Captain America: Brave New World (2025)
| Theatrical Performance | ||
| Domestic Box Office | $141,205,738 | Details |
| International Box Office | $148,200,000 | Details |
| Worldwide Box Office | $289,405,738 | |
| Further financial details... | ||
Synopsis
After meeting with newly elected U.S. President Thaddeus Ross, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
Metrics
| Opening Weekend: | $88,842,603 (62.9% of total gross) |
| Legs: | 1.59 (domestic box office/biggest weekend) |
| Domestic Share: | 48.8% (domestic box office/worldwide) |
| Production Budget: | $180,000,000 (worldwide box office is 1.6 times production budget) |
| Theater counts: | 4,105 opening theaters/4,105 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,205,738 |
Movie Details
| Domestic Releases: | February 14th, 2025 (Wide) by Walt Disney |
| International Releases: | February 12th, 2025 (Wide) (Belgium)
February 12th, 2025 (Wide) (Denmark) February 12th, 2025 (Wide) (Finland) February 12th, 2025 (Wide) (France) February 12th, 2025 (Wide), released as Captain America: Brave New World (美國隊長4:勇敢新世界) (Hong Kong) ... Show all releases |
| Video Release: | 2025 by Walt Disney Home Entertainment |
| MPAA Rating: | PG-13 for intense sequences of violence and action, and some strong language. (Rating bulletin 2869 (cert #55330), 1/21/2025) |
| Running Time: | 118 minutes |
| Franchise: | Marvel Cinematic Universe Captain America |
| Comparisons: | vs. Thor Create your own comparison chart… |
| Keywords: | Disrupted by 2023 WGA & SAG Strikes, Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Marvel Studios, Walt Disney Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2025 | 1 | $88,842,603 | 4,105 | $21,643 | $88,842,603 | 1 | |
| Feb 21, 2025 | 1 | $28,200,000 | -68% | 4,105 | $6,870 | $141,205,738 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 13, 2025 | P | $12,000,000 | 0 | $12,000,000 | ||||
| Feb 14, 2025 | 1 | $40,912,377 | 4,105 | $9,966 | $40,912,377 | 1 | ||
| Feb 15, 2025 | 1 | $27,719,411 | -32% | 4,105 | $6,753 | $68,631,788 | 2 | |
| Feb 16, 2025 | 1 | $20,210,815 | -27% | 4,105 | $4,923 | $88,842,603 | 3 | |
| Feb 17, 2025 | 1 | $11,178,411 | -45% | 4,105 | $2,723 | $100,021,014 | 4 | |
| Feb 18, 2025 | 1 | $6,320,276 | -43% | 4,105 | $1,540 | $106,341,290 | 5 | |
| Feb 19, 2025 | 1 | $3,419,116 | -46% | 4,105 | $833 | $109,760,406 | 6 | |
| Feb 20, 2025 | 1 | $3,245,332 | -5% | 4,105 | $791 | $113,005,738 | 7 | |
| Feb 21, 2025 | 1 | $7,200,000 | +122% | -82% | 4,105 | $1,754 | $120,205,738 | 8 |
| Feb 22, 2025 | 1 | $12,800,000 | +78% | -54% | 4,105 | $3,118 | $133,005,738 | 9 |
| Feb 23, 2025 | 1 | $8,200,000 | -36% | -59% | 4,105 | $1,998 | $141,205,738 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2025 | 1 | $113,005,738 | 4,105 | $27,529 | $113,005,738 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/13/2025 | $1,669,918 | 0 | 0 | 0 | $1,797,754 | 2/19/2025 |
| Australia | 2/13/2025 | $3,329,316 | 0 | 0 | 0 | $3,633,430 | 2/17/2025 |
