The first day of Lollapalooza was basically goo goo for Gaga day. The line up was stacked with glam, synth-heavy, dance-loving bands leading up to the fashion icon’s performance and the crowd was packed of Lady Gaga wannabes. They could be found flooding performances by My Dear Disco and Semi Precious Weapons at the BMI Stage. Whipping it good to Devo and continuing the dance with Hot Chip before the queen’s own show.

However, though the blonde wigs and pleather jackets reigned supreme, there were still plenty of fans gathered rocking real leather jackets and tight black jeans, while they waited for their beloved the Strokes to reunite on the Budweiser stage. These were the fans that could be found singing along to “Dominoes” with the Big Pink or chilling on the lawn with the Black Keys. These were even the hipsters at Wavves and the Dirty Projectors.

And of course, you did have a smaller crowd that was prepared to bounce between both headliners.

For me, my day started with Chicago’s own BBU. I had flown in to Chicago from Kansas City and immediately hopped on a CTA train to drop my bags off where I was staying before heading to the fest. The train was packed and I was wedged between baseball and music fans. At one stop a large posse of people hopped on the train shouting, “Lolla, lolla, lolla.” They tried to get the train to join in. One of the women in the group laughed and shook her head, pretending to be embarrassed by the boys’ antics, but still having a great time. The group asked who was heading to the fest then revealed that they were BBU and that they’d be performing on the Perry’s Stage. Some older woman on the train, who had probably never listened to hip-hop before, asked what they sounded like and if they could sing for us. Guess what? They did. A very brief little rap before more chants of “Lolla!” It was fun, rather than annoying, to have the ride disrupted by this group and I was glad I got to have this unique introduction to a group that I probably would have otherwise skipped.

Eventually, I made it to my stop and dropped my bags off at my friends. Then it was immediately back on the train to ride to Monroe and the fest. Train delays, and then a ridiculously long walk to the press check-in meant that I missed more morning acts (These United States, Wavves, Javelin, Foxy Shazam, etc) than I would have liked and my feet were already sore before even walking to a single stage. I booked it to catch the tale end of the pop rock piano tunes of Jukebox the Ghost. The DC-trio plays songs that I think puts Ben Folds to shame. I stuck around waiting on My Dear Disco to take over after them on the BMI Stage. I had just spoken to the group the day before, and was excited to see that their music lived up to my expectations: unique instrumentations to craft fun dance songs that got the crowd moving despite the heat.

I then went on a trek down to the Hard Rock Hotel to grab a tasty bite to eat and a few drinks, while enjoying an acoustic set from the Constellations. This was the perfectly blend of jazz, blues and rock to accompany my meal. All the vocals blended together perfectly and single “Felicia,” was so upbeat and catchy, that I completely forgot my veggie wrap because I was so absorbed. After their set, I explored the rest of the music lounge. People were getting tattoos, enjoying DJs, getting massages, and having their hair-styled. It was a pretty sweet set up, but there was still plenty of music to be heard back at Grant Park.

Perhaps the most talked about incident of the day happened about midway through Friday. Gaga tour mates Semi Precious Weapons were owning the BMI Stage when the headliner herself joined them on stage. She did some impromptu drumming and singing, a little provocative dancing and then ended with a stage dive into the crowd. Insane! It was a great treat for the smaller crowd gathered there while the indie kids were listening to Neko Case sing with the New Pornographers and a little bit of an older crowd broke out their dome hats with Devo.

For me, the highlight of my day was the BMI Stage, but it was the performance of Neon Trees that I thought was the best. These guys are poised for success with their easily accessible songs perfectly crafted for singing and clapping along. Tyler, the lead singer, knows how to hold the crowd in the palm of his hand – or even the claw of his hand. He really takes the single, “Animal,” to heart and rawrs and claws at the audience. The band has the added perk that it not only sounds a bit like The Killers, but it also was discovered by the Killers.

Since I’ve seen the Black Keys multiple times this summer I excitedly ran over to watch Hot Chip. Fully ready to dance, I was a bit disappointed with the performance. Sure, Hot Chip played the singles and songs you wanted and yeah, it was cool to hear them dedicate a song to Gaga, but they were boring. They never moved. How can a dance band expect people to dance if they don’t even want to move to their own music? For all I knew, they were just playing CD recordings because there really was no reason for the band to be on the stage. Continuing the disappoint was Chromeo. Lots of lights, and it wasn’t so bad when it was just the music, but the vocals, I could have done without. They were obnoxious, repetitive and just didn’t offer anything of substance. I was more than over their nonsense and ready for my headliners: Lady Gaga and The Strokes.

I’m still processing the spectacle that was Lady Gaga, so check back in a few hours once I have my thoughts sorted. For now, enjoy a few photos from the performance.

Lady Gaga, Lady Gaga, Lady Gaga. What to say? Gaga’s Lolla show is pretty much the spectacle that she’s been touting across the country for her tour. It’s a mix of an actual concert and a Broadway production. The plot of the show is that Gaga and posse have to get to the Monster Ball-an incredible place where you can be your true self-but the car is broken down. Gaga, of course, says she can save the day and goes to tinker and play around in the engine, which doubles as a piano. The staging is cool, but it is all just a bit over the top as well. Dramatic pauses that lasted uncomfortably long left you praying that she’d just start singing already; gross, bloody photos graced the megascreens; and then there were motivational speeches. Oh My Gaga the speeches. Look, I give the lady props. She actually has some talent and knows how to work a crowd. Heck, she really knows how to work a piano. But the near-crying routine? I didn’t realize this was some weird motivational speaker I was watching. I thought I was supposed to at a concert. Too much. When Gaga started going off on how inspirational we all were and she started tearing up, that’s when I bailed. I needed music and I needed it to rock. Fortunately, the Strokes had me covered. It was moreso a visit to the classics of their catalogue, so sorry that I can’t give anything away about what to expect from a new Spring album. All that matters is that they still sound amazing, they kill the guitar solos and damn, is it good to have their no-nonsense rock back.

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