I am the exact opposite of a Nintendo stan (or a Ark/Wildcard stan), but seeing Palworld make tens of millions of dollars off of the most blatantly creative bankrupt, poorly put together asset flip game is so depressing.
Their entire company strategy seems to be theft.
TeeHallums
TeeHallums
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TeeHallums
@TeeHallums
Trying to be ruthful, often failing.
Editor, Writer, Software Engineer, Musician, Nerd Loser.
Freelance Editor.
Writer/Editor for Totally Not Mark
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On this hallowed day, we give remembrance to Kenji Yamamoto's OST for Budokai 3. His complete disregard for copyright law and intellectual property shall live forever.
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I can sit here and preach the superiority of the manga all I want. But there is no possible way to watch this without getting hairs stood straight up level chills.
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Can we just take a second to put some respect on Mitsuo Hashimoto's name? In addition to plenty of other works, this man directed some of the Dragon Ball franchises absolute best episodes. He really was a directorial force to be reckoned with.
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It isn't even just the stolen or "borrowed" content, either. The entire game is comprised of the UE5 default assets and barely functional animations. The entire thing just reeks of "pump this game out and make some quick millions before it dies off"
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LETS TALK DB RELEASES! AB Groupe vs Seed of Might.
Tldr: Theyre both great, the both have pros and cons, and Dragon Ball has never been this good. Thread time!
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I don't, like, morally fault anyone for playing it obviously. The onus is on the studio.
But man, I can't imagine anything more deeply depressing for industry/prospective game devs than this. Why pour your heart and soul into something when you could just steal and win?
Sometimes, when I'm feeling useless, I think about the ladder that 18 bought in GT Ending 2
If weve got Goku following the techniques and teachings of angels now, and Vegeta following the techniques and teachings of Gods of Destruction now...
Greetings Toyotaro, and welcome to my TED Talk as to why Gohan should now further pursue Kaioshin techniques and teachings.
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Extremely cold take, cool new video games will only continue existing for you to play when the labor and artistic output of those who work on them is valued & protected.
If you want a world where we lose games like BOTW & GoW, but gain 300,000 "Mario in UE5" games then enjoy
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Game freak sucking ass at making video games does not mean people should be able to just steal their artists' work. Also, the game steals from BOTW, Ark, Fan art, and so on.
Also, yes, it is an asset flip to an extent. Not in the creature designs, but in the enviro, fx, etc
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こんにちは!
あなたの素晴らしいアニメーションに音と音楽を付けました! あとは声だけです! 村田さん、いつもありがとうございます。
Hello!
I have added sound and music to your amazing animation! Now all that is missing is voices! Amazing work as always!
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Capitalists: "Without the incintive of wages and/or starvation, humans will not work or produce"
Humans:
Unfortunate truth: power scaling matters in DB. Db is a battle Shonen, much of its narrative tension is derived from power struggles, and the ability to overcome them. If powers are inconsistent and ham fisted, that narrative tension loses credence.
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I'm not even some IP purist or anything. Many of the worlds games started with EXTREME "inspiration" from existing games.
But they ruled & succeeded because they took that, & did something with it. Tried something new, poured some additional soul into it.
There is nothing here.
Reading through this bit in early DB, and its hard not to immediately think of events to come.
Viz really got to here on the Dragon Ball Full Color english release and was like "yeah, good enough, well stop here"
The contiguous run of the 22nd Tenkaichi Budokai arc, through Demon King Piccolo, all the way to the end of the 23rd Tenkaichi Budokai, has every right to be considered the best run of manga ever produced. It is impossible to put down once started, and a masterpiece.
Yall, the Cell arc is amazing. Dont let anyone (but me ofc) convince you otherwise.
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