*³Æ¥»¥¯¥·¥ç¥ó¤´¤È¤Ëºî²È̾(À«)¥¢¥¤¥¦¥¨¥ª½ç¡£Å¸¼¨¤µ¤ì¤Æ¤¤¤ë¾ì½ê¤Ë´ð¤Å¤Ê¬Îष¤Æ¤¤¤ë¤¿¤á¡¢°ìÉôÀ©ºîǯ¤¬Î¥¤ì¤Æ¤¤¤ë¤â¤Î¤¬Æþ¤Ã¤Æ¤¤¤ë¾ì¹ç¤¬¤¢¤ê¤Þ¤¹¡£
²»À¼¥¬¥¤¥É |
Ÿ¼¨´ü´Ö |
ºî²È̾(ÏÂ) |
Âê̾(ÏÂ) |
À©ºîǯ(c.=¡Áǯº¢¡Ë |
µ»Ë¡ |
»Ù»ýÂÎ |
ºî²È̾(±Ñ) |
Âê̾(±Ñ) |
Ÿ¼¨¾ì½ê |
´ó£¡¦´óÂ÷ |
µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten |
|
|
ÀÄÌÚÈË |
±¿Ì¿ |
1904 |
ÌýºÌ |
ÈÄ |
AOKI, Shigeru |
Destiny |
ËÜ´Û4F |
|
|
|
Ç߸¶Î¶»°Ïº |
²«¶â¤Î¼ó¾þ¤ê |
1913 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
UMEHARA, Ryuzaburo |
Gold Necklace |
ËÜ´Û4F |
ºî¼Ô´ó£ |
|
|
ÂÀÅÄ´îÆóϺ |
¿·ÎФκ¢ |
1911 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
OTA, Kijiro |
Season on Fresh Green |
ËÜ´Û4F |
ÂÀÅĵƻ޻á´ó£ |
|
|
µÆÃÓ·À·î |
̾»ÎĤÁò¡Ê¤á¤¤¤·¤Á¤ç¤¦¤½¤¦¡Ë |
1908 |
ºÌ¿§ |
¸¨ËÜ |
KIKUCHI, Keigetsu |
Lamenting over the Tomb of a Sage |
ËÜ´Û4F |
|
|
|
·§Ã«¼é°ì |
ȾÍçÉØ |
1904 |
ÌýºÌ |
ÈÄ |
KUMAGAI, Morikazu |
Half Naked |
ËÜ´Û4F |
Àî¾å½ß»á´ó£ |
|
|
ºäËÜÈËÆóϺ |
»°·îº¢¤ÎËÒ¾ì |
1915 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SAKAMOTO, Hanjiro |
Dairy Farm about March |
ËÜ´Û4F |
´óÂ÷ºîÉÊ |
|
¸å |
²¼Â¼´Ñ»³ |
¥À¥¤¥ª¥¼¥Ë¥¹ |
1903 |
ºÌ¿§ |
¸¨ËÜ |
SHIMOMURA, Kanzan |
Diogenes |
ËÜ´Û4F |
|
5 |
|
¿·³¤ÃÝÂÀϺ |
¤æ¤¢¤ß |
1907 |
¥Ö¥í¥ó¥º |
|
SHINKAI, Taketaro |
Bathing |
ËÜ´Û4F |
|
|
|
¹â¼èÃÕÀ® |
ƣ˼¶ª¤ÎÁð»Ò |
1912 |
ºÌ¿§ |
¸¨ËÜ |
TAKATORI, Wakanari |
Tale of Fujiwara Fujifusa |
ËÜ´Û4F |
|
|
|
ÃÝÆâÀ´Ë± |
±«ðÉ(¤¢¤Þ¤Ð¤ì) |
1907 |
Ëϲè |
¸¨ËÜ |
TAKEUCHI, Seiho |
After a Shower |
ËÜ´Û4F |
|
|
|
ÄÔ±Ê |
¥ê¥ó¥´ºé¤¯ |
1916 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
TSUJI, Hisashi |
Apple Trees in Bloom |
ËÜ´Û4F |
ºî¼Ô´ó£ |
|
|
ÃæÂô¹°¸÷ |
²Æ |
1907 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAZAWA, Hiromitsu |
Summer |
ËÜ´Û4F |
|
1 |
|
¸¶ÅÄľ¼¡Ïº |
µ³Î¶´Ñ²» |
1890 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HARADA, Naojiro |
Kannon Bodhisattva Riding the Dragon |
ËÜ´Û4F |
´óÂ÷ºîÉʡʸîÔ¢»û¢¡Ë |
14 |
|
Æ£ÅçÉðÆó |
¤¦¤Ä¤Ä |
1913 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
FUJISHIMA, Takeji |
Half Dreaming |
ËÜ´Û4F |
|
|
|
Æ¤ |
Ï»·î¤ÎÆü |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MINAMI, Kunzo |
One Day in June |
ËÜ´Û4F |
|
|
|
»³ËÜ¿¹Ç·½õ |
¶Ê±º |
1908 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YAMAMOTO, Morinosuke |
Inlet |
ËÜ´Û4F |
|
|
Á° |
·ë¾ëÁÇÌÀ |
Óó(¤µ¤¨¤º¤ê) |
1911 |
ºÌ¿§ |
»æËÜ |
YUKI, Somei |
Bird Twittering |
ËÜ´Û4F |
|
4 |
|
ÏÂÅÄ»°Â¤ |
ÆîÉ÷ |
1907 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
WADA, Sanzo |
South Wind |
ËÜ´Û4F |
|
µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à¡¡¡¡µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26) |
|
|
Àл³ÂÀÇð |
Í©Þä |
1927 |
Ëϲè |
»æËÜ |
ISHIYAMA, Taihaku |
Deep Gorge |
ËÜ´Û4F |
|
|
|
²®¸¶¼é±Ò |
½÷¤Îƹ |
1907 |
¥Ö¥í¥ó¥º |
|
OGIWARA, Morie |
Torso of a Woman |
ËÜ´Û4F |
|
12 |
|
²®¸¶¼é±Ò |
½÷ |
1910 |
¥Ö¥í¥ó¥º |
|
OGIWARA, Morie |
Woman |
ËÜ´Û4F |
|
19 |
|
ÅÌÚÀ¶Êý |
ËÏÅIJϽ®Í· |
1914 |
ºÌ¿§ |
¸¨ËÜ |
KABURAKI, Kiyokata |
Boating-Excursion on the Sumida River |
ËÜ´Û4F |
|
|
|
Àî¾åÎÃ²Ö |
Å´Ï© |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KAWAKAMI, Ryoka |
Railroad |
ËÜ´Û4F |
¼ò°æ²¯¿Ò»á´ó£ |
20 |
|
´ßÅÄÎÀ¸ |
ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) |
1915 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KISHIDA, Ryusei |
Road Cut through a Hill |
ËÜ´Û4F |
|
23 |
|
´ßÅÄÎÀ¸ |
Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) |
1918 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KISHIDA, Ryusei |
Reiko, Five Years Old |
ËÜ´Û4F |
|
|
¸å |
´ßÅÄÎÀ¸ |
»Íµ¨¤Î²Ö²Ì¿Þ¡¡À¹²Æ½ô´Å(²Æ) |
1924 |
ËϲèøºÌ |
»æËÜ |
KISHIDA, Ryusei |
