【あき。】

456 posts
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【あき。】
@aki_mk12
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Joined February 2024

【あき。】’s posts

妊娠したけどライブには行きたいから周りのオタクのジャンプを規制しようとするオタク流れてきてアイマス最高になった
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尾崎由香さん結婚めでたい... もう「なんでオタクと紙しばかなきゃいけねぇんだよ」みたいな顔しながらカードゲームしなくてもいいんだ...
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‼️ 声優オタク特有のノンデリ出てる‼️ 声優オタク特有のノンデリ出てますよ‼️ 早く気づいて‼️
Eight individuals, including voice actors, sitting in a row on chairs. Each person holds a piece of paper with text and illustrations. They are dressed in casual and semi-formal attire, including dresses and shirts.
画像消えてるの怖過ぎて泣いた
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앗치콧치 (あっちこっち) 《 @ MIKUEXPO2025 》
@toarumikoto
みけねこかふぇ、休日でしかも開催2日目なのに誰もいない状況。 店員さんも座ってる。 うん。
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手前で静かに転んでるあまりにも生物的に弱いオタク見てたら涙出てきた
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ままちゃん
@mamach_LoveLive
並ぶ順番は変わって後ろの方になるし、 オタクたちは走るし、 よく分からん😡 #蓮ノ空2nd千葉Day1
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"推し活"とかいうほぼ最低賃金で働いてる一般人が富裕層に可処分所得をほぼ注ぎ込む現代の宗教に熱心な人達の中でのみ広まっている行動であり、一般的には現代においてもオタクキモすぎ罪は適用とされています
The image is a screenshot of a tweet from the user 【あき。】 (@aki_mk12) discussing the concept of "推し活" (oshi-katsu), which translates to 'fan activities' or 'fan culture'. The tweet criticizes this phenomenon, describing it as a modern-day religion where fans, who are often working for minimum wage, spend their disposable income on wealthy celebrities. The text suggests that this behavior is only popular within certain fan communities and is generally considered 'オタクキモすぎ罪' (otaku kimo-sugi tsumi), which roughly translates to 'the crime of being too creepy otaku'. The tweet was posted at 12:38 on April 9, 2025, and has 1.3k retweets. The image contains Japanese text overlay, providing context to the critique of fan culture and its perceived social stigma.
内田真礼クラスの女性声優も遂に結婚で、いよいよ小倉唯が結婚を発表した後に起こるとされる、海が枯れ、大地が割れ、声優オタクが阿鼻叫喚となる伝説のTLをこの目で目撃する日が本当にすぐそこまで近付いて来ているのを感じる...
冷笑AI、チクチクの方向性が「オタクくん、現実の方はどうなの?(笑)」のパターンしか無いので、24時間冷笑に精を出してるフォロワーさんの陰湿さにはまだ届いてない
すごい、松屋食べに来てるけどうまトマ食べてる人みんなTwitterみたいな顔面してる 弱者男性の代名詞が「チー牛」から「うまトマ」へと移行する新たな時代の音がする
万博会場で帰宅困難になったからライブカメラ前でオタ芸してるオタク見ながら酒飲んでる
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デレステ、最後のボイス追加が星街すいせいで終わりだったらしくて大粒の涙を流している
あまりにも生物的に弱い転び方で涙出てくる
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リピッ氵ュ@10/19~🇨🇳
@530LU5
目の前で🦚持ちが転んで捕まってアリオ川口最高の瞬間すぎるw
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芸能人の良い裏話風嘘松が一回バズってしまった事で、味を占めて芸能人の良い裏話に立ち会いまくってる化け物が産まれてる
The images feature a series of tweets from @sayakanurse on X, discussing celebrity gossip and viral trends, accompanied by a profile picture of a woman with short hair and a friendly smile, wearing a light blue outfit. The tweets humorously critique the phenomenon of fabricated celebrity "good behind-the-scenes stories" gaining traction online, with the text suggesting a satirical take on social media behavior. No platform watermarks like Instagram, TikTok, or Xiaohongshu are present, only the X logo. The composition is clear, well-lit, and focused, with text overlays integral to the post\'s context, combining visual and textual elements to engage viewers on the topic of internet culture and celebrity narratives.
The images feature a series of tweets from @sayakanurse on X, discussing celebrity gossip and viral trends, accompanied by a profile picture of a woman with short hair and a friendly smile, wearing a light blue outfit. The tweets humorously critique the phenomenon of fabricated celebrity "good behind-the-scenes stories" gaining traction online, with the text suggesting a satirical take on social media behavior. No platform watermarks like Instagram, TikTok, or Xiaohongshu are present, only the X logo. The composition is clear, well-lit, and focused, with text overlays integral to the post\'s context, combining visual and textual elements to engage viewers on the topic of internet culture and celebrity narratives.
