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Modern Japanese Art from the Museum Collection
£Á£õ£ç£õ£ó£ô 9¡Ý£Ï£ã£ô£ï£â£å£ò 13, 2008

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²»À¼¥¬¥¤¥É Ÿ¼¨´ü´Ö ºî²È̾(ÏÂ) Âê̾(ÏÂ) À©ºîǯ(c.=¡Áǯº¢¡Ë µ»Ë¡ »Ù»ýÂÎ ºî²È̾(±Ñ) Âê̾(±Ñ) Ÿ¼¨¾ì½ê ´ó£¡¦´óÂ÷
­µ¡Ý1¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡Ê¸Å¸³«ÀßÁ°¸å ­µ-1¡¡Art in the Meiji and Taisho Periods ¡Ý Around the Launch of the Bunten
    ÀÄÌÚÈË ±¿Ì¿ 1904 ÌýºÌ ÈÄ AOKI, Shigeru Destiny ËÜ´Û4F  
    Ç߸¶Î¶»°Ïº ²«¶â¤Î¼ó¾þ¤ê 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ UMEHARA, Ryuzaburo Gold Necklace ËÜ´Û4F ºî¼Ô´ó£
    ÂÀÅÄ´îÆóϺ ¿·ÎФκ¢ 1911 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OTA, Kijiro Season on Fresh Green ËÜ´Û4F ÂÀÅĵƻ޻á´ó£
    µÆÃÓ·À·î ̾»ÎĤÁò¡Ê¤á¤¤¤·¤Á¤ç¤¦¤½¤¦¡Ë 1908 ºÌ¿§ ¸¨ËÜ KIKUCHI, Keigetsu Lamenting over the Tomb of a Sage ËÜ´Û4F  
    ·§Ã«¼é°ì ȾÍçÉØ 1904 ÌýºÌ ÈÄ KUMAGAI, Morikazu Half Naked ËÜ´Û4F Àî¾å½ß»á´ó£
    ºäËÜÈËÆóϺ »°·îº¢¤ÎËÒ¾ì 1915 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SAKAMOTO, Hanjiro Dairy Farm about March ËÜ´Û4F ´óÂ÷ºîÉÊ
  ¸å ²¼Â¼´Ñ»³ ¥À¥¤¥ª¥¼¥Ë¥¹ 1903 ºÌ¿§ ¸¨ËÜ SHIMOMURA, Kanzan Diogenes ËÜ´Û4F  
5   ¿·³¤ÃÝÂÀϺ ¤æ¤¢¤ß 1907 ¥Ö¥í¥ó¥º   SHINKAI, Taketaro Bathing ËÜ´Û4F  
    ¹â¼èÃÕÀ® ƣ˼¶ª¤ÎÁð»Ò 1912 ºÌ¿§ ¸¨ËÜ TAKATORI, Wakanari Tale of Fujiwara Fujifusa ËÜ´Û4F  
    ÃÝÆâÀ´Ë± ±«ðÉ(¤¢¤Þ¤Ð¤ì) 1907 ËÏ²è ¸¨ËÜ TAKEUCHI, Seiho After a Shower ËÜ´Û4F  
    ÄÔ±Ê ¥ê¥ó¥´ºé¤¯ 1916 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TSUJI, Hisashi Apple Trees in Bloom ËÜ´Û4F ºî¼Ô´ó£
    ÃæÂô¹°¸÷ ²Æ 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAZAWA, Hiromitsu Summer ËÜ´Û4F  
1   ¸¶ÅÄľ¼¡Ïº µ³Î¶´Ñ²» 1890 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HARADA, Naojiro Kannon Bodhisattva Riding the Dragon ËÜ´Û4F ´óÂ÷ºîÉʡʸîÔ¢»û¢¡Ë
14   Æ£ÅçÉðÆó ¤¦¤Ä¤Ä 1913 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJISHIMA, Takeji Half Dreaming ËÜ´Û4F  
    Æ¤ Ï»·î¤ÎÆü 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MINAMI, Kunzo One Day in June ËÜ´Û4F  
    »³ËÜ¿¹Ç·½õ ¶Ê±º 1908 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YAMAMOTO, Morinosuke Inlet ËÜ´Û4F  
  Á° ·ë¾ëÁÇÌÀ Óó(¤µ¤¨¤º¤ê) 1911 ºÌ¿§ »æËÜ YUKI, Somei Bird Twittering ËÜ´Û4F  
4   ÏÂÅÄ»°Â¤ ÆîÉ÷ 1907 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ WADA, Sanzo South Wind ËÜ´Û4F  
­µ¡Ý2¡¡ÌÀ¼£¡¦ÂçÀµ´ü¤ÎÈþ½Ñ¡¡ÂçÀµ¤Î¥Ò¥å¡¼¥Þ¥Ë¥º¥à¡¡¡¡­µ-2¡¡ Art in the Meiji and Taisho Periods ¡Ý Humanism in the Taisho Period (1912¡Ý26)
    Àл³ÂÀÇð Í©Þä 1927 ËÏ²è »æËÜ ISHIYAMA, Taihaku Deep Gorge ËÜ´Û4F  
    ²®¸¶¼é±Ò ½÷¤Îƹ 1907 ¥Ö¥í¥ó¥º   OGIWARA, Morie Torso of a Woman ËÜ´Û4F  
12   ²®¸¶¼é±Ò ½÷ 1910 ¥Ö¥í¥ó¥º   OGIWARA, Morie Woman ËÜ´Û4F  
19   Å­ÌÚÀ¶Êý ËÏÅIJϽ®Í· 1914 ºÌ¿§ ¸¨ËÜ KABURAKI, Kiyokata Boating-Excursion on the Sumida River ËÜ´Û4F  
    Àî¾åÎÃ²Ö Å´Ï© 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAWAKAMI, Ryoka Railroad ËÜ´Û4F ¼ò°æ²¯¿Ò»á´ó£
20   ´ßÅÄέÀ¸ ƻϩ¤ÈÅÚ¼ê¤Èʽ(ÀÚÄÌÇ·¼ÌÀ¸) 1915 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Road Cut through a Hill ËÜ´Û4F  
23   ´ßÅÄέÀ¸ Îï»Ò¾ÓÁü(Îï»Ò¸ÞºÐÇ·Áü) 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KISHIDA, Ryusei Reiko, Five Years Old ËÜ´Û4F  
