西春

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西春
@nishi_haru02
シュワシュワ生まれて シュワシュワ弾ける
Joined December 2020

西春’s posts

『瑠璃の宝石』、「疑問→行動→検証→解決→新たな疑問に繋いでいくサイエンスアニメやれまくってますねぇ、もうNHK行きましょう」と「そのシャツはNHK無理かもですねぇ」が同時に出てきますよね。
The image depicts an anime character, Ruri Miyamoto, from the series "Steins;Gate" or a similar science-themed anime, sitting at a desk in a well-lit room with bookshelves and a window showing greenery. She has long dark hair, large blue eyes, and is wearing a partially unbuttoned white shirt, suggesting a casual yet slightly provocative pose, which aligns with the post text\'s mention of "that shirt is NHK impossible." The setting includes a microphone, books, and a green ball on the shelf, indicating a study or lab environment. The post text humorously references NHK (Japan\'s public broadcaster) and the character\'s attire, implying a mix of science-focused anime themes and lighthearted, suggestive commentary. No platform watermarks are visible.
100カノ、このアニメのマジでスゲェ所って普通こんなに大量のヒロインがいたら『1人ぐらい寄越せよ!』とか冗談言いたくなるのに全くならないとこ、『恋太郎さん、頑張ってください』の感情が勝つ
アニメキャラって眉毛太くて目と区別つかなくなってもいい。
The image features an anime character with dark hair and a relaxed expression, holding a spoon and a piece of food, possibly a vegetable. The character's eyes are closed, and they have a slight smile, suggesting a moment of contentment or enjoyment. The background shows a typical suburban setting with houses, power lines, and greenery, indicating a peaceful, everyday environment. The post text humorously comments on the design of anime characters, suggesting that their thick eyebrows can sometimes blend with their eyes, which adds a light-hearted context to the image.
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西春
@nishi_haru02
アニメキャラって私服ダサくていいし眉毛太くていいし実家細くていい
『小市民シリーズ』第17話、今回で起きた事を簡単にまとめてみたがボロボロになって倒れてる瓜野くんを助けるまではしないが、心配してくれたのは健吾だけだった。
The image is a diagram from the anime series '小市民シリーズ' (Petit Bourgeois Series), specifically summarizing events from episode 17. It features a central character, 瓜野くん (Uri no-kun), who is depicted as being in a dire situation, lying on the ground in a weakened state. Surrounding him are arrows pointing to various characters who are concerned about him, including 小梅くん (Koume-kun), 水谷くん (Mizutani-kun), 立花内くん (Tachibana-uchi-kun), 五日市 (Itsukaichi), and 健吾 (Ken'go). Each character has a note indicating their concern for Uri no-kun, except for Ken'go, who is the only one who actually worried about him. The text overlay in Japanese provides context to the relationships and reactions of the characters towards Uri no-kun's condition.
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西春
@nishi_haru02
小市民シリーズ、知り合いが轢き逃げにあったら小鳩くんは推理始めそうだし小佐内さんはじっくり復讐の準備始めそうだし瓜野くんは怪我人放置して犯人追いかけていきそうだし、まともに助けておいしいココア入れてくれるの健吾だけかもしれない。
負けヒロインが多すぎる! ファン層40手前 男性率100% ↑ 良いアニメってのは良い土地に適切な水と肥料を与えると生えてくるんだよ
前期の『mono』もそれなんだけど「全然肩の力抜いて見てね〜」ってタイプの内容でガチアニメーションされると自然と背筋伸ばしてるから逆に疲れてる。
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西春
@nishi_haru02
『CITY』、2025年にマジで『日常』が帰ってきて凄すぎる。
『瑠璃の宝石』の製作陣に「夏服に袖など不要」と強い意志を誓ってる者がいるのかもしれない。
Two schoolgirls with long hair, one with blonde hair and the other with red hair in a ponytail, sit at desks in a classroom. They wear sleeveless summer uniforms and hold pencils, working on papers. A window with a view of trees and a blue sky is behind them, and briefcases are placed under the desks.