The images feature a series of tweets from @sayakanurse on X, discussing celebrity gossip and viral trends, accompanied by a profile picture of a woman with short hair and a friendly smile, wearing a light blue outfit. The tweets humorously critique the phenomenon of fabricated celebrity "good behind-the-scenes stories" gaining traction online, with the text suggesting a satirical take on social media behavior. No platform watermarks like Instagram, TikTok, or Xiaohongshu are present, only the X logo. The composition is clear, well-lit, and focused, with text overlays integral to the post\'s context, combining visual and textual elements to engage viewers on the topic of internet culture and celebrity narratives.
Ave mujica、作中の人間関係だけじゃなく制作の現場までギスギスしてた事が段々と分かってきてガチの神アニメへ
The image is a screenshot of a series of tweets from the user @unicococ discussing the anime 'BanG Dream! It's MyGO!!' and the band 'Ave Mujica'. The tweets reveal that the relationships within the band, both in the story and in the production process, were quite tense, adding to the authenticity and intensity of the anime. The user expresses admiration for how this real-life tension enhances the anime's quality, referring to it as a '神アニメ' (god anime). The tweets include engagement metrics like retweets, likes, and comments, indicating a high level of interaction. The context provided by the original post from @aki_mk12 highlights the ongoing drama surrounding 'Ave Mujica', suggesting that the production environment was as fraught with tension as the narrative itself.
The image is a screenshot of a series of tweets from the user @unicococ discussing the anime 'BanG Dream! It's MyGO!!' and the band 'Ave Mujica'. The tweets reveal that the relationships within the band, both in the story and in the production process, were quite tense, adding to the authenticity and intensity of the anime. The user expresses admiration for how this real-life tension enhances the anime's quality, referring to it as a '神アニメ' (god anime). The tweets include engagement metrics like retweets, likes, and comments, indicating a high level of interaction. The context provided by the original post from @aki_mk12 highlights the ongoing drama surrounding 'Ave Mujica', suggesting that the production environment was as fraught with tension as the narrative itself.
The image is a screenshot of a series of tweets from the user @unicococ discussing the anime 'BanG Dream! It's MyGO!!' and the band 'Ave Mujica'. The tweets reveal that the relationships within the band, both in the story and in the production process, were quite tense, adding to the authenticity and intensity of the anime. The user expresses admiration for how this real-life tension enhances the anime's quality, referring to it as a '神アニメ' (god anime). The tweets include engagement metrics like retweets, likes, and comments, indicating a high level of interaction. The context provided by the original post from @aki_mk12 highlights the ongoing drama surrounding 'Ave Mujica', suggesting that the production environment was as fraught with tension as the narrative itself.
水瀬いのりinfoさん、フォロワー86万人もいる公式アカウントを乗っ取られて勝手にツイートされて大迷惑を被ったのに未だに乗っ取り犯を特定する動きが見えなくてその寛大さに涙出る
これ流れてきて1番オタクが盛り上がってたのは2012〜2015年ぐらいのμ's、ゆいかおり、スフィア、ミルキィホームズ、七森中ごらく部辺りの頃だろ❗️と発狂してたら老人ホームにぶち込まれた
The image is a screenshot of a social media post by user 【あき。】 (@aki_mk12) discussing the peak popularity of various Japanese idol groups and related projects from 2012 to 2015. The text in the image mentions the excitement around groups like μ's, YuiKaori, Sphere, Milky Holmes, and Nanamori Middle School Goral Department. The post humorously suggests that the user was so enthusiastic about this era that they were metaphorically sent to a retirement home. The image contains Japanese text detailing a specific event related to the anime group Aqours, mentioning their 3rd live tour from 2017 to 2020 and the first day of their final performance in Okinawa. The post time and date are also included, indicating it was posted on June 22, 2025, at 22:30.
シャニマスくん、アニサマはコロナで出演見送り、TIFは台風で出番の日が中止、アニエラでは出番直前に殺傷事件で中断は流石にお祓い行った方がいい
業界やオタクの不満があっても匿名の裏垢で愚痴を吐く事で自己消化し、裏垢疑惑で炎上しても一切反応せずに淡々と仕事を続けたドヤコンガさんのプロ意識の高さは再評価されるべきかもしれん
湊あくあ、結城さくな絵師のがおうって人が未成年淫行で炎上してるらしいから調べに行ったらいかにも未成年淫行しそうなIDしてて笑った