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A PALE GREENISH-WHITE JADE DOUBLE BIRD-FORM CENSER AND COVER
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A PALE GREENISH-WHITE JADE DOUBLE BIRD-FORM CENSER AND COVER
Estimate
(Set Currency)
    $15,000 - $20,000

Sale Information

Sale 2196
fine chinese ceramics and works of art
15 September 2009
New York, Rockefeller Plaza

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Lot Description

A PALE GREENISH-WHITE JADE DOUBLE BIRD-FORM CENSER AND COVER
The censer formed by the hollow shared body of two phoenixes standing on long legs amidst lingzhi fungus, with further stems of lingzhi suspending loose rings grasped in their beaks as they turn their heads in opposite directions, the openwork handles, which suspend loose rings, and the cover also formed by lingzhi sprigs
7 5/8 in. (19.4 cm.) high

Lot Condition Report
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Pre-Lot Text

Property from the Collection of Mr. and Mrs. Paul E. Manheim (lots 149-51)

Paul Manheim (1906-1999) was a rare early American collector of Asian art whose insight and vision distinguished him as one of America's most astute and discerning collectors. Professionally, Mr. Manheim joined the New York Wall Street firm, Lehman Brothers in 1928, and was a partner since 1944. As his financial successes grew, so did his interest in art. Manheim began collecting Asian art in the 1960s, with a special focus on works from India and Nepal. Before his death, the generous collector donated many works to the Brooklyn Museum, where he served on its Board of Trustees. This September, Christie's is honored to present several works of art from this distinguished collection, both in this sale and in our sale of Indian and Southeast Asian Art.

Provenance

Yamanaka & Co., Liquidation sale: Parke-Bernet Galleries, New York, 24-27 May 1944, lot 436.
Sotheby's, New York, 24 June 1982, lot 163.

Exhibited

Grand Exhibition: Ancient Chinese and Corean Works of Art, Yamanaka & Co., Osaka, 1934, no. 838.
Three Dynasties of Jade, Indianapolis Museum of Art, 1971, no. 57.

Lot Notes

According to legend, the phoenix first appeared in Chinese history during the reign of the semi-mythical Yellow Emperor, circa 2600 BC, and is supposed to appear only in times of peace and prosperity. The phoenix also presides over the southern quadrant of the heavens, and during the Tang dynasty became the symbol of the empress. According to Terese Tse Bartholomew in Hidden Meanings in Chinese Art, Hong Kong, 2006, p. 54, the five-colored tail of the phoenix represents the five cardinal virtues of benevolence, righteousness, propriety, knowledge and sincerity.

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