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    Discussion Paper 1 in 2001First published in ejcjs on 27 March 2001
 
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 Media Intimidation in JapanA Close Encounter with
    Hard Japanese NationalismbyDavid McNeill  The EncounterIn the wake of a series of recent incidents that
    seem to point toward a resurgent nationalism in Japan, Brian McVeigh draws a distinction
    between "soft" and "hard" nationalism in postwar Japanese politics in
    a recent Japan Policy Research Institute paper (McVeigh, 2001). Hard nationalism, found in
    the noisy flag-waving antics of ultra-nationalists, in historical denials by academics and
    politicians, and the increasingly unembarrassed displays of patriotism by cabinet members,
    is less pervasive and dangerous, he seems to suggest, than the soft nationalism
    "implicated in the mundane practices of everyday life." By soft nationalism he
    means the set of hegemonic practices embedded in the education system, in state ideology,
    and in culture and social life. But are these static categories? Where does hard nationalism end and soft
    nationalism begin, and do the high-profile activities of hard nationalists in Japan have a
    wider role in helping to legitimize previously taboo ideas and positions within society?
    These were the questions that came to mind after a recent close encounter I had with the
    Japanese ultra right. My wife Keiko and I host a weekly talk show on local radio in Western Tokyo that
    tries to take a jaundiced, opinionated approach to the clash of East versus West. Just
    before Christmas 2000 we talked briefly about a trip we had made a year earlier to Nanjing[i] in China, the site
    of a notorious massacre by the Japanese imperial army at the end of 1937. Walking through
    the museum in Nanjing that commemorates the incident, reading the testimony of hundreds of
    Chinese and non-Chinese survivors, looking at countless photographs of corpses and indeed
    their bones, some of which lie beneath the museum site, it's impossible to deny what
    happened. And we said so, adding that those who do should pay a visit there themselves. Thirty minutes after the show was broadcast, three members of a local
    "political group" arrived at the studio and asked to see the management. The
    station director, Sato-san, said he spoke for the station and, after exchanging name
    cards, everyone sat down.[ii] The only member of the group who spoke was the sempai (senior
    member) who softly and politely explained his displeasure. The Nanjing Massacre had not
    been "officially announced" (koshiki happyo) by the government, so we
    shouldn't have mentioned it, he said. If we were going to use the radio to talk about
    communist countries, why didn't we tell our listeners that Japan had exported thousands of
    tons of rice to help famine-stricken North Korea, he asked. Why, he wanted to know, were
    we going on about China? Was our radio station communist? Sato-san carefully noted these
    points, including the last, on a writing pad before escorting the visitors to the
    elevator, bowing and thanking them for their visit. Two days later the senior station manager called a meeting. He apologized for
    taking our time and explained that from now on he would be very grateful if we would not
    discuss political issues on the radio. If someone sent a fax or email in giving their
    opinions, it was fine to read it out over the air but not to give our own opinions. He
    said we would need to apologize over the air for the Nanjing comment. If we didn't, the
    men and their friends would drive their gaisensha, or black sound trucks, outside
    our sponsors (two ramen, or Chinese noodle, restaurants, a bar, and a couple of
    real estate agents) and harass them until they withdrew their support. Violence was
    unlikely, but he couldn't rule it out. He apologized again for asking us to apologize. He
    handed us a sheet of paper the station had prepared for us to read on the next show. It
    said that we humbly apologized for the "inappropriate comments" (futekisetsu
    na hyogen ) we had made the previous week. My wife and I were stunned. Far from being angry at a crude, thuggish attempt to
    shut down a public discussion, the station's management had gone along with the rightist's
    suggestions and upped the ante, out-censoring the censors by requesting an end to
    all political discussion. While we argued over the next couple of days about whether to
    call the station's bluff, about a dozen faxes arrived at the studio in response to our
    comments, all of them supportive. One read: "I was so surprised to hear the two of
    you discussing the Nanjing Massacre. I remember my own crazy uncle showing us photographs
    he brought back from the war of the bodies of the Chinese he said he had beheaded."
