The National Theatre Hall of Bangladesh Shilpakala Academy buzzed with excitement as the inaugural International Disability Art Festival 2024 commenced today, marking a significant milestone in arts and inclusivity. 

Organised jointly by Dhaka Theatre and British Council, with support from Sundaram and the Institute of Informatics and Development (IID), the two-day festival promises a diverse array of events ranging from theatre shows and film screenings to exhibitions and seminars.

The festival, touted as the first of its kind in Bangladesh, kicked off on Friday at 3pm with an inauguration ceremony led by Valerie A Taylor, founder and coordinator of the Centre for the Rehabilitation of the Paralysed (CRP), alongside representatives from Dhaka Theatre and IID. Amongst the highlights is an exhibition titled "Odommo Shilpotsav", adding a visual dimension to the celebration of disability art.

"A platform like this is not just a stage; it's a bridge to recognition, equality, and empowerment for artistes with disabilities," remarked Valerie A Taylor during the inaugural ceremony.

Social Welfare Minister Dr Dipu Moni graced the occasion as the chief guest. "Our society must evolve to embrace the talents and aspirations of all its members. This festival is a testament to our commitment towards building a more inclusive Bangladesh," said Dr Dipu Moni.

A total of 10 distinguished theatre productions from eight divisional cities of Bangladesh, along with one production from India, will take centre stage during the festival, providing a platform for artistes with disabilities to showcase their talents and creativity.

"Theatre has always been a mirror to society. Through these productions, we aim to reflect the vibrant diversity and untapped potential within the disability community," said Nasir Uddin Yousuff, founder and director of Dhaka Theatre.

The event, which will run until Saturday (April 27), serves as the culmination of the British Council's project, DARE (Disability Arts: Redefining Empowerment), reflecting a decade-long journey of fostering disability arts in Bangladesh and beyond. 

Matt Cannell, deputy high commissioner and development director, British High Commission in Bangladesh, emphasised the festival's role in bridging gaps between arts, disability, and society. "This festival embodies the spirit of inclusivity and creativity, showcasing the transformative power of the arts in challenging societal norms," noted Matt Cannell.

Shannon West, director of British Council Bangladesh (Interim), emphasised the organisation's commitment to fostering equality, inclusion, and diversity through cultural exchange programmes.

"We believe in the power of the arts to unite and inspire change. Through this festival, we strive to create a platform where every voice is heard and celebrated," remarked Shannon West.

Sayeed Ahmed of IID highlighted art as a powerful medium of expression, advocating for the establishment of disabled artistes as equals in society, devoid of sympathy but deserving of recognition and opportunity. "Art transcends barriers. Through this festival, we aim to redefine perceptions and champion the rightful place of disabled artistes in our cultural landscape," said Sayeed Ahmed.

Jenny Sealey, artistic director of Graeae Theatre Company, shared her excitement and pride in participating in the festival, highlighting the courage and talent of disabled artistes in pursuing their passion for theatre.

"Today, we take centre stage not as individuals with disabilities, but as artistes showcasing our craft and creativity. This festival marks a significant step towards a more inclusive and equitable society," remarked Jenny Sealey.

On the first day, guests were invited to attend and watch five theatre productions, "71 in Silence" by Ramesh Meyyappan, "Circus Circus" by Mostafiz Shahin, "Tribeni" by Quazi Nawshaba Ahmed, "Kendro Borabor Shurongotir Naam Prithibi" by Esha Yousuf and Rafiqul Islam, and "WASTELAND - A Journey" by Sanjay Ganguly, director, Jana Sanskriti Centre for Theatre of the Oppressed, Kolkata. One panel discussion took place on the first day, titled "Disability Representation in the Art Sector", which addressed the underrepresentation of people with disabilities in multiple spheres of society, including the arts. 

On the concluding day, the rest of the five theatre productions will take place, "Otopor Karim Bawali" by Shamim Sagar, "Shongoti" by Samiun Jahan Dola, "Kajol Rekha" by Al Zabir, "Pittrigon" by Dr. Aamir Zaman, and "Shwapno Kahon" by Ashim Das. Participants can attend two panel discussions: "Breaking Barriers for Accessible Arts" and "Funding Inclusion for Disability Arts". The "Breaking Barriers for Accessible Arts" panel discussion will identify and address the barriers that people with disabilities face in accessing cultural and artistic opportunities. 

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The festival will also feature thought-provoking panel discussions, film screenings, and exhibitions aimed at addressing key issues such as disability representation, accessibility, and sustainable funding for disability arts.

Satyajit Ray's name is synonymous with cinematic excellence and visionary storytelling, establishing him as one of the foremost filmmakers in global cinema. As today marks the 32nd death anniversary of the cinematic maestro, it's fitting to reflect on the profound impact and the lesser-known aspects of his illustrious career.

Born on May 2, 1921, Ray's artistic journey began in the realm of commercial art before he became a filmmaker. His encounter with French filmmaker Jean Renoir and his experience with Vittorio De Sica's groundbreaking film "Bicycle Thieves" during a trip to London were pivotal, steering him toward independent filmmaking.

Throughout his career, Ray's genius was recognised with an impressive tally of accolades, including 36 Indian National Film Awards, a Golden Lion, a Golden Bear, and two Silver Bears. He was also celebrated at various international film festivals and was honoured with an Academy Honorary Award in 1992. That same year, the Government of India awarded him the Bharat Ratna award, the nation's highest civilian honour.

On his 32nd death anniversary today, we explore some lesser-known facts about Ray that highlight his multifaceted genius:

A Designer at Heart

Ray's artistic prowess extended to graphic design, where he made significant contributions by designing book covers for Signet Press, including classics such as Jim Corbett's "Man-Eaters of Kumaon" and Jawaharlal Nehru's "Discovery of India".

A Pioneer in Bangla Typography

Ray's creativity in typography is evident in his creation of four Roman fonts, integrating Indian motifs with calligraphy, notably Ray Roman and Ray Bizarre.

A Marketing Mind

Demonstrating foresight in film marketing, Ray was the first to employ teaser advertising campaigns, starting with his debut film "Pather Panchali".

Advocate of Cinematic Independence

Despite pressure from the West Bengal government to alter the ending of "Pather Panchali" to a more optimistic tone, Ray stood firm. The film's integrity was preserved with the support of the then Indian Prime Minister Jawaharlal Nehru, allowing its successful premiere at the Cannes Film Festival.

Musical and Artistic Talent

Post-1961, Ray composed music for all his films and designed their publicity posters, showcasing his artistic versatility.

Storyteller and Innovator in Colour

His film "Kanchenjungha" (1962) was not only the first film based on his own story but also marked his initial foray into colour filmmaking.

A Documentarian by All Means

In 1987, Ray created a documentary on his father, Sukumar Ray, commissioned by the West Bengal government.

Collaborative Composer

Beyond his films, Ray also lent his musical talents as the music director for the Merchant Ivory film "Shakespeare Wallah".

Satyajit Ray remains a towering figure in the world of film, not only for his directorial prowess but also for his contributions as a writer, composer, and designer. His directorial prowess and multidisciplinary approach have left an enduring mark, making him a seminal figure in the annals of global cinema.

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