Sweet Fruit (Summer) from "Flowers and Fruits" |
ËÜ´Û4F |
|
|
¸å |
´ßÅÄÎÀ¸ |
»Íµ¨¤Î²Ö²Ì¿Þ¡¡Üô³Á¿Þ(½©) |
1924 |
ËϲèøºÌ |
»æËÜ |
KISHIDA, Ryusei |
Bitter Oranges and Persimmons (Autumn) from "Flowers and Fruits" |
ËÜ´Û4F |
|
|
Á° |
´ßÅÄÎÀ¸ |
¿Íèõ¿Þ |
1926 |
ºÌ¿§ |
¸¨ËÜ |
KISHIDA, Ryusei |
Carrots |
ËÜ´Û4F |
ëÀîÅ°»°»á´ó£ |
|
|
Ë̼»Í³¤ |
¥¤¥ô |
1915 |
ÂçÍýÀÐ |
|
KITAMURA, Shikai |
Eve |
ËÜ´Û4F |
|
27 |
|
´Øº¬ÀµÆó |
ȡ˱ |
1919 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SEKINE, Shoji |
Three Stars |
ËÜ´Û4F |
|
25 |
|
¹â¼¸÷ÂÀϺ |
¼ê |
c.1918 |
¥Ö¥í¥ó¥º |
|
TAKAMURA, Kotaro |
Hand |
ËÜ´Û4F |
|
|
|
Ãæ¼׳ |
ÂçÅçÉ÷·Ê |
1914-15 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Tsune |
Landscape, Island Oshima |
ËÜ´Û4F |
|
29 |
|
Ãæ¼׳ |
¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü |
1920 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAKAMURA, Tsune |
Portrait of Vasilii Yaroshenko |
ËÜ´Û4F |
ÂçΤ°ìÂÀϺ»á´ó£ |
|
Á° |
¼¾å²Ú³Ù |
³¤Ä»Êë·ÊÇ·¿Þ |
1935 |
Ëϲè |
»æËÜ |
MURAKAMI, Kagaku |
Sunset Landscape with Birds |
ËÜ´Û4F |
|
|
¸å |
¼¾å²Ú³Ù |
¶õ»³À¶¹âÇ·¿Þ |
c.1934 |
Ëϲè |
»æËÜ |
MURAKAMI, Kagaku |
Mountain Against the Clear Sky |
ËÜ´Û4F |
|
21 |
|
¼»³ÜÇ¿ |
¥Ð¥é¤È¾¯½÷ |
1917 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MURAYAMA, Kaita |
Roses and a Girl |
ËÜ´Û4F |
»³Ëܹ§»á´ó£ |
|
|
¿¹Åűͧ |
¥Õ¥é¥ó¥¹É÷·Ê |
1914-15 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MORITA, Tsunetomo |
French Landscape |
ËÜ´Û4F |
¼¯Å缡Ϻ»á´ó£ |
|
¸å |
¿¹Åűͧ |
¿¿¸Ö´¢¡Ê¤Þ¤³¤â¤¬¤ê¡Ë |
1922 |
Ëϲè |
»æËÜ |
MORITA, Tsunetomo |
Mowing Water Oat |
ËÜ´Û4F |
¼¯Å缡Ϻ»á´ó£ |
|
Á° |
¿¹Åűͧ |
Ⱦ·î |
1926 |
Ëϲè |
»æËÜ |
MORITA, Tsunetomo |
Half Moon |
ËÜ´Û4F |
¼¯Å缡Ϻ»á´ó£ |
17 |
|
èßÅ´¸ÞϺ |
ÍçÂÎÈþ¿Í |
1912 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YOROZU, Tetsugoro |
Nude Beauty |
ËÜ´Û4F |
ȬÌÚÀµ¼£»á´ó£ |
|
|
¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È |
¥È¥ë¥½¡¼ |
ÉÔ¾Ü |
¥Ö¥í¥ó¥º |
|
RODIN, Auguste |
Torso |
ËÜ´Û4F |
´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£ |
¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È¡¡¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City |
|
|
¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë |
ÃÏÃ泤·²Áü |
1941/65 |
ÂçÍýÀÐ |
|
ARP, Jean(Hans) |
Mediterranean Group |
ËÜ´Û4F |
|
|
|
³¤Ï·¸¶´îÇ·½õ |
¥²¥ì¥ó¥Ç |
1930 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
EBIHARA, Kinosuke |
Skiing Ground |
ËÜ´Û4F |
±öÂôº»²Ï»á´ó£ |
43 |
|
¥«¥ó¥Ç¥£¥ó¥¹¥¡¼¡¢ ¥ï¥·¥ê¡¼ |
Á´ÂÎ |
1940 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KANDINSKY, Wassily |
The Whole |
ËÜ´Û4F |
|
|
|
ËÌÏƾº |
¼þ°×²òÍý¿Þ(Ȭ·µ)¡Ê¤Ï¤Ã¤±¡Ë |
1941 |
ÌýºÌ¡¢¥³¥é¡¼¥¸¥å(¼Ì¿¿) |
¥¥ã¥ó¥Ð¥¹ |
KITAWAKI, Noboru |
Diagram of Chau Divination (Eight Phenomena) |
ËÜ´Û4F |
ËÌÏƤ«¤Í»á´ó£ |
|
|
¹ñµÈ¹¯Íº |
½©¤Î¤¿¤½¤¬¤ì |
1929 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KUNIYOSHI, Yasuo |
Dusk in Autumn |
ËÜ´Û4F |
|
38 |
|
¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë |
²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý |
1925 |
ÌýºÌ |
¸ü»æ |
KLEE, Paul |
Abstraction with Reference to a Flowering Tree |
ËÜ´Û4F |
|
|
|
¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë |
²Ö¤Î¥Æ¥é¥¹ |
1937 |
ÌýºÌ |
ÌÊÉÛ |
KLEE, Paul |
Flower Terrace |
ËÜ´Û4F |
|
|
|
¥°¥ê¥¹¡¢ ¥Û¥¢¥ó |
±ßÂî |
1921 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
GRIS, Juan |
The Gueridon |
ËÜ´Û4F |
|
|
|
¾®°ëÎÉÊ¿ |
¸ª³Ý¤±¤Î½÷ |
1929 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOISO, Ryohei |
Woman with a Shawl |
ËÜ´Û4F |
ÉðÅÄĹʼ±Ò»á°ä£ |
40 |
|
¸Å²ì½Õ¹¾ |
³¤ |
1929 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOGA, Harue |
Sea |
ËÜ´Û4F |
|
|
