Tuesday, May 29, 2012

Move news!

They say that there exists a calm before every storm. They never told me that there exists an emotional shit-show before a complete life shift.

With that said, I sure have been feeling a lot like this lately. I'm sure it has nothing to do preparing for a fast-approaching move to the other side of the country to compete in an insane field and unionized market that I don't have the union eligibility or the boobs for. I keep reminding myself not to stress; that that is precisely why SAG New Media contracts and push-up bras exist.

This was posted to the neighbor's door.
Thanks to my awesome friend, Rueben, and his awesome girlfriend,  and their awesome roommate, I have had a place to stay until the moving date comes. Something about being surrounded by good and awesome people who legitimately hang out with one another has soothed my nerves. I have never had roommates that I chilled with. I have never been in a situation where all of the roommates convene in the living room at night and watch stuff like Game of Thrones and drink together.

Another awesome thing about this ridiculously generous turn of events is that I'm (kind of) living with girls who like to hang out. It's nice to be able to talk about bras and which brands and styles provide optimum lift with girls who say, "Dude, try mine on before you buy one."

They cheer you on and say things like, "Woo-hoo, that looks good!" or laugh and say, "Too much, too much!"

Just a few of the things you'll find in my friends' place.
Everyone in this house is so unabashedly nerdy and I love it. Thursday nights are designated anime nights where two of the roommates will band together and watch anime. Have you ever seen Polar Bear Cafe? Because you should.

I'm glad that I get to spend this time with them before I head out. They are good, good people.

Speaking of heading out, I have some good news: I now know that I am leaving as soon as possible after June 3rd. I have one final gig that I have to work and then I'm going to stay in my hometown for a few days and take off.

This good news is brought to you courtesy of some not-so-good news: I have resigned myself to the fact that *Dueces did not cast me. Word got around that production issued final decisions and I never got a call. It would suck, but I just consider it another one in the bucket. My job is to be professionally rejected and it's not like it's going to be easier in California.

I want to follow that up with some good news: James, last seen here, is now a definite on the road trip out there. We will be staying in Chicago for a few days before taking off down the crazy U.S. Route 66.

I'm stoked. I'm excited. I'm so ungodly scared out of my mind that you could lose a sock in the dryer and it would certainly send me over the edge.

Let's do this.

Friday, May 25, 2012

Help me build my cross-country playlist!

I found the perfect kick-off song!



 I want your help! Why not LIKE Smile Big and Pretty on Facebook and leave a comment with your musical suggestions? I'd love to have them!

Wednesday, May 23, 2012

Pack for Los Angeles... the Jas way.

Packing is a process that often involves listing the items that you do not need in an 80's hair metal voice.

Thursday, May 17, 2012

Whoa, hoss: we're still going to LA!

As April 30th has come and gone and I still have not posted stories or video blogs detailing the great, American, cross-country, Marriot hopping roadtrip to Los Angeles, you may be wondering,
"What in the hell happened? Is she even going? Did she chicken out?"

The short answer is, yes. Wait, no; I didn't chicken out; but yes; I am still moving to Los Angeles. However, inquiring minds wanted to know why I didn't stick to my self imposed deadline, so let's start with what happened, shall we?

Back in February, I auditioned for a film called *Deuces that was going to shoot in Atlanta this summer. Film and television casting typically happens in this order:

Phase I: Principal Casting. This includes the leading, supporting, and many smaller roles that directly affect the plot of the film. Principal casting is almost always taken care of in LA and/or with more experienced and larger name actors. If production plans to shoot the film outside the state of California, they they proceed to...

Phase II: Location Casting. Say production wants to shoot in a state with a nice tax incentive like Georgia. They then hire a local casting director to corrale local talent. The local casting director sends out the available roles to agencies who, in turn, submit their actors. Sometimes the casting director chooses which actors they want to see, but sometimes they just see whoever the agency wants to send to them. The actors are then put on a tape that gets submitted to the big guys who made the final decisions. Sometimes the local talent gets booked directly from their taping, but often the director/producers will pick their favorites and hold another round of auditions called "callbacks."
Location casting is almost always taken care of within a few days. If more than three days go by and you haven't heard anything, you consider the audition a lost cause and move on to the next one.

Phase III. Extras Casting.  After most of credited cast has been established, production will hire another casting agency to handle the extra work. These casting directors have the hardest job in the entire world because they are responsible for making sure that random members of the public show up to set at 4:00am and sit in a room for hours while they wait for someone to lead them outside and tell them to walk with purpose. I did a day of extra work once.

