There's more to this story. I was the first person to be interviewed by this journalist (Michael Thomas @curious_founder). He approached me on Twitter to ask questions about digital nomad and remote work life (as I founded Nomad List and have been doing it for years).
I told him it'd be great to see more honest depictions as most articles are heavily idealized making it sound all great, when it's not necessarily. It's ups and downs (just like regular life really).
What happened next may surprise you. He wrote a hit piece on me changing my entire story that I told him over Skype into a clickbait article of how digital nomadism doesn't work and one of the main people doing it for awhile (en public) even settled down and gave up altogether.
I didn't settle down. I spent the summer in Amsterdam. Cause you know, it's a nice place! But he needed to say this to make a polarized hit piece with an angle. And that piece became viral. Resulting in me having to tell people daily that I didn't and getting lots of flack. You may understand it doesn't help if your entire startup is about something and a journalist writes a viral piece how you yourself don't even believe in that anymore. I contacted the journalist and Quartz but they didn't change a thing.
It's great this meant his journalistic breakthrough but it hurt me in the process.
I'd argue journalists like this are the whole problem we have these days. The articles they write can't be balanced because they need to get pageviews. Every potential to write something interesting quickly turns into clickbait. It turned me off from being interviewed ever again. Doing my own PR by posting comment sections of Hacker News or Reddit seems like a better idea (also see how Elon Musk does exactly this, seems smarter).
So yes, I'd argue don't follow this guy's path, instead be nice, honest and write interesting articles. It might take longer but you'll have more karma and long-term more success. And maybe you can convince me to do interviews again, some day :)
I had a WSJ journalist threaten me if I don't participate he'll write whatever he wants. Another NY Times journalists wrote completely made up stories and sold their version of it to the public. I really don't like the media, a bunch of bullies and slimeballs.
Some years ago my father was interviewed for a local newspaper about the stadiums that Portugal had to build to host "Euro 2004", an European soccer cup. He said that he didn't like that the government decided to spend a lot of money on it, etc.
A few days later the interview came out, and it was fully reversed, saying that he agreed with the stadiums and that it was a good opportunity for the country, etc. My father is not a know figure, nothing like that, but changing the content entirely??
Thanks for sharing that painful incident. Almost anyone who has been directly involved in a story ends up being unpleasantly surprised by the outcome. It is why I don't mourn the deaths of so many media outlets. They earned it.
This happens really often and with much renowned publications (NYTimes, Washington Post, Guardian, La Repubblica are just a few that I've seen ppl complaining about similar behaviour) so much that it made me think that if you don't have control over the final draft, sometimes is better to avoid it all together.
If we want to combat clickbaiting, we need to stop making websites profitable the more they're read. If we take action to install uBlock (blocking) or AdNauseam (fake clicking), we make it at least less effective. In the latter case, we turn it around.
So this isn't entirely true either.. Here's my take:
What I did wrong
- I didn't run the quotes by Pieter before publishing. I was on a tight deadline, and I simply skipped this step. That was a mistake, but not unethical. Journalists are not required to run quotes by their sources. I only quoted from what Pieter told me. Those who want to verify can hear the whole interview here -- https://drive.google.com/file/d/0B8k8VS_zkdqYVGx3U01JU0xaYXc...
- I simplified Pieter's story to fit the narrative I thought I saw. I was blinded by what I thought sounded like a good story. So when Pieter said he had stopped traveling temporarily, I simplified that to "He stopped being a nomad." While he had stopped traveling when I spoke with him (he was in Holland when I interviewed him), he didn't intend to stop traveling forever. When Pieter reached out (and called me lots of pretty harsh names), I emailed the editor and we issued a revision. You can see this in the story.
What I didn't do wrong
- For the last couple months Pieter has tried to tell everyone that will listen on Twitter what a shitty person I am. He's called me harsh names. He's questioned my ethics. And he himself has simplified a story: that I'm a clickbait seeking journalist with no experience and no morales. This has obviously been pretty hurtful. I've gone to sleep shaking with anger and sadness (partly because I know I made mistakes in my first-ever published story and I'm insecure about that, and partly because reading Reddit threads where people call you a fucking idiot just hurts). I don't believe I was unethical in any of this. As I mentioned, I used direct quotes and told the story that I heard over Skype.
- Pieter implied in this comment that I didn't write the truth and that I am embody what is wrong with journalism today. He compared my story to "fake news." I think this is a stretch. Again, I could have written a more comprehensive story if I had more than 800 words and 48 hours. But I don't think any of this can be compared to "fake news." My intent wasn't malicious, and I sought to tell the right story. None of what I wrote was untrue. Pieter just felt that it wasn't the entire story. This is common with profiles.