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西春
@nishi_haru02
『瑠璃の宝石』、ロマンを追う内容をしていながらちゃんと理想だけじゃなくて現実も教えていく話をやれるの夏服の袖が短すぎる事をスルーすれば国が誇る情報教材アニメーションになれる。
新聞部が一度だけ小佐内さんを撃退する事に成功した事実を瓜野くんは知らないまま生きていくのだろうか。
The image depicts a scene from an anime, featuring two characters in a school setting. On the left, a male character, likely named 瓜野くん (Uri no-kun), is walking away, dressed in a school uniform. On the right, a female character, possibly 小佐内さん (Kosai-san), is leaning against a window with a contemplative or distressed expression, also in a school uniform. The setting is a school hallway with light streaming through the windows, creating a serene yet introspective atmosphere. The post text suggests a narrative where the newspaper club once managed to repel Kosai-san, a fact unknown to Uri no-kun, adding a layer of mystery and intrigue to the scene.
マケインの作者さん、大学卒業から社会人を経験したがまだ夢を追いかけてみたくなり執筆活動を始めアニメ化まで達成、そして現在ラノベ界に革命を起こしてるのカッコ良すぎるだろ
アニサマ、どうやら情報によると『バディコンプレックス』『最弱無敗の神装機竜』『レガリア』で盛り上がり、2025年新作アニメの鷹峰は冷えたらしくて本当にその現場を生で見たかったという感情しかない。
小市民シリーズ、知り合いが轢き逃げにあったら小鳩くんは推理始めそうだし小佐内さんはじっくり復讐の準備始めそうだし瓜野くんは怪我人放置して犯人追いかけていきそうだし、まともに助けておいしいココア入れてくれるの健吾だけかもしれない。
Ave mujica『顔』、 「ア アラララァ ア アァ」を歌詞に入れたい欲を「あらら」に頑張って制御した感ある。
『ひびめし』、いつも完璧なタイミングでウククレでセルフbgmを担当してくれていた彼女が料理係に異動させられ、大切だった物に気付いた。
The image features an anime character with long, wavy blonde hair, wearing a light blue sweater with the text "St.P" on it, sitting on a wooden bench. She is playing a ukulele, which aligns with the post text mentioning her role in providing self-background music with the ukulele. The setting appears to be indoors, possibly in a traditional Japanese room given the wooden paneling in the background. The post text indicates that this character, who was previously responsible for playing the ukulele, has been reassigned to cooking duties, highlighting a change in her role within the context of the anime 'ひびめし' (Hibime-shi). This transition seems to be a significant plot point, suggesting the character's realization of the importance of her previous role.
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西春
@nishi_haru02
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『ひびめし』、いつも完璧なタイミングでウククレでセルフbgmを担当してくれていた彼女がいなくなった時、大切だった物に気付くんだと思う。 x.com/nishi_haru02/s…
日テレクソ枠から生まれたオリジナルアニメ『シャインポスト』が天下の任天堂に支えられながら立ち上がってるの流石に泣きアニメでしょう
『小市民シリーズ』2期 「もうこれ放火の犯人小佐内さんだろ...」と「いやでも1クール目の内容を見る限り小佐内さんが何かを行う時は自分の手を直接汚す様なやり方はしないよな?」の思考が自分に現れるの既にヒロインの格じゃなくて笑ってる
令和にエルフェンリート→行けたぜ! 令和にlain→行けたぜ! 令和にヨスガノソラ→無理だったぜ!
『ひびめし』、いつも完璧なタイミングでウククレでセルフbgmを担当してくれていた彼女がいなくなった時、大切だった物に気付くんだと思う。
The image depicts a scene from the anime 'ひびめし' (Hibime-shi), featuring a character dressed in a sheep costume playing a ukulele. The setting appears to be a market or street fair, with another character in the background selling food. The character in the sheep costume is seated on a blue chair, providing self-background music with the ukulele, which aligns with the post's mention of the character's role in the anime. The sign in the background has Japanese text, indicating the price of food items. The overall atmosphere is light-hearted and whimsical, capturing a moment of everyday life in the anime.