    All messages ended with pleas to continue, to take courage, and to stick it out. When we
    met the director to discuss the next show we proposed to apologize for any
    "misunderstandings," instead of the more specific "inappropriate
    comments," and to read the faxes over the air. Sato-san did not look pleased. Despite
    the reassurances of the senior station manager that we could safely read other people's
    opinions, there followed two hours of heated discussion about which faxes could safely be
    broadcast. Sato-san favored bland messages of support without specific references to
    Nanjing; for us, the more specific the better. In the end we read four faxes with only one
    referring to Nanjing. We didn't read the station's apology and there, or so we thought,
    the episode had ended. The InvestigationAs perhaps one of the few gaijin (foreigner) to experience ultra-right
    intimidation first hand I thought I owed it to myself to investigate who these groups are
    and what motivates them. Was our experience anomalous, or does the extreme right play a
    wider role in helping to control and frame public discussion in Japan? The best estimates are that there are more than 100,000 far-right members in
    Japan belonging to almost 1000 groups throughout the country, 800 of which are affiliated
    through an organization called Zennippon Aikokusha Dantai Kaigi, or the National
    Conference of Patriotic Associations (Masayuki, 1989 and Van Wolferen, 1993). In a
    personal communiction to me, journalist Andreas Hippin, who follows their activities for
    the German press, claims the number of rightists increases if members of cult religions in
    Japan, which also espouse conservative, rightist ideology, are included. The exact number is clouded in controversy because there is overlap with yakuza
    (Japanese mafia) gangsters. Many yakuza groups transformed themselves into rightist
    political organizations from the 1960s after the Political Fund Regulations Law prohibited
    extortion, but allowed legitimate political groups to raise money and claim preferential
    tax treatment as long as they presented income and expenditure statements to the Ministry
    of Home Affairs. Ideologically, both uyoku, as the ultra-right are known, and yakuza
    see themselves to some extent as patriots and defenders of traditional codes of honor,
    although "genuine" right-wingers make a firm distinction between plain old
    gangsters and what they call minzoku-ha, or nationalists.[iii] It is nevertheless clear that
    since the 1970s a new branch of radical nationalism or shin-minzokushugi (new
    nationalism), with a much more articulate and politically committed membership, has
    emerged in Japan (Szymkowiak and Steinhoff, 1995). While the neo-nationalists, whose
    members and sympathizers include academics, authors and well-known manga-artists,
    often use similar methods to the older uyoku (intimidation using gaisensha
    and loudspeakers is still their weapon of choice), there are a number of important
    differences between the two groups. Anti-communism and patriotism remain a common plank, but emperor-worship has been
    toned down in the newer groups who are more media-savvy and much more likely to stress
    Japanese independence and self-sufficiency in the face of American "hegemony."
    (Matsumoto, 2000 and Daiki, 2001). There is also good deal of disgust by neo-nationalists
    with the criminal activities of yakuza-uyoku, typified by the involvement of the
    notorious postwar rightist Kodama Yoshio in the Lockheed bribery scandal, and the
    corruption that infests establishment politics. Besides Nanjing, the current list of ultra-right taboos includes the so-called
    comfort women, or sex slaves, forced into prostitution by the army during World War II,
    and Unit 731, the army laboratory in wartime Manchuria that experimented with chemical
    weapons on live Chinese prisoners. Yoshida Yoshihisa, a professor at Sagami Woman's
    University who helped to publicize the comfort women issue in Japan was hounded for two
    weeks by a convoy of vans after his name was publicly linked to the issue. "They
    drove round and round my university screaming at me to come out," he says. "I
    thought it would never end." War veterans who come forward to tell their stories can
    also expect the attention of right-wingers. Shiro Azuma, who served for four years in
    China and kept a detailed diary that he subsequently published, and Yoshio Shinozuka, a
    member of Unit 731 who agreed to testify in the current lawsuit brought by 100 surviving
    Chinese victims, both tell stories of threats and intimidation. A Chinese movie on
    Nanjing, which was screened in a single small Yokohama theater three years ago, was
    attacked and shut down at about the same time as the Japanese revisionist war movie Pride
    was showing in hundreds of cinemas nationwide. The uyoku often reserve their greatest firepower for any attempt to
    degrade the ultimate national symbol, the emperor. The liberal-left Asahi Shimbun
    has been a target of attack for, among other things, its failure to use proper honorific
    terms for the emperor. Tomohiro Kojiro, an Asahi reporter, was killed by a
    shotgun-wielding rightist in 1987. In October 1993 a man named Nomura Shusuke killed
    himself in the Asahi offices because he felt the paper had been making fun of rightists.
