The Spanish term “machismo” connotes emphatic masculinity, particularly in males, though it can also be applied to women (e.g., marimacha). Some sources trace its semantic roots to the Vulgar Latin masclu, masculu, or masculus, from where we derived “masculine,” particularly as applied to animals and husbandry. An etymological hypothesis posits that it came from the arcane Portuguese muacho, from mulus, mule, with semantic emphasis on stubbornness and foolishness. The word entered English in the 1920s. It has also been introduced into other languages with the primary meaning of exaggerated masculinity (French machisme, Italian maschilismo). In Costa Rica and other parts of Central America, macho can also mean blond or light skinned. Some linguists in Nicaragua note that macho proceeds from the verbs machar and machacar, meaning “to pound, break, crush, hammer, beat, bruise, screw.”
Patria Potestas in the Roman system |
As a male ideology, machismo has existed in many cultures, with special salience in traditional Mediterranean cultures, especially in Spain from where derived the legend of Don Juan. In the legal system of Roman law in Latin Mediterranean societies, women were under one of the following three types of legal authority: patria potestas (paternal power), manus (subordination to a husband’s legal power), or tutela (guardianship). Patria potestas is still prevalent in some Latin American countries where the men are considered as masters or heads of the households (paterfamilias) and have absolute authority and superiority over wife and children in virtually all legal and social situations. The sociocultural lineage of Latin American machismo is from Andalusian Spain and partly from the Saracen Moors who ruled southern Spain from 711 to 1492 CE. The confluence of Iberian, Roman, and Islamic cultures that merged in Spain evolved into a complicated code of chivalry and male honor with the rise of knighthood.
Don Juan - Moliere |
Spanish conquistadors introduced machismo through cultural and interracial interaction with American indigenous populations. The indigenous gender ideology was primarily based on a militaristic and patriarchal society where men were socialized to be warriors and women to be caretakers of the home subordinate to men. In the case of the Aztecs, for instance, the Spanish male ideology, especially in donjuanismo, the quintessence of Spanish machismo who was not interested in indigenous women per se, but only as tokens of his social and military dominance or conquering virility, reinforced Aztec warrior bravado.
As a stereotype, machismo has had a negative connotation, especially in the American popular culture, meaning, aggressive hypermasculinity, an obsession with status, power, and control at any cost, rigid self-sufficiency, misogynistic and domineering attitudes typically ascribed to authoritative husbands, patriarchal fathers, paternalistic landlords, and abusive womanizers. A traditional Hispanic saying embodying some of these attitudes is La mujer en la casa, el hombre en la calle (Woman in the home, man in the street), suggesting a strict differentiation of roles assigned by gender. Mexican folkloric glamorizing of machismo is often found in corridos (ballads) and rancheras (Mexican polkas) where vengeance, drinking, womanizing, banditry, and glorification of male sexual prowess are extolled. Hispanic popular images of this typical macho are personified in the Spanish matador (bullfighter), Mexican charro or cowboy, the Argentinean gaucho, often portrayed as tough (meaning unafraid and unemotional) and full of strength and virility, and the caudillos (military dictators) with their bold and authoritarian presidential machismo, willing to use violence and oppression to achieve their ends.
A form of machismo some consider to be positive denotes a man as head of the household for an entire extended family, and this includes responsible and protective roles as well as the instillment of cultural values of familismo, respeto (respect), dignidad (dignity), simpatia (niceness), confianza (trust), and personalismo. Familismo refers to strong traditional family values that emphasize interdependence, affiliation, cooperation, reciprocity, and loyalty.
Simpatia requires social politeness and smooth relations, which considers confrontations offensive and improper. Proper respect is due to all authority, and it is also displayed in relations with elders (e.g., parents). “Personalismo” refers to the trust and rapport that is established with others by developing warm, friendly, and personal relationships. Latino fathers often pride themselves on children who have developed these cultural values, which make them bien educados (well-educated). In this concept, being good providers, being hard workers, and silently suffering the consequences of both are part of being macho.
Chingón, mandilón, and maricón are three other important constructs in machismo discourse. The Chingón, from the verb chingar, which means to rape or to screw, is a macho type described by Octavio Paz in the Labyrinth of Solitude, and typifies the negative connotations of machismo. Some of the traits include a paternalistic attitude toward family and friends. The chingón does not show his emotions and uses his sexuality to feel virile and alive, thus acquiring manhood through sexual performance. The mandilón, on the other hand, is a male who wears the apron (mandil) instead of the pants, and it suggests a passive man dominated by his wife who has taken his wife’s role. “Maricón” is a pejorative term used to describe the effeminate man or presumed homosexual. Also, the failure of men to perform such acts as drinking, fighting, assertiveness, and heterosexual promiscuity earns the label of maricón.
Marianismo is a female corollary to machismo, and it is a cultural or religious description of the ideal woman as self-abnegating mother. This concept is explained by the veneration of the Virgin Mary, the ideal symbol of virgin and mother, and it presumes that since women are spiritually superior to men, they are capable of enduring all suffering inflicted by macho men. It exalts femininity and childbearing capacity by emphasizing women’s fated long-suffering or hembrismo, as well as the qualities of obedience, submission, fidelity, meekness, and humility. In traditional Latino societies, the macho is given the responsibility of defending family honor by protecting the virginity of wives, daughters, or sisters. These two polarities, machismo and marianismo, along with religion and traditional values have helped shape traditional gender role socialization in Latin America.
There is some evidence that secularization, new Catholic movements (such as Charismatics), as well as Protestantism are quite influential on contemporary gender roles. Since in almost any religion, gender roles and family are vital to its propagation, many scholars look especially to the role of men in family and society as a bellwether of current and future denominational affiliation.
Source: Ortiz, Fernando A., Kenneth G. Davis (2009). Machismo. In M. A. De La Torre (Ed.), Hispanic American Religious Cultures. Santa Barbara, CA: ABC-CLIO, pp. 339-341.
References and Further Reading
Aquino, Maria Pilar, Daisy Machado, and Jeanette Rodríguez, eds. A Reader in Latina Feminist Theology: Religion and Justice (Austin: University of Texas Press, 2002).
De La Torre, Miguel A. “Beyond Machismo: A Cuban Case Study.” The Annual of the Society of Christian Ethics 19 (1999a): 213–233.
Gilmore, David. Manhood in the Making: Cultural Concepts of Masculinity (New Haven, CT: Yale University Press, 1990).
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