| Austria | 2/13/2025 | $543,089 | 0 | 0 | 0 | $578,612 | 2/19/2025 |
| Belgium | 2/12/2025 | $624,113 | 0 | 0 | 0 | $661,003 | 2/19/2025 |
| Brazil | 2/13/2025 | $3,467,578 | 0 | 0 | 0 | $3,804,492 | 2/19/2025 |
| Chile | 2/13/2025 | $771,460 | 0 | 0 | 0 | $840,301 | 2/19/2025 |
| China | 2/14/2025 | $10,268,717 | 0 | 0 | 0 | $13,108,920 | 2/23/2025 |
| Colombia | 2/13/2025 | $1,391,870 | 0 | 0 | 0 | $1,462,048 | 2/19/2025 |
| Croatia | 2/13/2025 | $127,441 | 84 | 84 | 84 | $127,441 | 2/21/2025 |
| Czech Republic | 2/13/2025 | $386,935 | 211 | 211 | 211 | $415,963 | 2/17/2025 |
| Denmark | 2/12/2025 | $618,700 | 0 | 0 | 0 | $649,739 | 2/19/2025 |
| Finland | 2/12/2025 | $206,508 | 99 | 99 | 99 | $403,996 | 2/21/2025 |
| France | 2/12/2025 | $4,728,119 | 0 | 0 | 0 | $5,206,327 | 2/19/2025 |
| Germany | 2/13/2025 | $3,441,252 | 0 | 0 | 0 | $3,621,703 | 2/19/2025 |
| Hong Kong | 2/12/2025 | $0 | 0 | 0 | 0 | $0 | |
| India | 2/14/2025 | $1,673,322 | 0 | 0 | 0 | $1,786,202 | 2/19/2025 |
| Indonesia | 2/12/2025 | $2,756,880 | 0 | 0 | 0 | $2,944,768 | 2/19/2025 |
| Italy | 2/12/2025 | $2,465,312 | 0 | 0 | 0 | $2,994,811 | 2/17/2025 |
| Japan | 2/14/2025 | $3,043,708 | 0 | 0 | 0 | $3,412,544 | 2/19/2025 |
| Malaysia | 2/13/2025 | $1,418,256 | 0 | 0 | 0 | $1,506,163 | 2/19/2025 |
| Mexico | 2/13/2025 | $6,509,205 | 0 | 0 | 0 | $6,528,900 | 2/19/2025 |
| Netherlands | 2/12/2025 | $1,047,760 | 114 | 114 | 114 | $1,208,871 | 2/17/2025 |
| New Zealand | 2/13/2025 | $415,319 | 101 | 101 | 101 | $458,364 | 2/17/2025 |
| Norway | 2/12/2025 | $415,203 | 0 | 0 | 0 | $448,509 | 2/19/2025 |
| Philippines | 2/12/2025 | $1,668,496 | 0 | 0 | 0 | $1,770,733 | 2/19/2025 |
| Poland | 2/14/2025 | $1,059,273 | 0 | 0 | 0 | $1,127,042 | 2/19/2025 |
| Portugal | 2/13/2025 | $434,494 | 99 | 99 | 99 | $453,052 | 2/18/2025 |
| Romania | 2/14/2025 | $381,507 | 0 | 0 | 0 | $381,507 | 2/19/2025 |
| Russia (CIS) | 2/13/2025 | $848,626 | 148 | 148 | 148 | $848,626 | 2/19/2025 |
| Singapore | 2/13/2025 | $835,960 | 0 | 0 | 0 | $889,659 | 2/19/2025 |
| Slovakia | 2/13/2025 | $121,380 | 80 | 80 | 80 | $131,043 | 2/18/2025 |
| South Africa | 2/14/2025 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 2/12/2025 | $4,092,720 | 0 | 0 | 0 | $5,537,933 | 2/19/2025 |
| Spain | 2/14/2025 | $2,654,862 | 340 | 340 | 340 | $2,654,862 | 2/20/2025 |
| Sweden | 2/12/2025 | $571,013 | 0 | 0 | 0 | $592,944 | 2/19/2025 |
| Switzerland | 2/12/2025 | $556,686 | 0 | 0 | 0 | $581,527 | 2/19/2025 |
| Taiwan | 2/12/2025 | $1,467,709 | 0 | 0 | 0 | $1,573,839 | 2/19/2025 |
| Thailand | 2/12/2025 | $1,709,865 | 0 | 0 | 0 | $1,781,558 | 2/19/2025 |
| Turkey | 2/14/2025 | $555,834 | 481 | 481 | 481 | $555,834 | 2/20/2025 |
| United Kingdom | 2/14/2025 | $8,066,770 | 0 | 0 | 0 | $9,329,370 | 2/19/2025 |
| Rest of World | $60,957,562 | ||||||
| International Total | $148,200,000 | 2/23/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Anthony Mackie | Sam Wilson / Captain America | |
| Danny Ramirez | Joaquin Torres / Falcon | |
