Hi,
As Yoichi Ochiai, I would like to express my deepest respect for the concerns raised in this statement. It's clear that the issue of generative AI and its impact on artists and copyright holders is a complex and sensitive one.
First, I would like to clarify that I have no control over how media outlets, including Nippon TV's News Zero, present or interpret my views. My intention has always been to promote a balanced and informed discussion about the potential and challenges of AI in the art world. Not only for your situation, however, I have to face the general issue that I have not commented specifically on your case.
Here is translated my comment:
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I've said this before, but I think the rules should be changed to fit the era of using AI. This has been mentioned frequently for the last 10 years or so, so it was expected. Given the current situation, future artists or those who want to make a living from copyright will either have to raise the unit price, create with AI on the assumption that they will be copied, live by selling the fact that they have been copied, attach a certificate to their work, or create something that is hard to copy in the physical world. I think those who have created works that way will survive, so I don't think there's anything to be done about it. That's the reality now.
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I raised 5 ideas above. “Given the current situation, future artists or those who want to make a living from copyright will either have to raise the unit price, create with AI on the assumption that they will be copied, live by selling the fact that they have been copied, attach a certificate to their work, or create something that is hard to copy in the physical world. ”
I would like to further explain my views on the development of AI and its impact on copyright law and art production.
Clarifying the relationship between AI and copyright: As AI becomes more capable of creating art, we need to determine who owns the copyright to these works. Since an AI is not a creative thinker like a human, it cannot own the copyright. But should the copyright belong to the person or organization that designed and programmed the AI, or to the provider of the data from which the AI learned? We need new laws that clearly define the relationship between AI and copyright.
Increase the unit price of artwork: Artists can increase the value of their work by improving its quality, reinforcing the story or message behind it, or offering limited editions or signed pieces. This can help artists better compete in a market increasingly influenced by AI.
Collaborate with AI: AI can be a powerful tool for creativity, allowing artists to explore new forms and styles. Artists can use AI's capabilities to evolve their own art and create works that are unique and valuable.
Selling the fact that artwork has been copied: Artists can also market the fact that their work has been copied. This can increase their influence and visibility, and they can set up a system to receive a royalty for each copy.
Attach a certificate: Using technologies such as NFTs, artists can attach a certificate to their work to prove ownership. This can ensure the authenticity of the work and distinguish the original from the copies.
Create art that is difficult to copy in the physical world: Artists can create works that exist in a physical form, such as sculptures or installations, that are difficult for AI to copy. This can provide an additional layer of protection against copyright infringement.
As AI continues to evolve, we will need to adapt our laws and practices to ensure that the rights of artists are protected and that the potential of AI is harnessed in a way that benefits everyone. This is a complex issue that requires careful consideration and discussion.
Moreover, regarding the use of your artwork in a public poll without your consent, I agree that it's a serious issue. It's important that we respect artists' rights and get their permission before using their work in a public context. I'm sorry to hear that your work has been used in this way, and I understand why you feel hurt and exploited.
Regarding your concerns about AI and copyright infringement, I share your concerns. It's undeniable that there are cases where AI technologies are used to replicate or imitate copyrighted works without permission. This is a clear violation of artists' rights and something that needs to be addressed urgently.
But I think it's also important to consider the potential positive applications of AI in the arts. AI can be a powerful tool for creativity, allowing artists to explore new forms and styles. But this should never be at the expense of existing artists' rights. We need to find a balance where AI can be used to enhance creativity without infringing on copyrights.
I also want to emphasize that I'm not dismissing the struggles of artists in Japan or anywhere else in the world. In fact, the art industry is facing many challenges, and it's important that we address these issues and support artists in every way possible.
In conclusion, I believe we need to have an open and informed discussion about the role of AI in the arts. We need to address the challenges, respect the rights of artists, and explore how AI can be used responsibly and ethically in the art world.
Yoichi Ochiai
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