    The mayor of Nagasaki, Motojima Hitoshi, a mild-mannered Christian, was threatened for
    months by right-wingers, egged on by academics and a handful of senior politicians, for
    suggesting that emperor Hirohito bore some responsibility for the war. He was eventually
    shot in the back, but survived, in January 1990, but not before 3.8 million people had
    signed a petition supporting what he said.[iv] Isolated cases of extremist political violence are a feature of life in many
    advanced countries, but the Japanese version has several distinct characteristics. First
    is the sheer number of attacks, thousands of them, from low-key intimidation of the type
    we experienced at the radio station to high-profile assassinations of union leaders and
    political figures. Even accepting that the extreme right in Japan is not an entirely
    coherent group and that its members are often in ideological dispute with one another,
    taken together, its activities add up to a massive and organized intimidatory presence.
    Every large media institution in Japan, and many small ones, have experienced political
    harassment of some sort. The second major difference is its relationship with people in power. The common
    view of the people who cause this mayhem, even among the "serious" nationalist
    right, is that they are lowlife thugs, but the lowlifes can always take comfort from
    pronouncements by pillars of the establishment. Prime Minister Mori's recent slip, that
    Japan was a "divine nation centered on the emperor," is only the latest example
    of how apparently extreme rightist posturing, like calls for the restoration of the
    emperor's powers and denials of well-documented war crimes, find echoes all the way up to
    the top of Japan's dim political corridors. Chief Cabinet Secretary Kajiyama Seiroku's
    claim in 1997 that Korean comfort women were just prostitutes; former education minister
    Okuno Seisuke's similar claim in 1996 that the comfort women were "in it for the
    money"; Justice Minister and Army Chief of Staff Nagano Shigeto's protestations that
    accusations of Japanese wartime atrocities were all "fabrications"; Ishihara
    Shintaro's famous pronouncement in Playboy that Nanjing was a lie made up by the
    Chinese ? the list is long and undistinguished. There are also well-documented ties
    between ultra-right figures and Japan's most senior politicians who have used them to
    harass and attack the left. The most famous of them all, Kishi Nobusuke, found time to be
    Prime Minister and mix with the some of the most notorious rightist and yakuza
    figures in Japan (Kaplan and Dubro, 1986). Another famous rightist, Sasakawa Ryoichi,
    became one of Japan's richest businessmen with connections right to the heart of the
    country's business and political worlds. Last year's resignation by Chief Cabinet
    Secretary Nakagawa Hidenao for consorting with the boss of an ultra-right organization, is
    part of a long and venerable political tradition in Japan. I am not suggesting the existence of a massive, organized conspiracy cooked up by
    the conservative political mainstream and extreme nationalists in Japan to prevent the
    expression of controversial political ideas. The relationship between the yakuza-uyoku,
    the neo-nationalists and established political figures is a complex matrix of financial,
    political and personal ties with conflicting and contradictory elements. However, what is
    abundantly clear is that the practice, by actors within what Van Wolferen (1993) calls
    "the system" of calling on the services of the hard nationalists to intimidate
    or silence unwieldy or troublesome elements has helped to give them a legitimacy and
    influence arguably beyond what would be tolerated in any other advanced industrial
    country. Moreover, ultra nationalists are often aware of their role in not only preventing
    discussion of taboo topics, but also in helping to legitimate fringe ideas. As the
    chairman of the neo-rightist group Issui-Kai, Kimura Mitsuhiro explains: The
    government uses uyoku to express ideas which it cannot openly say. Just like the
    lighthouse on Senkaku (Diaoyu) islands.[v] We built it on our initiative. The government did not ask us
    to. But afterwards there were politicians who said, "I told them to build it."