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西春
@nishi_haru02
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『ひびめし』、いつも完璧なタイミングでウククレでセルフbgmを担当してくれていた彼女がいなくなった時、大切だった物に気付くんだと思う。
『ひびめし』、いつも完璧なタイミングでウククレでセルフbgmを担当してくれていた彼女がいなくなった時、大切だった物に気付くんだと思う。
The image features an anime character with light brown hair, wearing a light blue and yellow patterned yukata, sitting outdoors on a sunny day. The character is playing a ukulele, which ties into the post's text mentioning the absence of someone who used to provide perfect timing with ukulele self-BGM in the anime 'ひびめし' (Hibike! Euphonium). The setting is a grassy area with trees in the background, suggesting a peaceful, nostalgic moment. The character's serene expression and the warm lighting contribute to a sense of calm and reflection, aligning with the theme of realizing the importance of something once it's gone, as implied by the post text.
『日々は過ぎれど飯うまし』ってタイトルに対して「その通りだよ」って返せるマツコに感動した。
『小市民シリーズ』、放火事件の時「これで手を貸すのは最後だ」的な事を言っていた癖にちゃんと冬でも裏で協力していた健吾、牛乳パックを電子レンジに入れた男とは思えない。
The image shows a close-up of a microwave with a digital display indicating a heating time of 1 minute for milk. The context from the post text suggests this scene is from a Japanese drama series, specifically the '小市民シリーズ' (Petit Bourgeois Series), where a character named Ken, who previously declared he would no longer help, is shown to be assisting covertly. The mention of putting a milk carton in the microwave adds a humorous element to the character's actions. The setting is indoors, likely a kitchen or a similar environment, with the microwave being the focal point. The text on the microwave display is in Japanese, indicating the cultural context of the scene.
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西春
@nishi_haru02
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『小市民シリーズ』第17話、今回で起きた事を簡単にまとめてみたがボロボロになって倒れてる瓜野くんを助けるまではしないが、心配してくれたのは健吾だけだった。 x.com/nishi_haru02/s…
【アニメ鑑定団】 『本物』です。 いやいや、見事な一品。 キャラクターソングってのは魂をそのまま音に閉じ込めた宝物なんです。本物の逸品でしょう。 大事になすってください。
The image features an elderly man wearing traditional Japanese attire, sitting in a room with a wooden bookshelf in the background. The man appears to be in a thoughtful pose, with his hand resting on his chin, suggesting he is appraising or contemplating something. The context from the post text indicates that this image is related to an 'Anime Appraisal Group' where the man is likely evaluating the authenticity or value of an anime-related item, specifically a character song, which he describes as a 'treasure' that encapsulates the soul of the character. The setting and the man's attire add a sense of tradition and respect to the appraisal process.
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TVアニメ『mono』公式
@mono_weekend
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○•• ┈┈  『マイペース解像度』 ためし聴きムービー公開 ┈┈••○ ▋マイペース解像度 敷島桜子(CV. #遠野ひかる) youtu.be/oEooiMw6wUI キャラソンアルバム「monoのうた」 7月2日(水)発売!🎶 ▼商品詳細はこちら mono-weekend.photo/music/?page=al #mono
「やばいな『瑠璃の宝石』、もうこれは2025年アニメベスト10選だろ...」を繰り返し続けて『瑠璃の宝石』放送話数の全部がベスト10選候補になりそうでまずい。
『アポカリプスホテル』も『前橋ウィッチーズ』も全力で声出したらやっと注目されたアニメーションなので基本的に声がでかいアニメ視聴者であるべきなんですよね。
「小市民のOPオシャレ〜」ってノリで見てた感情が「レシート、3人いる仲丸さん、そういう事なんだろ?」に変わって肩慣らし開始へ。
The image depicts a scene from an anime, featuring a schoolgirl standing in a brightly lit hallway with colorful windows. The character is wearing a traditional Japanese school uniform, known as a sailor suit, and is holding something close to her mouth, possibly a piece of paper or a small object. The hallway is long and lined with windows that cast vibrant colors, creating a visually striking and somewhat surreal atmosphere. The post text suggests that the user was initially impressed by the stylish opening of a show called '小市民' (Petit Bourgeois) but then shifted focus to a more analytical observation about the character '仲丸さん' (Nakamaru-san) and the presence of three receipts, indicating a deeper narrative or thematic element in the show. This context adds a layer of intrigue to the image, suggesting it might be from a scene with significant plot development.
