UOC
AI x Manga Seminar - In an age where anyone can create manga, what do you want to draw? What do you draw?
Reception closed
2025/11/13(Thu) start Total 6 times

AI x Manga Seminar - In an age where anyone can create manga, what do you want to draw? What do you draw?

  • Human Creativity/AI, Big Data and IoT/Creative Industries
AI x Manga Seminar - In an age where anyone can create manga, what do you want to draw? What do you draw?
Reception closed
2025/11/13(Thu) start Total 6 times

AI x Manga Seminar - In an age where anyone can create manga, what do you want to draw? What do you draw?

  • Human Creativity/AI, Big Data and IoT/Creative Industries
  • Ume, Takahiro Ozawa, Jo Nobi, Hitsuji, Kazuhiro Suda

    Ume, Takahiro Ozawa, Jo Nobi, Hitsuji, Kazuhiro Suda

     
  • Ume and Takahiro Ozawa

    Ume and Takahiro Ozawa

    Manga artist/screenwriter
  • Wildfire Castle

    Wildfire Castle

    Creator industry
  • sheep

    sheep

    AI Manga Artist
  • Kazuhiro Suda

    Kazuhiro Suda

    UNIVERSITY of CREATIVITY Director / Hakuhodo Creative Director / Suda Labo Executive Creative Director

Full schedule:

  • AI x Manga Holistic Theory

    Ume and Takahiro Ozawa

    UoC Vision

  • "Name" - The core of "manga creativity" that humans should think about

    Ume and Takahiro Ozawa

    UoC Vision

  • "Scenario" - What to draw? Why to draw it?

    UoC Mandala

  • "How to draw?" 1 - How to use human and AI animation, and what is the goal?

    Wildfire Castle

    UoC Mandala

  • How to meet deadlines?

    sheep

    UoC Mandala

  • Ume Takahiro Ozawa's critique of the completed manga

    Ume and Takahiro Ozawa

    UoC Mandala

*The entry period has now closed. Thank you very much for your applications.

 

The time has come when anyone can generate "manga-like drawings" using AI.

So, can anyone create a "manga work"?

 

Manga has its own grammar.

 

The skill of using pictures and dialogue to control the timeline and tell a story.

That is what it means to "draw manga."

 

Even from a global perspective, manga is the top of Japanese creativity, a field of expression that continues to evolve while carrying on tradition.

 

As the "media" that consumers come into contact with changes and the "technology tools" provided to creators undergo drastic changes, what possibilities will Japanese manga open up in the future?

Or will we face a crisis?

 

This year's question from UoC is, "Where is creativity in the age of AI?" This "AI x Manga" seminar is a place to directly face up to and respond to this question, providing a place for "real-life experience of exploration."

 

"In an age where anyone can create manga, what do you want to draw? What will you draw?" We want you to jump into the seminar!

 

We are especially looking for people who have dreamed of drawing manga for many years but have never done it on their own!
Former manga boys and girls who, for various reasons, can't bring themselves to start drawing, but can't give up either!!


Let's jump into an "adventure journey" that we couldn't embark on alone, together with our seminar colleagues and generative AI!

 

Challengers Wanted!

Once you reach the destination, you're sure to experience an unprecedented "excitement"!

 

What kind of people do you want to participate?

・People who aspire to draw manga but have never done it on their own.

・People who are eager to try their hand at creative work using generative AI.

 

Application conditions

In this seminar, you will create your own manga manuscript and submit the final finished work in PDF format.

1. Ability to create page layouts independently using PowerPoint, Keynote, Adobe Illustrator, etc.

② You must have an account with the generation AI and be able to generate text and images on your own.

*The cost of the generation AI account and creative tools will be borne by the participant.

3) Use of more advanced manga creation tools such as CLIP STUDIO and Procreate® is optional.

4) You are basically free to choose the generation AI you are familiar with or would like to use.

 

 

A conversation between Osato Manabu and Suda Kazuhiro, who are overseeing this semester's seminar, is also now available! Why manga in the age of AI? They discuss the background to the launch of the "AI x Manga Seminar," including the content of the seminar and their expectations for participants.

️Click here for the interview article

https://uoc.world/articles/details/?id=ZWaCILK0IF1

schedule

1.​ ​November 13th (Thu) 19:00-21:00

"AI x Manga Holistic Theory"

Lecturer: Manga artist Ume Ozawa Takahiro

 

2.​ ​11/27 (Thu) 19:00-21:00

"Name" - The core of manga creativity that humans should think about -

Lecturer: Manga artist Ume Ozawa Takahiro

 

3.​ ​12/11 (Thu) 19:00-21:00

"Theme Scenario" - What to draw? Why to draw it?

