kojikoji(포도 )

68.4K posts

kojikoji(포도 )

@kojikojipower

無言でフォローします 🙇‍♂️

🙇‍♂️

よろしくお願いします。ミュートキーワードを色々設定したので、見えてないかもしてません...国際信州学院大学首席入学予定 (入学案内未着) ﾔｼﾞｭｾﾝﾊﾟｲｲｷｽｷﾞﾝｲｸｲｸｱｯｱｯｱｯｱｰﾔﾘﾏｽﾈ Lied der Jajusenpai (Jasüßenpei Lied)

110Joined January 2010

2,205 Following

kojikoji(포도 )🌿🌰🐟’s posts

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kojikoji(포도 )

kojikoji(포도 )

あ！

$The image contains a screenshot of a social media post from X, featuring Japanese text in a meme format. The text, written in white on a black background, humorously describes a realization or surprise, starting with "\u3042\uff01" ("Ah!"), followed by a URL link (https:\/\/t.co\/4MuhkxyMVE). The post is attributed to "kojikoji(\uD3EC\ub3c4 )\ud83c\udf3f\ud83c\udf30\ud83d\udc1f (@kojikojipower)", suggesting a playful or quirky personality. The composition is simple, focusing on the text and username, with no additional visuals or characters, making it a text-based meme. The context from the post indicates a casual, lighthearted interaction, likely intended to evoke amusement or relatability among followers.$

kojikoji(포도 )

ただの嫉妬だった。

kojikoji(포도 )

Replying to

既にいたようです。みなもと太郎著「風雲児たち」より

$The images depict a black-and-white manga-style comic from "F\u016bunji-tachi" by Tar\u014d Minamoto, showing Edo-period characters discussing and observing a daimyo\'s procession, known as sankin-k\u014dtai, during a snowy setting. Characters in traditional samurai attire sit indoors reading or talking, while others watch a large, detailed parade of figures in the snow outside, carrying banners and walking in formation. The post text and reply context suggest a humorous exploration of Edo-period otaku culture, with fans obsessively following daimyo processions, akin to modern fan behavior. No platform watermarks are present, and the comic\'s detailed linework and clear panels indicate high quality.$

$The images depict a black-and-white manga-style comic from "F\u016bunji-tachi" by Tar\u014d Minamoto, showing Edo-period characters discussing and observing a daimyo\'s procession, known as sankin-k\u014dtai, during a snowy setting. Characters in traditional samurai attire sit indoors reading or talking, while others watch a large, detailed parade of figures in the snow outside, carrying banners and walking in formation. The post text and reply context suggest a humorous exploration of Edo-period otaku culture, with fans obsessively following daimyo processions, akin to modern fan behavior. No platform watermarks are present, and the comic\'s detailed linework and clear panels indicate high quality.$

$The images depict a black-and-white manga-style comic from "F\u016bunji-tachi" by Tar\u014d Minamoto, showing Edo-period characters discussing and observing a daimyo\'s procession, known as sankin-k\u014dtai, during a snowy setting. Characters in traditional samurai attire sit indoors reading or talking, while others watch a large, detailed parade of figures in the snow outside, carrying banners and walking in formation. The post text and reply context suggest a humorous exploration of Edo-period otaku culture, with fans obsessively following daimyo processions, akin to modern fan behavior. No platform watermarks are present, and the comic\'s detailed linework and clear panels indicate high quality.$

kojikoji(포도 )

Replying to

鳥のアカヒゲの学名はkomadori、コマドリの学名はakahige。入れ替わったと言うよりも登録の際に間違っちゃた例。

The post by @kojikojipower discusses an interesting linguistic mix-up involving the Japanese names of two bird species, 'akahige' and 'komadori', which were mistakenly swapped during registration. The first image features an 'akahige' (Larvivora komadori), a bird native to the Ogasawara Islands, known for its vibrant red throat. The second image shows a 'komadori' (Luscinia akahige), found in the mountainous regions of Japan. Both images are high-quality photographs showcasing the distinct plumage and natural settings of these birds, emphasizing their beauty and the confusion in their scientific naming. The context provided by the post text highlights the humorous aspect of this naming error, making it a light-hearted educational moment about ornithology and language.

