H O C

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H O C
@bodyishothot
兵庫県Joined March 2023

H O C’s posts

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「最近、S信が絡んでくるんだよね〜」 「汚い言葉遣いで不快なんですよね」 …なんてお困りの皆さま。S信相手にあなたの貴重なお時間を割く必要なんてありません。多くの方が「この人、S信なんだ」と識別しやすいよう、このバナーを貼り付け返してやりましょう。 #S信対策バナー
The image is a social media post featuring two illustrations of a man and a woman, both dressed in business attire, with expressions of concern. The text in the image, written in Japanese, discusses the issue of being approached by individuals associated with a religious group referred to as 'S信' (S believers). The post suggests that people should not waste their time on these individuals and provides a banner to identify them easily. The context from the post text indicates that this is a warning about unwanted solicitations from this group, aiming to help others recognize and avoid them. The design is clear and informative, with a focus on public awareness and personal safety.
The image is a social media post featuring two illustrations of a man and a woman, both dressed in business attire, with expressions of concern. The text in the image, written in Japanese, discusses the issue of being approached by individuals associated with a religious group referred to as 'S信' (S believers). The post suggests that people should not waste their time on these individuals and provides a banner to identify them easily. The context from the post text indicates that this is a warning about unwanted solicitations from this group, aiming to help others recognize and avoid them. The design is clear and informative, with a focus on public awareness and personal safety.
「職員の皆さんが不快に思われたのなら反省して、機会があれば本人にもお詫びしたい」 斎藤元彦、渡瀬前県民局長と優勝パレード担当の元課長は亡くなられております。もうこの世におられないお二人に対しては、どうお詫びするおつもりでしょう。 #百条委員会
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これだけ次から次へ「記憶がない」ことが出てくるという事は、認知機能に何か問題をお持ちなのかもしれません。県政を進める上では非常に心許なく、県政の停滞がますます続くと思いますので、県民の生活を第一に考えるとお辞めになるのが最善の道かと。 #百条委員会
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淡路の玉ねぎ「クレクレ」 茶菓子「全部クレクレ」 50万円のロードバイク「2台クレクレ」 40万円相当の革ジャン「クレクレ」 牡蠣「クレクレ」「誰にもやらん」 蟹「クレクレ」「部下の分もクレクレ」 漁業関係者「もう来るな」 斎藤さん、それってもう #追い剥ぎ ですやん。
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「ルール破ったから処罰するで」「俺?俺はええねん、トップやから」 自分たちの所属する組織のトップがこんな人物だったらどう思いますか? #アホらしくてやってられません
明確な意思を持っていない限り一般人はここまで上がってきません。ここでずっと知事の出待ちをしていたのなら警備員もマークしますし、近づいたら必ず知事と女性の間に警備員が割り込んでいるはずです。 やはり「間もなく知事が通りまーす」「はい、3・2・1、キュー!」ですね。 #テレビ演出
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@6LDdxtizimekJuh
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#斎藤元彦知事 怖っ😨 このタイミングでこの距離、常識的に怖ない? 非常識やし恐怖だわ😨 #兵庫県知事 こっちが寝れんわ🤛
メタンガスの危険も勿論ですが、仮に「万博会場滞在中に大規模災害が起こったら…」と想像すると、どう考えても脆弱な脱出経路に入場客が殺到して「島から出られない」リスクが大きすぎます。 「安全担保できぬ」 修学旅行先を万博からUSJに変更 千葉の中学 | 毎日新聞 mainichi.jp/articles/20250
The image is a map of Osaka, Japan, highlighting the locations of Universal Studios Japan (USJ) and the Osaka Aquarium Kaiyukan. The map is annotated with Japanese text, indicating these landmarks. The post text discusses concerns about safety and evacuation routes in case of a large-scale disaster at the Osaka Expo venue, suggesting that the venue might have inadequate escape routes, leading to a risk of people being unable to leave the island. This context adds significance to the map, emphasizing the importance of safety considerations in large public venues. The map is clear and detailed, showing major roads and landmarks, which aids in understanding the geographical layout and potential evacuation challenges.
立候補に必要な書類の一つに「選挙運動用ポスター作成契約書」があります。これはポスターの公費助成を受けるために必要な書類で、必ず提出されるものです。 ですので、選管に提出されている「選挙運動用ポスター作成契約書」の契約先が「Merchu」でなければ、知事の説明は嘘だという事になります。
The image shows a document titled "選挙運動用ポスター作成契約書" which translates to "Election Campaign Poster Creation Contract". This document is required for receiving public funding for election posters. The post text indicates that this contract must be submitted to verify the governor's claim about the contract being with "Merchu". The document includes sections for the contractor's details, contract terms, and signatures. It is a formal, black-and-white document with Japanese text, and it appears to be a scanned copy.
The image shows a document titled "選挙運動用ポスター作成契約書" which translates to "Election Campaign Poster Creation Contract". This document is required for receiving public funding for election posters. The post text indicates that this contract must be submitted to verify the governor's claim about the contract being with "Merchu". The document includes sections for the contractor's details, contract terms, and signatures. It is a formal, black-and-white document with Japanese text, and it appears to be a scanned copy.
