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Law & Order: SVU Season 27 Episode 7 Offered A Powerful and Disturbing Cautionary Tale

Critic's Rating: 4.8 / 5.0

With one episode left before the fall hiatus, Law & Order: SVU finally gave us a powerful story.

It was a cautionary tale about what happens when admiration becomes idolization and how predators can use hero worship to manipulate the people they’ve inspired.

Law & Order: SVU Season 27 Episode 7 hit hard, and for me, it was a bit close to home.

The SVU and Law & Order crew work together on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

The Idea of a Writer Using Her Mission To Destroy Her Fans’ Lives Disgusts Me

When I’m not writing about shows like Law & Order: SVU, I write novels meant to inspire trauma survivors to live their most authentic lives, but unlike Claire, I’m not doing it to trick my readers into worshiping me.

So I found Claire’s behavior particularly disgusting — which was the point, of course.

The idea of someone writing stories that really speak to people, but only so she can victimize those people further, is deeply upsetting.

It was a new version of love bombing — the thing predators do when they first meet a potential victim and want to make them feel like the most special person in the world — that took advantage of the parasocial relationships that people often have with artists online.

Benson shows her trademark compassion to a victim on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

What Happened to Leah Is A Digital-Age Problem That Is Not Talked About Enough

Thanks to social media, it’s easy to talk to celebrities that you admire.

People can follow any author, actor, or other artist on social media and sometimes communicate directly with them.

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In the digital age, artists often offer public posts to their fans and sometimes respond to fan comments.

It’s a way to build a connection with your audience, and in most cases it works well, but it can be extremely dangerous for both the artist and their fans.

An upset victim on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

There have been cases of fans stalking celebrities they think they know personally because of these online relationships, which is why it was so easy for Claire to make it sound like Leah was an obsessed fan whom she tried — and failed — to help.

And in Leah’s case, she fell into Claire and Stuart’s trap because she admired Claire so much.

The idea that Claire gave her any attention, let alone focused on her for an entire night, made her feel special, because she thought Claire was this amazing person who would never pay attention to someone like her.

Claire’s psychological manipulation worked so well that years after the fact, Leah still wanted to protect Claire from knowing that her husband was a rapist, even though she also knew that Claire was aware of what was going on and didn’t do anything about it.

It’s shocking that someone whose life’s work inspired and empowered readers was doing the opposite to the most vulnerable among them, but that’s how predators operate.

Benson leans forward to listen on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

It Would Have Been Compelling For Rollins To Have More of An Emotional Reaction

It’s unsurprising that Rollins was a fan of Claire’s books before she learned what she was really like.

Rollins’ childhood was traumatic, and so was her early adult life, and it’s only in recent years that she’s dealt with it in a healthy manner, so she is exactly the audience for the kind of books that inspire readers to find their voice.

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She’s also an adult, and not prone to hero worship, so once she realized that Claire was every bit as much a predator as all the other criminals she’s arrested in her career, Rollins stopped admiring her and focused on arresting her.

I didn’t need Rollins to be majorly upset, but I’d have liked more of a reaction.

Benson in the interrogation room on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

These were books that made a positive difference in Rollins’ life, so much so that she read them more than once.

They were also the kind of fantasy novels that are very popular with preteens and teens, so I wouldn’t be surprised if she let Jessie read them too.

That would have been a fascinating thread to follow. How do you explain to your pre-teen that the author whose books they are devouring is a predator?

I wish SVU had thought of that, though the episode was powerful even without that subplot.

Carisi looking skeptical at a meeting on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

Whenever Benson gets in the same room with Nolan and Baxter, they butt heads because the DA’s office wants to prosecute a rape survivor without considering their trauma, so that conflict was nothing new.

However, the conversation did help demonstrate that the legal system is woefully inadequate for pursuing justice when it comes to rape survivors.

I was especially struck by Baxter’s comment that he wanted to make a deal because he was tired of arguing about this case.

That struck me as true to life — that there are too many lawyers and judges who have just had enough and want the case settled so they can move on to something else.

Baxter intstructs Carisi on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

Baxter had a point, though. Leah wasn’t in imminent danger when she stabbed Stuart, so legally, she was responsible.

