amanda moon headwear

Hats and Fascinators for all Seasons and Occassions

On A Social Media Go -Slow

Well, it’s the first week of the school summer holidays and I’ve made a decision.

I’m going to take a little break from blogginess.

I’ve really enjoyed it so far but I’m going to take the summer to slow down on the techy side of my business, especially here on Blogdom.

The reason?  For over five years, my life has been consumed by my business.  Alongside trying to be an alright mum and doing some teaching, my  business has taken more of me than anything else. It has been squeezed in between looking after my children, I have sat up night after night working until the early hours, during holidays my work has always been eaten into by the fact that I run my own business. And so , my head has never been fully out of work and with the people I’m with.

I could have been cleverer about how I managed myself as a young business but with so many other big factors pulling me, it’s been hard to step back from what you’re in and know how to prioritise.  So I’ve tried to do everything all of the time and slowly my body and mind have become very weary.

It’s not a bad thing.  I love what I do.  I always make my making and work for clients my first priority in my business but what I can see is that I have a choice to rest from social media.  I find it hugely consuming as it’s a very important element of my business but I also believe we all need some time out, especially from that which isn’t essential, to be able to come back refreshed and with something valuable to say and show.

Saying that might be a reflection of my age and not wholly being in love with social media despite being in the grasp of it. But I hope that as the summer surrounds us, you too are taking time out to just enjoy what’s happening out there in the real world and having time with the wonderful people around you.

I will be back in September, and FB, Twitter and Insta don’t stop for the most part, it might  just be a tad more relaxed.  I’m on a social media go-slow.  However, my fingers don’t stop, my studio and silks still see me and I still get to meet new and wonderful clients.

I’m looking forward to blogging again, having taken a step back, having focused soley on designing and making, playing with my family and friends, absorbing the wonderful environment I’m surrounded by and finding out more  about what I love.

Here’s to a rest from the media that we’re blasted with daily.

I’ll be back!

 

 

“I Wanna Shoot Your Face’

Now I’ve written the title I realise it sounds a little alarming.  But it is what he said.  He being Dennis.  Dennis Lees.

Back in my London days, pre-children, pre- millinery I used to climb and in my little world were many very special people.  Dennis was one of those who week in week out, I’d see at the wall and headed up to the Peaks with a couple of times.

Then came the time of many changes for many people. I moved up to Sheffield and he went off to the US, got married and that is where home is.

It was on Facebook that we reconnected after a while and after a few catch ups, Dennis proposed a shoot.  He had a face he loved, Jen King’s, and he told her, “I wanna shoot your face’.  With the face, Crackskull’s cafe as the spot to shoot in, and headwear, it was a case of flying the pieces out to him and then just doing the deed.

Coming back to the face, I’m so glad he wanted it.  As soon as I saw her, I could understand how he was seeing her and my pieces together.  However, I really couldn’t have expected quite what I got from it.

You see, Dennis, has a great ability to create and visualise.  He has this ability to ‘interpret’ work and convey the personality of the work AND the person.  Then, beyond that has a background in design so can see how to then use the image. He has taught me alot and you’ll see from the final shot why I am left so happy.

This shoot was done much earlier in the year, but amidst a couple of other shoots and events, I’ve held off from sharing the images so each little project hasn’t overshadowed the other.  Each one is a huge learning curve, that teaches me something new and shows me something different.  I’m not normally so patient but it has felt good to wait. And so here it is. A collection of images sent to me pre, during and post shoot.  I was on the journey, just from a distance.

When you’re shown who he wants to shoot.

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..and they let you  into the shoot even when your thousands of miles away.

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And, then you get inklings of how he’s going to work with the images.12823117_10153613381574794_403844674_o12837449_10153613178904794_1596648748_o

To finally get these.  Two beautifully elegant and understated images. 12894508_10153653572004794_1000964423_o

This last image is so special.  I couldn’t have defined how to achieve a picture like this.  He just knew.

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Model Jen King

Photographydennisleesphotography.com

Location crackskulls.com

 

Where Both Worlds Meet

I was stuck for something to write tonight.  Slightly exhausted so I’m writing about my worlds.  I don’t have to think about it…it is just what I do and love. Forgive any typos!

My life is split.  Though millinery is where I put most of my hours, I am also a teacher and keep my hand in where I can.

To be able to combine both of my working worlds is something I have started and want to grow more.

