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The Worm Ouroboros: Large Print Paperback – Large Print, April 13, 2020
E. R. Eddison (Author) Find all the books, read about the author, and more. See search results for this author |
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Enhance your purchase
- Print length353 pages
- LanguageEnglish
- Publication dateApril 13, 2020
- Dimensions8.5 x 0.8 x 11 inches
- ISBN-13979-8636738435
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Product details
- ASIN : B08735HVSR
- Publisher : Independently published (April 13, 2020)
- Language : English
- Paperback : 353 pages
- ISBN-13 : 979-8636738435
- Item Weight : 1.81 pounds
- Dimensions : 8.5 x 0.8 x 11 inches
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The Worm Ouroboros is to fantasy as The Velvet Underground were to pop music; it may not be to everyone's taste, but many who do finish it may be inspired to write, and writers may despair of ever writing anything this good.
The main problem of this book, and the main virtue, is its language. When I started it I had to read some sentences more than once to get the meaning, but in finishing it I was reading them more than once, and aloud, just to hear the music of them. There is something about his writing that, once one gets used to it, amazes. As tough going as it is to begin with, when you have learnt to swim in it , you won't want emerge.
Not many fantasy writers have tried to write in purposefully archaic language, and for good reason; it's very hard to do well, and even when done well it can still rub the reader up the wrong way. Edmund Spenser's 'The Faerie Queene' was perhaps the first attempt. William Morris used it to good effect, rooting his stories in a medieval setting. Dunsany's biblical phrasing was sometimes distracting, but always gorgeous. Tolkien reserved his highest language sparingly in The Lord of the Rings, but when sustained for any length, as in The Silmarillion, many readers tire of it. In The Well of the Unicorn, Fletcher Pratt just made a mess of it.
Far from being distracting, Eddison's prose becomes enrapturing, and is intrinsic to his epic tale. I get the the feeling that, rather than trying to affect a seventeenth century style, it was absolutely effortless for him, and that the only effort came in trying to adjust it for a modern readership.
If a person likes fantasy novels at all, then I think this book is well worth reading. I first read it in about 1970, and I have reread it several times since then. It is, in my opinion, the most unique of fantasy novels, and just a delightful read. The Heroes are truly heroic: the villains truly villainous: though my favorite character in the book (Lord Gro) falls into neither category.
This Kindle edition is well done and I was happy to find an old friend in this new format.
Top reviews from other countries

Written in 1922 still not surpassed!

I intend to copy this review to Kindle feedback.

the book is good. won't say more since i haven't finished reading it, plus i don't do book reviews (i'm neither qualified nor is my english at a proper level to do so).
however, the print is probably the worst i've ever seen. it's like i printed a document off my home ink printer on some generic printer paper.
briefly, good book at a good price but i would rather pay twice its price for a decent print or i would just download the electronic version which is free on the publisher's website.

The imagery and description of all the magical elements; the sorcery, the mythical creatures, and certain settings were fantastic. This is easily the best aspect of Eddison's work here and conjures up vivid, haunting, and majestic mental images throughout the entire tale.
However, there are some parts (particularly between about 60% and 75% of the book) that dragged on quite a while with comparatively boring politics and perspectives from less interesting characters. There also seem to be quite a few instances where Eddison referred to epic battles happening through messengers and other indirect means, which felt weird. There were a few battles that were depicted and were very enjoyable to read, so it was disappointing to see some of them only mentioned briefly or recounted by one character to another.
The characters were all very interesting and most stood out from one another notably with unique traits and motivations that felt natural, if a bit exaggerated at times, though, these exaggerations were quite amusing. Sadly, the titular character, The Worm Ouroboros, is only mentioned scantly and obscurely. They have an integral role in the tale, however, do not make enough of an appearance to warrant the entire book being named after them. This creature is a symbol that proliferates many aspects of the book, literal and allegorical themes alike, though should have been in the story more. They are such a cool and sinister monster that it was the greatest letdown to not see them very much. I kept hoping that they would appear at the very end, though was left wanting.
Thankfully, the other vibrant characters made the adventures around this beautiful and crazy world fun and exciting. Their relationships and dialogue were full of life and wit while possessing a flowery quality that some may enjoy.
I would highly recommend this to people who want a dark fantasy story that encapsulates the best parts of the genre and who also enjoy watching theatrical plays, as this book reads a bit like one.

"Hath" appears almost throughout as "bath", "now" frequently as "mow" - terrible job.