Instructor name: To be determined

 

4.​ ​01/22 (Thu) 19:00-21:00

"How to draw?" 1 - How to use human and AI animation, and what is the goal?

Lecturer: AI Manga Artist Jo Nobi

 

5.​ ​02/12 (Thu) 19:00-21:00

"How to draw?" 2 ~Each methodology~

Lecturer: AI Manga Artist Hitsuji

 

6​ ​March 5th (Thu) 19:00-21:00

"Completed Manga Works" Presentation and Critique

Lecturer: Manga artist Ume Ozawa Takahiro

*A farewell party will be held after the final lecture.

 

*The schedule may be changed due to circumstances.
*This event will not be held online.

Number of people recruiting

10-25 people

*The minimum number of participants is 10. If the minimum number of participants is not reached, the tour may be canceled.

 

About seminar volunteers

We are looking for 2-3 seminar volunteers from among our seminar students to help run the seminar.

If you would like to volunteer, please write so in the comments section. (We will contact those selected as volunteers separately.)

The following are requests for seminar volunteers:

1. Preparation and cleanup before and after the seminar (from about 30 minutes before the start and about 15 minutes after the end)

2. Taking photos during the seminar

3. Other matters related to facilitating communication with catalysts, lecturers, and seminar students

Volunteers for this seminar are being recruited free of charge, with no travel expenses or compensation required.

We appreciate your cooperation in making the seminar even better.

 

Entry fee

Adults 50,000 yen (tax included) |​ ​Students 25,000 yen (tax included)

*If you are a student, please write this in the comments section of the application form.

 

Application assignment

Please fill out the form with a self-introduction and reason for applying in 400 words or less.

 

Application Deadline

Until noon on November 4th (Tue)
*We plan to contact you about whether you can participate or not around Thursday, November 6th. Please note that this may change.
​ ​*If there are a large number of applicants, the application period may close earlier than this date.​ ​note that.
​ ​*If you have confirmed your participation, we will inform you of how to pay the participation fee, so please be sure to pay by the deadline using the specified method.

 

Contact Us

aimanga@uoc.world
※本ゼミ専用のメールアドレスとなります。
※「創造性ゼミ」全体に関するお問い合わせは、info@uoc.worldまでお願いします。

The seminar session may be used for official UoC records (books, archives, web, etc.).
Please note that the content and date/time may change depending on the participants.
The personal information you enter will be handled appropriately in accordance with the "UNIVERSITY of CREATIVITY Privacy Policy."

catalyst

  • Ume, Takahiro Ozawa, Jo Nobi, Hitsuji, Kazuhiro Suda

    Ume, Takahiro Ozawa, Jo Nobi, Hitsuji, Kazuhiro Suda

     

     

  • Ume and Takahiro Ozawa

    Ume and Takahiro Ozawa

    Manga artist/screenwriter

    He is the scenario director for the manga duo Ume. He is also an occasional screenwriter and a managing director of the Japan Cartoonists Association. In 2001, he won the Chiba Tetsuya Grand Prize for "Chabudai." His representative works include the "Tokyo Toy Box" series, which depicts the gaming industry. His other works include "Steves" (original story by Shoichi Matsunaga), which depicts the rivalry between the powerful forces of Silicon Valley in the 1970s, and the parenting essay manga "Nibun no Ikuji." He is currently serializing his historical sci-fi work "Promise at the 60th Parallel South," which centers around Japan's first Antarctic Research Expedition and beastmen, in Shogakukan's Bikcomi. He has also written scripts for anime such as "Mazinger Z: Infinity the Movie" and "Lazarus." He has also given numerous lectures on the current state of generative AI use in manga production at the Science Council of Japan, CEDEC, the Research Institute of Economy, Trade and Industry (RIETI), and other organizations.

  • Wildfire Castle

    Wildfire Castle

    Creator industry

    A creator researching AI manga. He has been making a living as a freelance creator since before the advent of AI, with over 20 years of experience. His "AI Manga Experiment" series is serialized in Weekly ASCII. He is a front-runner in AI creation, having won the Excellence Award at the 3rd AI Art Grand Prix and speaking at generative AI events.

  • sheep

    sheep

    AI Manga Artist

    AI manga artist and AI advisor. He began working with image generation AI in May 2022 and began creating manga using AI in January 2023. He made his commercial debut in June of the same year with "I won't be kind to otaku-ni-nai gal ni wa shankara ni wa". In April 2024, he became an AI advisor for THE PEN Co., Ltd., where he also works on AI manga drawing support. He currently creates AI manga mainly on commercial commissions, and occasionally shares his technology.