I went into teaching in my mid twenties.  I did it because first, I just love being with kids and families but secondly because I love seeing children find parts of themselves they didn’t know existed.  Art was/is an area I really enjoy teaching because the immediate visual outcome can be a real booster to children’s confidence.  And so, I feel the same for adults.

I used to hate producing work that wasn’t ‘good enough’.  My  self evaluation of failure would really stick with me and I started to loose my love for creating stuff purely for pleasure.  The destructive side of aiming for perfection.  I then came back to painting and making with a more open mind years later and with a willingness for it not to be perfect.  It did mean lots of wasted paper but it got me over this notion of making for a great a result but more for enjoying the process of creating and finding out what I could achieve.

That part of my own ‘journey’ impacts of how I teach; I can’t each without appreciating how hard it can be to take the first step in. I approach those who fear failing or those who don’t believe they have a creative bone in their body with gentle encouragement and mainly to just try and enjoy the experience.  Outcome isn’t everything – despite what we’re often made to feel in this success driven culture of ours.

So there it is. The reason I love to teach adults and children alike, is because people are just wonderful to be around and seeing individuals inspired and recognising they do have an element of creativity about them is simply rewarding, fun and can change someone’s perception of themselves.

Where millinery and teaching meet is one of favourite places and I want more of it.  It’s a smile giver to all involved!

A few snippets of workshops I’ve managed to get pics of. I’m not great at getting pics but it gives a gist of it.

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Age UK Sheffield

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Frida Kahlo Hen Party

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Looking at the process of hat design with 7 – 11 year olds

 

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Short workshop creating May Queen Flower Crowns with 7 and 8 year olds

 

 

 

It’s A Bit Of An Obsession

My little buttons.  I was just talking about them yesterday…I talk about them a lot.  And, I make them lots.

It’s not that  I don’t want to make other hats (I have lots of ideas I want to develop for next year), it’s just that the button has some very special qualities.

They take hours to make, especially the silk buttons .  Lots of TLC is needed but it feels worth it and I still don’t get bored, which is quite something as I’m not great at repetition.

But, this little obsession feels worth it because of what they give.

They are an understated, timeless shape and can hold all sorts of character.  It just depends on what you do with the simple little form that it is.  The colours can make a small but punchy piece, a bumble bee can add some quirk, a simple length of something grass-like can make it an elegant piece or it can become distinctly vintage-esque dependent on what you throw together.

It’s also ageless…it doesn’t like one particular age group.  It embraces all ages.  It doesn’t swamp a mother of the bride/groom yet she still makes a statement and it sits equally as beautifully on a young thing who simply enjoys an excuse to pop a  little hair dressing-up in to the mix of an outfit.  I sit between young thing and mother-of-a-something.  And it works for ladies in my bracket too, just because the button doesn’t care how you are, they just like you and know how to sit on you, regardless.

Finally, they love people who don’t love hats or rather, people who think hats don’t love or look good on them.  People are always surprised at how easy they are to wear.  Their proportion isn’t to over-powering, they can sit at different angles that work for so many ladies, and the trimmings and colours used are built to be fitting for that particular perosn.

Any thing that is put on your head, should feel wholly a part of you and you should barely be aware of it (I say that so much but it’s true).  These little beauties are one of those shapes that I think offer some of the greatest versatility and simply make people feel really good. And that’s what it’s about.  Just feeling good!

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Lovely bride Kimberly going with a vintage wedding outfit.  Blue shoes were worn to match!

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Kimberly – real Bride

Esme wearing Faun thistle

MUAH juliajeckell.com

Photography elliegracephotography.co.uk/Home

Lovely mother of the Bride

Model Cleo

MUAH morrisbeautyassociates.com

Photography elliegracephotography.co.uk/Home

Location facebook.com/lightspacecollective

Model Katy Louise Bangert

MUA makeupbypacha.com

Hair facebook.com/gypsy.rosehairdressing

Dress kmrbespokebridal.co.uk

Photography elliegracephotography.co.uk/Home

 

She Brought Me A Birdie

I’d met her two years before at my annual pop up shop. That was when she had her first piece of mine. So, I was made up when an email came through wanting to book in a consultation.

Amy is another of my very lovely clients who brings her personality and makes my making a whole lot of fun.  She arrived at my studio in her lipstick print dress, blonde hair spiked with pink and a bird.