The post by @kojikojipower discusses an interesting linguistic mix-up involving the Japanese names of two bird species, 'akahige' and 'komadori', which were mistakenly swapped during registration. The first image features an 'akahige' (Larvivora komadori), a bird native to the Ogasawara Islands, known for its vibrant red throat. The second image shows a 'komadori' (Luscinia akahige), found in the mountainous regions of Japan. Both images are high-quality photographs showcasing the distinct plumage and natural settings of these birds, emphasizing their beauty and the confusion in their scientific naming. The context provided by the post text highlights the humorous aspect of this naming error, making it a light-hearted educational moment about ornithology and language.

kojikoji(포도 )

Replying to

その後の憎悪の連鎖の結果が今も続く...

The image is a page from the manga "Adolf ni Tsugu" by Osamu Tezuka, as indicated by the original post text. It depicts a sequence of panels showing a man lying in bed, dreaming or hallucinating about a group of people in a festive setting, possibly a parade or celebration. The dream sequence transitions into a more somber scene where the man appears to be in distress, with another character in military attire comforting him. The text in the panels suggests themes of war, hatred, and the ongoing cycle of conflict, as mentioned in the post text. The manga explores serious historical and emotional themes, reflecting the consequences of hatred and war.

The image is a page from the manga "Adolf ni Tsugu" by Osamu Tezuka, as indicated by the original post text. It depicts a sequence of panels showing a man lying in bed, dreaming or hallucinating about a group of people in a festive setting, possibly a parade or celebration. The dream sequence transitions into a more somber scene where the man appears to be in distress, with another character in military attire comforting him. The text in the panels suggests themes of war, hatred, and the ongoing cycle of conflict, as mentioned in the post text. The manga explores serious historical and emotional themes, reflecting the consequences of hatred and war.

kojikoji(포도 )

今日の朝日

The image is a photograph of a page from the Asahi Shimbun newspaper, dated October 2, 2023. The main headline discusses the arrest of a former vice minister of agriculture, forestry, and fisheries on suspicion of bribery. The article mentions the involvement of two lawmakers from the Liberal Democratic Party. There is also a smaller article with a photo of two individuals, likely related to the main story. The text is in Japanese, and the layout is typical of a newspaper with multiple columns and various articles. The context provided by the post text indicates that this is a current news item, highlighting recent political developments in Japan.

kojikoji(포도 )

Replying to

香港へ行った時「藤原とうふ店」と書かれたクルマをたくさん見かけ、当該マンガの存在を知らなかった私は、どんだけ大規模な豆腐屋なんだろうと感じておりました。

kojikoji(포도 )

？

？

？

kojikoji(포도 )

Replying to

@e_ku_irojushin

「満洲国」のポスターもそれに近いものがあるような気がします...

kojikoji(포도 )

Replying to

こちらの方が桜島でご覧になったのがそうかしら？

Quote

ドーぴ

@dopaakant

Aug 19

隕石？みたいなので桜島が一瞬で朝になった

The media could not be played.

kojikoji(포도 )

...

kojikoji(포도 )

Replying to

特急指定席のこれもまたわかりづらくて....

The image is a detailed guide on how to understand the seat reservation indicators on Japanese trains, specifically for limited express trains. It shows two scenarios: one where the seat is reserved (red light) and one where it is available (green light). The top part of the image features two women sitting in a train, with one pointing at the seat indicator. The bottom part shows a close-up of the seat indicators with explanations in Japanese. The text overlay provides instructions on how to interpret the lights for seat availability and reservation status. The context from the post text highlights the confusion passengers might face with these indicators, emphasizing the difference in perspective between passengers and train staff.

kojikoji(포도 )

Replying to

ぴちょんくんが火器に見えて来た

kojikoji(포도 )

Replying to

@MAEKEN_AIRFOLG

「白杖」の意味を義務教育で周知して全国民の常識にすべきです。

kojikoji(포도 )

Replying to

and

@Th5FVhKkjQTXEKk

これかしら？ tokyo-sports.co.jp/articles/-/244

kojikoji(포도 )