150年かけて先人たちが築き上げてきた兵庫県が、たった4年で壊されてしまった。兵庫県、完全に底が抜けた。
これは衝撃的。わたしはこれまで「二元代表制」は、住民が直接選挙で首長(知事)と県議会議員を選ぶ制度を指すとばかり思っていました。兵庫県においては知事と兵庫県警が二元代表制を構成しているのですね。今日の今日まで全く気付きませんでした。 #斎藤人民共和国における二元代表制
姫路市戦没者追悼式には代理を立て、自分は高校野球を満喫。ですが、これは今回に限った話ではありません。興味のあるものや芸能人が来るイベントには嬉々として参加、興味のない式典は代理を立てて欠席。 兵庫県知事殿にとって、戦没者追悼は「興味のない話」のようです。 #公務を選り好み
The post features three images critiquing Hyogo Prefecture Governor Motohiko Saito's priorities. The top image shows a formal war memorial event in Himeji City, with a man in a suit at a podium, likely a proxy, as Saito is absent, set against a backdrop of green wreaths. The bottom left image depicts Saito at a lively high school baseball game, looking focused, while the bottom right shows him smiling and holding a shaved ice, enjoying the event. The text reveals Saito frequently skips war memorial ceremonies for events he enjoys, like baseball, highlighting a perceived neglect of public duty, with no platform watermarks visible.
The post features three images critiquing Hyogo Prefecture Governor Motohiko Saito's priorities. The top image shows a formal war memorial event in Himeji City, with a man in a suit at a podium, likely a proxy, as Saito is absent, set against a backdrop of green wreaths. The bottom left image depicts Saito at a lively high school baseball game, looking focused, while the bottom right shows him smiling and holding a shaved ice, enjoying the event. The text reveals Saito frequently skips war memorial ceremonies for events he enjoys, like baseball, highlighting a perceived neglect of public duty, with no platform watermarks visible.
優れた知事なら「免許更新が昼間だけなのは不便」「夜間もOKなら助かる人もいる」という気付きを得て、夜間更新可能な体制作りに取り組んだかも。労働形態の多様化で昼間の免許更新が困難な方々も多いですから。 そうじゃなくルール破り。とても改革派知事とは言えません。 news.yahoo.co.jp/articles/21a18
わざわざデモ行進の参加者の皆さんに近づいてヘラヘラと挑発する「#県政の当たり屋 」増山誠。西宮市民の皆さんは再度この人物を兵庫県議会に送ろうと思えますか? 地に足ついた活動をしている議員なら、週末は地元をまわって住民の声を聞くために汗をかいているはずなのですが。 #厄病の会
The image shows a man, identified as Masuyama Makoto, who is described in the post text as "#県政の当たり屋" (a political provocateur). He is outdoors in a park-like setting, smiling and seemingly engaging with the camera, which is mounted on a tripod. The background features green grass, trees, and a few people sitting or walking in the distance, suggesting a public event or gathering. The man is wearing a white shirt with a red emblem and a black undershirt. The post text criticizes his actions, suggesting he is provocatively approaching participants of a demonstration, which aligns with the context of political activism or protest.
The image shows a man, identified as Masuyama Makoto, who is described in the post text as "#県政の当たり屋" (a political provocateur). He is outdoors in a park-like setting, smiling and seemingly engaging with the camera, which is mounted on a tripod. The background features green grass, trees, and a few people sitting or walking in the distance, suggesting a public event or gathering. The man is wearing a white shirt with a red emblem and a black undershirt. The post text criticizes his actions, suggesting he is provocatively approaching participants of a demonstration, which aligns with the context of political activism or protest.
The image shows a man, identified as Masuyama Makoto, who is described in the post text as "#県政の当たり屋" (a political provocateur). He is outdoors in a park-like setting, smiling and seemingly engaging with the camera, which is mounted on a tripod. The background features green grass, trees, and a few people sitting or walking in the distance, suggesting a public event or gathering. The man is wearing a white shirt with a red emblem and a black undershirt. The post text criticizes his actions, suggesting he is provocatively approaching participants of a demonstration, which aligns with the context of political activism or protest.
The image shows a man, identified as Masuyama Makoto, who is described in the post text as "#県政の当たり屋" (a political provocateur). He is outdoors in a park-like setting, smiling and seemingly engaging with the camera, which is mounted on a tripod. The background features green grass, trees, and a few people sitting or walking in the distance, suggesting a public event or gathering. The man is wearing a white shirt with a red emblem and a black undershirt. The post text criticizes his actions, suggesting he is provocatively approaching participants of a demonstration, which aligns with the context of political activism or protest.