  ¸å ´ßÅÄέÀ¸ »Íµ¨¤Î²Ö²Ì¿Þ¡¡À¹²Æ½ô´Å(²Æ) 1924 ËϲèøºÌ »æËÜ KISHIDA, Ryusei Sweet Fruit (Summer) from "Flowers and Fruits" ËÜ´Û4F  
  ¸å ´ßÅÄέÀ¸ »Íµ¨¤Î²Ö²Ì¿Þ¡¡Üô³Á¿Þ(½©) 1924 ËϲèøºÌ »æËÜ KISHIDA, Ryusei Bitter Oranges and Persimmons (Autumn) from "Flowers and Fruits" ËÜ´Û4F  
  Á° ´ßÅÄέÀ¸ ¿Íèõ¿Þ 1926 ºÌ¿§ ¸¨ËÜ KISHIDA, Ryusei Carrots ËÜ´Û4F ëÀîÅ°»°»á´ó£
    Ë̼»Í³¤ ¥¤¥ô 1915 ÂçÍýÀÐ   KITAMURA, Shikai Eve ËÜ´Û4F  
27   ´Øº¬ÀµÆó »°À± 1919 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SEKINE, Shoji Three Stars ËÜ´Û4F  
25   ¹â¼¸÷ÂÀϺ ¼ê c.1918 ¥Ö¥í¥ó¥º   TAKAMURA, Kotaro Hand ËÜ´Û4F  
    Ãæ¼׳ ÂçÅçÉ÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Landscape, Island Oshima ËÜ´Û4F  
29   Ãæ¼׳ ¥¨¥í¥·¥§¥ó¥³»á¤ÎÁü 1920 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAKAMURA, Tsune Portrait of Vasilii Yaroshenko ËÜ´Û4F ÂçΤ°ìÂÀϺ»á´ó£
  Á° ¼¾å²Ú³Ù ³¤Ä»Êë·ÊÇ·¿Þ 1935 ËÏ²è »æËÜ MURAKAMI, Kagaku Sunset Landscape with Birds ËÜ´Û4F  
  ¸å ¼¾å²Ú³Ù ¶õ»³À¶¹âÇ·¿Þ c.1934 ËÏ²è »æËÜ MURAKAMI, Kagaku Mountain Against the Clear Sky ËÜ´Û4F  
21   ¼»³ÜÇ¿ ¥Ð¥é¤È¾¯½÷ 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MURAYAMA, Kaita Roses and a Girl ËÜ´Û4F »³Ëܹ§»á´ó£
    ¿¹Åűͧ ¥Õ¥é¥ó¥¹É÷·Ê 1914-15 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MORITA, Tsunetomo French Landscape ËÜ´Û4F ¼¯Å缡Ϻ»á´ó£
  ¸å ¿¹Åűͧ ¿¿¸Ö´¢¡Ê¤Þ¤³¤â¤¬¤ê¡Ë 1922 ËÏ²è »æËÜ MORITA, Tsunetomo Mowing Water Oat ËÜ´Û4F ¼¯Å缡Ϻ»á´ó£
  Á° ¿¹Åűͧ Ⱦ·î 1926 ËÏ²è »æËÜ MORITA, Tsunetomo Half Moon ËÜ´Û4F ¼¯Å缡Ϻ»á´ó£
17   èßÅ´¸ÞϺ ÍçÂÎÈþ¿Í 1912 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Nude Beauty ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
    ¥í¥À¥ó¡¢¥ª¡¼¥®¥å¥¹¥È ¥È¥ë¥½¡¼ ÉÔ¾Ü ¥Ö¥í¥ó¥º   RODIN, Auguste Torso ËÜ´Û4F ´äÇÈÌÐͺ»áµì¢¡¢´äÇÈͺÆóϺ»á°ä£
­¶¡Ý1¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÅԻԤΤʤ«¤Î·Ý½Ñ²È¡¡­¶-1 Art of the Prewar Showa Period (1926¡Ý40)¡Ý Artists in the Modern City
    ¥¢¥ë¥×¡¢ ¥¸¥ã¥ó¡Ê¥Ï¥ó¥¹¡Ë ÃÏÃ泤·²Áü 1941/65 ÂçÍýÀÐ   ARP, Jean(Hans) Mediterranean Group ËÜ´Û4F  
    ³¤Ï·¸¶´îÇ·½õ ¥²¥ì¥ó¥Ç 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EBIHARA, Kinosuke Skiing Ground ËÜ´Û4F ±öÂôº»²Ï»á´ó£
43   ¥«¥ó¥Ç¥£¥ó¥¹¥­¡¼¡¢ ¥ï¥·¥ê¡¼ Á´ÂÎ 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KANDINSKY, Wassily The Whole ËÜ´Û4F  
    ËÌÏƾº ¼þ°×²òÍý¿Þ(Ȭ·µ)¡Ê¤Ï¤Ã¤±¡Ë 1941 ÌýºÌ¡¢¥³¥é¡¼¥¸¥å(¼Ì¿¿) ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Diagram of Chau Divination (Eight Phenomena) ËÜ´Û4F ËÌÏƤ«¤Í»á´ó£
    ¹ñµÈ¹¯Íº ½©¤Î¤¿¤½¤¬¤ì 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUNIYOSHI, Yasuo Dusk in Autumn ËÜ´Û4F  
38   ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Ò¤é¤¯ÌÚ¤ò¤á¤°¤ëÃê¾Ý 1925 ÌýºÌ ¸ü»æ KLEE, Paul Abstraction with Reference to a Flowering Tree ËÜ´Û4F  
    ¥¯¥ì¡¼¡¢ ¥Ñ¥¦¥ë ²Ö¤Î¥Æ¥é¥¹ 1937 ÌýºÌ ÌÊÉÛ KLEE, Paul Flower Terrace ËÜ´Û4F  
    ¥°¥ê¥¹¡¢ ¥Û¥¢¥ó ±ßÂî 1921 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ GRIS, Juan The Gueridon ËÜ´Û4F  
    ¾®°ëÎÉÊ¿ ¸ª³Ý¤±¤Î½÷ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOISO, Ryohei Woman with a Shawl ËÜ´Û4F ÉðÅÄĹʼ±Ò»á°ä£
