Judd Apatow has completely ruined American comedies. His movies wouldn’t bug me if they were self-contained but Apatow’s movies have infected all of Hollywood and have subsequently killed any sort of comedy that may have existed before him. Nearly every comedy in the past decade has his stink on it. Why is this bad? Because Judd is a beta male.

Why do I bring this up? It’s because Judd’s beta-ness permeates every second of every film he makes. Every male main character in his movies is pathetic, like him. His movies are a reflection of what he believes, what he lives, and ultimately what he is.

Unfortunately, his movies make a ton of money.

So they aren’t going anywhere soon. In a nation where divorce is the norm, single women are empowered and masculinity is constantly discarded and even laughed at, a guy like Judd appeals to a ton of pathetic losers who think if they are nice enough to Debbie D-Cup they can have her. I mean, Judd is married to an attractive actress, right? It must work!

Wrong

Analyzing Judd’s Marriage

You see snippets from Judd’s married life in his films as he admits that he takes slices of his own life and puts them into his films. But nowhere do we get a window into the horrible marriage that is Judd Apatow and Leslie Mann then we do in This is 40 (2012). This film is loosely based on the actual marriage of these two and Apatow has said, “it is based on emotional feelings that we have that we talk about all the time.” This is a clever way of saying that this movie will bore the shit out of you. Pete (Paul Rudd) is supposed to represent Judd in this movie and, let’s be honest, that really is giving Judd a lot of credit. There’s one line that perfectly sums up Judd and Leslie’s marriage from this film: “I’m the only one around here who has any balls.” And she’s right. Judd is basically a woman and Leslie becomes the man to fill the void. Do you ever wonder why when you see a lesbian or gay couple one of them acts like a man and one acts like a woman? It’s because you need a masculine/feminine balance. Judd is the woman, Leslie is the man. It’s pathetic. When Leslie Mann was asked about what advice she would give to her daughters when they started dating she said “they will just end up with a nice guy like their dad.” That’s her advice. That’s what happened to her, that’s what she believes will happen to her daughters.

In courting Leslie, Judd sounds like the typical loser guy. They met on the set of The Cable Guy and Judd would send his sister over to Leslie’s trailer to tell her about “all the hot girls Judd was dating.” She obviously didn’t care but he eventually asked her out to a basketball game. After dating a string of “losers” Judd was a step up from the homeless guy she was currently dating. She only dated the homeless guy because “he was really cute” and “he didn’t really like me that much.” Sound familiar? After being pumped and dumped by literally homeless men, Leslie could now settle down with her beta, who would never dare to leave her. She has all the control and she knows it. And Judd thinks he’s the winner in this scenario.

Anyways, now that we know how he got her, let’s get back to how fucked up everything is for him. If This is 40 is a slice of married life, everyone should just kill themselves or never even consider marriage. However, despite Judd’s malicious attempts to indoctrinate the entire world into his beta lifestyle, I don’t think it has to be this way. And it shouldn’t. One of the best lines of the film is during an argument Pete says “we’re like business associates. We’re like brother and sister.” I almost feel bad for the guy but he did it to himself. When they invite Desi (Megan Fox) over for Pete’s birthday party, Pete and his friend just awkwardly stare at her while Leslie and her friend comment on the situation. Her friend asks, “aren’t you worried that Pete will do something?” to which Leslie says, “Pete (Judd) wouldn’t know what to do with that.” She sees him as less than a man and it permeates everything he does. He’s a castrated man walking around thinking that he won the lottery. And his entire life is built upon you accepting this for, not only him, but yourself as well.

The 40 Year Old Virgin (2005)

This is Judd’s directorial debut and if we only knew what this would spawn someone would’ve assassinated him. The movie is completely unrealistic mainly because a guy that looks like Steve Carrell does not go 40 years without boning. This should’ve been a dark, disturbing movie. But it’s light and fun and chipper and his only quirks are collecting toys and playing video games. You are taken out of the film immediately because of this. I’ve seen documentaries on old virgins and they are all universally the same: incredibly socially awkward (Carrell isn’t), fat (Carrell isn’t), and genuinely pathetic (Carrell isn’t). To ask us to believe it takes a lot more then what Judd gives us. One of the first lines after Carrell’s friends find out that he’s a virgin is him explaining that “I respect women. I love women. I love women so much that I stay completely away from them.” This is an important line as it prompts several characters throughout the film to tell him that he’s “putting the pussy on the pedestal.” Which is true. When Carrell finally goes out with the woman he would go on to marry in the film she says that “she never goes out with nice guys like you.” Art imitating life. I would bet money Leslie Mann said this to Judd when they were dating. Later in the film, Carrell finds out that Trish (Keener) has been hiding the fact that she has kids and one of her kids has kids making her a grandma. Carrell’s reaction to this is predictable: “why should I care that you have kids?” Yes, why should you care, beta? Why would you want to lie in another man’s filth? All loser guys say this. They say her past doesn’t matter. They say her number of sexual partners doesn’t matter. They want to convince you of this and make it normal because that is what they deal with every day. Judd has contempt for guys who are comfortable in their own skin and whose lives don’t revolve around pleasing a woman. At one point Jay (Malco) breaks down because he had been cheating on his girlfriend and she found out. Carrell asks him why he did it if he loves his girlfriend. His response: “it’s because I’m insecure, can’t you tell?” Because in Judd’s mind, the only reason to cheat is because you’re insecure. More projection.