|
¥¿¥ó¥®¡¼¡¢¥¤¥ô |
ϸ¼Ô¡Ê¤í¤¦¤·¤ã¡Ë¤Î¼ª |
1938 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
TANGUY, Yves |
The Ears of a Deaf |
ËÜ´Û4F |
|
|
|
Å춿ÀÄ»ù |
¥µ¥ë¥¿¥ó¥Ð¥ó¥¯ |
1926 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
TOGO, Seiji |
Street Performers |
ËÜ´Û4F |
|
|
|
¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë |
¥ê¥º¥à ÍæÀû¡Ê¤é¤»¤ó¡Ë |
1935 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
DELAUNAY, Robert |
Rythm-Spiral |
ËÜ´Û4F |
|
42 |
|
ÌîÅıÑÉ× |
µ¢Ï© |
1935 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NODA, Hideo |
Way to Home |
ËÜ´Û4F |
|
|
|
ĹëÀîÍø¹Ô |
´ßÅĹñ»Î¡Ê¤¯¤Ë¤ª¡ËÁü |
1930 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HASEKAWA, Toshiyuki |
Portrait of Kunio Kishida |
ËÜ´Û4F |
ÌÚ¼Åì²ð»á´ó£ |
|
|
ĹëÀîÍø¹Ô |
¥¿¥ó¥¯³¹Æ» |
1930 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
HASEKAWA, Toshiyuki |
Road to the Tank |
ËÜ´Û4F |
´óÂ÷ºîÉÊ |
|
|
Æ£ÅĻ̼£ |
¥Ñ¥êÉ÷·Ê |
1918 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
FUJITA, Tsuguharu |
Street in Paris |
ËÜ´Û4F |
|
|
|
»°´ß¹¥ÂÀϺ |
±À¤Î¾å¤òÈô¤Öij |
1934 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MIGISHI, Kotaro |
Butterflies Flying above Clouds |
ËÜ´Û4F |
|
|
|
µÈ¸¶¼£ÎÉ |
³¤ÊÕ¤ÎÀÅʪ |
1931 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YOSHIHARA, Jiro |
Still Life by the Sea |
ËÜ´Û4F |
|
22 |
|
èßÅ´¸ÞϺ |
¤â¤¿¤ì¤ÆΩ¤Ä¿Í |
1917 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YOROZU, Tetsugoro |
Leaning Woman |
ËÜ´Û4F |
ȬÌÚÀµ¼£»á´ó£ |
|
|
¥ì¥¸¥§¡¢ ¥Õ¥§¥ë¥Ê¥ó |
½÷¤È²Ö |
1926 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
LEGER, Fernand |
Woman and Flower |
ËÜ´Û4F |
|
£´F Æý¸¥³¡¼¥Ê¡¼¡¡ Topic in Focus ¡¡Î¹¹Ôµ¤È¤·¤Æ¤ÎÈþ½Ñ¡¡Art as Travelogue |
|
|
°ËÅ쿼¿å |
¥¸¥ã¥ï¡¡¥¸¥ã¥«¥ë¥¿¹Ù³° |
1943 |
ÌÚÈÇ(¿¿§) |
|
ITO, Shinsui |
Outside Djakarta, Djawa Island |
ËÜ´Û4F |
|
|
|
°ËÅ쿼¿å |
¥»¥ì¥Ù¥¹¡¡¥Þ¥«¥Ã¥µ¥ë¹Ù³° |
1943 |
ÌÚÈÇ(¿¿§) |
|
ITO, Shinsui |
Outside Makasar, Celebes Island |
ËÜ´Û4F |
|
|
|
Â粼ƣ¼¡Ïº |
Êæ¹â»³¤Îϼ |
1907 |
¿åºÌ¡¢±ôÉ® |
Ⱦ |
OSHITA, Tojiro |
Foot of Mt. Hotaka |
ËÜ´Û4F |
|
|
|
ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë |
¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡Î¦±ü¡¡ÄաʤĤ¿¡Ë²¹Àô |
1919 |
ÌÚÈÇ(¿¿§) |
|
KAWASE, Hasui |
Tsuta Hot Springs, Mutsu from "Scenes from Travels I" |
ËÜ´Û4F |
|
|
|
ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë |
¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡¾¾Åç¡¡¤«¤Ä¤éÅç |
1919 |
ÌÚÈÇ(¿¿§) |
|
KAWASE, Hasui |
Katsura Island, Matsushima from "Scenes from Travels I" |
ËÜ´Û4F |
|
|
|
ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë |
¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡Ë¼½£¡¡´ä°æ¤ÎÉÍ |
1920 |
ÌÚÈÇ(¿¿§) |
|
KAWASE, Hasui |
Iwai Beach, Awa from "Scenes from Travels I" |
ËÜ´Û4F |
|
|
|
ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë |
¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡¤·¤Û¸¶¡¡¤¢¤éÅò¤Î½© |
1920 |
ÌÚÈÇ(¿¿§) |
|
KAWASE, Hasui |
Autumn at Arayu Hot Springs, Shiobara from "Scenes from Travels I" |
ËÜ´Û4F |
|
|
|
ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë |
¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡½©¤Î±ÛÏ© |
1920 |
ÌÚÈÇ(¿¿§) |
|
KAWASE, Hasui |
Autumn in Echizen from "Scenes from Travels I" |
ËÜ´Û4F |
|
|
|
´ßÅÄÎÀ¸ |
ÎÐ |
1907 |
¿åºÌ |
Ⱦ |
KISHIDA, Ryusei |
Greenery |
ËÜ´Û4F |
´ßÅÄÄáÇ·½õ»á°ä£ |
|
|
¾®Àôâ£Ì¦Ãˡʤ¤·¤ª¡Ë |
¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡»³Ãæ¸ÐÇòÊë¡Ê¤Ï¤¯¤Ü¡Ë¸øµû¡Ê¤ï¤«¤µ¤®¡Ë·êÄà |
1941 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Twilight Comes to Lake Yamanaka as People Fish Pond Smelts through Ice from "Thirty-six Views of Fuji, the Holy Mountain" |