| Shira Haas | Ruth Bat-Seraph | |
| Giancarlo Esposito | Sidewinder | |
| Tim Blake Nelson | Samuel Sterns / Leader | |
| Harrison Ford | President Thaddeus “Thunderbolt” Ross |
Supporting Cast
| Carl Lumbly | Isaiah Bradley | |
| Xosha Roquemore | Leila Taylor | |
| Jóhannes Haukur Jóhannesson | Copperhead | |
| Liv Tyler | Betty Ross | |
| William Mark McCullough | Commander Dennis Dunphy | |
| Takehiro Hira | Prime Minister Ozaki | |
| Harsh Nayyar | Prime Minister Kapur | |
| Rick Espaillat | French President | |
| Todd Allen Durkin | Senior Advisor #1 | |
| Dustin Lewis | Senior Advisor #2 | |
| Rachael Markarian | President Aide #1 | |
| Phuong Kubacki | President Aide #2 | |
| Alan Boell | Sergeant Payumo | |
| Ava Hill | Red Hulk Reporter | |
| Marissa Chanel Hampton* | Rose Garden Reporter | |
| Katerina Eichenberger | Rose Garden Reporter | |
| Mark Pettit | Rose Garden Reporter | |
| John Mark Bowman | Still Cameraman | |
| Katina Rankin | Hospital Reporter | |
| John Cihangir | Jackal | |
| Eric Mbanda | Whiskey | |
| Koji Nishiyama | Japanese Pilot | |
| David Atkinson | Commander | |
| John Dixon | Ops Specialist | |
| Pete Burris | Prison Warden | |
| Diesel Madkins | FBI Officer | |
| Matthew Cornwell | Air Force Major | |
| Sandra Aparicio | Nun | |
| Ricky Cruz | Priest | |
| Erika Keck | Female Serpent Mercenary | |
| Hector Banos | Construction Worker | |
| Bill Stinchcomb | Bartender | |
| Gabriela Amarchand | Staff Member | |
| Adriana Lugo | White House Greeter | |
| Ben Vazquez | Bunker Secret Service | |
| Cris Ruiz | Secret Service Agent | |
| Jacqueline Loucks | Secret Service Agent | |
| Jarrett Michael Collins | Armed Soldier | |
| Yaz Takahashi | Japanese Security Head | |
| Tomoko Karina | Ozaki Aide | |
| Robert Tretsch | Murder Victim | |
| Travis Powers | JBAB Guard | |
| Will Holland | Receptionist | |
| Chealon Miller | Surgeon | |
| Trevor Feinstein | Surgeon |
Cameos
| Josh Robin | Himself | |
| Sharon Tazewell | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Julius Onah | Director | |
| Rob Edwards | Screenwriter | |
| Malcolm Spellman | Screenwriter | |
| Julius Onah | Screenwriter | |
| Dalan Musson | Screenwriter | |
| Peter Glanz | Screenwriter | |
| Malcolm Spellman | Story by | |
| Dalan Musson | Story by | |
| Rob Edwards | Story by | |
| Kevin Feige | Producer | |
| Nate Moore | Producer | |
| Anthony Mackie | Executive Producer | |
| Louis D’Esposito | Executive Producer | |
| Charles Newirth | Executive Producer | |
| Kyana F. Davidson | Co-Producer | |
| Mitch Bell | Co-Producer | |
| Kramer Morgenthau | Director of Photography | |
| Ramsey Avery | Production Designer | |
| Matthew Schmidt | Editor | |
| Madeleine Gavin | Editor | |
| Gersha Phillips | Costume Designer | |
| Alessandro 'Alex' Ongaro | Visual Effects Supervisor | |
| Bill Westenhofer | Visual Effects Supervisor | |
| Laura Karpman | Composer | |
| Sarah Halley Finn | Casting Director | |
| Dave Jordan | Music Supervisor | |
| Rob Alonzo | Second Unit Director | |