40   ¸Å²ì½Õ¹¾ ³¤ 1929 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOGA, Harue Sea ËÜ´Û4F  
    ¥¿¥ó¥®¡¼¡¢¥¤¥ô ϸ¼Ô¡Ê¤í¤¦¤·¤ã¡Ë¤Î¼ª 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TANGUY, Yves The Ears of a Deaf ËÜ´Û4F  
    Å춿ÀÄ»ù ¥µ¥ë¥¿¥ó¥Ð¥ó¥¯ 1926 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ TOGO, Seiji Street Performers ËÜ´Û4F  
    ¥É¥í¡¼¥Í¡¼¡¢ ¥í¥Ù¡¼¥ë ¥ê¥º¥à ÍæÀû¡Ê¤é¤»¤ó¡Ë 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ DELAUNAY, Robert Rythm-Spiral ËÜ´Û4F  
42   ÌîÅıÑÉ× µ¢Ï© 1935 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NODA, Hideo Way to Home ËÜ´Û4F  
    ĹëÀîÍø¹Ô ´ßÅĹñ»Î¡Ê¤¯¤Ë¤ª¡ËÁü 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HASEKAWA, Toshiyuki Portrait of Kunio Kishida ËÜ´Û4F ÌÚ¼Åì²ð»á´ó£
    ĹëÀîÍø¹Ô ¥¿¥ó¥¯³¹Æ» 1930 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ HASEKAWA, Toshiyuki Road to the Tank ËÜ´Û4F ´óÂ÷ºîÉÊ
    Æ£ÅĻ̼£ ¥Ñ¥êÉ÷·Ê 1918 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUJITA, Tsuguharu Street in Paris ËÜ´Û4F  
    »°´ß¹¥ÂÀϺ ±À¤Î¾å¤òÈô¤Öij 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MIGISHI, Kotaro Butterflies Flying above Clouds ËÜ´Û4F  
    µÈ¸¶¼£ÎÉ ³¤ÊÕ¤ÎÀÅʪ 1931 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro Still Life by the Sea ËÜ´Û4F  
22   èßÅ´¸ÞϺ ¤â¤¿¤ì¤ÆΩ¤Ä¿Í 1917 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YOROZU, Tetsugoro Leaning Woman ËÜ´Û4F ȬÌÚÀµ¼£»á´ó£
    ¥ì¥¸¥§¡¢ ¥Õ¥§¥ë¥Ê¥ó ½÷¤È²Ö 1926 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ LEGER, Fernand Woman and Flower ËÜ´Û4F  
£´F Æý¸¥³¡¼¥Ê¡¼¡¡ Topic in Focus ¡¡Î¹¹Ôµ­¤È¤·¤Æ¤ÎÈþ½Ñ¡¡Art as Travelogue
    °ËÅ쿼¿å ¥¸¥ã¥ï¡¡¥¸¥ã¥«¥ë¥¿¹Ù³° 1943 ÌÚÈÇ(¿¿§)   ITO, Shinsui Outside Djakarta, Djawa Island ËÜ´Û4F  
    °ËÅ쿼¿å ¥»¥ì¥Ù¥¹¡¡¥Þ¥«¥Ã¥µ¥ë¹Ù³° 1943 ÌÚÈÇ(¿¿§)   ITO, Shinsui Outside Makasar, Celebes Island ËÜ´Û4F  
    Â粼ƣ¼¡Ïº Êæ¹â»³¤Îϼ 1907 ¿åºÌ¡¢±ôÉ® »æ OSHITA, Tojiro Foot of Mt. Hotaka ËÜ´Û4F  
    ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë ¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡Î¦±ü¡¡ÄաʤĤ¿¡Ë²¹Àô 1919 ÌÚÈÇ(¿¿§)   KAWASE, Hasui Tsuta Hot Springs, Mutsu from "Scenes from Travels I" ËÜ´Û4F  
    ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë ¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡¾¾Åç¡¡¤«¤Ä¤éÅç 1919 ÌÚÈÇ(¿¿§)   KAWASE, Hasui Katsura Island, Matsushima from "Scenes from Travels I" ËÜ´Û4F  
    ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë ¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡Ë¼½£¡¡´ä°æ¤ÎÉÍ 1920 ÌÚÈÇ(¿¿§)   KAWASE, Hasui Iwai Beach, Awa from "Scenes from Travels I" ËÜ´Û4F  
    ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë ¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡¤·¤Û¸¶¡¡¤¢¤éÅò¤Î½© 1920 ÌÚÈÇ(¿¿§)   KAWASE, Hasui Autumn at Arayu Hot Springs, Shiobara from "Scenes from Travels I" ËÜ´Û4F  
    ÀîÀ¥Çÿå(¤Ï¤¹¤¤¡Ë ¡Öι¤ß¤ä¤²¡¡Âè°ì½¸¡×¤è¤ê¡¡½©¤Î±ÛÏ© 1920 ÌÚÈÇ(¿¿§)   KAWASE, Hasui Autumn in Echizen from "Scenes from Travels I" ËÜ´Û4F  
    ´ßÅÄέÀ¸ ÎÐ 1907 ¿åºÌ »æ KISHIDA, Ryusei Greenery ËÜ´Û4F ´ßÅÄÄáÇ·½õ»á°ä£