She’d seen the bird a little while back and had held onto it, waiting for it to find it’s purpose.  The purpose was now found.  With weddings coming up, the bird would become her wedding companion.

As with most consultations, flora and fauna are spread across the table and we pulled out combinations that lit each other up. Hot pinks, bold oranges and acid green were thrown together in this case and the birdie sat beside them; at ease and happy that it would make fine nesting ground.

Without further ado, the base was prepared and my needle stitched away and finally our lovely bird was given it’s home.  When I finished the piece, I delivered to Amy’s house. There up on a shelf was a quilt. It was all the colours of her headpiece!  What you see below are a little collection of pics … from the beginning through to sitting on the lovely Amy’s head.  And then there is one pic showing the co-ordinated headpiece with quilt!

Yet another wonderful lady to make for!

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“What inspires your work?’

I get asked this so many times and I like the question.

I have many things that inspire me.  I’ve talked about colour lots, in fact, it was one of my earlier posts.

However, I think the greatest inspiration has to be people.  I’m a bit concerned it sounds a bit ‘naff’ or cliche but it’s true.  I always come back to my work being about personality.  Personality leads the colour, the style, the scale.

It’s the person that gives me a part of themselves, a little window into who they are and who tell me small parts of what makes them feel alive.  They show me an outfit or tell me the colours they love and combinations come together that capture the essence of who they are. We play with scale and angles and it all slowly becomes a refined piece of work that wholly becomes the extension of who they.

On my instagram account there is a little box on my feed.  The challenge is to encapsulate my business in just a few words.  I went for, ‘Bring me your personality and I’ll bring the flowers’.  Bit cringe-worthy when you have to talk about the way you present yourself. However, given a personality with an openness to look at the possibilities, I really can bring the flowers to the table and make a home for them on your head!

People are inspiring  and so the making never gets boring.  Within my repertoire of work, each person throws a new dimension into how I pull my flowers together.  People are diverse; and, central to what I do is a love for people.

So, bring me your personalities!

(I’ve got a piece I’m hoping to share with you very soon…a fab lady, that headwear has brought my way, and has made making extremely fun!)

Claire McAuley

 

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The Friendly Relationship

I’ve got so much I want to write about and I have these ideas when I’m driving about.   But, when it comes to writing, I then get this wall of stuckness and wonder what to write!

I just tried to write a piece and it just didn’t happen.  Then, I remembered the drive when I was thinking about what I want from my millinery.  Of course I want to make beautiful pieces; arranging and re-arranging flowers, intricately stitching in one flower after another and sitting with a pile of sumptuous silks just looking at their colours and conjuring up a plan.

What I want more is to have a friendly relationship with my client.  I understand that I am in this to offer a professional service.  A service that gives the client the piece that suits them and is crafted to perfection for them.  However, the friendly bit matters so much.  You know how I gabble on about personality being central to my work; it really is.  Friendliness allows the work to become more personal and more ‘right’ for the person.  If I really get a sense of who you are (without knowing all the intricacies) then it is easier to create something that truly reflects you.

In a friendly relationship, the client relaxes.  They open up (as much as they want to), they can be honest about the suggestions you put to them and they give you an insight into who they really are.  All of that informs my making.  It’s hard to explain some of the subtleties that come through in a friendly relationship but you can read a person better and you can refine a piece in scale or with a single flower that changes the whole tone of piece to be even more that person.

The friendly relationship allows me to be inspired by you. If I know you just a little, my pieces will reflect you and as you wear them, they will feel a part of you.  They are an extension of you…even if just for a day!

Thank you

Well, todays blog is the result of something that happened this week.

I have  shoot on Sunday.  Shoots are so important when you’re in a visual business.  You want to show people what you make and you want to help them see the possibilities with what you do.

I had a model and then I didn’t have a model. In my quest to solve my little problem (Think I might have called it a ‘state of emergency’ on my personal page.  Possibly a bit dramatic), I was going to approach a few individuals.  However, with time being short, I couldn’t have guaranteed finding anyone who a) would want to do it, 2) would be available for it and 3) who would have been right for these pieces.

Throwing caution to the wind, I thought I would put a call out on Face Book.   Could I have guessed what the response would have been like?  Never!

There was enthusiasm,  diversity of women, encouraging words about my work, there were numerous shares of my request from so many of you to help me find someone.  It was truly overwhelming.  So much so, I had to stop answering all the messages coming through so that I could keep sewing for my pop up shop that opened today.