This was yet another episode where Dr. Huang was sorely missed — in the old days, he would have evaluated Leah’s mental health to determine if a battered victim defense was appropriate.

Fin Had a Trauma Reaction But He’d Better Not Be Leaving!

There are always rumors that Ice-T is closing up shop, but he’s consistently said he’ll stay with SVU as long as Mariska Hargitay does.

Still, Fin’s trauma reaction and need for a more extended leave of absence are disturbing.

A cop talks to Baxter on Law & Order: SVU Season 27 Episode 7
(NBC/Virginia Sherwood)

Ice-T is critically underused as it is, and now there’s a story-driven reason for it.

Hopefully, Fin comes back soon, though a story about him dealing with trauma after all these years could be compelling.

Alright, let’s hear from you, SVU fanatics.

What did you love, hate, or not care about on Law & Order: SVU Season 27 Episode 7?

Hit the comments with your thoughts, and share this article with your friends so they can join the conversation.

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If you enjoyed this article, check out our coverage of other Dick Wolf shows like FBI and Chicago PD. You might also enjoy our thoughts about Boston Blue.

Law & Order: SVU Season 27 airs on NBC on Thursdays at 9/8c and streams on Peacock on Fridays. The 2025 fall finale episode will air on November 20, 2025.

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Don’t Blink: TV Is Dropping Fall Finales Faster Than We Can Press Play

My seasonal allergies are lasting longer than Fall’s TV season. We’re not the only ones who have noticed this, right?

It feels like many television shows barely put their backs into the season, and now we’re going on hiatus, and we’ll be left waiting for our favorite shows to return sometime after the holiday season.

What even happened in the first half of your favorite shows? Do you even know? Because if I sit down and ponder it too long, I can’t even come up with adequate answers.

Chicago Fire
(Peter Gordon/NBC)

Streaming’s Impact on Broadcast Must Be Stopped.

The industry has been undergoing constant evolution for some time now. With broadcast, in particular, they’ve been attempting to keep up with the fast turnaround of binge seasons that streaming has provided, as well as the plethora of content.

As television has become more expensive to produce, it has fundamentally changed how we experience our favorite shows today.

Budget cutting their way through different filming locations (practically everything is in Canada now, these days), cutting cast, and writing off characters like it’s a sport.

We also have shorter seasons for many shows, with some staples ranging from 10 to 13 episodes a season to 20-24 for those that are really lucky.

And the amount of actual scripted content on broadcast? Limited.

If you aren’t part of a Dick Wolf or Ryan Murphy franchise, you’re practically out of luck. And if you don’t have something inspired by other IP or some form of spinoff or adaptation? Hell, you’re not even in the running for consideration.

(Disney/Christopher Willard)

The Season Just Started … And We’re Already On Break.

Of course, those are discussions for another day because right now, I’m reeling from how quickly Fall Finales have come upon us. This week will mark the Fall finale for almost everything currently airing on broadcast across the major networks.

High Potential’s midseason finale was two weeks ago, and shows like Doc are set to have theirs come next week.

But when did we reach a point where television shows took their holiday breaks practically right after Halloween?

Remember when a series used to almost get halfway through a season before taking its hiatus sometime in December? Now, we have shows signing off until the new year at the beginning of November.

Worse yet is that many of these same shows have barely had the time to dig into what their season is properly, so they’re now leaving us to go on hiatus, and I’m still wondering what they’ve been working toward in the first place!

(Disney/Jessica Perez)

Grey’s Anatomy premiered on October 9 with an exciting premiere that resolved its explosive cliffhanger. The season is now comprised of only 18 episodes. Yet, roughly a month later (as it also had a break BEFORE this upcoming hiatus), the Fall Finale will be Grey’s Anatomy Season 22 Episode 6.

Yes, that means the series has only aired SIX episodes before it’s taking off until January, not even getting through half of its own season count. And the storyline reflects that.

Predictability Strikes Again. Yay!

The only continuing arc they can tease for the fall finale is Jo finally having her twins after seemingly being pregnant for a million years, and we all could see that coming since before the season aired.