ËÜ´Û4F |
|
|
|
¾®Àôâ£Ì¦Ãˡʤ¤·¤ª¡Ë |
¥¹¥±¥Ã¥Á¥Ö¥Ã¥¯¡ÖÉÙ»ÎÅл³åé»ï¡× |
1942 |
ËÏ¡¢¿åºÌ |
Ⱦ |
KOIZUMI, Kishio |
Sketchbook "Illustrated Records of a Mt. Fuji Climbing" |
ËÜ´Û4F |
Æ£·ü¤µ¤È»á´ó£ |
|
|
¾®Àôâ£Ì¦Ãˡʤ¤·¤ª¡Ë |
¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡±ÆÉÔÆó |
1942 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Fuji's Shadow from "Thirty-six Views of Fuji, the Holy Mountain" |
ËÜ´Û4F |
|
|
|
¾®Àôâ£Ì¦Ãˡʤ¤·¤ª¡Ë |
¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡ÉÔÆó¤ÈÀгÀçö |
1943 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Mt. Fuji and Strawberries Grown on Stoned Slopes from "Thirty-six Views of Fuji, the Holy Mountain" |
ËÜ´Û4F |
|
|
|
¾®Àôâ£Ì¦Ãˡʤ¤·¤ª¡Ë |
¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡ÇϹ̤¹¤ë½ýáءʤ·¤ç¤¦¤¤¡Ë·³ÇÀ»Î |
1944 |
ÌÚÈÇ(¿¿§) |
|
KOIZUMI, Kishio |
Maimed Soldier Plowing with a Horse from "Thirty-six Views of Fuji, the Holy Mountain" |
ËÜ´Û4F |
|
|
|
¸åÆ£¹©»Ö |
Áê½£¿¿ÄáÉí¶áÉ÷·Ê |
1918 |
¿åºÌ¡¢±ôÉ® |
Ⱦ |
GOTO, Koshi |
Landscape near Manazuru |
ËÜ´Û4F |
|
|
|
¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë |
¡ÖÀ¤³¦É÷¯ÈDz轸¡×¤è¤ê¡¡¥µ¥¤¥Ñ¥ó¤Î̼¤È¥Ï¥¤¥Ó¥¹¥«¥¹¤Î²Ö¡¢¥Þ¥ê¥¢¥Ê½ôÅç |
1934 |
ÌÚÈÇ(¿¿§) |
|
JACOULET, Paul |
Young Girl of Saipan and Hibiscus Flowers, Marianas from "Genre Prints from Around the World" |
ËÜ´Û4F |
Æ£·ü¤µ¤È»á´ó£ |
|
|
¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë |
¡ÖÀ¤³¦É÷¯ÈDz轸¡×¤è¤ê¡¡ÀµÁõ¤»¤ëÄ«Á¯¤Î»Ò¶¡¡¢¥½¥¦¥ë |
1934 |
ÌÚÈÇ(¿¿§) |
|
JACOULET, Paul |
Korean Baby in Ceremonial Costume, Seoul from "Genre Prints from Around the World" |
ËÜ´Û4F |
Æ£·ü¤µ¤È»á´ó£ |
|
|
¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë |
¡ÖÀ¤³¦É÷¯ÈDz轸¡×¤è¤ê¡¡¸ñ¤òÇä¤ëÏ·ÇÌ¡¢°ñ¾ë¸©¿å¶¿ |
1934 |
ÌÚÈÇ(¿¿§) |
|
JACOULET, Paul |
The Old Carp Seller, Ibaraki, Japan from "Genre Prints from Around the World" |
ËÜ´Û4F |
Æ£·ü¤µ¤È»á´ó£ |
|
|
¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë |
À¶³¾¡Ê¤¤è¤«¡Ë¤µ¤ó |
1935 |
ÌÚÈÇ(¿¿§) |
|
JACOULET, Paul |
The Geisha Kiyoka, Tokyo |
ËÜ´Û4F |
Æ£·ü¤µ¤È»á´ó£ |
|
|
´Ý»³ÈÕ²â |
̸¤Î¹â¸¶ |
c.1905 |
¿åºÌ |
Ⱦ |
MARUYAMA, Banka |
The Highlands in the Fog |
ËÜ´Û4F |
µÈÅÄÊæ¹â»á´ó£ |
|
|
µÈÅÄÇî |
ÍÜÂô¡Ê¤è¤¦¤¶¤ï¡Ë¡¡À¾¤Î¶¶ |
1896 |
¿åºÌ |
Ⱦ |
YOSHIDA, Hiroshi |
Nishinohashi Bridge,Yozawa |
ËÜ´Û4F |
|
|
|
µÈÅĤդ¸¤ò |
´úÆü¤ÎÉÜÃæ |
1902-03 |
¿åºÌ |
Ⱦ |
YOSHIDA, Fujio |
Fuchu on a National Holiday |
ËÜ´Û4F |
|
¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï¡¡¡¡¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings |
|
|
ðϸ÷ |
ÁÇÉÁ¿Þ´¬ |
1938-39 |
ËÏ¡¢ºÌ¿§ |
Ⱦ |
AI-MITSU |
Scroll of Drawing |
ËÜ´Û3F |
|
|
|
ÀаæÄá»° |
½Ó´²(ƬÉô»îºî) |
1930 |
¥Ö¥í¥ó¥º |
|
ISHII, Tsuruzo |
Priest Shunkan (Study for Head) |
ËÜ´Û3F |
|
53 |
|
¾å¼¾¾±à |
Êì»Ò |
1934 |
ºÌ¿§ |
¸¨ËÜ |
UEMURA, Shoen |
Mother and Child |
ËÜ´Û3F |
|
|
|
Ç߸¶Î¶»°Ïº |
Ĺ°Â³¹ |
1940 |
ÌýºÌ¡¢´ä³¨¶ñ |
Ⱦ |
UMEHARA, Ryuzaburo |
Chang An Streets, Beijing |
ËÜ´Û3F |
ºî¼Ô´ó£ |
59 |
|
Ç߸¶Î¶»°Ïº |
Ë̵þ½©Å· |
1942 |
ÌýºÌ¡¢´ä³¨¶ñ |
Ⱦ |
UMEHARA, Ryuzaburo |
Autumn in Beijing |
ËÜ´Û3F |
Àî¸ý¾¾ÂÀϺ»á´ó£ |
54 |
|
ÂÀÅÄÄ°±« |
À±¤ò¤ß¤ë½÷À |
1936 |
ºÌ¿§ |
»æËÜ |
OTA, Chou |
Women Observing Stars |
ËÜ´Û3F |
|
|
|
²¬ÅÄ»°Ïº½õ |
ÉØ¿ÍȾ¿ÈÁü |
1936 |
ÌýºÌ¡¢¤½¤Î¾ |
Ⱦ |
OKADA, Saburosuke |
Portrait of a Woman |
ËÜ´Û3F |
|
|
|
±ü¼ÅÚµí |
¸Õ±»Èª |
1927 |
ºÌ¿§ |
¸¨ËÜ |
OKUMURA, Togyu |
Cucumber Field |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
¾®ÁÒÍ·µµ |
Èþ¤·¤Ä« |
1952 |
ºÌ¿§ |
»æËÜ |
OGURA, Yuki |
A Beautiful Morning |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
|
|
·ø»³ÆîÉ÷ |
Çò±« |
1951 |
ºÌ¿§ |
»æËÜ |
KATAYAMA, Nampu |
Shower |
ËÜ´Û3F |
|
47 |
|
Àîüζ»Ò |