The role that I auditioned for in Dueces was a small one, but large enough to be considered a principal and get me the union eligibility that I needed. I felt like I had a so-so audition and, after I failed to hear anything from casting, forgot about it. Fast forward a month: I'm sitting across from the film and television agent in my agency, explaining to him why I want to leave Atlanta and go to Los Angeles.
"Well," he said, "You sound like you're going out there with the right expectations. All I ask is that you keep your moving date flexible. You've made fans with all of the casting directors."
"Really?"
"Yeah. Both ___ and ___ have said that you're talented and that they love you. Also, ___ says that you're definitely on the callback list for Deuces."
"They're only just now holding callbacks?"
"Well... here's the thing. They are still nailing down locations. They wanted to see if Atlanta had enough local talent to fill out the movie."
"That's... weird."
"Yeah, I know."
I was silent for a moment.
"Well, do you know when those callbacks might be?"
"No idea. But I do know that they like you and that you shouldn't move until at least after callbacks."

Two weeks later I found myself performing the same scene as before - except this time in front of the director of the film.
"Great," he said when I finished, "Now do it this way."
I did it that way.
"Awesome," he said when I finished, "Now do it this way."
I did.
"Fabulous," he said when I finished, "Now do it as if this is the greatest thing you have ever discovered. You have been waiting for this your entire life."
So I did (I think.) We exchanged thank-you's and I left feeling pretty good about the whole thing.
"Maybe this will actually happen," I thought.

Three days later. Nothing.
Two weeks later. Nothing. I e-mailed my agent and asked if he knew anything.
"Nope, nothing yet."
Another week passed and I received a text from a friend of mine who also auditioned and got called back.
"Hey," it said, "U heard anything about Deuces? I just got an email about another round of casting for brand new characters."
I did not receive the same e-mail. Afraid that this meant that the previous roles had all been cast and they no longer needed to see me, I emailed my agent again.
"They haven't sent out anything," he replied, "and they just tacked on ANOTHER round of casting for brand new characters."

By that point, I had delayed original moving date by two weeks.

A few days later, I received another text from my friend that said,
"They have not cast any roles in Deuces yet."
I'm assuming she went to the new audition and asked the casting directors herself. A few minutes later I saw that Deuces was already putting out calls for extras and background workers. This added to my confusion because production almost never calls for extras without hammering out a principal cast first.

Currently? I'm still in Atlanta. Still here, still waiting. I already quit my party princess/entertainer job because I expected to be gone by the 1st. I'm beginning to stress about money, crossing my fingers that my roommate doesn't ask for rent because I no longer have steady income and never budgeted for an extra month in Atlanta. While my temp agency promised to keep me temping as long as I'm here, I'm still incredibly nervous because expenses keep piling up: the air conditioning in my car stopped working. Three of my car lights went out and need to be replaced. I had to replace my Macbook charger. My car insurance payments just got higher for some reason.

As far as living situations go, once I finish getting all of my stuff out of my roommate's house then I will begin to couch surf with my generous and awesome friends as I wait for the final say on Deuces.

At this point, I just want to know if I'm in or not. It would be nice to book something with the power to make me SAG-AFTRA-Eligible before I leave, but the truth is that I could probably get Taft-Hartley'd in through a New Media project in California a lot quicker than waiting for something in Georgia. As my friend put it: "It doesn't matter how you get the eligibility. All that matters is that you get it."

And I will get it. I would just like to know, preferably soon, if I can get it through Deuces.

I'm itchy for that drive.

Sunday, May 13, 2012

For my mother, the great red headed southern badass.

Mom knew she had an oddball from the get-go.

I'm the bald one.
In a world where parents raised their young to say, "Maw-Maw" or "Mama," I watched Monty Python and The Holy Grail and immediately went through a phase where I simply said, "Mum." 

My classmates never missed an opportunity to point out that my choice of words made me sound like a queer. Initially, I felt clever by replying, "Is that the best you can do? I mean, come on! The double standard is obviously in my favor!"

That clever feeling rarely lasted more than a few minutes before morphing into a kind of semi-violent frustration and I would be left alone, wondering what the hell was wrong with my classmates as I drew pictures of them in my notebook and poked holes in the eyes. Who wouldn't want to say, "Mum?"

"Oh, screw 'em," my mother said when I told her, "Do you even really want to hang out with these kids? Because I really don't want them coming around to the house. They'll get things dirty." 
"It wouldn't be so bad if it wasn't... pretty much... everyone in school."
"I'm going to fill you in on a secret, kiddo," she said, plopping down in the chair and turning on the television, "the dumb ones breed faster than everyone else. It's going to be like that for the rest of your life."


