Skip to main content

Science and Civilisation In China, Volume 5 Chemistry And Chemical Technology, Part 7, Military Technology, The Gunpowder Epic

Item Preview

Book page imageTHE PICTURE OF THE TAOIST GENII PRINTED ON THE COVER of this book is part of a painted temple scroll, recent but traditional, given to Mr Brian Harland in Szechuan province (1946). Concerning these four divinities, of respectable rank in the Taoist bureaucracy, the following particulars have been handed down. The title of the first of the four signifies ‘Heavenly Prince’, that of the other three Mysterious Commander ’.At the top, on the left, is Liu Thiett Chun, Comptroller-General of Crops and Weather. Before his deification (so it was said) he was a rain-making magician and weather forecaster named Liu Chiin, bom in the Chin dynasty about + 340. Among his attributes may be seen the sun and moon, and a measuring-rod or carpenter’s square. The two great luminaries imply the making of the calendar, so important for a primarily agricultural society, the efforts, ever renewed, to reconcile celestial periodicities. The carpenter’s square is no ordinary tool, but the gnomon for measuring the lengths of the sun’s solstitial shadows. The Comptroller-General also carries a bell because in ancient and medieval times there was thought to be a close connection between calendrical calculations and the arithmetical acoustics of bells and pitch-pipes.At the top, on the right, is WSn Yuan Shuai , Intendant of the Spiritual Officials of the Sacred Mountain, Thai Shan. He was taken to be an incarnation of one of the Hour-Presidents (Chia Shen ), i.e. tutelary deities of the twelve cyclical characters (see p. 297). During his earthly pilgrimage his name was Huan Tzu-Yii and he was a scholar and astronomer in the Later Han (b. + 142). He is seen holding an armillary ring.Below, on the left, is Kou Yuan Shuai , Assistant Secretary of State in the Ministry of Thunder. He is therefore a late emanation of a very ancient god, Lei Kung. Before he became deified he was Hsin Hsing, a poor woodcutter, but no doubt an incarnation of the spirit of the constellation Kou-Chhen (the Angular Arranger), part of the group of stars which we know as Ursa Minor. He is equipped with hammer and chisel.Below, on the right, is Pi Yuan Shuai, Commander of the Lightning, with his flashing sword, a deity with distinct alchemical and cosmological interests. According to tradition, in his early life he was a countryman whose name was Thien Hua. Together with the colleague on his right, he controlled the Spirits of the Five Directions.Such is the legendary folklore of common men canonised by popular acclamation. An interesting scroll, of no great artistic merit, destined to decorate a temple wall, to be looked upon by humble people, it symbolises something which this book has to say. Chinese art and literature have been so profuse, Chinese mythological imagery so fertile, that the West has often missed other aspects, perhaps more important, of Chinese civilisation. Here the graduated scale of Liu Chun, at first sight unexpected in this setting, reminds us of the ever-present theme of quanti¬ tative measurement in Chinese culture; there were rain-gauges already in the Sung (+i2th century) and sliding calipers in the Han (+ist). The armillary ring of Huan Tzu-Yii bears witness that Naburiannu and Hipparchus, al-Naqqash and Tycho, had worthy counterparts in China. The tools of Hsin Hsing symbolise that great empirical tradition which informed the work of Chinese artisans and technicians all through the ages.

SIMILAR ITEMS (based on metadata)