    They are liars.(Daiki, 2001)
The most important result of years of dedicated service by both
    establishment and fringe rightists may have been, in the words of Dr. Ivan Hall, author of
    Cartels of the Mind, to have shifted the center of debate, and of political
    consensus in Japan, well to the right. One would have thought that as they survey the
    current Japanese political landscape, the uyoku would be quite happy with their
    lot. The hinomaru, or rising-sun flag, once the dividing symbol of left and right,
    flutters across the nation's school yards, the kimigayo national anthem belts out
    of lungs too young to remember the battles fought over it, both having been officially
    recognized in August 1999. Their archenemy, the Communist Party (whose chairman, Miyamoto
    Kenji, they attempted to assassinate in 1973), has swung to the right since the collapse
    of the USSR. The Socialist Party (whose chairman, Asanuma Inejiro, they stabbed in 1960)
    disintegrated after their leader Murayama Tomiichi rang in the post-Cold War era by
    recognizing the hinomaru and kimigayoand the Self-Defense Forces. The
    teacher's union, Nikkyoso, another hated enemy, is a shadow of its former militant self.
    The battle for control over the content of textbooks, into which Nikkyoso threw most of
    its troops, seems to have slipped off the national agenda, and the union has not even been
    able to defend the 250-odd teachers disciplined for not raising the flagor for not singing
    the anthemin the past two years. Watching television surely brings more smiles to
    ultra-right faces. Discussions on previously unthinkable issues, such as Japan's right to
    a modern army, are now quite common. Visits by politicians to Yasukuni Jinja, the shrine
    to Japan's war dead, are no longer considered taboo. The yazuka, despite a police
    crackdown that began in the early 1990s, are not in bad health either. According to a
    recent report in the Far Eastern Economic Review, although a host of smaller
    gangster groups have been smashed, the largest of them all, the Yamaguchi Gumi, has
    grown into a "colossus" during the recession, now boasting 16,500 full-time
    members (Kattoulas, 2000). In the relatively small number of incidents these days when the mass media broach
    a taboo topic, the extreme right can still have a significant impact on public discussion.
    The magazine Shukan Shincho reported in February 2001, for example, that NHK, the
    national state broadcaster, censored a program on the mock trial of the emperor by a group
    of comfort women and their supporters in Tokyo in December 2000 (Struck, 2000 and
    Yoneyama, 2001). The program, Senso to josei e no boryoku (War and violence against
    women) failed to report the final judgment of the court, that the emperor was guilty of
    war crimes against the women, and instead gave over much of its airtime to an academic
    known for his rightist views. The article suggested that the self-censorship was not
    unrelated to a number of visits to NHK's Shibuya headquarters by gaisenshas blaring
    loud martial music. It was notable, indeed, how little coverage the comfort women
    "trial" received in the daily Japanese press. The AftermathHelping to set and control the agenda for political discussion is one thing, but
    the question of why censorship finds such fertile soil in the Japanese broadcasting and
    newspaper world is another. Hard nationalism in Japan may well, as I have argued, have a
    distinctive function in helping to shift the ideological consensus rightwards. But control
    of the media through intimidation (what U.S. scholars Herman and Chomsky (1988) call
    "flak") is not an exclusively Japanese phenomenon. Nor is the rightward drift,
    which has been a feature of the political landscape of the U.S., Britain and elsewhere
    since the 1970s, although it is especially alarming in Japan with its militaristic past.
    On the surface at least Japan has a modern, competitive, pluralistic and open mass media,
    with thousands of outlets and a diversity of views. A casual glance at Japanese television
    or Japan's weekly magazine output shows an often lively and critical force with a healthy
    disrespect for people in power. As Pharr and Krauss suggest, in the sense that both
    controlled and pluralistic elements, freedom and restraint coexist, Japan is no different
    to other democracies (1996, pp. 358). Nevertheless, we need to ask: is there something
    distinctive about the mass media in Japan that makes it more docile and easier to control
    and manipulate than equivalent systems in the advanced economies with which it is
    invariably compared? There is not the space here for a full analysis but I offer the
    following observations in the light of my experience at the radio station.  A common pole of analysis is to suggest that the apparent failure of media
    gatekeepers in Japan to confront intimidation may be the result of the group-centered
    nature of Japanese society which translates into negotiation and ultimately compromise
    with elements within the system that threaten to disrupt harmony (Takeshita and Takeuchi,
    1996 and Pharr and Krauss, 1996, pp. 359). Sociologists in Japan stress the fear of
    difference, of being the nail that sticks up, the value attached to conformism and the
    subtle and not so subtle differences used to achieve it. At one point Sato-san said, for
    example, that our program was too "provocative" (chosenteki) and
    "one-sided" (katayotteiru) and seemed unable to comprehend our point that
    provoking public discussion and taking sides against false or malicious arguments might be
    a good thing. This analysis, that there is some central drive within Japanese culture, to
    harmonize and transform "discordance" into consensus is superficially plausible
    but fails to explain where this drive comes from or what interests might be served by it.