    ¾®Àôâ£Ì¦Ãˡʤ­¤·¤ª¡Ë ¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡»³Ãæ¸ÐÇòÊë¡Ê¤Ï¤¯¤Ü¡Ë¸øµû¡Ê¤ï¤«¤µ¤®¡Ë·êÄà 1941 ÌÚÈÇ(¿¿§)   KOIZUMI, Kishio Twilight Comes to Lake Yamanaka as People Fish Pond Smelts through Ice from "Thirty-six Views of Fuji, the Holy Mountain" ËÜ´Û4F  
    ¾®Àôâ£Ì¦Ãˡʤ­¤·¤ª¡Ë ¥¹¥±¥Ã¥Á¥Ö¥Ã¥¯¡ÖÉÙ»ÎÅл³åé»ï¡× 1942 ËÏ¡¢¿åºÌ »æ KOIZUMI, Kishio Sketchbook "Illustrated Records of a Mt. Fuji Climbing" ËÜ´Û4F Æ£·ü¤µ¤È»á´ó£
    ¾®Àôâ£Ì¦Ãˡʤ­¤·¤ª¡Ë ¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡±ÆÉÔÆó 1942 ÌÚÈÇ(¿¿§)   KOIZUMI, Kishio Fuji's Shadow from "Thirty-six Views of Fuji, the Holy Mountain" ËÜ´Û4F  
    ¾®Àôâ£Ì¦Ãˡʤ­¤·¤ª¡Ë ¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡ÉÔÆó¤ÈÀгÀçö 1943 ÌÚÈÇ(¿¿§)   KOIZUMI, Kishio Mt. Fuji and Strawberries Grown on Stoned Slopes from "Thirty-six Views of Fuji, the Holy Mountain" ËÜ´Û4F  
    ¾®Àôâ£Ì¦Ãˡʤ­¤·¤ª¡Ë ¡ÖÀ»ÊöÉÙÖÖ»°½½Ï»·Ê¡×¤è¤ê¡¡ÇϹ̤¹¤ë½ýáءʤ·¤ç¤¦¤¤¡Ë·³ÇÀ»Î 1944 ÌÚÈÇ(¿¿§)   KOIZUMI, Kishio Maimed Soldier Plowing with a Horse from "Thirty-six Views of Fuji, the Holy Mountain" ËÜ´Û4F  
    ¸åÆ£¹©»Ö Áê½£¿¿ÄáÉí¶áÉ÷·Ê 1918 ¿åºÌ¡¢±ôÉ® »æ GOTO, Koshi Landscape near Manazuru ËÜ´Û4F  
    ¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë ¡ÖÀ¤³¦É÷¯ÈDz轸¡×¤è¤ê¡¡¥µ¥¤¥Ñ¥ó¤Î̼¤È¥Ï¥¤¥Ó¥¹¥«¥¹¤Î²Ö¡¢¥Þ¥ê¥¢¥Ê½ôÅç 1934 ÌÚÈÇ(¿¿§)   JACOULET, Paul Young Girl of Saipan and Hibiscus Flowers, Marianas from "Genre Prints from Around the World" ËÜ´Û4F Æ£·ü¤µ¤È»á´ó£
    ¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë ¡ÖÀ¤³¦É÷¯ÈDz轸¡×¤è¤ê¡¡ÀµÁõ¤»¤ëÄ«Á¯¤Î»Ò¶¡¡¢¥½¥¦¥ë 1934 ÌÚÈÇ(¿¿§)   JACOULET, Paul Korean Baby in Ceremonial Costume, Seoul from "Genre Prints from Around the World" ËÜ´Û4F Æ£·ü¤µ¤È»á´ó£
    ¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë ¡ÖÀ¤³¦É÷¯ÈDz轸¡×¤è¤ê¡¡¸ñ¤òÇä¤ëÏ·ÇÌ¡¢°ñ¾ë¸©¿å¶¿ 1934 ÌÚÈÇ(¿¿§)   JACOULET, Paul The Old Carp Seller, Ibaraki, Japan from "Genre Prints from Around the World" ËÜ´Û4F Æ£·ü¤µ¤È»á´ó£
    ¥¸¥ã¥¯¥ì¡¼¡¢ ¥Ý¡¼¥ë À¶³¾¡Ê¤­¤è¤«¡Ë¤µ¤ó 1935 ÌÚÈÇ(¿¿§)   JACOULET, Paul The Geisha Kiyoka, Tokyo ËÜ´Û4F Æ£·ü¤µ¤È»á´ó£
    ´Ý»³ÈÕ²â ̸¤Î¹â¸¶ c.1905 ¿åºÌ »æ MARUYAMA, Banka The Highlands in the Fog ËÜ´Û4F µÈÅÄÊæ¹â»á´ó£
    µÈÅÄÇî ÍÜÂô¡Ê¤è¤¦¤¶¤ï¡Ë¡¡À¾¤Î¶¶ 1896 ¿åºÌ »æ YOSHIDA, Hiroshi Nishinohashi Bridge,Yozawa ËÜ´Û4F  
    µÈÅĤդ¸¤ò ´úÆü¤ÎÉÜÃæ 1902-03 ¿åºÌ »æ YOSHIDA, Fujio Fuchu on a National Holiday ËÜ´Û4F  
­¶¡Ý2¡¡¾¼ÏÂÀïÁ°´ü¤ÎÈþ½Ñ¡¡ÆüËܲ衦Íβè¤ÎÀ®½Ï¡¡¡¡­¶-2 Art of the Prewar Showa Period (1926-40) ¡ÝA Maturity of Japanese-style and Western-style Paintings
    ðϸ÷ ÁÇÉÁ¿Þ´¬ 1938-39 ËÏ¡¢ºÌ¿§ »æ AI-MITSU Scroll of Drawing ËÜ´Û3F  
    ÀаæÄá»° ½Ó´²(ƬÉô»îºî) 1930 ¥Ö¥í¥ó¥º   ISHII, Tsuruzo Priest Shunkan (Study for Head) ËÜ´Û3F  
53   ¾å¼¾¾±à Êì»Ò 1934 ºÌ¿§ ¸¨ËÜ UEMURA, Shoen Mother and Child ËÜ´Û3F  
    Ç߸¶Î¶»°Ïº Ĺ°Â³¹ 1940 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Chang An Streets, Beijing ËÜ´Û3F ºî¼Ô´ó£
59   Ç߸¶Î¶»°Ïº Ë̵þ½©Å· 1942 ÌýºÌ¡¢´ä³¨¶ñ »æ UMEHARA, Ryuzaburo Autumn in Beijing ËÜ´Û3F Àî¸ý¾¾ÂÀϺ»á´ó£
54   ÂÀÅÄÄ°±« À±¤ò¤ß¤ë½÷À­ 1936 ºÌ¿§ »æËÜ OTA, Chou Women Observing Stars ËÜ´Û3F  
    ²¬ÅÄ»°Ïº½õ ÉØ¿ÍȾ¿ÈÁü 1936 ÌýºÌ¡¢¤½¤Î¾ »æ OKADA, Saburosuke Portrait of a Woman ËÜ´Û3F  
    ±ü¼ÅÚµí ¸Õ±»Èª 1927 ºÌ¿§ ¸¨ËÜ OKUMURA, Togyu Cucumber Field ËÜ´Û3F ºî¼Ô´ó£
    ¾®ÁÒÍ·µµ Èþ¤·¤­Ä« 1952 ºÌ¿§ »æËÜ OGURA, Yuki A Beautiful Morning ËÜ´Û3F ´óÂ÷ºîÉÊ