  • Kazuhiro Suda

    Kazuhiro Suda

    UNIVERSITY of CREATIVITY Director / Hakuhodo Creative Director / Suda Labo Executive Creative Director

    Born in Niigata in 1967. Graduated from Tama Art University in 1990 and joined Hakuhodo. After working in AD and CM planner, moved to the interactive field. 2009 "Mixi New Year's Card" TIAA Grand Prix. Launched in 2014, Sudarabbo has won over 60 advertising awards domestically and internationally, including the Adfest Grand Prix and Cannes Gold for its ``Rice Code.'' 2016-17 ACC Award Interactive Division Chairperson. 2019 "MR Museum" Japan Event Award Grand Prix. Since 2023, he has been a part-time lecturer at Tama Art University and a member of the Cabinet Office SIP (Strategic Innovation Creation Program) peer review committee. Book “Advertisement that can be used”

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    terms of service

    [基本ガイドライン]

    UNIVERSITY of CREATIVITY (hereinafter referred to as "this institution" or "UoC"), an institution within Hakuhodo Inc., is engaged in various activities under the vision "We are ALL born Creative." If you empathize with this vision and wish to participate in the activities of this institution, we have compiled the "UNIVERSITY of CREATIVITY Terms of Use" (hereinafter referred to as "these Terms") with the items you must agree to in advance. You must agree to these Terms in order to register an ID on the UoC website (hereinafter referred to as "this website"), use the services, and participate in activities.
    By clicking the "Agree" button on the application screen for use and participation, the User is deemed to have accepted the contents of these Terms and Conditions.
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    In addition, the contract based on these Terms and Conditions will be concluded between Hakuhodo Inc. (hereinafter referred to as "our company"), the operator of "UNIVERSITY of CREATIVITY", and the user.

    1. the purpose
      These terms apply to all users who participate in activities conducted by UoC (both online and offline). Users agree to these terms of use when registering an ID on this website and participating in activities.
    2. ID Registration
      Users and participants of activities conducted by our organization can register an ID on this website and have their own My Page. ID registration is free, but fees may apply depending on the activities you wish to participate in. The activity history of the ID registrant is stored on My Page, and an individual entrance number is issued for entering the UoC.
      In addition, applicants under the age of 18 must obtain parental consent before applying to use/participate.
      It is possible to participate in activities without registering an ID, but you will be required to provide information such as your name, email address, telephone number, and affiliation each time you apply.
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    4. Changes to ID registration details
      If there are any changes to the information that the ID registrant notified the Agency of, the ID registrant must promptly make the necessary changes to the information in the manner prescribed by the Agency. The Agency shall not be held responsible for any disadvantage suffered before making such changes or as a result of failing to make such changes.
    5. ID and password management
      The User shall be solely responsible for managing the ID and password required to use the Service. The Institution shall not assume any obligation or responsibility with respect to the User's participation in activities and use of the Service under the authority of the ID, regardless of whether such use is by the User himself/herself, and shall not be responsible or liable for such use unless there is any willful or negligent act on the part of the Institution.
    6. Prohibited acts
      When participating in UoC, users must not engage in the following actions:
      • Acts that hinder the expression of creativity of oneself or other users
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      • Any other acts that this institution deems inappropriate.
    7. Suspension and withdrawal
      If the Institution determines that a User has engaged in any of the prohibited acts listed above, or if the Institution is unable to contact the User via the registered email address, etc., the Institution may suspend the User's use of UoC without prior notice or warning to the User. In this case, the Institution shall not be liable for any damages incurred by the User as a result of the Institution's suspension of the User's use.
      Users may cancel their registration ID at any time by following the prescribed procedures set forth by the Institution.
    8. Copyright
      All rights to the content and individual information provided by our institution belong to our institution and to third parties that provide content etc. for our institution's activities (hereinafter referred to as "partners").
      Users shall not reproduce, publish, transmit, distribute, transfer, loan, translate, adapt, license, reproduce or reuse any content (whether in whole or in part) contained in the content posted, distributed or provided by our institution, unless prior consent has been obtained from our institution or its affiliates.
      If a user violates the above, we or our affiliates may suspend the user's use of the Contents, etc., and any copies, publications, transmissions, distributions, transfers, loans, translations, adaptations, licenses, reproductions or reuses thereof.
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      Even if a user incurs damages (such as special damages, incidental damages, indirect damages, punitive damages, or consequential damages (including, but not limited to, loss of business profits, business interruption, loss of business information, and other economic losses or damages) in participating in the activities of the Organization, the Organization shall not be liable in any way unless there is intent or negligence on the part of the Organization. Furthermore, except in cases where there is intent or gross negligence on the part of the Company, the scope of damages for which the Organization shall compensate a user shall be limited to direct and actual damages that would normally occur.
    10. Changes to Terms of Use
      The Institution may change all or part of these Terms by posting them on this Site. Unless otherwise specified, any changes made by the Institution to these Terms will come into effect 14 days after the date of posting on this Site, and the changed Terms will apply to users thereafter.
    11. 準拠法、裁判管轄
      本利用規約の成立、効力発生、解釈にあたっては日本法を準拠法とします。
      また、当機関の活動(当ウェブサイトへの掲載内容や広告などを含む)に起因または関連して当機関と利用者との間で生じた紛争については東京地方裁判所を第一審の専属的合意管轄裁判所とします。