| Charles Newirth | Unit Production Manager | |
| Michele Panelli-Venetis | First Assistant Director | |
| Katy Galow | Second Assistant Director | |
| Jillian Henry | Associate Producer | |
| Christopher Boyes | Supervising Sound Editor | |
| Coya Elliott | Supervising Sound Editor | |
| Christopher Boyes | Sound Designer | |
| Christopher Boyes | Re-recording Mixer | |
| Lora Hirschberg | Re-recording Mixer | |
| Joey Box | Stunt Coordinator | |
| Cameron Early | Fight Choreographer | |
| Alan Hook | Supervising Art Director | |
| Jay Pelissier | Art Director | |
| Zachary Fannin | Art Director | |
| Kristin K. Lekki | Art Director | |
| Anthony Liberatore | Story Artist | |
| Vincent Bates | Set Designer | |
| Nick Cross | Set Designer | |
| Sarah Forrest | Set Designer | |
| Daniel R. Jennings | Set Designer | |
| Anne Porter | Set Designer | |
| Sarah Ruiz del Vizo | Set Designer | |
| Kevin Vickery | Set Designer | |
| Rosemary Brandenburg | Set Decorator | |
| Willie Burton | Sound Mixer | |
| Page Rosenberg Marvin | Production Supervisor | |
| Kerry Lyn McKissick | Script Supervisor | |
| Conan Castro | Costume Supervisor | |
| Nancy Martinez | Hairstylist | |
| Deborah Lamia Denaver | Make up | |
| Crystal Woodford | Hairstylist | |
| Larraya Bynum | Hairstylist | |
| Cidney Lewis | Hairstylist | |
| Andrew K. Ross | Post-Production Supervisor | |
| Mark Harris | Post-Production Supervisor | |
| Dave Cory | Associate Editor | |
| Ryan Chavez | First Assistant Editor | |
| Madeline Kushner | First Assistant Editor | |
| Christina Mar | First Assistant Editor | |
| Jason Barnes | First Assistant Editor | |
| Eric Wegener | Music Editor | |
| Stephanie Lowry | Music Editor | |
| Dan Sudick | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
Weekend predictions: Monkey takes on Captain America
February 21st, 2025
Osgood Perkins’ follow-up to 2024’s indie hit Longlegs lands in theaters this weekend. The Monkey isn’t expected to do the kind of business earned by the director’s previous movie, but it looks like it will have a solid opening this weekend. Captain America: Brave New World looks unlikely to knocked from the top of the chart though.
More...
Weekend predictions: Captain America looking at solid opening for Marvel
February 14th, 2025
Captain America: Brave New World looks set to post a solid opening this weekend, with our model predicting something around $80 million over three days, and the film likely topping $90 million over the long weekend. While that’s well short of the sort of numbers posted during the heyday of the Marvel Cinematic Universe, it’s a big improvement over the $46 million earned by The Marvels on its opening weekend in November 2023. Meanwhile, Paddington in Peru will provide some counter-programming, and likely be a big draw for families on Monday.
More...
Captain America: Brave New World trailer
July 15th, 2024
Super hero action movie starring Anthony Mackie opens in theaters February 14, 2025. Full movie details.