It felt rather hard to then just choose one lady from all those that offered to be a model for me.  As I had said to a few of those who showed interest, I was literally going to sit with the selfies sent to me and put the faces up to my hats and hope to work it out from there!

What has come out of this? Well, not just a model…something more important; encouragement.  Small businesses fight hard to get themselves off the ground.  You put in all of yourself, you sit up until 2.30 in the morning sewing, your head is always full of the next thing to do and sometimes you just want to stop and throw your hands up in the air and turn your back on it.  These moments spur you on.  They are significant and hugely valued.

It is hard to return thanks to all the people who support you along the way.  However, to all the women who put themselves forward, thank you so much for being ready to give me your heads, your enthusiasm and your time.  I am going to keep all your names and when shoots come up in the future, I’m going to look through my little book of faces and try to use some of you.  As I had said in my call out, I don’t need an official model.  I need and want women who have willing, beauty (in all it’s shapes and forms) and a smile!

Thank you for making this shoot happen.

Seriously.  A huge thank you.

 

I Recognised the Forehead

This is a nice story.

I’ve always felt I was very lucky with what came to me.  Throughout my growing up and in my career as a teacher, opportunities and fantastic experiences were given to me that have helped me to grow and develop myself.

Since, I’ve been Amanda Moon Headwear, the support has gone above and beyond what I could imagine and people have lifted me up and pushed me along on more occasions than I can care to remember.  They still do now and I suspect will continue to.  You’ll hear more of those stories but this one tonight is quite a special little one as it’s a story that crosses over from my teaching into millinery.

For the last couple of years, I’ve been involved with a project called Venture Matrix at Hallam University.  It is a link between businesses and students, where businesses present a project that they would value some support in and students work to that as part of a module.

When I presented my last ideas, I got more than I bargained for.  More students to work with and more ideas that stemmed out my initial proposal.  With close to 30 first year Digital Media Students, I was excited at what could come out of it.  However, even more exciting than the work that would be explored was the forehead that peeped over a PC at the back of the room on my first visit.

The lecturer had said one of his students recognised my name.  My mind was obviously trying to think of who it could.  However, the chances of guessing when you’ve worked for 10 years in city, is near impossible.  As I stood at the front of the room, ready to introduce myself, there I saw that head.  It was the hairline, the blackness of his hair and the eyebrows.  I knew them and with 10 years (possibly more) gone by I still recognised him.

I can’t tell you the pleasure of coming across one of your ex-pupils and seeing them chasing their ambitions to do something they love and are good at. Even more lovely than that, is the fact that he was offering something back to me.  Ideas, experience and a product.

And so, with a thanks to the lovely Andrew, here are some of the pics he captured of my work.  They were taken as part of creating a short film.  As is typical, my techiness illiteracy fails to let me use it here on WordPress (but one day it will be shared!).  The pictures alone and the processes we went through taught me so much about the possibilities. A truly valuable experience. And, he is just in his first year.

(Thank you also to the beautiful Elisa.  A fellow student, who’s never modelled and neither would she naturally choose to.  BUT she is just stunning and in smart too!)

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Time ticks

Time ticks.  My goal was to get this blogging thing rolling…a nice little time to sit and reflect on what I do and share that with you.  However, here I am again, writing the night before posting at 10.45 and still with a list of jobs to do!  The clock is ticking.  It’s going to be another late night!

I have to confess, blogging doesn’t always feel like the poetic process I thought it might be.  I should have known better really.  It does however, highlight that when you have a business, you work to deadlines constantly and there is no let up.

More and more I hear people say how starting up a business is a 24/7 job.  Guess what?  They don’t just say it for fun!  I thoroughly love making what I do.  My clients are what give me a spring in my step.  I love the creative process and am desperate for more time to start creating something slightly different.  However, I need the gift of time.

Time is where you find your ideas.  Time is where you can relax and come back into a space, refreshed and with fingers that have uncurled themselves from hours of intricate sewing  (sewing into awkward spaces by hand puts your fingers in twisted positions). Time is where you can sit, be reflective and be a poetic blogger!

For now I have to accept I am less than poetic.  And less visual.   However, here is a blog that simply shares where I am today and that I hope will start to tell a different story about time as I continue. Here’s to blogging becoming less of a thing to squeeze in  and more something that I can truly find a rhythm with and write/show something of value to you all.

