Skip to contentSkip to site index

Advertisement

SKIP ADVERTISEMENT

Op-Docs

Ten Meter Tower

Video
bars
0:13/16:16
-16:02

transcript

Ten Meter Tower

Would you jump? Or would you chicken out?

[music] Ooh. [slow exhales] [throat clearing] [laughter] [snapping fingers] [nervous laugh] OK. [slow exhale] Yeah, yeah. [scream] [splash] Woo! [clapping] [scream] [splash] [deep breathing] [gasps] [splash] [laughs] [nervous laughter] [quick breathing] Shit. [nervous laugh] Shit. [splash] [inaudible] [laughter] Oh. Oh. Oh. [nervous laugh] [throat clearing] OK. [smacking] Oh. OK. [nervous laugh] [splash] [sniffle] [coughing] Oh. [music]

Video player loading
Would you jump? Or would you chicken out?CreditCredit...Maximilien Van Aertryck and Axel Danielson

Our objective in making this film was something of a psychology experiment: We sought to capture people facing a difficult situation, to make a portrait of humans in doubt. We’ve all seen actors playing doubt in fiction films, but we have few true images of the feeling in documentaries. To make them, we decided to put people in a situation powerful enough not to need any classic narrative framework. A high dive seemed like the perfect scenario.

Through an online advertisement, we found 67 people who had never been on a 10-meter (about 33 feet) diving tower before, and had never jumped from that high. We paid each of them the equivalent of about $30 to participate — which meant climbing up to the diving board and walking to its edge. We were as interested in the people who decided to climb back down as the ones jumping.

We filmed it all with six cameras and several microphones. It was important for us not to conceal the fact that this was an arranged situation, and thus we chose to show the microphones within the frame. Ultimately, about 70 percent of those who climbed did jump. We noticed that the presence of the camera as well as the social pressure (from those awaiting their turn beside the pool) pushed some of the participants to jump, which made their behavior even more interesting.

Subscribe to The Times to read as many articles as you like.

Maximilien Van Aertryck and Axel Danielson are documentary filmmakers based in Gothenburg, Sweden, who have worked together since 2013.

Op-Docs is a forum for short, opinionated documentaries, produced with creative latitude by independent filmmakers and artists. Learn more about Op-Docs and how to submit to the series.

Follow The New York Times Opinion section on Facebook and Twitter (@NYTOpinion), and sign up for the Opinion Today newsletter.

Related Content

Advertisement

SKIP ADVERTISEMENT