More...
Synopsis
After meeting with newly elected U.S. President Thaddeus Ross, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
Metrics
| Opening Weekend: | $88,842,603 (62.9% of total gross) |
| Legs: | 1.59 (domestic box office/biggest weekend) |
| Domestic Share: | 48.8% (domestic box office/worldwide) |
| Production Budget: | $180,000,000 (worldwide box office is 1.6 times production budget) |
| Theater counts: | 4,105 opening theaters/4,105 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,205,738 |
Movie Details
| Domestic Releases: | February 14th, 2025 (Wide) by Walt Disney |
| International Releases: | February 12th, 2025 (Wide) (Belgium)
February 12th, 2025 (Wide) (Denmark) February 12th, 2025 (Wide) (Finland) February 12th, 2025 (Wide) (France) February 12th, 2025 (Wide), released as Captain America: Brave New World (美國隊長4:勇敢新世界) (Hong Kong) ... Show all releases |
| Video Release: | 2025 by Walt Disney Home Entertainment |
| MPAA Rating: | PG-13 for intense sequences of violence and action, and some strong language. (Rating bulletin 2869 (cert #55330), 1/21/2025) |
| Running Time: | 118 minutes |
| Franchise: | Marvel Cinematic Universe Captain America |
| Comparisons: | vs. Thor Create your own comparison chart… |
| Keywords: | Disrupted by 2023 WGA & SAG Strikes, Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Marvel Studios, Walt Disney Pictures |
| Production Countries: | United States |
| Languages: | English |
Lead Ensemble Members
| Anthony Mackie | Sam Wilson / Captain America | |
| Danny Ramirez | Joaquin Torres / Falcon | |
| Shira Haas | Ruth Bat-Seraph | |
| Giancarlo Esposito | Sidewinder | |
| Tim Blake Nelson | Samuel Sterns / Leader | |
| Harrison Ford | President Thaddeus “Thunderbolt” Ross |
Supporting Cast
| Carl Lumbly | Isaiah Bradley | |
| Xosha Roquemore | Leila Taylor | |
| Jóhannes Haukur Jóhannesson | Copperhead | |
| Liv Tyler | Betty Ross | |
| William Mark McCullough | Commander Dennis Dunphy | |
| Takehiro Hira | Prime Minister Ozaki | |
| Harsh Nayyar | Prime Minister Kapur | |
| Rick Espaillat | French President | |
| Todd Allen Durkin | Senior Advisor #1 | |
| Dustin Lewis | Senior Advisor #2 | |
| Rachael Markarian | President Aide #1 | |
| Phuong Kubacki | President Aide #2 | |
| Alan Boell | Sergeant Payumo | |
| Ava Hill | Red Hulk Reporter | |
| Marissa Chanel Hampton* | Rose Garden Reporter | |
| Katerina Eichenberger | Rose Garden Reporter | |
| Mark Pettit | Rose Garden Reporter | |
| John Mark Bowman | Still Cameraman | |
| Katina Rankin | Hospital Reporter | |
| John Cihangir | Jackal | |
| Eric Mbanda | Whiskey | |
| Koji Nishiyama | Japanese Pilot | |
| David Atkinson | Commander | |
| John Dixon | Ops Specialist | |
| Pete Burris | Prison Warden | |
| Diesel Madkins | FBI Officer | |
| Matthew Cornwell | Air Force Major | |
| Sandra Aparicio | Nun | |
| Ricky Cruz | Priest | |
| Erika Keck | Female Serpent Mercenary | |
| Hector Banos | Construction Worker | |
| Bill Stinchcomb | Bartender | |
| Gabriela Amarchand | Staff Member | |
| Adriana Lugo | White House Greeter | |
| Ben Vazquez | Bunker Secret Service | |
| Cris Ruiz | Secret Service Agent | |
| Jacqueline Loucks | Secret Service Agent | |
| Jarrett Michael Collins | Armed Soldier | |
| Yaz Takahashi | Japanese Security Head | |
| Tomoko Karina | Ozaki Aide | |
| Robert Tretsch | Murder Victim | |
| Travis Powers | JBAB Guard | |