The image depicts a scene from an anime, featuring a schoolgirl standing in a brightly lit hallway with colorful windows. The character is wearing a traditional Japanese school uniform, known as a sailor suit, and is holding something close to her mouth, possibly a piece of paper or a small object. The hallway is long and lined with windows that cast vibrant colors, creating a visually striking and somewhat surreal atmosphere. The post text suggests that the user was initially impressed by the stylish opening of a show called '小市民' (Petit Bourgeois) but then shifted focus to a more analytical observation about the character '仲丸さん' (Nakamaru-san) and the presence of three receipts, indicating a deeper narrative or thematic element in the show. This context adds a layer of intrigue to the image, suggesting it might be from a scene with significant plot development.
『前橋ウィッチーズ』、魔法を使ってニキビを消し現実世界では本来の姿で念入りにむくみ取りマッサージしてるアズの見せ方、ファンタジー要素と現実の向き合い方として本当に届けたい層に届いてないアニメーションなんじゃないかと思う。
The image depicts a scene from the anime 'Maedchen von Maedchen' (Maedchen), featuring a character named Azu performing a meticulous massage on her leg to reduce swelling. She is dressed in a purple outfit and is seated on a bed with pink heart-shaped pillows, suggesting a cozy and personal setting. The context from the post text indicates that this scene is meant to blend fantasy elements, where Azu uses magic to remove acne, with realistic aspects of self-care, like massaging to alleviate swelling. This combination aims to resonate with viewers by showing a character engaging in everyday activities while also possessing magical abilities, though the post suggests this message might not be reaching the intended audience effectively.
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西春
@nishi_haru02
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『前橋ウィッチーズ』、魔法やファンタジー要素を現代に向けて描いてるからフォロワー数の可視化だったり体型の加工だったりで、現代の若者にこそ視聴して欲しいアニメなのは事実だと思う。
『アポカリプスホテル』、「お前が今期No. 1だよ」の感情がずっと変わらなかった、真実のアニメだと思う。
Q.で?お前は『前橋ウィッチーズ』第8話のどのシーンが好きなんだよ A.チョコちゃんが闇を抱えた毒舌キャラではなく「どんな奴だってストレス溜まってたら暴言の一つや二つ吐く」という本来の明るさを全く否定せず、その上で頭を下げたシーン。
The image is a scene from the anime '前橋ウィッチーズ' (Maebashi Witches), specifically from episode 8. It features a close-up of a character named Choco, who is depicted with blonde hair, green eyes, and wearing a yellow outfit with a flower accessory. The scene is highlighted in the post text as a moment where Choco, typically known for her dark and sarcastic demeanor, shows her true bright nature by apologizing, which is a significant character development moment. The background is bright, suggesting a positive or uplifting context, which aligns with the character's genuine apology. The image captures the essence of this pivotal scene, emphasizing Choco's emotional depth and growth.
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西春
@nishi_haru02
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『前橋ウィッチーズ』第7話、脚の不自由な祖母と幼い弟妹を世話しながら家計を支え、学校に通う生活を続ける1人の少女が日々のストレスで不意に出てしまった悪意のない一言だったんだ。