- Pieter also mentioned that I did this for "clicks" but this story was written at a time when I was taking time away from marketing and business. I had no vested interest in the page views my story on Quartz got. I don't even know how many it has. Again, I think this is an oversimplification of a complex human being.
I've tried to reach out to Pieter before, but he blocked me on Twitter. So because I know you are reading this here's my message: "Shoot me an email (mthomas dot denver at gmail) if you want to chat. I feel bad about the mistakes I made. But I don't want you always lurking over my shoulder ready to tell the Internet what a shitty person I am. I made mistakes that anyone new to a field could make. I had no malicious intent, and tried to correct the story when you asked. Please stop writing mean things about me and making me feel bad. I'm a human being with feelings and emotions."
As a trained writer but not a journalist, I feel there are two noteworthy points to consider in this rebuttal.
The first is what set me off so terribly at Avi Selk, formerly of the Dallas Morning News, and now at the Washington Post, based on his framing of the Ahmed Mohamed "Clock Boy" story at first [1]. Here's the admission:
>I simplified Pieter's story to fit the narrative I thought I saw. I was blinded by what I thought sounded like a good story.
...which is an admission I think is about on par with Stephen Glass-level of integrity, and should be a footer on any resume sent out to potential editors in the future, enjoined with the second:
>Pieter implied in this comment that I didn't write the truth and that I am embody what is wrong with journalism today. He compared my story to "fake news." I think this is a stretch.
...which basically shows there is an integral lack of self-critical thinking, because the first quote is essentially an admission that the second quote can't bear to live with.
Again, I look at these situations as an outsider; I am grateful to not be involved in the business of "reporting" or "journalism" because in modern times I think they have very little inherent credibility prima face. Major news trends and outlets are running with emotionally charged, "I feel this is the story" which isn't journalism. I know when I'm writing an emotionally based hypothesis and try to frame it as such - unfounded speculation, idle musings...
This back and forth is unfortunate but enlightening in how there are a whole lot more details to a story than what one person believes is "the right story" by way of writing. I suppose that's why "marketing" and "journalism" are kind of sort of screwing each other without second thought.
I disagree pretty strongly with your first point. For starters, Stephen Glass wrote literal fiction; Michael Thomas is, at worst guilty of misrepresenting an otherwise true real-life situation. Glass is among the most notorious fabricators of all time -- we're going to start invoking comparisons to him when something doesn't line up exactly like we think it should?[
I may be off-base, but I think it also seems like you're objecting to the idea that the reporter was trying to fill out a narrative in his story. Even (especially?) good journalists look for the "bigger picture" -- otherwise they're just asking people questions and typing their answers. A narrative is what we expect from journalism. If he changed pieces of Pieter's story to "fit," then yeah, that's a mess, but I'd expect tech people especially would be accepting of the idea that sometimes you have to leave out some of the details of something complicated.
Slightly surprised that you weren't willing to include the criticism (and your side) in a 'How I Got Published In The Atlantic' article. Instead you chose to tell the heroic story of someone who hunkered down for a couple of months and cracked the code.
The mistakes you made may seem trivial - but they aren't dissimilar to the ones that brought down the careers of Jonah Lehrer and Johann Hari.
Only mentioning it now when challenged damages the credibility of your OP (which is a shame, as it's well written.)
I read your how-to article, and enjoyed your writing. And I came away with the impression that Pieter (who I had never heard of before) had chosen to settle down in Amsterdam, as in buying a house or somesuch. I wasn't interested enough in digital nomadism to go and read the article about him, but I thought I might read it over the weekend.
then I come here and discover that Pieter was just spending a few months in Amsterdam (and as he said, why wouldn't you if you had the opportunity), followed by your side of the story, which by now is taking on a life of its own, perhaps to the be the subject of its own article one day.
Look Mike, you may have made a rookie mistake (or several of them) on your first story, but by the time you wrote this how-to guide you were aware of both the errors and the fact that the errors seriously pissed off the subject of the article and his fans. And yet here you are, still telling the story about about how you got your ass in gear, pitched a story about a digital nomad who settled down, and mention that in the process of writing it you learned additional detail. I would never have guessed form this that you put your foot in it and it resulted in some negative publicity for both your subject and your publisher.
