most instances, wrong means different, and not always is different a bad thing.

And really, what else should we expect? A spinoff should be different, as it is distinct in many ways. From the cast to writing teams, location, and even time period, the best spin-offs establish themselves.

They might borrow a thing or two from the flagship series, but they should be able to create their own magic.

(Greg Gayne/CBS)

NCIS: Origins and a Different Time

A good example is NCIS: Origins, which might be the saving grace of this television season. It builds on what made it good during its debut season while shedding some of the less appealing aspects.

Of course, NCIS: Origins will not be like the original NCIS.

Gibbs is at a different time in his life; the agency is in its infancy, and technology is quite different from what it is today, or even from 20 years ago, when NCIS premiered.

The spinoff builds on the established canon rather than detracting from it and complements the flagship series.

It was not always like this. The first season had some glaring issues, especially with Gibbs. The series was tonally different, leaning into the darkness of the cases instead of the thrills NCIS is known for.

(Sonja Flemming/CBS)

However, in just one short season, the show has carved its own path and is now being used to complement the flagship, particularly in one of the best crossovers on television.

That couldn’t have happened if CBS had given up on it after the first season.

Sheriff Country and a Different Perspective

Take Sheriff Country, for example.

It has all the good things about Fire Country, but with a different voice because law enforcement is a different avenue from firefighting and rescues.

The small-town element that fosters family and conflict remains, but not through Bode’s lens. This makes all the difference as we get weekly cases unique to small towns, without having to sit through Bode’s behavior.

A spinoff can address a fundamental issue, making it more enjoyable for people to experience.

Sheriff Country
(Christos Kalohoridis/CBS)

This extends beyond the narrative, reaching into the real world.

As society evolves, some things become outdated, and the only way to address them is through a fresh perspective.

It’s a win-win: it attracts a new audience while keeping those core themes.

Sometimes, a spinoff isn’t just a creative experiment — it’s a necessary reset.

Sheriff Country
(Robin Cymbaly/CBS )

Boston Blue and a Fresh Take

I have never seen an episode of Blue Bloods because the name screams police propaganda, but I am giving Boston Blue a chance.

The spinoff promises a fresh perspective using a new city, younger characters, and a different production team.

The complicity that develops in long-running cop shows is almost nonexistent in Boston Blue because it’s establishing new dynamics.

Danny and Lena examining a crime scene on Boston Blue Season 1 Episode 4
(CBS/Michele Crowe)

It would have been impossible to achieve this in Blue Bloods without fundamentally changing the show.

Let’s not forget that the spinoff saved this franchise because it was either this or nothing. Sometimes, a spinoff is the savior of a doomed series.

We should all stop judging spinoffs for what they aren’t and start looking at them for what they are — a fresh start, rejuvenation, repair, and a savior.

But we’ll never know if we keep trashing them after a few episodes for qualities out of their control.

9-1-1: Nashville and a New Tone

(Disney/Jake Giles Netter)

I was very unimpressed with the new 9-1-1 spinoff, 9-1-1: Nashville.

I felt embarrassed for all these actors who have to re-enact some pretty bad scenes straight out of a 1900s soap opera.

The pilot episode was a masterclass in ridiculousness. It was a multi-episode opening emergency in a city we didn’t know and characters we weren’t familiar with; it felt like torture.

If I had to sit through Ryan whining for one more episode, I was going to pull my eyes out.

But alas, as the show settled into its tone, everything is working now. I love the drama, the emergencies, and even Ryan.

(Disney/Jake Giles Netter)

It feels like 9-1-1: Nashville has found its own voice, especially with the long-running family conflict, Cami’s identity as a dispatcher, and Blue as the messed-up eye candy.

Now all we need is for the show to stop telling us about other characters and show us who they are.

There is no guarantee that a spinoff will be good, but no show has ever had this guarantee. It’s not an exact science.

I’m interested in hearing what you have to say now that the season has taken a midseason break and you’ve had a chance to get a feel for the new spin-offs.

Which one is your favorite? Chime in on the comments section.

TV Fanatic is searching for passionate contributors to share their voices across various article types. Think you have what it takes to be a TV Fanatic? Click here for more information and next steps. 

Comments

sarah

Tuesday 18th of November 2025

I am enjoying NCIS: Origins and Sheriff Country, but; not Boston Blue, show is all over place; Donnie and Sonequa have great chemistry, location filming Toronto and Canadian actors and crew, are hurting the show, show has ugly aesthetic and acting is all over the place. Boston Blue is made for none Blue Bloods fans, which different from NCIS: Origins and Sheriff Country. Sarah's character only feels likes she belongs in Blue Bloods show.

Sandra

Tuesday 18th of November 2025

I love NICS ORIGINS, SHERIFF COUNTRY. But 911 Nashville is really hard to watch. But I like Chris O'DONNELL so I'm trying.

Susan Canfield

Tuesday 18th of November 2025

How can you make any comment on Blue Blood when you have not watched it! Assume much!

TV Fanatic

Sharing is Caring

Help spread the word. You're awesome for doing it!