    ·ø»³ÆîÉ÷ Çò±« 1951 ºÌ¿§ »æËÜ KATAYAMA, Nampu Shower ËÜ´Û3F  
47   Àîüζ»Ò Áð±ê 1930 ºÌ¿§ ¸¨ËÜ KAWABATA, Ryushi Flaming Grass ËÜ´Û3F  
  Á° ¾®ÎӸŷ ¶¶ 1942 ºÌ¿§ ¸¨ËÜ KOBAYASHI, Kokei Bridge ËÜ´Û3F  
  ¸å ¾®ÎӸŷ ɴÀå¡Ê¤â¤º¡Ë ¾¼Ï»þÂå ºÌ¿§ »æËÜ KOBAYASHI, Kokei Shrike ËÜ´Û3F ´óÂ÷ºîÉÊ
    ¿ÜÅĹñÂÀϺ Êâ¤àÏÉ 1940 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUDA, Kunitaro Walking Eagle ËÜ´Û3F  
    Ê¡ÅÄË­»ÍϺ ³¤½÷(¤¢¤Þ) 1950 ºÌ¿§ »æËÜ FUKUDA, Toyoshiro Women Divers ËÜ´Û3F  
    Æ£°æ¹ÀÍ´ Ûàȱ(¤¹¤­¤¬¤ß) 1937 ¥Ö¥í¥ó¥º   FUJII, Koyu Hair Combing ËÜ´Û3F  
    ¿¹Åűͧ ´ØÀ¾¤È¤³¤í¤É¤³¤í 1922 ËϲèøºÌ »æËÜ MORITA, Tsunetomo Various Places of the Kansai Area ËÜ´Û3F ¼¯Å缡Ϻ»á´ó£
51   °Â°æÁ¾ÂÀϺ ±üÆþÀ¥¡Ê¤ª¤¤¤é¤»¡Ë¤ÎÞäή 1933 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Oirase Stream ËÜ´Û3F  
52   °Â°æÁ¾ÂÀϺ ¶âÍ֡ʤ­¤ó¤è¤¦¡Ë 1934 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ YASUI, Sotaro Portrait of Chin-Jung ËÜ´Û3F  
    °ÂÅÄðÖɧ ¹ãÌç²ñ¡Ê¤³¤¦¤â¤ó¤Î¤«¤¤¡Ë 1955 ºÌ¿§ »æËÜ YASUDA, Yukihiko Meeting at Hong Men ËÜ´Û3F ºî¼Ô´ó£
­·¡¡Àï»þ¤È¡ÖÀï¸å¡×¤ÎÈþ½Ñ¡¡¡¡­· Art during and after the War
62   ðϸ÷ ´ã¤Î¤¢¤ëÉ÷·Ê 1938 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ AI-MITSU Landscape with an Eye ËÜ´Û3F  
    ËãÀ¸»°Ïº ¼«²èÁü 1937 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ASO, Saburo Self-Portrait ËÜ´Û3F  
    °Ë¸¶±§»°Ïº ¹á¹Á¤Ë±÷¤±¤ë¼ò°æ»ÊÎá´±¡¢¥ä¥ó¥°ÁíÆĤβñ¸« 1943-44 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ IHARA, Usaburo Hong Kong Meeting of Governor Young and Commander Sakai ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ³¤Ï·¸¶´îÇ·½õ ½Þ¶µ¼Ô 1951 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EBIHARA, Kinosuke Martyr ËÜ´Û3F  
63   ¹á·îÂÙÃË ¿å¶À 1942 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAZUKI, Yasuo Water Mirror ËÜ´Û3F  
79   ²Ï¸¶²¹ ÕԡʤϤé¡Ë¤ó¤À½÷ 1954 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KAWARA, On Pregnant Woman ËÜ´Û3F ºî¼Ô´ó£
64   ËÌÏƾº ¥¯¥©¡¦¥ô¥¡¥Ç¥£¥¹ 1949 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KITAWAKI, Noboru Quo Vadis ËÜ´Û3F ËÌÏƤ«¤Í»á´ó£
    ¾®°ëÎÉÊ¿ ̼»Ò´Ø¡Ê¤¸¤ç¤¦¤·¤«¤ó¡Ë¤òÀ¬¤¯ 1941 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KOISO, Ryohei Marching through Niangziguan ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    ÁâÎÉÔ÷ Ì©ÊĤ»¤ëÁÒ¸Ë 1957 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ CHO, Yang Gyu Sealed Warehouse ËÜ´Û3F ºî¼Ô´ó£
    ÎëÌÚÎÉ»° ±ÒÀ¸Ââ¤Î³èÌö¤È¥Ó¥ë¥Þ¿Í¤Î¹¥°Õ 1944 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUZUKI, Ryozo Activities of the Medical Corps and Goodwill of Burmese People ËÜ´Û3F ̵´ü¸ÂÂßÍ¿
    Ê¡Âô°ìϺ ¼ù³¤ 1948 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ FUKUZAWA, Ichiro Deep Forest ËÜ´Û3F ºî¼Ô´ó£
    ¾¾Ëܽײð Y»Ô¤Î¶¶ 1943 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MATSUMOTO, Shunsuke Bridge in Y-City ËÜ´Û3F  
    Ìø¸¶µÁã ¸¤¤Î±´ 1961 ¥Ö¥í¥ó¥º   YANAGIHARA, Yoshitatsu Song of the Dog ËÜ´Û3F ºî¼Ô´ó£
­¸¡¡1950-60ǯÂå¤ÎÈþ½Ñ ¡¡­¸ Art in the 1950s and 1960s
    ¹Ó°æζÃË ¼ë¤ÎÃæ¤Î¼ë 1955 ÌýºÌ ¥Ï¡¼¥É¥Ü¡¼¥É ARAI, Tatsuo Vermilion in Vermilion ËÜ´Û3F  
    ±Í¶å ÀÖ¤¤ÎØ 1954 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ EI-KYU Red Circle ËÜ´Û3F  