That's not cool. While most of the facts in the story are true, your idea that they can be subordinated to support the narrative that inspired you is bullshit, in the technical sense of a disregard for the factual rather than a deliberate untruth. If you feel the facts should fict the narrative then don't call yourself a journalist. Write fiction whether wholly invented or dramatized versions of real events, or advertorials, or whatever. In journalism facts have to be subordinate to narrative even if that means your story hook breaks.
Now, I feel an literary theory argument coming back towards saying that all journalism is inherently subjective and contains narratives, but you're not writing for an audience of ironically detached English majors who want a nice think piece with some amusing stylistic flourishes, you're writing for a general audience whose primary interest in your article is the actual subject matter. Your job as a writer here is to adapt everything to the truth of your subject. 'Globetrotter takes a breather' isn't quite as compelling a hook as 'nomad settles down' but it's up to you to mine those more prosaic facts for whatever gems of human interest gleam therein.
And please don't use the 'tight deadline' excuse. It was your first story, yes? So you either leave yourself some wiggle room or be extra extra careful to represent your subject accurately. While your feelings and emotions have been hurt by Pieter haunting you on the net, how much worse do you think he felt to see an inaccurate portrayal of himself in a prestigious nationally read magazine, which readers default to taking at face value? I'm going to give it to you straight: he's haunting you because you fucked up, you're compounding your fuckup by glossing over it in your personal marketing, and you're compounding it again by relitigating the issue in public. Everyone makes mistakes, but how you handle them is what makes you a professional as opposed to a hack.
When you fuck up at work, especially if you're freelance, you need to take the same approach you would with a family member or spouse: own it, apologize, and then shut up. It's possible that nobody has told you this, and you're also surrounded by cultural signifiers of people who built whole careers (and possibly now administrations) on peddling bullshit, but I'm pretty sure that you didn't agonize for years over your desire to be a writer so that you could peddle a slightly different flavor of bullshit, did you? Now that you've figured out how everyone else sells stories, you need to find a different and better way to do that. There are lots of techniques that work in terms of getting readers' attention, but ultimately end up shortchanging them - bathos, hyperbole, burying the lede, and so on. It's true, you need a hook and you need to bait it with something so readers will bite and you can get paid. But the day taht the fish start to think your bait always smells a bit off, it's over.
You are misinterpreting what he said and then saying no one cares about it, this makes no sense. He's not saying he was unethical by accident, he's rightly asserting that reporters have no obligation to make sure sources approve of the quotes being attributed to them. Sources don't get to copy-edit stories, especially ones they're a part of.
> I simplified Pieter's story to fit the narrative I thought I saw. I was blinded by what I thought sounded like a good story. So when Pieter said he had stopped traveling temporarily, I simplified that to "He stopped being a nomad."
These are the key three sentences, which indicate to me that you will likely have issues developing a career. He bloody said temporarily. You damn near libeled the subject by changing that to your narrative. One is a temporary decision and the other is a complete lifestyle change which, oh, by the way, he has built his entire life and brand around. His alleged lifestyle change was the whole basis of your story. I'm amazed Quartz didn't retract you. This seems open-and-shut retract and rereport to me, but then again, I'm not editing Quartz and I don't have all the information.
Why are you able to feel that you missed something now? Why did you miss this during your reporting? Did you not ask the right questions? Did you pull a Erdely and write TO a desired narrative with the thinnest of support? Every answer arrives at you and is troubling, especially that you're so willing to engage the subject in public to the extent that he blocked you. You're arguing with a subject and trying to skirt his blocks in a public forum. Step back for a second and think about that; your value as a journalist is solely what information you can develop from your sources, and why would anybody source for you after this?
The tone of your self-promotion itself already gave me pause that you are pursuing journalism for the wrong reason. You have a worrying penchant for muddying marketing and journalism, and that your first hero piece was taken as a hit by the subject only reinforces that.
I don't know if I'd compare you to Glass yet, but my Erdely bells are ringing while reading all sides. There's nothing wrong with being a marketer, which seems to be your skill set and that's fine. Be very, very, very cautious translating that to journalism, though, especially since you're a few bylines in, ostensibly without training, and explaining journalism in the comments here. And blaming deadlines for grievous journalistic missteps. And claiming this sort of reaction from a subject is common for profiles. All of this greatly concerns me.
> Please stop writing mean things about me and making me feel bad.
The irony.
Also, if one subject of one story got under your skin as far as you have claimed, abort journalism as a vocation immediately. You are going to destroy yourself when the stories get bigger and controversial. Your first death threat is waiting for you in the future, so either steel yourself to the opinion of others or accept that you're not cut out for it. Imagine if you had recently "gone pro" and were assigned to the Trump campaign.