Here’s to us all, in this ridiculously fast and busy world, taking time to stop the clock – just for a moment even; find space, relax and uncurl your fingers.

Until next week, time is ticking so for now I say goodnight.

 

 

 

 

One Week? Breathe Deep!

When you approach a milliner, we generally ask for a 6 – 8 week lead time to create piece.  We need it.  If you’ve got a flow of client jobs on the go, alongside a project or two, you need the time to consult, design, make, consult, potentially tweak and finish up.  That making stage particularly needs time.  Of course it depends on what you’re asking for but hats and fascinators take hours of blocking, wiring,  with hours upon hours of stitching fabric in millimetre by millimetre to ensure all the excess fabric is taken out.  That’s just the half of it but it really is a labour of love.

Last week, I handed over  a piece.  I didn’t have 6 weeks to make it.  I had one. I had agreed to it and really wanted to.  I could see that I had a small window to get it done (to then be totally wiped out by sickness for two days but hey ho the mission was still accomplished!) Being self employed and working on my own, it’s times like these that really do need to breathe deeply and just pull it out of the bag.

Sophie had come the week before with her outfit, a natural linen suit shot with pops of colour. Giving us options, she also came with hand bags that could be coordinated with some of the colours in her outfit.  Bearing in mind that time is of the essence and deadlines were approaching on other jobs, we had to create something that was fitting in style for her but also possible to make within the time.

We sat and scattered flowers combinations across the table.  It was a fantastic client situation, where I can share a range of flora and fauna which I know can work really well together and we refine the collection of pieces.  I present the possibilities and the client is able to identify those pieces that most resonate with their style and personality.

So, after scattering, refining, measuring and some hours of sewing, this is what we have!

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Flowers scattered alongside her Wilbur and Gussie Bag in our first consultation.

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I caught her nails when Sophie came to pick up her piece.  Coordinated nails, bag, headpiece and cushion in my studio!

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And here it is in her rolled hair at Belvoir Castle on a beautiful day. The loveliest thing a maker can get is a picture of client who is happy and looks beautiful…even if from behind!

wilburandgussie.com handbags and accessories

 

Beautiful Collaboration

I wouldn’t be a business if it weren’t for the many people who have supported me; family, friends, followers in the world of social media and the many local businesses who have encouraged me to believe in what I do.

It has taken me a while get my head around accepting support of others in business.  I was in fact a bit overwhelmed by people I barely knew in business, wanting to work alongside me.  Being so young in business (and still growing in confidence) I had often felt I had very little to offer back.  It felt much easier and safer to sit in the confines of my studio and make beautiful things for clients.  I feel in my comfort zone meeting with clients discussing all that I love…flowers, fabric and them.

One of my biggest learning curves has been to realise I can not make a business, getting on quietly in my studio, without being open to working in collaboration with other businesses.

There are many collaborations to speak of.  However, it was my very first collaboration with Sophie Cooke of Imogen’s Imagination and Siobhan Nicholson of Siobhan Nicholson Millinery that has opened up my world in numerous ways.  The three of us were all at stages where we were reviewing the directions of our businesses and out of that came the annual pop up shop The Hat Stand Sheffield.

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And what is so beautiful about our collaboration?  It is that the three of us are so different and yet seem to fit together so well.  I still feel  like the baby in the group and am defining my role and what I give to it.  I have reaped so much from these two women.  Without fail, they have generously shared information and skills.  A generosity that at times has overwhelmed me because all they have done has been to help growth within the group and beyond.

When you work in collaboration, and are given to generously, it has this knock on effect of you then also wanting to share at the next opportunity.   Where ever we work and live, collaboration can only bring growth.  And as we/I  develop who we are and what we have, generously share and reap the reward!

*I’m with my lovely collaborators this weekend at St Mary’s in Sheffield.  Whoop whoop! (excuse the snapshot…no professional pic here!)

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facebook.com/TheHatStandSheffield

thehatstand.weebly.com

Photograph of The Hat Stand Team elliegracephotography.co.uk/Home

A Bride for all Seasons

Today is all very visual.

