Ask Another Mexican

While Houston rapper Carlos Coy, aka South Park Mexican, sits in a Texas Department of Corrections prison serving a 45-year sentence for the sexual assault of a nine-year-old girl, his family and friends are mounting a Free SPM campaign. The charges are bogus, they say. The accuser was just out to get SPM's money, they insist. Actually, that would be accusers, plural. A total of eight girls and young women, the youngest nine years old, have accused SPM of having sexual contact with them while they were underage.

Taking a page from Houston Press contributor Gustavo Arellano's "Ask a Mexican" humor column, where readers ask Arellano to explain Hispanics, we decided to ask another Mexican to explain SPM. There's nothing funny about SPM's situation, of course. At best he's an innocent man falsely convicted of a heinous crime. At worst he's a pedophile.

These are the facts:

In 1995, Carlos Coy and his brother Arthur Coy, Jr. launch Dope House Records, with SPM as the label's leading artist.

In 1999, while talking about his dropping out of school at the age of 17, Coy tells Houston Press contributor Craig D. Lindsey, "One more year in high school and I would've went to jail for fucking all those little young bitches."

In August 2000, Dope House records sales exceed 1.5 million units.

In July 2001, 20-year-old Jill Odom files a lawsuit against Carlos Coy asking that he be declared the legal father of her son, Jordan Dominique Odom. Odom was only 13 when she began the relationship with Coy and only 14 when she gave birth. During their relationship, Coy, in his early twenties, knew Odom was in seventh grade. Paternity tests later prove that Coy is the boy's father.

On September 1, 2001, a nine-year-old playmate of Coy's six-year-old daughter Carley spends the night at the Coy home. Sometime during the night, the girl, later called Jane Doe, says she doesn't feel well and asks to be taken home. Coy drives her home, sitting down to have menudo with her grandparents when they arrive. The girl's parents are close friends of the Coy family.

On September 25, 2001, Carlos Coy is arrested and charged with aggravated sexual assault of Jane Doe, who claims Coy entered the bedroom where she was sleeping with Carley Coy and molested her, licking her vaginal area.

On March 6, 2002, the Harris County District Attorney's office files additional sexual assault charges against Coy, alleging that on February 3, Coy, who was awaiting the Jane Doe trial, and some friends picked up two 14-year-old female fans and took them to a motel in North Houston. Coy says nothing sexual took place during the visit, claiming that he napped in the hotel room alone while the rest of the group went to a local cafŽ, but one girl claims she had had sex with the rapper. Coy turns himself in on March 7 and his bond is revoked.

On May 6, 2002, Coy's trial begins. There is no physical evidence of a sexual assault presented during the trial. The prosecution's case consists almost entirely of the girl's testimony, which includes the statement that she thinks the assault might have been a dream.

On May 18, 2002, the jury deliberates for less than eight hours. They find Coy guilty.

On May 30, 2002, with his possible punishment ranging from probation to life in prison, Carlos Coy is sentenced to 45 years in prison and fined $10,000. Coy will be at least 52 years old before he's considered for parole. After the sentencing, Harris County prosecutors Denise Oncken and Lisa Andrews tell reporters they would have preferred a longer sentence.

On September 4, 2002, Mary Doe, on behalf of Jane Doe, a minor, files a civil suit against Coy seeking monetary damages.

On October 3, 2006, Dope House Records releases South Park Mexican's tenth CD, When Devils Strike. Reaction ranges from outrage by victims' advocates to joy from some of his fans.

Those are the facts. Here is one man's opinion:

Pete "Dirty Werk" Camarillo, a producer for Dope House Records says, "Basically...the evidence wasn't really too strong in his case. That's why we're starting...the Free SPM campaign. We...want...to let everybody know that we have total faith and total belief in [him].

"We think it was basically a witch hunt. They didn't really like seeing a Mexican in his type of position, so I think they tried to do what they could to slow him down, but you know this record [When Devils Strike] coming out is just proof that you can't stop what the people want, and you can't change the beliefs of people despite what type of propaganda...gets put out.

"We're just sticking by him and doing what we can. That had a lot to do with this record, just letting everyone know the truth. If you want to hear from the man's mouth, then we're suggesting that everyone go pick up the record and see what it's about. It's not promotional hype, it's not done just to make a buck. It's actually a message that's being sent out there for the greater good of what we believe in."