    As Van Wolferen says, "The term ‘consensus' implies positive
    support for an idea or a course of action" (Van Wolferen, 1993, pp. 441). This notion
    of consensus, reinforced through the education system and other state apparatus, often
    boils down, in practice, to the imposition of power over dissenting, minority, and
    sometimes even, majority opinions. The myth of consensus also arguably helps to make codes
    of practice, systematic rules and abstract rights and concepts, such as those enshrined in
    the American constitution (‘freedom of information' and such like)
    contingent on the situational context. Comfortably wrapped in the notion that Japanese
    life is ruled by harmony and consensus, and in the relative absence, even as an ideal, of
    the conceptual freedoms built up over generations in other societies, it is not difficult
    to understand why in many instances compromise comes easiest. Laurie Anne Freeman calls
    this phenomenon "soft censorship within the context of a weakly developed civil
    society" (2000, pp. 173). Within this context it is not unheard of for media gatekeepers, those who might
    otherwise be expected to most strongly defend rights of free expression, to use the threat
    or implied threat of intimidation to silence difficult and marginal voices (Kogawa, 2000).
    This has the added bonus of allowing the strongest and the loudest political actors,
    tolerated and often nurtured by the establishment, to dominate and set the agenda for what
    passes for rational public discourse here. As Freeman says: Some
    observers in North America have criticized the role of the media in the political process
    because of their power in setting the agenda of discourse. What Japan suggests, however,
    is a situation even more problematic: one in which the media do not set, but rather limit,
    the agenda, thereby letting others (notably political actors) set it instead.(Freeman, 2000, pp. 197)
It seems to me that one of the most notable developments of the last ten
    years in Japan has been the collapse of the few organized poles of resistance that might
    once have challenged the agenda-setting role of the extreme right. Alternative
    perspectives on contested historical events like the comfort women and Nanjing are as
    likely to come from citizens groups (such as the mock trial of the emperor mentioned above
    that was organized by women's groups) and individual journalists (Iris Chang, Honda
    Katsuichi), than the organized pillars of the left like Nikkyoso and the Socialist or
    Communist parties. In the weeks following the uyoku visit, there were two more incidents of
    censorship at the radio station. In the first we had interviewed the headmaster of a local
    junior high school during the course of which I asked how, in the light of the recent
    changes to the law, he felt about flying the once disputed national flag. In the event his
    answer was essentially a defense of soft nationalism. "It's a shame that we have to
    be the only country in the world that is embarrassed to fly our national flag because of
    events that happened before any of us were born," he said. He denied any of his
    teachers had protested against the changes. The entire episode was cut from the broadcast.
    Sato-san said it had been a "technical error" but we were informed by another
    member of staff that it had simply been too sensitive. The segment seemed to indicate that
    even to raise the issue of the once controversial revisions was taboo. In the second incident, Yoshida Yoshihisa came on to discuss the media furore
    about the drunken antics of young revelers at seinenshiki (Coming of Age)
    ceremonies around Japan in January this year. We argued that the ceremonies were a waste
    of money and that making loud, disruptive noises in the middle of boring speeches by local
    politicians was an entirely understandable response (Keiko disagreed). Yoshida sensei
    further claimed that it was becoming more common at these ceremonies for the participants
    to be asked to sing the national anthem, a trend he personally found objectionable. This
    entire segment was also cut. Sato-san said that to air it was asking for trouble. When we
    challenged him on this he said that his role, as the director of a small radio station,
    was to protect the jobs of himself and his staff, not to support abstract concepts of free
    speech. He couldn't do this if the uyoku bankrupted him. He personally sung the
    national anthem "with pride" and couldn't understand anyone who didn't. Nowhere
    did he refer to national broadcasting regulations that might explain or justify his
    prohibitions. Fear of intimidation party explains these sentiments but not them all. With the
    passing of the high-profile ideological struggles over the historical weight of
    once-controversial national symbols like the kimigayo, the way is clear for more