Áð±ê |
1930 |
ºÌ¿§ |
¸¨ËÜ |
KAWABATA, Ryushi |
Flaming Grass |
ËÜ´Û3F |
|
|
Á° |
¾®ÎӸŷ |
¶¶ |
1942 |
ºÌ¿§ |
¸¨ËÜ |
KOBAYASHI, Kokei |
Bridge |
ËÜ´Û3F |
|
|
¸å |
¾®ÎӸŷ |
É´Àå¡Ê¤â¤º¡Ë |
¾¼Ï»þÂå |
ºÌ¿§ |
»æËÜ |
KOBAYASHI, Kokei |
Shrike |
ËÜ´Û3F |
´óÂ÷ºîÉÊ |
|
|
¿ÜÅĹñÂÀϺ |
Êâ¤àÏÉ |
1940 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SUDA, Kunitaro |
Walking Eagle |
ËÜ´Û3F |
|
|
|
Ê¡ÅÄË»ÍϺ |
³¤½÷(¤¢¤Þ) |
1950 |
ºÌ¿§ |
»æËÜ |
FUKUDA, Toyoshiro |
Women Divers |
ËÜ´Û3F |
|
|
|
Æ£°æ¹ÀÍ´ |
Ûàȱ(¤¹¤¤¬¤ß) |
1937 |
¥Ö¥í¥ó¥º |
|
FUJII, Koyu |
Hair Combing |
ËÜ´Û3F |
|
|
|
¿¹Åűͧ |
´ØÀ¾¤È¤³¤í¤É¤³¤í |
1922 |
ËϲèøºÌ |
»æËÜ |
MORITA, Tsunetomo |
Various Places of the Kansai Area |
ËÜ´Û3F |
¼¯Å缡Ϻ»á´ó£ |
51 |
|
°Â°æÁ¾ÂÀϺ |
±üÆþÀ¥¡Ê¤ª¤¤¤é¤»¡Ë¤ÎÞäή |
1933 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YASUI, Sotaro |
Oirase Stream |
ËÜ´Û3F |
|
52 |
|
°Â°æÁ¾ÂÀϺ |
¶âÍ֡ʤ¤ó¤è¤¦¡Ë |
1934 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
YASUI, Sotaro |
Portrait of Chin-Jung |
ËÜ´Û3F |
|
|
|
°ÂÅÄðÖɧ |
¹ãÌç²ñ¡Ê¤³¤¦¤â¤ó¤Î¤«¤¤¡Ë |
1955 |
ºÌ¿§ |
»æËÜ |
YASUDA, Yukihiko |
Meeting at Hong Men |
ËÜ´Û3F |
ºî¼Ô´ó£ |
·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ¡¡¡¡· Art during and after the War |
62 |
|
ðϸ÷ |
´ã¤Î¤¢¤ëÉ÷·Ê |
1938 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
AI-MITSU |
Landscape with an Eye |
ËÜ´Û3F |
|
|
|
ËãÀ¸»°Ïº |
¼«²èÁü |
1937 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
ASO, Saburo |
Self-Portrait |
ËÜ´Û3F |
|
|
|
°Ë¸¶±§»°Ïº |
¹á¹Á¤Ë±÷¤±¤ë¼ò°æ»ÊÎá´±¡¢¥ä¥ó¥°ÁíÆĤβñ¸« |
1943-44 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
IHARA, Usaburo |
Hong Kong Meeting of Governor Young and Commander Sakai |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
|
|
³¤Ï·¸¶´îÇ·½õ |
½Þ¶µ¼Ô |
1951 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
EBIHARA, Kinosuke |
Martyr |
ËÜ´Û3F |
|
63 |
|
¹á·îÂÙÃË |
¿å¶À |
1942 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KAZUKI, Yasuo |
Water Mirror |
ËÜ´Û3F |
|
79 |
|
²Ï¸¶²¹ |
ÕԡʤϤé¡Ë¤ó¤À½÷ |
1954 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KAWARA, On |
Pregnant Woman |
ËÜ´Û3F |
ºî¼Ô´ó£ |
64 |
|
ËÌÏƾº |
¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ |
1949 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KITAWAKI, Noboru |
Quo Vadis |
ËÜ´Û3F |
ËÌÏƤ«¤Í»á´ó£ |
|
|
¾®°ëÎÉÊ¿ |
̼»Ò´Ø¡Ê¤¸¤ç¤¦¤·¤«¤ó¡Ë¤òÀ¬¤¯ |
1941 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KOISO, Ryohei |
Marching through Niangziguan |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
|
|
ÁâÎÉÔ÷ |
Ì©ÊĤ»¤ëÁÒ¸Ë |
1957 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
CHO, Yang Gyu |
Sealed Warehouse |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
ÎëÌÚÎÉ»° |
±ÒÀ¸Ââ¤Î³èÌö¤È¥Ó¥ë¥Þ¿Í¤Î¹¥°Õ |
1944 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SUZUKI, Ryozo |
Activities of the Medical Corps and Goodwill of Burmese People |
ËÜ´Û3F |
̵´ü¸ÂÂßÍ¿ |
|
|
Ê¡Âô°ìϺ |
¼ù³¤ |
1948 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
FUKUZAWA, Ichiro |
Deep Forest |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
¾¾Ëܽײð |
Y»Ô¤Î¶¶ |
1943 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MATSUMOTO, Shunsuke |
Bridge in Y-City |
ËÜ´Û3F |
|
|
|
Ìø¸¶µÁã |
¸¤¤Î±´ |
1961 |
¥Ö¥í¥ó¥º |
|
YANAGIHARA, Yoshitatsu |
Song of the Dog |
ËÜ´Û3F |
ºî¼Ô´ó£ |
¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¡¡¸ Art in the 1950s and 1960s |
|
|
¹Ó°æζÃË |
¼ë¤ÎÃæ¤Î¼ë |
1955 |
ÌýºÌ |
¥Ï¡¼¥É¥Ü¡¼¥É |
ARAI, Tatsuo |
Vermilion in Vermilion |
ËÜ´Û3F |
|
|
|
±Í¶å |
ÀÖ¤¤ÎØ |
1954 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
EI-KYU |
Red Circle |
ËÜ´Û3F |
|
69 |
|
²¬ËÜÂÀϺ |