I love how being in the UK we  have a year that passes through the seasons.  And I look forward to each one. Right now, there’s a road here in Sheffield that I’m waiting for the rows of cherry blossom to explode into their pink fluffy clouds.  All year I look forward to knowing they’ll be back.  They last no more than two weeks before petals snow down. It’s a moment in the year but it inspires me and is just good for the soul.

With a love for all that each season brings, they guide my making heavily and weddings are a wonderful place for me to create pieces that match season and personality.  I recently created some pieces to demonstrate some of the possibilities that are out there, regardless of which season a wedding is in.  Some are quirky, some more boho and some subtle.  This is a handful of ways that flora and fauna can be ‘thrown’ together to create something personal and long lasting.

Being that we are currently in the midst of Spring, let’s start where we are right now and walk through the year. Fresh, bright and fun!

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Summer

Wild and rambling, through to structured, bold and exotic.

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Autumn

From the last greens of summer into the warm oranges, browns and pinks of Autumn.

Amanda Moon-77    Amanda Moon-58     Amanda Moon-95

Winter 

Deep merlot tones, followed by the traditional reds and golds and finally those soft snowy whites and greens.

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And, Despite being an older piece I really wanted to try it on this particular model.  Shapes, scale and colour work for people in different ways…this wintery piece works on Kriszta beautifully. It becomes a part of her very easily (avoiding the dreaded ‘plonked on’ look), and frames her face gently despite being  quite a bold piece. Brides can be adventurous with their style and wholly show part of who they are in all that they adorn themselves with!

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Finally, when the shoot ends and all you can do is smile.  It can’t be a bad day!

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Thank you to all the people involved in this shoot.  (Might I also recommend Ellie Grace for her wedding photography, Julia Jeckell for make up and hair and Tracey Campbell for beautiful floral creations. They are all dedicated to their crafts and the clients they work with).

MUAH juliajeckell.com

Photographer elliegracephotography.co.uk/Home

Succulent accessories campbellsflowers.co.uk/Page/Show/2/Home

Models   Kriszta Bicksey, Izzy Grace Lindley, Laura Greenwood, Tomoyo Wharam

Venue facebook.com/lightspacecollective

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Blaming the The Artists Way

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The Artists Way; a book that plays a huge part in leading me to where I am now.   Blame is a bit of  negative but I do hold the book responsible (in collaboration with a handful of other factors) for taking my hobby further than just the four walls of my study. In my mind, most of us of are creative.  Creativity is vast and for those who have had a taste of their own creativity or recall the pleasure of it from long times gone, I’d like to take this opportunity to encourage you to look back into your creativity if you have a nagging desire to meet it again.

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When I have done Open Studios or arts events,  conversations  with visitors often lead into the process of creativity and how often they feel they aren’t creative or have a dormant creativity.  Here I go with something I’m quite passionate about;  seeing people who are missing doing whatever their creative thing is getting in touch with it again.  And, if you don’t see yourself as creative but want to make or do something, just do it  purely for the pleasure of it because it is a part of you and is fun!

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Whether for pleasure or because you have a skill you want to develop into something potentially bigger,  can I highly recommend this book. It is essentially a 12 week programme that helps you explore your creativity.  I got to week 5 and my life has been flipped around significantly because of how this book shaped my thinking. I had looked at it over 20 years ago now and turned away from it.  It has a spiritual dimension to it, that didn’t sit comfortably with me. However, having bothered to sit, read and understand it a little more closely, whether you are spiritual or not, it is a very powerful book and you can choose to use it in a way that suits you.

Daily, you are encouraged to write 3 pages.  It doesn’t explain why but my feeling is that in doing so you empty your head of all ‘stuff’ that preoccupies your head space and what happens is that that you have space to entertain creativity.  I have no doubts that was  key in moving forward (at this point, I need to tell you I chose a really little note book so my 3 pages were quite short.  Sometimes you have to be tactical). It also presents you with weekly tasks.  You do need to be willing to give the book a good shot. Even the parts you find a little odd.  And you do need to be at a point where for the majority of time, you can commit to the book.  Most days, I did mine but sometimes, it had to be put on hold.  I’d just had my second child.  However, my commitment to return to each as soon as I could was enough to make it helpful.

If you are teetering with the idea of wanting to explore something, I’d like to encourage you to do it.  It is a part of our human make up to create (in numerous ways) and to deny that part of yourself brings a sense of incompleteness.  This book may or may not be your way in but at the very least allow yourself the pleasure of doing something that feeds that dormant part of yourself.