(Former short-lived investigative journalist. I was sent a link to this comment section by a metro editor friend with some unkind commentary added, by the way, so your self-promotion might be slightly backfiring.)
As someone who talks too much though isn't as successful as you, thank you for responding to that in a public forum. It is good to see both sides, hope you guys work something out.
That being said, if he's unhappy with the way you framed the story and you understand that, isn't it inappropriate to continue using the digital nomad story in ongoing pitches (this one included)? It's not obvious you aren't echoing the same message that he disagrees with. Just to reiterate, this is straight from the article:
"Did you hear that Levels is settling down in Amsterdam? Apparently the father of digital nomadism is no longer a nomad."
You are still benefiting off of his story. Isn't it more productive to not use that example anymore? Here he is saying "I didn't settle down", and without any context (this forum) a reading of your article today gives the impression he has. It's inclusion in the story is not dishonest or obvious wrong, but it doesn't seem right either.
Don't take my comment here as a rebuttal to the facts in your specific case, but I want to point out that the core concept of what journalists do is to filter and summarize. A journalist will never tell the whole story because that is not their job. In a good story, I see my published-output to total-reportage ratio to be about 5% or less, i.e. very little of what I've researched and reported makes it into a published piece. In a typical hour-long interview, only maybe a few minutes of what was actually said may be represented. But ostensibly, that's because the other 55 minutes helped inform me what the relevant 5 minutes are.
That said, even in positive stories, sources will call me back and express surprise/disappointment that, for how long I talked to them, they were just a single paragraph in my bigger story. I see it similar to the surprise people have when they hear how a good programmer, ideally, puts out an average of a few lines of code a day. The work is not just about what you physically put out, but what you leave out.
Tangentially, it's worth noting that some stories may change midway when more facts are known, and the interview subject doesn't realize that the direction of the story changes. Once I was asked to write a routine profile of a well-known business owner. I stopped by his office and had a very nice interview with him. Then as part of my regular routine, I did a quick check of court records to see if his or his company's name showed up. And it turned out there was a recent case filed by an employee making serious allegations of mistreatment and sexual discrimination. So I called the CEO again and asked him to comment on that, and he expressed displeasure that, rather than telling the story of how great his company was, I chose to focus on cheap linkbaity sleazy distortions.
If you hear his side of the story, it's going to sound like I betrayed him to follow my own SJW-narrative to get clicks. That was not the case at all -- I was just a newbie and had no problem writing a happy story. If I had chosen to completely ignore the complicated, negative facts, then it's fair to argue that I was still pursuing a "narrative", one in which everything was going hunky-dory with the company, rather than life being complicated and messy.
That said, there are what I consider to be sketchy practices when it comes filtering: when the reporter deliberately misleads you into why they're interviewing you, e.g. telling you they want to do a profile about your awesome volunteer work when really, the story is about you being accused of crimes. And also, choosing to quote you out of context, or using the "sexiest" quote just because it's sexy-sounding, not because it represents your story well at all.
Again, not a commentary on your specific case. Just more of a reaction to others who think it's shady when journalists don't tell the "whole story". Journalists never tell the whole story. That's an impossible feat, even if it were desirable.
I told him it'd be great to see more honest depictions as most articles are heavily idealized making it sound all great, when it's not necessarily. It's ups and downs (just like regular life really).
What happened next may surprise you. He wrote a hit piece on me changing my entire story that I told him over Skype into a clickbait article of how digital nomadism doesn't work and one of the main people doing it for awhile (en public) even settled down and gave up altogether.
http://qz.com/775751/digital-nomad-problems-nomadlist-and-re...
I didn't settle down. I spent the summer in Amsterdam. Cause you know, it's a nice place! But he needed to say this to make a polarized hit piece with an angle. And that piece became viral. Resulting in me having to tell people daily that I didn't and getting lots of flack. You may understand it doesn't help if your entire startup is about something and a journalist writes a viral piece how you yourself don't even believe in that anymore. I contacted the journalist and Quartz but they didn't change a thing.
It's great this meant his journalistic breakthrough but it hurt me in the process.
I'd argue journalists like this are the whole problem we have these days. The articles they write can't be balanced because they need to get pageviews. Every potential to write something interesting quickly turns into clickbait. It turned me off from being interviewed ever again. Doing my own PR by posting comment sections of Hacker News or Reddit seems like a better idea (also see how Elon Musk does exactly this, seems smarter).
So yes, I'd argue don't follow this guy's path, instead be nice, honest and write interesting articles. It might take longer but you'll have more karma and long-term more success. And maybe you can convince me to do interviews again, some day :)