dz¤¨¤ë¿Í |
1955 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
OKAMOTO, Taro |
Men Aflame |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
¥ª¥Î¥µ¥È¡¦¥È¥·¥Î¥Ö¡Ê¾®ÌîΤÍø¿®¡Ë |
CIRCLE-'70 |
1970 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
ONOSATO, Toshinobu |
CIRCLE-'70 |
ËÜ´Û3F |
Æ£²¬»þɧ»á´ó£¡½ºÊ±Ñ»Ò¤ò¼Å¤ó¤Ç |
|
|
º«Ìî×ñ |
À¸Ä¹¤Î·ÁÂÖ No.1 |
1954 |
Àйѡ¢¥«¥·¥å¡¼ |
|
KONNO, Hisashi |
Form of Growth No.1 |
ËÜ´Û3F |
|
|
|
º´Æ£Â¿»ý |
¿åÇξÖÒØÂËÍå¤ñ¡Ê¤ß¤º¤Ð¤·¤ç¤¦¤Þ¤ó¤À¤é¤¨¡Ë |
1966 |
Ëϲè |
»æËÜ |
SATO, Tamotsu |
Skunk Cabbage Mandara |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
¿ûÌÚ»Öͺ |
·Êα¼Ð·Ñ |
2004 |
ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥× |
|
SUGA, Kishio |
Kei-ryu-sha-kei |
ËÜ´Û3F |
|
|
|
¿ùÁ´Ä¾ |
¥¥Ã¥³¥¦¤ËØᤫ¤ì¤Æ(A) |
1960 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
SUGIMATA, Tadashi |
Possessed by a Tortoise Shell Pattern (A) |
ËÜ´Û3F |
|
|
|
ÆñÇÈÅÄζµ¯ |
Å·ÂΤα¿¹Ô |
1956 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
NAMBATA, Tatsuoki |
Movement of Heavenly Body |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
¿·ºÊ¼Â |
´ã¤Î¾ë |
1965 |
ÂçÍýÀС¢ÌÚ¡¢¹ÝÅ´ |
|
NIIZUMA, Minoru |
Castle of the Eye |
ËÜ´Û3F |
|
|
|
¼°æÀµÀ¿ |
´é |
1959 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
MURAI, Masanari |
Face |
ËÜ´Û3F |
|
|
|
»³¸ýĹÃË |
¹½À® |
1955 |
ÌýºÌ |
¹çÈÄ |
YAMAGUCHI, Takeo |
Composition |
ËÜ´Û3F |
|
|
|
µÈ²¬·øÆó |
·îÌÀ |
1974 |
ºÌ¿§ |
»æËÜ |
YOSHIOKA, Kenji |
Moonlight |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
µÈÅÄÁ±É§ |
¥«¥Ã¥Ñ¥É¥¥¢ÆóÂê(¹â¸¶Î©²Æ¡¦¶®Ã«¿·½©) |
1971 |
ºÌ¿§ |
»æËÜ |
YOSHIDA, Yoshihiko |
Two Scenes from Cappadocia: Early Summer in the Highlands, Early Autumn in the Ravines |
ËÜ´Û3F |
ÄÅËö¤¨¤¤»á´ó£ |
78 |
|
µÈ¸¶¼£ÎÉ |
¹õÃϤËÇò |
1965 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
YOSHIHARA, Jiro |
White on Black |
ËÜ´Û3F |
ºî¼Ô´ó£ |
ÈDz襳¡¼¥Ê¡¼ Prints Section¡¡¡¡Æý¸¡¡ºØÆ£¼÷°ì¡¡Juichi Saito |
|
|
ºØÆ£¼÷°ì |
¿¹¤È·î |
1959 |
ƼÈÇ |
|
SAITO, Juichi |
Moon and Forest |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
ºØÆ£¼÷°ì |
¿¹ |
1960 |
ƼÈÇ |
|
SAITO, Juichi |
Forest |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
ºØÆ£¼÷°ì |
ÀĤΥ¤¥á¡¼¥¸ |
1964 |
ƼÈÇ |
|
SAITO, Juichi |
Image of Blue |
ËÜ´Û3F |
ºî¼Ô´ó£ |
|
|
ºØÆ£¼÷°ì |
ÀĤ¤¸÷ |
1964 |
ƼÈÇ |
|
SAITO, Juichi |
Blue Light |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡ÃÂÀ¸ |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Birth from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Ç®¤Î¤¢¤ëÌë |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Fever at Night from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡»¶Êâ |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Walking the Baby from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Å¾ÅÝ |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Fall from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Æü¸÷Íá |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Sunbathing from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡²¿¤«¤¬¸«¤¨¤ë |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
I See Something from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Ì´ |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Dream from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Àá¶ç |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Children's Festival from portfolio"Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡¤«¤¯¤ì¤ó¤Ü |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Hide and Seek from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
|
|
ºØÆ£¼÷°ì |
ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Î¥Æý¿© |
1967 |
ƼÈÇ |
|
SAITO, Juichi |
Baby Food from portfolio "Maternity Record Book" |
ËÜ´Û3F |
|
¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section Æý¸¡¡ÎÓδ´î¡ÖZOO¡×¡¡¡¡Takanobu Hayashi ¡ÈZOO¡É¡¡ |
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡¾åÌîưʪ±à¡¢ÅìµþÅÔ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Ueno Zoological Gardens, Tokyo from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡Â¿Ëàưʪ¸ø±à¡¢ÅìµþÅÔ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Tama Zooligical Park, Tokyo from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡¾åÌîưʪ±à¡¢ÅìµþÅÔ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Ueno Zoological Gardens, Tokyo from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥Ð¥¤¥ª¥Ñ¡¼¥¯¡¢ÀŲ¬¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Izu Bio Park, Shizuoka from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥Ð¥¤¥ª¥Ñ¡¼¥¯¡¢ÀŲ¬¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Izu Bio Park, Shizuoka from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥µ¥Ü¥Æ¥ó¸ø±à¡¢ÀŲ¬¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Izu Shaboten Koen (Cactus Park), Shizuoka from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡¹ÔÀ¥¤¥é¥ó¥É¡¢ÀéÍÕ¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Namegawa Island, Chiba from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡¾åÌîưʪ±à¡¢ÅìµþÅÔ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Ueno Zoological Gardens, Tokyo from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡ÅìÉðưʪ¸ø±à¡¢ºë¶Ì¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Tobu Zoo, Saitama from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡ÌîÌÓ»³Æ°Êª±à¡¢¿ÀÆàÀ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Nogeyama Zoo, Kanagawa from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡Â¿Ëàưʪ¸ø±à¡¢ÅìµþÅÔ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Tama Zooligical Park, Tokyo from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡Â¿Ëàưʪ¸ø±à¡¢ÅìµþÅÔ |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Tama Zooligical Park, Tokyo from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥µ¥Ü¥Æ¥ó¸ø±à¡¢ÀŲ¬¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Izu Shaboten Koen (Cactus Park), Shizuoka from "ZOO" |
ËÜ´Û3F |
|
|
|
ÎÓδ´î |
¡ÖZOO¡×¤è¤ê¡¡ÅìÉðưʪ¸ø±à¡¢ºë¶Ì¸© |
1984 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
HAYASHI, Takanobu |
Tobu Zoo, Saitama from "ZOO" |
ËÜ´Û3F |
|
Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß¡¡¹ Contemporary Art after the 1970s |
|
|
¹ÓÀºî |
ºîÉÊ |
1960 |
¥»¥á¥ó¥È¡¢ÌÊ¡¢ÉÛ¡¢¶â°¡¢ÏΡ¢ÌÚÈ¢ |
|
ARAKAWA, Shusaku |
Work |
ËÜ´Û2F |
|
|
|
¹ÓÀºî |
ºîÉÊ |
1960 |
¥»¥á¥ó¥È¡¢ÌÊ¡¢ÉÛ¡¢¶â°¡¢ÏΡ¢ÌÚÈ¢ |
|
ARAKAWA, Shusaku |
Work |
ËÜ´Û2F |
|
|
|
¹ÓÀºî |
ºîÉÊ |
1960 |
¥»¥á¥ó¥È¡¢ÌÊ¡¢ÉÛ¡¢ÏΡ¢ÌÚÈ¢ |
|
ARAKAWA, Shusaku |
Work |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
±À |
1991-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Clouds |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
ÀиµÂÙÇî |
Àã¤Î¤¢¤·¤¢¤È |
1994-95 |
¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È |
|
ISHIMOTO, Yasuhiro |
Snow Steps |
ËÜ´Û2F |
|
|
|
¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
|
OPIE, Julian |
Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." |
ËÜ´Û2F |
|
|
|
¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
|
OPIE, Julian |
View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " |
ËÜ´Û2F |
|
|
|
¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
|
OPIE, Julian |
View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." |
