CGクリエーターの宮内貴広さんと岡田拓也さんが製作した短編アニメ『東京コスモ』が、海外で話題だ。独身女性の日常生活の一コマを、ピクサーのようなCGで表現。北米最大級のアニメ紹介サイト・アニメニュースネットワークが「抜群のクオリティ」と紹介したほか、海外ソーシャルメディア関連の最先端情報を発信する「Mashable」や、イタリアのギークサイト「Orgoglio Nerd」などが、「まるでピクサー」などと報じている。
岡田氏らはこのアニメーションの制作課程をニコニコ動画に投稿。実写画像やビデオコンテがCGになる様子を紹介している。
なお、同作品は、TBSが主催する短編アニメーションコンテスト「DigiCon 6 ASIA」にノミネートされている。DigiCon 6は観客が優秀作品を選ぶコンテストで、11月6日まで投票を受け付けている。
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The studio has lured some pretty good gets from celebrities either looking to impress their kids or earn a stable residual check, but Paul Newman is the cherry on top... or should that be the salad dressing?
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Even amid the intense pressure to keep topping themselves movie after movie, some of the studio's best and brightest find time to voice a character or two, as did the late Joe Ranft who helped define modern animation.
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The sardonic postal worker from "Cheers" has found a home in every single Pixar movie, and neither snow nor rain nor heat nor gloom of night stays him from doing so. His bad guy straight out of Jack Kirby-era "Fantastic Four" is the hilarious punchline of "Incredibles."
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"Lawrence of Arabia" himself lent an extra air of gravitas to the stuck-up food critic who gets magically transported back to his childhood via a simple peasant dish.
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For years comedian Patton Oswalt used Brian Dennehy as a punchline in his act, so it was fitting that the great character actor should wind up playing his garbage eating, philistine rat of a father.
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"My name is Dug. I have just met you, and I love you." Right back at ya, Dug. Right back at ya.
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Pixar knows how to do cute, no question, but when Sully walks through that door at the end of "Monsters Inc." to Boo's bright exclamation of "Kitty!" we dare your heart not to melt.
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Jason Lee's dastardly Syndrome managed to wipe out a whole slew of superheroes, but Ned Beatty's pink plushy Lotso ran the Sunnyside toy room like an SS officer.
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Even cartoon characters need some delicious-looking arm candy when they're walking down the red carpet, digital be damned. While all these lovely ladies have got the goods (and you, Ken), the carnal potential of Holly Hunter's bendy/stretchy Elastigirl seems downright limitless.
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What hero would be complete without their stalwart companion to get them out of some serious jams? Trouble is they're often so gosh-darned likable they wind up stealing the show, like Ellen DeGeneres' Regal tang did from Albert Brooks' neurotic clownfish.
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Every film in the Pixar canon has a central, defining character that has gone on to become an icon in their own right. While Tom Hanks' cowboy doll straight out of the '50s will always be the gold standard for lovability, each new hero, be they a rat, fish, robot, or superhero, is as unique as the one who came before.
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