    Enacted and enforced on September 15, 2020
    Revised on February 28, 2025
    UNIVERSITY OF CREATIVITY

    [Individual Session Participation Guidelines]

    The following stipulates the matters that applicants (hereinafter referred to as "Applicants") and session participants (hereinafter referred to as "Participants") must comply with when applying to participate in a session (whether offline or online, hereinafter referred to as "Session") held by our institution and participating in the session. For matters not specified in these guidelines, the "UNIVERSITY of CREATIVITY Terms of Use" shall apply.
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    Regarding lottery and selection: After receiving your application, we may conduct a lottery and selection process and deny you participation. In addition, if we determine that you have violated these Terms of Use or that your participation in the session is inappropriate, we may refuse your participation in the session even after the lottery and selection process.
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    • Publishing this session on the Internet (live distribution/archive distribution)
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    Notes

    • Sessions may be canceled or postponed without prior notice due to unavoidable circumstances.
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    Enacted and enforced on September 15, 2020
    Revised on December 1, 2020
    Revised on February 28, 2025
    UNIVERSITY OF CREATIVITY

    [UoC TOKYO Campus Usage Guidelines]

    UNIVERSITY of CREATIVITY TOKYO Campus(東京都港区赤坂5-3-1 赤坂Bizタワー23F。以下、「UoC TOKYO Campus)という)に来訪し、ご利用いただく際に利用者が順守すべき事項を以下に規定します。本ガイドラインに定めのない事項については、「UNIVERSITY of CREATIVITY利用規約」が適用されるものとします。
    申込み画面の「同意する」ボタンをクリックすることによって、申込者又は参加者は以下の内容を承諾したものといたします。



    基本的な考え方
    UoC TOKYO Campusは、「We are ALL born Creative.」というビジョンのもとに人々が集い、そこに集まった様々な人々の創造性をぶつけ合うことで、新たな世界制作に挑戦する場所です。UoCに関わる皆様の創造性を発揮しやすい環境づくりのため、多くのルールを設けておりません。本ガイドラインの内容をご承諾いただいた上で、あらゆる人たちが創造性を発揮しやすくするためにどのような行動をとるべきか、自ら考え、適切な行動をとっていただけるようお願いします。



    Admission to UoC TOKYO Campus
    When entering the UoC TOKYO Campus, you will need to apply for use on this website. You will be asked to enter personal information required when creating an ID or applying for use. If the information does not meet the identity verification standards, you may not be able to enter. Please visit by following the instructions in emails and other communications sent by our institution.



    Notes


    • There are books related to creativity on the UoC TOKYO Campus. You are free to view it, but we do not lend it out, so please be sure to view it inside the TOKYO Campus.
    • There are no airtight private spaces within the UoC TOKYO Campus. All conversations and discussions are conducted in an open environment. Please be aware that any comments made outside of sessions are done at your own risk, and that the organization will not be held responsible for any comments, slander, claims of infringement of rights including copyright, or breach of confidentiality obligations from your affiliated organization or company or any third party as a result of your comments.
    • If we discover behavior that impedes the creativity of others or causes a nuisance, we may ask you to leave the UoC TOKYO Campus.
    • Within the UoC TOKYO Campus, there is a space that provides beverages and other items for visitors. All items are self-service by users, so we ask for your cooperation in ensuring that all users can use the facility comfortably, with the spirit of "Do it Yourself. Keep it Creative."


    Enacted and enforced on September 15, 2020
    Established and enforced on February 19, 2020
    UNIVERSITY OF CREATIVITY

    *Please read the terms and conditions to the bottom.
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