69   ²¬ËÜÂÀϺ dz¤¨¤ë¿Í 1955 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ OKAMOTO, Taro Men Aflame ËÜ´Û3F ºî¼Ô´ó£
    ¥ª¥Î¥µ¥È¡¦¥È¥·¥Î¥Ö¡Ê¾®ÌîΤÍø¿®¡Ë CIRCLE-'70 1970 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ ONOSATO, Toshinobu CIRCLE-'70 ËÜ´Û3F Æ£²¬»þɧ»á´ó£¡½ºÊ±Ñ»Ò¤ò¼Å¤ó¤Ç
    º«Ìî×ñ À¸Ä¹¤Î·ÁÂÖ No.1 1954 Àйѡ¢¥«¥·¥å¡¼   KONNO, Hisashi Form of Growth No.1 ËÜ´Û3F  
    º´Æ£Â¿»ý ¿åÇξÖÒØÂËÍå¤ñ¡Ê¤ß¤º¤Ð¤·¤ç¤¦¤Þ¤ó¤À¤é¤¨¡Ë 1966 ËÏ²è »æËÜ SATO, Tamotsu Skunk Cabbage Mandara ËÜ´Û3F ºî¼Ô´ó£
    ¿ûÌÚ»Öͺ ·Êα¼Ð·Ñ 2004 ÌÚ¡¢¥ï¥¤¥ä¡¼¥í¡¼¥×   SUGA, Kishio Kei-ryu-sha-kei ËÜ´Û3F  
    ¿ùÁ´Ä¾ ¥­¥Ã¥³¥¦¤ËØᤫ¤ì¤Æ(A) 1960 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ SUGIMATA, Tadashi Possessed by a Tortoise Shell Pattern (A) ËÜ´Û3F  
    ÆñÇÈÅÄζµ¯ Å·ÂΤα¿¹Ô 1956 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ NAMBATA, Tatsuoki Movement of Heavenly Body ËÜ´Û3F ºî¼Ô´ó£
    ¿·ºÊ¼Â ´ã¤Î¾ë 1965 ÂçÍýÀС¢ÌÚ¡¢¹ÝÅ´   NIIZUMA, Minoru Castle of the Eye ËÜ´Û3F  
    ¼°æÀµÀ¿ ´é 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ MURAI, Masanari Face ËÜ´Û3F  
    »³¸ýĹÃË ¹½À® 1955 ÌýºÌ ¹çÈÄ YAMAGUCHI, Takeo Composition ËÜ´Û3F  
    µÈ²¬·øÆó ·îÌÀ 1974 ºÌ¿§ »æËÜ YOSHIOKA, Kenji Moonlight ËÜ´Û3F ºî¼Ô´ó£
    µÈÅÄÁ±É§ ¥«¥Ã¥Ñ¥É¥­¥¢ÆóÂê(¹â¸¶Î©²Æ¡¦¶®Ã«¿·½©) 1971 ºÌ¿§ »æËÜ YOSHIDA, Yoshihiko Two Scenes from Cappadocia: Early Summer in the Highlands, Early Autumn in the Ravines ËÜ´Û3F ÄÅËö¤¨¤¤»á´ó£
78   µÈ¸¶¼£ÎÉ ¹õÃϤËÇò 1965 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ YOSHIHARA, Jiro White on Black ËÜ´Û3F ºî¼Ô´ó£
ÈDz襳¡¼¥Ê¡¼ Prints Section¡¡¡¡Æý¸¡¡ºØÆ£¼÷°ì¡¡Juichi Saito
    ºØÆ£¼÷°ì ¿¹¤È·î 1959 ƼÈÇ   SAITO, Juichi Moon and Forest ËÜ´Û3F ºî¼Ô´ó£
    ºØÆ£¼÷°ì ¿¹ 1960 ƼÈÇ   SAITO, Juichi Forest ËÜ´Û3F ºî¼Ô´ó£
    ºØÆ£¼÷°ì ÀĤΥ¤¥á¡¼¥¸ 1964 ƼÈÇ   SAITO, Juichi Image of Blue ËÜ´Û3F ºî¼Ô´ó£
    ºØÆ£¼÷°ì ÀĤ¤¸÷ 1964 ƼÈÇ   SAITO, Juichi Blue Light ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡ÃÂÀ¸ 1967 ƼÈÇ   SAITO, Juichi Birth from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Ç®¤Î¤¢¤ëÌë 1967 ƼÈÇ   SAITO, Juichi Fever at Night from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡»¶Êâ 1967 ƼÈÇ   SAITO, Juichi Walking the Baby from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Å¾ÅÝ 1967 ƼÈÇ   SAITO, Juichi Fall from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Æü¸÷Íá 1967 ƼÈÇ   SAITO, Juichi Sunbathing from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡²¿¤«¤¬¸«¤¨¤ë 1967 ƼÈÇ   SAITO, Juichi I See Something from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Ì´ 1967 ƼÈÇ   SAITO, Juichi Dream from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Àá¶ç 1967 ƼÈÇ   SAITO, Juichi Children's Festival from portfolio"Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡¤«¤¯¤ì¤ó¤Ü 1967 ƼÈÇ   SAITO, Juichi Hide and Seek from portfolio "Maternity Record Book" ËÜ´Û3F  
    ºØÆ£¼÷°ì ÈDz轸¡ÖÊì»Ò¼êÄ¢¡×¤è¤ê¡¡Î¥Æý¿© 1967 ƼÈÇ   SAITO, Juichi Baby Food from portfolio "Maternity Record Book" ËÜ´Û3F  
¼Ì¿¿¥³¡¼¥Ê¡¼ Photograph Section Æý¸¡¡ÎÓδ´î¡ÖZOO¡×¡¡¡¡Takanobu Hayashi ¡ÈZOO¡É¡¡