    unabashed displays of soft-national pride of the kind Sato-san treated us to. In a recent JPRI paper Chalmers Johnson (2000) outlines the recent drift
    rightwards in Japan and what he calls the deteriorating security situation in East Asia
    under Japanese and American pressure. He cites the 1999 New Year speech by the Minister of
    Justice Nakamura Shozaburo denouncing the Japanese constitution denying Japan the right to
    engage in war; the chief of the Japanese Defense Agency, Norota Hosei's announcement in
    March 1999 that "under certain circumstances Japan enjoyed the right of
    "preemptive attack" (sensei kogeki) and that it was thinking of making
    such an attack against North Korea." He continues: During
    the spring and early summer [of 1999] the Japanese government then did the following
    things one after another: it passed a law allowing the police to tap citizens' telephones
    (the Tsushin Bojuho); it legalized the rising sun flag (hinomaru) and made the prewar song
    celebrating the emperor's reign (kimigayo) the national anthem, and ordered them to be
    displayed and sung in schools; it established Constitutional Research Councils (Kempo
    Chosakai) in both houses of the Diet in order to study revisions to the "peace
    constitution"; it enacted legislation to support the new "Defense
    Guidelines" with the United States, giving the U.S. the power to take over Japanese
    airports, harbors, roads, and hospitals in times of an emergency in "areas
    surrounding Japan," a description that is said to be conceptual and not geographical;
    it forged a three-party coalition (the Ji-Ji-Ko alliance) giving the Liberal Democratic
    Party control of over 70 percent of the seats in the Diet and the ability to pass any laws
    that it wants to; and, in October 1999, it saw the newly appointed vice minister of
    defense, Shingo Nishimura, urge the Diet to consider arming the country with nuclear
    weapons.(Johnson, 2000)
What was unthinkable has now become commonplace and the categories of soft
    and hard nationalism are shifting very quickly. Before writing up this paper I showed
    Sato-san my research. I asked him if his children knew about Nanjing. "They study it
    at school," he said, "so I'm sure they do." Later, at home, I had a look at
    a current Japanese history textbook: Nihonshi. The Nanjing Massacre is not mentioned. The
    Nanjing Incident is, as a footnote on page 234 to a one sentence report that the Japanese
    army captured Nanjing after fierce resistance. The footnote reads: "konotoki,
    nihonhei wa hisentouin wo fukumu tasuu no chugokujin wo satsugai shi, haisengo,
    tokyosaibande ookiina mondai tonatta (Nangking Jiken)". My
    translation of this: "During this time, the Japanese army killed many Chinese,
    including noncombatants, something that became an important issue at the Tokyo war crimes
    court after Japan's defeat (the Nanjing Incident)."[vi] Revisions are currently in
    debate which will further dilute any reference to this and other war crimes (Japan Times,
    2001). 
 AcknowledgementsThis paper was produced with financial assistance from the Japan Foundation Endowment Committee. In addition, the author wishes to thank Brian C. Folk for his help in the
    compilation of this article. 
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 Personal CommunicationsAndreas Hippin(Vereinigte Wirtschaftsdienst GmbH, Germany)Shibuichi Daiki (Department of Political Science, National University of
    Singapore)
 Dr. Ivan Hall (Temple University Japan)
 Tetsuo Kogawa (Media Critic and Professor, Tokyo Keizai University)
 Ino Kenji (Author)
 
 Further ReadingIrish Chang's (1998) book The Rape of Nanking: The Forgotten Holocaust of
    World War II (Penguin) has, despite some well-documented errors, done much to bring
    the issue back into the public arena. The Japanese journalist Honda Katsuichi, who did
    most to bring the Nanjing Massacre to the attention of the Japanese public, has also
    written extensively about it. His book (edited by Frank Gibney), The Nanjing Massacre:
    A Japanese Journalist Confronts Japan's National Shame, has recently been published in
    English by the Studies of the Pacific Basin Institute, and includes a commentary by the
    veteran Japanese historian Fujiwara Akira. The most readable English account of the relationship between Japanese gangsters
    and the extreme and mainstream right, although a bit dated, is Kaplan, David E. and Dubro,
    Alec (1986). Yakuza: The Explosive Account of Japan's Criminal Underworld. London:
    Routledge & Kegan Paul. You will also find some information (although it is mostly
    rehashed) in Robert Whiting (1999). Tokyo Underworld: The Fast Times and Hard Life of
    an American Gangster in Japan. New York: Vintage Books. Some of the best known critical Japanese accounts are:Hori, Yukio (1993). Sengo no uyoku seiryoku. Tokyo: Dososhoho.