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*Note – I am not a sales person for Julia Cameron however, I do feel I should now take a cut in her rise of sales

 

Colour me happy

Colour inspiration is all around me. I have this mental file and my phone camera that stores away colours  and colour combinations that help me understand how colours relate.

I’ve lived surrounded by white walls but I don’t lack colour in my life.  The white helps me see the colour.  It was my mum that helped me to see colour.  She didn’t teach me it, she just let me see it and we’d just enjoy it together.  The flat I grew up in, in London, never had curtains in the main living spaces.  Nothing blocked the windows and light flooded in.  The decor was/is simple but carefully chosen, and those chosen pieces are there for a reason.  For you to see beauty and enjoy.   So now, you can see below the link between quick snap pictures and some work.

Little dots of colour at my ‘growing up’ home.  It’s all about the way colours sit together or how the light shows the purity of a colour.

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IMG_3421        Autumn shoot 5

Having spent time in Brazil with my mum, you can’t avoid colour. Visit Paraty to be inspired. The key holder  was something I picked up in Haiti 20 something years ago… colour is a magnet is to the eyes (then and now).

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And then, just walking about.  The pictures aren’t great but they’re enough to trigger my thoughts on colour.  For example, how the acid green somehow makes the redness of the red redder! And, there it is, in reverse proportions; red to green.

IMG_2340  Red Sloped Beret

Back to Brazil, we ate lots of carrots and beetroot. Tastes good but looks incredible too.  In their contrast they complement.

IMG_4581      Orange Silk Button with Hydrangea and Ranunculus

And it’s not all about bright.  Sometimes, it’s the soft harmonious colours, that seem to hug each other and just belong together.

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They help me see combinations like these…

Small Thistle   Thistle Button

If you can get your head around my  lack of photographic skills, the point is, inspiration is all around.  On this side of the world, most of us carry a mobile and we can hold inspiration.  Capture the things that are beautiful and that make you smile.  For me, colour puts  a smile on my face. Colour makes me happy.

 

 

 

 

I might regret writing this

This is a hard one to write and as the title says there could be some cringe-worthy moments when I read this back at some later point. However, if I use blogging not just to talk about my headwear but to also share the business ‘journey’ it is an unavoidable place to begin.  It will also put context into further posts.  I am one of many who has turned her hobby into my job.  And, like many, I have done it at that key point in life…maternity leave.  A time when you reflect on where life has lead you and where you want it to go.

I have always loved people.  As a teacher, I was able to get a full fix of people; child, parent, teachers and other professionals working in the sector for the ‘common good’.  I’ve always been attracted to the ‘vision’ to see young people grow in their aspirations and if they didn’t have any, to help them realise their potential and gain some personal sense of ambition.

However, like many teachers, it is a tough job.  Wonderful but incredibly draining. Teachers live under so much scrutiny.  Some have a wonderful inner confidence and do an incredible job.  Some do a wonderful job and yet live in the fear that they are never good enough, no matter how hard they work.  I was one of those.  I also know how much teachers sell their souls to the job and the costs are immense.  With two little girls at my side, I simply couldn’t maintain that.  It was a real wake up call but it took me back to looking at who I was before teaching and some of the things I had let go that I loved.  I needed to make.  It’s a much bigger part of me than I had realised and I’d missed it.

It opened up a can of worms and has meant I then entered this ‘journey’ into millinery.  I’m undecided as to whether it was the best or worst decision to have made that this point.  Dealing with your new identity as a mum, along with trying to hold down the career which becomes so much a part of you, at the same time as learning a new craft  and how to run a business has made for a very painful journey at times.

The experiences and challenges that come with business and following an unexpected but necessary path, isn’t always a bed of roses but the risk is important.  The risk can save your sanity. Our identities are in many things but our work life is a huge part of it.  What I hope, is that as I blog more, these posts will be of interest to those who are at a point of considering their directions. And, I hope that some of the processes I’ve been through and share, might be a little nudge that opens up thinking.

And to those who just want to hear about the headwear, then that will be next week.  Promise!

Beautiful. Characterful. Strong.

Autumn shoot 5

I’ve often felt I was a made up of contradictions.  It is probably the contradictions of who I am that explains the type of head wear I make.  Each piece I make feels hugely reflective of the people I make for.  I have always said my work was, and is, personality centred.  Understand a bit about someone and create something that entirely captures them.