ËÜ´Û2F |
|
|
|
¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó |
¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î |
2007 |
±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼ |
|
OPIE, Julian |
Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." |
ËÜ´Û2F |
|
|
|
¾¡Ëôˮɧ |
Skyline 100531 |
2004 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
KATSUMATA, Kunihiko |
Skyline 100531 |
ËÜ´Û2F |
|
|
|
¾¡Ëôˮɧ |
Skyline 100600 |
2004 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
KATSUMATA, Kunihiko |
Skyline 100600 |
ËÜ´Û2F |
|
|
|
¾¡Ëôˮɧ |
Skyline 101170 |
2004 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
KATSUMATA, Kunihiko |
Skyline 101170 |
ËÜ´Û2F |
|
|
|
Áð´Ö×½À¸ |
²Ì¤Æ¤·¤Ê¤¤ÌÖ ¡ô4 |
1959 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KUSAMA, Yayoi |
Infinity Net No.4 |
ËÜ´Û2F |
´óÂ÷ºîÉÊ |
|
|
Áð´Ö×½À¸ |
No. H. Red |
1961 |
ÌýºÌ |
¥¥ã¥ó¥Ð¥¹ |
KUSAMA, Yayoi |
No. H. Red |
ËÜ´Û2F |
|
|
|
¥°¥ë¥¹¥¡¼¡¢ ¥¢¥ó¥É¥ì¥¢¥¹ |
¥Ç¥å¥Ã¥»¥ë¥É¥ë¥Õ |
1989 |
¥¿¥¤¥×C¥×¥ê¥ó¥È |
|
GURSKY, Andreas |
Dusseldorf |
ËÜ´Û2F |
|
90 |
|
¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ |
È¿±Ç¡¿»×º÷ |
2000 |
ÃòÅ´ |
|
GORMLEY, Antony |
Reflection |
ËÜ´Û2F |
|
|
|
ÅÄÃæÆØ»Ò |
ºîÉÊ 66 - SA |
1966 |
¥Ó¥Ë¡¼¥ë¼ù»é |
¥¥ã¥ó¥Ð¥¹ |
TANAKA, Atsuko |
Work 66 - SA |
ËÜ´Û2F |
|
|
|
ÃæÀ¾²ÆÇ· |
±¤ |
1959 |
¥é¥Ã¥«¡¼¡¢¥¨¥Ê¥á¥ë¡¢º½ |
¹çÈÄ |
NAKANISHI, Natsuyuki |
Rhyme |
ËÜ´Û2F |
|
82 |
|
»°ÌÚÉÙͺ |
EAR |
1965 |
¥¢¥ë¥ß¥Ë¥¦¥à |
|
MIKI, Tomio |
EAR |
ËÜ´Û2F |
|
|
|
¸µ±ÊÄêÀµ |
ºîÉÊ |
1961 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
MOTONAGA, Sadamasa |
Work |
ËÜ´Û2F |
|
|
|
¸µ±ÊÄêÀµ |
ºîÉÊ |
1962 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
MOTONAGA, Sadamasa |
Work |
ËÜ´Û2F |
»³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£ |
|
|
¸µ±ÊÄêÀµ |
ºîÉÊ 66-1 |
1966 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¥¥ã¥ó¥Ð¥¹ |
MOTONAGA, Sadamasa |
Work 66-1 |
ËÜ´Û2F |
|
|
|
Íûã»ßå |
Æͤ¤è¤ê |
1974 |
ËÏ |
Ï»æ |
LEE, Ufan |
Push Up |
ËÜ´Û2F |
´óÂ÷ºîÉÊ |
|
|
Íûã»ßå |
ÅÀ¤è¤ê |
1977 |
´ä³¨¶ñ¡¢ç± |
¥¥ã¥ó¥Ð¥¹ |
LEE, Ufan |
From Point |
ËÜ´Û2F |
ºî¼Ô´ó£ |
|
|
Íûã»ßå |
ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 1 |
1978 |
¥ê¥È¥°¥é¥Õ |
|
LEE, Ufan |
From Dots 1 from portfolio From Dots, From Lines" |
ËÜ´Û2F |
|
|
|
Íûã»ßå |
ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 2 |
1978 |
¥ê¥È¥°¥é¥Õ |
|
LEE, Ufan |
From Dots 2 from portfolio "From Dots, From Lines" |
ËÜ´Û2F |
|
|
|
Íûã»ßå |
ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 3 |
1978 |
¥ê¥È¥°¥é¥Õ |
|
LEE, Ufan |
From Dots 3 from portfolio "From Dots, From Lines" |
ËÜ´Û2F |
|
|
|
Íûã»ßå |
ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 4 |
1978 |
¥ê¥È¥°¥é¥Õ |
|
LEE, Ufan |
From Dots 4 from portfolio "From Dots, From Lines" |
ËÜ´Û2F |
|
|
|
¥ô¥£¥¢¥é¡¢ ¥¯¥í¡¼¥É |
̵Âê(²«) |
1974 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¹çÁ¡ÉÛ |
VIALLAT, Claude |
Untitled (Yellow) |
ËÜ´Û2F |
|
|
|
¥ô¥£¥¢¥é¡¢ ¥¯¥í¡¼¥É |
̵Âê(¤Ð¤é¿§) |
1974 |
¥¢¥¯¥ê¥ê¥Ã¥¯ |
¹çÁ¡ÉÛ |
VIALLAT, Claude |
Untitled (Rose) |
ËÜ´Û2F |
|
²°³°Ä¦¹ï¡¡Outdoor Sculptures |
|
|
ÌÚ¼¸ÂÀϺ |
¼·¤Ä¤Îµ§¤ê |
1969 |
ÀÐ |
|
KIMURA, Kentaro |
Seven Prayers |
ËÜ´Û²°³° |
|
|
|
¿ÅÄÈþÇÈ |
Chiaroscuro |
1979 |
¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹ |
|
TADA, Minami |
Chiaroscuro |
ËÜ´Û²°³° |
|
84 |
|
¥Î¥°¥Á¡¢ ¥¤¥µ¥à |
Ìç |
1969 |
¹ÝÅ´¡¢ºÌ¿§ |
|
NOGUCHI, Isamu |
Gate |
ËÜ´Û²°³° |
|
|
|
¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î |
¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ |
1969-70 |
¥Ö¥í¥ó¥º |
|
MARINI, Marino |
The Idea of an Image |
ËÜ´Û²°³° |
|