this Freddie deBoer thing (the bit about mini-Hollywoods specifically, combined with context from his previous output) is just the latest in a series of rumbles suggesting that the most important effect of Chapo Trap House is that it’s serving as the seed for NYC young media mutual-promotion cliques alternative to the reigning ones that grew out of Mid-2000s Salon/Gawker Media/feminist blogs and have been responsible for so much of the cancer in our culture since they started assuming editorships a few years ago
God, you mean we haven’t escaped yet?