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡¾åÌîưʪ±à¡¢ÅìµþÅÔ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Ueno Zoological Gardens, Tokyo from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡Â¿Ëàưʪ¸ø±à¡¢ÅìµþÅÔ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Tama Zooligical Park, Tokyo from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡¾åÌîưʪ±à¡¢ÅìµþÅÔ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Ueno Zoological Gardens, Tokyo from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥Ð¥¤¥ª¥Ñ¡¼¥¯¡¢ÀŲ¬¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Izu Bio Park, Shizuoka from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥Ð¥¤¥ª¥Ñ¡¼¥¯¡¢ÀŲ¬¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Izu Bio Park, Shizuoka from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥µ¥Ü¥Æ¥ó¸ø±à¡¢ÀŲ¬¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Izu Shaboten Koen (Cactus Park), Shizuoka from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡¹ÔÀ¥¤¥é¥ó¥É¡¢ÀéÍÕ¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Namegawa Island, Chiba from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡¾åÌîưʪ±à¡¢ÅìµþÅÔ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Ueno Zoological Gardens, Tokyo from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡ÅìÉðưʪ¸ø±à¡¢ºë¶Ì¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Tobu Zoo, Saitama from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡ÌîÌÓ»³Æ°Êª±à¡¢¿ÀÆàÀ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Nogeyama Zoo, Kanagawa from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡Â¿Ëàưʪ¸ø±à¡¢ÅìµþÅÔ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Tama Zooligical Park, Tokyo from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡Â¿Ëàưʪ¸ø±à¡¢ÅìµþÅÔ 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Tama Zooligical Park, Tokyo from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡°ËƦ¥µ¥Ü¥Æ¥ó¸ø±à¡¢ÀŲ¬¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Izu Shaboten Koen (Cactus Park), Shizuoka from "ZOO" ËÜ´Û3F  
    ÎÓδ´î ¡ÖZOO¡×¤è¤ê¡¡ÅìÉðưʪ¸ø±à¡¢ºë¶Ì¸© 1984 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   HAYASHI, Takanobu Tobu Zoo, Saitama from "ZOO" ËÜ´Û3F  
Âè5¾Ï¡¡¸½ÂåÈþ½Ñ¡Ý1970ǯÂå°Ê¹ß¡¡­¹ Contemporary Art after the 1970s
    ¹ÓÀºî ºîÉÊ 1960 ¥»¥á¥ó¥È¡¢ÌÊ¡¢ÉÛ¡¢¶â°¡¢ÏΡ¢ÌÚÈ¢   ARAKAWA, Shusaku Work ËÜ´Û2F  
    ¹ÓÀºî ºîÉÊ 1960 ¥»¥á¥ó¥È¡¢ÌÊ¡¢ÉÛ¡¢¶â°¡¢ÏΡ¢ÌÚÈ¢   ARAKAWA, Shusaku Work ËÜ´Û2F  
    ¹ÓÀºî ºîÉÊ 1960 ¥»¥á¥ó¥È¡¢ÌÊ¡¢ÉÛ¡¢ÏΡ¢ÌÚÈ¢   ARAKAWA, Shusaku Work ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî ±À 1991-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Clouds ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ÀиµÂÙÇî Àã¤Î¤¢¤·¤¢¤È 1994-95 ¥¼¥é¥Á¥ó¡¦¥·¥ë¥Ð¡¼¡¦¥×¥ê¥ó¥È   ISHIMOTO, Yasuhiro Snow Steps ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñƻɴ»°½½Ï»¹æÀþ¤«¤é¸«¤ë±«¤Î¾¾ºê¹Á 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Matsuzaki Bay in the Rain from Route 136. From "Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»»°É´¹æÀþ¤«¤é¤ß¤ëËÜÀ´¸Ð¤ÎÉٻλ³ 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Lake Motosu and Mount Fuji from Route 300. From "Eight Views of Japan. " ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¹ñÆ»¸Þ½½Æó¹æÀþ¤«¤éÆîÉô¶¶¤ò¤Î¤¾¤à 2007 ±Õ¾½¥â¥Ë¥¿¡¼1Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian View of Nambu Bridge from Route 52.¡¡From" Eight Views of Japan." ËÜ´Û2F  