My mother had been putting up with "Mum" for months by that point. If it had annoyed her in the beginning then she never let on. She always encouraged the strange quirks that we developed as we grew up. If I drew pictures of the aliens in our house, she'd still pat my head and stick them on the fridge. If I wanted to press my face against the car window and convince myself that the other passengers couldn't hear me act out little scenarios to myself, she didn't even bat an eyelash.


Whenever I became angry with my mother as a teenager or reminded her of the girls I knew who were practically best friends with their mothers, she would reply,
"I'll be your friend when you're grown. But right now, guess what? You're a kid. You're a kid living in my house and it's my job to make it so that you aren't an unbearable adult."

My mother was never afraid of tough love. She was also never afraid to go to bat for us if the occasion truly called for it. As a liberal parent raising two offbeat and stubborn daughters in a redneck infested public school system, she ran into several of those occasions. In second grade, I got a zero on on my coloring sheet because I colored my pilgrim house pink.
"What's this?" Mrs. Arnold, the second grade teacher, asked me as she handed my pilgrim sheet back to me. "Do you honestly think the pilgrims lived in pink houses?!"
I took it home and showed it to my mother, who snatched the paper away and told me that it was the best pilgrim house she had ever seen. The next day, Mrs. Arnold gave my coloring sheet back to me - only this time, a gold star covered up the cumbersome, red zero.

One of my favorite examples of this happened when I was in the sixth grade. This is a pivotal year for many children as they begin to sweep through puberty and realize that life will, for lack of a better word, suck for an indefinite amount of time. Sixth grade teachers at Madison County High School contributed to this process of elimination by identifying the more desirable children using the following questions:

A. Does this child smell suitable?
B. Does this child look like their parents groom and take good care of them?
C. Does this child say 'ma'am,' 'sir,' or 'ya'll' in an adorably southern fashion?
D. Did I teach an older sibling of this child in the past and, if so, did I enjoy them?

D did me in from day one. Unbeknownst to me, Mrs. Plamer, my sixth grade home-room teacher, had taught my older sister three years before. She identified Jennifer as an odd spirit, effectively making her an adversary.
"Watch out for her," Jennifer warned me when I received my official schedule, "She's a bitch."

Mrs. Plamer could practically smell my fear the second she began to take attendance and assign us our permanent seating arrangement.
"Malcom?"
"Present."
"Rickshaw?"
"Present!"
"... Sams."
"... Here."
She paused, shifting her eyes to my place in line.
"I had a "Sams" in my class, once," she said. Then, never shifting her glance, she added, "You have an older sister?"
"Yes," I gulped.
"And what was her name?"
"Jennifer."
"Uh-huh. Well, I taught your sister, you know. She was a different bird, that one."
With those words, Mrs. Plamer effectively doomed any hope of a formidable relationship. She also placed me in the very front of the class - the worst place someone with my apparent reputation could sit.

At first, my mother did not believe the stories I would tell her.
"Oh, come on," she'd reply, "I just don't think that your teacher is treating you differently."
"But she rolls her eyes at me."
"No, she doesn't."
"She totally does."
"Why?"
"I don't know!"
"Well, if you don't know then what am I supposed to do about it?"

One time, Mrs. Plamer caught me going through my desk during a test and accused me of cheating.
"Why were you going through your things?" asked mom. "You know how that looks to teachers."
"It doesn't matter because I wasn't cheating," I replied, "Why would I need to? We were being tested over the same problems that we were assigned for homework!"
"So your homework sheet just happened to be where you could see it while you rummaged around your desk?"

The incidents piled up. Mrs. Plamer's incessant picking on me had caused me to dread going to school every morning and returning to her for an hour at 6th period. I stopped answering in class. I stopped asking questions when mathematical concepts confused me because she would treat my question as if it burdened her to no end. I avoided any and all interaction with her and, for the most part, ignored her when she made condescending remarks toward me or my other easy-target classmates. No one could seem to catch her in an act of evil that she could not spin back on us - until one Thursday in February.

The subject for that day was long division with decimal numbers and I felt completely lost. For the first time in a month, I raised my hand to ask a question.
"Jas, just see me after class, alright? We can't hold up the entire lecture for one student."
I put my hand back down and tried to focus. I couldn't. I turned to my classmate and tried to whisper a question. I didn't get far.
"JAS."
I snapped my gaze back to the front of the room. Mrs. Plamer stared daggers in my direction.
"What in the heck is wrong with you? Are you stupid?"
I stayed silent.
"Huh? Can you tell me why you can't pay attention? Can you explain to me why you feel the need to do distracting things like tap your feet against your desk or drum your fingers? Stand up!"
I stayed seated.
"And you don't listen, either? Stand. Up."
I stood.
"Look," she said, her voice growing louder, "You are a shining example of what's wrong with kids today. Everything about you says that you don't care about learning or making a good impression on people. How do you expect to get a job?"
I remained silent. I was supposed to get a job? I was four years away from getting a learner's permit to drive.
"Exactly. You're not. Keep it up and you will never have a job, be successful, or have friends that aren't headed straight to jail."