And here's another man's opinion:

Rapper and longtime SPM associate Juan Gotti says, "That's not my friend, that's my brother. People are tripping out because they're saying, 'He recorded [the CD] in jail!' Now, if you pay close attention to the album, you'll find out that not only does he speak like he's behind bars, I also, myself, speak like I'm in a unit, right there with him. That's premeditated. We recorded this two years ago when everything started. So, people are thinking, 'Oh my God, he's recording in jail, he's recording in jail!' Keep thinking that. It's selling albums, thank you."

KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Olivia Flores Alvarez

Concerts

Post Malone Delivers a High-Octane Performance in The Woodlands

Post Malone performed for a full house at The Woodlands on Tuesday evening.
Post Malone performed for a full house at The Woodlands on Tuesday evening. Photo by Cody Barclay
Post Malone
F-1 Trillion Tour
The Woodlands, Texas
October 22, 2024


Since the beginning of his career, Post Malone has been a mystery. The skinny white kid who started rapping on Soundcloud with "White Iverson" is now an almost 30-year-old father releasing country albums. He lives somewhere in between the genres of rap, rock, pop, and country, and does a damn fine job of combining all of those sounds into a fun, loud, and exciting live show.

A few years back, Post delivered the following on X (formally Twitter):

“When I turn 30 I'm becoming a country/folk singer“

His predictions came true a little early, delivering his F-1 Trillion country album to the world in August of this year. He has always performed covers of country and country-adjacent songs throughout his career, my favorite being his cover of Brad Paisley's  "I'm Gonna Miss Her" which he posted on YouTube in 2021.

Post's set in The Woodland began with the songs "Wrong Ones" and "Finer Things'" the two opening tracks of his latest album. The stage was lit with a wall of lights behind the band, and two large spotlights on each end resembling prison guard towers. It was clear that Malone wanted a more down to earth vibe for this tour, ditching the LEDs and lasers for one large platform that supported his band while he walked around barefoot in jeans and a Bud Light T-shirt.


click to enlarge
Post Malone lives somewhere in between the genres of rap, rock, pop, and country, and does a fine job combining those sounds into an exciting live show.
Photo by Cody Barclay

"Its so wonderful to be back in Texas!" declared Post as he waved to his fans, holding a blue Solo cup of Bud Light in his hand. "Cheers motherfuckers!"

He spend most of the first half of the night showcasing the new music from his country album, but he would pepper the evening with pop hits such as "Circles" and "Chemical," each sounding extra cool with the slide guitar adding some country twang to the background of each song.

Malone took a break to intro his band, which included a fiddle player and a slide guitarist, which kept the show mostly grounded in the country genre. He also covered Toby Keith's "Wish I Didn't Know" and shouted out his friends Jelly Roll, Morgan Wallen, Chris Stapleton and Luke Combs.

Mid-show, Post invited a young fan named Courtney to play acoustic guitar on stage with him for the song "Stay." She was visibly nervous, but Malone calmed her down with a genuine smile and encouraging words of support.

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Post Malone delivered several motivational messages to his fans.
Photo by Cody Barclay
"I hate to keep beating you guys up with sad songs, but I need to sing this one!" he said as the notes to "I Fall Apart" rang out. It was super emotional and a powerful performance, which he did while kneeling down, almost in a prayer position while singing. This mini emotional set ended with "Better Now" and "Psycho".

Post then had these words for his fans:

"Before I leave I just want to say.... You are loved, don't give up! If you think that you are a loser, well that makes two of us! Keep going!"

The evening came to a close with a now shirtless Postie performing his hits "Rockstar," "Congratulations" and "Sunflower."

"Do whatever you want to do in life," he told the crowd. "Because no one can fucking stop you!"

Post Malone ladies and gentlemen: Rapper, Country Singer, and Motivational Speaker. 
KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
When he's not roaming around the city in search of tacos and graffiti, Houston Press contributor Marco both writes and points his camera lens toward the vibrant Houston music scene and beyond.

Concerts

Houston Concert Watch 10/23: Rick Wakeman, Dashboard Confessional and More

Rick Wakeman and his piles of keyboards will be at the Heights Theater on Saturday.  Shows from Dashboard Confessional, Breaking Benjamin, Ray Wylie Hubbard and Cody Johnson are also on tap this week.
Rick Wakeman and his piles of keyboards will be at the Heights Theater on Saturday. Shows from Dashboard Confessional, Breaking Benjamin, Ray Wylie Hubbard and Cody Johnson are also on tap this week. Photo by Stéphane Gallay. Creative Commons.
It seems that airport officials in Wellington, New Zealand have a problem. Security concerns? Birds flying into jet engines? A glaring lack of Pappas restaurants? No, it’s more serious than that. Due to overly fond farewells on the part of passengers, the airport has posted signs setting a three-minute limit on goodbyes. And if you need more than three minutes, the signs invite you to return to the car park (as they say down there).