    ¥ª¥Ô¡¼¡¢¡¡¥¸¥å¥ê¥¢¥ó ¡ÖÆüËÜȬ·Ê¡×¤è¤ê¡¡¿¿ÄáȾÅç¤Î¾å¤Î·î 2007 ±Õ¾½¥â¥Ë¥¿¡¼2Âæ¡¢¥³¥ó¥Ô¥å¡¼¥¿¡¼   OPIE, Julian Moon Over Manazuru Peninsula. ¡¡From "Eight Views of Japan." ËÜ´Û2F  
    ¾¡Ëôˮɧ Skyline 100531 2004 ¥¿¥¤¥×C¥×¥ê¥ó¥È   KATSUMATA, Kunihiko Skyline 100531 ËÜ´Û2F  
    ¾¡Ëôˮɧ Skyline 100600 2004 ¥¿¥¤¥×C¥×¥ê¥ó¥È   KATSUMATA, Kunihiko Skyline 100600 ËÜ´Û2F  
    ¾¡Ëôˮɧ Skyline 101170 2004 ¥¿¥¤¥×C¥×¥ê¥ó¥È   KATSUMATA, Kunihiko Skyline 101170 ËÜ´Û2F  
    Áð´Ö×½À¸ ²Ì¤Æ¤·¤Ê¤¤ÌÖ ¡ô4 1959 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUSAMA, Yayoi Infinity Net No.4 ËÜ´Û2F ´óÂ÷ºîÉÊ
    Áð´Ö×½À¸ No. H. Red 1961 ÌýºÌ ¥­¥ã¥ó¥Ð¥¹ KUSAMA, Yayoi No. H. Red ËÜ´Û2F  
    ¥°¥ë¥¹¥­¡¼¡¢ ¥¢¥ó¥É¥ì¥¢¥¹ ¥Ç¥å¥Ã¥»¥ë¥É¥ë¥Õ 1989 ¥¿¥¤¥×C¥×¥ê¥ó¥È   GURSKY, Andreas Dusseldorf ËÜ´Û2F  
90   ¥´¡¼¥à¥ê¡¼¡¢ ¥¢¥ó¥È¥Ë¡¼ È¿±Ç¡¿»×º÷ 2000 ÃòÅ´   GORMLEY, Antony Reflection ËÜ´Û2F  
    ÅÄÃæÆØ»Ò ºîÉÊ 66 - SA 1966 ¥Ó¥Ë¡¼¥ë¼ù»é ¥­¥ã¥ó¥Ð¥¹ TANAKA, Atsuko Work 66 - SA ËÜ´Û2F  
    ÃæÀ¾²ÆÇ· ±¤ 1959 ¥é¥Ã¥«¡¼¡¢¥¨¥Ê¥á¥ë¡¢º½ ¹çÈÄ NAKANISHI, Natsuyuki Rhyme ËÜ´Û2F  
82   »°ÌÚÉÙͺ EAR 1965 ¥¢¥ë¥ß¥Ë¥¦¥à   MIKI, Tomio EAR ËÜ´Û2F  
    ¸µ±ÊÄêÀµ ºîÉÊ 1961 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ MOTONAGA, Sadamasa Work ËÜ´Û2F  
    ¸µ±ÊÄêÀµ ºîÉÊ 1962 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ MOTONAGA, Sadamasa Work ËÜ´Û2F »³¸ýµ®µ×ÃË¡¢Èþ·Ã»á´ó£
    ¸µ±ÊÄêÀµ ºîÉÊ 66-1 1966 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¥­¥ã¥ó¥Ð¥¹ MOTONAGA, Sadamasa Work 66-1 ËÜ´Û2F  
    Íûã»ßå Æͤ­¤è¤ê 1974 ËÏ Ï»æ LEE, Ufan Push Up ËÜ´Û2F ´óÂ÷ºîÉÊ
    Íûã»ßå ÅÀ¤è¤ê 1977 ´ä³¨¶ñ¡¢ç± ¥­¥ã¥ó¥Ð¥¹ LEE, Ufan From Point ËÜ´Û2F ºî¼Ô´ó£
    Íûã»ßå ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 1 1978 ¥ê¥È¥°¥é¥Õ   LEE, Ufan From Dots 1 from portfolio From Dots, From Lines" ËÜ´Û2F  
    Íûã»ßå ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 2 1978 ¥ê¥È¥°¥é¥Õ   LEE, Ufan From Dots 2 from portfolio "From Dots, From Lines" ËÜ´Û2F  
    Íûã»ßå ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 3 1978 ¥ê¥È¥°¥é¥Õ   LEE, Ufan From Dots 3 from portfolio "From Dots, From Lines" ËÜ´Û2F  
    Íûã»ßå ÈDz轸¡ÖÅÀ¤è¤ê¡¦Àþ¤è¤ê¡×¤è¤ê¡¡ÅÀ¤è¤ê 4 1978 ¥ê¥È¥°¥é¥Õ   LEE, Ufan From Dots 4 from portfolio "From Dots, From Lines" ËÜ´Û2F  
    ¥ô¥£¥¢¥é¡¢ ¥¯¥í¡¼¥É ̵Âê(²«) 1974 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¹çÁ¡ÉÛ VIALLAT, Claude Untitled (Yellow) ËÜ´Û2F  
    ¥ô¥£¥¢¥é¡¢ ¥¯¥í¡¼¥É ̵Âê(¤Ð¤é¿§) 1974 ¥¢¥¯¥ê¥ê¥Ã¥¯ ¹çÁ¡ÉÛ VIALLAT, Claude Untitled (Rose) ËÜ´Û2F  
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    ÌÚ¼¸­ÂÀϺ ¼·¤Ä¤Îµ§¤ê 1969 ÀÐ   KIMURA, Kentaro Seven Prayers ËÜ´Û²°³°  
    ¿ÅÄÈþÇÈ Chiaroscuro 1979 ¥¹¥Æ¥ó¥ì¥¹¥¹¥Á¡¼¥ë¡¢¹Å¼Á¥¬¥é¥¹   TADA, Minami Chiaroscuro ËÜ´Û²°³°  
84   ¥Î¥°¥Á¡¢ ¥¤¥µ¥à Ìç 1969 ¹ÝÅ´¡¢ºÌ¿§   NOGUCHI, Isamu Gate ËÜ´Û²°³°  
    ¥Þ¥ê¡¼¥Ë¡¢ ¥Þ¥ê¥Î ¤¢¤ë¥¤¥á¡¼¥¸¤Î¹½ÁÛ 1969-70 ¥Ö¥í¥ó¥º   MARINI, Marino The Idea of an Image ËÜ´Û²°³°