| Will Holland | Receptionist | |
| Chealon Miller | Surgeon | |
| Trevor Feinstein | Surgeon |
Cameos
| Josh Robin | Himself | |
| Sharon Tazewell | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Julius Onah | Director | |
| Rob Edwards | Screenwriter | |
| Malcolm Spellman | Screenwriter | |
| Julius Onah | Screenwriter | |
| Dalan Musson | Screenwriter | |
| Peter Glanz | Screenwriter | |
| Malcolm Spellman | Story by | |
| Dalan Musson | Story by | |
| Rob Edwards | Story by | |
| Kevin Feige | Producer | |
| Nate Moore | Producer | |
| Anthony Mackie | Executive Producer | |
| Louis D’Esposito | Executive Producer | |
| Charles Newirth | Executive Producer | |
| Kyana F. Davidson | Co-Producer | |
| Mitch Bell | Co-Producer | |
| Kramer Morgenthau | Director of Photography | |
| Ramsey Avery | Production Designer | |
| Matthew Schmidt | Editor | |
| Madeleine Gavin | Editor | |
| Gersha Phillips | Costume Designer | |
| Alessandro 'Alex' Ongaro | Visual Effects Supervisor | |
| Bill Westenhofer | Visual Effects Supervisor | |
| Laura Karpman | Composer | |
| Sarah Halley Finn | Casting Director | |
| Dave Jordan | Music Supervisor | |
| Rob Alonzo | Second Unit Director | |
| Charles Newirth | Unit Production Manager | |
| Michele Panelli-Venetis | First Assistant Director | |
| Katy Galow | Second Assistant Director | |
| Jillian Henry | Associate Producer | |
| Christopher Boyes | Supervising Sound Editor | |
| Coya Elliott | Supervising Sound Editor | |
| Christopher Boyes | Sound Designer | |
| Christopher Boyes | Re-recording Mixer | |
| Lora Hirschberg | Re-recording Mixer | |
| Joey Box | Stunt Coordinator | |
| Cameron Early | Fight Choreographer | |
| Alan Hook | Supervising Art Director | |
| Jay Pelissier | Art Director | |
| Zachary Fannin | Art Director | |
| Kristin K. Lekki | Art Director | |
| Anthony Liberatore | Story Artist | |
| Vincent Bates | Set Designer | |
| Nick Cross | Set Designer | |
| Sarah Forrest | Set Designer | |
| Daniel R. Jennings | Set Designer | |
| Anne Porter | Set Designer | |
| Sarah Ruiz del Vizo | Set Designer | |
| Kevin Vickery | Set Designer | |
| Rosemary Brandenburg | Set Decorator | |
| Willie Burton | Sound Mixer | |
| Page Rosenberg Marvin | Production Supervisor | |
| Kerry Lyn McKissick | Script Supervisor | |
| Conan Castro | Costume Supervisor | |
| Nancy Martinez | Hairstylist | |
| Deborah Lamia Denaver | Make up | |
| Crystal Woodford | Hairstylist | |
| Larraya Bynum | Hairstylist | |
| Cidney Lewis | Hairstylist | |
| Andrew K. Ross | Post-Production Supervisor | |
| Mark Harris | Post-Production Supervisor | |
| Dave Cory | Associate Editor | |
| Ryan Chavez | First Assistant Editor | |
| Madeline Kushner | First Assistant Editor | |
| Christina Mar | First Assistant Editor | |
| Jason Barnes | First Assistant Editor | |
| Eric Wegener | Music Editor | |
| Stephanie Lowry | Music Editor | |
| Dan Sudick | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
Weekend predictions: Monkey takes on Captain America
February 21st, 2025
Osgood Perkins’ follow-up to 2024’s indie hit Longlegs lands in theaters this weekend. The Monkey isn’t expected to do the kind of business earned by the director’s previous movie, but it looks like it will have a solid opening this weekend. Captain America: Brave New World looks unlikely to knocked from the top of the chart though.