Oh, and another big, harrowing event that will leave us on a cliffhanger and place one of the series’ leads, who won’t be killed off, into peril.

In fact, it teases something with Teddy and Owen again, which is not unlike a previous midseason finale from a few seasons back, so much so that the promo gave me deja vu.

(Disney/Anne Marie Fox)

One Chicago is headed into their Fall Finales, and I’m still trying to figure out why at least two out of the three shows in the franchise wasted so much time on such non-stories that they’re sparking very little interest.

The franchise used to sign off in December, as proper shows did, and typically with a cliffhanger that left us reeling until the shows returned by the end of the following month.

But now they’re barely making it to mid-November before they’re disappearing off the airwaves, leaving us in repeat-ville until the shows return.

Are there even enough episodes to repeat until they return in January? Inquiring minds want to know!

Shorter Seasons. Shorter Arcs. Sucky Payoff.

The worst part is that we can already predict some of the cliffhangers that are coming for us.

Lenox talks to Hannah about test results on Chicago Med Season 11 Episode 5
(NBC/George Burns Jr)

Stella departing Chicago Fire for a while (most likely another move inspired by budget efficiency), teasing Lenox doing something potentially life-ending to save a life after her prognosis, is about what any of us could predict right up there with Hannah potentially having some pregnancy issues.

Goodness knows, One Chicago is infamous for angsty pregnancy plots. And Chicago PD has the unit revisiting the first “Big Bad” with Raymond Bell, a character whom they just introduced two episodes ago during Chicago PD Season 13 Episode 4.

The latter’s character-centric formatting, which they utilize to accommodate the budget by having fewer cast members in each installment, ultimately results in a rotation schedule that disrupts the narrative flow.

Thus, now a fall finale is approaching, and it’s hard to feel as if we had any real attachment or direction during the first half of the season.

Not only did One Chicago get a late start this season, but they’re also signing off early.

Short half-seasons have meant that shows have barely had the chance to fully invest in their respective seasons and storytelling before they go on hiatus, and it’s not a great formula for keeping viewers engaged.

Procedural Plate Spinning, Nothing to See Here! Literally!

Olympia and Matty in the office together on Matlock Season 2 Episode 5
(CBS/Michael Yarish)

Perhaps that’s why even the best of broadcast is struggling with that.

Matlock, a series that everyone hailed in its first season, feels like it’s in a cyclic rut with the Wellbrexa scandal, making its protagonist less of an endearing woman worth rooting for and more of an insufferable woman who needs to end all of this nonsense without so much unnecessary, convoluted drama.

As much as we love Brilliant Minds, it’s no secret that it hit a sophomore slump and seems to have shifted too far away from what made it so compelling in the first place. Thus, it’s overeliance on a mystery conspiracy is the season’s biggest hook and undoubtedly where the predictability of its Fall finale comes in.

Does Elsbeth even have an overarching plot point this season? Or is it just flying by the seat of its pants and quirkiness? Wait, shady, elusive political conspiracy simmering in the background — same song.

FBI and Law & Order have leaned so heavily into their procedural format that there’s very little to carry over. SVU has a big question mark: whether or not its newest addition, a plant by Liv’s boss, is actually there for nefarious reasons.

Griffin is eager to close the case on Law & Order: SVU Season 27 Episode 6
(NBC/Virginia Sherwood)

Still, weirdly, the disparity between how the network airing and the streamer airing play fast and loose with some of their scenes often disrupts the vibe of that mystery they only hint at as an afterthought.

Fall Finales are coming so quickly that people have barely had the chance to dive into the season of their shows in the first place. It’s frustrating for many reasons, but the impact on storytelling and the quality of the series as a result are the most prominent irritations.

It’s Fall Finale Time and Nothing Happened — Midseason Finales Happened Faster Than Storylines Could Form

You can’t rush through a good story.

It feels like the desire to have something to air is starting to override the ability to have something great worth tuning in for, and it’s placed many writers in an impossible position: trying to develop enthralling stories and character development in a way that accommodates earlier hiatuses.

(Pief Weyman/NBC)

The struggle to do that is evident in some series, with a handful of shows barely attempting to set up their overarching stories for the season.