A couple of things here. One, I haven’t seen a romantic farewell at an airport in forever. What I do see these days is a bunch of people in sweat pants shuffling around, not knowing where they are going, setting off the metal detector and generally getting in my way. Two, back to the car park? Well, I suppose it is a better alternative than actually boning in the terminal, but really? Oh well, if the van is a-rockin’, don’t go a-knockin’.

Ticket Alert
Los Lonely Boys have something of a checkered past. After scoring a big hit with “Heaven,” the guys didn’t seem to know what to do when confronting success. There were some serious legal problems to deal with, maybe some burn out, and, oh yeah, that night at Toyota Center when they were supposed to open for the Rolling Stones and failed to perform, even with all of their gear on stage and ready to go. The good news is that these purveyors of “Texican” rock and roll seem to be back on track, with a new album and a tour. Catch the Garza brothers at the House of Blues on Saturday, February 15.

Columbian superstar Shakira will perform on Sunday, June 15, at Toyota Center in support of her latest album, Las Mujeres Ya No Lloran (en inglés, Women Don’t Cry Anymore). Presales are in progress, with the general ticket sale set for Friday. Shakira says that the tour will move to stadiums later in 2025, so this show represents an opportunity to catch her act in (relatively) cozy confines.

Concerts This Week
The most recent album from Chris Carrabba and Dashboard Confessional, 2022’ All the Truth That I Can Tell, shows that there’s always something to get emo about, even if it is reaching middle age, which I will confirm can be a real pisser. Tickets for Friday’s show at the Bayou Music Center are still available, but it appears that the VIP package is sold out, as lots of folks want to get up close and personal with Carrabba.
Though temperatures may still be hovering near 90, it’s time to say goodbye to summer, as the Cynthia Woods Mitchell Pavilion concert series comes to an end this week. On Thursday, it’s Breaking Benjamin, with Daughtry, Staind, and Lakeview opening. Though the band has been relatively quiet for the past few years, its new single, “Awaken,” went to the top of the iTunes chart when it was released last week. Then on Friday and Saturday, Cody Johnson will close things out with two nights of hardcore country music. The real deal, as inspired by Merle Haggard, George Strait and, natch, Willie Nelson.
Over the years, keyboard whiz Rick Wakeman has picked up the nickname “Caped Crusader.” Sure, Wakeman has historically favored a bedazzled silver cape for his stage wear, but what is he crusading for? More keyboards on one stage? More concept albums? More concerts involving ice skaters in horse costumes (see the premiere performance of Wakeman’s The Myths and Legends of King Arthur and the Knights of the Round Table)? Hard to say, but we know for sure that Wakeman will perform a solo show on Saturday at the Heights Theater. The concert is billed as an evening of songs and stories, which should be a good thing, as Wakeman is a gifted raconteur and knows how to spin a yarn (see his autobiography, Grumpy Old Rock Star).
It must be gratifying to have written a sing-along classic. Particularly a song that generates a lusty drunken sing-along. Like “American Pie,” “Piano Man” or “Living on a Prayer.” But you know what’s better than all those tunes put together? “Up Against the Wall, Redneck Mother,” which was most famously performed by Jerry Jeff Walker on his album Viva Terlingua. Now while Jerry Jeff did write the classic “Mr. Bojangles,” he did not write “Redneck Mother.” That was Ray Wylie Hubbard, who will play a three-night run at Main Street Crossing Friday through Sunday. Pro tip: Pace yourself through the performance but be sure that you have enough beer in your system by the time Hubbard nears the end of his performance to do the song justice. Then, sing out, brother!
KEEP THE HOUSTON PRESS FREE... Since we started the Houston Press, it has been defined as the free, independent voice of Houston, and we'd like to keep it that way. With local media under siege, it's more important than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" program, allowing us to keep offering readers access to our incisive coverage of local news, food and culture with no paywalls.
Contributor Tom Richards is a broadcaster, writer, and musician. He has an unseemly fondness for the Rolling Stones and bands of their ilk.
Contact: Tom Richards