Between “The Ottoman Lieutenant” and next month’s “The Promise,” audiences can look forward to not one but two movies about love triangles set against the fall of the Ottoman Empire. When it rains, it pours, I guess. (But who, exactly, asked for this?)
Maybe viewers who want to see the record set straight about what came to be known as the Armenian genocide. But don’t look to “The Ottoman Lieutenant” to present evidence of war crimes. It isn’t so much a war movie as a melodrama that uses violence as a convenient backdrop for romantic intrigue.
And that’s not the only problem. The trouble starts with the casting. As strong-willed American nurse Lillie, Icelandic actress Hera Hilmar never quite nails the accent required to play the daughter of a well-to-do family in 1914 Philadelphia. In the opening scene, she tries to save a black man who’s bleeding to death in her hospital, only to be upbraided by her superiors for helping someone who they claim doesn’t belong in a whites-only facility.
“I thought I was going to change the world,” Lillie says, during the mawkish voice-over narration. “Of course, it was the world that changed me.”