Meanwhile, other shows are cramming in so much at once that they’re making our heads spin (Doc, is that you?), and many are still relying heavily on the intrigue of previous big arcs to bide them time until after the hiatus, like High Potential.

Unsurprisingly, quick fall finale drops have contributed to series pacing issues. You cannot convince me otherwise.

Because we’re at fall finales already, and I’m still trying to figure out what even happened during the first half of the season for many of these series.

Holiday Break? Folks, it’s barely November.

Fall Finales are dropping faster than actual stories can take shape, and that doesn’t bode well for the art of storytelling, nor viewers’ interest.


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Comments

Sweet Amy

Tuesday 11th of November 2025

Ugh, I hate it, @Jasmine Blu! I couldn’t believe it when High Potential had their midseason finale on October 28. And now the most of the rest of them are disappearing this week. I know networks keep complaining about going broke, but it also appears that they think we have insanely short attention spans. That couldn’t be further from the truth. I mean, if Networks would give us content that actually riveted us, like the egregiously cancelled Found, I could watch it every single week and not get bored. Some of us TV fans prefer intelligently written, thought-provoking shows, with at least 24 episodes per season.

Jasmine Blu

Tuesday 11th of November 2025

@Sweet Amy, Having a fall finale BEFORE HALLOWEEN is absolutely unacceptable!

Ugh, don't get me started on Found. I'm still so angry about losing that show. I mean, we barely have anything intersting remaining anymore ... and some of the shows that were good are currently stumbling.

Denis

Monday 10th of November 2025

I thought I was hallucinating. This season feels worse than it did during the COVID pandemic. I saw the fall finale in episode 6 and thought someone had typed it wrong.

Sweet Amy

Tuesday 11th of November 2025

@Carissa Pavlica, I did see that in Chicago trio’s timeslot next week, NBC is airing the movie Wicked.

Carissa Pavlica

Monday 10th of November 2025

I can only guess it's due to football. I'd they ever start playing football year around, I will be beyond annoyed.

Jasmine Blu

Monday 10th of November 2025

The seasons started late and went on hiatus early. Like, how are you premiering in October and taking a break by the beginning of November? It really does feel worse than it did during the pandemic. WTF?! I have never known shows to take a holiday hiatus after, like, five episodes. They're not even getting halfway through the season!

MrWriteNYC

Monday 10th of November 2025

Matlock, a series that everyone hailed in its first season, feels like it’s in a cyclic rut with the Wellbrexa scandal, making its protagonist less of an endearing woman worth rooting for and more of an insufferable woman who needs to end all of this nonsense without so much unnecessary, convoluted drama.

TESTIFY!! Sh!t or get off the pot!!

As much as we love Brilliant Minds, it’s no secret that it hit a sophomore slump and seems to have shifted too far away from what made it so compelling in the first place. Thus, it’s overeliance on a mystery conspiracy is the season’s biggest hook and undoubtedly where the predictability of its Fall finale comes in.

To hell with the mystery. Put Wolf and Nicholls back together again.

Jasmine Blu

Monday 10th of November 2025

YUP! Not only are we going on hiatus early with these shows, but some of them haven't even been delivering their best content. It's infuriating.

Michael

Monday 10th of November 2025

Networks are realizing that 22-24 episode seasons are tremendous money losers. As much as people want to scream that ratings don't matter, they obviously matter somewhat. network TV can't be affected by streaming? Streaming is more affected by Network TV. Why did I have to wait almost 2 years for the next 8 episodes of Fallout? Why did someone do a Youtube episode the other day and say that the writing for shows now compared to 30-40 years ago is in the toilet? Why did I even hear that TV executives want the writing for shows to be so simplistic that shows can be background for people when they are streaming on their phones? that's not what TV is about. We have a lot of TV execs, and I mean a lot of NETWORK TV execs, that need to be fired. Network TV shouldn't be background for anything. If this is the end of Network TV, then you need new people running the networks.

Sweet Amy

Tuesday 11th of November 2025

@Michael, I think they do need some new people running the networks. I don’t want mindless background scripted TV shows, or endless reality shows!

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