More...
Weekend predictions: Captain America looking at solid opening for Marvel
February 14th, 2025
Captain America: Brave New World looks set to post a solid opening this weekend, with our model predicting something around $80 million over three days, and the film likely topping $90 million over the long weekend. While that’s well short of the sort of numbers posted during the heyday of the Marvel Cinematic Universe, it’s a big improvement over the $46 million earned by The Marvels on its opening weekend in November 2023. Meanwhile, Paddington in Peru will provide some counter-programming, and likely be a big draw for families on Monday.
More...
Captain America: Brave New World trailer
July 15th, 2024
Super hero action movie starring Anthony Mackie opens in theaters February 14, 2025. Full movie details.
More...
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2025 | 1 | $88,842,603 | 4,105 | $21,643 | $88,842,603 | 1 | |
| Feb 21, 2025 | 1 | $28,200,000 | -68% | 4,105 | $6,870 | $141,205,738 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 13, 2025 | P | $12,000,000 | 0 | $12,000,000 | ||||
| Feb 14, 2025 | 1 | $40,912,377 | 4,105 | $9,966 | $40,912,377 | 1 | ||
| Feb 15, 2025 | 1 | $27,719,411 | -32% | 4,105 | $6,753 | $68,631,788 | 2 | |
| Feb 16, 2025 | 1 | $20,210,815 | -27% | 4,105 | $4,923 | $88,842,603 | 3 | |
| Feb 17, 2025 | 1 | $11,178,411 | -45% | 4,105 | $2,723 | $100,021,014 | 4 | |
| Feb 18, 2025 | 1 | $6,320,276 | -43% | 4,105 | $1,540 | $106,341,290 | 5 | |
| Feb 19, 2025 | 1 | $3,419,116 | -46% | 4,105 | $833 | $109,760,406 | 6 | |
| Feb 20, 2025 | 1 | $3,245,332 | -5% | 4,105 | $791 | $113,005,738 | 7 | |
| Feb 21, 2025 | 1 | $7,200,000 | +122% | -82% | 4,105 | $1,754 | $120,205,738 | 8 |
| Feb 22, 2025 | 1 | $12,800,000 | +78% | -54% | 4,105 | $3,118 | $133,005,738 | 9 |
| Feb 23, 2025 | 1 | $8,200,000 | -36% | -59% | 4,105 | $1,998 | $141,205,738 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2025 | 1 | $113,005,738 | 4,105 | $27,529 | $113,005,738 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/13/2025 | $1,669,918 | 0 | 0 | 0 | $1,797,754 | 2/19/2025 |
| Australia | 2/13/2025 | $3,329,316 | 0 | 0 | 0 | $3,633,430 | 2/17/2025 |
| Austria | 2/13/2025 | $543,089 | 0 | 0 | 0 | $578,612 | 2/19/2025 |
| Belgium | 2/12/2025 | $624,113 | 0 | 0 | 0 | $661,003 | 2/19/2025 |
| Brazil | 2/13/2025 | $3,467,578 | 0 | 0 | 0 | $3,804,492 | 2/19/2025 |
| Chile | 2/13/2025 | $771,460 | 0 | 0 | 0 | $840,301 | 2/19/2025 |
| China | 2/14/2025 | $10,268,717 | 0 | 0 | 0 | $13,108,920 | 2/23/2025 |