都知事候補にブロックされた

kojikoji(포도 )

Replying to

@kirakirabo2020

and

戦国時代かよと突っ込む気力も無く、時代錯誤も甚だしかった

kojikoji(포도 )

フジテレビイットより「捕まえろと言っているのは逮捕しろと言ってるわけじゃない」

kojikoji(포도 )

Replying to

and

サザエさんの長谷川町子先生も

$The image is a hand-drawn sketch featuring various cartoon characters and Japanese text, resembling the style of Sazae-san, a famous Japanese manga by Hasegawa Machiko, mentioned in the post. It includes multiple small illustrations of characters in everyday activities, such as walking, working, and interacting, with expressive faces and dynamic poses. The text, written in black ink, appears to narrate or caption the scenes, adding humor and context, possibly referencing the original post\'s concern about regulatory overreach affecting large events like Comiket. No platform watermarks are visible, and the composition is clear, well-drawn, and technically sound, reflecting a playful, nostalgic tone tied to Japanese pop culture.$

kojikoji(포도 )

Replying to

@Haruka2007Toshi

1人保安検査すり抜けた人間がいて、検査済みの人間全員が検査やり直しって事例もありました。 www3.nhk.or.jp/lnews/okinawa/

kojikoji(포도 )

Replying to

運命やいかに！？公判へ続く〜

kojikoji(포도 )

Replying to

若くて、頭良くて、フォロワー数急上昇中でこれは早いうちからトリガーオン！

kojikoji(포도 )

Replying to

「ヒポクラテスたち」より小児科医役がぴったり。良いお顔されております。

kojikoji(포도 )

「なーんだ」御自身は？

kojikoji(포도 )

Replying to

@nawokikarasawa

何か記憶と違うなと思ったんですが、単行本版は銃口に収まるんですね。さすが手塚先生！

This image is a comparison of two panels from a manga by Osamu Tezuka, highlighting a difference between a memory and the actual published version. The top right panel shows a character, likely a villain, aiming a gun with a surprised expression, saying "やっぱりこれだ" which translates to "This is it after all". The bottom right panel zooms in on the gun's barrel, emphasizing the detail. The left side of the image shows a character in a dark cloak walking away, with another character in the foreground, possibly injured or in distress, holding a gun. The post text mentions a discrepancy in memory versus the published version, praising Tezuka's attention to detail. The setting appears to be a forest path, adding a sense of isolation and tension to the scene.

kojikoji(포도 )

Replying to

リプ増えたかと思ったら手厳しい意見が

kojikoji(포도 )

Replying to

可愛い名前だからアイドルかと思って楽しみに会いに行ったら、「アリス」と言う野郎三人組だったと言うさだまさしのエピソードが好き。

kojikoji(포도 )

Replying to

イタズラでなくて、ほっとしました。 konantetsudo.jp/2020/05/15/ina

kojikoji(포도 )

Replying to

世界2大法典

The image shows a sign at a train station in Japan, specifically at Funabashihonten station on the JR line. The sign indicates directions to Ichikawasho and Nishi-Funabashi. The text on the sign is in both Japanese and English, providing clear navigation information for passengers. The post text references the "world's two great legal codes," which might imply a humorous or ironic context, but this is not directly related to the image content. The image is clear, well-lit, and in focus, making it high quality.

kojikoji(포도 )

2024年流行語大賞童貞のセックス指南

kojikoji(포도 )

Replying to

@gimukyouiku_bot

須恵器

kojikoji(포도 )

Replying to

@KensukeZangoose

輸送船の船底で魚雷攻撃に怯えながら、さぞや恐怖だったと察します...

The images are frames from a manga, depicting a scene of intense fear and tension. The characters, likely sailors, are shown in a state of panic, with one character sweating profusely and another looking distressed. The setting is inside the hull of a transport ship, as suggested by the context provided in the post text. The final frame shows a large warship on the sea, with smoke and another ship in the background, emphasizing the wartime scenario. The text in the post, mentioning 'torpedo attack' and 'fear', aligns with the visual depiction of the characters' terror. The choice of manga format adds a dramatic and emotional layer to the narrative, enhancing the viewer's understanding of the characters' plight.