Here Is What Happens When You Cast Lindsay Lohan in Your Movie

Lindsay Lohan moves through the Chateau Marmont as if she owns the place, but in a debtor-prison kind of way. She’ll soon owe the hotel $46,000. Heads turn subtly as she slinks toward a table to meet a young producer and an old director. The actress’s mother, Dina Lohan, sits at the next table. Mom sweeps blond hair behind her ear and tries to eavesdrop. A few tables away, a distinguished-looking middle-aged man patiently waits for the actress. He has a stack of presents for her.

Lohan sits down, smiles and skips the small talk.

“Hi, how are you? I won’t play Cynthia. I want to play Tara, the lead.” Braxton Pope and Paul Schrader nod happily. They’d been tipped off by her agent that this was how it was going to go. They tell her that sounds like a great idea.

Schrader thinks she’s perfect for the role. Not everyone agrees. Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages. She couldn’t understand why he wanted it so badly.

But Schrader was running out of chances. His last major opportunity was about a decade ago, when he was picked to direct a reboot of “The Exorcist.” He told an interviewer, “If I don’t completely screw that up, it might be possible for me to end my career standing on my own feet rather than groveling for coins.” A few months later, he was replaced by the blockbuster director Renny Harlin, who reshot the film. Renny Harlin! Schrader is now 65 and still begging for coins.

Pope, dressed in a checked shirt and skinny tie, looks like a producer. His fingers are constantly, frantically, scanning his iPhone. In the fall of 2011, he connected Schrader with Bret Easton Ellis, whose grisly satires brought him early notoriety and who had lately turned to screenwriting. The three were set to make “Bait,” a shark thriller, based on a screenplay Ellis wrote, but the Spanish financing vaporized. Schrader suggested they do something on the cheap that didn’t look cheap. Pope worked his connections with Lohan’s agent, and that’s why she is sitting here on this spring day.

Ellis is noticeably absent, holed up less than a mile away waging one of his frequent Twitter wars. (He has mounted social-media jihads against David Foster Wallace, J. D. Salinger and Kathryn Bigelow.) He thinks Lohan is wrong for the part, especially if she’s cast opposite the porn star he courted online. But he spent all his capital getting his man cast. Also, his condo is under water. Ellis will give in.

Subscribe to The Times to read as many articles as you like.