| Colombia | 2/13/2025 | $1,391,870 | 0 | 0 | 0 | $1,462,048 | 2/19/2025 |
| Croatia | 2/13/2025 | $127,441 | 84 | 84 | 84 | $127,441 | 2/21/2025 |
| Czech Republic | 2/13/2025 | $386,935 | 211 | 211 | 211 | $415,963 | 2/17/2025 |
| Denmark | 2/12/2025 | $618,700 | 0 | 0 | 0 | $649,739 | 2/19/2025 |
| Finland | 2/12/2025 | $206,508 | 99 | 99 | 99 | $403,996 | 2/21/2025 |
| France | 2/12/2025 | $4,728,119 | 0 | 0 | 0 | $5,206,327 | 2/19/2025 |
| Germany | 2/13/2025 | $3,441,252 | 0 | 0 | 0 | $3,621,703 | 2/19/2025 |
| Hong Kong | 2/12/2025 | $0 | 0 | 0 | 0 | $0 | |
| India | 2/14/2025 | $1,673,322 | 0 | 0 | 0 | $1,786,202 | 2/19/2025 |
| Indonesia | 2/12/2025 | $2,756,880 | 0 | 0 | 0 | $2,944,768 | 2/19/2025 |
| Italy | 2/12/2025 | $2,465,312 | 0 | 0 | 0 | $2,994,811 | 2/17/2025 |
| Japan | 2/14/2025 | $3,043,708 | 0 | 0 | 0 | $3,412,544 | 2/19/2025 |
| Malaysia | 2/13/2025 | $1,418,256 | 0 | 0 | 0 | $1,506,163 | 2/19/2025 |
| Mexico | 2/13/2025 | $6,509,205 | 0 | 0 | 0 | $6,528,900 | 2/19/2025 |
| Netherlands | 2/12/2025 | $1,047,760 | 114 | 114 | 114 | $1,208,871 | 2/17/2025 |
| New Zealand | 2/13/2025 | $415,319 | 101 | 101 | 101 | $458,364 | 2/17/2025 |
| Norway | 2/12/2025 | $415,203 | 0 | 0 | 0 | $448,509 | 2/19/2025 |
| Philippines | 2/12/2025 | $1,668,496 | 0 | 0 | 0 | $1,770,733 | 2/19/2025 |
| Poland | 2/14/2025 | $1,059,273 | 0 | 0 | 0 | $1,127,042 | 2/19/2025 |
| Portugal | 2/13/2025 | $434,494 | 99 | 99 | 99 | $453,052 | 2/18/2025 |
| Romania | 2/14/2025 | $381,507 | 0 | 0 | 0 | $381,507 | 2/19/2025 |
| Russia (CIS) | 2/13/2025 | $848,626 | 148 | 148 | 148 | $848,626 | 2/19/2025 |
| Singapore | 2/13/2025 | $835,960 | 0 | 0 | 0 | $889,659 | 2/19/2025 |
| Slovakia | 2/13/2025 | $121,380 | 80 | 80 | 80 | $131,043 | 2/18/2025 |
| South Africa | 2/14/2025 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 2/12/2025 | $4,092,720 | 0 | 0 | 0 | $5,537,933 | 2/19/2025 |
| Spain | 2/14/2025 | $2,654,862 | 340 | 340 | 340 | $2,654,862 | 2/20/2025 |
| Sweden | 2/12/2025 | $571,013 | 0 | 0 | 0 | $592,944 | 2/19/2025 |
| Switzerland | 2/12/2025 | $556,686 | 0 | 0 | 0 | $581,527 | 2/19/2025 |
| Taiwan | 2/12/2025 | $1,467,709 | 0 | 0 | 0 | $1,573,839 | 2/19/2025 |
| Thailand | 2/12/2025 | $1,709,865 | 0 | 0 | 0 | $1,781,558 | 2/19/2025 |
| Turkey | 2/14/2025 | $555,834 | 481 | 481 | 481 | $555,834 | 2/20/2025 |
| United Kingdom | 2/14/2025 | $8,066,770 | 0 | 0 | 0 | $9,329,370 | 2/19/2025 |
| Rest of World | $60,957,562 | ||||||
| International Total | $148,200,000 | 2/23/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.