
With approximately 30 years of experience, Kenneth D. Freundlich is a business,
entertainment, and IP attorney, renowned for representing individuals
and companies with his pragmatic aggressiveness, relatability, business
acumen, and ability to handle everything from everyday business disputes
to complex, ground-breaking cases. Ken is licensed to practice in the
state and federal courts of New York and California (among other courts)
and has had notable successes in multiple arenas, from California Labor
Commissioner proceedings, IFTA arbitrations, Copyright Rate Court proceedings,
and Guild arbitrations, to trial and appellate courts (including the United
States Supreme Court).
A proud graduate of UCLA's joint JD/MBA program, Ken is one of the
few attorneys who does not shy away from the quantitative or business
side of cases. Whether it is grilling the opposing party's experts
about complex royalty statements, unraveling a party's intricate corporate
structures and related corporate issues, or negotiating and drafting a
settlement that maximizes a client's bottom line, Ken has the tools
and experience for success.
Areas of Practice
- General Business Litigation
- Artist-Manager Disputes/Talent Agencies Act
- Royalty Accounting
- IFTA Arbitrations
- Guild Arbitrations
- Defamation
- Copyright Infringement
- DMCA/Internet matters
- The "Seven-Year Rule" under California Labor Code §2855
- Termination of Transfer of Copyrights
- Trademark/Trade Dress Infringement
- Domain Name Disputes
- Idea Submission
- Right of Publicity/Privacy
Professional & Community Affiliations
- American Bar Association, Chair, Litigation Section of the Forum on Entertainment
and Sports Law
- Beverly Hills Bar Association, Board of Directors
- Los Angeles Copyright Society, Member
- Harmony Project, Board of Directors
- Singers-in-Law, Founding tenor in dynamic jazz vocal quartet
- Los Angeles Lawyers Philharmonic's Legal Voices Choir, Tenor
Panelist/Moderator
Mr. Freundlich has been a frequent panelist and moderator at conferences
worldwide on many topics including Defamation, Rights of Privacy Publicity,
Copyright issues, Child Labor laws, Communications Decency Act, Royalty
Accounting and litigation update panels given by:
- The Beverly Hills Bar Association, Beverly Hills, CA
- The American Bar Association's Sports and Entertainment Forum
- NEMO Music Conference, Boston MA
- Harvard Law School, Cambridge, MA
- "Perfect Pitch" Executive Seminar, Los Angeles, CA
- CMJ Music Conference, New York, New York
- Future of Music Coalition, Washington, D.C.
- Berkman Center of Legal Studies, Cambridge, MA
- California Lawyer for the Arts Music Business Seminar, Los Angeles, CA
- The California Copyright Conference, Los Angeles, CA
- The State Bar of California, Copyright Section
- USC Entertainment Law Institute, Los Angeles, CA
- Southern Regional Entertainment, Sports and Intellectual Property Law Conference,
San Juan, Puerto Rico
- Billboard R&B Conference, New York, New York
- Practicing Law Institute New York, New York, and Los Angeles, CA
Bar Admissions
- California State Bar
- New York State Bar
- United States Supreme Court
- United States Court of Appeals for the District of Columbia Circuit
- United States District Courts for Central, Southern, and Northern Districts
of California
- United States District Courts for the Southern and Eastern Districts of New York
- United States District Court for the District of Columbia
Education
- J.D. and M.B.A. (joint degree program), UCLA 1985
-
B.A.,
Magna Cum Laude, Organizational Behavior, Brown University 1981
Previous Experience
Ken is the only attorney to have trained and been mentored in New York
and Los Angeles at the premier boutique entertainment litigation powerhouses,
Lavely & Singer in Los Angeles and Parcher & Hayes (now Manatt
Phelps & Phillips LLP's New York Office) in New York. Working
in the crucibles of L&S's and P&H's intense and challenging
atmospheres under the guidance of Peter Parcher, Marty Singer, Jay Lavely
and Steven Hayes, Ken was head first and knee deep in the most complex
litigations whether involving insurance disputes, copyright, right of
publicity, contract, defamation, trademark infringement, artist-management
disputes, talent agency act disputes, profit participation cases, idea
submission cases, partnership disputes, Guild arbitrations, executive
disengagements and labor issues, rights disputes, credit disputes and the like.
In addition to his litigation work, Ken co-produced Paul Simon's Concert
In Central Park in 1991. Ken was also a Board member of Concordia: A Chamber
Orchestra founded by his client Marin Alsop who is now the Maestro at
the helm of The Baltimore Symphony and is one of the world's leading
conductors.
From 1993-1999, Mr. Freundlich had his own Law Firm in New York City representing
such clients as Spacehog, the Spin Doctors, Joan Osborne, Chuck D and
Flava Flav of Public Enemy, the John Lennon Music Awards, The Rock and
Roll Hall of Fame, Marin Alsop, Nadja Salerno Sonnenberg, Leon Gast, David
Sonenberg, James Steinmen, MusicNet, Kool Mo Dee and the producers of
the academy award winning film about Muhammad Ali and George Foreman,
When We Were Kings.
In 1999, Ken relocated to Los Angeles as an Executive Vice President of
Atomic Pop, LLC, an internet-based record company (way ahead of its time)
that sought to provide a platform to distribute entertainment content
through digital media. At Atomic Pop, Ken honed his business skills leading
the company through complicated new media legal and business issues, acquisitions,
strategic and financial planning, syndication, joint ventures and due
diligence management.
After the implosion of Atomic Pop, Ken returned to the private practice of law.