From here Judd went on to Knocked Up (2007)

The characters from This is 40 appear in this film as well and you get even more insight into Judd’s terrible marriage. Leslie Mann at one point says “you criticize them a lot and then they get so down on themselves that they change.” Rudd’s character says that “marriage is like an unfunny episode of Everybody Loves Raymond.” Sounds like a healthy relationship. But this is what Judd wants for everyone. He thinks he’s happy and he’s going to push this feminist crap down our throats in perpetuity. Knocked Up is about a morbidly obese loser who impregnates a hot and successful entertainment reporter. Since Judd regularly works with rapists like Lena Dunham, it’s not surprising that the entire premise of the film is predicated on rape. Ben (Rogen) meets Alison (Heigl) at a bar and then proceeds to get her drunk and takes her home to have sex with her. Doesn’t every feminist consider this rape? But yet even Judd knows that the only way someone as horrifically ugly as Seth Rogen would need copious amounts of liquor in a woman for her to even consider having sex with him.

Believable couple.

Of course, because Judd makes unrealistic movies for betas, they end up together in the end. Nothing that Rogen does in this movie would win any woman over in the history of civilization. He does things like propose with an empty box, says awkward sex jokes constantly, embarrasses himself and her in front of friends and family, and is constantly self-deprecating. Whenever they fight, Ben just blames it on her hormones. Ultimately all of Judd’s movies are misogynistic and have probably even ruined lives. How many women watch his movies or the movies he influences and go down this path of female empowerment and ultimately end up miserable? He’s the ultimate white knight.

Funny People (2009)

Funny People is one of the most bizarre films ever made. It has no structure, no real plot and like all Apatow movies, isn’t funny. That’s his biggest crime in all of this. Nothing that he makes is even remotely funny. In fact, RZA says it best when Seth Rogen is telling him he wants to get into comedy “you’re not funny.”

Seth Rogen lost weight in between this and Knocked Up. He still looks like shit but isn’t morbidly obese anymore. What happens? Constantly ridiculed. The entire movie his friends make fun of him. “No one can laugh at a skinny guy” “You were better when you were fat.” Why do they do this? Because betas hate to see anyone better themselves. I’ve dealt with this personally and you have to cut these people out. Just like you should cut out Apatow from your movie watching.

Judd casts his wife in nearly everything he makes. And he always has her doing something sexual with one of her co-stars. But here, Judd goes full cuckhold when he has his former roommate and friend Adam Sandler perform oral sex on his wife. I think he gets off on it. It’s disturbing to watch and it’s the only time I’ve watched his movies and actually felt bad for the guy.

Trainwreck (2015)

This movie is going to be what Judd makes from here on. It made a ton of money, got a lot of great reviews and no one seemed to hate this. But me. Judd has now progressed from full on beta to SJW cuck at this point. He’s producing Lena Dunham’s Girls on HBO and seems to defend her whenever he has the chance despite her being a child molester rapist. I predict Judd will make many of these female empowerment movies going forward. You’re already seeing it with the Ghostbusters remake. Women are men now. They even cast Thor as a secretary. It’s not going to stop until people stop wasting money on this shit.

Trainwreck is less believable than Abraham Lincoln: Vampire Hunter. It follows an obese woman who sluts around NYC (Gavin McInnes calls NYC where ovaries go to die) and seems to not have a care in the world. This movie sends a dangerous message to women. Women who behave like this do not end up with doctors like this movie would lead you to believe. Fat, ugly, alcoholic cumdumpsters stay that way and typically turn to cats for companionship. To show women that they can sleep with hot guys, disregard their body and hygiene and still end up with a doctor is disingenuous and evil. Who knows how many women were corrupted by this and will ultimately end up miserable because of Apatow? What is the price to pay for “empowerment.” And why is it that these “empowered” women are universally miserable. They track people’s happiness in this country and ever since the rise of feminism in the 60’s, women’s happiness has plummeted. It’s so low now that 4/5 anti-depressants are taken by women. But this is the world that these SJW betas want for all of us. A world where men are women and women are men. Gender doesn’t matter, sexual preferences don’t matter and ultimately culture doesn’t matter. These movies are evil and trash made for faggots.

But why do Judd Apatow’s shit movies matter, you ask? Because nearly every comedy made nowadays has his stink on it. Twenty years ago we had Dumb and Dumber. What was great about that movie is that they are losers and the film never redeems them. They are still losers in the end. Now, the losers become the winners by doing nothing. They never earn the winner status that Judd foists on them, they just become winners by being themselves. Comedies nowadays are just awkward sex jokes and awkward beta male interactions that make you cringe. The funniest movie made in the past decade was The Wolf of Wall Street and that wasn’t even a comedy. And because these movies make so much money, it will never end. Wake up, sheep.

Fuck Judd Apatow. He’s a beta white knight piece of shit. Stop watching his movies and stop supporting this fucked up society he wants to create.