 Hori, Yukio (1991). Uyoku jiten. Tokyo: Dososhoho.
 Matsumoto, Kenichi, Shiso to shiteno uyoku. Tokyo: Ronso-sha.
 Tendo, Tadashi, Uyoku undo hyakunen no kiseki. Tachibana-shoboi.
 Readers might also want to take a look at right-wing author's Ino Kenji's (1987) Uyoku
    For Beginners (Gendai shokan).
 There are many good, critical essays available on the
     Japan Policy Research
    Institute website.
    (Please note that some of the articles listed require a password.) They include:Robert M. Orr, Jr. (1998), The Rape of History, JPRI Critique, Vol. 5,
    No. 6 (details the controversy surrounding Iris Chang's book The Rape of Nangking.)
 Chalmers Johnson (2000), Some Thoughts on the Nanjing Massacre, JPRI
    Critique, Vol. 7, No. 1
 Ivan P. Hall (1998), Gagged on the Ginza, JPRI Critique, Vol. 5, No. 9
    (an account of Ivan Hall's own problems with censorship)
 Readers might also like to visit the
     Bulletin of Concerned Asian Scholars
    website,
    which contains an index of many important articles and reviews on Japan and the rest of
    Asia, including Ienaga Saburo's, "The Historical Significance of the Japanese
    Textbook Lawsuit."
 Okamoto, Tomochika, The Distortion and the Revision of History in Postwar 
    Japanese Textbooks, 1945-1998,
    is a very interesting survey of changes to Japanese texbook content over the years. The Chinese
    University of Hong Kong hosts a 
    memorial website for the victims in the Nanjing
    massacre at
    and it includes resources in Chinese, Japanese and English.
 
 Notes[i] There
    are a number of different spellings of the word "Nanjing" including
    "Nangking" and "Nanking." I have used the more common English spelling
    of Nanjing except when listing book and essay titles.[ii] I have
    not used real names here for obvious reasons. According to the leader's name card, the
    group, which was described as a "political association," was called the Japanese
    Nationalist Youth Federation. The radio station broadcasts over a radius of about 15
    kms in Sagamihara, Hashimoto, Tsukui, Kamimizo, Shiroyama and Yamato.
 [iii] Our
    experience with the station management illustrates how difficult it is to disentangle
    genuine nationalists from gangsters. A number of people we talked to said it was not
    unlikely that the station had paid our visitors a "contribution" not to come
    back. When I interviewed prominent nationalist author, Ino Kenji, for this article, he was
    nevertheless furious at the constant failure to distinguish yakuza activities from shinminzokushugi
    (new nationalism) which he said, was the "future."
 [iv] While
    the primary motive of this attempted assassination was obviously political, the victim
    himself feels that there was also an element of blackmail involved. "I felt that if I
    had paid them off they might have stopped bothering me." (Personal interview, January
    5th, 2001).
 [v] Kimura
    was a member of the first group to attempt to build a structure on island, whose ownership
    is disputed between Japan and China, in 1978.
 [vi] This is
    a 1993 textbook. Many newer textbooks are inclined to make even less of it. The Japanese
    History Section of the Kodansha Encyclopaedia of Japan, now part of the popular Bilingual
    Books series, contains a total of one page on the Pacific War, with no mention of Nanjing.
 
 About the authorDavid McNeill studied for his undergraduate degree at the University of Ulster in Northern Ireland before becoming
    a Monbusho scholar at the Institute of
    Socio-Information and Communication Studies (ISICS), University of Tokyo. He completed his PhD on the
    Japanese information society at Napier University, Edinburgh in 1998. He has taught at
    universities in Ireland, England and China and is currently a foreign research fellow at
    ISICS, as well as editor of the National Institute for
    Research Advancement's NIRA
    Review in Tokyo. e-mail the Author Back to Top 
 Copyright: David McNeillThis page was first created on 27 March 2001. It was last modified on
    30 January 2006.
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