Most of my pieces are relatively small (exception to the above!).  I sometimes feel small and quite enjoy that.  However, they’re often packed with colour or a slightly unexpected feature.  Or their form simply won’t let you ignore them.  Small but there. They are inspired by nature which in its complexity is just what it is;  simply beautiful because it exists.  I’d like to think that my head wear is a reflection of that.  It says, ‘I don’t want to make a big deal that I’m here but just acknowledge my presence and, if you so wish, then allow yourself a moment to just engage with me’.

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For the wearer, I hope to recreate the same feeling I had on my wedding day. If I have fully managed to understand my ladies, I can create something which is an honest reflection of them. It sits with them.  Becomes a part of them.  Not plonked on the head, not out of character, not silly even if it is a bit quirky. I hope a wearer barely remembers it’s there…a bit like your left arm.  It’s just there and you’re grateful it’s a part of you. With the added bonus that it makes you smile when you catch yourself in the mirror and people comment on how beautiful you look and how at ease you seem.

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Small is beautiful.  Small can be characterful.  Small can be strong.  And, small can be adequate for big events. Ultimately, it is the personality of a piece that makes the statement.

Thistle Button

*You do not need flying saucer hats in your life if they are simply not your cup of tea. They are beautiful for those whose personality and style match.  However, big does not always equal 1) formality 2) style or 3) a statement.

All Photography elliegracephotography.co.uk/Home

Image 1: HMUA tallpoppyhairdressing.com

Model  Emily Spowage

Image 2:  Hair facebook.com/gypsy.rosehairdressing

MUA  makeupbypacha.com

Model   Katy Louise Bangert

Image 3:  MUAH  juliajeckell.com

Model Esme

 

 

 

 

 

 

 

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Amanda Moon Headwear Blogs

I’m not a natural writer.  And, I’m not overly comfortable with putting myself in a public, virtual space. However, pushing that aside, I am going to give myself a go at this blogging thing.

I don’t think I am especially special or interesting.  Certainly no more than anyone else.  But I am looking forward to blogging as a way of reflecting on the little ‘journey’ I’ve been on in my business and the way it continues to go forward.   I can’t  tell you exactly  which way my blogs will go.  I could just talk about the pieces I make; the inspiration, the techniques and the projects I get involved in, but my business is so entwined in my personality and life that I suspect that will inevitably become a part of it.

As I get into the swing of blogging, my style will evolve.  In the meantime, you might have to bear with me as that happens. Hopefully, it won’t take too long before it will make for some easy reading to pass loose comment on …should you have nothing better to do!  I’m aiming to make Thursdays my ‘blog night’ but again, I’ll test the ground and see how that works in reality.

At this point, I shall sign off, leaving this first entry short and sweet. I like short and sweet.

 

 

 

 

It Crept Upon Me

I didn’t intend to start making hats.  It crept upon me and got into my head – or, rather quite literally, on my head.

My working background has always been person centred.  I am a trained primary teacher  and have always loved it.  However, when I got married 7 years ago, I entered into a world I didn’t see ahead of me.

My wedding day is where it began and what lead my choice in hair ‘accessorising’ was two things; 1) The husband and 2) me feeling comfortable.  We all have our own style and idea of what makes us feel at ease with ourselves.  I wouldn’t have felt at ease in a tiara. I’d have felt too out of my usual self.  The way for me to have fun with my wedding outfit was to have something distinctly personal to me and the man at my side.  My husband is a conservationist and it seemed right that I should pull together the remnants of his tweed suit to create a base for some ivy, berries and a bird to sit on.  This little wild world, sat nestled in my hair and despite being an alternative option to traditional bridal wear it didn’t feel showy. We were married in October.  A bright blue sky day.  Deep red, orange and brown leaves day.   The bird sat there, happily watching over us all and just became a part of me.

That piece has a lot to answer for.  It has been the piece that gave me my first addictive taste for designing and making headwear and has kept me up for endless hours between raising two little girls and teaching. It is a hobby no more and I am now in a position to call myself a practising milliner; a milliner who loves to engage with those who enjoy a personal experience.

So, to my little bird, I pay homage.  For all the errors of that first piece, my journey in life has taken an unexpected turn. I simply wouldn’t have come into millinery without it and I love it for that.

*Bad pic but the blurrier I am in an image the happier I feel!

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