I went to my mother that evening and told her exactly what had happened in class. This time, she looked at me with stiff expression and asked,
"Did you do anything to provoke her?"
I explained the situation again.
"This is the teacher that you have been having problems with, right?"
"Yes," I said.
"I need some kind of proof," she said slowly, "because right now I want to go into your class and tear this woman's ass up. But if I do this and you are exaggerating or lying to me -"
"Celia!" I suddenly yelled, "She's in my class. She was there."

I knew that calling upon Celia for validation was a shot in the dark. A fellow Girl Scout in my troop, she was tier two middle school royalty. This meant that while she wasn't a regular in the the most popular crowd in school, she at least wasn't slim pickings like me. Once, I had invited her to go to the fall fair with me and she claimed that she was busy. I ended up going with my parents - only to find her with more desirable company, instead. Regardless, she was my only option as her mother, Dina, and my mother were friends. I held my breath as mom fished their home phone number out of her address book.

"Dina, hi!" my mother said. "Oh, you know. Not bad. How are you? Oh, wonderful. Listen," she said, turning on the loud speaker so that I could be privy to the conversation, "I was wondering if you could do me a favor. Jas just told me Mrs. Plamer said some pretty nasty things to her during sixth period today."
"Oh, no! What kinds of things?"
"Things that make me want to rip her a new one. Can you just ask Celia if she remembers anything weird from math class today?"
"Well, sure!" replied Celia's mom. We heard her take foot steps through the house. "Sorry, ya'll, she's in the bathroom. One sec!"
We heard the sound of a door opening followed by the unmistakable sound of a running shower.
"Celia!" yelled her mother. I heard a short, startled scream from in the bathroom.
"Calm down, girl! It's just Mama. I have to ask you a question."
"Uh-huh?"
"Do you remember anything weird happening in sixth period today?"
Swiftly and without any pause for thought, Celia blurted out,
"Oh man, Mrs. Plamer said that Jas was stupid and that she was never going to get a job!"
"Thanks, Sweetie," replied her mother. Then, after the door was shut, I heard my mother turn the speakerphone off and say,
"Thanks, Dina. Oh yes, I know. You have a good night, too."

The next day, during sixth period, Mrs. Plamer was called to the office via the intercom system.
"Work on page 44 and I'll be right back," she said, annoyed.
She was gone for the entire class. I thought little of it until I was called into the hallway during seventh period and saw her waiting for me outside her classroom.
"Look," she said, clearly flustered, "I don't know what I have done to upset you. I don't know what I have done to offend you. But we are about to take whatever has gone on between us in the past and forget about it. Ok? I am sorry for whatever it is that I seem to have done."
She never admitted that the problem was that she was a complete and total bitch, but it didn't matter. I saw fear in her eyes. I realized at that moment what must have happened. My mother remained tight lipped about the matter, saying that she had merely gone to the school and "had words."

I knew better and, eventually, found out that Mom had swiftly taken the office hostage and demanded that Mrs. Plamer be brought directly to her to deal with. After threatening her job, she left with the solemn promise that if Mrs. Plamer ever so much as dared to treat me, "or any other child, for that matter," that way again, she would personally see to it that she never taught in public schools again.
"And you will apologize to my child," she said during what I can only imagine was a ferocious and fiery exit.

I never had any trouble with Mrs. Plamer after that.

My mother was right to hold off on taking action until things got bad enough. If you are lucky enough to have strange children, you have to let them learn to take a beating and hope that it forces them to take care of themselves. However, when things get too rough for a child to handle, it is your duty as a parent to see to it that the offending parties get what's coming to them.

And my mother, the fiery, red headed badass, personally saw to it that no teacher in Madison County Middle School treated me like that again. If I am ever responsible for the upbringing of young people, I can only hope that I can take care of any offending teachers the same way that she did for me.

Happy Mother's Day, Mum. You are awesome!


Wednesday, May 9, 2012

SBAP Video: Filming "Ace High" in Florida!

Look at this sweet still from Ace High. I can't believe this was a few weeks ago.







Remember the slew of Roadtrip Realtalk I did a little while ago? I made a little behind the scenes video blog that actually shows you some of the film I was en route to! You also get to see my audition. Watch!



Thursday, May 3, 2012

I was trying to find some appropriate clothes for LA.

It prompted me to initiate the following corrospondance:

Dear Women's Clothes,

why u gotta be like that

Sincerely,
Jas